Fast Paced Quotes

We've searched our database for all the quotes and captions related to Fast Paced. Here they are! All 100 of them:

One thing I have learnt is that you may do a lot of evil things, but if you are ever afforded a chance to be good, then you should take it. You will feel better about yourself.
Max Nowaz (The Polymorph)
He sounds like a politician running for office.
March Lions (The Last Sunset)
He desperately tried to think of a story to explain his involvement in her sudden appearance, without mentioning the book of magic in his possession.  
Max Nowaz (The Three Witches and the Master)
He was planning to take my shape and marry you. Then he was going to kill your father and take over his business empire."     "And you? What are your plans?"     "I have no plans to kill your father.
Max Nowaz (The Polymorph)
I haven’t got a clue why his bones disintegrated, but look at the bright side,” laughed Adam. “We won’t have to dispose of the body. I’ll get a pan and brush in a minute and flush him down the toilet.
Max Nowaz (The Three Witches and the Master)
I don’t like anything pointing at me, dollface, that includes an umbrella, a finger, or a gun, got it?
A.G. Russo (O'SHAUGHNESSY INVESTIGATIONS, INC.: The Cases Nobody Wanted (O'Shaughnessy Investigations Inc. Mystery Series Book 1))
You shall address me as ‘My Dearest’,’ he repeated in a mocking voice, trying to copy her tone. ‘You will forget all about this conversation when you leave this room.’ It was interesting that tone; it had a sort of hypnotising ring to it.
Max Nowaz (The Three Witches and the Master)
Bring me Mother Julian’s Scroll within two weeks, or I’ll get that guttersnipe Leni prosecuted for attempted murder. She won’t survive long in prison.
Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
There was no going back now. Rubber and metal could only take so much. The car could shatter and send its passengers into an elemental distillation of rock, flesh, blood, and ash. Alchemy, thought Mary, grimly. Too much bloody alchemy.
Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
The Alchemy Scroll works on the heart,” he said. “It plants words as I plant stones. The Scroll-maker is my brother. He paints the mysteries of God while I, guided by the Mother, built the new Hall as a door to heaven,” he said.
Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
Elpidio sensed that David had more to say but was holding back due to their friendship. He wondered why David had gone along with Emiliana's seemingly impulsive ideas.
Carolyn M. Bowen (Legacy of Shadows: An International Crime Thriller (The Family Legacy Series))
He will tell you what's wrong in your society, who's to blame, and make you afraid of it, but he won't tell you how to fix it.
March Lions (The Last Sunset)
We have been moving along at such a fast pace that we no longer know what we are doing. Now we have to wait until our soul catches up with us.
Paulo Coelho (Maktub)
The truck looked like a beater, maybe built in the 1950's, mostly rust on the outside, but a spaceship on the inside.
Lisa Kaniut Cobb (Down in the Valley (The Netahs))
And what the sharp old medic suggested to the Pentagon sent shivers down their spines and set the alarm bells ringing all the way to the White House
Michael Parker (The Devil's Trinity)
George didn't do quiet or subtle. His big paws kicked up rocks as he stretched into his own version of a freight train.
Lisa Kaniut Cobb (Down in the Valley (The Netahs))
And in that vast emptiness, two heads bobbed above the surface without a sound, just one hundred feet from them.
Michael Parker (The Devil's Trinity)
That’s the second time you’ve apologised in less than a minute, Remo. When you have to do that to an admiral it could be your career on the line.
Michael Parker (The Devil's Trinity)
     Illicit flight Alfa Bravo Charlie quickly reached a predetermined altitude and stopped dead. The passengers on board screamed the way people do on fairground rides. The shuttle hesitated momentarily and then shot forward accelerating rapidly to reach a blistering 145,222 miles per hour. They were in a Mach 22 situation. The cries from on-board could not be heard from the ground. Neither did anyone in the great metropolis of Llar witness the bright blue vapour trail the craft left behind in its wake. It was after all overcast and raining heavily.
A.R. Merrydew (Our Blue Orange (Godfrey Davis, #1))
I can smack a ball-bearing between your abusive fiancé’s eyes before his wingtips hit the sidewalk.
M.S.M. Barkawitz
Steve shook his head in amazement. ‘If that GOD person hadn’t left that case, we wouldn’t have any of this.’      Thomas agreed. ‘Personally, I can’t praise him enough.’     
A.R. Merrydew (Our Blue Orange (Godfrey Davis, #1))
While times are changing at a lightning-fast pace, new rules exact inexorable adjustments, in line with our encounters, consistent with our experiences, and in step with our needs. If they appear, however, to be incompatible with our inner self, they may raise a hell of a war in our mind and compel us to take to the hills. (“If he doesn't play ball»)
Erik Pevernagie
With Finn, Vic, and Maeve shooting darts at him, Buster thought better of bellyaching and took off down the street with Finn.
A.G. Russo (O'SHAUGHNESSY INVESTIGATIONS, INC.: The Cases Nobody Wanted (O'Shaughnessy Investigations Inc. Mystery Series Book 1))
The girl flinched, even lying down. Mary continued through gritted teeth. “Murder can’t be walked away from. Just like you can’t walk away from Viktor. He’ll find you if you run. Richard can’t protect you if Viktor believes you have his babies.
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
It’s the opportunity of a lifetime,” said Ito finally, who had been keeping very quiet
up to this point.
“Indeed. How much will it cost?” asked Brown
“About twenty million Interplanetary Credits,” said Demba. “A modest investment for
a man of your means.”
“Indeed,” said Brown again. That was all the money he had, which started to strike
him as strange, when his thoughts were interrupted.
“We’ll arrange a visit to the mine,” said Ito. “Show you the place itself.”
“Indeed,” said Brown. Or had he said that? The strange waking memory he had fallen
into started to become repetitive. Reality started to flow back in.
Diamonds, thought Brown. All those diamonds in that mine.
Max Nowaz (The Arbitrator)
A uniformed cop around 6’4” with pock marked face squinted, “Looky here, if it ain’t one a the bad seed O’Shaughnessy’s, female version.
A.G. Russo (O'SHAUGHNESSY INVESTIGATIONS, INC.: The Cases Nobody Wanted (O'Shaughnessy Investigations Inc. Mystery Series Book 1))
Do you still distrust me?” “No. Take your necklace with you so you can think of me when I’m not there.”
Brown brought the necklace over to her and put it on her neck.
“I think it rather suits me,” she laughed and left.
Brown didn’t understand what had made him insist she wear the necklace. Maybe it
was the readiness with which she had made love, or her frequent disappearances lately,
he was just curious. There was no harm in checking, before he parted with the money.
Later that evening, before going to sleep he decided to have a look at her location and
he was in for a surprise. She had not left Central City at all. In fact she was at the same
friend’s address as she had been the last time.
Max Nowaz (The Arbitrator)
My father was incredibly indecisive. As an example, take his wedding day. He couldn't decide where to sit in the getaway car, decide the fact he was supposed to be driving.
John Bennardo (Just a Typo: The Cancellation of Celebrity Mo Riverlake)
Falconers,” she continued, sternly. “Pull yourselves together. People are dying. The police don’t have the family history to solve murders forty years apart.
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
Waiting for the correct time to descend for cocktails, Mary sat on her bed and reviewed her impressions of the house party one by one. Belinda Choudhry M. P. she knew least. As mother of murdered Perdita, she was sure to be a volatile addition.
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
Consider non your superior, whatever their rank or station in life. Treat all fairly or they will seek revenge. Be careful with your money. Hold fast to your belief and others will listen." he continued at a slower pace, " of the affairs of love ... my only advice is to be honest. thats your most powerfull too to unlock a heart or gain forgiveness. that is all i have to say"Garrow to Roran p 64
Christopher Paolini (Eragon (Inheritance, #1))
Sometimes its hard to tell how fast the current's moving until you're headed over a waterfall
Kimberly McCreight (Reconstructing Amelia)
Blake shook his head and smiled as the attorney general of the United States closed the door. As usual, the forecast called for a wonderful day at the United States Department of Justice. Unfortunately, the daily forecast would soon change, as would the life of Blake Hudson.
Chad Boudreaux (Scavenger Hunt)
They glared at her the way any intelligent persons ought to glare when what they need is a smoke, a bite, a cup of coffee, a piece of ass, or a good fast-paced story, and all they're getting is philosophy.
Tom Robbins (Still Life with Woodpecker)
Afraid to live, too cowardly to die.
William Kely McClung (Super Ninja: The Sword of Heaven)
Black once tried to tackle a Humvee head-on. This was worse
William Kely McClung (Black Fire)
As the body floated in darkness, his soul gathered itself, and waited for what was to come.
William Kely McClung (Super Ninja: The Sword of Heaven)
No one else could share his quandary. His agonies were a mixture of shame, of loss fueled by profoundly rooted fury—solitary burdens he had carried with him like pockets of sorrow weighing him down, forcing him to become stronger. When the Devil was gnawing at him, he’d withstood the pain.
Tom Baldwin (Macom Farm)
Monstrous not just for what they were, but for what was done to them, as pitiable as Mary Shelly’s creation, as human and forlorn.
William Kely McClung (Super Ninja: The Sword of Heaven)
I got the job as a Bingo host and did better than they imagined. Never before had they had an emcee so affable and funny, so enthusiastic to give away prizes, or so quick to make a tumor joke after calling out 'B-9'".
John Bennardo (Just a Typo: The Cancellation of Celebrity Mo Riverlake)
There was a story out there, in a scary place, and she had to bear witness.
John Payton Foden (Magenta)
A very powerful and nefarious man is speaking to one of his henchmen "Tell me again how you erased the last remaining Moreno family member in NYC, ........You do recall that little job I asked you to take care of?
William J. Borak (STRANGER ON THE SHORE)
After so many successes on the battlefield, I learned one lesson too late. Standing alone, I defeated many external enemies. But alone I could not defeat the enemies that were inside of me.
Stephen Alder (Deehabta’s Song)
What other problems do American soldiers face when hunting down these fanat­ical killers?” “A person’s senses are more acute when being hunted,” Reid said. “More adept at avoiding capture.” These guys are good, Blake thought as a bead of sweat trickled down the small of his back. What have I gotten myself into?
Chad Boudreaux (Scavenger Hunt)
   ‘I knew it, I knew it, I damn well knew it,’ he shouted. ‘The President was right you’re all infected with this wretched MeMe chromosome even at the dawn of your pathetic little planet’s evolution. You do realise of course there’s no hope for you. It’s all going to be a complete and utter waste of time. You and your little planet are all doomed.
A.R. Merrydew (Our Blue Orange (Godfrey Davis, #1))
No man, no matter how smart or strong, can compete with a motivated woman.
J.K. Franko (Killing Johnny Miracle)
Any guilt borne by the casualties wrought by his hands had long ago been buried by the honor of the cause. That was enough for Olson. He’d been programmed to think about the cause. Nothing else mattered. He knew that by exterminating the bad guys, he was pro­tecting the good guys.
Chad Boudreaux (Scavenger Hunt)
The morgue was the name the human workers gave to this room in the facility. They were careful not to utter it in front of the androids, for fear of offending them.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
And Tarquin,’ Semilla said quietly. ‘He has been in league with them all along?’ ‘Yes, I am afraid so,’ Rupert confirmed.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
One of the largest barbarians spouted after donning Trantan royalty clothing, "I would be a great nobleman. I look splendid.
Dennis K. Hausker (Primitives of Kar)
Rule # 1: keep the crowd’s interest.
Brian Van Norman (Against the Machine: Evolution)
Somethings wrong,’ he told her. ‘Be specific Jack,’ she said pressuring him. Jack turned again to the desert. ‘We should already be dead,’ he said. ‘That’s what’s wrong.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
I wondered what the Teacher would do if I refused, but I had no reason to. I found him to be a fascinating ... being, and I enjoyed his company.
Steven Decker (Child of Another Kind)
I see you made it Jack,’ he started to say, noticing a silver sphere roll across the loading bay floor. It stopped just short of his shoes before it exploded.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
Amanda, still thinking more about Harry Mize than the issues before the committee, lunged forward and snatched the note from Kershing’s hand. After reading it, she stood up and walked out of the hearing, leaving the receipt on her chair. Rick glanced up as she walked out. Then, he picked up his receipt and read Kershing’s words. Get the trucks in position. It’s time to go.
Chad Boudreaux (Scavenger Hunt)
At the edge of the field Silva and Stefan witnessed heartrending images in greyscale as thousands of desperate refugees streamed down the road in leaden shades of melancholy.  This somber line of tired and dirty humans moved so close together that they jostled each other with each step; their random movements reminded Silva of corks bobbing in a slow moving stream.  They watched them pass from the side of the road, but eventually fell-in, trudging along with the suffering others, feeling safer in numbers, hoping for a destination worth finding.
John Payton Foden (Magenta)
So why not a woman, too—if I was dating her?
M.S.M. Barkawitz (Feeling Lucky)
And believe it or not, we did end up going to the bottom of the ocean, just not for the reasons I had wanted to go there in the first place.
Steven Decker (Addicted to Time)
Karen was radiant in a beautiful blue gown. Even her mother, for once, had said so. “Not just pretty, honey—you reek of class. Like Princess Grace from Morocco,” she’d said, beaming at her daughter.
J.K. Franko (Killing Johnny Miracle)
From the start, I told you! We should’a just handled this ourselves. You should’ve handled it the way my daddy would’ve.” She paused, looking at Tom, and lowered her voice, “Just like Crockett.
J.K. Franko (The Trial of Joe Harlan Junior (Talion #0.5))
This is BATL. War in miniature. War as a game. War under glass.
Brian Van Norman (Against the Machine: Evolution)
I longed to have my mama come to me and sing me a song that settled me down while she rubbed my back, quieting my restless mind and pouting heart and helping me fall asleep, knowing I was loved.
Steven Decker (Child of Another Kind)
Black care rarely sits behind a rider whose pace is fast enough.
Theodore Roosevelt
We are aware of your association with the Russian mafia, Mr. Linkov. Of course, you do not want this publicized. It would mean the end of your diplomatic career, perhaps imprisonment.
Karl Braungart (Lost Identity (Remmich/Miller, #1))
The concept and subsequent development of these JEN2 successors to the old machines, was a story in its own right. It was also one marred with frustration, hidden agendas and ultimately punctuated with a sad human tragedy.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
Paul Remmich is going to do something special before moving to Cuba. He will have to sign a legal agreement protecting him to work for Iraq as an independent diplomat.
Karl Braungart (Counter Identity (Remmich/Miller, #2))
You understand, gentlemen,” explained Jabir, “that you are working under my supervision?
Karl Braungart (Fatal Identity (Remmich/Miller, #3))
Jesus, I wonder if that sound was our listening receiver falling to the floor.
Karl Braungart (Fatal Identity (Remmich/Miller, #3))
He sat in disbelief as the Mission Possible continued its rocking motion farther out to nowhere. He could hear the metronomic slap, slap, slap of water against the boat’s hull. He checked his watch, turned his Yankees cap around, and started the engines. Taking one last look around, he turned the bow of the Bertram back toward shore. Ready or not, it was time for Jake Reid to go home.
Chad Boudreaux (Scavenger Hunt)
Mary dashed the rain from her eyes with a frozen hand. Was that a knife buried in the man’s chest with the blood seeping up around it? Doesn’t that mean he’s alive? Although with the blade at that angle, it can’t be for long. Colors swam in the water coating Mary’s vision. She rubbed her face, and with every shuttering breath, even before she could see his features, she knew her son, George, the son she had never met, was dead.
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
The structure was like an aquarium filled with air instead of water, and Dani and Zephyr were the “fish” inside, there for the enjoyment of the Water People, or for whatever other purpose their captors had in mind.
Steven Decker (The Balance of Time (Time Chain #2))
I’m in this plot because you took my lot.
Tom Baldwin (Macom Farm)
No changing of place at a hundred miles an hour will make us one whit stronger, or happier, or wiser. There was always more in the world than man could see, walked they ever so slowly; they will see it no better for going fast. The really precious things are thought and sight, not pace. It does a bullet no good to go fast; and a man, if he be truly a man, no harm to go slow; for his glory is not at all in going, but in being.
John Ruskin (Modern Painters: Volume 3. Of Many Things)
I will tell you one final thing. You have your father’s temper. It was his weakness as well as his strength. When you are on your own you must remember this. Understand your passion and how to curb it. If you don’t it will kill you.
Brian Van Norman (Against the Machine: Evolution)
He cringed each morning as the newspapers were brought to him. The media was eating the story up. His anger grew as he read the suppositions and the innuendos; the fact that his life was being laid bare for the entire world to see.
Behcet Kaya (Murder on the Naval Base)
You were disrespectful to a god I follow,” Eufame said to Bonnyman. “I would protect him—” “With your life,” Bonnyman said before Eufame could continue. “Guess what, ghost, you are already dead.” “As are you, zombie” Eufame said.
Frank Lambert (Xyz)
The caption reads, “Emperor Andon-Roon enjoys a surge in popularity after brokering a peace deal with Caderyn after twelve cycles of war.” For some reason this evokes strong emotions in her—deep sorrow, anger—and she stares at the screen transfixed, as if straining to find herself in the story.
Stephen Alder (Deehabta’s Song)
Yeah, (responds the frustrated Detective with respect to the almost lifeless figure found on the banks of the East River) that would make my life too easy to get any good news on this case. I guess she just fell out of the sky.
William J. Borak (STRANGER ON THE SHORE)
Stefan with his camera at the ready photographed a church and mosque and synagogue reduced to a cross and a crescent and a star, solitary monuments to what people once believed.  They silently passed the broken Olympic Stadium, now a graveyard without glory for the decomposing dead.
John Payton Foden (Magenta)
Rafe smiled again. “I think Aleana can teach you how to work in a team and maybe you can teach her to be less reckless.” So it was that Raimund found a new home in the Den of Thieves, and he and Aleana became partners and best friends.
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
And then we jerked to a stop. Jared was blocking the exit. "Have you lost your mind, Ian?" he asked, shocked and outraged. "What are you doing to her?" "Did you know about this?" Ian shouted back, shoving me toward Jared and shaking me at him. "You're going to hurt her!" "Do you know what she's planning?" Ian roared. Jared stared at Ian, his face suddenly closed off. He didn't answer. That was answer enough for Ian. Ian's fist struck Jared so fast that I missed the blow - I just felt the lurch in his body and saw Jared reel back into the dark hall. "Ian, stop," I begged. "You stop," he growled back at me. He yanked me through the arch into the tunnel, then pulled me north. I had to almost run to keep up with his longer stride. "O´Shea!" Jared shouted after us. "I'm going to hurt her?" Ian roared back over his shoulder, not breaking pace. "I am? You hypocritical swine!" There was nothing but silence and blackness behind us now. I stumbled in the dark, trying to keep up. He jerked me along faster, and my breath caught in a moan, almost like a cry of pain. The sound made Ian stumble to a stop. His breathing was hoarse in the darkness. "Ian, Ian, I..." I chocked, unable to finish. I didn't know what to say, picturing his furious face. His arms caught me abruptly, yanking my feet out from under me and then catching my shoulders before I could fall. He started running forward again, carrying me now. His hands were not rough and angry like before; he cradled me against his chest.
Stephenie Meyer (The Host (The Host, #1))
A detective in love with a breathtakingly beautiful stripper, who also is a major criminal: “Among her coterie of supplicants was Joe Fucci, a senior detective on the Laughlin force. Joe regarded himself as handsome, and he was. If he went without shaving for three days, a John Deere was required to cut through the growth. No electric razor created by man stood a chance in that tangle of growth.
John M. Vermillion (Pack's Posse (Simon Pack, #8))
You wanted me." His breaths come fast, his eyes wild. "Here I am." He fucks his cock into me ten times, fast and hard, making me yelp in delight of his claiming, and when my muscles seize up and my body prepares for another earth-shattering orgasm, he lets me come, keeping the frantic pace, and then growls and prolongs his own orgasm…
Katy Evans (Real (Real, #1))
Finally, I sat up. "So, I suppose you should do something, wolfie. Hunt maybe?" A grunt, the tone saying no. "Run? Get some exercise?" Another grunt, less decisive, more like a maybe. He pushed to his feet, wobbly, still adjusting to his new center of gravity. He gingerly moved one fore paw, then the next, one rear paw, then the other. He picked up the pace, but still slow as he circled the clearing. A snort, like he'd figured it out, and broke into a lope, stumbled and plowed muzzle first into the undergrowth. I stifled a laugh, but not very well, and he glowered at me. "Forget running, a nice, leisurely stroll might be more your speed." He snorted and turned fast. When I fell back, he gave a growling chuckle. "Still cant resist throwing your weight around, can you?
Kelley Armstrong
She has a target on her back because of what you and I have put into place, but you’d better fucking believe I’m not going to let anything else happen to her or my cousin, the rest of my family or my men. If anything happens to anyone I care about… Those motherfuckers were after my attention, and they’ve got it. Just make sure they don’t hurt anyone else.
Becky Wilde (Bratva Connection: Maxim (Whimsical Words Publishing))
The problem with bearing fanatical witness to this kind of human depravity is that ambiguity and contradiction easily overwhelm the nuance required for understanding.  There seems to me that no logic applies to our time of terror, as if it were a dream.  There was no lapse of incoherence; none of it was incomprehensible; our shared pain was not sensible then and unexplainable afterwards.  It was actually all too real all the time, and we were simply trying to navigate an uncertain passage through it in search of safety.
John Payton Foden (Magenta)
I...I'm sorry," Kylie mumbled. "Don't you even try to talk your way out of me being pissed!" Burnett growled. "Not a word!" "I just..." "That's two words and I said not one!" he snapped, and he swiped his hand through the air for emphasis. Kylie bit down on her lip, and wouldn't you know it that's when the tears started flowing. Big, fat, and fast tears. She sniffled and wiped her cheeks with the back of her hand. Her breath caught in her chest. But damn it. Why couldn't this have happened when she was alone? "Those tears do not affect me, young lady!" He pointed a finger at her. While she couldn't hear his heart beat to the rhythm of a lie, she heard it in his voice. *** "I just..." "Did I say you could talk?" he asked. He did three more pacing laps, as if working off steam, before he looked at her again. "Where were you going, Kylie?" When she just looked at him, he bit out, "Answer me." "You said I couldn't talk.
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
But the floor retained an unparalleled measure of excellence with a decorative array of ceramic tiles precisely laid by an anonymous Muslim artisan with limitless patience, pride, or skill.  He left behind an ornate work of art in a short, squat, non-descript building near the most dangerous piece of real estate on the planet.  Silva often wondered how an architect so careless came to work with a craftsman so precise.  Looking at that floor, she often thought that if everyone applied just a fraction of his dedication to their own work, it might cancel out the hatred driving the destruction.
John Payton Foden (Magenta)
And now insane men adrift in a world without order formed a line at the door.  They rendered unto her every evil act brought into this world by God.  They fell upon her with brutality that none of them at any other time would have thought possible.  There was once no scenario that would lead them to behave this way.  At any other time in their life there were no words or arguments that could convince them to treat a woman with such wanton disregard.  No one now asked, “What brought me to this?” Not one of them asked, “Who are these men?  How did we end up here, doing these things? Who am I now?
John Payton Foden (Magenta)
I understand your position, Dave.  It’s a big story, and you worked hard to get it.  But if you don’t drop me at the Europa, I’ll blow your head off.  Imagine how big that story would be. There’s no need for these histrionics.  We’ll go to the Holiday Inn.  You can rest, shower, debrief.  You’ll be among friends. Last chance, Dave.  You can be the hero or the headline.  Your call. Let’s talk it out. No.  You talk too much. He started a new line of argument, but before the words passed his lips his brains passed them on the way out. A dirty reddish slime painted the windshield; it covered the dashboard and console. It poured and dripped from the ceiling to the seat.  The driver was covered on one side of his head and body.  The mess made the crowded taxi undrivable. -Also, someone crapped their pants.
John Payton Foden (Magenta)
Long Time. The famous seventeenth-century Ming painter Chou Yung relates a story that altered his behavior forever. Late one winter afternoon he set out to visit a town that lay across the river from his own town. He was bringing some important books and papers with him and had commissioned a young boy to help him carry them. As the ferry neared the other side of the river, Chou Yung asked the boatman if they would have time to get to the town before its gates closed, since it was a mile away and night was approaching. The boatman glanced at the boy, and at the bundle of loosely tied papers and books—“Yes,” he replied, “if you do not walk too fast.” As they started out, however, the sun was setting. Afraid of being locked out of the town at night, prey to local bandits, Chou and the boy walked faster and faster, finally breaking into a run. Suddenly the string around the papers broke and the documents scattered on the ground. It took them many minutes to put the packet together again, and by the time they had reached the city gates, it was too late. When you force the pace out of fear and impatience, you create a nest of problems that require fixing, and you end up taking much longer than if you had taken your time.
Robert Greene (The 48 Laws of Power)
Sometimes I run fast when I feel like it, but if I increase the pace I shorten the amount of time I run, the point being to let the exhilaration I feel at the end of each run carry over to the next day. This is the same sort of tack I find necessary when writing a novel. I stop every day right at the point where I feel I can write more. Do that, and the next day's work goes surprisingly smoothly. I think Ernest Hemingway did something like that. To keep on going, you have to keep up the rhythm. This is the important thing for long-term projects. Once you set the pace, the rest will follow. The problem is getting the flywheel to spin at a set speed-and to get to that point takes as much concentration and effort as you can manage.
Haruki Murakami (What I Talk About When I Talk About Running)
You must realize from your studies, Miss Feng, with the complexity of our MEG society, algorithms have become indispensable for analysis and decision making in our data-saturated environment. Digitization creates information beyond the processing capacity of Human intelligence, yet provides a stable mental environment powered by a set of logical rules. That is how we keep order in Toronto MEG.” “Excuse me, Mr. Zhang,” Ke Hui said, somewhat uncomfortably, “but the invisibility of algorithmic systems and the obscurity of their operations hint at a society where algorithms do not reflect the public interest. Issues involving ethics and values I mean, from my reading of MEG history, challenge the assumptions of the neutrality of algorithmic systems. Would this not undermine democratic governance through reliance on technocratic resolutions?
Brian Van Norman (Against the Machine: Evolution)
Why is your species so dissatisfied?” “How so?” “Humans are individuals, quite social in nature. You strive to become more than yourselves using Silicon reconstructions in your bodies and filaments in your brains connecting you, unnaturally, to the NET.” “Our bodies are mortal. We employ silicon and alloys to extend our bodies’ existence.” “You appear to be attempting the same strategy with your brains’ architectures.” “By using the NET? Is that what you mean?” “You will never accomplish this. You must know it.” “Surely you can understand that as we are now, we have what we consider a limited lifespan, and, it seems, so does this planet. When the inevitable happens, we will not be able to travel any substantial distance in space. We cannot escape our dying planet. Humanity will cease to exist if we fail. We face our ultimate existential crisis as a species. Our most basic instinct is the survival of our species, so you see we must try. It is in our nature. It is evolution or elimination.
Brian Van Norman (Against the Machine: Evolution)
Saskia.” A hand covered hers. Saskia frowned. It was irritating enough that she only had one hand to work with. She didn’t need to have the movement of that one impeded as well. “I’m in the middle of – Oh! Tania! What – I thought you were in Canberra.” “I was yesterday. I returned this morning.” “Yesterday?” Saskia turned from staring at Tania to staring at her computer and the table. A half-empty mug of something sat next to a partly eaten sandwich and a mostly empty glass of water. “Oh,” she sat back in her chair. “I do this sometimes. I get caught up in things.” Her gaze fell on the lines and boxes on the monitor’s screen. She sat forward, her surroundings disappearing from her awareness again. “Tania, I think I’m close to figuring it out.” Tania’s hand, still on Saskia’s, squeezed gently. “Good. But now you need to take a rest.” “No. I can finish this. I’m on a roll.” “Yes. You can roll again later.” “Look! I think I’ve almost worked it out.” She tugged her hand from under Tania’s and pointed to her computer screen, which showed a bank statement. “Look at these transactions. I can match them to –” Tania peered at the screen. “Whose statement is that?
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Addictive slow-burn mystery international crime thrillers))
Saskia groaned again. She threw back her bed covers, the last vestiges of sleep leaving her. It would be evening in Lyon. Clarissa would be expecting to hear from her. A call-in at least once every 24 hours was part of several protocols Clarissa had established. The instruction at the end of the conversation, “Give the dogs a pat for me”, reassured Clarissa that all was well. Leave the words out, replace any one of the words in the sentence with another or not place a call in a 24-hour period, and Clarissa would alert authorities. In her younger years, Clarissa had served in the British army. Her experiences in those years had caused the trauma she now lived with, though she used her expertise by teaching her three partners basic self-defence, how to operate firearms and how to wield weapons. She also programmed their watches and phones to enable her to constantly track their whereabouts, explaining, “I want to know that my three charges are safe”. Another protocol was to always check accommodation venues for listening devices. Saskia did this before calling Clarissa. “Clarissa. Ça va?” “What have you to report?
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Addictive slow-burn mystery international crime thrillers))
Perhaps the most chaotic of Divisions Ke Hui Feng 第一 Ψ visited was Recycling. First, it was mammoth, so big most of her tour was spent aboard a drone. Thousands of Dazhong used the 401 thoroughfares from both east and west, the 427 from the south and the 400 from the north to bring their loads of recyclables from the MASS to the enormous MEG Recycling Centre. The roadways might be in ruins outside the MEG boundaries, jagged fragments of pavement between cavernous potholes and trails made by traders, but within the MEG the wide lanes had been cleared and covered with recycled rubber. They were smooth and divided, one lane in—one lane out, between hundred-metre high foamstone walls on either side. No one from the MASS would ever get into the MEG illegally; at least, that was how it seemed. Only those with proper credentials could enter the massive gates: MASS traders, or trading companies, who specialized as middlemen between the gatherers and the Recycling Centre. Not far outside the gates the MASS traders had rebuilt ancient warehouses in which they received goods, stored, and sorted them, then brought them, usually by land freighters, down the ingress roads to meet MEG approved Di sān overseers and, of course, decontaminated Dazhong who further sorted the goods.
Brian Van Norman (Against the Machine: Evolution)
For two years the battles raged across the lands, one side fighting for conquest, the other for freedom. Othium-powered weapons wreaked havoc on defending armies. The red fire was hard to resist, but the white light was stronger. Gradually the tide turned and the freedom fighters regained control of their lands and their cities. The stage was set for the final battle. The opposing forces met outside the Ackar city of Erbea in 1302 and the forces of good won the day. The alchemist escaped and was about to take his revenge at a wedding ceremony when he was bound by the white light. All that remained was his heart, or maybe his soul, encapsulated in a piece of red rock. Dewar the Third succeeded his father and the new king promised a time of peace and prosperity. History would call him the Peacemaker. Now, two hundred years on, a new Emperor seeks to rule the world, while an illegitimate son sets out on a path towards revenge and a thief begins to learn his trade. It is time for the alchemist to return.
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
Life is like a train ride. The passengers on the train are seemingly going to the same destination as you, but based on their belief in you or their belief that the train will get them to their desired destination they will stay on the ride or they will get off somewhere during the trip. People can and will get off at any stop. Just know that where people get off is more of an reflection on them, than it is on you. There will be a few people in your life that will make the whole trip with you, who believe in you, accept that you are human and that mistakes will be made along the way, and that you will get to your desired destination - together, no matter what. Be very grateful of these people. They are rare and when you find one, don't let go of them - ever. Be blessed for the ones who get on at the worst stops when no one is there. Remember those people, they are special. Always hold them dear to your heart. Be very wary of people sneaking on at certain stops when things are going good and acting like they have been there for the whole ride. For they will be the first to depart. There will be ones who secretly try to get off the ride and there will be those that very publicly will jump off. Don't pay any heed to the defectors. Pay heed to the passengers that are still on the trip. They are the important ones. If someone tries to get back on the train - don't be angry or hold a grudge, let them. Just see where they are around the next hard turn. If they are buckled in - accept them. If they are pulling the hand rail alarm again - then let them off the train freely and waste no space in your head for them again, ever. There will be times that the train will be moving slow, at almost a crawls pace. Appreciate that you can take in the view. There will be times where the train is going so fast that everything is a blur. Enjoy the sense of speed in your life, as it is exhilarating but unsustainable. There will also be the chance that the train derails. If that does happen, it will hurt, a lot, for a long time. But there will be people who will appear out of no where who will get you back on track. Those will be the people that will matter most in your life. Love them forever. For you can never repay these people. The thing is, that even if you could repay them, they wouldn't accept it anyway. Just pay it forward. Eventually your train will get to its final stop and you will need to deboard. At that time you will realize that life is about the journey AND the destination. Know and have faith that at the end of your ride your train will have the right passengers on board and all the passengers that were on board at one time or another were there for a distinct purpose. Enjoy the ride.
JohnA Passaro
As observers of totalitarianism such as Victor Klemperer noticed, truth dies in four modes, all of which we have just witnessed. The first mode is the open hostility to verifiable reality, which takes the form of presenting inventions and lies as if they were facts. The president does this at a high rate and at a fast pace. One attempt during the 2016 campaign to track his utterances found that 78 percent of his factual claims were false. This proportion is so high that it makes the correct assertions seem like unintended oversights on the path toward total fiction. Demeaning the world as it is begins the creation of a fictional counterworld. The second mode is shamanistic incantation. As Klemperer noted, the fascist style depends upon “endless repetition,” designed to make the fictional plausible and the criminal desirable. The systematic use of nicknames such as “Lyin’ Ted” and “Crooked Hillary” displaced certain character traits that might more appropriately have been affixed to the president himself. Yet through blunt repetition over Twitter, our president managed the transformation of individuals into stereotypes that people then spoke aloud. At rallies, the repeated chants of “Build that wall” and “Lock her up” did not describe anything that the president had specific plans to do, but their very grandiosity established a connection between him and his audience. The next mode is magical thinking, or the open embrace of contradiction. The president’s campaign involved the promises of cutting taxes for everyone, eliminating the national debt, and increasing spending on both social policy and national defense. These promises mutually contradict. It is as if a farmer said he were taking an egg from the henhouse, boiling it whole and serving it to his wife, and also poaching it and serving it to his children, and then returning it to the hen unbroken, and then watching as the chick hatches. Accepting untruth of this radical kind requires a blatant abandonment of reason. Klemperer’s descriptions of losing friends in Germany in 1933 over the issue of magical thinking ring eerily true today. One of his former students implored him to “abandon yourself to your feelings, and you must always focus on the Führer’s greatness, rather than on the discomfort you are feeling at present.” Twelve years later, after all the atrocities, and at the end of a war that Germany had clearly lost, an amputated soldier told Klemperer that Hitler “has never lied yet. I believe in Hitler.” The final mode is misplaced faith. It involves the sort of self-deifying claims the president made when he said that “I alone can solve it” or “I am your voice.” When faith descends from heaven to earth in this way, no room remains for the small truths of our individual discernment and experience. What terrified Klemperer was the way that this transition seemed permanent. Once truth had become oracular rather than factual, evidence was irrelevant. At the end of the war a worker told Klemperer that “understanding is useless, you have to have faith. I believe in the Führer.
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)