Fatal Frame Quotes

We've searched our database for all the quotes and captions related to Fatal Frame. Here they are! All 22 of them:

People who ought to die of shock and exposure don't die of shock and exposure, et cetera, et cetera. The human frame is tougher than one can imagine possible. Moreover, in my experience, a physical shock is more often fatal than a mental shock.
Agatha Christie (The Body in the Library (Miss Marple, #2))
Hugh, I remind you that you are still under the oath the last guy swore," Shawn said. "Is that real?" Ralston said.
William Rabkin (A Fatal Frame of Mind (Psych, #4))
But once I could look back on it in a calmer frame of mind, it struck me that his motive was surely not so simple and straightforward. Had it resulted from a fatal collision between reality and ideals? Perhaps—but this was still not quite it. Eventually, I began to wonder whether it was not the same unbearable loneliness that I now felt that had brought K to his decision.
Natsume Sōseki (Kokoro)
During the Cold War of the 1950s, American spies were issued eyeglasses with thick, clunky frames. If captured, they were trained to casually chew the curved earpieces, where fatal doses of cyanide were cast inside the plastic. It's these same horn-rimmed suicide glasses, the wrangler says, that inspired the look of Buddy Holly and Elvis Costello. All those young hipsters wearing death on their nose.
Chuck Palahniuk (Snuff)
The Reformation which took place in the sixteenth century, while it aimed to remove many of the abuses of Popery, still did not recognize religions liberty. "There is not a confession of faith, nor a creed," says Underhill, "framed by any of the Reformers, which does not give to the magistrate a coercive power in religion, and almost every one, at the same time, curses the resisting Baptist." "It was the crime of this persecuted people, that they rejected secular interference in the church of God; it was the boast and aim of the Reformers everywhere to employ it. The natural fruit of the one was persecution – of the other, liberty."[1] The Baptists stood entirely alone, as the defenders of the rights of conscience. All the Reformed communities agreed that it was right for the magistrate to punish those who did not worship according to the prescribed rule of their churches; and it was for opposition to this feature of religious oppression, in connection with their adherence to believer's baptiem, that brought upon the Baptists those severe persecutions which they were called to endure. They contended for religious liberty; the Reformed churches opposed it, and committed themselves to a course fatal to the rights of conscience.
John Quincy Adams (Baptists, The Only Thorough Religious Reformers)
Sparks come from the very source of light and are made of the purest brightness—so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principles—life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. —
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
If you fall for a dark-eyed beauty, pretty as a picture, with lips as sweet as a luscious rasberry, and a gentle face, unrumpled by kisses, like an apple-blossom petal in May, and she becomes your love—then do not say that love is yours: even though you cannot tire of her rounded breasts, of her slender frame that melts in your embrace like wax before a flame. . . . The day will come, that cruel hour will come, the fatal moment will come, when he face will fade, rumpled by kisses, her breasts will no longer quiver at your touch: all this will come to pass; and you will be alone with your own shadow amidst the sunscorched deserts and the dried up springs, where flowers do not bloom and the sunlight plays on the dry skin of a lizard; and you might even see the hairy black tarantula’s lair, all enmeshed in the threads of its web . . . And then your thirsting voice will be raised from the sands, calling longingly to your homeland. --- But if your love is otherwise, if her browless face has once been touched by the black blemish of the pox, if her hair is red, her breasts sagging, her bare feet dirty, and to any extent at all her stomach protrudes, and still she is your love—then that which you have sought and found in her is the sacred homeland of your soul.
Andrei Bely (The Silver Dove)
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
Donna Tartt (The Secret History)
Pham Nuwen spent years learning to program/explore. Programming went back to the beginning of time. It was a little like the midden out back of his father’s castle. Where the creek had worn that away, ten meters down, there were the crumpled hulks of machines—flying machines, the peasants said—from the great days of Canberra’s original colonial era. But the castle midden was clean and fresh compared to what lay within the Reprise’s local net. There were programs here that had been written five thousand years ago, before Humankind ever left Earth. The wonder of it—the horror of it, Sura said—was that unlike the useless wrecks of Canberra’s past, these programs still worked! And via a million million circuitous threads of inheritance, many of the oldest programs still ran in the bowels of the Qeng Ho system. Take the Traders’ method of timekeeping. The frame corrections were incredibly complex—and down at the very bottom of it was a little program that ran a counter. Second by second, the Qeng Ho counted from the instant that a human had first set foot on Old Earth’s moon. But if you looked at it still more closely. . .the starting instant was actually some hundred million seconds later, the 0-second of one of Humankind’s first computer operating systems. So behind all the top-level interfaces was layer under layer of support. Some of that software had been designed for wildly different situations. Every so often, the inconsistencies caused fatal accidents. Despite the romance of spaceflight, the most common accidents were simply caused by ancient, misused programs finally getting their revenge. “We should rewrite it all,” said Pham. “It’s been done,” said Sura, not looking up. She was preparing to go off-Watch, and had spent the last four days trying to root a problem out of the coldsleep automation. “It’s been tried,” corrected Bret, just back from the freezers. “But even the top levels of fleet system code are enormous. You and a thousand of your friends would have to work for a century or so to reproduce it.” Trinli grinned evilly. “And guess what—even if you did, by the time you finished, you’d have your own set of inconsistencies. And you still wouldn’t be consistent with all the applications that might be needed now and then.” Sura gave up on her debugging for the moment. “The word for all this is ‘mature programming environment.’ Basically, when hardware performance has been pushed to its final limit, and programmers have had several centuries to code, you reach a point where there is far more signicant code than can be rationalized. The best you can do is understand the overall layering, and know how to search for the oddball tool that may come in handy—take the situation I have here.” She waved at the dependency chart she had been working on. “We are low on working fluid for the coffins. Like a million other things, there was none for sale on dear old Canberra. Well, the obvious thing is to move the coffins near the aft hull, and cool by direct radiation. We don’t have the proper equipment to support this—so lately, I’ve been doing my share of archeology. It seems that five hundred years ago, a similar thing happened after an in-system war at Torma. They hacked together a temperature maintenance package that is precisely what we need.” “Almost precisely.
Vernor Vinge (A Deepness in the Sky (Zones of Thought, #2))
Maybe if you’d been able to restrain yourselves from endlessly screaming about the unique evil of white people, I wouldn’t have started to look into exactly who was doing most of the screaming. Since you apparently can’t help yourself from continually profiling me, don’t cry foul when I start profiling you. And I don’t think it qualifies as imagining there are Jews in your sandwich when anywhere from half to three-quarters of the hoagie you’re feeding me is stuffed with kosher meat. Palefaced XY-chromosome devils have been persistently framed in popular discourse as eternal oppressors and congenital spewers of venom, bile, and hatred. But despite everything the media has been peddling for generations, it appears that this oft-maligned demographic suffers from a fatal flaw, one that runs contrary to the stereotype—they’re way too nice. They’re not homicidally intolerant so much as they’re suicidally tolerant. And unless their antagonists—whether they’re self-loathing crackers such as Michael Moore or anyone else in the increasingly hostile and jeering Rainbow Coalition—learn to cool it with the screaming, it appears that the only option is to start screaming back. Otherwise it seems evident that the tireless bashers of everything white and male don’t view white males as a powerful oppressor so much as an easy target.
Jim Goad (Whiteness: The Original Sin)
In the summer of 1914, he had headed to France in the company of his only son, Alistair. They were driving at high speed through woodland in Northern France when Alistair lost control of the wheel. The car spun into a roadside tree and flipped upside down. Alistair was flung from the vehicle and landed on his head. Cumming was trapped by his leg in a tangle of smouldering metal. ‘The boy was fatally injured,’ wrote Compton Mackenzie in his account of the incident, ‘and his father, hearing him moan something about the cold, tried to extricate himself from the wreck of the car in order to put a coat over him; but struggle as he might, he could not free his smashed leg.’ If he was to have any hope of reaching his son, there was only one thing to do. He reached for his pocket knife and hacked away at his mangled limb ‘until he had cut it off, after which he had crawled over to the son and spread a coat over him.’ Nine hours later, Cumming was found lying unconscious next to his son’s dead body. His recovery was as remarkable as his survival. He was back at his desk within a month, brushing aside any outer shows of mourning for his son. Cumming had the ramrod emotional backbone that so typified the gentlemen of his social class and era. Just a few months after his accident, one of his operatives visited him at his offices on the top floor of Whitehall Court. Cumming, who had not yet received his artificial leg, was inching his substantial frame down six flights of stairs: ‘two sticks, and backside, edging its way down one step at a time.’ Little wonder that his friends described him as ‘obstinate as a mule.
Giles Milton (Russian Roulette: How British Spies Thwarted Lenin's Plot for Global Revolution)
Mughals to the importance of sea power. The Mughals had a predominantly continental outlook. Preoccupation with cavalry warfare blinded the Indian rulers to the maritime challenge of the European powers. The Mughals would only take an enemy seriously if he confronted them with large contingents of cavalry. Thus, they neglected the Indian Ocean as the most important element of the total Indian environment. They knew the monsoon would not permit a sustained maritime invasion of India. Thus, a maritime invader would find his supply lines cut in a short time-frame. The European powers, however, never attempted such an invasion. India itself had a huge military manpower pool with a mercenary orientation. It generally flocked to the banner of whichever local ruler paid the best. The European success lay in nativisation. They built up their military contingents in India by drilling local infantry troops who were far less expensive to maintain but in the end proved fatal to the Indian cavalry.
G.D. Bakshi (The Rise of Indian Military Power: Evolution of an Indian Strategic Culture)
Matthew closed the door and turned toward her. He seemed very large in the small room, his broad frame dwarfing their civilized surroundings. Daisy’s mouth went dry as she stared at him. She wanted to be close to him… she wanted to feel all his skin against hers. “What is there between you and Llandrindon?” he demanded. “Nothing. Only friendship. On my side, that is.” “And on his side?” “I suspect— well, he seemed to indicate that he would not be averse to— you know.” “Yes, I know,” he said thickly. “And even though I can’t stand the bastard, I also can’t blame him for wanting you. Not after the way you’ve teased and tempted him all week.” “If you’re trying to imply that I’ve been acting like some femme fatale—” “Don’t try to deny it. I saw the way you flirted with him. The way you leaned close when you talked… the smiles, the provocative dresses…” “Provocative dresses?” Daisy asked in bemusement. “Like that one.” Daisy looked down at her demure white gown, which covered her entire chest and most of her arms. A nun couldn’t have found fault with it. She glanced at him sardonically. “I’ve been trying for days to make you jealous. You would have saved me a lot of effort if you’d just admitted it straight off.” “You were deliberately trying to make me jealous?” he exploded. “What in God’s name did you think that would accomplish? Or is turning me inside out your latest idea of an entertaining hobby?” A sudden blush covered her face. “I thought you might feel something for me… and I hoped to make you admit it.” Matthew’s mouth opened and closed, but he couldn’t seem to speak. Daisy wondered uneasily what emotion was working on him. After a few moments he shook his head and leaned against the dresser as if he needed physical support. “Are you angry?” she asked apprehensively. His voice sounded odd and ragged. “Ten percent of me is angry.” “What about the other ninety percent?” “That part is just a hairsbreadth away from throwing you on that bed and—” Matthew broke off and swallowed hard. “Daisy, you’re too damned innocent to understand the danger you’re in. It’s taking all the self-control I’ve got to keep my hands off you. Don’t play games with me, sweetheart. It’s too easy for you to torture me, and I’m at my limit. To put to rest any doubts you might have… I’m jealous of every man who comes within ten feet of you. I’m jealous of the clothes on your skin and the air you breathe. I’m jealous of every moment you spend out of my sight.” Stunned, Daisy whispered, “You… you certainly haven’t shown any sign of it.” “Over the years I’ve collected a thousand memories of you, every glimpse, every word you’ve ever said to me. All those visits to your family’s home, those dinners and holidays— I could hardly wait to walk through the front door and see you.” The corners of his mouth quirked with reminiscent amusement. “You, in the middle of that brash, bull-headed lot… I love watching you deal with your family. You’ve always been everything I thought a woman should be. And I have wanted you every second of my life since we first met.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Do you--should you radio…anyone?” he said, gasping slightly when she nipped at one nipple through his shirt. “Mm--hmm,” she murmured, leaving a trail along the side of his chin with her tongue. He turned her around inside the blanket so her back was to him, then tugged her up against him, sliding his arms around her waist and keeping the blanket around them, the opening now in front of her. He leaned down and gently bit the side of her neck, then whispered, “Well, you might want to take care of that right swift, luv, because you’re about to be ravaged.” She moaned when he nipped her, wriggling a little, giving a delightful giggle at the last part, which made him grin. Kerry wasn’t typically a giggler. He now had a vested interest in seeing her become one. She’d clearly let go of all the worry, the tension, the fears about what might happen, and was doing exactly what he was doing: grabbing on to what they had right now and leaving the future to settle itself. “Ravaged, am I?” she said, tipping her head back against his shoulder to look up at him. “Are we playing pirate on the high seas, then?” “Aye, my saucy seafaring wench, ’tis true. I’ve boarded yer lovely vessel to see what treasures you have worth pillaging.” He leaned down, nipped her earlobe, then tugged the blanket so it snugged tightly over her breasts as he tucked her backside against his hips. “It appears I’ll need to board yer personal vessel to discover all your riches.” She laughed at that outright, then wiggled against him quite deliberately, making him grit his teeth. “Careful now, wench, or you’ll be spilling my doubloons all over the deck.” She let out a choked laugh at that, then bumped him back with her hips, and it was his turn to groan as her firm derrière came into contact with an even firmer part of him. “Why don’t you and your doubloons go on belowdeck so I can catch my breath long enough to send out an all’s-okay to Thomas without him thinking I’m doing what I’m about to be doing? It was mortifying enough to have to brazen it out in front of him when I showed up in this--what was it you called it? A glorified napkin? I’ve always thought of him as kind of a secondary grandfather. I’m not sure which of us was more in danger of that heart attack.” She glanced over her shoulder with a dry smile. “I think my femme fatale days are over.” “Oh,” he said, tossing the blanket toward a side bin so he could run his flat palms down the center of her back, then frame the swell of her hips, which were tightly wrapped in that glorified napkin. “I don’t know about that,” he said in all sincerity. “At least the fatale part.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Peopleare sometimes largely powerless, politically, or even psychologically (because we are not flexible, but are indeed brainwashed, or in the grip of strange obsessions that we cannot shake). When we are powerless, fatalism may be a natural frame of mind into which to relapse. If our best efforts come to nothing often enough, we need consolation, and thoughts of unfolding, infinite destiny, or karma, are sometimes consoling.
Simon Blackburn (Think: A Compelling Introduction to Philosophy)
What we do seem to have difficulty accepting are the kind of displacements that are neither subtle nor total: Cutting from a full-figure master shot, for instance, to a slightly tighter shot that frames the actors from the ankles up. The new shot in this case is different enough to signal that something has changed, but not different enough to make us re-evaluate its context: The displacement of the image is neither motion nor change of context, and the collision of these two ideas produces a mental jarring-a jump that is comparatively disturbing. (...) A beehive can apparently be moved two inches each night without disorienting the bees the next morning. Surprisingly, if it is moved two miles, the bees also have no problem: They are forced by the total displacement of their environment to re-orient their sense of direction, which they can do easily enough. But if the hive is moved two yards, the bees will become fatally confused. The environment does not seem different to them, so they do not re-orient themselves, and as a result, they will not recognise their own hive when they return from foraging, hovering instead in the empty space where the hive used to be, while the hive itself sits just two yards away.
Walter Murch (In the Blink of an Eye: A Perspective on Film Editing)
At breakfast on Friday morning a crowd of curious hotel guests gathered around Arthur Peuchen in the Waldorf-Astoria’s dining room and made him recount his story once again. In the hotel’s largest ballroom, meanwhile, seven U.S. senators were preparing to question J. Bruce Ismay, the first witness to appear before the U.S. Senate investigation. As he began his testimony that morning, Ismay still seemed shaken by the disaster, and his voice was almost a whisper as he expressed his “sincere grief at this deplorable catastrophe” and offered his full cooperation to the inquiry. Yet his answers were guarded and often prefaced with “I presume” or “I believe” and concluded by “More than that I cannot say”—giving his testimony an air of evasiveness. His claims that he was simply a passenger like any other and that the Titanic was not pushed to its maximum speed were greeted with skepticism by the senators and with open hostility by the press. The Hearst newspapers famously dubbed him J. “Brute” Ismay and ran his photograph framed by those of Titanic widows. Edith Rosenbaum was among the few survivors who thought that the White Star chairman was being made a scapegoat and made a point of telling reporters that it was Ismay who had put her into a lifeboat.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
Raleigh was struck by a torpedo early in the attack. Like Utah, she occupied a berth usually used by an aircraft carrier. At 0756 the two torpedoes were dropped about 300 yards from the ship. One hit the ship below the eighty pound armor belt and another passed about twenty-five yards ahead of the ship. The one which hit the ship caused immediate flooding of the two forward boiler rooms and the forward engine room. General Quarters was sounded at once, and the anti-aircraft battery went into action promptly. Men not at the guns were ordered to jettison weights on the port side, especially those high up on the ship. About 0900 the ship received a bomb hit from a dive-bomber. This was dropped from about 800 feet and passed through three decks and out the side of the ship. It exploded clear of the vessel at frame 112 and caused damage typical of a near-miss. Luckily the compartment, which held 3,500 gallons of aviation gasoline, was left intact. The ship counterflooded, but the construction of the ship was not favorable to a great deal of counterflooding as loss of buoyancy was more important than list. Due to defective hatches the main deck had some free water surface, which, added to that produced by the damage, was almost fatal. The jettisoning of topside weights and the reduction of free surface by pumping water from the main deck saved the ship. It certainly would have been lost in a seaway, as it developed negative stability. This was gradually overcome, partly by lashing an available barge alongside. 80-G-32448 USS Raleigh after taking one torpedo hit amidships and one bomb hit aft.
Homer N. Wallin (Why, How, Fleet Salvage And Final Appraisal [Illustrated Edition])
A mentality geared for war, and the deeply ingrained militarism that accompanied the rise of the new elites, combined with clear notions of preordained fatalism to produce a frame of mind that drove the Viking attacks with militant fervour—almost a form of holy war. This may have been almost literally the case, in the context of countering expansive Christian missionary ambitions in the late eighth century, generating a need to appropriate and weaponise the traditional beliefs of the North in the service of the elites. As individuals bought in to this ethos, they became an effective medium of its aggressive expression.
Neil Price (Children of Ash and Elm: A History of the Vikings)
Since he (Thrasymachos) is not a noble man, we are entitled to suspect that he chose the alternative which proved fatal to him with a view to his own advantage. Thrasymachos was a famous teacher of rhetoric, the art of persuasion. (Hence, incidentally, he is the only man possessing an art who speaks in the Republic.) The art of persuasion is necessary for persuading rulers and especially ruling assemblies, at least ostensibly, of their true advantage. Even the rulers themselves need the art of persuasion in order to persuade their subjects that the laws, which are framed with exclusive regard to the benefit of the rulers, serve the benefit of the subjects. Thrasymachos’ own art stands or falls by the view that prudence is of the utmost importance for ruling. The clearest expression of this view is the proposition that the ruler who makes mistakes is no longer a ruler at all.
Leo Strauss (History of Political Philosophy)
Theism and materialism, so indifferent when taken retrospectively, point, when we take them prospectively, to wholly different outlooks of experience. For, according to the theory of mechanical evolution, the laws of redistribution of matter and motion, tho they are certainly to thank for all the good hours which our organisms have ever yielded us and for all the ideals which our minds now frame, are yet fatally certain to undo their work again, and to redissolve everything that they have once evolved. You all know the picture of the last state of the universe which evolutionary science foresees. I cannot state it better than in Mr. Balfour's words: That is the sting of it, that in the vast driftings of the cosmic weather, tho many a jeweled shore appears, and many an enchanted cloud-bank floats away, long lingering ere it be dissolved—even as our world now lingers, for our joy-yet when these transient products are gone, nothing, absolutely NOTHING remains, of represent those particular qualities, those elements of preciousness which they may have enshrined. Dead and gone are they, gone utterly from the very sphere and room of being. Without an echo; without a memory; without an influence on aught that may come after, to make it care for similar ideals. This utter final wreck and tragedy is of the essence of scientific materialism as at present understood. The lower and not the higher forces are the eternal forces, or the last surviving forces within the only cycle of evolution which we can definitely see. Mr. Spencer believes this as much as anyone; so why should he argue with us as if we were making silly aesthetic objections to the 'grossness' of 'matter and motion,' the principles of his philosophy, when what really dismays us is the disconsolateness of its ulterior practical results? No the true objection to materialism is not positive but negative. It would be farcical at this day to make complaint of it for what it IS for 'grossness.' Grossness is what grossness DOES—we now know THAT. We make complaint of it, on the contrary, for what it is NOT—not a permanent warrant for our more ideal interests, not a fulfiller of our remotest hopes. The notion of God, on the other hand, however inferior it may be in clearness to those mathematical notions so current in mechanical philosophy, has at least this practical superiority over them, that it guarantees an ideal order that shall be permanently preserved. A world with a God in it to say the last word, may indeed burn up or freeze, but we then think of him as still mindful of the old ideals and sure to bring them elsewhere to fruition; so that, where he is, tragedy is only provisional and partial, and shipwreck and dissolution not the absolutely final things. This need of an eternal moral order is one of the deepest needs of our breast. And those poets, like Dante and Wordsworth, who live on the conviction of such an order, owe to that fact the extraordinary tonic and consoling power of their verse. Here then, in these different emotional and practical appeals, in these adjustments of our concrete attitudes of hope and expectation, and all the delicate consequences which their differences entail, lie the real meanings of materialism and spiritualism—not in hair-splitting abstractions about matter's inner essence, or about the metaphysical attributes of God. Materialism means simply the denial that the moral order is eternal, and the cutting off of ultimate hopes; spiritualism means the affirmation of an eternal moral order and the letting loose of hope. Surely here is an issue genuine enough, for anyone who feels it; and, as long as men are men, it will yield matter for a serious philosophic debate.
William James
And yet I fear you; for you are fatal then, When your eyes roll so. Alas! why gnaw you so your nether lip? Some bloody passion shakes your very frame: These are portents; but yet I hope, I hope, They do not point on me.” Shakspeare.
Ann Radcliffe (Complete Works of Ann Radcliffe)