Father And Son Beach Quotes

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I love you Rush Finlay. You are going to be the best husband and father the world has ever known. One day our son’s wife will be thankful that her husband will have had you for a role model. She’ll be lucky because of you. Because you will have raised our son to be the man that you are. He’ll love her completely because he’ll know how.
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
His mother had stayed with his father, no matter the cost, and part of that had been her son learning to hate his own name.
Emily Henry (Beach Read)
There is no stronger brotherhood than between two boys who discover that both were born to fathers who waged war on their sons.
Pat Conroy (Beach Music)
My mom’s smile is genuine, A lilac beaming In the presence of her Sun. Indentions in the sand prove Time’s linear progression, Her hair yet unblighted, Carrying midnight’s consistency. Clear tracks fading as the Movement slips further In the past. Cheekbones High, soft, In summer’s hue, Hopeful. Each step’s unknown impact, A future looking back. My father’s strength: One whose Life is in his arms. Squinting past the camera, He rests upon a rock Like caramel corn half eaten, Just to the left Of man-made concrete convention Daylight’s eraser Removing color to his right. Dustin sits In my father’s lap, Open mouth of a drooling Big mouth bass; Muscle tone Of a well exercised Jelly fish, He looks at me Half aware; His wheelchair Perched at the edge Of parking lot gravel grafted Like a scar on nature’s beach, Opening to the ironic splendor Of a bitter tasting lake. I took the picture. Age 11. Capturing the pinnacle arc Of a son To my lilac Who Outlived him and weeps, Still. Their sky has staple holes – Maybe that’s how the Light Leaked out.
Darcy Leech (From My Mother)
He was bad with me too, but it was a little more random. If the phone rang and woke him up, he'd hit me, or if he had plans to go out but had to cancel for snow, he'd knock me around to burn off his anger. I was always looking for the secret code, the rules I could follow so he wouldn't freak out. That's how you keep yourself safe, you know? You pay attention to how the world works. But there was no secret code for him. It was like our actions were entirely detached from his reaction to us.
Emily Henry (Beach Read)
As a young father it's important to remember that, when you're at the beach, there's a BIG difference between telling your five year old son to just go pee in the ocean and telling him to get in the water at least waist deep and then pee in the ocean.
Spuds Crawford
The Toys My little Son, who look'd from thoughtful eyes And moved and spoke in quiet grown-up wise, Having my law the seventh time disobey'd, I struck him, and dismiss'd With hard words and unkiss'd, —His Mother, who was patient, being dead. Then, fearing lest his grief should hinder sleep, I visited his bed, But found him slumbering deep, With darken'd eyelids, and their lashes yet From his late sobbing wet. And I, with moan, Kissing away his tears, left others of my own; For, on a table drawn beside his head, He had put, within his reach, A box of counters and a red-vein'd stone, A piece of glass abraded by the beach, And six or seven shells, A bottle with bluebells, And two French copper coins, ranged there with careful art, To comfort his sad heart. So when that night I pray'd To God, I wept, and said: Ah, when at last we lie with trancèd breath, Not vexing Thee in death, And Thou rememberest of what toys We made our joys, How weakly understood Thy great commanded good, Then, fatherly not less Than I whom Thou hast moulded from the clay, Thou'lt leave Thy wrath, and say, 'I will be sorry for their childishness.
Coventry Patmore
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
I love birds, she says dreamily into her son's ear, or maybe she just thinks it, she the one who taught him to name and spot the rare ones-the bar-tailed godwit, the whimbrel and Blackburnian warbler-just as her father had taught her, first from the fields and beach, then from inside, his wheelchair by the window, Petersons and binoculars in his lap, and she'd bike to the salt creek or climb to the top of the Teal Rock and sit there waiting, then ride back and drop her bike on the grass and go inside, to where the names flew from her mouth into her father's ears, a gift for both of them. "I love birds." She says it again, or maybe for the first time. "I know," Charlie says.
Elizabeth Graver (The End of the Point)
The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
Family is everything to him. When he was a young boy, he lost his mother and four sisters to scarlet fever, and was sent away to boarding school. He grew up very much alone. So he would do anything to protect or help the people he cares about." She hefted the album into Keir's lap, and watched as he began to leaf through it dutifully. Keir's gaze fell to a photograph of the Challons relaxing on the beach. There was Phoebe at a young age, sprawling in the lap of a slender, laughing mother with curly hair. Two blond boys sat beside her, holding small shovels with the ruins of a sandcastle between them. A grinning fair-haired toddler was sitting squarely on top of the sandcastle, having just squashed it. They'd all dressed up in matching bathing costumes, like a crew of little sailors. Coming to perch on the arm of the chair, Phoebe reached down to turn the pages and point out photographs of her siblings at various stages of their childhood. Gabriel, the responsible oldest son... followed by Raphael, carefree and rebellious... Seraphina, the sweet and imaginative younger sister... and the baby of the family, Ivo, a red-haired boy who'd come as a surprise after the duchess had assumed childbearing years were past her. Phoebe paused at a tintype likeness of the duke and duchess seated together. Below it, the words "Lord and Lady St. Vincent" had been written. "This was taken before my father inherited the dukedom," she said. Kingston- Lord St. Vincent back then- sat with an arm draped along the back of the sofa, his face turned toward his wife. She was a lovely woman, with an endearing spray of freckles across her face and a smile as vulnerable as the heartbeat in an exposed wrist.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
How I Got That Name Marilyn Chin an essay on assimilation I am Marilyn Mei Ling Chin Oh, how I love the resoluteness of that first person singular followed by that stalwart indicative of “be," without the uncertain i-n-g of “becoming.” Of course, the name had been changed somewhere between Angel Island and the sea, when my father the paperson in the late 1950s obsessed with a bombshell blond transliterated “Mei Ling” to “Marilyn.” And nobody dared question his initial impulse—for we all know lust drove men to greatness, not goodness, not decency. And there I was, a wayward pink baby, named after some tragic white woman swollen with gin and Nembutal. My mother couldn’t pronounce the “r.” She dubbed me “Numba one female offshoot” for brevity: henceforth, she will live and die in sublime ignorance, flanked by loving children and the “kitchen deity.” While my father dithers, a tomcat in Hong Kong trash— a gambler, a petty thug, who bought a chain of chopsuey joints in Piss River, Oregon, with bootlegged Gucci cash. Nobody dared question his integrity given his nice, devout daughters and his bright, industrious sons as if filial piety were the standard by which all earthly men are measured. * Oh, how trustworthy our daughters, how thrifty our sons! How we’ve managed to fool the experts in education, statistic and demography— We’re not very creative but not adverse to rote-learning. Indeed, they can use us. But the “Model Minority” is a tease. We know you are watching now, so we refuse to give you any! Oh, bamboo shoots, bamboo shoots! The further west we go, we’ll hit east; the deeper down we dig, we’ll find China. History has turned its stomach on a black polluted beach— where life doesn’t hinge on that red, red wheelbarrow, but whether or not our new lover in the final episode of “Santa Barbara” will lean over a scented candle and call us a “bitch.” Oh God, where have we gone wrong? We have no inner resources! * Then, one redolent spring morning the Great Patriarch Chin peered down from his kiosk in heaven and saw that his descendants were ugly. One had a squarish head and a nose without a bridge Another’s profile—long and knobbed as a gourd. A third, the sad, brutish one may never, never marry. And I, his least favorite— “not quite boiled, not quite cooked," a plump pomfret simmering in my juices— too listless to fight for my people’s destiny. “To kill without resistance is not slaughter” says the proverb. So, I wait for imminent death. The fact that this death is also metaphorical is testament to my lethargy. * So here lies Marilyn Mei Ling Chin, married once, twice to so-and-so, a Lee and a Wong, granddaughter of Jack “the patriarch” and the brooding Suilin Fong, daughter of the virtuous Yuet Kuen Wong and G.G. Chin the infamous, sister of a dozen, cousin of a million, survived by everbody and forgotten by all. She was neither black nor white, neither cherished nor vanquished, just another squatter in her own bamboo grove minding her poetry— when one day heaven was unmerciful, and a chasm opened where she stood. Like the jowls of a mighty white whale, or the jaws of a metaphysical Godzilla, it swallowed her whole. She did not flinch nor writhe, nor fret about the afterlife, but stayed! Solid as wood, happily a little gnawed, tattered, mesmerized by all that was lavished upon her and all that was taken away!
Marilyn Chin
-1 PETER 5:3 Over and over I have attempted to be an example by doing rather than telling. I feel that God's great truths are "caught" and not always "taught." In the book of Deuteronomy, Moses (the author) says the following about God's commandments, statutes, and judgments: "You shall teach them diligently to your sons and shall talk of them when you sit in your house and when you walk by the way and when you lie down and when you rise up" (6:7). In other words, at all times we are to be examples. It is amazing how much we can teach by example in every situation: at home, at the beach, while jogging, when resting, when eating-in every part of the day. It's amazing how often I catch our children and grandchildren imitating the values we exhibited in our home-something as little as a lighted candle to warm the heart, to a thank you when food is being served in a restaurant. Little eyes are peering around to see how we behave when we think no one is looking. Are we consistent with what we say we believe? If we talk calmness and patience, how do we respond when standing in a slow line at the market? How does our conversation go when there is a slowdown on Friday evening's freeway drive? Do we go by the rules on the freeway (having two people or more in the car while driving in the carpool lane, going the speed limit, and obeying all traffic signs)? How can we show God's love? By helping people out when they are in need of assistance, even when it is not convenient. We can be good neighbors. Sending out thank you cards after receiving a gift shows our appreciation for the gift and the person. Being kind to animals and the environment when we go to the park for a campout or picnic shows good stewardship. We are continually setting some kind of example whether we know it or not. PRAYER Father God, let my life be an example to those around me, especially the little ones who are learning the ways of faith. May I exhibit proper conduct even when no one is around. I want to be obedient to Your guiding principles. Thank You for Your example. Amen.
Emilie Barnes (The Tea Lover's Devotional)
Mickey and Minnie, Disney’s King and Queen, were there to greet us on the fifth floor of the Grand Floridian Beach Resort when we arrived on that afternoon. Harry’s face lit up. Not that he was interested in being cuddled by people dressed as two giant cartoon characters – he wanted to get to the rides. Diana was thrilled too, but for different reasons. Her sons, instead of being at Balmoral with their father, as they usually were in August, were free, free to do what other children did on holiday. My reconnaissance some weeks earlier had proved invaluable. I advised Diana in my briefing memo that the fact that Disney is spread over 43 square miles was to our advantage in our habitual battle to outwit the media because Disney, unlike any other theme park, has a VIP package which uses reserved routes to rides and attractions, along a predetermined course. A network of restricted paths and tunnels, not accessible to the public, enabled special guests literally to pop up at the front of queues and go straight on the ride without anyone elsewhere in the park knowing which attraction they were on. Moreover, conscious of Diana’s fear of being criticised for using her royal status to secure star treatment, my memo, dated 2 August 1993, reassured her because I had recommended the VIP package for security reasons: ‘At this time of the year up to 1 million people could be using the complex. Many rides and attractions will have queues of 2 to 3 hours’ waiting. The VIP method is not queue jumping, and will not be seen by others so to be.’ The note was returned with a huge tick from her pen through that section.
Ken Wharfe (Diana - A Closely Guarded Secret)
Looking incredibly dashing as he bent his head toward the oh-so-fashionable Miss Kasson was none other than Mr. Edgar Wanamaker—her best friend from childhood, and . . . the very first gentleman to ever offer her a proposal of marriage. She and Edgar had met when they’d been little more than infants, that circumstance brought about because their parents owned adjacent summer cottages on Long Island. Wilhelmina had spent every childhood summer with Edgar by her side, enjoying the sandy beaches and chilly water of the Atlantic from the moment the sun rose in the morning until it set in the evening. Even when Edgar had been away at school, being a few years older than Wilhelmina, they’d spent every possible minute they could with each other during the holidays. He’d even made certain to be in the city the night of her debut ball, waiting for her at the bottom of her family’s Park Avenue mansion as she’d descended the grand staircase on her father’s arm. As she’d stepped to the highly polished parquet floor, she’d caught his gaze, the intensity of that gaze causing her heart to fill with fondness for her oldest and dearest friend. That fondness, however, had disappeared a few hours later when Edgar had gone and ruined everything by asking her to marry him. She’d been all of seventeen years old the night of her debut—seventeen years old with the world spread out at her feet. Add in the notion that the whispers stirring around the ballroom were claiming she was destined to be a diamond of the first water, and the last thing she’d wanted that particular evening was a marriage proposal extended to her from her very best friend. Edgar, no matter the affection she held for him, was only a second son. Paired with the pesky fact he’d had no idea as to what he’d wanted to do with the rest of his life—except, evidently, to marry her—and she’d been less than impressed by his offer. What
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
and carefree. It is so good to have Greg back with us again, breathing the salty air, experiencing the breeze on his face. We spend at least an hour on that beach. Almost back at the car, Greg stops at a wooden bench that looks out onto the strand. ‘Let’s sit for a while.’ My stomach tightens. Greg settles at one end of the bench, Toby on his lap, Rachel next to them. I’m at the other. Bookends. ‘Guys,’ Greg says. ‘I want to explain why I’m in hospital.’ ‘It’s OK, Dad. We know,’ says Toby. ‘You’re exhausted.’ ‘Well, it’s a little more than that.’ He takes a breath. ‘I have a sickness that makes me sad sometimes. Other times it makes me very excited.’ They take time to digest that. Toby is first to speak. ‘But it’s OK to be sad, Dad. You said.’ He looks at Greg for confirmation. ‘I did. And it’s OK to cry when something happens to make you sad.’ ‘Yeah, you’re always telling us that.’ ‘It’s just that if there’s no reason to be sad and you’re sad anyway – all the time – well, that’s not good, is it?’ Toby shakes his head wildly. ‘No, that’d be…sad.’ ‘And not good,’ says Greg. ‘No,’ agrees Toby. Rachel’s quiet. Taking it all in. ‘And it’s OK to get excited too,’ continues Greg. ‘Lots of things are exciting…’ ‘Like Christmas and birthdays and fireworks and when you get onto the next level in a game.’ ‘Exactly.’ Greg smiles. ‘But being hyper isn’t good.’ ‘No.’ Toby shakes his head again. ‘When you have Coke or Skittles or something you get hyper. And that’s not good ‘cause you go bananas. Isn’t that right, Dad?’ ‘Yes, son.’ Greg kisses the top of his head. ‘But you eventually go back to normal, don’t you?’ ‘Yeah.’ Rachel, eyes fixed on her father, is oblivious to the breeze whipping her hair across her face. ‘Well,’ says Greg. ‘I have a sickness that makes me hyper for weeks. And that’s not good.’ ‘No.’ Toby squints. ‘Why not, again?’ ‘Well, it can make me do silly things, and can make
Aimee Alexander (The Accidental Life of Greg Millar)
A man and his young son crouched in the woods just before sunset, out where Palm Beach County meets the Everglades. Their eyes focused on the train tracks a few yards away, a tight bend just past the clearing where Pratt & Whitney tests its jet engines. A shiny new Lincoln penny sat on one of the rails. “Why are we doing this, Daddy?” “To get a flat penny.” “What for?” “Because it’s fun!” A train whistle blew in the distance. “Here she comes! Get down!” The pair crouched and waited, the train growing closer. It was in sight before they knew it, nothing but a blur as it entered the bend and hit the penny. There was a harsh grinding of metal. The father and son watched in astonishment as The Silver Stingray jumped the tracks and twenty cars jackknifed down the embankment toward the swamp. “Daddy? Did we do that?” “How’d you like some ice cream?
Tim Dorsey (The Stingray Shuffle (Serge Storms #5))
At school, Pablo found it hard to concentrate. Rather than completing classwork, he filled the margins of his notebook with pencil sketches of animals, birds, and people. His teacher grew exasperated with his lack of attention. She wrote a note to his mother saying: “Pablo should stop drawing in class and pay attention to his lessons.” It was clear that Pablo hated rules, and he took every opportunity to disobey them. When adults told him what to do, he did the opposite. He once got in trouble for coloring the sky a bright red instead of the “normal” blue. Pablo was often banished to the “calaboose,” a bare cell with white walls and a bench, which served as a holding pen for unruly students. “I liked it there, because I took along a sketch pad and drew incessantly,” Pablo later said. “I could have stayed there forever drawing without stopping.” He even began misbehaving on purpose so that he would be sentenced to detention and sent to the calaboose. The one person who understood that Pablo wasn’t acting out for no reason was his father. One day when Pablo’s mother caught him drawing on the wall with a nail, Don José took him to the beach to blow off steam. As Don José stretched out to take a nap, Pablo sat beside him and drew a dolphin in the wet sand. When Don José awoke, he was astonished by the beauty of his son’s drawing. “Could it be Pablo who drew this?” he wondered. That afternoon, Don José took a closer look at the image Pablo had drawn on their living room wall. What at first looked like random scratches soon took shape. Don José recognized a reindeer and a bison running away from a group of men on horseback who were armed with bows and arrows. At that moment, Don José knew what to do to get Pablo to stop misbehaving. He decided to take him into his studio and teach his son how to paint. From that day onward, Pablo and his father were inseparable art partners. In search of new subjects to portray, they began going to the bullfights. Pablo was mesmerized by the sight of the brave picadors as they charged ferocious bulls. He saw El Lagartijo—“The Lizard”—one of the most famous bullfighters in Spain, and he met Cara Ancha,
David Stabler (Kid Legends: True Tales of Childhood from the Books Kid Artists, Kid Athletes, Kid Presidents, and Kid Authors)
The minute I set foot in that house, I knew I was born to live there. The ocean called to me. The sound of the waves crashing on the shore lulled me into drugging bliss. Everything was open and beautiful and new. The air felt lighter and crisp. The four of us walked in—Emilia, me, Vaughn, and his father—and the second I stood in the center of the living room, I knew it was my new home. I turned to Vaughn with a smile. “Let’s keep it.” Without a thought, he turned straight to his parents and narrowed his eyes at them. “Is it too late to rebel against your asses? Because you fucked me over real nice and good this time.” His father patted his shoulder with a patronizing smirk. “Watch and learn, son.” “Not sure I’d be dedicating my life to screwing over my imaginary kids, if we wanted to have them,” Vaughn countered. He still thought I wasn’t into the idea of kids. My silly, silly hubby.
L.J. Shen (Angry God (All Saints High, #3))
How they changed the concept of drawing ‘fun on the beach’ to drawing about the ‘futility of life and nihilism’ left him absolutely speechless. The father-daughter duo were really in-sync. The drawing they produced in the end, was incredible but oh so dark. The concept creeped people out and made some depressed about life itself.
Hikaru Genji (Son Of The Hero King: Book 3: Sword And Dragon)
His father was named Bob Beckett Sr. He used to live with him in Torrance—down by Redondo Beach and Palos Verdes. His father was an artist. He ran a rinky-dink art school and made extra cash as a strongarm enforcer. He collected money for some mob-connected guys in San Pedro. His father was 6′4″, 270. His father knew karate. His father was in the Society for Creative Anachronisms—this group where people acted out this weird medieval shit. His father hung out with a faggy guy named Paul Serio. Paul Serio was a big shot in that weird society. His father was 45 years old now. His father was a baaad son-of-a-bitch.
James Ellroy (My Dark Places: A True Crime Autobiography)
Aristotle, we must remember, was a doctor’s son. Although he was very young when his father died, his family were longtime members of the medical guild of the Asclepiades. Using one’s eyes and ears and sense of touch to diagnose ailments and complaints, and judge the course of a disease or its cure, was in a sense a family tradition. According to the great Greek doctor Galen,‡ Asclepid families also taught their sons dissection.8 So those walks along the beach were not idle time. They must have confirmed for Aristotle what he already suspected, that reason must be linked to the power of observation. Reason steps in after, not before, experience; it sorts our observations into meaningful patterns and arrives at a knowledge as certain and exact as anything in Plato’s Forms. Aristotle’s term for this knowledge of the world was episteme, which later Latin commentators translated as scientia, or science. Aristotle is the true father of science and scientific method, by which we still mean a methodical process of observation, classification, and discovery.
Arthur Herman (The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization)
Dad," Stephen said. "What, son?" "Remember when we used to walk along the beaches—when you would buy all those shells for me to find?" His father smiled. "I remember." "Well, I was thinking about that beach we went to, the one where there were thousands of starfish that were stranded at low tide. Starfish dying as far as we could see. Seagulls snatching them up, dropping them on the rocks, and eating them. Remember all the starfish in that hot sun?" "Sure," his father said. "You insisted on taking one of them and throwing it back into the water." "I remember you telling me that it didn't make any difference," Stephen said. "Did I say that?" "Yes." "I don't remember." "I do," Stephen said. "Well, I've been thinking about it." "About that starfish?" "Yeah. I was thinking that it did make a difference. At least to that one starfish." His father said nothing for a while. "Maybe you're right... I hope so," he said finally, and put his arm around Stephen's shoulder.
Paul Zindel (The Gadget)
I feel like a tourist in my own country,” I said, taking in a goatherd leading a half-dozen emaciated goats along the side of the road. Farid snickered. Tossed his cigarette. “You still think of this place as your country?” “I think a part of me always will,” I said, more defensively than I had intended. “After twenty years of living in America,” he said, swerving the truck to avoid a pothole the size of a beach ball. I nodded. “I grew up in Afghanistan.” Farid snickered again. “Why do you do that?" “Never mind,” he murmured. “No, I want to know. Why do you do that?” In his rearview mirror, I saw something flash in his eyes. “You want to know?” he sneered. “Let me imagine, Agha sahib. You probably lived in a big two- or three-story house with a nice backyard that your gardener filled with flowers and fruit trees. All gated, of course. Your father drove an American car. You had servants, probably Hazaras. Your parents hired workers to decorate the house for the fancy mehmanis they threw, so their friends would come over to drink and boast about their travels to Europe or America. And I would bet my first son’s eyes that this is the first time you’ve ever worn a pakol.” He grinned at me, revealing a mouthful of prematurely rotting teeth. “Am I close?” “Why are you saying these things?” I said. “Because you wanted to know,” he spat. He pointed to an old man dressed in ragged clothes trudging down a dirt path, a large burlap pack filled with scrub grass tied to his back. “That’s the real Afghanistan, Agha sahib. That’s the Afghanistan I know. You? You’ve always been a tourist here, you just didn’t know it.
Khaled Hosseini (The Kite Runner)
At the beach hut they’d been human, a woman, a man, a wife and mother and daughter and a husband and father and son, and they’d crossed themselves, tapped their nails and bitten their lips in unconscious angst. But when they’d got to the launch pad they were Hollywood and sci-fi, Space Odyssey and Disney, imagineered, branded and ready. The rocket peaked in a cap of gleaming newness, absolute and spectacular whiteness and newness, and the sky was a glorious and conquerable blue.
Samantha Harvey (Orbital)
Sammy started surfing big waves with Eddie and hanging out at the graveyard on occasion. “Over time I became friendly with the family and eventually ended up spending a lot of time with them,” Lee says. “I admired that family for their cohesiveness. And I got to know the father really well, and he became a personal friend of mine. He was easy to talk to, and he had a lot of aloha. The father was a really charismatic man. He wasn’t educated in the book sense but he was a charismatic individual, and he appealed to people from all walks of life, people from this country and other countries as well. You either loved the guy or you hated him. He was very blunt but very generous. His generosity knew no bounds if he liked you.” Pops welcomed Sammy into his family like a son because he was like an older brother to Eddie and the boys, taking them to the beach and looking out for them. Pops was also grateful to Sammy for introducing his sons to famous surfers like Fred Van Dyke and Peter Cole, who had taught Sammy (and his fellow surfers) at Punahou School. Like John Kelly, these men were champion big-wave riders and gods in Eddie’s eyes. For Sammy’s 25th birthday, Pops threw a party for him and invited
Stuart Holmes Coleman (Eddie Would Go: The Story of Eddie Aikau, Hawaiian Hero and Pioneer of Big Wave Surfing)