Fbi'' Movie Quotes

I would love to say that I wrote (Good Will Hunting). Here is the truth. In my obit it will say that I wrote it. People don't want to think those two cute guys wrote it. What happened was, they had the script. It was their script. They gave it to Rob [Reiner] to read, and there was a great deal of stuff in the script dealing with the F.B.I. trying to use Matt Damon for spy work because he was so brilliant in math. Rob said, "Get rid of it." They then sent them in to see me for a day - I met with them in New York - and all I said to them was, "Rob's right. Get rid of the F.B.I. stuff. Go with the family, go with Boston, go with all that wonderful stuff." And they did. I think people refuse to admit it because their careers have been so far from writing, and I think it's too bad. I'll tell you who wrote a marvelous script once, Sylvester Stallone. Rocky's a marvelous script. God, read it, it's wonderful. It's just got marvelous stuff. And then he stopped suddenly because it's easier being a movie star and making all that money than going in your pit and writing a script. But I did not write [Good Will Hunting], alas. I would not have written the "It's not your fault" scene. I'm going to assume that 148 percent of the people in this room have seen a therapist. I certainly have, for a long time. Hollywood always has this idea that it's this shrink with only one patient. I mean, that scene with Robin Williams gushing and Matt Damon and they're hugging, "It's not your fault, it's not your fault." I thought, Oh God, Freud is so agonized over this scene. But Hollywood tends to do that with therapists. (from 2003 WGA seminar)

I totally feel like an FBI agent right now, with my legs spread and my arms out straight, gripping the gun. I’ll bet my butt looks awesome. … I squint at the target, holding the gun like I’ve seen FBI guys do it in the movies. I am so badass.

Some people still in the BSU have also taken to claiming that they were the models for the FBI characters in the book and movie The Silence of the Lambs, though Harris has stated (and I agree) that the characters are entirely his own and not based on any particular individuals.

When one looks back across a chasm of seventy years, through a prism of pulp fiction and bad gangster movies, there is a tendency to view the events of 1933-34 as mythic, as folkloric. To the generations of Americans raised since World War II, the identities of criminals such as Charles “Pretty Boy” Floyd, Baby Face Nelson, “Ma” Barker, John Dillinger, and Clyde Barrow are no more real than are Luke Skywalker or Indiana Jones. After decades spent in the washing machine of popular culture, their stories have been bled of all reality, to an extent that few Americans today know who these people actually were, much less that they all rose to national prominence at the same time.

Sometime in the fifties I remember seeing On the Waterfront in the movies with Mary and thinking that I’m at least as bad as that Marlon Brando character and that some day I’d like to get in union work. The Teamsters gave me good job security at Food Fair. They could only fire you if they caught you stealing. Let me put it another way, they could only fire you if they caught you stealing and they could prove it. • chapter eight • Russell Bufalino In 1957 the mob came out of the closet. It came out unwillingly, but out it came. Before 1957 reasonable men could differ over whether an organized network of gangsters existed in America. For years FBI director J. Edgar Hoover had assured America that no such organization existed, and he deployed the FBI’s greatest resources to investigate suspected Communists. But as a result of the publicity foisted on the mob in 1957, even Hoover came on board. The organization was dubbed “La Cosa Nostra,” meaning “this thing of ours,” a term heard on government wiretaps. Ironically,

By mid-summer only Ma Barker remained in Chicago, lost in her jigsaw puzzles. Karpis drove over to visit her one weekend and found she was doing surprisingly well. He and Dock took her to see a movie. To their horror, the film was preceded by a newsreel warning moviegoers to be on the lookout for Dillinger, Nelson, Pretty Boy Floyd, Karpis, and the Barkers. Karpis scrunched low in his seat as their pictures flashed on the screen. “One of these men may be sitting next to you,” the announcer said. Karpis pulled his hat low over his forehead.

One night, when Violet’s parents had gone out, he teased her about it, whispering against her throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him. Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.” Jay stiffened, and Violet realized that she’d struck a nerve. “What is it?” He shook his head, and Violet thought he might say, “Nothing,” so when he answered, his words caught her off guard. “Is there someone else, Vi?” Violet frowned, baffled by the unfamiliar jealousy she saw on his face. She wondered what in the world he meant as she reached down and smoothed a strand of hair from his forehead. “What are you talking about, Jay?” His eyes met hers. “I saw you with that guy at the movies, Vi. Who was he?” Violet closed her eyes. She wasn’t ready yet. She didn’t want to tell him about the FBI, about Sara and Rafe or what she’d learned about Mike’s mother. She wondered briefly if he knew about Mike’s mom-if his friend had ever confided in him. But somehow she doubted it. Jay wasn’t like her; he didn’t keep secrets. “It’s not like that,” she explained, hoping that would be enough. Jay got up and went to the window, pushing the curtain aside. Every muscle in his body was rigid. “Like what, Vi? What’s going on? Something’s been bothering you lately. Why can’t you tell me?” He was right. She owed it to him to at least try. “I don’t know how to explain, but I just feel like everything’s changed between us-“ “Of course it’s changed, Violet, what’d you expect?” Violet tried to ignore the bitterness in his voice, telling herself she had no right to be hurt. “It used to be that I would never keep secrets from you. You were my best friend. But now that we’re dating, it’s just…different. I feel like I have to watc what I say, or you get all worried. Sometimes I just want you to be the old Jay again, so I can talk to you.” Violet crept up behind him, wrapping her arms around his waist and resting her cheek against his back.

EVEN THOUGH I KNEW it was going to be what she would ask me, Graciela McCaleb’s request gave me pause. Terry McCaleb had died on his boat a month earlier. I had read about it in the Las Vegas Sun. It had made the papers because of the movie. FBI agent gets heart transplant and then tracks down his donor’s killer. It was a story that had Hollywood written all over it and Clint Eastwood played the part, even though he had a couple decades on Terry. The film was a modest success at best, but it still gave Terry the kind of notoriety that guaranteed an obituary notice in papers across the country. I had just gotten back to my apartment near the strip one morning and picked up the Sun. Terry’s death was a short story in the back of the A section.

This series capitalized on the new Red scare of the early 1950s: 78 episodes were recorded, without any assistance from the FBI, which refused to cooperate. It didn’t matter: anti-Communist hysteria was at a peak, and by the end of 1952 I Was a Communist was scheduled on more than 600 stations—far more than if it had been on any network. The show was based on the book (and subsequent movie) by Matt Cvetic and purportedly told of his adventures as an undercover operative who joined the Communist Party to spy from within. Many of the stories contained double-edged conflicts: Cvetic constantly jockeyed for information, walking a tightrope among suspicious Party officials while unable to reveal his true mission even to his family, who shunned him. Communists were stereotyped, much as Hitler’s Nazis had been a few years before: they were seen as cold and humorless, with their single goal to enslave the world. Cvetic could never be sure who might be a Party spy. Dana Andrews gave it an air of Hollywood glamor, always closing with these words: “I was a Communist for the FBI. I walk alone.

Finally, he looked sideways at Vaughn. “So. I guess this is probably a good time to mention that Isabelle is pregnant.” That got a small chuckle out of Vaughn. “I kind of figured that already. I’ve had my suspicions for a few weeks.” Simon nodded. “Isabelle wondered if you knew.” “You could’ve told me, Simon,” Vaughn said, not unkindly. “I get why you might not want Mom to know yet, but why not talk to me about it?” Simon leaned forward, resting his elbows on his knees. “I guess I didn’t think you’d understand.” “I wouldn’t understand that you want to marry the woman who’s pregnant with your child? I think that’s a concept I can grasp.” “See, that’s just it.” Simon gestured emphatically. “I knew that’s how you would see it. That I’m marrying Isabelle because I got her pregnant. And I don’t want you, or Mom, or anyone else to think about Isabelle that way—that she’s the woman I had to marry, because it was the right thing to do. Because the truth is, I knew I wanted to marry Isabelle on our second date. She invited me up to her apartment that night, and I saw that she had the entire James Bond collection on Blu-ray. Naturally, being the Bond aficionado that I am, I threw out a little test question for her: ‘Who’s the best Bond?’” Vaughn scoffed. “Like there’s more than one possible answer to that.” “Exactly. Sean Connery’s a no-brainer, right? But get this—she says Daniel Craig.” Simon caught Vaughn’s horrified expression. “I know, right? So I’m thinking the date is over because clearly she’s either crazy or has seriously questionable taste, but then she starts going on and on about how Casino Royale is the first movie where Bond is touchable and human, and then we get into this big debate that lasts for nearly an hour. And as I’m sitting there on her couch, I keep thinking that I don’t know a single other person who would relentlessly argue, for an hour, that Daniel Craig is a better Bond than Sean Connery. She pulled out the DVDs and showed me movie clips and everything.” He smiled, as if remembering the moment. “And somewhere in there, it hit me. I thought to myself, I’m going to marry this woman.

Once you learn to think like another creature, you can anticipate what it will do and react before it ever acts. If that sounds a little Hollywood, then you've seen your share of movies about impossibly clairvoyant FBI profilers who can "see with the eyes of the killer." But out there on the Kalahari plains, mind-throwing was a very real and potentially deadly talent.

Hackers in Hollywood movies are phenomenal; all they need to do is: "c:\> hack into fbi

her ears? Trying to hold on to a thought." ♦◊♦◊♦◊♦ Hackers in Hollywood movies are phenomenal; all they need to do is: "c:\> hack into fbi" ♦◊♦◊♦◊♦ Hand over the calculator, friends don't let friends derive drunk. ♦◊♦◊♦◊♦ Help support helpless victims of computer error.

I said he was a shitty agent, not a shitty politician.” Claire still couldn’t read the man’s expression. “You don’t sound like a fan.” Nolan clasped his hands together on the table. “On the surface, it seems like we’re making progress, but when I think back on the last few minutes of our conversation, I get the feeling that you’re questioning me instead of the other way around.” “You’ll make a great detective one day.” “Fingers crossed.” He flashed a grin. “I want to tell you something about the FBI.” “You always win?” “Sure, there’s that, and terrorists, of course. Kidnappers, bank robbers, pedophiles—nasty fuckers—but nuts and bolts, what we at the ol’ FBI deal in day-to-day is curiosities. Did you know that?” Claire didn’t respond. He’d clearly given this speech before. Nolan continued, “Local cops, they find something curious they can’t figure out, and they bring it to us, and we either agree that it’s curious or we don’t. And generally when we agree, it’s not just the one curious thing, it’s several curious things.” He held up his index finger. “Curious thing number one: your husband embezzled three million dollars from his company. Only three million dollars. That’s curious, because you’re loaded, right?” Claire nodded. “Curious thing number two.” He added a second finger. “Paul went to college with Quinn. He shared a dorm room with the guy, and then when they were in grad school together, they shared an apartment, and then Quinn was best man at your wedding, and then they started the business together, right?” Claire nodded again. “They’ve been best friends for almost twenty-one years, and it seemed curious to me that after twenty-one years, Quinn figures out his best buddy is stealing from their company, the one they built together from the ground up, but instead of going to his buddy and saying ‘Hey, what the fuck, buddy?’ Quinn goes straight to the FBI.” The way he put it together did seem curious, but Claire only said, “Okay.” Nolan held up a third finger. “Curious thing number three: Quinn didn’t go to the cops. He went to the FBI.” “You have domain over financial crimes.” “You’ve been reading our Web site.” Nolan seemed pleased. “But lemme ask you again: Is that what you’d do if your best friend of twenty-one years stole a small, almost negligible, amount of money from your zillion-dollar company—find the biggest, baddest stick to fuck him with?” The question gave Claire a different answer: Adam had turned in Paul to the FBI, which meant that Adam and Paul were not getting along. Either Adam Quinn didn’t know about the movies or he knew about the movies and he was trying to screw over Paul.

If you hadn’t been there, I’m not entirely sure I would’ve been able to stop myself from hurting the guy worse. That’s why I need to get to the lake house and be alone.” She sniffed. There was so much in that one little derisive sound that he had to look her way. “What?” Her expression went deadpan. “You realize that is a completely ridiculous plan, right?” He frowned. “Come on, Finn.” She pursed those red-glossed lips like she could barely tolerate his foolishness. “That is such a man plan.” “A man plan.” “Yes. You don’t know how to be among the living anymore so you’re going to…go live alone in a cave. Right. Good thinking. That will pop your how-to-be-human skills right back into place.” He made a frustrated sound and pulled into the lot of the hotel to park so he could face her, make her understand. “You saw what happened today. I’m not fit to be around other people right now. I beat a guy down for taking a picture. And I was…aggressive with you last night.” “Aggressive?” Her mouth flattened, and she put a finger to her chest. “I kissed you. I was the aggressor. You were just…complicit in the aggressiveness. And you’re lucky I haven’t gone two years’ celibate, because had I been in your shoes, I would’ve convinced you to go up to my room and used you eight ways to Sunday and back again by now. You’d be limping.” His libido gave a hard kick and knocked the logical thoughts out of his head for a moment. “I—” “You need to be around people.” That snapped his attention back to where it needed to be—mostly. “No.” “You promised your boss you’d be around friends. You made me promise your boss that I’d make sure you did that. You made me lie to the FBI. That’s got to be a federal offense or something.” “Made is a strong word.” “Finn.” He groaned. “What would you have me do? You want to babysit me, Livvy? Come stay at my lake house and make sure I don’t turn into a deviant?” She stared at him, her gaze way too sharp, and then tipped her chin up in challenge. “Is that an invitation? Because you know you shouldn’t test me. I could babysit the hell out of you, Finn Dorsey. I know who you used to be. You don’t get to become a bad guy. I will make you do slumber-party things like play charades or watch crappy nineties movies or incessant reruns of Friends. You won’t be able to fight your old goofy side. It will emerge like a freaking butterfly and smother scary Finn.” He blinked and stared, and then he couldn’t help it—he laughed. “A freaking butterfly?” She smiled triumphantly. “A goofy freaking butterfly.” He let out a long breath, some of the tension from the morning draining out of him. “You’re weird.” “So are you.

Seriously. What’s with the face?” Jordan asked. “You’re scaring my cabernets with that scowl.” “I’m just working through some stuff,” he said vaguely. Jordan raised an eyebrow, studying him. “Prison stuff?” “More like post-prison stuff. Nothing we need to talk about.” The last thing he needed his super-perfect twin sister with her super-perfect FBI boyfriend knowing was that he was in another dispute, of sorts, with the U.S. Attorney’s Office. He was cranky enough about the situation without Jordan laying into him about it. He’d left prison several weeks ago and was supposed to be moving on with his life, yet the vestiges of the place still clung to him. Like bad BO. He picked up four of the wine bottles Jordan had unpacked. “Where do you want these?” She pointed. “In the empty bin over there, with the other cabernets.” She looked over when Kyle came back to the bar. “So what kind of post-prison stuff?” Now he was getting suspicious. “What’s with the twenty questions?” “Sue me for trying to open a dialogue here. Geez. I’ve just been a little worried about you, since I’ve heard that it can sometimes be difficult for ex-inmates to reenter normal life.” Kyle shot her a look as he grabbed more wine bottles. “Where, exactly, did you hear that? Siblings of Ex-Cons Anonymous?” Jordan glared. “Yes, we have weekly meetings at the YMCA,” she retorted. Then she waved her hand vaguely. “I don’t know, it’s just…something I saw on TV this past weekend.” Ah. Kyle suddenly had a sneaking suspicion about the cause of his sister’s concern. “Jordo…by any chance were you watching The Shawshank Redemption again?” “Pfft. No.” She saw his knowing expression and caved. “Fine. I was flipping through the channels and it was on TNT. You try turning that movie off.” She looked at him matter-of-factly. “It’s very compelling.

movie

reality becomes a part of the story. “The man who sat beside you in the bus becomes the voice of the neighbor. The little girl who disappears at the beginning of the book looks like your best friend’s grandchild. You visualize the towns you’ve visited and the restaurants you’ve eaten in. What you love becomes what you love in the book, and the fears of the characters become your own. It’s immersive, but also transient. It’s like when you watch a movie made from a book. It probably doesn’t look exactly like what you thought it would, because you’re seeing the experience another person had with that book.

I’ve heard the rumors about us dating. The FBI agent and the mafia princess. It’s too good a storyline for gossips to pass up. But shit like that only works in movies. Or books. In real life, it’s a fucking mess.

QUICK MENTAL RECAP: KIDNAPPED BY Mafia gang ruled by insane, chain-smoking reject from the sixties—female; discover husband has alias name and FBI badge that he’s been able to keep hidden from me for seventeen years (reminder to self: get a clue!); follow half-baked scheme provided by Brad Pitt look-alike to make a quick getaway through guest bathroom; wind up playing bad game of Twister in bathtub with Elvis Presley wannabe; witness the whacking of FBI husband; hear Elvis Presley wannabe proclaim, regarding husband’s whacker: “That’s No Toes” and follow up with obvious comment, “Dis ain’t good.” Would Al Pacino be caught dead in this movie? Definitely not.

Jack Webb had been active in radio for several years before Dragnet propelled him to national prominence. He had arrived at KGO, the ABC outlet in San Francisco, an unknown novice in 1945. Soon he was working as a staff announcer and disc jockey. His morning show, The Coffee Club, revealed his lifelong interest in jazz music, and in 1946 he was featured on a limited ABC-West network in the quarter-hour docudrama One out of Seven. His Jack Webb Show, also 1946, was a bizarre comedy series unlike anything else he ever attempted. His major break arrived with Pat Novak: for 26 weeks Webb played a waterfront detective in a series so hard-boiled it became high camp. He moved to Hollywood, abandoning Novak just as that series was hitting its peak. Mutual immediately slipped him into a Novak sound-alike, Johnny Modero: Pier 23, for the summer of 1947. He played leads and bit parts on such series as Escape, The Whistler, and This Is Your FBI. He began a film career: in He Walked by Night (1948), Webb played a crime lab cop. The film’s technical adviser was Sergeant Marty Wynn of the Los Angeles police. Webb and Wynn shared a belief that pure investigative procedure was dramatic enough without the melodrama of the private eye. The seeds of Dragnet were sown on a movie set.

The archetypal example is portrayed in the 1991 movie Silence of the Lambs, where Jodie Foster, who plays a junior FBI agent, seeks out, listens to, and acts on information from a psychotic murderer named Hannibal Lecter. Despite the fact that Hannibal Lecter was serving a life sentence in prison while the murders took place, Jodie Foster’s character understood that Lecter had the same mind-set and many of the same life experiences as the killer she was trying to capture. Silence of the Lambs was just a movie, but if we in the United States had had someone like Hannibal Lecter who had the same mind-set and many of the same life experiences as the terrorists that masterminded 9/11, we surely would have tapped into his knowledge base, wouldn’t we?

Should you go and see a Russian movie, or would they take your license plate and send it in to the FBI?