Father Birthday Quotes

We've searched our database for all the quotes and captions related to Father Birthday. Here they are! All 100 of them:

Just tell me, Percy, do you still have the birthday gift I gave you last summer?" I nodded and pulled out my camp necklace. It had a bead for every summer I'd been at Camp Half-Blood, but since last year I'd also kept a sand dollar on the cord. My father had given it to me for my fifteenth birthday. He'd told me I would know when to "spend it," but so far I hadn't figured out what he meant. All I knew that it didn't fit the vending machines in the school cafeteria.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Kat had been picking things up since her third birthday, when Hamish and Angus's father took them all to the circus because he needed to "borrow" an elephant.
Ally Carter (Heist Society (Heist Society, #1))
Gwen stopped putting her money in the bag. "You're giving your father a picture of a door for his birthday?" And she'd thought Mitch marking up pages in her copy of Vogue and telling her, "This is what I'd get you for your birthday if I had money" had been cheap.
Shelly Laurenston (The Mane Squeeze (Pride, #4))
I realized right then and there, in that hallway, that I wanted no other... I became the man she needed me to be because she had sense enough to have requirements-standards that she needed in her relationship in order to make the relationship work for her. She knew she wanted a monogamous relationship-a partnership with a man who wanted to be a dedicated husband and father. She also knew this man had to be faithful, love God, and be willing to do what it took to keep this family together. On a smaller scale she also made it clear that she expected to be treated like a lady at every turn-I'm talking opening car doors for her, pulling out her seat when she's ready to sit at the table, coming correct on anniversary, Mother's Day, and birthday gifts, keeping the foul talk to a minimum. These requirements are important to her because they lay out a virtual map of what I need to do to make sure she gets what she needs and wants. After all, it's universal knowledge that when mama is happy, everybody is happy. And it is my sole mission in life to make sure Marjorie is happy.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
Dad had once said, Trust your mind, Rob. If it smells like shit but has writing across it that says Happy Birthday and a candle stuck down in it, what is it? Is there icing on it? he'd said. Dad had done that thing of squinting his eyes when an answer was not quite there yet.
George Saunders (Tenth of December)
London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
My father always said I would do something big one day.‘I’ve got a feeling about you, John Osbourne,’ he’d tell me, after he’d had a few beers.‘You’re either going to do something very special, or you’re going to go to prison.’ And he was right, my old man. I was in prison before my eighteenth birthday.
Ozzy Osbourne (I Am Ozzy)
Damn right! The time of your life! Gotta wrap up all those life events, all those parties, into one - birthdays, wedding, funeral." THen he turns to their father. "Very efficient, right, Dad?".... "Here's to my brother, Lev," Marcus says. "And to our parents! Who have always done the right thing. The appropriate thing. Who have always given generously to charity. Who have always given 10 percent of everything to our church. Hey, Mom - we're lucky you had ten kids instead of five, otherwise we'd end up having to cut Lev off at the waist!
Neal Shusterman (Unwind (Unwind, #1))
Fine. We can make it a combination Christmas and birthday present. You decide. I'll leave it up to you". If it were up to him, he would give him everything: sun and moon, eternal happiness, serene and uncomplicated.
Judith Guest (Ordinary People)
She shivered, then shook her head and closed her eyes. She had to pray before bed. It was her duty to pray. Only, after tomorrow, it wouldn’t be her duty anymore. Her father, Lord Vlad Dracula, the prince—or voivode—of Wallachia was coming for her on her eighteenth birthday. He had sent word two months before. Assuming he still lives.
John Patrick Kennedy (Princess Dracula (Princess Dracula #1))
On her eighteenth birthday, my mother had disposed of a man-eating tiger that had ravaged the villages in the hills north of Hanoi. Now, without a moment's hesitation, she raised my father's gun, took aim and put a single, irreproachable bullet through my husband's head.
Angela Carter (The Bloody Chamber and Other Stories)
Every faculty you have, your power of thinking or of moving your limbs from moment to moment, is given you by God. If you devoted every moment of your whole life exclusively to His service you could not give Him anything that was not in a sense his own already ... It is like a small child going to its father and saying, 'Daddy, give me sixpence to buy you a birthday present.' It is all very nice and proper, but only an idiot would think that the father is sixpence to the good on the transaction.
C.S. Lewis (Mere Christianity)
My father always says one thing leads to another. It certainly does. I started out to buy a friend a birthday present, and I end up trying to get a factory to go with it....
Jean Merrill (The Toothpaste Millionaire)
As much as a child's birthday is important to a parent, as much as twenty one meant to me, a year in recovery means more.
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
Ten yeaars ago, on my sixth birthday, my father disappeared. No, he didn't leave. Leaving would imply suitcases and empty drawers, and late birthday cards with ten-dollar bills stuffed inside.Leaving would imply he was unhappy with Mom and me, or he found a new love elsewhere. None of that was true.
Julie Kagawa (The Iron King (The Iron Fey, #1))
-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you
Leonard Cohen (Flowers for Hitler)
If you had to pack your whole life into a suitcase--not just the practical things, like clothing, but the memories of the people you had lost and the girl you had once been--what would you take? The last photograph you had of your mother? A birthday gift from your best friend--a bookmark embroidered by her? A ticket stub from the traveling circus that had come through town two years ago, where you and your father held your breath as jeweled ladies flew through the air, and a brave man stuck his head in the mouth of a lion? Would you take them to make wherever you were going feel like home, or because you needed to remember where you had come from?
Jodi Picoult (The Storyteller)
Interrupting what promised to be a long spate of fatherly advice, St. Vincent said in a clipped voice, “It’s not a love match. It’s a marriage of convenience, and there’s not enough warmth between us to light a birthday candle. Get on with it, if you please. Neither of us has had a proper sleep in two days.” Silence fell over the scene, with MacPhee and his two daughters appearing shocked by the brusque remarks. Then the blacksmith’s heavy brows lowered over his eyes in a scowl. “I don’t like ye,” he announced. St. Vincent regarded him with exasperation. “Neither does my bride-to-be. But since that’s not going to stop her from marrying me, it shouldn’t stop you either. Go on.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
AFTER THEIR FALL INTO TARTARUS, jumping three hundred feet to the Mansion of Night should have felt quick. Instead, Annabeth’s heart seemed to slow down. Between the beats she had ample time to write her own obituary. Annabeth Chase, died age 17. BA-BOOM. (Assuming her birthday, July 12, had passed while she was in Tartarus; but honestly, she had no idea.) BA-BOOM. Died of massive injuries while leaping like an idiot into the abyss of Chaos and splattering on the entry hall floor of Nyx’s mansion. BA-BOOM. Survived by her father, stepmother, and two stepbrothers who barely knew her. BA-BOOM. In lieu of flowers, please send donations to Camp Half-Blood, assuming Gaea hasn’t already destroyed it. Her feet hit solid floor. Pain shot up her legs, but she stumbled forward and broke into a run, hauling Percy after her.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
I think maybe, when I was very young, I witnessed a chaste cheek kiss between the two when it was impossible to avoid. Christmas, birthdays. Dry lips. On their best married days, their communications were entirely transactional: 'We're out of milk again.' (I'll get some today.) 'I need this ironed properly.' (I'll do that today.) 'How hard is it to buy milk?' (Silence.) 'You forgot to call the plumber.' (Sigh.) 'Goddammit, put on your coat, right now, and go out and get some goddamn milk. Now.' These messages and orders brought to you by my father, a mid-level phonecompany manager who treated my mother at best like an incompetent employee.
Gillian Flynn (Gone Girl)
My father had always told me that my birthday was the first day of spring. Not a specific day of the year, but the feeling- an undercurrent of warmth waking up the earth. The scent of violets. Green in the air, he called it.
Erica Bauermeister (The Scent Keeper)
Things you can buy with half a million dollars: a car that looks more like a space creature than a car. A designer platinum purse to carry a small dog. A small dog. A performance by your favorite musical artist for your birthday. A diamond-encrusted bottle of Dominican rum. A mansion. A yacht. A hundred acres of land. Houses, but not homes. All four years of college or beautician school & certificate. Five hundred flights to the Dominican Republic. A half million Dollar Store chess sets, with their accompanying boxes. A hundred thousand copies of Shakespeare's The Tempest. Apparently a father.
Elizabeth Acevedo (Clap When You Land)
[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
I had loved him since the moment he’d taken the pudding from me. When my father had announced on Dez’s eighteenth birthday that he supported a match between us, I’d never been happier than I was in that moment. I was young. And stupid. When Dez had disappeared the very next day, I experienced a heartache that I thought would swallow me whole and never spit me out. He’d been more than a crush. He had been my best friend, my confidant and my world.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
Found naked with a few of his grandfather’s kitchen maids? His father’s claw right to the back of the head. Suggest that when his mother was in human form she may want to stay away from things that brought out the largeness of her ass? His father’s claw right to the back of the head. Set up a small eightieth birthday party for his youngest brother Éibhear that involved a few of the local brothel girls? His mother’s claw right to the back of the head.
G.A. Aiken (What a Dragon Should Know (Dragon Kin, #3))
That was before I learned that life won't give you reasons for none of it, that sometimes fathers disappear and little girls don't make it to another birthday and mothers forget to be mothers.
Leila Mottley
My father then said, ‘Mike, I’ve told you how dinosaurs went extinct. An asteroid crashed into the Earth. The world first became a sea of fire, and then sank into a prolonged period of darkness and coldness.… One night, you woke from a nightmare, saying that you had dreamt that you were back in that terrifying age. Let me tell you now what I wanted to tell you that night: If you really lived during the Cretaceous Period, you’d be fortunate. The period we live in now is far more frightening. Right now, species on Earth are going extinct far faster than during the late Cretaceous. Now is truly the age of mass extinctions! So, my child, what you’re seeing is nothing. This is only an insignificant episode in a much vaster process. We can have no sea birds, but we can’t be without oil. Can you imagine life without oil? Your last birthday, I gave you that lovely Ferrari and promised you that you could drive it after you turned fifteen. But without oil, it would be a pile of junk metal and you’d never drive it. Right now, if you want to visit your grandfather, you can get there on my personal jet and cross the ocean in a dozen hours or so. But without oil, you’d have to tumble in a sailboat for more than a month.… These are the rules of the game of civilization: The first priority is to guarantee the existence of the human race and their comfortable life. Everything else is secondary.
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
Though she’d begun to get a bit fat that winter, it was in February, around when her father found a toy poodle (sitting there, in the side yard, watchful and waiting as a person), and adopted it, that a weightlessness entered into Chelsea’s blood—an inside ventilation, like a bacteria of ghosts—and it was sometime in the fall, before her 23rd birthday, that her heart, her small and weary core, neglected now for years, vanished a little, from the center out, took on the strange and hollowed heaviness of a weakly inflated balloon.
Tao Lin (Bed)
For many years, February was a difficult month for me after the death of my parents. My father died in February, just a week before my mother's birthday. For years their loss cast a pall over the month. I missed them terribly. But time has changed things. I see my father often in the face of my son and I run into my mother daily each time I pass the hall mirror.
Mary Morrell (Things My Father Taught Me About Love)
For her next birthday she'd asked for a telescope. Her mother had been alive then, and had suggested a pony, but her father had laughed and bought her a beautiful telescope, saying: "Of course she should watch the stars! Any girl who cannot identify the constellation of Orion just isn't paying attention!" And when she started asking him complicated questions, he took her along to lectures at the Royal Society, where it turned out that a nine-year-old girl who had blond hair and knew what the precession of the equinoxes was could ask hugely bearded famous scientists anything she liked. Who'd want a pony when you could have the whole universe?
Terry Pratchett
Today is my thirtieth birthday and I sit on the ocean wave in the schoolyard and wait for Kate and think of nothing. Now in the thirty-first year of my dark pilgrimage on this earth and knowing less than I ever knew before, having learned only to recognize merde when I see it, having inherited no more from my father than a good nose for merde, for every species of shit that flies—my only talent—smelling merde from every quarter, living in fact in the very century of merde, the great shithouse of scientific humanism where needs are satisfied, everyone becomes an anyone, a warm and creative person, and prospers like a dung beetle, and one hundred percent of people are humanists and ninety-eight percent believe in God, and men are dead, dead, dead; and the malaise has settled like a fall-out and what people really fear is not that the bomb will fall but that the bomb will not fall—on this my thirtieth birthday, I know nothing and there is nothing to do but fall prey to desire.
Walker Percy
Let’s see if I remember all of this—born in Charlottesville, Virginia, but raised in Salem by her mother, Susan, a teacher, and her father, Jacob, a police officer. Attended Salem Elementary School until your tenth birthday, when your father called into his station to report an unknown child in his house—” “Stop,” I muttered. Liam looked over his shoulder, trying to divide his attention between me and the boy reciting the sordid tale of my life. “—but, bad luck, the PSFs beat the police to your house. Good luck, someone dropped the ball or they had other kiddies to pick up, because they didn’t wait around long enough to question your parents, and thus, didn’t pre-sort you. And then you came to Thurmond, and you managed to avoid their detecting you were Orange—” “Stop!” I didn’t want to hear this—I didn’t want anyone to hear it.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I glance at his father, seeing his eyes downcast and looking at Cole’s hand on me. His jaw flexes as he looks back up.
Penelope Douglas (Birthday Girl)
A well-known psychologist once said, 'When a child reaches his third birthday, his parents will have given him half of all that they will ever be able to give him in the way of education.
Corrie ten Boom (Father Ten Boom, God's Man)
I was sent forth from the power, and I have come to those who reflect upon me, and I have been found among those who seek after me. Look upon me, you who reflect upon me, and you hearers, hear me. You who are waiting for me, take me to yourselves. And do not banish me from your sight. And do not make your voice hate me, nor your hearing. Do not be ignorant of me anywhere or any time. Be on your guard! Do not be ignorant of me. For I am the first and the last. I am the honored one and the scorned one. I am the whore and the holy one. I am the wife and the virgin. I am and the daughter. I am the members of my mother. I am the barren one and many are her sons. I am she whose wedding is great, and I have not taken a husband. I am the midwife and she who does not bear. I am the solace of my labor pains. I am the bride and the bridegroom, and it is my husband who begot me. I am the mother of my father and the sister of my husband and he is my offspring. I am the slave of him who prepared me. I am the ruler of my offspring. But he is the one who begot me before the time on a birthday. And he is my offspring in (due) time, and my power is from him. I am the staff of his power in his youth, and he is the rod of my old age. And whatever he wills happens to me. I am the silence that is incomprehensible and the idea whose remembrance is frequent. I am the voice whose sound is manifold and the word whose appearance is multiple. I am the utterance of my name. -The Thunder, Perfect Mind
George W. MacRae
That was before I learned that life won’t give you reasons for none of it, that sometimes fathers disappear and little girls don’t make it to another birthday and mothers forget to be mothers.
Leila Mottley (Nightcrawling)
EVERYONE HAD ALWAYS said that John would be a preacher when he grew up, just like his father. It had been said so often that John, without ever thinking about it, had come to believe it himself. Not until the morning of his fourteenth birthday did he really begin to think about it, and by then it was already too late
James Baldwin (Go Tell It on the Mountain)
Dave once asked me what blind people dream about. Mostly in sound and feeling, I replied. At night I fall in love with a voice, and then wake to a feeling of physical loss. Sometimes I close my eyes to a chorus of “Happy Birthday!” The smell of cake and the sound of feet under the table. I awake in a body that’s too big. I also dream in motion and sensation. My father’s boat and the snore of the mast; the rough fabric of the safety harness and the rip of Velcro. The sun on my legs. And endless stretch of water impossible to imagine.
Simon Van Booy (The Illusion of Separateness)
The extraordinary dedication of the young Mozart, under the guidance of his father, is perhaps most powerfully articulated by Michael Howe, a psychologist at the University of Exeter, in his book Genius Explained. He estimates that Mozart had clocked up an eye-watering 3,500 hours of practice even before his sixth birthday.
Matthew Syed (Bounce: Mozart, Federer, Picasso, Beckham, and the Science of Success)
The alcohol and attention bewitched her. Within half an hour, she was so charmed and spirited that she’d begun to tell stories from her childhood: how her older brother Bill had run away to join the navy and sent her a pet monkey from Madagascar, which had arrived precisely on her birthday, except dead. How a rooster had had it in for her and chased her all the way down to the Preston bridge on her way to fourth grade. (Her father later paid the owner seventy-five cents for the pleasure of wringing its neck. They had it for Sunday dinner and it was tough as shoe leather.)
Wally Lamb (She's Come Undone)
That part of the press release about me asking your father’s permission to marry you was true—well, partly true, anyway. I didn’t ask permission—I knew you wouldn’t like that, it’s sexist. You’re not your father’s property. But I did see him before we left, to tell him I was going to propose to you this weekend, and ask for his blessing.” I was stunned. “Wait . . . is this what you meant when you said before we left that you’d talked to my parents?” “Yes. I spoke to your mother, too, because she played an even bigger role in raising you. I thought it was the right thing to do. How do you think you got out of doing all those events—and birthday Cirque du Soleil with your grandmother—so easily?
Meg Cabot (Royal Wedding (The Princess Diaries, #11))
On my seventh birthday, my father swore, for the first of many times, that I would die facedown in a cesspool. On that same occasion, my mother, with all the accompanying mystery and elevated language appropriate for a prominent diviner, turned her cards, screamed delicately, and proclaimed that my doom was written in water and blood and ice. As for me, from about that time and for twenty years since, I had spat on my middle finger and slapped the rump of every aingerou I noticed, murmuring the sincerest, devoutest prayer that I might prove my parents' predictions wrong. Not so much that I feared the doom itself - doom is just the hind end of living, after all - but to see the two who birthed me confounded.
Carol Berg (Flesh and Spirit (Lighthouse, #1))
For my twenty-seventh birthday, I was really looking forward to your father's gift...But there was no box. There was no bag with tissue sticking out of the top. We sat down on his bed, in his closet room, as he gave me an envelope...Instead, there was a blank card with these instructions: 'Write down all of your goals.' Then he had me recite them back to him. And after every goal I read out loud to him, he replied, 'So it shall be. '... And despite having put anal beads up another grown man's ass in a previous relationship, I had never experienced and activity that was so intimate. And straight up free.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
If you had to pack your whole life into a suitcase—not just the practical things, like clothing, but the memories of the people you had lost and the girl you had once been—what would you take? The last photograph you had of your mother? A birthday gift from your best friend—a bookmark embroidered by her? A ticket stub from the traveling circus that had come through town two years ago, where you and your father held your breath as jeweled ladies flew through the air, and a brave man stuck his head in the mouth of a lion? Would you take them to make wherever you were going feel like home, or because you needed to remember where you had come from?
Jodi Picoult (The Storyteller)
every day to the top of the mountain and let it drink from the stream. As it drinks, you are to sing to him.” She taught Elya a special song to sing to the pig. “On the day of Myra’s fifteenth birthday, you should carry the pig up the mountain for the last time. Then take it directly to Myra’s father. It will be fatter than any of Igor’s pigs.” “If it is that big and fat,” asked Elya, “how will I be
Louis Sachar (Holes)
There are no words, not in English, Spanish, Arabic, or Hebrew, that have been invented to explain what it’s like to lose a child. The nightmarish heartache of it. The unexplainable trepidation that follows. No mother loses a child without believing she failed as a parent. No father loses a child without believing he failed to protect his family from pain. The child may be gone, but the yearsthe child were meant to live remain behind, solid in the mind like an aging ghost. The birthdays, the holidays, the last days of school—they all remain, circled in red lipstick on a calendar nailed to the wall. A constant shadow that grows, even in the dark. As I was saying…there are no words.
D.E. Eliot (Ruined)
Few teachers realize that the purpose of teaching history is not the memorizing of some dates and facts, that the student is not interested in knowing the exact date of a battle or the birthday of some marshal or other, and not at all—or at least only very insignificantly—interested in knowing when the crown of his fathers was placed on the brow of some monarch. These are certainly not looked upon as important matters. To study history means to search for and discover the forces that are the causes of those results which appear before our eyes as
Adolf Hitler (Mein Kampf)
I have made it a rule never to smoke more than one cigar at a time. I have no other restriction as regards smoking. I do not know just when I began to smoke, I only know that it was in my father's lifetime, and that I was discreet. He passed from this life early in 1847, when I was a shade past 11; ever since then I have smoked publicly. As an example to others, and not that I care for moderation myself, it has always been my rule never to smoke when asleep and never to refrain when awake. I smoke in bed until I have to go to sleep; I wake up in the night, sometimes once, sometimes twice, sometimes three times, and I never waste any of these opportunities to smoke. This habit is so old and dear and precious to me that if I should break it I should feel as you, Sir, would feel if you should lose the only moral you've got.
Mark Twain
Speech therapy is an art that deserves to be more widely known. You cannot imagine the acrobatics your tongue mechanically performs in order to produce all the sounds of a language. Just now I am struggling with the letter l, a pitiful admission for an editor in chief who cannot even pronounce the name of his own magazine! On good days, between coughing fits, I muster enough energy and wind to be able to puff out one or two phonemes. On my birthday, Sandrine managed to get me to pronounce the whole alphabet more or less intelligibly. I could not have had a better present. It was as if those twenty-six letters and been wrenched from the void; my own hoarse voice seemed to emanate from a far-off country. The exhausting exercise left me feeling like a caveman discovering language for the first time. Sometimes the phone interrupts our work, and I take advantage of Sandrine's presence to be in touch with loved ones, to intercept and catch passing fragments of life, the way you catch a butterfly. My daughter, Celeste, tells me of her adventures with her pony. In five months she will be nine. My father tells me how hard it is to stay on his feet. He is fighting undaunted through his ninety-third year. These two are the outer links of the chain of love that surrounds and protects me. I often wonder about the effect of these one-way conversations on those at the other end of the line. I am overwhelmed by them. How dearly I would love to be able to respond with something other than silence to these tender calls. I know that some of them find it unbearable. Sweet Florence refuses to speak to me unless I first breathe noisily into the receiver that Sandrine holds glued to my ear. "Are you there, Jean-Do?" she asks anxiously over the air. And I have to admit that at times I do not know anymore.
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
Once I was old enough to understand it, the Swedish birthday song always made me sad. I didn't know anybody who had lived to one hundred, and I didn't think I would live to one hundred either. So, every year when my parents and friends sang to me, I felt this sadness that they were celebrating something that wouldn't actually happen. They were hoping for the impossible. I would let them down. In the video, having just blown out my first birthday candle and been fed some icing on a spoon by my father, I have no idea what the song means and I look so happy.
Marianne Cronin (The One Hundred Years of Lenni and Margot)
They all seem infected with a vivaciousness that isn't common in our compound, and there are more smiles on their faces than I've ever seen at once. And yet as I watch them, I feel more intensely than ever the knowledge that I'm not one of them. For these moral humans, birthdays are a kind of countdown to the end, the ticking clock of a dwindling life. For me, birthdays are notches on an infinite timeline. Will I grow tired of parties one day? Will my birthday become meaningless? I imagine myself centuries from now, maybe at my three-hundredth birthday, looking all the way back to my seventeenth. How will I possibly be happy, remembering the light in my mother's eyes? The swiftness of Uncle Antonio's steps as he dances? The way my father stands on edge of the courtyard, smiling in that vague, absent way of his? The scene shifts and blues in my imagination. As if brushed away by some invisible broom, these people whom I've known my entire life disappear. The courtyard is empty, bare, covered in decaying leaves. I imagine Little Cam deserted, with everyone dead and gone and only me left in the shadows. Forever.
Jessica Khoury (Origin (Corpus, #1))
But I could end up in prison.” He waved off her concern. “I’d break you out.” “You’d do that for me?” “You’re my daughter, aren’t you?” Kate smiled. Sure, he’d missed a lot of Christmases and birthdays during her childhood, but not many fathers could be counted on to mount a prison break.
Janet Evanovich (The Heist (Fox and O'Hare, #1))
That winter the son’s need for his father’s love was again disappointed. On November 10, three weeks before his twelfth birthday, he wrote to him, ‘You never came to see me on Sunday when you were in Brighton.’ This was the second time his father had been in Brighton but had not gone to see him.
Martin Gilbert (Churchill: A Life)
Liza Hempstock, who had been Bod's friend for the last six years, was different in another way; she was less likely to be there for him when Bod went down to the nettle patch to see her, and on the rare occasions when she was, she would be short-tempered, argumentative and often downright rude. Bod talked to Mr Owens about this, and after a few moments' reflection, his father said, "It's just women, I reckon. She liked you as a boy, probably isn't sure who you are now you're a young man. I used to play with one little girl down by the duck pond every day until she turned about your age, and then she threw an apple at my head and did not say another word to me until I was seventeen." Mrs Owens stiffened. "It was a pear I threw," she said, tartly, "and I was talking to you again soon enough, for we danced a measure at your cousin Ned's wedding, and that was but two days after your sixteenth birthday." Mr Owens said, "Of course you are right, my dear." He winked at Bod, to tell him that it was none of it serious. And then mouthed "Seventeen" to show that, really, it was.
Neil Gaiman (The Graveyard Book)
We drove in silence for a while. Then out of nowhere, Nancy quietly said, 'I'm going to die very soon. Before my twenty-first birthday. I won't live to be twenty-one. I'm never gonna be old. I don't ever want to be ugly and old. I'm an old lady now anyhow. I'm eighty. There's nothing left. I've already lived a whole lifetime. I'm going out. In a blaze of glory.' Then she was quiet. Her words just lay there like a bombshell. No one wanted to touch them. She hadn't issued a threat, simply made a flat statement. We all believed her. Even Sid. [...] 'I honestly can't understand her,' David [Nancy's brother] said as we drove home. 'She's dying. She knows it. Why won't she stop herself?' 'She doesn't want to,' Frank [Nancy's father] ]said sadly. 'She wants to die. She has for a long, long time. It's been her goal.' 'But why?' asked David. 'She hates being alive,' I said. 'She hates her pain. She hates herself. She wants to destroy herself.' 'Isn't there anything you guys can do?' asked David. 'Yes,' I said. 'What?' 'Watch her die.
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
How many birthdays can you fit in your lifetime? If you answered "All of them," you should have your genitals ripped out from underneath your father's pillowcase.
Jarod Kintz (This Book is Not for Sale)
That was when I saw their hate come out. They fought on the front lawn. Balloons and my birthday cake stood witness as I watched every regretful blow from my mother. I knew my sister was at war with my mother, but I never knew what her cruelty was capable of. My mother’s military was larger than Jayme’s. My mother already had my father, and she had her five children, including me.
Joseph McGinnis (This Shadow Follows Me)
Thirty, forty miles?”  “Well,” said Lila, verbally pouting. “I guess we’d better settle in for a long trip.”  She pushed her body even harder against Raj, then glared at the side of her father’s head. Lila and Trevor got along with Meyer, but they were still teenagers. Piper, recently a teen herself, tried to understand, but often there was no use. Somewhere around your twenty-second birthday, teenagers started sounding like melodramatic idiots no matter what you did.  “That’s another reason to get a hotel room,” Piper said. “They might let planes fly again. We can take the Gulfstream.
Sean Platt (Invasion (Alien Invasion, #1))
...the collection of sombre and bulky objects that had stood in his father's dressing room; indestructable presents for his wedding and twenty-first birthday, ivory, brass bound, covered in pigskin, crested and gold mounted, suggestive of expensive Edwardian masculinity--racing flasks and hunting flasks, cigar cases, tobacco jars, jockeys, elaborate meerschaum pipes, button hooks and hat brushes.
Evelyn Waugh
Cole’s right hand finds my thigh as he uses his left to lift the burger to his mouth, and I glance at his father, seeing his eyes downcast and looking at Cole’s hand on me. His jaw flexes as he looks back up.
Penelope Douglas (Birthday Girl)
I was going to do some more work when I got home, but…” She sighs, rubbing her knuckles against her eyes. “I didn’t have enough juice.” “Ah,” I say. For her birthday this summer, I splurged and bought a small bushel of oranges, which we squeezed into glasses and pretended was the real, gourmet orange juice our father used to make. As we sat at the table, acting like the drink wasn’t sour and pulpy, we got to talking about how her illness had come to affect her life. She explained to me that her energy reserves were like that glass of yellow juice. Every action of daily life—getting out of bed, bathing, dressing, doing research—siphoned juice away. Once the glass was empty, no matter how much she had left she needed to do or how much she’d hoped to get done, her body needed to rest. To refill the glass. If she tried to push beyond that, it could knock her out for days. Even weeks.
Jessica S. Olson (A Forgery of Roses)
In my land, in the event of a divorce, the mother has the right to retain her children if they are still suckling. But in most cases, a mother maintains custody of daughters until a girl child reaches puberty. In the case of male children, the boy should be allowed to remain with his mother until he is seven. When he reaches his seventh birthday, he is supposed to have the option to choose between his mother or father. Generally it is accepted that the father have his sons at age seven. A son must go with his father at the age of puberty, regardless of the child's wishes. Often, in the case of male children, many fathers will not allow the mother to retain custody of a son, no matter what the age of the child.
Jean Sasson (Princess Sultana's Daughters)
Annabeth Chase, died age 17. BA-BOOM. (Assuming her birthday, July 12, had passed while she was in Tartarus; but honestly, she had no idea.) BA-BOOM. Died of massive injuries while leaping like an idiot into the abyss of Chaos and splattering on the entry hall floor of Nyx’s mansion. BA-BOOM. Survived by her father, stepmother, and two stepbrothers who barely knew her. BA-BOOM. In lieu of flowers, please send donations to Camp Half-Blood, assuming Gaea hasn’t already destroyed it.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
She was a spiky teenager rebelling against the soul-suck mirror reflected back at her in her mother’s blank stare, her question mark of a spine. Determined to beat the odds, she completed high school with distinction. But there was a caveat. Beydan was allowed to roam and educate herself – up to a point. On her eighteenth birthday her Father sat her down and held out his Rolexed wrist. Studded with crystals and flecks of diamond, the watch dazzled in the light. All Beydan could hear, however, was tick-tock-tick-tick-tick-tick - time to neatly fold all her hard work, to parcel up her progress, send it to the attic in her subconscious and let dust gather on her dreams. There was a lump in her throat and a stopwatch in her womb.
Diriye Osman
I let them do some simple arithmetic. In a group of one hundred people, how many assholes are there? How many fathers who humiliate their children? How many morons whose breath stinks like rotten meat but who refuse to do anything about it? How many hopeless cases who go on complaining all their lives about the non-existent injustices they’ve had to suffer? Look around you, I said. How many of your classmates would you be pleased not to see return to their desks tomorrow morning? Think about that one family member of your own family, that irritating uncle with his pointless, horseshit stories at birthday parties, that ugly cousin who mistreats his cat. Think about how relieved you would be - and not only you, but virtually the entire family - if that uncle or cousin would step on a landmine or be hit by a five-hundred-pounder dropped from a high altitude. If that member of the family were to be wiped off the face of the earth. And now think about all those millions of victims of all the wars there have been in the past - I never specifically mentioned the Second World War, I used it as an example because it’s the one that most appeals to their imaginations - and think about the thousands, perhaps tens of thousands of victims who we need to have around like we need a hole in the head. Even from a purely statistical standpoint, it’s impossible that all those victims were good people, whatever kind of people that may be. The injustice is found more in the fact that the assholes are also put on the list of innocent victims. That their names are also chiselled into the war memorials.
Herman Koch (The Dinner)
Lately the commandant speaks more and more intimately of the führer and the latest thing- prayers, petroleum, loyalty- that he requires. The führer requires trustworthiness, electricity, boot leather. Werner is beginning to see, approaching his sixteenth birthday, that what the führer really requires is boys. Great rows of them walking to the conveyor belt to climb on. Give up cream for the führer, sleep for the führer, aluminum for the führer. Give up Reinhard Wöhlmann's father and Karl Westerholzer's father and Martin Burkhard's father.
Anthony Doerr (All the Light We Cannot See)
But not because I hate being pitied. I do, but it's more than that. When people pity, it's like they honestly don't realize the exact same thing's coming for them. And I feel embarrassed and uncomfortable and have to pity them, because, like, do you not realize it's always someone's turn? You haven't noticed everyone gets a few blows that seem so big you can't survive them? And then here is this person looking at you and dramatically murmuring, I'm sorry for your loss. And you have to look at them and hope your eyes aren't saying, Don't be too sorry. You're next. You have to spend all this energy making your face say, Yes it's horrible, and extremely rare. I can't believe I was the person who lost my father. You certainly won't lost anyone. You'll die first, out of everyone you love, on the eve of your hundredth birthday.
Emily Henry (A Million Junes)
Let us suppose you give your three-year-old daughter a coloring book and a box of crayons for her birthday. The following day, with the proud smile only a little once can muster, she presents her first pictures for inspection. She has colored the sun black, the grass purple, and the sky green. In the lower right-hand corner, she has added woozy wonders of floating slabs and hovering rings; on the left, a panoply of colorful, carefree squiggles. You marvel at her bold strokes and intuit that her psyche is railing against its own cosmic puniness in the face of a big, ugly world. Later at the office, you share with your staff your daughter's first artistic effort and you make veiled references to the early work of van Gogh. A little child can not do a bad coloring; nor can a child of God do bad prayer. "A father is delighted when his little one, leaving off her toys and friends, runs to him and climbs into his arms. As he holds hi little one close to him, he cared little whether the child is looking around, her attention flittering from one thing to another or just settling down to sleep. Essentially the child is choosing to be with the father, confident of the love, the care, the security that is hers in those arms. Our prayer is much like that. We settle down in our Father's arms, in his loving hands. Our minds, our thoughts, our imagination may flit about here and there; we might even fall asleep; but essentially we are choosing for this time to remain intimately with our Father, giving ourselves to him, receiving his love and care, letting him enjoy us as he will. It is very simple prayer. It is very childlike prayer. It is prayer that opens us out to all the delights of the kingdom.
Brennan Manning (The Ragamuffin Gospel)
Grandfather died a few days after his hundredth birthday. Both Father and I were there at the end, in the room where I'd been born, forty-four years ago. It was not unlike that day, with sunlight streaming through the windows, and hummingbirds hovering outside, iridescent sun-glittering flashes of jewels. A dove was calling, back in the cool shade. Grandfather's hand was cool, as cool as the river. He tried to sit up to look out at the sunlight. "Sycamores grow by running water," he sang, "cottonwoods by still water," and then he died, and I felt a century slip away.
Rick Bass (The Sky, The Stars, The Wilderness)
I think every one who has some vague belief in God, until he becomes a Christian, has the idea of an exam, or of a bargain in his mind. The first result of real Christianity is to blow that idea into bits. When they find it blown into bits, some people think this means that Christianity is a failure and give up. They seem to imagine that God is very simple-minded! In fact, of course, He knows all about this. One of the very things Christianity was designed to do was to blow this idea to bits. God has been waiting for the moment at which you discover that there is no question of earning a pass mark in this exam, or putting Him in your debt. Then comes another discovery. Every faculty you have, your power of thinking or of moving your limbs from moment to moment, is given you by God. If you devoted every moment of your whole life exclusively to His service you could not give Him anything that was not in a sense His own already. So that when we talk of a man doing anything for God or giving anything to God, I will tell you what it is really like. It is like a small child going to its father and saying, "Daddy, give me sixpence to buy you a birthday present." Of course, the father does, and he is pleased with the child's present. It is all very nice and proper, but only an idiot would think that the father is sixpence to the good on the transaction. When a man has made these two discoveries God can really get to work. It is after this that real life begins. The man is awake now.
C.S. Lewis (Mere Christianity)
I forgot how much your sister can ramble. I’ve heard some things a father should never hear about his daughter. Is Eli with you right now?” Pacey looks over at me. “He is.” “Ahh, tell him I don’t think I’ll be able to look him in the eye after the monologue your sister gave us about his birthday night.
Meghan Quinn (Those Three Little Words (The Vancouver Agitators, #2))
SELF-HELP FOR FELLOW REFUGEES If your name suggests a country where bells might have been used for entertainment, or to announce the entrances and exits of the seasons and the birthdays of gods and demons, it's probably best to dress in plain clothes when you arrive in the United States. And try not to talk too loud. If you happen to have watched armed men beat and drag your father out the front door of your house and into the back of an idling truck, before your mother jerked you from the threshold and buried your face in her skirt folds, try not to judge your mother too harshly. Don't ask her what she thought she was doing, turning a child's eyes away from history and toward that place all human aching starts. And if you meet someone in your adopted country and think you see in the other's face an open sky, some promise of a new beginning, it probably means you're standing too far. Or if you think you read in the other, as in a book whose first and last pages are missing, the story of your own birthplace, a country twice erased, once by fire, once by forgetfulness, it probably means you're standing too close. In any case, try not to let another carry the burden of your own nostalgia or hope. And if you're one of those whose left side of the face doesn't match the right, it might be a clue looking the other way was a habit your predecessors found useful for survival. Don't lament not being beautiful. Get used to seeing while not seeing. Get busy remembering while forgetting. Dying to live while not wanting to go on. Very likely, your ancestors decorated their bells of every shape and size with elaborate calendars and diagrams of distant star systems, but with no maps for scattered descendants. And I bet you can't say what language your father spoke when he shouted to your mother from the back of the truck, "Let the boy see!" Maybe it wasn't the language you used at home. Maybe it was a forbidden language. Or maybe there was too much screaming and weeping and the noise of guns in the streets. It doesn't matter. What matters is this: The kingdom of heaven is good. But heaven on earth is better. Thinking is good. But living is better. Alone in your favorite chair with a book you enjoy is fine. But spooning is even better.
Li-Young Lee (Behind My Eyes: Poems)
Anyway, time is more than counting days. On the outside, people think clocks tell them the time. They set an alarm for work and wake up to a blinking light that says six a.m. They look to an office wall to tell them if it is time to go home. The truth is, clocks don’t tell time. Time is measured in meaning. I better get up for work or It’s time to feed the baby. Or That was the year I got cancer or That is the day we celebrate your birthday. Or Remember when our father died or Let’s remember to plant turnips this spring. It is meaning that drives most people forward into time, and it is meaning that reminds them of the past, so they know where they are in the universe.
Rene Denfeld
Who is there?” called Esperanza through the door. “It is Señor Rodríguez. I have the papayas.” Esperanza opened the door. Marisol’s father stood before her, his hat in his hand. Beside him was a big box of papayas. “Your father ordered these from me for the fiesta today. I tried to deliver them to the kitchen but no one answered.” She stared at the man who had known Papa since he was a boy. Then she looked at the green papayas ripening to yellow. She knew why Papa had ordered them. Papaya, coconut, and lime salad was Esperanza’s favorite and Hortensia made it every year on her birthday. Her face crumbled. “Señor,” she said, choking back tears. “Have you not heard? My … my papa is dead.
Pam Muñoz Ryan (Esperanza Rising (Scholastic Gold))
The few times we do spend together stick out since they don't happen that often. Like when Dad was able to come to my eighth birthday party at the public swimming pool - the first birthday party of mine he'd been to in a few years due to his work schedule. He gave me a birthday card, which he had never done before. He spelled my name wrong on the envelope.
Jennette McCurdy (I'm Glad My Mom Died)
Mostly, they were ashamed of us. Our floppy straw hats and threadbare clothes. Our heavy accents. Every sing oh righ? Our cracked, callused palms. Our deeply lined faces black from years of picking peaches and staking grape plants in the sun. They longed for real fathers with briefcases who went to work in a suit and tie and only mowed the grass on Sundays. They wanted different and better mothers who did not look so worn out. Can't you put on a little lipstick? They dreaded rainy days in the country when we came to pick them up after school in our battered old farm trucks. They never invited over friends to our crowded homes in J-town. We live like beggars. They would not be seen with us at the temple on the Emperor's birthday. They would not celebrate the annual Freeing of the Insects with us at the end of summer in the park. They refused to join hands and dance with us in the streets on the Festival of the Autumnal Equinox. They laughed at us whenever we insisted that they bow to us first thing in the morning and with each passing day they seemed to slip further and further from our grasp.
Julie Otsuka (The Buddha in the Attic)
Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity. Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing. Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty. Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance. The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’ Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.
Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)
She would, on the birthday of Christ, allow herself what she called "an extra helping of prayer." At the time of the Civil War, she would pray for peace. Always, she asked God to spare me and my father. But at Christmas, she talked to God as if He were Clerk of the Acts in the Office of Public Works. She prayed for cleaner air in London. She prayed that our chimneys would not fall over in the January winds; she prayed that our neighbour, Mister Simkins, would attend to his cesspit, so that it would cease its overflow into ours. She prayed that Amos Treefeller would not slip and drown "going down the public steps to the river at Blackfriars, which are much neglected and covered in slime, Lord." And she prayed, of course, that plague would not come. As a child, she allowed me to ask God to grant me things for which my heart longed. I would reply that my heart longed for a pair of skates made of bone or for a kitten from Siam. And we would sit by the fire, the two of us, praying. And then we would eat a lardy cake, which my mother had baked herself, and ever since that time the taste of lardy cake has had about it the taste of prayer.
Rose Tremain (Restoration)
LIFE WITHOUT A FAITH IS LIKE THAT NEW BEAUTIFUL RED SHINE CAR, YOU SEE IT PULLING ON YOUR DRIVEWAY, IT'S FINLEY WRAPPED WITH A BIG RED BOW ON TOP. THE HOUSE DOOR KNOCKS, YOU OPEN THE DOOR AND IS YOUR FATHER WALKS IN HANDLE YOU A SET OF KEYS AND TELL YOU "HAPPY SWEET 16TH BIRTHDAY" YOU ARE SO EXCITED AND RUN TO THE CAR WHEN YOU OPEN THE DOOR YOU FIND OUT THE CAR IS COMPLETELY EMPTY WITHOUT SEATS, AND WITHOUT A STARING WHEEL
Beta Metani'Marashi
Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth. Think of your mother, who had no father. And your grandmother, who was abandoned by her father. And your grandfather, who was left behind by his father. And think of how Prince's daughter was now drafted into those solemn ranks and deprived of her birthright — that vessel which was her father, which brimmed with twenty-five years of love and was the investment of her grandparents and was to be her legacy.
Ta-Nehisi Coates
It was because they had mothers and fathers who wanted them, because they were coddled in a blanket of familial love, because they had never celebrated a birthday alone. It was because they had cried in someone’s arms after a bad day, had known the comforts of the words “I love you” growing up. It was because they’d been loved in their lives that they believed in love, saw it surely for themselves in their futures, even in places it clearly wasn’t.
Etaf Rum (A Woman Is No Man)
Happy Birthday to my first born(umafungashe wam). No words can fully describe the way I felt when I heard your first cry. The unforgettable joy I felt when I held you in my arms for the first time. I've watched you grow up from the time you were little until you become this compassionate, kind and thoughtful young man. I'm also proud to see you become an amazing husband, father and a great servant of God. I'm blessed beyond to call myself your mom. Happy Birthday son.❤️❤️
Euginia Herlihy
St. Clair tucks the tips of his fingers into his pockets and kicks the cobblestones with the toe of his boots. "Well?" he finally asks. "Thank you." I'm stunned. "It was really sweet of you to bring me here." "Ah,well." He straightens up and shrugs-that full-bodied French shrug he does so well-and reassumes his usual, assured state of being. "Have to start somewhere. Now make a wish." "Huh?" I have such a way with words. I should write epic poetry or jingles for cat food commercials. He smiles. "Place your feet on the star, and make a wish." "Oh.Okay,sure." I slide my feet together so I'm standing in the center. "I wish-" "Don't say it aloud!" St. Clair rushes forward, as if to stop my words with his body,and my stomach flips violently. "Don't you know anything about making wishes? You only get a limited number in life. Falling stars, eyelashes,dandelions-" "Birthday candles." He ignores the dig. "Exactly. So you ought to take advantage of them when they arise,and superstition says if you make a wish on that star, it'll come true." He pauses before continuing. "Which is better than the other one I've heard." "That I'll die a painful death of poisoning, shooting,beating, and drowning?" "Hypothermia,not drowning." St. Clair laughs. He has a wonderful, boyish laugh. "But no. I've heard anyone who stands here is destined to return to Paris someday. And as I understand it,one year for you is one year to many. Am I right?" I close my eyes. Mom and Seany appear before me. Bridge.Toph.I nod. "All right,then.So keep your eyes closed.And make a wish." I take a deep breath. The cool dampness of the nearby trees fills my lungs. What do I want? It's a difficult quesiton. I want to go home,but I have to admit I've enjoyed tonight. And what if this is the only time in my entire life I visit Paris? I know I just told St. Clair that I don't want to be here, but there's a part of me-a teeny, tiny part-that's curious. If my father called tomorrow and ordered me home,I might be disappointed. I still haven't seen the Mona Lisa. Been to the top of the Eiffel Tower.Walked beneath the Arc de Triomphe. So what else do I want? I want to feel Toph's lips again.I want him to wait.But there's another part of me,a part I really,really hate,that knows even if we do make it,I'd still move away for college next year.So I'd see him this Christmas and next summer,and then...would that be it? And then there's the other thing. The thing I'm trying to ignore. The thing I shouldn't want,the thing I can't have. And he's standing in front of me right now. So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have? Screw it.Let the fates decide. I wish for the thing that is best for me. How's that for a generalization? I open my eyes,and the wind is blowing harder. St. Clair pushes a strand of hair from his eyes. "Must have been a good one," he says.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
With Tommy by his side but Anthony Jr. nowhere to be seen, Anthony cranks out an old 8mm projector, and soon choppy black- and-white images appear on the cream wall capturing a few snapshots from the canyon of their life—that tell nothing, and yet somehow everything. They watch old movies, from 1963, 1952, 1948, 1947—the older, the more raucous the children and parents becoming. This year, because Ingrid isn’t here, Anthony shows them something new. It’s from 1963. A birthday party, this one with happy sound, cake, unlit candles. Anthony is turning twenty. Tatiana is very pregnant with Janie. (“Mommy, look, that’s you in Grammy’s belly!” exclaims Vicky.) Harry toddling around, pursued loudly and relentlessly by Pasha—oh, how in 1999 six children love to see their fathers wild like them, how Mary and Amy love to see their precious husbands small. The delight in the den is abundant. Anthony sits on the patio, bare chested, in swimshorts, one leg draped over the other, playing his guitar, “playing Happy Birthday to myself,” he says now, except it’s not “Happy Birthday.” The joy dims slightly at the sight of their brother, their father so beautiful and whole he hurts their united hearts—and suddenly into the frame, in a mini-dress, walks a tall dark striking woman with endless legs and comes to stand close to Anthony. The camera remains on him because Anthony is singing, while she flicks on her lighter and ignites the candles on his cake; one by one she lights them as he strums his guitar and sings the number one hit of the day, falling into a burning “Ring of Fire ... ” The woman doesn’t look at Anthony, he doesn’t look at her, but in the frame you can see her bare thigh flush against the sole of his bare foot the whole time she lights his twenty candles plus one to grow on. And it burns, burns, burns . . . And when she is done, the camera—which never lies—catches just one microsecond of an exchanged glance before she walks away, just one gram of neutral matter exploding into an equivalent of 20,000 pounds of TNT. The reel ends. Next. The budding novelist Rebecca says, “Dad, who was that? Was that Grammy’s friend Vikki?” “Yes,” says Anthony. “That was Grammy’s friend Vikki.” Tak zhivya, bez radosti/bez muki/pomniu ya ushedshiye goda/i tvoi serebryannyiye ruki/v troike yeletevshey navsegda . . . So I live—remembering with sadness all the happy years now gone by, remembering your long and silver arms, forever in the troika that flew by . . . Back
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Your father’s death was an accident,” Kate said. “An accident. A terrible, horrible twist of fate that no one could have predicted.” Anthony shrugged fatalistically. “I’ll probably go the same way.” “Oh, for the love of—” Kate managed to bite her tongue a split second before she blasphemed. “Anthony, I could die tomorrow as well. I could have died today when that carriage rolled on top of me.” He paled. “Don’t ever remind me of that.” “My mother died when she was my age,” Kate reminded him harshly. “Did you ever think of that? By your laws, I should be dead by my next birthday.” “Don’t be—” “Silly?” she finished for him. Silence reigned for a full minute. Finally, Anthony said, his voice barely above a whisper, “I don’t know if I can get past this.” “You don’t have to get past it,” Kate said. She caught her lower lip, which had begun to tremble, between her teeth, and then laid her hand on an empty spot on the bed. “Could you come over here so I can hold your hand?” Anthony responded instantly; the warmth of her touch flooded him, seeping through his body until it caressed his very soul. And in that moment he realized that this was about more than love. This woman made him a better person. He’d been good and strong and kind before, but with her at his side, he was something more. And together they could do anything. It almost made him think that forty might not be such an impossible dream. “You don’t have to get past it,” she said again, her words blowing softly between them. “To be honest, I don’t see how you could get completely past it until you turn thirty-nine. But what you can do”— she gave his hand a squeeze, and Anthony somehow felt even stronger than he had just moments before—“ is refuse to allow it to rule your life.” “I realized that this morning,” he whispered, “when I knew I had to tell you I loved you. But somehow now— now I know it.” She nodded, and he saw that her eyes were filling with tears. “You have to live each hour as if it’s your last,” she said, “and each day as if you were immortal." -Kate & Anthony
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Your boyfriend’s name is Cole?” the man from the theater asks. “Cole Lawson?” I turn around to see him slowly walking back toward me. “Yeah,” I say. “You know him?” He hesitates for a moment as if coming to terms with something, and then he holds out his hand, finally introducing himself. “I’m Pike. Pike Lawson.” Lawson? He pauses a moment and then adds, “His father.” My lungs empty. “What?” I breathe out. His father? My mouth falls open, but I clamp it shut again, looking up at this man with new eyes as realization dawns.
Penelope Douglas (Birthday Girl)
Maybe that's why she always felt disconnected from her classmates, why she couldn't see the world the way they did, couldn't believe in their version of love. It was because they had mothers and fathers who wanted them, because they were coddled in a blanket of familial love, because they had never celebrated a birthday alone. It was because they had cried in someone's arms after a bad day, had known the comforts of the words "I love you" growing up. It was because they'd been loved in their lives that they believed in love, saw it surely for themselves in their futures, even in places it clearly wasn't.
Etaf Rum (A Woman Is No Man)
If you had to pack your whole life into a suitcase—not just the practical things, like clothing, but the memories of the people you had lost and the girl you had once been—what would you take? The last photograph you had of your mother? A birthday gift from your best friend—a bookmark embroidered by her? A ticket stub from the traveling circus that had come through town two years ago, where you and your father held your breath as jeweled ladies flew through the air, and a brave man stuck his head in the mouth of a lion? Would you take them to make wherever you were going feel like home, or because you needed to remember where you had come from? In
Jodi Picoult (The Storyteller)
They had grown out of childhood in the last few days. Christmas as Christmas had passed unnoticed since their father had died on Christmas day. Neeley’s thirteenth birthday had been lost somewhere in those last few days. They came to the brilliantly lighted façade of a big vaudeville house. Since they were reading children and read everything they came across, they stopped and automatically read the list of acts playing that week. Underneath the sixth act, was an announcement in large letters. 'Here next week! Chauncy Osborne, Sweet Singer of Sweet Songs. Don’t miss him!' Sweet Singer... Sweet Singer... Francie had not shed a tear since her father’s death. Neither had Neeley. Now Francie felt that all the tears she had were frozen together in her throat in a solid lump and the lump was growing... growing. She felt that if the lump didn't melt soon and change back into tears, she too would die. She looked at Neeley. Tears were falling out of his eyes. Then her tears came, too. They turned into a dark side street and sat on the edge of the sidewalk with their feet in the gutter. Neeley, though weeping, remembered to spread his handkerchief on the curb so that his new long pants wouldn't get dirty. They sat close together because they were cold and lonesome. They wept long and quietly, sitting there in the cold street. At last, when they could cry no more, they talked.
Betty Smith
This message, that Jesus is now ruling, had particular significance for believers in Rome. Caesar, the emperor who lived in Rome, was the most powerful man in the known world. His titles included ‘son of god’, his birthday was celebrated as a ‘good news’, or ‘gospel’, and he ruled the greatest empire the world had ever seen. Yet Paul declares that Jesus is descended from a royal house far older than that of any Roman Caesar, and that Jesus’ resurrection has established his kingdom reign with power – a power that no other ruler can match. This message was a challenge to the whole cultural and political system of the Roman Empire. And this is the message that we must announce – that Christ is ruling. Gospel messages can so often be somewhat less than this, with a focus on Jesus as the answer to our needs rather than Jesus as the King of kings. Paul envisages the apostles being sent throughout the world to claim people’s obedience to King Jesus and bring them under his kingdom rule, rather as the Roman legions were sent to bring tribes and peoples into the Roman Empire in submission to Caesar’s rule. We can hardly imagine Caesar’s generals going through the world inviting people to have a ‘Caesar experience’ where their needs would be met! Rather, they commanded people to obey, and in our proclamation of the gospel we, likewise, must let people know that Jesus is reigning, and must call people to obey him.
David Devenish (Fathering Leaders, Motivating Mission: Restoring the Role of the Apostle in Today's Church)
My mother left us when I was twelve. She found a man who was not as parsimonious as my father and moved to Las Vegas, Nevada which is two thousand five hundred miles away. She doesn't visit. She doesn’t call. She sends me a card on my birthday with fifty dollars in it, which my father nags me about until I finally go to the bank and deposit it. And so, for all six years she’s been gone, I have $337 to show for having a mother. Dad says that thirty-seven bucks is good interest. He doesn't see the irony in that. He doesn't see the word interest as anything not connected to money because he’s an accountant and to him, everything is a number. I think $37 and no other and no visits or phone calls is shitty interest.
A.S. King
When I moved to the U.S. at six, I was unrecognizable to my mother. I was angry, chronically dissatisfied, bratty. On my second day in America, she ran out of the room in tears after I angrily demanded that she buy me a pack of colored pencils. You're not you! she sputtered between sobs, which brought me to a standstill. She couldn't recognize me. That's what she told me later, that this was not the daughter she had last seen. Being too young, I didn't know enough to ask: But what did you expect? Who am I supposed to be to you? But if I was unrecognizable to her, she was also unrecognizable to me. In this new country, she was disciplinarian, restrictive, prone to angry outbursts, easily frustrated, so fascist with arbitrary rules that struck me, even as a six-year-old, as unreasonable. For most of my childhood and adolescence, my mother was my antagonist. Whenever she'd get mad, she'd take her index finger and poke me in the forehead. You you you you you, she'd say, as if accusing me of being me. She was quick to blame me for the slightest infractions, a spilled glass, a way of sitting while eating, my future ambitions (farmer or teacher), the way I dressed, what I ate, even the way I practiced English words in the car..She was the one to deny me: the extra dollar added to my allowance; an extra hour to my curfew; the money to buy my friends' birthday presents, so that I was forced to gift them, no matter what the season, leftover Halloween candy. In those early days, we lived so frugally that we even washed, alongside the dishes in the sink, used sheets of cling wrap for reuse. She was the one to punish me, sending me to kneel in the bathtub of the darkened bathroom, carrying my father's Casio watch with an alarm setting to account for when time was up. Yet it was I who would kneel for even longer, going further and further, taking more punishment just to spite her, just to show that it meant nothing. I could take more. The sun moved across the bathroom floor, from the window to the door.
Ling Ma (Severance)
Two weeks ago, Aaron and Isaac, I learned your mother Laura has breast cancer. My heart feels impaled. These words, so useless and feeble. Laura is only thirty-five years old. Her next birthday will be in only three days. I write this letter to you, my sons, with the hope that one day in the future you will read it and understand what happened to our family. Together, your mother and I have created and nurtured an unbreakable bond that has transformed us into an unlikely team. A Chicano from El Paso, Texas. A Jew from Concord, Massachusetts. I want you to know your mother. She has given me hope when I have felt none; she has offered me kindness when I have been consumed by bitterness. I believe I have taught her how to be tough and savvy and how to achieve what you want around obstacles and naysayers. Our hope is that the therapies we are discussing with her doctors will defeat her cancer. But a great and ominous void has suddenly engulfed us at the beginning of our life as a family. This void suffocates me.
Sergio Troncoso (Crossing Borders: Personal Essays)
Anna: Right. I can only imagine. Etienne: And what, exactly, ist hat supposed to mean? Anna: Forget it. Etienne: No. Let’s not forget it. I’m sick and tired of forgetting it, Anna. Anna: You’re tired of forgetting it? I’ve had to do nothing BUT forget it. Do you think it’s easy sitting in my room every night, thinking about you and Ellie? Do you think any of this has been easy for me? Etienne: I’m sorry. Anna: You tell me I’m beautiful, and that you like my hair and you like my smile. You rest your leg against mine in darkened theatres, and then you acta s if nothing happened when the lights go up. You slept in my bed for three nights straight, and then you jsut … blew me off for the next month. What am I supposed to do with that, St. Clair? You said on my birthday that you were afraid of being alone, but I’ve been here this whole time. This whole time. Etienne: Anna. I am so sorry that I’ve hur you. I’ve made terrible decisions. And I realize it’s possible that I don’t deserve your forgiveness, because it’s taken me this long to get here. But I don’t understand why you’re not giving me the chance. You didn’t even let me explain myself lad weekend. You just tore into me, expected the worst of me. But the only truth I know is what i feel when we’re together. I thought you trusted those feelings, too. I thought you trusted me, I thought you knew me … Anna: But that’s just it! I don’t know you. I tell you everything, St. Clair. About my dad, about Bridgette and Toph, about Matt and Cherrie. I told you about being a virgin. And what have you told me? Nothing! I know nothing about you. Not about your father, not about Ellie … Etienne: You know me better than anyone. Andi f you ever bothered to pay attention, you’d understand that things with my father are beyond shite right now. And I can’t believe you think so poorly of me that you’d assume I’d wait the entire year to kiss you, and then the moment it happened, I’d … I’d be done with you. OF COURSE I was with Ellie that night. I WAS BLODDY BREAKING UP WITH HER! You say that I’m afraid of being alone, and it’s true. I am And I’m not proud o fit. But you need to take a good look at yourself, Anna, because I am not the only one in this room who suffers this problem.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
there was this family who had two boys who were twins, and the only thing they had in common was their looks. If one felt it was too hot, the other felt it was too cold. If one said he liked the cake, the other said he hated it. They were opposites in every way. One was an eternal optimist, and the other a doom and gloom pessimist. Just to see what would happen, on the twins’ birthday, the father loaded the pessimist brother’s room with every imaginable gift – toys and games, and for the boy who always sees the brighter side of life, with horse manure. That night, the father went to check on the doom guy’s room and found him sitting amidst his new gifts sobbing away bitterly. “Why,” the father said in anguish, “after all this?” The boy replied, “Because my friends are going to be jealous, I will have to read all these instructions before I can do anything with this stuff, I will constantly need batteries, and my toys will eventually be stolen or broken.” Passing by the optimist twin’s room, the father found him dancing for joy on the pile of manure. “What are you so happy about?” the father asked. The boy replied, “There’s got to be a pony in here somewhere!
Sadhguru (Mystic’s Musings)
Alf caught the child and gave him to Father. She was gripping Coral, thrusting her out. Willing, anxious hands were holding a blanket. She was trying to make the boy Walter jump too. But the children were terrified, and dazed by the smoke. They would not jump. They would not obey. Hannah lifted them, then dropped them on to the blanket. ‘Hannah, come down. Jump yerself. Quick! Quick!’ Alf was struggling to fight his way in through the flames but was beaten back —the place was a furnace. He tried yet again and was beaten back. ‘Us Bullens sticks together!’ he was shouting. ‘That’s me sister, that’s Hannah Bullen in there. I’m goin’ to get ‘er. Us Bullens sticks together!’ Then all in a moment he reeled and fell, and they saw that his face and chest were blackened. ‘Hannah! Hannah!’ ‘My Gawd, she don’t ‘ear us...’ ‘The room’s roarin’!’ ‘Someone go and get ‘old of the captain. Captain, for Gawd’s sake come on down ‘ere!’ ‘Fetch a ladder, we might get ‘er out through the winder.’ ‘Hannah! Hannah Bullen!’ ‘Oh, Christ, the roof...’ With a sudden sharp crash the roof fell in and the cottage blazed up magnificently, like a beacon set on the crest of the hill. It was New Year’s Day. It was Hannah’s birthday.
Radclyffe Hall (Radclyffe Hall: The Complete Novels)
I brought her food, but it stayed untouched on the plate no matter how I tried to cajole her into eating. When I caught her taking twenty minutes to eat a single almond, I began wondering if there was some kind of Watsonian guide for the care and keeping of Holmeses. When I sent my father an email to that effect (subject line I Need Your Help, postscript Still haven't forgiven you and won't). he responded that, yes, over the years he'd written down an informal series of suggestions in his journal; he'd do his best to adapt and type them up for me. When the list arrived the next day, it was twelve pages long, single-spaced. The suggestions ran from the obvious (8. On the whole, coaxing works rather better than straightforward demands) to the irrelevant (39. Under all circumstances, do not allow Holmes to cook your dinner unless you have a taste for cold unseasoned broth) to the absurd (87. Hide all firearms before throwing Holes a surprise birthday party) to, finally, the useful (1. Search often for opiates and dispose of as needed; retaliation will not come often, though is swift and exacting when it does - do not grow attached to one's mirrors or drinking glasses; 2. During your search, always begin with the hollowed-out heels of Holmes's boots; 102. Have no compunctions about drugging Holmes's tea if he hasn't slept; 41. Be prepared to receive compliments once every two to three years; 74.) (underlined twice) (Whatever happens, remember it is not your fault and likely could not have been prevented, no matter your efforts).
Brittany Cavallaro (A Study in Charlotte (Charlotte Holmes, #1))
You see Matt and Anthony every week. You see everyone every week.” “Not everyone, Nick,” his mother said pointedly. Then her voice changed and turned warmer. “Well, except for this upcoming weekend.” Nick paused at this. It could’ve been a trap. Perhaps his mother suspected something was up with her birthday and was fishing for information. Although it was surprising that she’d come to him—she usually went after Anthony, who had the secret-keeping skills of a four-year-old. “Why? What’s happening this weekend?” he asked nonchalantly. “Oh, nothing much. I just heard something about a sixtieth birthday party your father and you boys are planning for me.” Fucking Anthony. “And don’t go blaming Anthony,” his mother said, quick to protect her youngest. “I’d already heard about it from your aunt Donna before he slipped.” Nick knew what her next question would be before the words left her mouth. “So? Are you bringing a date?” she asked. “Sorry, Ma. It’ll just be me.” “There’s a surprise.” He pulled into the driveway that led to the parking garage of his condo building. “Just a warning, I’m about to pull into the garage—I might lose you.” “How convenient,” his mother said. “Because I had a really nice lecture planned for you.” “Let me guess the highlights: it involved me needing to focus on something other than work, and you dying heartbroken and miserable without grandchildren. Am I close?” “Not bad. But I’ll save the rest of the lecture for Sunday. There’s going to be a lot of gesturing on my part, and the phone doesn’t quite capture the spirit.” Nick smiled. “Shockingly, I’m looking forward to it. I’ll see you Sunday, Ma.” Her voice softened. “I know how busy you are, Nick. It means a lot to me that you’re coming home.” He knew it did. “I wouldn’t miss it for the world.
Julie James (A Lot like Love (FBI/US Attorney, #2))
Are you ready, children?” Father Mikhail walked through the church. “Did I keep you waiting?” He took his place in front of them at the altar. The jeweler and Sofia stood nearby. Tatiana thought they might have already finished that bottle of vodka. Father Mikhail smiled. “Your birthday today,” he said to Tatiana. “Nice birthday present for you, no?” She pressed into Alexander. “Sometimes I feel that my powers are limited by the absence of God in the lives of men during these trying times,” Father Mikhail began. “But God is still present in my church, and I can see He is present in you. I am very glad you came to me, children. Your union is meant by God for your mutual joy, for the help and comfort you give one another in prosperity and adversity and, when it is God’s will, for the procreation of children. I want to send you righteously on your way through life. Are you ready to commit yourselves to each other?” “We are,” they said. “The bond and the covenant of marriage was established by God in creation. Christ himself adorned this manner of life by his first miracle at a wedding in Cana of Galilee. A marriage is a symbol of the mystery of the union between Christ and His Church. Do you understand that those whom God has joined together, no man can put asunder?” “We do,” they said. “Do you have the rings?” “We do.” Father Mikhail continued. “Most gracious God,” he said, holding the cross above their heads, “look with favor upon this man and this woman living in a world for which Your Son gave His life. Make their life together a sign of Christ’s love to this sinful and broken world. Defend this man and this woman from every enemy. Lead them into peace. Let their love for each other be a seal upon their hearts, a mantle upon their shoulders, and a crown upon their foreheads. Bless them in their work and in their friendship, in their sleeping and in their waking, in their joys and their sorrows, in their life and in their death.” Tears trickled down Tatiana’s face. She hoped Alexander wouldn’t notice. Father Mikhail certainly had. Turning to Tatiana and taking her hands, Alexander smiled, beaming at her unrestrained happiness. Outside, on the steps of the church, he lifted her off the ground and swung her around as they kissed ecstatically. The jeweler and Sofia clapped apathetically, already down the steps and on the street. “Don’t hug her so tight. You’ll squeeze that child right out of her,” said Sofia to Alexander as she turned around and lifted her clunky camera. “Oh, wait. Hold on. Let me take a picture of the newlyweds.” She clicked once. Twice. “Come to me next week. Maybe I’ll have some paper by then to develop them.” She waved. “So you still think the registry office judge should have married us?” Alexander grinned. “He with his ‘of sound mind’ philosophy on marriage?” Tatiana shook her head. “You were so right. This was perfect. How did you know this all along?” “Because you and I were brought together by God,” Alexander replied. “This was our way of thanking Him.” Tatiana chuckled. “Do you know it took us less time to get married than to make love the first time?” “Much less,” Alexander said, swinging her around in the air. “Besides, getting married is the easy part. Just like making love. It was the getting you to make love to me that was hard. It was the getting you to marry me…” “I’m sorry. I was so nervous.” “I know,” he said. He still hadn’t put her down. “I thought the chances were twenty-eighty you were actually going to go through with it.” “Twenty against?” “Twenty for.” “Got to have a little more faith, my husband,” said Tatiana, kissing his lips.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Weston, having been born in Chicago, was raised with typical, well-grounded, mid-western values. On his 16th birthday, his father gave him a Kodak camera with which he started what would become his lifetime vocation. During the summer of 1908, Weston met Flora May Chandler, a schoolteacher who was seven years older than he was. The following year the couple married and in time they had four sons. Weston and his family moved to Southern California and opened a portrait studio on Brand Boulevard, in the artsy section of Glendale, California, called Tropico. His artistic skills soon became apparent and he became well known for his portraits of famous people, such as Carl Sandburg and Max Eastman. In the autumn of 1913, hearing of his work, Margrethe Mather, a photographer from Los Angeles, came to his studio, where Weston asked her to be his studio assistant. It didn’t take long before the two developed a passionate, intimate relationship. Both Weston and Mather became active in the growing bohemian cultural scene in Los Angeles. She was extremely outgoing and artistic in a most flamboyant way. Her bohemian sexual values were new to Weston’s conventional thinking, but Mather excited him and presented him with a new outlook that he found enticing. Mather was beautiful, and being bisexual and having been a high-class prostitute, was delightfully worldly. Mather's uninhibited lifestyle became irresistible to Weston and her photography took him into a new and exciting art form. As Mather worked and overtly played with him, she presented a lifestyle that was in stark contrast to Weston’s conventional home life, and he soon came to see his wife Flora as a person with whom he had little in common. Weston expanded his horizons but tried to keep his affairs with other women a secret. As he immersed himself further into nude photography, it became more difficult to hide his new lifestyle from his wife. Flora became suspicious about this secret life, but apparently suffered in silence. One of the first of many women who agreed to model nude for Weston was Tina Modotti. Although Mather remained with Weston, Tina soon became his primary model and remained so for the next several years. There was an instant attraction between Tina Modotti, Mather and Edward Weston, and although he remained married, Tina became his student, model and lover. Richey soon became aware of the affair, but it didn’t seem to bother him, as they all continued to remain good friends. The relationship Tina had with Weston could definitely be considered “cheating,” since knowledge of the affair was withheld as much as possible from his wife Flora May. Perhaps his wife knew and condoned this new promiscuous relationship, since she had also endured the intense liaison with Margrethe Mather. Tina, Mather and Weston continued working together until Tina and Weston suddenly left for Mexico in 1923. As a group, they were all a part of the cozy, artsy, bohemian society of Los Angeles, which was where they were introduced to the then-fashionable, communistic philosophy.
Hank Bracker