“
A girl should be two things: classy and fabulous.
”
”
Coco Chanel
“
The human body is the best work of art.
”
”
Jess C. Scott
“
A fit, healthy body—that is the best fashion statement
”
”
Jess C. Scott
“
Girls do not dress for boys. They dress for themselves and, of course, each other. If girls dressed for boys they’d just walk around naked at all times.
”
”
Betsey Johnson
“
When a girl feels that she’s perfectly groomed and dressed she can forget that part of her. That’s charm
”
”
F. Scott Fitzgerald (The Short Stories)
“
She was wearing a purple T-shirt, with a skinny black dress over it that made you remember how much of a girl she was, and trashed black boots that made you forget.
”
”
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
“
Girls were born knowing how destructive the truth could be. They learned to hold it in, tamp it down, like gunpowder in an old fashioned gun. Then it exploded in your face on a November day in the rain.
”
”
Janet Fitch (Paint it Black)
“
A girl’s got to use what she’s given and I’m not going to make a guy drool the way a Britney video does. So I take it to extremes. I don’t say I dress sexily on stage - what I do is so extreme. It’s meant to make guys think: ‘I don’t know if this is sexy or just weird.
”
”
Lady Gaga
“
The emerging woman ... will be strong-minded, strong-hearted, strong-souled, and strong-bodied...strength and beauty must go together.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
You don't speak much, do you?" ter Borcht said, circling him slowly.
Fittingly, Fang said nothing.
Vhy do you let a girl be de leader?" ter Borcht asked, a calculating look in his eye.
She's the tough one," Fang said.
Dang right, I thought proudly.
Is dere anysing special about you?" asked ter Borcht. "Anysing vorth saving?"
Fang pretended to think, gazing up at the ceiling. "Besides my fashion sense? I play a mean harmonica.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
A real gentleman is as polite to a little girl as to a woman.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
I want everyone to wear what they want and mix it in their own way. That, to me, is what is modern.
”
”
Karl Lagerfeld
“
Be classy. Anything but trashy.
”
”
Coco Chanel
“
It's not very easy to grow up into a woman. We are always taught, almost bombarded, with ideals of what we should be at every age in our lives: "This is what you should wear at age twenty", "That is what you must act like at age twenty-five", "This is what you should be doing when you are seventeen." But amidst all the many voices that bark all these orders and set all of these ideals for girls today, there lacks the voice of assurance. There is no comfort and assurance. I want to be able to say, that there are four things admirable for a woman to be, at any age! Whether you are four or forty-four or nineteen! It's always wonderful to be elegant, it's always fashionable to have grace, it's always glamorous to be brave, and it's always important to own a delectable perfume! Yes, wearing a beautiful fragrance is in style at any age!
”
”
C. JoyBell C.
“
I shall be dark and French and fashionable and difficult. And you shall be sweet and open and English and fair. What a pair we shall be! What man can resist us?
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
“
What’s your version of old-fashioned discipline?”
“A belt across the back! I felt the belt a few times growing up. Didn’t hurt the way I turned out.
”
”
Shafter Bailey (Cindy Divine: The Little Girl Who Frightened Kings)
“
Frida Kahlo to Marty McConnell
leaving is not enough; you must
stay gone. train your heart
like a dog. change the locks
even on the house he’s never
visited. you lucky, lucky girl.
you have an apartment
just your size. a bathtub
full of tea. a heart the size
of Arizona, but not nearly
so arid. don’t wish away
your cracked past, your
crooked toes, your problems
are papier mache puppets
you made or bought because the vendor
at the market was so compelling you just
had to have them. you had to have him.
and you did. and now you pull down
the bridge between your houses,
you make him call before
he visits, you take a lover
for granted, you take
a lover who looks at you
like maybe you are magic. make
the first bottle you consume
in this place a relic. place it
on whatever altar you fashion
with a knife and five cranberries.
don’t lose too much weight.
stupid girls are always trying
to disappear as revenge. and you
are not stupid. you loved a man
with more hands than a parade
of beggars, and here you stand. heart
like a four-poster bed. heart like a canvas.
heart leaking something so strong
they can smell it in the street.
”
”
Marty McConnell
“
Young men often laugh at the sensible girls whom they secretly respect, and affect to admire the silly ones whom they secretly despise, because earnestness, intelligence, and womanly dignity are not the fashion.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
For this quiet, unprepossessing, passive man who has no garden in front of his subsidised flat, books are like flowers. He loves to line them up on the shelf in multicoloured rows: he watches over each of them with an old-fashioned gardener's delight, holds them like fragile objects in his thin, bloodless hands.
”
”
Stefan Zweig (The Post-Office Girl)
“
Much to my dismay”—and that rang clear in the irritably flat tone of his voice—“I find I have a sudden taste for stubborn, lithe brunettes with horrible fashion sense.
”
”
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
“
She did what girls generally do when they don't feel the part: she dressed it instead.
”
”
Zadie Smith (On Beauty)
“
We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously; that only we fashion supplication into courtesy; that only we hear the whiny pathos in a dog’s yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuum’s scream; that only we feel the panic at sunset the rookie kindergartner feels at his mother’s retreat. That only we love the only-we. That only we need the only-we. Solipsism binds us together, J.D. knows. That we feel lonely in a crowd; stop not to dwell on what’s brought the crowd into being. That we are, always, faces in a crowd.
”
”
David Foster Wallace (Girl with Curious Hair)
“
Why is it that everyone else can look like they’re part of a zombie hunting party, but I still have to worry about fashion?”
He won’t stop snickering. “You look like a leopard-spotted Shar-Pei.”
I think those are the little pug-like dogs drowning in massive folds of skin. “You’re scarring me, you know. It could haunt me for the rest of my life to be called a wrinkly little dog at the tender age of seventeen.”
“Yup. A sensitive girl. That just defines you, Penryn.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
[Looking like a straight girl] means wearing clothes that seek and destroy comfort. These are garments designed by gay men to attract heterosexual men. The straight girl is simply the hanger for an inside joke.
”
”
Mary Dugger
“
She might be the only girl I've ever met who still hasn't learned to sacrifice bodily comfort for fashion's sake.
”
”
Tim Tharp (The Spectacular Now)
“
It seems to be the fashion nowadays for a girl to behave as much like a man as possible. Well, I won't! I'll make the best of being a girl and be as nice a specimen as I can: sweet and modest, a dear, dainty thing with clothes smelling all sweet and violety, a soft voice, and pretty, womanly ways. Since I'm a girl, I prefer to be a real one!
”
”
Mrs. George de Horne Vaizey
“
I've no idea when I'm going to wear it, the girl replied calmly. I only knew that I had to have it. Once I tried it on, well... She shrugged. The dress claimed me.
”
”
Isabel Wolff (A Vintage Affair)
“
Women are extraordinary creatures!
”
”
Roman Payne
“
Persuasive influences are better than any amount of moralizing.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
Now I am old-fashioned. A woman, I consider, should be womanly. I have no patience with the modern neurotic girl who jazzes from morning to night, smokes like a chimney, and uses language which would make a billingsgate fishwoman blush!
”
”
Agatha Christie (The Murder on the Links (Hercule Poirot, #2))
“
But, Polly, a principle that can't bear being laughed at, frowned on, and cold-shouldered, isn't worthy of the name.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
We can't any of us do all we would like, but we can do our best for every case that comes to us, and that helps amazingly.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
I don't want a religion that I put away with my Sunday clothes, and don't take out till the day comes around again; I want something to see and feel and live day by day.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
Nobody ever complained? Girls were kind. No one ever told him, I could barely stay awake. If only you'd come faster, I could have ignored it altogether. Girls were born knowing how destructive the truth could be. They learned to hold it in, tamp it down, like gunpowder in an old fashioned gun. Then it exploded in your face, on a November day in the rain.
”
”
Janet Fitch (Paint It Black)
“
Strength and beauty must go hand in hand
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
A girl without braids
is like a city without bridges.
”
”
Roman Payne (The Wanderess)
“
I want to see the front of you.”
“That’s what all the girls say.”
“Do you expect me to roll you over? ’Cuz I will.”
“Your mate’s not going to like this.”
“As if that’s going to bother you?”
“True. It actually makes it worth the effort.”
With a groan, he shoved his palms into the shimmering silver pool of blood beneath him, and flopped over like the side of beef he was.
“Wow,” she breathed.
“I know, right? Hung like a horse.”
“If you’re really nice—and you live through this—I’ll promise not to tell V.”
“About my size.”
She laughed a little. “No, that you assumed I’d look at you in any fashion other than professionally.
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
Women could probably be trained quite easily to see men first as sexual things. If girls never experienced sexual violence; if a girl's only window on male sexuality were a stream of easily available, well-lit, cheap images of boys slightly older than herself, in their late teens, smiling encouragingly and revealing cuddly erect penises the color of roses or mocha, she might well look at, masturbate to, and, as an adult, "need" beauty pornography based on the bodies of men. And if those initiating penises were represented to the girl as pneumatically erectible, swerving neither left nor right, tasting of cinnamon or forest berries, innocent of random hairs, and ever ready; if they were presented alongside their measurements, length, and circumference to the quarter inch; if they seemed to be available to her with no troublesome personality attached; if her sweet pleasure seemed to be the only reason for them to exist--then a real young man would probably approach the young woman's bed with, to say the least, a failing heart.
”
”
Naomi Wolf (The Beauty Myth)
“
A silent Library is a sad Library. A Library without patrons on whom to pile books and tales and knowing and magazines full of up-to-the-minute politickal fashions and atlases and plays in pentameter! A Library should be full of exclamations! Shouts of delight and horror as the wonders of the world are discovered or the lies of the heavens are uncovered or the wild adventures of devil-knows-who sent romping out of the pages. A Library should be full of now-just-a-minutes and that-can't-be-rights and scientifick folk running skelter to prove somebody wrong. It should positively vibrate with laughing at comedies and sobbing at tragedies, it should echo with gasps as decent ladies glimpse indecent things and indecent ladies stumble upon secret and scandalous decencies! A Library should not shush; it should roar!
”
”
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
“
Why was it considered normal for a girl to live for fashion and makeup, but not car engines or bugs? And what about sports fanatics? My mom had a boyfriend who would flip out if he missed even a minute of a football game. Wouldn't that be what doctors considered autistic behavior?
”
”
Tara Kelly (Harmonic Feedback)
“
To my son,
If you are reading this letter, then I am dead.
I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt.
I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate.
There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid.
At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame.
I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you.
The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you.
For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right.
I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy.
Stephen
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
To be strong, and beautiful, and go round making music all the time. Yes, she could do that, and with a very earnest prayer Polly asked for the strength of an upright soul, the beauty of a tender heart, the power to make her life a sweet and stirring song, helpful while it lasted, remembered when it died.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
We were born in the '70s, back when twins were rare, a bit magical: cousins of the unicorn, siblings of the elves.
”
”
Gillian Flynn (Gone Girl)
“
Emma Gladstone had learned a few hard lessons by the age of two-and-twenty. Charming princes weren’t always what they seemed. Shining armor went out of fashion with the Crusades. And if fairy godmothers existed, hers was running several years late. Most of the time, a girl needed to rescue herself.
”
”
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
“
He does not want a girl who trifles with Christianity. He wants a woman who is radically given to Christ. He does not want a girl who prays tepid, lukewarm prayers. He wants a woman who lives in defiance of the powers of Hell. He does not want a girl who is self-adorning with the latest fashions and trends. He wants a woman who is adorned with the inner jewelry of Christ-given holiness. He does not want a girl who dishonors and belittles her parents. He wants a woman who honors the authorities God has placed in her life and serves them with charity and gladness. He does not want a girl whose Bible is an accessory to her wardrobe. He wants a woman whose hunger and thirst is to know the Lord, and who diligently feasts upon His Word. He does not want a girl whose tongue is a deceptive weapon of selfishness. He wants a woman whose words drip with the honey of the name of Jesus.
”
”
Leslie Ludy
“
Yes, I like that—loyalty, I mean. It’s out of fashion nowadays. She’s an odd character, that girl—proud, reserved, stubborn, and terribly warm-hearted underneath, I fancy.
”
”
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
“
Nick loved me. A six-o kind of love: He looooooved me. But he didn’t love me, me. Nick loved a girl who doesn’t exist. I was pretending, the way I often did, pretending to have a personality. I can’t help it, it’s what I’ve always done: The way some women change fashion regularly, I change personalities.
”
”
Gillian Flynn (Gone Girl)
“
Those East Coast rich kids are a different breed, on a fast track to nowhere. Your friends in Seattle are downright Canadian in their niceness. None of you has a cell phone. The girls wear hoodies and big cotton underpants and walk around with tangled hair and smiling, adorned backpacks. Do you know how absolutely exotic it is that you haven’t been corrupted by fashion and pop culture? A month ago I mentioned Ben Stiller, and do you remember how you responded? ‘Who’s that?’ I loved you all over again.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
That story placed man above the animals, until man's fall at Eve's hand, and linked humans to God himself, fashioned in his image. But now the black wolf was telling the girl a grave secret. That man was an animal too.
”
”
David Clement-Davies (Fell (The Sight, #2))
“
Suddenly he was in the doorway, looming over her in a determined fashion. Gone was sweet, patient Griffin. This was the Duke of Greythorne, one of the most powerful men in England.
“I don’t care that you came to Dandy,” he said, his voice low, but sharp. “If you want to blame yourself for Sam’s injury, then go ahead and be a fool. And I don’t care that you could cosh my head in if you wanted. I came here to get you and if I have to, I’ll toss you over my shoulder like a sack of potatoes and carry you all the way to Mayfair. I’m taking you home where you belong.
”
”
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
“
Pandora opened the box with the new high-heels, put them on and went out to town.
”
”
Ljupka Cvetanova (The New Land)
“
[It may be true that] men never know a pretty thing when they see it. [But men do] know a lady when they see one.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
That was all I wanted!" whispered Polly, in a tone which caused him to feel that the race of angels was not entirely extinct.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
So what did Jes say?' I asked again, when my brain felt a bit less scrambled.
'He said I should take good care of you.'
'That's all?'
Mal cleared his throat. 'And . . . he said he would pray to the God of Work to heal your affliction.'
'My what?'
'I many have told him that you have a goiter.'
I stumbled. 'I beg your pardon?'
'Well, I had to explain why you were always clinging to that scarf.'
I dropped my hand. I'd been doing it again without even realizing.
'So you told him I had a goiter?' I whispered incredulously.
'I had to say something. And it makes you quite a tragic figure. Pretty girl, giant growth, you know.'
I punched him hard in the arm.
'Ow! Hey, in some countries, goiters are considered very fashionable.'
'Do they like eunuchs, too? Because I can arrange that.'
'So bloodthirsty!'
'My goiter makes me cranky.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
So you told him I had a goiter?" I whispered incredulously.
"I had to say something. And it makes you quite a tragic figure. Pretty girl, giant growth, you know."
I punched him hard in the arm.
"Ow! Hey, in some countries, goiters are considered very fashionable."
"Do they like eunuchs, too? Because I can arrange that."
"So bloodthirsty!"
"My goiter makes me cranky.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
The thought that, insignificant as she was, she yet might do some good, made her very careful of her acts and words, and so anxious to keep head contented and face happy, that she forgot her clothes, and made others do the same. She did not know it, but that good old fashion of simplicity made the plain gowns pretty, and the grace of unconsciousness beautified their little wearer with the charm that makes girlhood sweetest to those who truly love and reverence it.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
From time to time, you may see a girl wearing her black opaque tights as pants. They are, in fact, not.
”
”
Nina García (The One Hundred: A Guide to the Pieces Every Stylish Woman Must Own)
“
As far as I can tell, common sense hasn’t been in fashion for a long time.
”
”
Anita Diamant (The Boston Girl)
“
I’m as into clothes as the next girl, but the woman who goes through all this with me treats it like it’s a matter of life and death.", FADE by Kailin Gow.
”
”
Kailin Gow (Fade (Fade, #1))
“
When you feel out of sorts, try to make some one else happy, and you will soon be so yourself.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
Fact: I don't know of a single girl who doesn't wish the show-it-all boxer-shorts phenomenon would go away as well. Guys, we just don't want to see your underwear. Truthfully, we believe that there is a direct correlation between how much underwear you show and how much you've got upstairs, if you know what I mean.
”
”
Lisa Samson (Hollywood Nobody (Hollywood Nobody, #1))
“
One of the things that strikes me most though is how some people don't realise they're self-harming. The phrase 'self-harm' brings up thoughts of 'cutting', but that's only a small portion of it. When you drink excessively to drown your sorrows to the point you throw up and can't see straight and/or, like a girl at my school, ended up being driven to hospital to have her stomach pumped, you've brought harm to yourself. If you take drugs to feel numb and it becomes an addiction that you can't break, you've self-harmed. When you starve yourself or binge eat to fit the latest fashions, you're pushing your body further than it can go.
We need to start treating ourselves how we deserve to be treated, even if you feel that no one else does. Prove to the world you ARE worth something by treating yourself with the utmost respect and hope that other people will follow your example. And even if they don't, at least one person in the world is treating you well: YOU.
”
”
Carrie Hope Fletcher (All I Know Now: Wonderings and Reflections on Growing Up Gracefully)
“
It’s bad enough to love someone who don’t love you, but to have them told of it is perfectly awful. It makes me wild just to think of it. Ah, Fan, I’m getting so ill tempered and envious and wicked, I don’t know what will happen to me. - Polly
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
And Polly did n't think she had done much; but it was one of the little things which are always waiting to be done in this world of ours, where rainy days come so often, where spirits get out of tune, and duty won't go hand in hand with pleasure. Little things of this sort are especially good work for little people; a kind little thought, an unselfish little act, a cheery little word, are so sweet and comfortable, that no one can fail to feel their beauty and love the giver, no matter how small they are. Mothers do a deal of this sort of thing, unseen, unthanked, but felt and remembered long afterward, and never lost, for this is the simple magic that binds hearts together, and keeps home happy.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done.
I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye.
But I have forgotten. And only partly do I remember the unbearable beauty of her face.
“Is it?...is it?” I whispered to my guide.
“Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.”
“She seems to be...well, a person of particular importance?”
“Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.”
“And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?”
“Haven't ye read your Milton? A thousand liveried angels lackey her.”
“And who are all these young men and women on each side?”
“They are her sons and daughters.”
“She must have had a very large family, Sir.”
“Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.”
“Isn't that a bit hard on their own parents?”
“No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.”
“And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.”
“They are her beasts.”
“Did she keep a sort of zoo? I mean, this is a bit too much.”
“Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.”
I looked at my Teacher in amazement.
“Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
”
”
C.S. Lewis (The Great Divorce)
“
I’ve seen daggers pierce the chest,
Children dying in the road,
Crawling things hooked and baited,
Rapists bound and then castrated,
Villains singed in public square.
Yet none these sights did make me cringe
Like when my Love cut all her hair.
”
”
Roman Payne
“
Take off that darn fur coat!...Or maybe you'd like to have us open all the windows.
”
”
F. Scott Fitzgerald (Gatsby Girls)
“
A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a crane's and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
She approved. “A girl should always have her own money so she’s never beholden to anyone.” I said that was very modern of her, but she didn’t think so. “As far as I can tell, common sense hasn’t been in fashion for a long time.
”
”
Anita Diamant (The Boston Girl)
“
You could have fucked me ’til your uncut, overexposed on the blogs, ‘too ginormous for my snatch’ pecker fell off. And I’d still no way never ever in a thousand years sell, loan, sample you my Easton. And to answer your question, I run my company with my pussy, and twenty-four other pussy-sporting employees. Easton girls do not allow dickheads or cocks in our fashion world. Period.
”
”
Avery Aster (Undressed (The Manhattanites, #2))
“
Any girl with a grin never looks grim.
”
”
Amit Kalantri (Wealth of Words)
“
So I got dressed up kind of Girl With The Dragon Tattoo-y goth. As I head out, I say bye to Mum and Dad, and Mum says, ‘You look cool’, just as Dad says, ‘You look terrifying.
”
”
Abigail Tarttelin (Golden Boy)
F. Scott Fitzgerald (Gatsby Girls)
“
Women have been called queens a long time, but the kingdom given them isn't worth ruling.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
I took up space. I was a collection of cells and memories, awkward limbs and clumsy fashion crimes; I was the repository of my parents' expectations and evidence of their disappointments
”
”
Robin Wasserman (Girls on Fire)
“
As far as I can tell, kids are called bossy when they behave in a dictatorial and domineering fashion. They’re called bossy when they try to order people around and refuse to listen to authority figures. Here’s a suggestion: instead of telling us not to refer to them as bossy, why don’t we teach them not to be bossy? We concentrate so much on eradicating negative words while forgetting to address the behavior that the words describe.
”
”
Matt Walsh
“
We want to look desirable. We want others to want to mate with us. No different than a colorful peacock. When girls dress up for their night out at the club, they are doing what all animals do when they try to make themselves desirable for a potential mate. That's the whole point behind the fashion, perfume, cosmetics, diet, and plastic surgery industries.
”
”
Oliver Markus (Why Men And Women Can't Be Friends)
“
It's not revealing, it's informative.
”
”
Gemma Burgess (A Girl Like You)
“
Clamboring over building detritus was not the lifestyle Karl Lagerfeld had in mind for this sweet little powder-blue suit. As he oversaw the hand stitching in his atelier he had probably imagined the suit living a life of tea parties and lunches with the girls at the Ivy
”
”
Tyne O'Connell (Latest Accessory (Meet Me at the Bar, #2))
“
Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it?
The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film.
This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire.
Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?
”
”
Naomi Wolf (The Beauty Myth)
“
His smile was so soft and fine:
like gleaming old ivory,
like homesickness, like a Christmas snowfall
in the dark village, like turquoise
around which many pearls are fashioned,
like moonlight
on a favorite book.
-in Mädchenmelancholie (Girls' melancholy)
”
”
Rainer Maria Rilke (The Book of Images)
“
For femmes, that evolving feminist thought reacquainted us with something we kind of knew already: men and women might mistake us for “just girls” when they see our makeup and fashions, but we were/are actually guerrilla warriors, fighting undercover in the war to save women from the continuing campaign to make us irrelevant fluff.
”
”
Jewelle Gomez
“
[speaking of a friend named Lavendar Lewis] 'I think her parents gave her the only right and fitting name that could possibly be given her,' said Anne. 'If they had been so blind as to name her Elizabeth or Nellie or Muriel she must have been called Lavendar just the same, I think. It's so suggestive of sweetness and old-fashioned graces and "silk attire." Now, my name just smacks of bread and butter, patchwork and chores.'
'Oh, I don't think so,' said Diana. 'Anne seems to me real stately and like a queen. But I'd like Kerenhappuch if it happened to be your name. I think people make their names nice or ugly just by what they are themselves. I can't bear Josie or Gertie for names now but before I knew the Pye girls I thought them real pretty.'
'That's a lovely idea, Diana,' said Anne enthusiastically. 'Living so that you beautify your name, even if it wasn't beautiful to begin with...making it stand in people's thoughts for something so lovely and pleasant that they never think of it by itself. Thank you, Diana.
”
”
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
“
We must not be taken in by the myth of youth, the unending propaganda to the effect that young men are younger than old men; that they are better looking; that they are slimmer, stronger and more athletic; that they can hold a girl in more romantic fashion and speak more sweetly.
”
”
Isaac Asimov (The Sensuous Dirty Old Man)
“
Life, my brethren, is like plum-cake. In some the plums are all on the top, and we eat them gayly, till we suddenly find they are gone. In others the plums sink to the bottom, and we look for them in vain as we go on, and often come to them when it is too late to enjoy them. But in the well-made cake, the plums are wisely scattered all through, and every mouthful is a pleasure. We make our own cakes, in a great measure, therefore let us look to it, my brethren, that they are mixed according to the best receipt, baked in a well regulated oven, and gratefully eaten with a temperate appetite.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
Integrity is the most important accessory you'll ever have, it will never go out of fashion, get old, or fade. It's the greatest investment you'll ever make, and a noble fight you'll spend your lifetime pursuing.
”
”
Alexis Jones (I Am That Girl: How to Speak Your Truth, Discover Your Purpose, and #bethatgirl)
“
Whatever happened in those more than one hundred years, from the time my great-great-great grandfather studied law to the time when my own father took his bar exam in 1989, I may never know. Perhaps it was just greed and the good, old-fashion corruption that comes with power. The Drexlers have moved from the fight for human rights to the fight for corporations and wealthy individuals. We file their taxes, write their contracts, clean up their messes. As I see it, we have become little more than glorified Public Relations reps
”
”
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
“
You see, she learned to love him one summer (...) so she put her love away in a corner of her heart, and tried to forget it, hoping it would either die, or have a right to live.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
When you paint your lips, eye lids, nails or whatever, to look attractive, don't forget your up stairs(intellect) if you leave it behind, i will consider all other colors invalid.
”
”
Michael Bassey Johnson
“
Never has it been inappropriate for a girl to wear a red dress.
”
”
Caroline George (The Vestige)
“
Dear Logan,
Someday I'm going to write a book: How to Not Die in Alaska -- A Girl's Guide to Fashionable Survival.
”
”
Ally Carter (Not If I Save You First)
“
Why you like photography so much? Because it's just the camera and me showing everyone else what we can see. It's telling stories.
”
”
Lindsey Kelk (What a Girl Wants (A Girl, #2))
“
She had the rare combination of being quiet and popular, a code that made her intimidating to younger, fashionable girls and mysterious to older, confident boys.
”
”
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
“
a principle that can't bear being laughed at, frowned on, and cold-shouldered, is n't worthy of the name.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
Their music was good and fun, yes, but they looked kind. They were attractive, but not in a scary, very masculine way that many young girls find intimidating. They had floppy hair and skinny frames, you know, that sort of thing. Which is very fashionable now, but wasn’t really back then. They gave these girls something very safe to love. Something that would never bite them back. In the sixties, everything would bite you back if you were a girl.
”
”
Alice Oseman (I Was Born for This (I Was Born for This, #1))
“
A budding fashionista even at four, I would capture the little lizards and latch them, still living, onto my earlobes as earrings. Most girls wouldn't touch them, I thought they completed the outfit.
”
”
Mireya Mayor (Pink Boots and a Machete: My Journey from NFL Cheerleader to National Geographic Explorer)
“
She says it is a school for bluestockings which, according to her, is really only a fashionable way of saying it is a school for ugly girls who cannot find suitable husbands. To tease her, for I believe it is one of his greatest pleasures in this life, my father bought a pair of blue silk stockings for me the day we received my letter of acceptance. That evening and the next, father and I dined alone.
”
”
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
“
The royalty take and take and it never seems to be enough for them. They steal girls to make their babies, boys to protect them, or seduce them, or serve them. But we are not objects. We are not the latest fashion or the most expensive prize. We are people. And I'm going to help make them see that.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
Love scenes, if genuine, are indescribable; for to those who have enacted them, the most elaborate description seems tame, and to those who have not, the simplest picture seems overdone. So romancers had better let imagination paint for them that which is above all art, and leave their lovers to themselves during the happiest minutes of their lives.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
...Tom sat scowling over a pile of dilapidated books with his hand in his hair, as if his head was in danger of flying asunder with the tremendous effort he was making.
”
”
Louisa May Alcott (An Old Fashioned Girl)
“
Confidence is always the best accessory. Own the moment. Own your space.
”
”
Andrena Sawyer
“
People like their high-fashion models to look as deeply unhappy as physically possible You can't have beauty and contentment: it would just be unfair.
”
”
Holly Smale (Geek Girl (Geek Girl, #1))
“
Those girls were there because someone told them they were ‘beautiful,’ but in high fashion, beautiful isn’t enough.
”
”
Lady Gaga
“
As far as I can tell, common sense hasn't been in fashion for a long time.
”
”
Anita Diamant (The Boston Girl)
“
Anyway, why would I want friends I had to act fake in front of? I don’t want to pretend to be scared of dead things and to prefer digital to film. I don’t mind that I’m old-fashioned.
”
”
Paige McKenzie (The Haunting of Sunshine Girl (The Haunting of Sunshine Girl #1))
“
Occasionally a matrimonial epidemic appears, especially toward spring, devastating society, thinning the ranks of bachelordom, and leaving mothers lamenting for their fairest daughters.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
The articles were extremely eye-opening. Not just in Teen Vogue but in Seventeen and CosmoGirl as well. They were all about being yourself, staying natural, loving your body as is, and going green! The messages were the exact opposite of Vik and Viv's.
Hmmmmm.
Frankie turned to face the full-length mirror that was up against the yellow wardrobe. She opened her robe and examined her body. Fit, muscular, and exquisitely proportioned, she agreed with the magazines. So what if her skin was mint? Or her limbs were attached with seams? According to the magazines, which were - no offense! - way more in touch with the times than her parents were, she was suppose to love her body just the way it was. And she did! Therefor if the normies read magazines (which obviously they did, because they were in them), then they would love her, too. Natural was in.
Besides she was Daddy's perfect little girl. And who didn't love perfect?
”
”
Lisi Harrison (Monster High (Monster High, #1))
“
Well, now there is a very excellent, necessary, and womanly accomplishment that my girl should not be without, for it is a help to rich and poor, and the comfort of families depends upon it. This fine talent is neglected nowadays and considered old-fashioned, which is a sad mistake and one that I don't mean to make in bringing up my girl. It should be part of every girl's eductation, and I know of a most accomplished lady who will teach you in the best and pleasantest manner."
"Oh, what is it?" cried Rose eagerly, charmed to be met in this helpful and cordial way.
"Housekeeping!"
"Is that an accomplsihment?" asked Rose, while her face fell, for she had indulged in all sorts of vague, delightful daydreams.
”
”
Louisa May Alcott (Eight Cousins (Eight Cousins, #1))
“
Every morning in the middle of nowhere, without electricity or anyone to impress, I'd take great care in picking out my outfit and hover in front of a business card-size mirror to apply my lip gloss and check my eyebrows. I also felt I had a strong case for bringing a little black dress on expeditions. Village parties spring up more often than you might expect, and despite never having been a Girl Scout, I like to be prepared.
”
”
Mireya Mayor (Pink Boots and a Machete: My Journey from NFL Cheerleader to National Geographic Explorer)
“
which will lead to even more of them despairing at the future and what with the planet about to go to shit with the United Kingdom soon to be disunited from Europe which itself is hurtling down the reactionary road and making fascism fashionable again and it’s so crazy that the disgusting perma-tanned billionaire has set a new intellectual and moral low by being president of America and basically it all means that the older generation has RUINED EVERYTHING and her generation is doooooomed
”
”
Bernardine Evaristo (Girl, Woman, Other)
“
May your Valentine’s Day be filled with adoration, pampering, and a pair of gorgeous, tiny-heeled Jimmy Choo sandals that are completely useless in this weather. Just remember: You are totally worth it.
”
”
Cecily von Ziegesar (Because I'm Worth It (Gossip Girl, #4))
“
Speaking of my things, you weren't actually using that darling little study were you?" she
asked sweetly.
Her mate's eyes narrowed. "Why?"
"Because I am commandeering it for my closet."
"Closet? My study is over three hundred square feet." His shocked expression was adorable.
"Good point. Do you use the library as well?"
He stared unblinking. "Yes, actually I do."
"Oh well. I'll need to call in a contractor to remodel the study into functional wardrobe.
”
”
Alanea Alder (My Protector (Bewitched and Bewildered, #2))
“
That woman is a volcano on the point of eruption, with a libido of igneous magma yet the heart of an angel,' he said licking his lips. 'If I had to establish a true parallel, she reminds me of my succulent mulatto girl in Havana, who was very devout and always worshiped her saints. But since, deep down, I'm an old-fashioned gent who doesn't like to take advantage of women, I contend myself with a chaste kiss on the cheek. I'm not in a hurry, you see? All good things must wait. There are yokels out there who think that if they touch a woman's behind and she doesn't complain, they've hooked her. Amateurs. The female heart is a labyrinth of subtleties, too challenging for the uncouth mind of the male racketeer. If you really want to possess a woman, you must think like her, and the first thing to do is win over her soul. The rest, that sweet, soft wrapping that steals away your senses and your virtue, is a bonus
”
”
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
“
Like most men, Sherman was innocent of the routine salutatory techniques of the fashionable hostesses. For at least forty-five seconds every guest was the closest, dearest, jolliest, most wittily conspiratorial friend a girl ever had. Every male guest she touched on the arm (any other part of the body presented problems) and applied a little heartfelt pressure. Every guest, male or female, she looked at with a radar lock upon the eyes, as if captivated (by the brilliance, the wit, the beauty, and the incomparable memories).
”
”
Tom Wolfe (The Bonfire of the Vanities)
“
When I was extremely young and shockingly stupid, I thought you weren't supposed to ever get angry at anybody you cared about (lest you suspect I'm exaggerating the "shockingly stupid" part, I also thought Mount Rushmore was a natural phenomenon). I honestly believed that people who were truly in love would never dream of having a good, old-fashioned, knock-down, drag-out fight. I guess when you're the type of girl who walks around thinking that the wind just sort of sculpted Teddy Roosevelt into the side of a mountain, the concept of a fairy-tale relationship makes total sense.
”
”
Lisa Kogan (Someone Will Be with You Shortly: Notes from a Perfectly Imperfect Life)
“
...I think that woman can do a great deal for each other if they will only stop fearing what ‘people will think’ and take a hearty interest in whatever is going to fit their sisters and themselves to deserve and enjoy the rights God gave them. There are so many ways in which this can be done that I wonder they don’t see and improve them.
”
”
Louisa May Alcott (An Old Fashioned Girl)
“
As soon as I laid eyes on him, it all came flooding back, all the reasons why I loved him, all the reasons why I hadn't been able to let him go.
”
”
Lindsey Kelk (A Girl's Best Friend (A Girl, #3))
“
I like the plain, old-fashioned churches, built for use, not show, where people met for hearty praying and preaching, and where everybody made their own music instead of listening to opera singers, as we do now. I don't care if the old churches were bare and cold, and the seats hard, there was real piety in them, and the sincerity of it was felt in the lives of the people. I don't want a religion that I put away with my Sunday clothes, and don't take out till the day comes round again; I want something to see and feel and live by day-by-day,
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
First I went to see the principal to tell him the code was old-fashioned and unfair. He said dress codes are necessary because if girls are allowed to wear what we want, the boys won’t be able to focus. I said why not let the girls dress comfortably and send the boys home until they can show self-control?
”
”
Kirsten Miller (Lula Dean’s Little Library of Banned Books)
“
Then he realized that Salander was in costume. Usually her style was sloppy and rather tasteless. Blomkvist had assumed that she was not really interested in fashion, but that she tried instead to accentuate her own individuality. Salander always seemed to mark her private space as hostile territory, and he had thought of the rivets in her leather jacket as a defense mechanism, like the quills of a hedgehog. To everyone around her it was as good a signal as any: Don't try to touch me—it will hurt.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
“
Amit likens fashion to a mask, and style to beauty of countenance. Style, he feels, belongs to the literary elite, who live by their own wishes. And fashion is for the ordinary lot, who make it their business to please other people. . . . You may view a professional dancing girl beneath the awning of a public marquee; but for the first glimpse of the bride’s face during the shubhodrishti ritual, a veil of Benarasi fabric is required. The marquee belongs to fashion, the Benarasi veil--which reveals the special one’s countenance shaded by a special hue--to style.
”
”
Rabindranath Tagore (Farewell Song (Hesperus Worldwide))
“
Come, Philander, let us be a marching, Every one his true love a searching,"
Would be the most appropriate motto for this chapter, because, intimidated by the threats, denunciations, and complaints showered upon me in consequence of taking the liberty to end a certain story as I liked, I now yield to the amiable desire of giving satisfaction, and, at the risk of outraging all the unities, intend to pair off everybody I can lay my hands on.
”
”
Louisa May Alcott (An Old-Fashioned Girl)
“
By starving myself into society’s beauty ideal, I had compromised my success, my independence, and my quality of life. Being overweight was really no different. It was just the “f— you” response to the same pressure. I was still responding to the pressure to comply to the fashion industry’s standards of beauty, just in the negative sense. I was still answering to their demands when really I shouldn’t have been listening to them at all. The images of stick-thin prepubescent girls never should have had power over me. I should’ve had my sights set on successful businesswomen and successful female artists, authors, and politicians to emulate. Instead I stupidly and pointlessly just wanted to be considered pretty. I squandered my brain and my talent to squeeze into a size 2 dress while my male counterparts went to work on making money, making policy, making a difference.
”
”
Portia de Rossi (Unbearable Lightness: A Story of Loss and Gain)
“
Do I still 'ave an eye?" I laughed. "Still there." He straightened with a sigh. "Too bad. I hear girls take a liking to a man with an eye patch." "Yes, when the eye was lost in some wildly romantic fashion like a sword fight or pistol duel. Not from smacking it on the eyepiece of a microscope. And you hardly need any more help with the ladies.
”
”
Tess Oliver (Camille (Camille, #1))
“
For seventy-five years I've made ladies dresses. That means that for seventy-five years I have made women happy. For seventy-five years I have made mature women spin around in front of the mirror like young girls. For seventy-five years I have made young girls look in the mirror and for the first time see a woman staring back at them. I have made young men's eyes pop out. I've made old men's eyes pop out. Because the right dress does that. It makes ordinary women feel extraordinary.
”
”
Jane L. Rosen (Nine Women, One Dress)
“
FRIDA KAHLO TO MARTY MCCONNELL
leaving is not enough; you must
stay gone. train your heart
like a dog. change the locks
even on the house he’s never
visited. you lucky, lucky girl.
you have an apartment
just your size. a bathtub
full of tea. a heart the size
of Arizona, but not nearly
so arid. don’t wish away
your cracked past, your
crooked toes, your problems
are papier mache puppets
you made or bought because the vendor
at the market was so compelling you just
had to have them. you had to have him.
and you did. and now you pull down
the bridge between your houses,
you make him call before
he visits, you take a lover
for granted, you take
a lover who looks at you
like maybe you are magic. make
the first bottle you consume
in this place a relic. place it
on whatever altar you fashion
with a knife and five cranberries.
don’t lose too much weight.
stupid girls are always trying
to disappear as revenge. and you
are not stupid. you loved a man
with more hands than a parade
of beggars, and here you stand. heart
like a four-poster bed. heart like a canvas.
heart leaking something so strong
they can smell it in the street.
”
”
Marty McConnell
“
Compared with that of a great artist, the friendliness of a great nobleman, however charming it may be, seems like play-acting, like simulation. Saint-Loup sought to please; Elstir loved to give, to give himself. Everything he possessed, ideas, works, and the rest which he counted for far less, he would have given gladly to anyone who understood him. But, for lack of congenial company, he lived in an unsociable isolation which fashionable people call pose and ill-breeding, the authorities a recalcitrant spirit, his neighbours madness, his family selfishness and pride.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
Chronic body monitoring is a ridiculous price to pay for fashion, but as women, we pay it all the time in dozens of different ways. I don’t want young women to feel shame about their bodies. I don’t want them to be called sluts when they wear what fashion moguls have decided to be the in style of the season. They should be able to wear whatever they are comfortable wearing. But how comfortable are they? We should have the freedom to dress how we see fit, but we should also have the freedom to be present in the moment. If we are to monitor ourselves, I want us to be able to monitor our thoughts and feelings, our desires and goals, not our appearance.
”
”
Renee Engeln (Beauty Sick: How the Cultural Obsession with Appearance Hurts Girls and Women—and Its Impact on Health and Happiness)
“
She slammed through the world, a tornado in the form of a girl, and left a trail of destruction behind her. That’s what she’d been like at seventeen, anyway. Maybe becoming a supermodel and fashion designer had changed that, but it seemed as impossible as switching out the bones of your skeleton.
”
”
Krystal Sutherland (House of Hollow: The haunting New York Times bestseller)
“
Of the little less than a million eligibles roaming around, 5 percent don't know their sign and don't even care. Another 5 percent are tied to their mothers by a food fixation. That leaves only 20 percent who are searching for a girl who will pick up their clothes, run their baths, burn her fingers shelling their three-minute eggs, run their errands, bear them a child every year, look like a fashion model, tend their needs when they are sick, and hold down a full-time job outside the home to make payments on their boat.
”
”
Erma Bombeck (Family - The Ties That Bind...And Gag!)
“
I'm not the smartest girl in the world. If anything, I'm sort of on the stupid side, and old-fashioned. I couldn't care less about 'systems' and 'responsibility'. All I want is to get married and have a man I love hold me in his arms every night and make babies. That's plenty for me. It's all I want out of life.
”
”
Haruki Murakami (Norwegian Wood)
“
In 1916, Infants' and Children's Wear Review insisted upon pink for boys and blue for girls. In 1939, Parents magazine claimed that pink was a good color for boys because it was a pale version of red, which was the color of Mars, the war god. Blue was good for girls because it was the color of Venus, and of the Virgin Mary. So, pink for girls is a relatively recent trend, and utterly random.
”
”
Tim Gunn (Tim Gunn's Fashion Bible)
“
In his Petersburg world people were divided into two quite opposite sorts. One--the inferior sort: the paltry, stupid, and, above all, ridiculous people who believe that a husband should live with the one wife to whom he is married, that a girl should be pure, a woman modest, and a man, manly, self controlled and firm; that one should bring up one's children to earn their living, should pay one's debts, and other nonsense of the kind. These were the old-fashioned and ridiculous people. But there was another sort of people: the real people to which all his set belonged, who had above all to be well-bred, generous, bold, gay, and to abandon themselves unblushingly to all their passions and laugh at everything else.
”
”
Leo Tolstoy (Anna Karenina)
“
I have to admit that I'm up to my neck in frivolity, buried in dresses to the point of ruin! Fifteen different garments! My wardrobe jam-packed! My girl, this is not the way for an old woman to behave - particularly since you never wear anything but black and white, or a little grey, so that you always look as though you were in the same dress. Why fritter away your money so absurdly? (22 August 1919)
”
”
Liane de Pougy
“
During the shoot in November 2003, I was vaguely aware of the stylist’s sulky demeanor and eye-rolling vibe, but I blocked her out. Some fashion people are snotty drama queens; this is not news. Whatever was going on with her, I was determined to be positive and not get infected by her energy. Later, Fiorella told me that the entire time I was in makeup, the stylist had been clomping up and down the hall, sputtering into her cell phone, “I can’t believe I have to style a FAT GIRL!”
Believe it, bitch.
”
”
Crystal Renn (Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves)
“
My fat is political because when I show it off it really seems to piss people off. My fat is political because I’m keeping it. My fat is political because it’s fucking hot. My fat is my flag, my claim to fame, my battle scar, my secret fat girl society badge.
”
”
Virgie Tovar (Hot & Heavy: Fierce Fat Girls on Life, Love & Fashion)
“
Their bewilderment is so great that, when one of the girls spoke of archery clubs being fashionable in the States, somebody blurted out: "I suppose the Indians taught you?"; and I am constantly expecting to ask Mrs. St. George how she heats her wigwam in winter.
”
”
Edith Wharton (The Buccaneers)
“
Our whole culture is based on the appetite for buying, on the idea of a mutually favorable exchange. Modern man's happiness consists in the thrill of looking at the shop windows, and in buying all that he can afford to buy, either for cash or on installments. He (or she) looks at people in a similar way. For the man an attractive girl—and for the woman an attractive man—are the prizes they are after. 'Attractive' usually means a nice package of qualities which are popular and sought after on the personality market. What specifically makes a person attractive depends on the fashion of the time, physically as well as mentally. During the twenties, a drinking and smoking girl, tough and sexy, was attractive; today the fashion demands more domesticity and coyness. At the end of the nineteenth and the beginning of this century, a man had to be aggressive and ambitious—today he has to be social and tolerant—in order to be an attractive 'package'. At any rate, the sense of falling in love develops usually only with regard to such human commodities as are within reach of one's own possibilities for exchange. I am out for a bargain; the object should be desirable from the standpoint of its social value, and at the same time should want me, considering my overt and hidden assets and potentialities. Two persons thus fall in love when they feel they have found the best object available on the market, considering the limitations of their own exchange values. Often, as in buying real estate, the hidden potentialities which can be developed play a considerable role in this bargain. In a culture in which the marketing orientation prevails, and in which material success is the outstanding value, there is little reason to be surprised that human love relations follow the same pattern of exchange which governs the commodity and the labor market.
”
”
Erich Fromm (The Art of Loving)
“
For Anne to take things calmly would have been to change her nature. All 'spirit and fire and dew,' as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows. She did not make much headway, as she sorrowfully admitted to herself. The downfall of some dear hope or plan plunged Anne into 'deeps of affliction.' The fulfillment thereof exalted her to dizzy realms of delight. Marilla had almost begun to despair of ever fashioning this waif of the world into her model little girl of demure manners and prim deportment. Neither would she have believed that she really liked Anne much better as she was.
”
”
L.M. Montgomery (Anne of Green Gables)
“
It's time we woke up, women are pretty much people, seems to me. I know they dress like fools- but who´s to blame for that? We invent all those idiotic hats of theirs, and design their crazy fashions, and, what's more, if a woman is courageous enough to wear common-sense clothes -and shoes- which of us wants to dance with her? Yes, we blame them for gratifying us, but are we willing to let our wives work? We are not. It hurts our pride, that's all. We are always criticizing them for doing mercenary marriages, but what do we call a girl who marries a chump with no money? Just a poor fool, that's all. And they know it.
As for Mother Eve- I wasn't there and I can't deny the story, but I will say this. If she brought evil into the world, we men have had the loin's share of keeping it going ever since- how about that?
”
”
Charlotte Perkins Gilman
“
Prizing elegance, sweet emotions, and fantasy more than morals and truth; wallowing in fleeting romance rather than trying to give meaning to life, when who knows what's going to happen to you anyway; ignoring virtue and conventions to cherish only the pleasures you are definitely experiencing now: this is the Cocoro of Rococo. No matter how much deep thought, hard work, and agonizing effort went into coaxing out some insight, if that insight is boring, or not beautiful, it doesn't matter. And even if something is made just for laughs, if you find it pleasing, it has value. Other people's opinions and labor do not figure into your assessment; choosing things with your own personal sense of "I like this, I don't like that" is the ultimate individualism that sustains the very foundation of Rococo. Rococo, therefore, embodies the spirit of punk rock and anarchism more than any philosophy. Only in Rococo—elegant yet in bad taste, extravagant yet defiant and lawless—can I discover the meaning of life.
”
”
Novala Takemoto (Kamikaze Girls)
“
If she had been born in another place, during another time, he supposed she might have been the sort of girl who concerned herself with boyfriends and parties and fashionable clothes. If she had lived in a Boston arcology or a Beijing super tower, perhaps. Instead, she carried scars, and her hand was a stump, and her eyes were hard like obsidian, and her smile was hesitant, as if anticipating the suffering that she knew awaited her, just around the corner.
”
”
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
“
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites.
"No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation.
"Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing.
Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green.
Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case.
Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her.
I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away.
I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
With the girls, on the other hand, if the pleasure which I enjoyed was selfish, at least it was not based on the lie which seeks to make us believe that we are not irremediably alone and prevents us from admitting that, when we chat, it is no longer we who speak, that we are fashioning ourselves then in the likeness of other people and not of a self that differs from them.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
In one universe, they are gorgeous, straight-teethed, long-legged, wrapped in designer fashions, and given sport cars on their sixteenth birthdays, Teachers smile at them and grade them on the curve. They know the first names of the staff. They are the pride of the school.
In Universe #2, they throw parties wild enough to attract college students. They worship stink of Eau de Jocque. They rent beach houses in Cancun during Spring Break and get group-rate abortions before the prom.
But they are so cute. And they cheer on our boys, inciting them to violence and, we hope, victory. They’re are our role models- the Girls Who Have It All. I bet none of them ever stutter or screw up or feel like their brains are dissolving into marshmallow fluff.
”
”
Laurie Halse Anderson (Speak)
“
Enough. Enough with these wafish elves walking your impossible clothing down an ugly runway with ugly lighting and noisy music. Life doesn’t look like that runway. Let’s see some ass up there and not just during the specially themed plus size show. We girls over size 6, 8, 10, 12, 14, 16, we don’t want a special day! We want every day and we want you to get out of our fucking way because we are already here. You are living in the past, all you dated, strange magazines representing the weird fashion world that presents bizarre clothing that no one I have ever met wears.
”
”
Amy Schumer (The Girl with the Lower Back Tattoo)
“
I'm not ambitious for a splendid fortune, a fashionable position, or a great name for my girls. If rank and money come with love and virtue also, I should accept them gratefully, and enjoy your good fortune; but I know, by experience, how much genuine happiness can be had in a plain little house, where the daily bread is earned, and some privations give sweetness to the few pleasures.
”
”
Louisa May Alcott
“
Boy or girl? I had never thought about that. The men who work at the palace, they use words to govern the country and use strength to protect it. Bringing all kinds of brilliant men from the kingdom, and they all have amazing talents.
But...how are they different from me?
The women inside the palace, they had white skin and beautiful hair. And their clothes were fashionable, their hearts were gentle and ever changing like the snow in the wind.
But...how am I anything like them?
”
”
Xia Da (長歌行 3 [Chang Ge Xing 3])
“
Girls and women, in their new, particular unfolding, will only in passing imitate men's behavior and misbehavior and follow in male professions. Once the uncertainty of such transitions is over it will emerge that women have only passed through the spectrum and the variety of those (often laughable) disguises in order to purify their truest natures from the distorting influences of the other sex. Women, in whom life abides and dwells more immediately, more fruitfully and more trustingly, are bound to have ripened more thoroughly, become more human human beings, than a man, who is all too light and has not been pulled down beneath the surface of life by the weight of a bodily fruit and who, in his arrogance and impatience, undervalues what he thinks he loves. This humanity which inhabits woman, brought to term in pain and humiliation, will, once she has shrugged off the conventions of mere femininity through the transformations of her outward status, come clearly to light, and men, who today do not yet feel it approaching, will be taken by surprise and struck down by it. One day (there are already reliable signs which speak for it and which begin to spread their light, especially in the northern countries), one day there will be girls and women whose name will no longer just signify the opposite of the male but something in their own right, something which does not make one think of any supplement or limit but only of life and existence: the female human being.
This step forward (at first right against the will of the men who are left behind) will transform the experience of love, which is now full of error, alter its root and branch, reshape it into a relation between two human beings and no longer between man and woman. And this more human form of love (which will be performed in infinitely gentle and considerate fashion, true and clear in its creating of bonds and dissolving of them) will resemble the one we are struggling and toiling to prepare the way for, the love that consists in two solitudes protecting, defining and welcoming one another.
”
”
Rainer Maria Rilke (Letters to a Young Poet)
“
infrastructures they’re actively not contributing to through tax avoidance and evasion while hypocritically scorning the underclasses as the scourge of society who sponge off the state when they’re the ones who are the biggest scroungers on society with no sense of community responsibility other than a very self-aggrandizing, tax-deductible form of fashionable charity they like to call philanthropism!
”
”
Bernardine Evaristo (Girl, Woman, Other)
“
The elders say Shim Cheong was fashioned by the Goddess of Creation to be the Sea God’s final bride, the one to ease all his sorrows and usher in a new era of peace in the kingdom. She has skin forged from the purest of pearls. She has hair stitched from the deepest night. She has lips colored by the blood of men.
”
”
Axie Oh (The Girl Who Fell Beneath the Sea)
“
For a girl, the fear of not being pretty is the fear of not being a valuable object, which is the fear of not being loved. It is a conflation that is instilled so early on and runs so deep that, even when you know it's a fear perpetrated by patriarchy, goaded by fashion magazines, and used to manipulate you into buying stuff, you still can't stop the way it affects you. Being a woke feminist doesn't mean you've overcome it, it just means you've learned to live with your perpetual self-loathing and your anger around it, too.
”
”
Ani DiFranco (No Walls and the Recurring Dream: A Memoir)
“
Those were the girls she’d been most jealous of, growing up—not just the thin, fashionable ones, but the types who surfed or rock climbed, who lived in such obvious peace with their bodies. Took joy in using their bodies. Mastered them. Merry’s had always felt like a bully. A great, heavy oaf pinning her to the ground, taunting.
”
”
Cara McKenna (Unbound)
“
LARRY comes to the door and opens it a trifle—then, with a puzzled expression, pulls it wide. ANNA CHRISTOPHERSON enters. She is a tall, blond, fully-developed girl of twenty, handsome after a large, Viking-daughter fashion but now run down in health and plainly showing all the outward evidences of belonging to the world's oldest profession. Her youthful face is already hard and cynical beneath its layer of make-up. Her clothes are the tawdry finery of peasant stock turned prostitute. She comes and sinks wearily in a chair by the table, left front.
”
”
Eugene O'Neill (Anna Christie)
“
We are all the same people as we were at three, six, ten or twenty years old. More noticeably so, perhaps, at six or seven, because we were not pretending so much then, whereas at twenty we put on a show of being someone else, of being in the mode of the moment. If there is an intellectual fashion, you become an intellectual; if girls are fluffy and frivolous, you are fluffy and frivolous. As life goes on, however, it becomes tiring to keep up the character you invented for yourself, and so you relapse into individuality and become more like yourself every day. This is sometimes disconcerting for those around you, but a great relief to the person concerned. I
”
”
Agatha Christie (Agatha Christie: An Autobiography)
“
leaving is not enough; you must
stay gone. train your heart
like a dog. change the locks
even on the house he’s never
visited. you lucky, lucky girl.
you have an apartment
just your size. a bathtub
full of tea. a heart the size
of Arizona, but not nearly
so arid. don’t wish away
your cracked past, your
crooked toes, your problems
are papier mache puppets
you made or bought because the vendor
at the market was so compelling you just
had to have them. you had to have him.
and you did. and now you pull down
the bridge between your houses,
you make him call before
he visits, you take a lover
for granted, you take
a lover who looks at you
like maybe you are magic. make
the first bottle you consume
in this place a relic. place it
on whatever altar you fashion
with a knife and five cranberries.
don’t lose too much weight.
stupid girls are always trying
to disappear as revenge. and you
are not stupid. you loved a man
with more hands than a parade
of beggars, and here you stand. heart
like a four-poster bed. heart like a canvas.
heart leaking something so strong
they can smell it in the street.
”
”
Marty McConnell
“
We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously, that only we fashion supplication into courtesy, that only we hear the whiny pathos in a dog's yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuum's scream; that only we feel the panic at sunset the rookie kindergartener feels on his mother's retreating. That only we love the only-we. That only we need the only-we. Solipsism binds us together, J.D. knows. That we feel lonely in a crowd and stop not to dwell on what's brought the crowd into being. That we are, always, faces in a crowd.
”
”
David Foster Wallace (Girl with Curious Hair)
“
What a pretty dress,” Ariadne said to Cordelia, her voice warm. Her own gown was of flattering wine-colored silk. “I believe that’s the shade they call ‘ashes of roses.’ Very popular in Paris.”
“Oh, yes,” Cordelia said eagerly. She’d known so few girls growing up—just Lucie, really—so how did one impress them and charm them? It was desperately important. “I did get this dress in Paris, as a matter of fact. On Rue de la Paix. Jeanne Paquin made it herself.”
She saw Lucie’s eyes widen in concern. Rosamund’s lips tightened. “How fortunate you are,” she said coolly. “Most of us here in the poky little London Enclave rarely get to travel abroad. You must think us so dull.”
“Oh,” said Cordelia, realizing she had put her foot in it. “No, not at all—”
“My mother has always said Shadowhunters aren’t meant to have much of an interest in fashion,” said Catherine. “She says it’s mundane.”
“Since you’ve spoken of Matthew’s clothes admiringly so often,” said Ariadne tartly, “should we assume that rule is only for girls?
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
Nevertheless a certain class of dishonesty, dishonesty magnificent in its proportions, and climbing into high places, has become at the same time so rampant and so splendid that there seems to be reason for fearing that men and women will be taught to feel that dishonesty, if it can become splendid, will cease to be abominable. If dishonesty can live in a gorgeous palace with pictures on all its walls, and gems in all its cupboards, with marble and ivory in all its corners, and can give Apician dinners, and get into Parliament, and deal in millions, then dishonesty is not disgraceful, and the man dishonest after such a fashion is not a low scoundrel. Instigated, I say, by some such reflections as these, I sat down in my new house to write The Way We Live Now. And as I had ventured to take the whip of the satirist into my hand, I went beyond the iniquities of the great speculator who robs everybody, and made an onslaught also on other vices;--on the intrigues of girls who want to get married, on the luxury of young men who prefer to remain single, and on the puffing propensities of authors who desire to cheat the public into buying their volumes.
”
”
Anthony Trollope (Autobiography of Anthony Trollope)
“
The new fashions sold in department
stores had thrown skilled American seamstresses out of work, you see.
They’d been displaced by immigrant girls doing piecework for a pittance
in terrible sweatshops. I refused to patronize a garment industry
that exploited its desperately poor workers so heartlessly.
And if that wasn’t enough to keep me out of stores, there was this as
well: I was determined to resist that shameless sister of war propaganda—
the advertising industry.
”
”
Mary Doria Russell (Dreamers of the Day)
“
And I think it will be a good thing if I write everything down, because I’m an unusual person. I don’t mean a diary — that’s ridiculous for a trendy girl like me. But I want to write like a movie, because my life is like that and it’s going to become even more so. And I look like Colleen Moore, if she had a perm and her nose were a little more fashionable, like pointing up. And when I read it later on, everything will be like at the movies — I’m looking at myself in pictures.
”
”
Irmgard Keun (The Artificial Silk Girl)
“
On the fifth day I knew Kaidan would have made it home. I held my breath and called him. I listened to every charming word of his voice mail, then hung up. That evening I sat on my bed and called again. This time I left a message.
“Hi, Kai, um, Kaidan. It's me. Anna. I'm just trying to see if you made it home safely. I'm sure you probably did. Just checking. You can call me anytime. If you want. Anyway. Okay, bye.”
I hung up and buried my shamed face into a pillow. Now I was leaving messages after he'd made it clear he wanted zero to do with me? Next thing I knew I'd be frequenting his shows to give him psycho stares from the back, and then doing late-night drive-bys to see what girl he was bringing home. The thought of him with another girl made me writhe in discomfort and curl up in the fetal position.
Day six was our first day of back-to-school shopping. We still had a month before school began, but the state issued a tax-free day, so stores were having big sales. I eyed all the teensy skirts and fashionable shirts dangling on mannequins. I tried to imagine Kaidan's reaction if I came dressed like that to one of his shows, some guy other than Jay on my arm. Ugly stalker thoughts. I was full of them.
Two weeks passed, and I was still tripping over chairs to grab the phone every time it rang, like now.
This time it was Jay.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Now, tell me again why I’m freezing my ass off in the middle of the woods?”
Legna chuckled.
“Because it is tradition. Your mate must find you and then carry you to the altar. Seeking you out is symbolic of his desire to let nothing come between you. Bringing you to the altar is a reflection of how it is his duty to help you over obstacles so that you may reach moments of joy together.”
“It’s very romantic,” Isabella said, “if a little chauvinistic.”
“Not in the least. The sharing of responsibility within a joining is symbolized just as strongly. The bride must tie the handfasting ribbon around her mate’s wrist. The white ribbon symbolizes honesty and love and fidelity, and by allowing himself to be so tied means the groom must provide for her at all times, as she will provide for him. The black is a promise that they will forever do all in their power to protect their union, their children, and the perpetuation of the essentials of our culture.”
“But you’ve tied a red ribbon to the end of the black, Legna. What does thatmean?”
“Actually”—the Demon woman smiled—“there is no precedent for the red ribbon. However, I felt it only fair to have a physical reminder that you have a culture of your own and will have just as much right to perpetuate that within your children as Jacob does.”
“Legna,” Isabella giggled, giving her an admonishing look, “that is positively rebellious and feminist of you.”
“I never claimed to be an old-fashioned girl,” Legna confided with a wink.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
She'd been taught that pants were inappropriate for girls because they were immodest [...] If women's pants were suggestive, men's were equally so, and they revealed a great deal more of what was underneath them. There was almost always a bulge--you couldn't help but notice it--and if the pants were tight, you could see practically everything. And the way men were always drawing attention to it! Touching and scratching themselves with total unselfconsciousness, as if they were alone and not in public. She'd even seen Aidan do it a few times, absent-mindedly. And yet no one accused men of being improper or of encouraging sin by reminding women of what hung between their legs. She looked at herself in the mirror, irritated suddenly by the double standard. This was how her body was made. The fact that it was well made and encased in a pair of blue jeans didn't mean she was inviting anything.
”
”
Hillary Jordan (When She Woke)
“
I’m not ambitious for a splendid fortune, a fashionable position, or a great name for my girls. If rank and money come with love and virtue, also, I should accept them gratefully, and enjoy your good fortune, but I know, by experience, how much genuine happiness can be held in a plain little house, where the daily bread is earned, and some privations give sweetness to the few pleasures.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget
…But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you
Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night.
The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next
At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist
Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain
True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break
Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before
The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night
He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities.
Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing.
I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be
The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything
Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told
You were nothing more than a speck of dust, good-looking dust, but dust all the same
Some people needed saving
She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last
Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move?
At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more
She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more
”
”
Alice Hoffman (Blue Diary)
“
Polly shut her door hard, and felt ready to cry with vexation that her pleasure should be spoilt by such a silly idea, for, of all the silly freaks of this fast age, that of little people playing at love is about the silliest. Polly had been taught that it was a very serious and sacred thing, and, according to her notions, it was far more improper to flirt with one boy than to coast with a dozen.
”
”
Louisa May Alcott (An Old Fashioned Girl)
“
When you’re a girl, you never let on that you are proud, or that you know you’re better at history, or biology, or French, than the girl who sits beside you and is eighteen months older. Instead you gush about how good she is at putting on nail polish or at talking to boys, and you roll your eyes at the vaunted difficulty of the history/biology/French test and say, “Oh my God, it’s going to be such a disaster! I’m so scared!” and you put yourself down whenever you can so that people won’t feel threatened by you, so they’ll like you, because you wouldn’t want them to know that in your heart, you are proud, and maybe even haughty, and are riven by thoughts the revelation of which would show everyone how deeply Not Nice you are. You learn a whole other polite way of speaking to the people who mustn’t see you clearly, and you know—you get told by others—that they think you’re really sweet, and you feel a thrill of triumph: “Yes, I’m good at history/biology/French, and I’m good at this, too.” It doesn’t ever occur to you, as you fashion your mask so carefully, that it will grow into your skin and graft itself, come to seem irremovable.
”
”
Claire Messud (The Woman Upstairs)
“
It wasn't enough to push open the doors. You had to change minds. How could girls truly make their mark if their role models were houseplants, if their fashions scarcely allowed them to breathe? If any expression of opinion on any subject was considered by young men to be a threat? And even more so, how could they escape the basic fact that no matter how horrid the boys were, the young women still wanted to please them - because what choice had they, really? Where could they go besides back to their own homes, where they would rest under the heavy thumbs of their own mothers, or into the home of a man - with the hopes that this man would be indulgent, like Papa, and not oppressive or cruel, like so many others?
”
”
Elizabeth Letts (Finding Dorothy)
“
After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.”
He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face.
He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.”
I tried to change the subject. “What does sundari mean?”
“It means ‘most beautiful.’”
I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments.
We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his.
I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.”
“I don’t mind. I’m sure you found my room the least interesting.”
“Actually, I was curious about the note I found. Did you write it?”
“A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.”
“Oh. I…also noticed a ribbon. Is it mine?”
“Yes. If you’d like it back, you can take it.”
“Why would you want it?”
He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.”
“A token? Like a fair maiden giving her handkerchief to a knight in shining armor?”
He grinned. “Exactly.”
I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.”
He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.”
“Why?”
“A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.”
I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces.
Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.”
Ren smiled understandingly. “Then it means even more to me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Failure to put the relationship on a slower timetable may result in an act that was never intended in the first place. Another important principle is to avoid the circumstances where compromise is likely. A girl who wants to preserve her virginity should not find herself in a house or dorm room alone with someone to whom she is attracted. Nor should she single-date with someone she has reason not to trust. A guy who wants to be moral should stay away from the girl he knows would go to bed with him. Remember the words of Solomon to his son, “Keep to a path far from her, do not go near the door of her house” (Proverbs 5:8). I know this advice sounds very narrow in a day when virginity is mocked and chastity is considered old-fashioned. But I don’t apologize for it. The Scriptures are eternal, and God’s standards of right and wrong do not change with the whims of culture. He will honor and help those who are trying to follow His commandments. In fact, the apostle Paul said, “He will not let you be tempted beyond what you can bear” (1Corinthians 10:13). Hold that promise and continue to use your head. You’ll be glad you did.
”
”
James C. Dobson (Life on the Edge: The Next Generation's Guide to a Meaningful Future)
“
September looked down at her black silks. Everyone saw her as a Criminal. They did it because of how she looked. But that was the whole purpose of clothes, she supposed. Clothes are a story you choose to tell about yourself, a different one every day. Even folk who wore plain overalls every day and didn't comb their hair and knew more about cattle breeds than fashion were telling a story: I am a person who doesn't know or care about fashion because those aren't things worth knowing or caring about.
”
”
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
“
Dear Logan,
Someday I'm going to write a book: How Not to Die in Alaska - A Girl's Guide to Fashionable Survival.
I bet you don't know that a Kirby grip can make an excellent fishing hook. You may think you can use just any kind of mud for mud masks, but trust me, you CAN'T! In a pinch, nothing starts a fire like nail polish remover.
And don't even get me started on the lifesaving properties of a good pair of tights.
So I know a lot, in other words.
I just don't know why I'm still writing you these letters.
”
”
Ally Carter (Not If I Save You First)
“
Beneath the hundred thousand women of the elite are a million middle-class women, miserable because they are not of the elite, and trying to appear of it in public; and beneath them, in turn, are five million farmers' wives reading 'fashion papers' and trimming bonnets, and shop-girls and serving-maids selling themselves into brothels for cheap jewelry and imitation seal-skin robes. And then consider that, added to this competition in display, you have, like oil on the flames, a whole system of competition in selling! You have manufacturers contriving tens of thousands of catchpenny devices, storekeepers displaying them, and newspapers and magazines filled up with advertisements of them!
”
”
Upton Sinclair (The Jungle)
“
Me,” said Ron, who was still rather disheveled. “I didn’t realize that would happen. It’s not fair!” he added to Harry, as the girls headed off for the portrait hole, still giggling madly. “Hermione’s allowed in our dormitory, how come we’re not allowed — ?” “Well, it’s an old-fashioned rule,” said Hermione, who had just slid neatly onto a rug in front of them and was now getting to her feet, “but it says in Hogwarts: A History that the founders thought boys were less trustworthy than girls. Anyway, why were you trying to get in there?
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
In his Petersburg world all people were divided into utterly opposed classes. One, the lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one's children, earn one's bread, and pay one's debts; and various similar absurdities. This was the class of old-fashioned and ridiculous people. But there was another class of people, the real people. To this class they all belonged, and in it the great thing was to be elegant, generous, plucky, gay, to abandon oneself without a blush to every passion, and to laugh at everything else.
”
”
Leo Tolstoy (Anna Karenina)
“
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes.
From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant.
The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time.
My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen.
In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
”
”
K.D. Enos
“
She’s the reason he will probably become an embittered old fuck before he’s even of legal drinking age, distrusting women and writing rude songs about them, and basically from here into eternity thinking all chicks are lying cheating sluts because one of them broke his heart. He’s the type of guy that makes girls like me frigid. I’m the girl who knows he’s capable of poetry, because, like I said, there are things I just know. I’m the one who could give him that old-fashioned song title of a thing called Devotion and True Love (However Complicated), if he ever gave a girl like me a second glance. I’m the less-than-five-minute girlfriend who for one too-brief kiss fantasized about ditching this joint with him, going all the way punk with him at a fucking jazz club in the Village or something. Maybe I would have treated him to borscht at Veselka at five in the morning, maybe I would have walked along Battery Park with him at sunrise, holding his hand, knowing I would become the one who would believe in him. I would tell him, I heard you play, I’ve read your poetry, not that crap your band just performed, but those love letters and songs you wrote to Tris. I know what you’re capable of and it’s certainly more than being a bassist in an average queercore band—you’re better than that; and dude, having a drummer, it’s like key, you fucking need one. I would be equipment bitch for him every night, no complaints. But, no, he’s the type with a complex for the Tris type: the big tits, the dumb giggle, the blowhard. Literally.
”
”
Rachel Cohn
“
In The Garret
Four little chests all in a row,
Dim with dust, and worn by time,
All fashioned and filled, long ago,
By children now in their prime.
Four little keys hung side by side,
With faded ribbons, brave and gay
When fastened there, with childish pride,
Long ago, on a rainy day.
Four little names, one on each lid,
Carved out by a boyish hand,
And underneath there lieth hid
Histories of the happy band
Once playing here, and pausing oft
To hear the sweet refrain,
That came and went on the roof aloft,
In the falling summer rain.
'Meg' on the first lid, smooth and fair.
I look in with loving eyes,
For folded here, with well-known care,
A goodly gathering lies,
The record of a peaceful life--
Gifts to gentle child and girl,
A bridal gown, lines to a wife,
A tiny shoe, a baby curl.
No toys in this first chest remain,
For all are carried away,
In their old age, to join again
In another small Meg's play.
Ah, happy mother! Well I know
You hear, like a sweet refrain,
Lullabies ever soft and low
In the falling summer rain.
'Jo' on the next lid, scratched and worn,
And within a motley store
Of headless dolls, of schoolbooks torn,
Birds and beasts that speak no more,
Spoils brought home from the fairy ground
Only trod by youthful feet,
Dreams of a future never found,
Memories of a past still sweet,
Half-writ poems, stories wild,
April letters, warm and cold,
Diaries of a wilful child,
Hints of a woman early old,
A woman in a lonely home,
Hearing, like a sad refrain--
'Be worthy, love, and love will come,'
In the falling summer rain.
My Beth! the dust is always swept
From the lid that bears your name,
As if by loving eyes that wept,
By careful hands that often came.
Death canonized for us one saint,
Ever less human than divine,
And still we lay, with tender plaint,
Relics in this household shrine--
The silver bell, so seldom rung,
The little cap which last she wore,
The fair, dead Catherine that hung
By angels borne above her door.
The songs she sang, without lament,
In her prison-house of pain,
Forever are they sweetly blent
With the falling summer rain.
Upon the last lid's polished field--
Legend now both fair and true
A gallant knight bears on his shield,
'Amy' in letters gold and blue.
Within lie snoods that bound her hair,
Slippers that have danced their last,
Faded flowers laid by with care,
Fans whose airy toils are past,
Gay valentines, all ardent flames,
Trifles that have borne their part
In girlish hopes and fears and shames,
The record of a maiden heart
Now learning fairer, truer spells,
Hearing, like a blithe refrain,
The silver sound of bridal bells
In the falling summer rain.
Four little chests all in a row,
Dim with dust, and worn by time,
Four women, taught by weal and woe
To love and labor in their prime.
Four sisters, parted for an hour,
None lost, one only gone before,
Made by love's immortal power,
Nearest and dearest evermore.
Oh, when these hidden stores of ours
Lie open to the Father's sight,
May they be rich in golden hours,
Deeds that show fairer for the light,
Lives whose brave music long shall ring,
Like a spirit-stirring strain,
Souls that shall gladly soar and sing
In the long sunshine after rain
”
”
Louisa May Alcott (Little Women)
“
You've got it wrong." His voice was harsh.
"Jackson—"
He cut her off. "No, it's my turn to talk. You've given your speech. And I get it, Mollie, I do. Madison is your sister, and she made you PB&J as a kid when your parents checked out, and that's fine. But open your eyes. You don't owe her anything anymore. You are your own woman, and you are a woman, Mollie. You're not a kid. You're not a girl. And if I've been a complete asshole lately, it's because I'm having a hell of a time coming to grips with the fact that I want you. And fuck, Mollie, I want you. I want you so bad, I'm dying."
Mollie had never made the first move on a man in her life. She was old-fashioned like that. But she made the first move now.
She took a step forward, placed a hand at the back of his head, and pulled his mouth to hers.
”
”
Lauren Layne (I Wish You Were Mine (Oxford, #2))
“
As they sat at the table, she did not like the girls talking among themselves, or discussing matters she knew nothing about, and she did not encourage any mention of boyfriends. She was mainly interested in clothes and shoes, and where they could be bought and at what price and at what time of the year. Changing fashions and new trends were her daily topic, although she herself, as she often pointed out, was too old for some of the new colours and styles. Yet, Eilis saw, she dressed impeccably and noticed every item each of her lodgers was wearing. She also loved discussing skin care and different types of skin and problems. Mrs. Kehoe had her hair done once a week, on a Saturday, using the same hairdresser each time, spending several hours with her so that her hair would be perfect for the rest of the week.
”
”
Colm Tóibín (Brooklyn)
“
Cora, the daughter of Isidore Levinson, a dry goods millionaire from Cincinnati, arrived in England in 1888, when she was 20 years old, with her mother as chaperone. By this time, even respectable rich American girls preferred to find their husbands amongst the nobility. Thanks to the successes of the earlier Buccaneers and a fashion for all things European, from interiors to dress designers such as the House of Worth, pursuing an English marriage had now become desirable. For these families, the many years in which Americans had fought to escape the clutches of colonial rule and create their own republic appeared to have been forgotten.
”
”
Jessica Fellowes (The World of Downton Abbey)
“
George moved from one group of people he didn’t know to another, trying to get out of the draught. The girls didn’t seem to notice it. They were Sydney girls, with short skirts and long, bare arms. Recently, George had gone to an opening at a gallery in the company of a visiting lecturer from Berlin. The artist was fashionable, and the gallery’s three rooms were packed. Over dinner, the German woman expressed mild astonishment at the number of sex workers who had attended the opening. ‘Is this typical in Australia?’ she asked. George had to explain that she had misunderstood the significance of shouty make-up, tiny, shiny dresses and jewels so large they looked fake.
”
”
Michelle de Kretser (The Life to Come)
“
I peeled the shorts off my sweating skin and stepped into the skirt. It slid up my body, resting on my waist, and I pulled the zipper up towards the lord. It didn't just fit. No, it did more than that. It melded to my body, beautifully, as if it had been cut specifically for me, to mask and smooth and elevate. I would be better in this skirt. The dream was happening! I had the all-knowing smile, my hair was suddenly more luxurious, I felt thinner, more acceptable. Girls who had been mean to me in high school would see me in this skirt and think, "Is that Scaachi?" and I'd say, "YOU BET IT IS, YOU DUMB BITCH" and then punch all their boyfriends in the teeth. (I have not thought this fantasy through; just let me have this.)
”
”
Scaachi Koul (One Day We'll All Be Dead and None of This Will Matter)
“
About the time that I reentered the Bruce family, an event occurred of disastrous import to the colored people. The slave Hamlin, the first fugitive that came under the new law, was given up by the blood-hounds of the north to the bloodhounds of the south. It was the beginning of a reign of terror to the colored population. The great city rushed on its whirl of excitement, taking no note of the "short and simple annals of the Poor." But while fashionables were listening to the thrilling voice of Jenny Lind in Metropolitan Hall, the thrilling voices of poor hunted colored people went up, in an agony of supplication, to the Lord, from Zion's church. Many families, who had lived in the city for twenty years, fled from it now. Many a poor washerwoman, who, by hard labor, had made herself a comfortable home, was obliged to sacrifice her furniture, bid a hurried farewell to friends, and seek her fortune among strangers in Canada. Many a wife discovered a secret she had never known before—that her husband was a fugitive, and must leave her to insure his own safety. Worse still, many a husband discovered that his wife had fled from slavery years ago, and as "the child follows the condition of its mother," the children of his love were liable to be seized and carried into slavery. Every where, in those humble homes, there was consternation and anguish. But what cared the legislators of the "dominant race" for the blood they were crushing out of trampled hearts?
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Communication between people of different nationalities enriches human society and makes it more colourful.. Imagine our Russian intellectuals, the kind, merry, perceptive old women in our villages, our elderly workers, our young lads, our little girls being free to enter the melting pot of ordinary human intercourse with the people of North and South America, of China, France, India, Britain and the Congo. What a rich variety of customs, fashion, cuisine and labour would then be revealed! what a wonderful human community would then come into being, emerging out of so many peculiarities of national characters and ways of life. And the beggarliness, blindness and inhumanity of narrow nationalism and hostility between states would be clearly demonstrated.
”
”
Vasily Grossman (An Armenian Sketchbook)
“
In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk...
I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up.
Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief.
It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers.
To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret!
And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!...
Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long?
The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!
”
”
Jean Lorrain (Monsieur de Phocas)
“
Uneasy Rider"
Falling in love with a mustache
is like saying
you can fall in love with
the way a man polishes his shoes
which,
of course,
is one of the things that turns on
my tuned-up engine
those trim buckled boots
(I feel like an advertisement
for men’s fashions
when I think of your ankles)
Yeats was hung up with a girl’s beautiful face
and I find myself
a bad moralist,
a failing aesthetician,
a sad poet,
wanting to touch your arms and feel the muscles
that make a man’s body have so much substance,
that makes a woman
lean and yearn in that direction
that makes her melt/ she is a rainy day
in your presence
the pool of wax under a burning candle
the foam from a waterfall
You are more beautiful than any Harley-Davidson
She is the rain,
waits in it for you,
finds blood spotting her legs
from the long ride.
”
”
Diane Wakoski
“
This was true enough, though it did not throw any light upon my perplexity. If we had heard of it to start with, it is possible that all the family would have considered the possession of a ghost a distinct advantage. It is the fashion of the times. We never think what a risk it is to play with young imaginations, but cry out, in the fashionable jargon, 'A ghost! - nothing else was wanted to make it perfect.' I should not have been above this myself. I should have smiled, of course, at the idea of the ghost at all, but then to feel that it was mine would have pleased my vanity. Oh, yes, I claim no exemption. The girls would have been delighted. I could fancy their eagerness, their interest, and excitement. No; if we had been told, it would have done no good - we should have made the bargain all the more eagerly, the fools that we are. ("The Open Door")
”
”
Mrs. Oliphant (The Gentlewomen of Evil: An Anthology of Rare Supernatural Stories from the Pens of Victorian Ladies)
“
She scanned the shadows again, bracing herself for more assailants. Nearby, a young woman watched her, and she flashed Celaena a conspirator’s grin. Celaena tried not to look too interested, though the girl was one of the most stunning people she’d ever beheld. It wasn’t just her wine-red hair or the color of her eyes, a red-brown Celaena had never seen before. No, it was the girl’s armor that initially caught her interest: ornate to the point of probably being useless, but still a work of art. The right shoulder was fashioned into a snarling wolf’s head, and her helmet, tucked into the crook of her arm, featured a wolf hunched over the noseguard. Another wolf’s head had been molded into the pommel of her broadsword. On anyone else, the armor might have looked flamboyant and ridiculous, but on the girl … There was a strange, boyish sort of carelessness to her.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
Mr. Wonderful was probably taking his sweet time, right?”
“No, it was actually my fault this morning. I was busy with…paperwork.”
“Oh. Well, that’s alright. Don’t worry about it. What kind of paperwork?”
He smiled. “Nothing important.”
Mr. Kadam held the door for me, and we walked out into an empty hallway. I was just starting to relax at the elevator doors when I heard a hotel room door close. Ren walked down the hall toward us. He’d purchased new clothes. Of course, he looked wonderful. I took a step back from the elevator and tried to avoid eye contact.
Ren wore a brand new pair of dark-indigo, purposely faded, urban-destruction designer jeans. His shirt was long-sleeved, buttoned-down, crisp, oxford-style and was obviously of high quality. It was blue with thin white stripes that matched is eyes perfectly. He’d rolled up the sleeves and left his shirt untucked and open at the collar. It was also an athletic cut, so it fit tightly to his muscular torso, which made me suck in an involuntary breath in appreciation of his male splendor.
He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it’s like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century.
I again quickly ran through my list of reasons for not being with Ren and said a few “He’s not for me’s.” The good thing about seeing his mouthwatering self and watching him walk around like a regular person was that it tightened my resolve. Yes. It would be hard because he was so unbelievably gorgeous, but it was now even more obvious to me that we didn’t belong together.
As he joined us at the elevator, I shook my head and muttered under my breath, “Figures. The guy is a tiger for three hundred and fifty years and emerges from his curse with expensive taste and keen fashion sense too. Incredible!”
Mr. Kadam asked, “What was that, Miss Kelsey?”
“Nothing.”
Ren raised an eyebrow and smirked.
He probably heard me. Stupid tiger hearing.
The elevator doors opened. I stepped in and moved to the corner hoping to keep Mr. Kadam between the two of us, but unfortunately, Mr. Kadam wasn’t receiving the silent thoughts I was projecting furiously toward him and remained by the elevator buttons. Ren moved next to me and stood too close. He looked me up and down slowly and gave me a knowing smile. We rode down the elevator in silence.
When the doors opened, he stopped me, took the backpack off my shoulder, and threw it over his, leaving me with nothing to carry. He walked ahead next to Mr. Kadam while I trialed along slowly behind, keeping distance between us and a wary eye on his tall frame.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Ren moved just a smidgen closer to me. I closed my eyes, took a deep breath, and then…waited. When I opened my eyes, he was still staring at me. He really was waiting for permission. There was nothing, and I mean nothing I wanted more in the world at that moment than to be kissed by this gorgeous man. But, I ruined it. For some reason, I fixated on the word permission.
I nervously rambled, “What…umm…what do you mean you want my permission?”
He looked at me curiously, which made me feel even more panicky. To say I had no experience with kissing would be an understatement. Not only had I never kissed a boy before, I’d never even met a guy I wanted to kiss until Ren. So, instead of kissing him like I wanted to, I got flustered and started coming up with reasons to not do it.
I babbled, “Girls need to be swept off their feet, and asking permission is just…just…old-fashioned. It’s not spontaneous enough. It doesn’t scream passion. It screams old fogy. If you have to ask, then the answer is…no.”
What an idiot! I thought to myself. I just told this beautiful, kind, blue-eyed, hunk of a prince that he was an old fogy.
Ren looked at me for a long moment, long enough for me to see the hurt in his eyes before he cleared his face of expression. He stood up quickly, formally bowed to me, and avowed softly, “I won’t ask you again, Kelsey. I apologize for being so forward.”
Then he changed into a tiger and quickly ran off into the jungle, leaving me alone to berate myself for my foolishness.
I shouted, “Ren, wait!” But it was too late. He was gone.
I can’t believe I insulted him like that! He must hate me! How could I do that to him? I knew I only said those things because I was nervous, but that was no excuse. What did he mean he would never ask me again? I hope he asks me again.
I replayed my words over and over again in my mind and thought of all the things I could have said that would have given me a better result. Things like, “I thought you’d never ask” or “I was just about to ask you the same question.”
I could have just grabbed the man and kissed him first. Even just a simple “Yes” would have done the trick. I could have said dramatically, “As you wish,” “Kiss me. Kiss me as if it were the last time,” or “You had me at hello.” He’d never seen the movies, so why not? But, no, I had to go on and on about “permission.”
Ren left me alone the rest of the day, which gave my plenty of time to kick myself.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I’m about as political as a Bengal tiger. . . . I have a feeling that a nation is more than just government, laws and rules. It’s an attitude. It’s the people’s outlook. Dean Martin once asked me what I wanted for my baby daughter, and I realize now that my answer was kind of an attitude toward my country. Well, he asked me this on election day and the bars were closed anyway, so he had a lot of time to listen and I told him. . . . I told him that I wanted for my daughter Marisa what most parents want for their children. I wanted to stick around long enough to see that she got a good start and I would like her to know some of the values that we knew as kids, some of the values that an articulate few now are saying are old-fashioned. But most of all I want her to be grateful, as I am grateful for every day of my life that I spend in the United States of America. . . . I don’t care whether she ever memorizes the Gettysburg Address or not, but I want her to understand it, and since very few little girls are asked to defend their country, she will probably never have to raise her hand to that oath, but I want her to respect all who do. I guess that is what I want for my girl. That is what I want for my country, and that’s what I want for the men that you people are going to pick from here to go shape our destinies.
”
”
Scott Eyman (John Wayne: The Life and Legend)
“
In recent years I had begun to be interested in fashion. But sometimes—especially when I had dressed not only to make a good impression in general but for a man—preparing myself (this was the word) seemed to me to have something ridiculous about it. All that struggle, all that time spent camouflaging myself when I could be doing something else. The colors that suited me, the ones that didn’t, the styles that made me look thinner, those that made me fatter, the cut that flattered me, the one that didn’t. A lengthy, costly preparation. Reducing myself to a table set for the sexual appetite of the male, to a well-cooked dish to make his mouth water. And then the anguish of not succeeding, of not seeming pretty, of not managing to conceal with skill the vulgarity of the flesh with its moods and odors and imperfections.
But I had done it. I had done it also for Nino, recently. I had wanted to show him that I was different. But now, enough. He had brought his wife and it seemed to me a mean thing. I hated competing in looks with another woman, especially under the gaze of a man, and I suffered at the thought of finding myself in the same place with the beautiful girl I had seen in the photograph, it made me sick to my stomach. She would size me up, study every detail with the pride of a woman of Via Tasso taught since birth to attend to her body; then, at the end of the evening, alone with her husband, she would criticize me with cruel lucidity.
”
”
Elena Ferrante (Those Who Leave and Those Who Stay (Neapolitan Novels, #3))
“
I never suspected you had a sense of humor,” she mused aloud, studying his face as if he were a fascinating puzzle to be figured out. “See? Hardly ten minutes into the night and I am already learning fabulous things about you.”
“Imagine what will happen in an hour,” he said.
“That sounded suspiciously liberal to me,” she rejoined slyly, reaching to wind her arms around his neck. “Did I mention that you look like you just stepped off a pirate ship? This outfit is very . . . roguish.”
“Roguish?”
“‘Roguish’ is a word from the English language,” she lectured. “It means . . . to be like a rogue. In your case, to be in the style of a rogue. Roguish.”
“I know what it means, Neliss. I do not believe I have ever heard myself described in such a way before. I shall have to take your word on that.” He reached up to push back some of the heavy fall of her hair. “You always wear dresses like this, and almost never bind your hair. Do not take this as a complaint, but I was wondering why that is.”
“I like dresses. I never quite took to the idea of skirts above the ankle. I guess I am an old-fashioned eighteenth-century girl.”
“I see. And just when, exactly, should I begin to look for those pigs that will be flying by?”
“You know, you sit there and accuse me of having a smart mouth?”
“Well, you were wondering what part of you was going to show up in me,” he rejoined.
“Oh. Ha ha. Your stellar wit has charmed me straight to my toes,” was her dry reply.
“In any event,” he continued, ignoring her sarcasm, “your style suits you quite well. It suits me as well.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power.
The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds.
The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue.
A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold.
A room of ivory: bone, teeth, skulls, and velvet.
A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears.
A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns.
Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond.
Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
”
”
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
“
There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?
”
”
Louisa May Alcott (Little Women (Little Women #1))
“
Did he want Nick to die on the floor of his bathroom from an overdose of mentholated rub? Did he want me to spend the last eighty years of my lifespan in a convent? Maybe he was mad that I was trying to sneak out of the house wearing his jeans for the third day in a row.
"I am taking Doofus for another walk," I said clearly,daring him to defy me.
"That would not be good for Doofus." Josh folded his arms. "Mom,that would not be good for Doofus."
Oh! Dragging Mom into this was low.Not to mention Doofus.
"Since when is going for a walk not good for a dog?" I challenged Josh.
"He's an old dog," Josh protested.
"He's four!" I pointed out.
"That's twenty-eight in dog years! He's practically thirty!"
"Strike!" Mom squealed amid the noise of electronic pins falling. Then she shook her game remote at both of us in turn. "I'm not stupid, you know.And I'm not as out of it as you assume. I know the two of you are really arguing about something else.It's those jeans again, isn't it?" She nodded to me. "I should cut them in half and give each of you a leg.Why does either of you want to wear jeans with 'boy toy' written across the seat anyway?"
"I thought that was the fashion." Josh said. "Grandma wears a pair of sweatpants with 'hot mama' written across the ass."
"That is different," Mom hissed. "She wears them around the kitchen."
I sniffed indignantly. "I said," I announced, "I am goig for a walk with my dog. My beloved canine and I are taking a turn around our fair community. No activity could be more wholesome for a young girl and her pet. And if you have a problem with that,well! What is this world coming to? Come along, dear Doofus." I stuck my nose in the air and stalked past them, but the effect was lost. Somewhere around "our fair community," Mom and Josh both had lost interest and turned back to the TV.
Or so I thought.But just as I was about to step outside,hosh appeared in the doorway between the kitchen and the mud room. "What the hell are you doing" he demanded.
I said self-righteously, "I am taking my loyal canine for a w-"
"You're going to Nick's,aren't you?" he whispered. "Do you think that's a good idea? I heard you yelled at him for no reason at the half-pipe,right before he busted ass.
”
”
Jennifer Echols (The Ex Games)
“
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace.
Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops.
One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward.
It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . .
I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place.
The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best.
It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt.
But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing.
Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
”
”
D. Todd Christofferson
“
Knowledgeable observers report that dating has nearly disappeared from college campuses and among young adults generally. It has been replaced by something called “hanging out.” You young people apparently know what this is, but I will describe it for the benefit of those of us who are middle-aged or older and otherwise uninformed. Hanging out consists of numbers of young men and young women joining together in some group activity. It is very different from dating.
For the benefit of some of you who are not middle-aged or older, I also may need to describe what dating is. Unlike hanging out, dating is not a team sport. Dating is pairing off to experience the kind of one-on-one association and temporary commitment that can lead to marriage in some rare and treasured cases. . . .
All of this made dating more difficult. And the more elaborate and expensive the date, the fewer the dates. As dates become fewer and more elaborate, this seems to create an expectation that a date implies seriousness or continuing commitment. That expectation discourages dating even more. . . .
Simple and more frequent dates allow both men and women to “shop around” in a way that allows extensive evaluation of the prospects. The old-fashioned date was a wonderful way to get acquainted with a member of the opposite sex. It encouraged conversation. It allowed you to see how you treat others and how you are treated in a one-on-one situation. It gave opportunities to learn how to initiate and sustain a mature relationship. None of that happens in hanging out.
My single brothers and sisters, follow the simple dating pattern and you don’t need to do your looking through Internet chat rooms or dating services—two alternatives that can be very dangerous or at least unnecessary or ineffective. . . .
Men, if you have returned from your mission and you are still following the boy-girl patterns you were counseled to follow when you were 15, it is time for you to grow up. Gather your courage and look for someone to pair off with. Start with a variety of dates with a variety of young women, and when that phase yields a good prospect, proceed to courtship. It’s marriage time. That is what the Lord intends for His young adult sons and daughters. Men have the initiative, and you men should get on with it. If you don’t know what a date is, perhaps this definition will help. I heard it from my 18-year-old granddaughter. A “date” must pass the test of three p’s: (1) planned ahead, (2) paid for, and (3) paired off.
Young women, resist too much hanging out, and encourage dates that are simple, inexpensive, and frequent. Don’t make it easy for young men to hang out in a setting where you women provide the food. Don’t subsidize freeloaders. An occasional group activity is OK, but when you see men who make hanging out their primary interaction with the opposite sex, I think you should lock the pantry and bolt the front door.
If you do this, you should also hang up a sign, “Will open for individual dates,” or something like that. And, young women, please make it easier for these shy males to ask for a simple, inexpensive date. Part of making it easier is to avoid implying that a date is something very serious. If we are to persuade young men to ask for dates more frequently, we must establish a mutual expectation that to go on a date is not to imply a continuing commitment. Finally, young women, if you turn down a date, be kind. Otherwise you may crush a nervous and shy questioner and destroy him as a potential dater, and that could hurt some other sister.
My single young friends, we counsel you to channel your associations with the opposite sex into dating patterns that have the potential to mature into marriage, not hanging-out patterns that only have the prospect to mature into team sports like touch football. Marriage is not a group activity—at least, not until the children come along in goodly numbers.
”
”
Dallin H. Oaks