Fashionable Daughter Quotes

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Oh...my...god,"Drew whimpered."Who..." Anubis ignored her (bless him for that) and held out his elbow for me - a sweet old-fashioned gesture. " May I have this dance?" "I suppose," I said,as non committally as I could. I looped my arm through his, and we left the Plastic Bags behind us, all of them muttering,"Oh my god! Oh my god!" No ,actually, I wanted to say. He's my amazingly hot boy god. Find your own.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
I'm half of my father. Half of my hero. And I am half of my mother. Half soft sighs and half sharp edges. And if they can be Carmindor and Amara--then somewhere in my blood and bones I can be too. I'm the lost princess. I'm the villain of my story, and the hero. Part of my mom and part of my dad. I am a fact of the universe. The Possible and the Impossible. I am not no one. I am my parents' daughter, and then I realize--I realize that in this universe they're alive too. They're alive through me. Fashioning my hands into a pistol, I point it at the ceiling, lifting my chin, raising my eyes against the blinding stage lights, and I ignite the stars.
Ashley Poston (Geekerella (Once Upon a Con, #1))
It was unreal how two souls could look out through the same set of eyes in such drastically different fashion, seeming to reshape them entirely.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
In fact, the sickness I was suffering from was that I had been driven out of the paradise of childhood and had not found my place in the world of adults. I had set myself up in the absolute in order to gaze down upon this world which was rejecting me; now, if I wanted to act, to write a book, to express myself, I would have to go back down there: but my contempt had annihilated it, and I could see nothing but emptiness. The fact is that I had not yet put my hand to the plow. Love, action, literary work: all I did was to roll these ideas round in my head; I was fighting in an abstract fashion against abstract possibilities, and I had come to the conclusion that reality was of the most pitiful insignificance. I was hoping to hold fast to something, and misled by the violence of this indefinite desire, I was confusing it with the desire for the infinite.
Simone de Beauvoir (Memoirs of a Dutiful Daughter)
Women accept [man-made] conventions, repeat them, enforce them upon their daughters; but they originate with men.
Charlotte Perkins Gilman (The Man-Made World)
We’re not protecting our daughters if we forbid makeup, eschew fashionable hairstyles, or wear dowdy clothes. The feminine form is beautiful. Sure, we don’t want to hide behind makeup or wear immodest clothes to draw attention to ourselves. But there’s nothing wrong with wanting to accent our femininity.
Kate Wicker (Weightless: Making Peace with Your Body)
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done. I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. But I have forgotten. And only partly do I remember the unbearable beauty of her face. “Is it?...is it?” I whispered to my guide. “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.” “She seems to be...well, a person of particular importance?” “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.” “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?” “Haven't ye read your Milton? A thousand liveried angels lackey her.” “And who are all these young men and women on each side?” “They are her sons and daughters.” “She must have had a very large family, Sir.” “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.” “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.” “They are her beasts.” “Did she keep a sort of zoo? I mean, this is a bit too much.” “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.” I looked at my Teacher in amazement. “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
C.S. Lewis (The Great Divorce)
Grief was dagger-shaped and sharp and pointed inward. It was made of fresh loss and old sorrow. Rendered and forged and sometimes polished. Irene Finney had taken her daughter’s death and to that sorrow she’d added a long life of entitlement and disappointment, of privilege and pride. And the dagger she’d fashioned was taking a brief break from slashing her insides, and was now pointed outward.
Louise Penny (A Rule Against Murder (Chief Inspector Armand Gamache, #4))
Occasionally a matrimonial epidemic appears, especially toward spring, devastating society, thinning the ranks of bachelordom, and leaving mothers lamenting for their fairest daughters.
Louisa May Alcott (An Old-Fashioned Girl)
She knew well that no matter how the author fashions his characters, no matter which words he chooses, it is always the reader who holds the power of interpretation.
Armando Lucas Correa (The Daughter's Tale)
Dear Woman Who Gave Me Life: The callous vexations and perturbations of this night have subsequently resolved themselves to a state which precipitates me, Arturo Bandini, into a brobdingnagian and gargantuan decision. I inform you of this in no uncertain terms. Ergo, I now leave you and your ever charming daughter (my beloved sister Mona) and seek the fabulous usufructs of my incipient career in profound solitude. Which is to say, tonight I depart for the metropolis to the east — our own Los Angeles, the city of angels. I entrust you to the benign generosity of your brother, Frank Scarpi, who is, as the phrase has it, a good family man (sic!). I am penniless but I urge you in no uncertain terms to cease your cerebral anxiety about my destiny, for truly it lies in the palm of the immortal gods. I have made the lamentable discovery over a period of years that living with you and Mona is deleterious to the high and magnanimous purpose of Art, and I repeat to you in no uncertain terms that I am an artist, a creator beyond question. And, per se, the fumbling fulminations of cerebration and intellect find little fruition in the debauched, distorted hegemony that we poor mortals, for lack of a better and more concise terminology, call home. In no uncertain terms I give you my love and blessing, and I swear to my sincerity, when I say in no uncertain terms that I not only forgive you for what has ruefully transpired this night, but for all other nights. Ergo, I assume in no uncertain terms that you will reciprocate in kindred fashion. May I say in conclusion that I have much to thank you for, O woman who breathed the breath of life into my brain of destiny? Aye, it is, it is. Signed. Arturo Gabriel Bandini. Suitcase in hand, I walked down to the depot. There was a ten-minute wait for the midnight train for Los Angeles. I sat down and began to think about the new novel.
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
What a joke, coming from a woman who worked for the fashion industry. Really. Starving yourself to fit into a size zero — why did that size even exist? Zero referred to the absence of something, but what did it mean in terms of a model's measurements? Her fat? Or her presence? How much could you cut away before the person herself vanished? It was hypocritical, that's what it was. I said as much, adding, “If you're so keen on me being healthy then you should have no problem accepting me for the way I am. That's what's healthy, Mom. Not being focused on all this freaky weight-loss stuff.
Nenia Campbell (Cloak and Dagger (The IMA, #1))
The novelist Dumas would one day borrow features from both of his uncles, not to mention his grandfather, the acknowledged scoundrel, in fashioning the central villains of The Count of Monte Cristo. Reading court documents detailing the sordid unraveling of Charles's sham fortune, which would have devastating effects on his daughter and her unsuspecting husband, I couldn't help thinking that one of the interesting things about Dumas's villains is that, while greedy and unprincipled themselves, they produce children who can be innocent and decent. This was something that the writer understood very well from his own family.
Tom Reiss (The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo)
That’s the business, Iris. It’s a ruth- less industry. People’s love lasts but one season.
Eugenia Melian (Wildchilds)
Please,” she said. “Not everything is about racism or discrimination. This is just good old-fashioned incompetence.
Nina Simon (Mother-Daughter Murder Night)
John Adair had little liking for the simple life; he said it was not simple, but the most damnably complicated method of wasting time that had every existed. He liked a constant supply of hot water, a refrigerator, an elevator, an electric toaster, a telephone beside his bed, central heating and electric fires, and anything whatever that reduced the time spent upon the practical side of living to a minimum and left him free to paint. But Sally [his daughter] did not want to be set free for anything, for it was living itself that she enjoyed. She liked lighting a real fire of logs and fir cones, and toasting bread on an old-fashioned toaster. And she liked the lovely curve of an old staircase and the fun of running up and down it. And she vastly preferred writing a letter and walking with it to the post to using the telephone and hearing with horror her voice committing itself to things she would never have dreamed of doing if she'd had the time to think. "It's my stupid brain," she said to herself. "I like the leisurely things, and taking my time about them. That's partly why I like children so much, I think. They're never in a hurry to get on to something else.
Elizabeth Goudge (Pilgrim's Inn (Eliots of Damerosehay, #2))
Both my mother and father regarded a traditional ceremony as old-fashioned and redundant. Both she and my father wanted to get rid of rituals like that, which they felt had nothing to do with their feelings. Love was the only thing that mattered to these two revolutionaries.
Jung Chang (Wild Swans: Three Daughters of China)
There were no state regulations about hairstyles or clothes. It was what everyone else was wearing that determined the rules of the day. And because the range was so narrow, people were always looking out for the tiniest variations. It was a real test of ingenuity to look different and attractive, and yet similar enough to everyone else so that nobody with an accusing finger could pinpoint what exactly was heretical.
Jung Chang (Wild Swans: Three Daughters of China)
LARRY comes to the door and opens it a trifle—then, with a puzzled expression, pulls it wide. ANNA CHRISTOPHERSON enters. She is a tall, blond, fully-developed girl of twenty, handsome after a large, Viking-daughter fashion but now run down in health and plainly showing all the outward evidences of belonging to the world's oldest profession. Her youthful face is already hard and cynical beneath its layer of make-up. Her clothes are the tawdry finery of peasant stock turned prostitute. She comes and sinks wearily in a chair by the table, left front.
Eugene O'Neill (Anna Christie)
I wanted to assert my own style, which posed a problem, because I didn't really have any style. Grandma would shake her head at me and say, "Someday baby, you'll really understand how to dress. I'm just gonna pray on that for you.
Ashley C. Ford (Somebody's Daughter)
Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It’s only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses’ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade. We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off. And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one’s name or find death by bear. And here, there be monsters.
Catherynne M. Valente
There is a danger in the repudiation of the feminine when the daughter who rejects the aspects of the negative feminine embodied by her mother also denies positive aspects of her own feminine nature, which are playful, sensuous, passionate, nurturing, intuitive, and creative. Many women who have had angry or emotional mothers seek to control their own anger and feelings lest they be seen as destructive and castrating. This repression of anger often prevents them from seeing the inequities in a male-defined system. Women who have seen their mothers as superstitious, religious, or old-fashioned discard the murky, mysterious, magical aspects of the feminine for cool logic and analysis. A chasm is created between the heroine and the maternal qualities within her; this chasm will have to be healed later in the journey for her to achieve wholeness.
Maureen Murdock (The Heroine's Journey: Woman's Quest for Wholeness)
[Ava] had always thought the main relationship in the family was the one between Nancy and her daughters. To have a family, you needed a father, of course, and Jimmy had played that role perfectly well, if you were okay with an old-fashioned interpretation of the job. But the Nickerson family was all about the women and their noisy, bickering, gossiping, interfering relationships with one another. And now it seemed that maybe she ahd been looking at it all wrong. Maybe she and Lauren were just the icing, and the basic, underlying cake of the family was the couple in front of her who had a shared history she knew very little about.
Claire LaZebnik (The Smart One and the Pretty One)
Straining to hear, I can make out something acoustic. Coming from...the backyard? I glance down from my bedroom window and feel my jaw fall open. Matt Finch is standing below my window, guitar strapped across his chest. I pull my window up, and I expect the song from that old movie - the one about a guy with a trench coat and the big radio and his heart on his sleeve. But it's not that. It's not anything I recognise, and I strain to make out the lyrics: Stop being ridiculous, stop being ridiculous, Reagan. What an asshole. The mesh screen and two floors between us don't seem like enough to protect him from my anger. "Nice apology," I call down to him. "I've apologised thirteen times," he yells back, "and so far you haven't called me back." I open my mouth to say it doesn't matter, but he's already redirecting the song. "Now I'm gonna stand here until you forgive me," he sings loudly, "or at least until you hear me out, la-la, oh-la-la. I drove seven hours overnight, and I won't leave until you come out here." (...) "This is private property!" My throat feel coarse from how loudly I'm yelling. "And that doesn't even rhyme!" The guitar chord continues as he sings, "Then call the cops, call the cops, call the cops..." I storm downstairs, my feet pounding against the staircase. When I turn the corner, my dad looks almost amused from his seat in the recliner. Noticing my expression, he stares back at his newspaper, as if I won't notice him. (...) "Dad. How did Matt know which window was mine?" "Well..." he peeks over the sports section. "I reckon I told him." "You talked to him?" My voice is no longer a voice. It's a shriek. "God, Dad!" He juts out his chin, defensive. "How was I supposed to know you had some sort of drama with him? He shows up, lookin' to serenade my daughter. Thought it seemed innocent enough. Sweet, even. Old-fashioned." "It's not any of those things! I hate him!
Emery Lord (Open Road Summer)
Everyone knew that Chanel was willing to play dirty when it came to the Jewish question. Her lawyer, René de Chambrun, the husband of Pierre Laval’s fashionable daughter, Josée, was already helping her try to have her perfume company taken from the Jewish business partners to whom she had sold a majority stake in the early 1920s.
Tilar J. Mazzeo (The Hotel on Place Vendome: Life, Death, and Betrayal at the Hotel Ritz in Paris)
After three hours, I come back to the waiting room. It is a cosmetic surgery office, so a little like a hotel lobby, underheated and expensively decorated, with candy in little dishes, emerald-green plush chairs, and upscale fashion magazines artfully displayed against the wall. A young woman comes in, frantic to get a pimple "zapped" before she sees her family over the holidays. An older woman comes in with her daughter for a follow-up visit to a face-lift. She is wearing a scarf and dark glasses. The nurse examines her bruises right out in the waiting room. And you are in the operating room having your body and your gender legally altered. I feel like laughing, but I know it makes me sound like a lunatic.
Joan Nestle
She no longer followed fashion; she had created a fashion all her own.
Lucy Worsley (Queen Victoria: Daughter, Wife, Mother, Widow)
Leslie Ann was now modeling a conservative thunderstorm gray business suit/dress with lightning flashes streaking down her legs, and 1G rain splashing her silvery galoshes.
@hg47 (Daughter Moon)
He kissed me, hard. “No buts. I’m an old-fashioned male, which means, from now on, I get to call the shots.” I would have protested, but he Frenched me when I opened my mouth.
Eve Langlais (Lucifer's Daughter (Princess of Hell, #1))
That’s the business, Iris. It’s a ruthless industry. People’s love lasts but one season.
Eugenia Melian (Wildchilds)
I think I hate Capaldi because deep down I suspect he may be right. That what he claims is true. That science has now proved beyond doubt there’s nothing so unique about my daughter, nothing there our modern tools can’t excavate, copy, transfer. That people have been living with one another all this time, centuries, loving and hating each other, and all on a mistaken premise. A kind of superstition we kept going while we didn’t know better. That’s how Capaldi sees it, and there’s a part of me that fears he’s right. Chrissie, on the other hand, isn’t like me. She may not know it yet, but she’ll never let herself be persuaded. If the moment ever comes, never mind how well you play your part, Klara, never mind how much she wishes it to work, Chrissie just won’t be able to accept it. She’s too … old-fashioned. Even if she knows she’s going against the science and the math, she still won’t be able to do it. She just won’t stretch that far. But I’m different. I have … a kind of coldness inside me she lacks. Perhaps it’s because I’m an expert engineer, as you put it. This is why I find it so hard to be civil around people like Capaldi. When they do what they do, say what they say, it feels like they’re taking from me what I hold most precious in this life. Am I making sense?
Kazuo Ishiguro (Klara and the Sun)
Tsunami spotted Snail and Herring among the guards. Their eyes darted anxiously from side to side, as if they were wondering how they were still alive. Because Mother wants to make a spectacle of them, Tsunami guessed. Coral was probably waiting for the right moment to punish them in public, the way she’d punished Tortoise. Well, two can play the spectacle game, Your Majesty. “MOTHER!” Tsunami declared dramatically as the waitstaff set bowls of soup in front of each dragon. Beside her, Whirlpool jumped and nearly tipped his bowl onto himself. Even Queen Coral looked startled. “I have something DREADFULLY SHOCKING to tell you!” Tsunami announced. She wanted this to be loud, so every dragon could witness it. “Oh?” said Coral. “Could we discuss it after breakfast? In a civilized fashion?” “NO,” Tsunami said, louder than before. “This is TOO SHOCKING.” Even SeaWings not invited to the feast were starting to peer out of their caves and poke their heads out of the lake to hear what was going on. “Well, perhaps —” Coral started. “WOULD YOU BELIEVE,” Tsunami said, “that my friends — the DRAGONETS OF DESTINY, remember — were CHAINED UP? And STARVED? In YOUR CAVES? By YOUR DRAGONS?” “What?” Coral said, flapping her wings. She looked thoroughly alarmed, but Tsunami couldn’t tell whether that was because the news actually surprised her or because she was being confronted openly with what she’d done. “I KNOW!” Tsunami practically bellowed. “It’s UNBELIEVABLE. I’m sure you didn’t know anything about it, of course.” “Of course,” Coral said in a hurry. “I would never treat any dragonets that way! Especially my dearest daughter’s dearest friends. Who are part of the prophecy and everything.” “And I’m sure you’ll want to punish the dragons who disobeyed you by treating my friends so terribly,” Tsunami said. “Right? Like, for instance, the one who lied to you about keeping them well fed?” She shot a glare at Lagoon, who froze with a sea snail halfway to her mouth, suddenly realizing what was going on. “Absolutely,” said the queen. “Guards! Throw Lagoon in one of the underwater dungeons!” “But —” Lagoon said. “But I was only —” “Next time you’ll obey my orders,” said the queen. A stripe quickly flashed under her wings, but Tsunami spotted it, and it was one Riptide had taught her. Silence. Oh, Mother, Tsunami thought sadly. “Can’t I even —” Lagoon said, reaching wistfully for her cauldron of soup as the guards pulled her away. “No breakfast for you,” the queen ordered. “Think about how that feels as you sit in my dungeon.” Tsunami was fairly sure Lagoon wouldn’t actually suffer very much. Queen Coral would have her back at Council meetings before long. But Tsunami wasn’t done. “And
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
Cora, the daughter of Isidore Levinson, a dry goods millionaire from Cincinnati, arrived in England in 1888, when she was 20 years old, with her mother as chaperone. By this time, even respectable rich American girls preferred to find their husbands amongst the nobility. Thanks to the successes of the earlier Buccaneers and a fashion for all things European, from interiors to dress designers such as the House of Worth, pursuing an English marriage had now become desirable. For these families, the many years in which Americans had fought to escape the clutches of colonial rule and create their own republic appeared to have been forgotten.
Jessica Fellowes (The World of Downton Abbey)
They’d also prefer their thirtysomething-year-old daughters to be married and stay married, though they’re completely fine with the chosen spouse being male, female, or any gender in between. They’re old fashioned, not assholes.
Brooke Abrams (Penelope in Retrograde)
The future - what should I do with the future? I felt like one who has climbed the brow of a great hill, and finds only a sea of mist beyond. Go forward I must; but to what goal? With what aim? With what hopes? My father had already distinctly forbidden me to adopt art as a profession. My sister, by ignoring all the purport of my last letter, as distinctly signified her own contempt for that which was to me as the life of my life. Neither loved me; both had wounded me bitterly; and I now, almost for the first time, distinctly saw how difficult a struggle lay before me. "If I become a painter," I thought, "I become so in defiance of my family; and, defying them, am alone in the wide world evermore. If, on the contrary, I yield and obey, what manner of life lies before me? The hollow life of fashionable society, into which I shall be carried as a marriageable commodity, and where I shall be expected to fulfil my duty as a daughter by securing a wealthy husband as speedily as possible. Alas! alas! what an alternative! Was it for this that I had studied and striven? Was it for this that I had built such fairy castles, and dreamt such dreams?
Amelia B. Edwards (Barbara's History: A Novel)
The news filled me with such euphoria that for an instant I was numb. My ingrained self-censorship immediately started working: I registered the fact that there was an orgy of weeping going on around me, and that I had to come up with some suitable performance. There seemed nowhere to hide my lack of correct emotion except the shoulder of the woman in front of me, one of the student officials, who was apparently heartbroken. I swiftly buried my head in her shoulder and heaved appropriately. As so often in China, a bit of ritual did the trick. Sniveling heartily she made a movement as though she was going to turn around and embrace me I pressed my whole weight on her from behind to keep her in her place, hoping to give the impression that I was in a state of abandoned grief. In the days after Mao's death, I did a lot of thinking. I knew he was considered a philosopher, and I tried to think what his 'philosophy' really was. It seemed to me that its central principle was the need or the desire? for perpetual conflict. The core of his thinking seemed to be that human struggles were the motivating force of history and that in order to make history 'class enemies' had to be continuously created en masse. I wondered whether there were any other philosophers whose theories had led to the suffering and death of so many. I thought of the terror and misery to which the Chinese population had been subjected. For what? But Mao's theory might just be the extension of his personality. He was, it seemed to me, really a restless fight promoter by nature, and good at it. He understood ugly human instincts such as envy and resentment, and knew how to mobilize them for his ends. He ruled by getting people to hate each other. In doing so, he got ordinary Chinese to carry out many of the tasks undertaken in other dictatorships by professional elites. Mao had managed to turn the people into the ultimate weapon of dictatorship. That was why under him there was no real equivalent of the KGB in China. There was no need. In bringing out and nourishing the worst in people, Mao had created a moral wasteland and a land of hatred. But how much individual responsibility ordinary people should share, I could not decide. The other hallmark of Maoism, it seemed to me, was the reign of ignorance. Because of his calculation that the cultured class were an easy target for a population that was largely illiterate, because of his own deep resentment of formal education and the educated, because of his megalomania, which led to his scorn for the great figures of Chinese culture, and because of his contempt for the areas of Chinese civilization that he did not understand, such as architecture, art, and music, Mao destroyed much of the country's cultural heritage. He left behind not only a brutalized nation, but also an ugly land with little of its past glory remaining or appreciated. The Chinese seemed to be mourning Mao in a heartfelt fashion. But I wondered how many of their tears were genuine. People had practiced acting to such a degree that they confused it with their true feelings. Weeping for Mao was perhaps just another programmed act in their programmed lives. Yet the mood of the nation was unmistakably against continuing Mao's policies. Less than a month after his death, on 6 October, Mme Mao was arrested, along with the other members of the Gang of Four. They had no support from anyone not the army, not the police, not even their own guards. They had had only Mao. The Gang of Four had held power only because it was really a Gang of Five. When I heard about the ease with which the Four had been removed, I felt a wave of sadness. How could such a small group of second-rate tyrants ravage 900 million people for so long? But my main feeling was joy. The last tyrants of the Cultural Revolution were finally gone.
Jung Chang (Wild Swans: Three Daughters of China)
Her daughter-in-law, “Debo,” Duchess of Devonshire, was wearing an eighteenth-century scarlet velvet robe over an ivory silk dress with a low scoop neckline, which my mother had told me the Duchess had found in a trunk at Chatsworth and had belonged to Georgiana Cavendish, the 5th Duchess, who had been known in her time as the “Empress of Fashion.” Despite it being two hundred years out of date, it didn’t look at all out of place in a setting and on an occasion that felt timeless.
Anne Glenconner (Lady in Waiting: My Extraordinary Life in the Shadow of the Crown)
And this, Reese reflects, is the other reason to be a mother—in whatever fashion motherhood comes your way—so when you're old and alone and feeling sorry for yourself, your daughter will roll her eyes at your theatrics and bring you in from the cold.
Torrey Peters (Detransition, Baby)
My own walls caved. Tears trickled from the corner of my eyes. Then strong arms enveloped me. “Don’t cry.” Ben’s hot breath on my cheek. “We’ll find her. And the twins. I promise.” “Don’t make promises you can’t keep,” I hiccupped. “People always do that.” “I mean it.” Firmly spoken. “I won’t let us fail. Not at this.” The sobs broke free. I burrowed into Ben’s chest, letting everything go. I cried and cried and cried, unthinking, releasing a week’s worth of pent-up emotion in a few hot seconds. Ben held me, silent, softly rubbing my back. A thought floated from somewhere far away. This isn’t so bad. I pushed away, gently breaking Ben’s embrace. Looked into his eyes. His face was a whisper from mine. I thought of Ben’s confession during the hurricane. How he’d wanted to be more than just packmates. Emotions swirled in my chest, making me dizzy. Off balance. “Ben . . . I . . .” “Tory?” My father’s voice sent us flying apart as if electroshocked. Kit was descending the steps, an odd look on his face. “Yes?” Discreetly wiping away tears. I saw a thousand questions fill Kitt’s eyes, but, thankfully, he kept them shelved. “I hate to do this, kiddo, but Whitney’s party starts in an hour. She’s trying to be patient, but, frankly, that isn’t her strong suit.” “No. Right.” I stood, smoothing clothes and hair. “Mustn’t keep the Duchess waiting.” Kit frowned. “Say the word, and we cancel right now. No question.” “No, sorry. I was just being flip. It’s really fine.” Forced smile. “Might be just the thing.” “All right, then. We need to get moving.” Kit glanced at Ben, still sitting on the bench, striving for invisible. A smile quirked my father’s lips. “And you, Mr. Blue? Ready for a good ol’-fashioned backyard barbeque? My daughter will be there.” Ben’s uneasy smile was his only response.
Kathy Reichs (Exposure (Virals, #4))
Oh, yes, her husband was hopeless, and lost things and ran late, but he took care of his wife and daughters, in that old-fashioned, responsible, I-am-the-man-and-this-is-my-job way. Bridget was right: Cecilia ruled her world, but she’d always known that if there was a crisis—a crazed gunman, a flood, a fire—John-Paul would be the one to save their lives. He’d throw himself in front of the bullet, build the raft, drive them safely through the raging inferno, and once that was done, he’d hand back control to Cecilia, pat his pockets and say, “Has anyone seen my wallet?
Liane Moriarty (The Husband's Secret)
Amma wanted her daughter to be free, feminist and powerful Later she took her on personal development courses for children to give her the confidence and articulacy to flourish in any setting Big mistake Mum, Yazz said at fourteen when she was pitching to go to Reading Music Festival with her friends, it would be to the detriment of my juvenile development if you curtailed my activities at this critical stage in my journey towards becoming the independent-minded and fully self-expressed adult you expect me to be, I mean, do you really want me rebelling against your old-fashioned rules by running away from the safety of my home to live on the streets and having to resort to prostitution to survive and thereafter drug addiction, crime, anorexia and abusive relationships with exploitative bastards twice my age before my early demise in a crack house? Amma fretted the whole weekend her little girl way away
Bernardine Evaristo (Girl, Woman, Other)
One also, in our milieu, simply didn't meet enough Americans to form an opinion. And when one did—this was in the days of crew-cuts and short-legged pants—they, too, often really did sport crew-cuts and trousers that mysteriously ended several inches short of the instep. Why was that? It obviously wasn't poverty. A colleague of my father's had a daughter who got herself married and found that an American friend she had met on holiday had offered to pay the whole cost of the nuptial feast. I forget the name of this paladin, but he had a crew-cut and amputated trouser-bottoms and a cigar stub and he came from a place called Yonkers, which seemed to me a ridiculous name to give to a suburb. (I, who had survived Crapstone… ) Anyway, once again one received a Henry Jamesian impression of brash generosity without overmuch refinement. There was a boy at my boarding school called Warren Powers Laird Myers, the son of an officer stationed at one of the many U.S. Air Force bases in Cambridgeshire. Trousers at The Leys School were uniform and regulation, but he still managed to show a bit of shin and to buzz-cut his hair. 'I am not a Yankee,' he informed me (he was from Norfolk, Virginia). 'I am a CON-federate.' From what I was then gleaning of the news from Dixie, this was unpromising. In our ranks we also had Jamie Auchincloss, a sprig of the Kennedy-Bouvier family that was then occupying the White House. His trousers managed to avoid covering his ankles also, though the fact that he shared a parent with Jackie Kennedy meant that anything he did was accepted as fashionable by definition. The pants of a man I'll call Mr. 'Miller,' a visiting American master who skillfully introduced me to J.D. Salinger, were also falling short of their mark. Mr. Miller's great teacher-feature was that he saw sexual imagery absolutely everywhere and was slightly too fond of pointing it out [...]. Meanwhile, and as I mentioned much earlier, the dominant images projected from the United States were of the attack-dog-and-firehose kind, with swag-bellied cops lying about themselves and the political succession changed as much by bullets as by ballots.
Christopher Hitchens (Hitch 22: A Memoir)
Leslie Ann was now agonizing over a full-length Flame gown that actually appeared to be burning fire covering her lush body: cool blue flames hugging her neck, red-hot flames usually covering her breasts, fluttering orange and yellow fire hips, all down along her white-hot legs to her Bunsen burner tipped high-heel shoes.
@hg47 (Daughter Moon)
He heard me through in silence, for it was a rule with him never to interrupt a narrator. He used to say, "You will generally get at more, and in a better fashion, if you let any narrative take its own devious course, without the interruption of requested explanations. By the time it is over, you will find the questions you wanted to ask mostly vanished.
George MacDonald (The Vicar's Daughter)
If that is how you feel, think again, and remember that you are a spirit daughter of the most creative Being in the universe. Isn’t it remarkable to think that your very spirit is fashioned by an endlessly creative and eternally compassionate God? Think about it—your spirit body is a masterpiece, created with a beauty, function, and capacity beyond imagination.
Dieter F. Uchtdorf (The Remarkable Soul of a Woman)
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
I wonder if the story (though not intended as such by my aunt) is a warning for me, a preview of my own life which I thought I had fashioned so cleverly, so differently from my mother's, but which is only a repetition, in a different raga, of her tragic song. Perhaps it is like this for all daughters, doomed to choose for ourselves, over and over, the men who have destroyed our mothers.
Chitra Banerjee Divakaruni
In time-honoured fashion, this is really the eldest daughter-in-law’s investiture as the earthly, domestic symbol of the goddess. It is she who channels Lakshmi’s blessings on the family. In her is vested, by an understanding of priestly transference, the household’s economic prosperity, well-being and harmonious daily life. Beside it, her other daily chores as eldest daughter-in-law –supervising the cook and cleaners and servants and household accounts, caring for her elderly parents-in-law, looking after their meals and medication, deciding which tasks can be ceded to the wives of her three brothers-in-law, keeping a family of twenty (including the servants) ticking over without hiccups or mishaps –all these appear as milk-and-rice, as uncomplicated, bland and digestible as infant fare.
Neel Mukherjee (The Lives of Others)
Men in Númenor are half-Elves (said Erendis), especially the high men; they are neither the one nor the other. The long life that they were granted deceives them, and they dally in the world, children in mind, until age finds them – and then many only forsake play out of doors for play in their houses. They turn their play into great matters and great matters into play. They would be craftsmen and loremasters and heroes all at once; and women to them are but fires on the hearth – for others to tend, until they are tired of play in the evening. All things were made for their service: hills are for quarries, river to furnish water or to turn wheels, trees for boards, women for their body’s need, or if fair to adorn their table and hearth; and children to be teased when nothing else is to do – but they would as soon play with their hounds’ whelps. To all they are gracious and kind, merry as larks in the morning (if the sun shines); for they are never wrathful if they can avoid it. Men should be gay, they hold, generous as the rich, giving away what they do not need. Anger they show only when they become aware, suddenly, that there are other wills in the world beside their own. Then they will be as ruthless as the seawind if anything dare to withstand them. Thus it is, Ancalimë, and we cannot alter it. For men fashioned Númenor: men, those heroes of old that they sing of – of their women we hear less, save that they wept when their men were slain. Númenor was to be a rest after war. But if they weary of rest and the plays of peace, soon they will go back to their great play, manslaying and war. Thus it is; and we are set here among them. But we need not assent. If we love Númenor also, let us enjoy it before they ruin it. We also are daughters of the great, and we have wills and courage of our own. Therefore do not bend, Ancalimë. Once bend a little, and they will bend you further until you are bowed down. Sink your roots into the rock, and face the wind, though it blow away all your leaves.
J.R.R. Tolkien (The Fall of Númenor)
doorway. In Palestine, at least, no one would burst into tears at the sight of her. Sitting cross-legged on the ground, Tedi traced her name into the dirt and remembered Mr. Loederman’s wife, Lena, an old-fashioned woman who wore crocheted collars. They had had a grown son, a daughter-in-law, and a grandson. All dead, she realized. She should have hugged him back. The accordion raced up a scale. Young voices
Anita Diamant (Day After Night)
That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
I’m about as political as a Bengal tiger. . . . I have a feeling that a nation is more than just government, laws and rules. It’s an attitude. It’s the people’s outlook. Dean Martin once asked me what I wanted for my baby daughter, and I realize now that my answer was kind of an attitude toward my country. Well, he asked me this on election day and the bars were closed anyway, so he had a lot of time to listen and I told him. . . . I told him that I wanted for my daughter Marisa what most parents want for their children. I wanted to stick around long enough to see that she got a good start and I would like her to know some of the values that we knew as kids, some of the values that an articulate few now are saying are old-fashioned. But most of all I want her to be grateful, as I am grateful for every day of my life that I spend in the United States of America. . . . I don’t care whether she ever memorizes the Gettysburg Address or not, but I want her to understand it, and since very few little girls are asked to defend their country, she will probably never have to raise her hand to that oath, but I want her to respect all who do. I guess that is what I want for my girl. That is what I want for my country, and that’s what I want for the men that you people are going to pick from here to go shape our destinies.
Scott Eyman (John Wayne: The Life and Legend)
Then the thought had come to Polly that the velvet cloak didn't cover a right motherly heart, that the fretful face under the nodding purple plumes was not a tender motherly face, and that the hands in the delicate primrose gloves had put away something very sweet and precious. She thought of another woman whose dress never was too fine for little wet cheeks to lie against, or loving little arms to press; whose face, in spite of many lines and the grey hairs above it, was never sour or unsympathetic when children's eyes turned towards it; and whose hands never were too busy, too full or too nice to welcome and serve the little sons and daughters who freely brought their small hopes and fears, sins and sorrows, to her, who dealt out justice and mercy with such wise love. Ah that's a mother thought Polly, as the memory came warm into her heart, making her feel very rich, and pity Maud for being so poor.
Louisa May Alcott (An Old-Fashioned Girl)
She turned her head and rubbed her cheek against the surprisingly velvety feel of his inner arm, the muscle tensing even more against her face when she pressed a kiss to his skin. In response, she felt him flex inside her. “Caroline.” She’d always hated her name. It was too old-fashioned, too hokey and very grandma-ish. But when Liam said it like that, she actually liked it. He made her name, he made her, feel like the sexiest, most beautiful woman on earth.
Kay Stockham (The Sheriff's Daughter (North Star, Montana #3))
His wife, who was a year or two older than himself, was a fashionable woman, with thorough Whig tastes and aspirations, such as became the daughter of a great Whig earl; she cared for politics, or thought that she cared for them, more than her husband did; for a month or two previous to her engagement she had been attached to the Court, and had been made to believe that much of the policy of England’s rulers depended on the political intrigues of England’s women.
Anthony Trollope (Complete Works of Anthony Trollope)
He entombed himself in the flesh of a thousand fictional heroes, giving his favorites extension in life beyond their books, carrying their banners into the gray places of actuality, seeing himself now as the militant young clergyman, arrayed, in his war on slum conditions, against all the moneyed hostility of his fashionable church, aided in his hour of greatest travail by the lovely daughter of the millionaire tenement owner, and winning finally a victory for God, the poor, and himself.
Thomas Wolfe (Look Homeward, Angel)
But it’s a pretense, it’s artificial,” Adelia protested. “Love, honor, respect. When are they ever extended to everyday women? I doubt if that boy actually practices what he’s singing. It’s… it’s a pleasant hypocrisy.” “Oh, I have a high regard for hypocrisy,” the little nun said. “It pays lip service to an ideal which must, therefore, exist. It recognizes that there is a Good. In its own way, it is a token of civilization. You don’t find hypocrisy among the beasts of the field.” “What good does the Good do if it is not adhered to?” “That is what I have been wondering,” Mother Edyve said calmly. “And I have come to the conclusion that perhaps the early Christians wondered it, too, and perhaps that Eleanor, in her fashion, has made a start by setting a brick in a foundation on which, with God’s help, our daughters’ daughters can begin to build a new and better Jerusalem.” “Not in time for Emma,” Adelia said. “No.” Perhaps, Adelia thought drearily, it was only a very old woman who could look hopefully on a single brick laid in a wasteland.
Ariana Franklin (The Serpent's Tale (Mistress of the Art of Death, #2))
She dug through the clothes packed in the trunk until she found the blue halter top and black jeans she had been wearing the night Veto died. She wasn't sure why she had saved them, but she was glad she had, now. She was going to wear them tonight in honor of Veto. She carried them back to her room, stood in front of the mirror over her dresser, and slipped on the gold earrings that had been a gift from Veto. Then she started to dress. She rubbed glitter lotion over her arms and painted black lines on her eyelids. She rolled on her mascara, then stood back.
Lynne Ewing (Night Shade (Daughters of the Moon, #3))
The truth of this view was absolutely vindicated not only in the case of Elizabeth, but also in those of two others of the family in later years. The reasons for his feeling it is probable he could not have explained to himself. He was fond of his family after his own fashion — proud, too, of his daughter’s genius; but he could not, it would seem, regard them in any other light than as belonging to himself. The wish to leave his roof and to enter into new relations was looked upon as unfilial treachery; and no argument or persuasion could shake him from his fixed idea.
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
No one wants to learn an instrument, Rachel. It's grueling repetition. And besides, you're too old to start. Concert violinists who learn the traditional way begin when they're six or seven." Risa can't help but listen to the irritating conversation taking place between the well-dressed woman and her fashionably disheveled teenage daughter. "It's bad enough they'd be messing in my brain and giving me a NeuroWeave," the girl whines. "But why do I have to have the hands, too? I like my hands!" The mother laughs. "Honey, you've got your father's stubby, chubby little fingers. Trading up will only do you good in life, and it's common knowledge that a musical NeuroWeave requires muscle memory to complete the brain-body connection." "There are no muscles in the fingers!" the girl announces triumphantly. "I learned that in school." The mother gives her a long-suffering sigh. "Think of them like a pair of gloves, Rachel. Fancy silk gloves, like a princess wears." Risa can't stand it anymore. Making sure she's low enough so that her face can't be seen, she gets up, and as she walks past them, she says, "You'll have someone else's fingerprints.
Neal Shusterman (UnSouled (Unwind, #3))
It is certainly clear that despite being a man of religion, Rasputin was also a shrewd opportunist, nor did he ever make any attempt to hide his physical appetites. On arriving in the capital, he did the rounds of the salons of a fin-de-siècle St Petersburg noted for its decadence, pandering to rich society ladies who dabbled in the then-fashionable cults of faith healing, table turning and eastern mysticism, and built a following among them. He was, for his detractors, an easy personality to caricature in his loose peasant blouse and long boots, with his heavy frame, his long oily black hair and beard, and his coarse bulging lips.
Helen Rappaport (The Romanov Sisters: The Lost Lives of the Daughters of Nicholas and Alexandra (The Romanov Sisters #2))
The thunderstorm she’s wearing, the clouds, the lightning flashing down her legs and the sound effects are no big deal. But the 1G rain is a serious engineering problem. For all of us, when we have experienced rain, it has been during a Direct Interface Lifetime, in subjective conditions of 1-Gravity. Lunar rain, at 1/6th Gravity, just doesn’t look real. Therefore, her dress has a hollow cylindrical 5K spin-2 graviton Field, to make the rain fall at 1G without weighing her down a metric ton. If it’s engineered right, she shouldn’t feel a bit heavier. That’s almost 6990-megawatts right there. The other 10-megawatts or so is mostly rain choreography.
@hg47 (Daughter Moon)
And barbarians were inventors not only of philosophy, but almost of every art. The Egyptians were the first to introduce astrology among men. Similarly also the Chaldeans. The Egyptians first showed how to burn lamps, and divided the year into twelve months, prohibited intercourse with women in the temples, and enacted that no one should enter the temples from a woman without bathing. Again, they were the inventors of geometry. There are some who say that the Carians invented prognostication by the stars. The Phrygians were the first who attended to the flight of birds. And the Tuscans, neighbours of Italy, were adepts at the art of the Haruspex. The Isaurians and the Arabians invented augury, as the Telmesians divination by dreams. The Etruscans invented the trumpet, and the Phrygians the flute. For Olympus and Marsyas were Phrygians. And Cadmus, the inventor of letters among the Greeks, as Euphorus says, was a Phoenician; whence also Herodotus writes that they were called Phoenician letters. And they say that the Phoenicians and the Syrians first invented letters; and that Apis, an aboriginal inhabitant of Egypt, invented the healing art before Io came into Egypt. But afterwards they say that Asclepius improved the art. Atlas the Libyan was the first who built a ship and navigated the sea. Kelmis and Damnaneus, Idaean Dactyli, first discovered iron in Cyprus. Another Idaean discovered the tempering of brass; according to Hesiod, a Scythian. The Thracians first invented what is called a scimitar (arph), -- it is a curved sword, -- and were the first to use shields on horseback. Similarly also the Illyrians invented the shield (pelth). Besides, they say that the Tuscans invented the art of moulding clay; and that Itanus (he was a Samnite) first fashioned the oblong shield (qureos). Cadmus the Phoenician invented stonecutting, and discovered the gold mines on the Pangaean mountain. Further, another nation, the Cappadocians, first invented the instrument called the nabla, and the Assyrians in the same way the dichord. The Carthaginians were the first that constructed a triterme; and it was built by Bosporus, an aboriginal. Medea, the daughter of Æetas, a Colchian, first invented the dyeing of hair. Besides, the Noropes (they are a Paeonian race, and are now called the Norici) worked copper, and were the first that purified iron. Amycus the king of the Bebryci was the first inventor of boxing-gloves. In music, Olympus the Mysian practised the Lydian harmony; and the people called Troglodytes invented the sambuca, a musical instrument. It is said that the crooked pipe was invented by Satyrus the Phrygian; likewise also diatonic harmony by Hyagnis, a Phrygian too; and notes by Olympus, a Phrygian; as also the Phrygian harmony, and the half-Phrygian and the half-Lydian, by Marsyas, who belonged to the same region as those mentioned above. And the Doric was invented by Thamyris the Thracian. We have heard that the Persians were the first who fashioned the chariot, and bed, and footstool; and the Sidonians the first to construct a trireme. The Sicilians, close to Italy, were the first inventors of the phorminx, which is not much inferior to the lyre. And they invented castanets. In the time of Semiramis queen of the Assyrians, they relate that linen garments were invented. And Hellanicus says that Atossa queen of the Persians was the first who composed a letter. These things are reported by Seame of Mitylene, Theophrastus of Ephesus, Cydippus of Mantinea also Antiphanes, Aristodemus, and Aristotle and besides these, Philostephanus, and also Strato the Peripatetic, in his books Concerning Inventions. I have added a few details from them, in order to confirm the inventive and practically useful genius of the barbarians, by whom the Greeks profited in their studies. And if any one objects to the barbarous language, Anacharsis says, "All the Greeks speak Scythian to me." [...]
Clement of Alexandria (Stromateis, Books 1-3 (Fathers of the Church))
It would be hard to imagine two more improbable founders for a movement as ascetic as communism. While earnestly desiring the downfall of capitalism, Engels made himself rich and comfortable from all its benefits. He kept a stable of fine horses, rode to hounds at weekends, enjoyed the best wines, maintained a mistress, hobnobbed with the elite of Manchester at the fashionable Albert Club—in short, did everything one would expect of a successful member of the gentry. Marx, meanwhile, constantly denounced the bourgeoisie but lived as bourgeois a life as he could manage, sending his daughters to private schools and boasting at every opportunity of his wife’s aristocratic background.
Bill Bryson (At Home: A Short History of Private Life)
This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented
Geraldine Brooks (The Best American Short Stories 2011)
I lift my voice against these audacious practices and these infamous fashions, and I pray that you who have daughters in Zion will save them, if you can, from following these obscene fashions, that if followed, will destroy the last vestige of true womanly modesty, and reduce them to the level of the courtesans on the streets of Paris, from whence these debasing fashions come. They are the lowest and most degraded specimens of womankind, who have yielded their bodies to crime and their souls to death, if not to perdition, and are devoid of modesty and the sense of shame. We cannot afford to let our women follow such as these or to adopt the cursed fashions they set. . . . I suppose I shall incur the censure and displeasure of many in saying these things, but I do not care what the world has to say, what men say, nor what women say, in relation to these things. In my sight the present day fashions are abominable, suggestive of evil, calculated to arouse base passion and lust, and to engender lasciviousness, in the hearts of those who follow the fashions, and of those who tolerate them. Why? Because women are imitating the very customs of a class of women who have resorted to that means to aid them to sell their souls. It is infamous, and I hope the daughters of Zion will not descend to these pernicious ways, customs and fashions, for they are demoralizing and damnable in their effect.
Joseph F. Smith
Upon entering the main room, Evie discovered her husband lounging in a large, old-fashioned slipper tub. Since the lavatory was too small to allow for a tub, a portable one had to be carried in by footmen and laboriously filled with large cans of hot water brought by housemaids. Sebastian leaned back with one long leg propped at the far end of the tub, a crystal glass of brandy clasped negligently in one hand. His once tawny amber hair was handsomely silvered at the sides and temples. The daily ritual of a morning swim had kept him fit and limber, his skin glowing as if he existed in perpetual summer. He might have been Apollo lazing on Olympus: a decadent golden sun god utterly lacking in modesty.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
The Sea-Child Into the world you sent her, mother, Fashioned her body of coral and foam, Combed a wave in her hair's warm smother, And drove her away from home In the dark of the night she crept to the town And under a doorway she laid her down, The little blue child in the foam-fringed gown. And never a sister and never a brother To hear her call, to answer her cry. Her face shone out from her hair's warm smother Like a moonkin up in the sky. She sold her corals; she sold her foam; Her rainbow heart like a singing shell Broke in her body: she crept back home. Peace, go back to the world, my daughter, Daughter, go back to the darkling land; There is nothing here but sad sea water, And a handful of sifting sand.
Katherine Mansfield
She pottered round now, a tall vague woman in her early fifties, with a long pale face and brown eyes which her daughter Deirdre had inherited. As she pottered she murmured to herself, ‘large knives, small knives, pudding spoons, will they need forks too? Oh, large forks, serving spoons, mats, glasses, well two glasses in case Deirdre and Malcolm want to drink beer, Rhoda probably won’t … and now, wash the lettuce …’ It was nice when the warm weather came and they could have salads for supper, she thought, though why it was nice she didn’t really know. Washing a lettuce and cutting up the things to go with it was really almost as much trouble as cooking a hot meal, and she herself had never got over an old-fashioned dislike of eating raw green leaves. When her husband had been alive they had always had a hot meal in the evenings, winter and summer alike. He needed it after a day in the City. But now he was gone and Rhoda had been living with them for nearly ten years now and everyone said how nice it was for them both, to have each other, though of course she had the children too. Malcolm was a good solid young man, very much like his father, reliable and, although of course she never admitted it, a little dull. He did not seem to mind about the hot meal in the evenings. But Deirdre was different, clever and moody, rather like she herself had been at the same age, before marriage to a good dull man and life in a suburb had steadied her.
Barbara Pym (Less Than Angels)
People are going to see you talking to nobody and think you're weird." This amused him. It neither amused nor worried Blue. She'd gone through eighteen years as the town psychic's daughter, and now, in her senior year, she had already held every single possible conversation about that fact. She had been shunned and embraced and bullied and cajoled. She was going to hell, she had the straight line to spiritual nirvana. Her mother was a hack, her mother was a witch. Blue dressed like a hobo, Blue dressed like a fashion mogul. She was untouchably hilarious, she was a friendless bitch. It had faded into monotonous background noise. The disheartening and lonesome upshot was that Blue Sargent was the strangest thing in the halls of Mountain View High School.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
I certainly esteem myself a steady, reasonable kind of body,’ she said; ‘not exactly from living among the hills and seeing one set of faces, and one series of actions, from year’s end to year’s end; but I have undergone sharp discipline, which has taught me wisdom; and then, I have read more than you would fancy, Mr. Lockwood.  You could not open a book in this library that I have not looked into, and got something out of also: unless it be that range of Greek and Latin, and that of French; and those I know one from another: it is as much as you can expect of a poor man’s daughter.  However, if I am to follow my story in true gossip’s fashion, I had better go on; and instead of leaping three years, I will be content to pass to the next summer—the summer of 1778, that is nearly twenty-three years ago.
Emily Brontë (Wuthering Heights)
What else do you like?” She blew out a breath, her expression considering while Vim used the brush in long strokes from her crown to her hips. It was beautiful hair, thick, lustrous, and gleaming with an indication of basic health and sound living. “I like music,” she said, “and sweets. I am quite partial to sweets.” Vim took this answer for a deliberate and charming prevarication. “I meant, what do you like from your lovers? Shall I kiss you all over? Shall you bind my wrists and have your way with me?” He leaned down and nuzzled her neck, the braid he’d been fashioning forgotten. “Shall you put your mouth on me, Sophie, and make me forget myself utterly?” She sat very still while Vim slid a hand over her shoulder and let it rest there, just above her breast while he pressed his cheek to hers. “My love, are you blushing?” “You are very bold, Mr. Charpentier.” He straightened, feeling it imperative that he braid up her hair, so he might have the pleasure of unbraiding it once they’d gained the bed. “I like your hands on me,” he volunteered. “There’s a particular quality to your touch I can’t quite describe. There’s… meaning in it.” “Meaning?” She regarded him in the mirror, her blush fading. “That’s not the right word. Some people can calm a nervous horse with their touch. They communicate to the animal with hands, tone of voice, and posture in ways more substantial than words. Your hands on me feel that way—more substantial than words.” She turned and pressed her forehead to his midriff. “You must not say such things.” He stroked his palm over her crown, holding her half-finished braid with the other hand. “Why not, Sophie?” “You simply must not.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
The first dinner-party of a bride's career is a momentous occasion, entailing a world of small anxieties. The accomplishments which have won her acclaim in the three years since she left the schoolroom are no longer enough. It is no longer enough to dress exquisitely, to chuse jewels exactly appropriate to the situation, to converse in French, to play the pianoforte and sing. Now she must turn her attention to French cooking and French wines. Though other people may advise her upon these important matters, her own taste and inclinations must guide her. She is sure to despise her mother's style of entertaining and wish to do things differently. In London fashionable people dine out four, five times a week. However will a new bride - nineteen years old and scarcely ever in a kitchen before - think of a meal to astonish and delight such jaded palates?
Susanna Clarke (Jonathan Strange & Mr Norrell)
I daresay he is not happy that his daughter is now unchaperoned. A gentleman would bid his adieu." "You can't leave!" The words hung in the air.Sophia hid a wince and said again, in a more measured tone, "I'm sorry. I'm distraught over my father." MacLean gave her a devastatingly sexy half-smile. "You misunderstood me; I said, a gentleman would bid his adieu." His voice, low and soft, rolled over her senses like liguid silk. "Fortunately for us both, I am not a gentleman." "No?" She flicked a finger at the lace on his wrist. "You dress like one." "I dress like a dandy. Or,as my oldest brother, Alexander, often says, like a 'damned dandy.'" Her lips quirked. "Your brother sounds a bit harsh." "You have no idea." He smiled. "As I was saying, dressing fashionably does not make me a gentleman." "Fine.You are not a gentleman, and I am far from a child," she returned with a lofty wave of her hand. "I don't need my father's presence for protection." "But perhaps I do." She had to smile. "You don't need protection from me, Lord MacLean. I don't bite-though if I don't get something to eat soon, I may change my mind." His eyes sparkled with laughter. "By all means, then, let us eat." He led the way to the dining room, standing aside to allow her to enter. As she brushed past him, a hot sensation told her that his gaze was lingering on her posterior. She glanced back and found that she was correct. "Lord MacLean!" He reluctantly lifted hia gaze. "Yes?" "Is something wrong with my gown?" "No.There's absolutely nothing wrong with your gown. Or what's in it." She should have been shocked by his impropriety but instead was pleased he'd noticed. "Thank you. I must say..." She allowed her gaze to travel across him. "You fill your clothes well, too.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
That this exceptionally scholarly man whose judgments, always rich and sensitive, though sometimes austere, should have embarked on an intensely romantic retelling of the old Cornish legend of that famous pair of tragic lovers, Tristan and Queen Iseult, is intriguing in itself. But what makes it even more fascinating is that Daphne du Maurier, asked by “Q” ’s daughter long after her father’s death to finish this novel that he had set aside “near the end of a chapter, halfway through,” did so in such a skillful fashion that it is impossible to guess with any certainty the exact point at which she began to write. She says, in a modest foreword, that she “could not imitate ‘Q’’s style… that would have been robbing the dead,” but she had known him when she was a child, remembered him as a genial host at many a Sunday supper, and “by thinking back to conversations long forgotten” she could recapture something of the man himself and trust herself to “fall into his mood.
Daphne du Maurier (Castle Dor)
But Miss Kilman did not hate Mrs. Dalloway. Turning her large gooseberry-coloured eyes upon Clarissa, observing her small pink face, her delicate body, her air of freshness and fashion, Miss Kilman felt, Fool! Simpleton! You who have known neither sorrow nor pleasure; who have trifled your life away! And there rose in her an overmastering desire to overcome her; to unmask her. If she could have felled her it would have eased her. But it was not the body; it was the soul and its mockery that she wished to subdue; make feel her mastery. If only she could make her weep; could ruin her; humiliate her; bring her to her knees crying, You are right! But this was God’s will, not Miss Kilman’s. It was to be a religious victory. So she glared; so she glowered. Clarissa was really shocked. This a Christian — this woman! This woman had taken her daughter from her! She in touch with invisible presences! Heavy, ugly, commonplace, without kindness or grace, she know the meaning of life!
Virginia Woolf (Complete Works of Virginia Woolf)
My father was exceptionally tall and exceptionally handsome, and he only had to walk into a room to dominate the assembly of people. He revelled in the latest fashions and the most beautiful rich cloths and color. He was infallibly attractive to women, unable to help himself, greedy for their attention; and God knows they could not restrain their desires. A room full of women was always half in love with my father, and their husbands torn between admiration and envy. Best of all, he had my exceptionally beautiful mother always at his side and a quiverful of exquisite daughters trailing behind him. We were always a stained-glass window in motion, an icon of beauty and grace. My Lady the King’s Mother knows that we were a royal family beyond compare: regal, fruitful, beautiful, rich. She was at our court as a lady-in-waiting and she saw for herself how the country saw us, as fairy-tale monarchs. She is driving herself quite mad trying to make her awkward, paler, quieter son match up. She
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
Phoebe entered the room and stopped with a head-to-toe quiver, like an arrow striking a target, at the sight of a half-naked West Ravenel. He was facing away from her, standing barefoot at an old-fashioned washstand as he blotted his neck and chest with a length of toweling. The robe had been tossed to a chair, leaving him dressed only in a pair of trousers that rode dangerously low on his hips. Henry had always seemed so much smaller without his clothes, vulnerable without the protection of civilized layers. But this man, all rippling muscle and bronzed skin and coiled energy, appeared twice as large. The room scarcely seemed able to contain him. He was big-boned and lean, his back flexing as he lifted a goblet of water and drank thirstily. Phoebe's helpless gaze followed the long groove of his spine down to his hips. The loose edge of a pair of fawn-colored trousers, untethered by braces, dipped low enough to reveal a shocking absence of undergarments. How could a gentleman go without wearing drawers? It was the most indecent thing she'd ever seen. The inside of her head was scalded by her own thoughts.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
You’re worried about Anna?” “Anna and the baby, who, I can assure you, are not worried about me.” “Westhaven, are you pouting?” Westhaven glanced over to see his brother smiling, but it was a commiserating sort of smile. “Yes. Care to join me?” The commiserating smile became the signature St. Just Black Irish piratical grin. “Only until Valentine joins us. He’s so eager to get under way, we’ll let him break the trail when we depart in the morning.” “Where is he? I thought you were just going out to the stables to check on your babies.” “They’re horses, Westhaven. I do know the difference.” “You know it much differently than you knew it a year ago. Anna reports you sing your daughter to sleep more nights than not.” Two very large booted feet thunked onto the coffee table. “Do I take it your wife has been corresponding with my wife?” “And your daughter with my wife, and on and on.” Westhaven did not glance at his brother but, rather, kept his gaze trained on St. Just’s feet. Devlin could exude great good cheer among his familiars, but he was at heart a very private man. “The Royal Mail would go bankrupt if women were forbidden to correspond with each other.” St. Just’s tone was grumpy. “Does your wife let you read her mail in order that my personal marital business may now be known to all and sundry?” “I am not all and sundry,” Westhaven said. “I am your brother, and no, I do not read Anna’s mail. It will astound you to know this, but on occasion, say on days ending in y, I am known to talk with my very own wife. Not at all fashionable, but one must occasionally buck trends. I daresay you and Emmie indulge in the same eccentricity.” St. Just was silent for a moment while the fire hissed and popped in the hearth. “So I like to sing to my daughters. Emmie bears so much of the burden, it’s little enough I can do to look after my own children.” “You love them all more than you ever thought possible, and you’re scared witless,” Westhaven said, feeling a pang of gratitude to be able to offer the simple comfort of a shared truth. “I believe we’re just getting started on that part. With every child, we’ll fret more for our ladies, more for the children, for the ones we have, the one to come.” “You’re such a wonderful help to a man, Westhaven. Perhaps I’ll lock you in that nice cozy privy next time nature calls.” Which
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
NOURISH YOUR HAIR: 1. There are a number of 'kitchen recipes' for feeding hair. It needs the contents of your refrigerator just as much as your skin does. Right back to mayonnaise! Olive oil, eggs, and lemon juice. Massage the mixture into your hair, let it stay on for ten or fifteen minutes, then rinse it off with cool water. Cool - or you'll have scrambled eggs on your head. 2. For years I washed my daughter' hair with raw eggs, never soap or shampoo. I wet their hair fist and then rubbed in six whole eggs, one by one - a trick I learned from Katherine. Hepburn. (Four eggs will do for short hair, but theirs was long.) Some people use eggs beaten up with a jigger of rum; others mix an egg with red wine. 3. Hot oils is good for dry hair. Apply it with the fingertips and then wrap your head in a warm towel. Keep changing the oil for an hour, to keep it hot and penetrating. Then shampoo. 4. I believe in brushing. I made my girls give their hair the old-fashioned hundred strokes every night, using two brushes, and bending forward from the waist. It stimulates hair grows, and the rush of blood to the face is an added benefit. I pull my hair gently to encourage growth too.
Joan Crawford (My Way of Life)
At the present time, political power is everywhere constituted on insufficient foundations. On the one hand it emanates from the so-called divine right of kings, which is none other than military force; on the other from universal suffrage, which is merely the instinct of the masses, or mere average intelligence. A nation is not a number of uniform values or ciphers; it is a living being composed of organs. So long as national representation is not the image of this organization, right from its working to its teaching classes, there will be no organic or intelligent national representation. So long as the delegates of all scientific bodies, and the whole of the Christian churches do not sit together in one upper council, our societies will be governed by instinct, by passion, and by might, and there will be no social temple. ...We are beginning to understand that Jesus, at the very height of his consciousness, the transfigured Christ, is opening his loving arms to his brothers, the other Messiahs who preceded him, beams of the Living Word as he was, that he is opening them wide to Science in its entirety, Art in its divinity, and Life in its completeness. But his promise cannot be fulfilled without the help of all the living forces of humanity. Two main things are necessary nowadays for the continuation of the mighty work: on the one hand, the progressive unfolding of experimental science and intuitive philosophy to facts of psychic order, intellectual principles, and spiritual proofs; on the other, the expansion of Christian dogma in the direction of tradition and esoteric science, and subsequently a reorganization of the Church according to a graduated initiation; this by a free and irresistible movement of all Christian churches, which are also equally daughters of the Christ. Science must become religious and religion scientific. This double evolution, already in preparation, would finally and forcibly bring about a reconciliation of Science and Religion on esoteric grounds. The work will not progress without considerable difficulty at first, but the future of European Society depends on it. The transformation of Christianity, in its esoteric sense would bring with it that of Judaism and Islam, as well as a regeneration of Brahmanism and Buddhism in the same fashion, it would accordingly furnish a religious basis for the reconciliation of Asia and Europe.
Édouard Schuré (Jesus, The Last Great Initiate: An Esoteric Look At The Life Of Jesus)
Before dinner each night the two leaders, Hopkins, and various other members of the president’s official family gathered for cocktails in the Red Room. Roosevelt sat by a tray of bottles and mixed the cocktails himself. This was a cherished part of the president’s daily routine, his “children’s hour,” as he sometimes called it, when he let the day’s tensions and stresses slip away. “He loved the ceremony of making the drinks,” said Churchill’s daughter Mary Soames; “it was rather like, ‘Look, I can do it.’ It was formidable. And you knew you were supposed to just hand him your glass, and not reach for anything else. It was a lovely performance.” Roosevelt did not take drink orders, but improvised new and eccentric concoctions, variations on the whiskey sour, Tom Collins, or old-fashioned. The drinks he identified as “martinis” were mixed with too much vermouth, and sometimes contaminated with foreign ingredients such as fruit juice or rum. Churchill, who preferred straight whiskey or brandy, accepted Roosevelt’s mysterious potions gracefully and usually drank them without complaint, though Alistair Cooke reported that the prime minister sometimes took them into the bathroom and poured them down the sink.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
A woman pushed her way through the swarm of people. “She’s the daughter of Matthias, head scribe to Herod Antipas, and known to be a fornicator.” I called out again in protest, but my denial was swallowed by the black odium that boiled out of their hearts. “Show us your pocket!” a man yelled. One by one, they took up the petition. Gripping my forearm, Chuza let their shouts grow fevered before he reached for my sleeve. I writhed and kicked. I was a fluttering moth, a hapless girl. My skirmish yielded nothing but jeers and laughter. He snatched the sheet of ivory from my coat and lifted it over his head. A roar erupted. “She is a thief, a blasphemer, and a fornicator!” Chuza cried. “What would you do with her?” “Stone her!” someone cried. The chant began, the dark prayer. Stone her. Stone her. I shut my eyes against the dazzling blur of anger. Their hearts are boulders and their heads are straw. They seemed to be not a multitude of persons, but a single creature, a behemoth feeding off their combined fury. They would stone me for all the wrongs ever done to them. They would stone me for God. Most often victims were dragged to a cliff outside the city and thrown off before being pelted, which lessened the laborious effort of having to throw so many stones—it was in some way more merciful, at least quicker—but I saw I would not be accorded that lenience. Men and women and children plucked stones from the ground. These stones, God’s most bountiful gift to Galilee. Some rushed into the building site, where the stones were larger and more deadly. I heard the sizzle of a rock fly over my head and fall behind me. Then the commotion and noise slowed, elongating, receding to some distant pinnacle, and in that strange slackening of time, I no longer cared to fight. I felt myself bending to my fate. I ached for the life I would never live, but I yearned even more to escape it. I sank onto the ground, making myself as small as I could, my arms and legs tucked beneath my chest and belly, my forehead pressed to the ground. I fashioned myself into a walnut shell. I would be broken apart and God could have the meat. A stone struck my hip in a sunburst of pain. Another fell beside my ear. I heard the stomp of sandals running toward me, then a voice glittering with indignation. “Cease your violence! Would you stone her on the word of this man?” The mob quieted, and I dared to raise my head. Jesus stood before them, his back to me. I stared at the bones in his shoulders. The way his hands were drawn into fists. How he’d planted himself between me and the stones.
Sue Monk Kidd (The Book of Longings)
Knowledgeable observers report that dating has nearly disappeared from college campuses and among young adults generally. It has been replaced by something called “hanging out.” You young people apparently know what this is, but I will describe it for the benefit of those of us who are middle-aged or older and otherwise uninformed. Hanging out consists of numbers of young men and young women joining together in some group activity. It is very different from dating. For the benefit of some of you who are not middle-aged or older, I also may need to describe what dating is. Unlike hanging out, dating is not a team sport. Dating is pairing off to experience the kind of one-on-one association and temporary commitment that can lead to marriage in some rare and treasured cases. . . . All of this made dating more difficult. And the more elaborate and expensive the date, the fewer the dates. As dates become fewer and more elaborate, this seems to create an expectation that a date implies seriousness or continuing commitment. That expectation discourages dating even more. . . . Simple and more frequent dates allow both men and women to “shop around” in a way that allows extensive evaluation of the prospects. The old-fashioned date was a wonderful way to get acquainted with a member of the opposite sex. It encouraged conversation. It allowed you to see how you treat others and how you are treated in a one-on-one situation. It gave opportunities to learn how to initiate and sustain a mature relationship. None of that happens in hanging out. My single brothers and sisters, follow the simple dating pattern and you don’t need to do your looking through Internet chat rooms or dating services—two alternatives that can be very dangerous or at least unnecessary or ineffective. . . . Men, if you have returned from your mission and you are still following the boy-girl patterns you were counseled to follow when you were 15, it is time for you to grow up. Gather your courage and look for someone to pair off with. Start with a variety of dates with a variety of young women, and when that phase yields a good prospect, proceed to courtship. It’s marriage time. That is what the Lord intends for His young adult sons and daughters. Men have the initiative, and you men should get on with it. If you don’t know what a date is, perhaps this definition will help. I heard it from my 18-year-old granddaughter. A “date” must pass the test of three p’s: (1) planned ahead, (2) paid for, and (3) paired off. Young women, resist too much hanging out, and encourage dates that are simple, inexpensive, and frequent. Don’t make it easy for young men to hang out in a setting where you women provide the food. Don’t subsidize freeloaders. An occasional group activity is OK, but when you see men who make hanging out their primary interaction with the opposite sex, I think you should lock the pantry and bolt the front door. If you do this, you should also hang up a sign, “Will open for individual dates,” or something like that. And, young women, please make it easier for these shy males to ask for a simple, inexpensive date. Part of making it easier is to avoid implying that a date is something very serious. If we are to persuade young men to ask for dates more frequently, we must establish a mutual expectation that to go on a date is not to imply a continuing commitment. Finally, young women, if you turn down a date, be kind. Otherwise you may crush a nervous and shy questioner and destroy him as a potential dater, and that could hurt some other sister. My single young friends, we counsel you to channel your associations with the opposite sex into dating patterns that have the potential to mature into marriage, not hanging-out patterns that only have the prospect to mature into team sports like touch football. Marriage is not a group activity—at least, not until the children come along in goodly numbers.
Dallin H. Oaks
Frederick? Had she really spoken? Certainly she'd tried, but her voice had failed to materialize and all she heard was the sound of her nightgown ripping as Frederick pulled it over her head and threw it aside. He was kneeling now between her ankles, pushing at her, forcing her knees apart and then her arms until she was entirely splayed on the bed beneath him. Nothing was said. Not a word. Ede felt his hand between her legs, forcing the way for the rest of him. Stop, she wanted to tell him. Stop. I don't understand what you're doing. But nothing - still nothing was said. He seemed to be raging inside her, moving his hips in a circular fashion, all the weight of his upper body help above her, resting on his arms, his hands pushing down into the mattress. Stop! But he didn't. Don't! But he did. Nothing. Not one word. The only sound he made was a choking noise in his throat at the end, as tough he might be going to strangle. But when he rolled away from her onto his back, she felt the shudder of his first free breath and she heard him sigh. It was over. Tonight. It was done. Ede could not bare the thought of seeing him, or of being seen. Still without speaking, she rose from the bed and through the dark, found her way to the bathroom. She had brought the torn nightgown wit her, but when she turned on the light and saw it, she threw it down in the corner. Ruined. Spoiled. Everything. When at last, she returned to the bed, Fredrick was sound asleep beneath the covers - and nothing - nothing - nothing was said.
Timothy Findley (The Piano Man's Daughter)
It seems to me that to-day, or I may say this present moment is a moment of trial for this people. I have often heard the President say, in relation to our having been driven from our homes, hated and mistreated by our enemies and the enemies of truth, that we were not then particularly tried. I believe it. I believe that then we were more happy and better alive to the work we are engaged in than many are to-day. I believe, of the two, take the period when the Saints were driven from the State of Missouri, or subsequently, when we were driven from the State of Illinois, and compare it with the present day, that to-day is the day of trial for this people. When you go along the street, and meet a man or a woman, do you know whether he or she is a Latter-day Saint or not? There was a time when we could walk up and down the streets and tell by the very countenances of men whether they were Latter-day Saints, or not; but can you do it now? You can not, unless you have greater discernment and more of the Spirit and power of God than I have. Why? Because many are trying as hard as they can to transform themselves into the very shape, character, and spirit of the world. Elders in Israel, young men, mothers and daughters in Israel are conforming to the world's fashions, until their very countenances indicate its spirit and character. This course is to the shame and disgrace of those who are so unwise. . . . And when the line is drawn and the choice made, there are many, who we think to-day are in fellowship with the Lord, that will be left without the pale. Yet they are now going smoothly along, and we meet, shake hands and call each other brother. [JD11:309-310]
Joseph F. Smith
Many a time when I sat in the balcony, or hanging garden, on which my window opened, I have watched her rising in the air on her radiant wings, and in a few moments groups of infants below, catching sight of her, would soar upward with joyous sounds of greeting; clustering and sporting around her, so that she seemed a very centre of innocent delight. When I have walked with her amidst the rocks and valleys without the city, the elk-deer would scent or see her from afar, come bounding up, eager for the caress of her hand, or follow her footsteps, till dismissed by some musical whisper that the creature had learned to comprehend. It is the fashion among the virgin Gy-ei to wear on their foreheads a circlet, or coronet, with gems resembling opals, arranged in four points or rays like stars. These are lustreless in ordinary use, but if touched by the vril wand they take a clear lambent flame, which illuminates, yet not burns. This serves as an ornament in their festivities, and as a lamp, if, in their wanderings beyond their artificial lights, they have to traverse the dark. There are times, when I have seen Zee’s thoughtful majesty of face lighted up by this crowning halo, that I could scarcely believe her to be a creature of mortal birth, and bent my head before her as the vision of a being among the celestial orders. But never once did my heart feel for this lofty type of the noblest womanhood a sentiment of human love. Is it that, among the race I belong to, man’s pride so far influences his passions that woman loses to him her special charm of woman if he feels her to be in all things eminently superior to himself? But by what strange infatuation could this peerless daughter of a race which, in the supremacy of its powers and the felicity of its conditions, ranked all other races in the category of barbarians, have deigned to honour me with her preference?
Edward Bulwer-Lytton (The Coming Race)
Chris- the one who wrote the halfway creepy thing about missing me so much when I didn't post and thinking I was dead- found it mind-boggling that before the Julie/Julia Project began, I had never eaten an egg. She asked, "How can you have gotten through life without eating a single egg? How is that POSSIBLE???!!!!!" Of course, it wasn't exactly true that I hadn't eaten an egg. I had eaten them in cakes. I had even eaten them scrambled once or twice, albeit in the Texas fashion, with jalapeños and a pound of cheese. But the goal of my egg-eating had always been to make sure the egg did not look, smell, or taste anything like one, and as a result my history in this department was, I suppose, unusual. Chris wasn't the only person shocked. People I'd never heard of chimed in with their awe and dismay. I didn't really get it. Surely this is not such a bizarre hang-up as hating, say, croutons, like certain spouses I could name. Luckily, eggs made the Julia Child way often taste like cream sauce. Take Oeufs en Cocotte, for example. These are eggs baked with some butter and cream in ramekins set in a shallow pan of water. They are tremendous. In fact the only thing better than Oeufs en Cocotte is Ouefs en Cocotte with Sauce au Cari on top when you've woken up with a killer hangover, after one of those nights when somebody decided at midnight to buy a pack of cigarettes after all, and the girls wind up smoking and drinking and dancing around the living room to the music the boy is downloading from iTunes onto his new, ludicrously hip and stylish G3 Powerbook until three in the morning. On mornings like this, Oeufs en Cocotte with Sauce au Cari, a cup of coffee, and an enormous glass of water is like a meal fed to you by the veiled daughters of a wandering Bedouin tribe after one of their number comes upon you splayed out in the sands of the endless deserts of Araby, moments from death- it's that good.
Julie Powell (Julie & Julia: My Year of Cooking Dangerously)
No, I wouldn’t, for the smart caps won’t match the plain gowns without any trimming on them. Poor folks shouldn’t rig,” said Jo decidedly. “I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?” said Meg impatiently. “You said the other day that you’d be perfectly happy if you could only go to Annie Moffat’s,” observed Beth in her quiet way. “So I did! Well, I am happy, and I won’t fret, but it does seem as if the more one gets the more one wants, doesn’t it? There now, the trays are ready, and everything in but my ball dress, which I shall leave for Mother to pack,” said Meg, cheering up, as she glanced from the half-filled trunk to the many times pressed and mended white tarlaton, which she called her ‘ball dress’ with an important air. The next day was fine, and Meg departed in style for a fortnight of novelty and pleasure. Mrs. March had consented to the visit rather reluctantly, fearing that Margaret would come back more discontented than she went. But she begged so hard, and Sallie had promised to take good care of her, and a little pleasure seemed so delightful after a winter of irksome work that the mother yielded, and the daughter went to take her first taste of fashionable life. The Moffats were very fashionable, and simple Meg was rather daunted, at first, by the splendor of the house and the elegance of its occupants. But they were kindly people, in spite of the frivolous life they led, and soon put their guest at her ease. Perhaps Meg felt, without understanding why, that they were not particularly cultivated or intelligent people, and that all their gilding could not quite conceal the ordinary material of which they were made. It certainly was agreeable to fare sumptuously, drive in a fine carriage, wear her best frock every day, and do nothing but enjoy herself. It suited her exactly, and soon she began to imitate the manners and conversation of those about her, to put on little airs and graces,
Louisa May Alcott (Little Women)
went to her workshop three times a week to paint with Kirsten. She rarely frequented the Lark House dining room, preferring to eat out at local restaurants where the owners knew her, or in her apartment, when her daughter-in-law sent the chauffeur around with one of her favorite dishes. Irina kept only basic necessities in her kitchen: fresh fruit, oatmeal, whole-grain bread, honey. Alma and Seth often invited Irina to their ritual Sunday lunch at Sea Cliff, where the family paid the matriarch homage. To Seth, who had previously used any pretext not to arrive before dessert—for even he was unable to consider not putting in an appearance at all—Irina’s presence made the occasion infinitely more appealing. He was still stubbornly pursuing her, but since he was meeting with little success he also went out with previous girlfriends willing to put up with his fickleness. He was bored with them and did not succeed in making Irina jealous. As his grandmother often said and the family often repeated, why waste ammunition on vultures? It was yet another enigmatic saying often used by the Belascos. To Alma, these family reunions began with a pleasant sense of anticipation at seeing her loved ones, particularly her granddaughter, Pauline (she saw Seth frequently enough), but often ended up being a bore, since every topic of conversation became a pretext for getting angry, not from any lack of affection, but out of the bad habit of arguing over trivialities. Seth always looked for ways to challenge or scandalize his parents; Pauline brought to the table yet another cause she had embraced, which she explained in great detail, from genital mutilation to animal slaughterhouses; Doris took great pains to offer her most exquisite culinary experiments, which were veritable banquets, yet regularly ended up weeping in her room because nobody appreciated them; good old Larry meanwhile performed a constant balancing act to avoid quarrels. The grandmother took advantage of Irina to dissipate tension, because the Belascos always behaved in a civilized fashion in front of strangers, even if it was only a humble employee from
Isabel Allende (The Japanese Lover)
than the clerk. But after all, my dear, it was but seeking for a new service. She had seen you and Ada a little while before, and it was natural that you should come into her head. She merely proposed herself for your maid, you know. She did nothing more.” “Her manner was strange,” said I. “Yes, and her manner was strange when she took her shoes off and showed that cool relish for a walk that might have ended in her death-bed,” said my guardian. “It would be useless self-distress and torment to reckon up such chances and possibilities. There are very few harmless circumstances that would not seem full of perilous meaning, so considered. Be hopeful, little woman. You can be nothing better than yourself; be that, through this knowledge, as you were before you had it. It is the best you can do for everybody’s sake. I, sharing the secret with you—“ “And lightening it, guardian, so much,” said I. “—will be attentive to what passes in that family, so far as I can observe it from my distance. And if the time should come when I can stretch out a hand to render the least service to one whom it is better not to name even here, I will not fail to do it for her dear daughter’s sake.” I thanked him with my whole heart. What could I ever do but thank him! I was going out at the door when he asked me to stay a moment. Quickly turning round, I saw that same expression on his face again; and all at once, I don’t know how, it flashed upon me as a new and far-off possibility that I understood it. “My dear Esther,” said my guardian, “I have long had something in my thoughts that I have wished to say to you.” “Indeed?” “I have had some difficulty in approaching it, and I still have. I should wish it to be so deliberately said, and so deliberately considered. Would you object to my writing it?” “Dear guardian, how could I object to your writing anything for me to read?” “Then see, my love,” said he with his cheery smile, “am I at this moment quite as plain and easy—do I seem as open, as honest and old-fashioned—as I am at any time?” I answered in all earnestness, “Quite.” With the strictest truth, for his momentary hesitation was gone (it had not lasted a minute), and his
Charles Dickens (Bleak House)
A tall, well-muscled blond man drew alongside Christian. He inclined his head to them. “Abbot,” he said to Christian in greeting. Christian seemed pleased to see him. “Falcon. It’s been a long time.” “Aye. I’m sorry I didn’t get a chance to greet you yester eve when you arrived.” Christian offered him a lopsided grin. “’Tis well understood. I heard about your escapade with the butcher’s daughter and your near miss with her father’s cleaver.” Falcon laughed. “Lies all. ’Twas the tanner’s daughter and her father’s ax.” Christian joined his laughter. “One day, my friend, you will meet the one father who can run faster than you.” “’Tis why God gave us horses.” He winked at Christian, then tilted his head so that he could see Adara. “’Tis a pleasure to meet you, Queen Adara. I am Lord Quentin of Adelsbury and my sword is ever at your disposal.” Christian gave him a meaningful stare. “And your sword had best stay sheathed, Falcon, until you’re on the battlefield.” “Your warning is well taken into consideration, Abbot, along with your sword skill and horsemanship. Have no fear of me. Your wife is ever safe from my designs. But no woman is safe from my charm.” Adara couldn’t help teasing the man who seemed of remarkable good spirit and cheer. “However some women might find themselves immune from it, my Lord Falcon.” “What, ho?” he said with a laugh. “Congratulations, Christian. You have found a woman as intelligent as she is beautiful. Tell me, Your Majesty, have you a sister who is fashioned in your image?” “Nay, my lord. I fear I am one of a kind.” He looked sincerely despondent at the news. “’Tis a pity, then. I shall just have to pray for Christian to lay aside his duties and become a monk in earnest.” Christian snorted at that prospect. “You would have a better chance courting my horse.” “Then I shall take my charm and work it on a woman who isn’t immune to it. Good day to you both.” Adara glanced over her shoulder as he fell back into the ranks with the other knights. “Don’t look at him,” Christian said in a teasing tone. “You’ll only play into his overbloated self-esteem.” She gave him a meaningful look. “In that regard, he reminds me of someone else I know.” “Ouch, my lady, you wound me.” “Never, Christian. I would never wound you.
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
Rebecca Wallace-Segall, who teaches creative-writing workshops for kids and teens as director of Writopia Lab in New York City, says that the students who sign up for her classes “are often not the kids who are willing to talk for hours about fashion and celebrity. Those kids are less likely to come, perhaps because they’re less inclined to analyze and dig deep—that’s not their comfort zone. The so-called shy kids are often hungry to brainstorm ideas, deconstruct them, and act on them, and, paradoxically, when they’re allowed to interact this way, they’re not shy at all. They’re connecting with each other, but in a deeper zone, in a place that’s considered boring or tiresome by some of their peers.” And these kids do “come out” when they’re ready; most of the Writopia kids read their works at local bookstores, and a staggering number win prestigious national writing competitions. If your child is prone to overstimulation, then it’s also a good idea for her to pick activities like art or long-distance running, that depend less on performing under pressure. If she’s drawn to activities that require performance, though, you can help her thrive. When I was a kid, I loved figure skating. I could spend hours on the rink, tracing figure eights, spinning happily, or flying through the air. But on the day of my competitions, I was a wreck. I hadn’t slept the night before and would often fall during moves that I had sailed through in practice. At first I believed what people told me—that I had the jitters, just like everybody else. But then I saw a TV interview with the Olympic gold medalist Katarina Witt. She said that pre-competition nerves gave her the adrenaline she needed to win the gold. I knew then that Katarina and I were utterly different creatures, but it took me decades to figure out why. Her nerves were so mild that they simply energized her, while mine were constricting enough to make me choke. At the time, my very supportive mother quizzed the other skating moms about how their own daughters handled pre-competition anxiety, and came back with insights that she hoped would make me feel better. Kristen’s nervous too, she reported. Renée’s mom says she’s scared the night before a competition. But I knew Kristen and Renée well, and I was certain that they weren’t as frightened as I was
Susan Cain
What is involved in appearing to court me?” He quirked an eyebrow at her. “You haven’t been courted before? What about the climbing cits and baronets’ sons? They never came up to scratch?” “Many of them did.” She wondered what he’d look like if somebody were to shave off those piratical eyebrows. “They did not bother much with the other part of the business.” “The wooing?” “The nonsense.” “We need the nonsense,” he said. “We need to drive out at the fashionable hour; we need to be seen arm in arm at the social events. I need to call upon you at the proper times with flowers in hand, to spend time with your menfolk when I creditably can. I’ll carry your purchases when you go shopping and be heard begging you to save your waltzes for me.” “There’s a problem,” she said, curiously disappointed to see the flaw in his clever scheme. He was a wonderful dancer; that was just plain fact. And she loved flowers, and loved the greenery and fresh air of Hyde Park. She also liked to shop but generally contented herself with the occasional minor outing with her sisters. And to hear him begging for her waltzes… “What sort of problem can there possibly be? Couples are expected to court in spring. It’s the whole purpose behind the Season.” “If you court me like that, Their Graces will get wind of it. They very likely already know you’ve called on me.” “And this is a problem how?” He wasn’t a patient man, or one apparently plagued with meddlesome parents. “They will start, Mr. Hazlit. They will get their hopes up. They will sigh and hint and quiz my siblings, all in hopes that you will take me off their hands.” “Then they will be disappointed. Parents expect to be disappointed. My sister was a governess, and she has explained this to me.” He looked like he was winding up for a lecture before the Royal Society, so she put a hand on his arm. “I do not like to disappoint Their Graces,” she said quietly. “They have suffered much at the hands of their children.” He blinked at her, his lips pursing as if her sentiments were incomprehensible. “I won’t declare for you,” he said. “If they let their hopes be raised by a few silly gestures, then that is their problem. You have many siblings. Let them fret over the others.” “It isn’t like that.” She cocked her head to study him. Hadn’t he had any parents at all? “I could have seventeen siblings, and Their Graces would still worry about me. You mentioned having sisters. Do you worry less about the one than the other?” “I do not.” He didn’t seem at all pleased with this example. “I worry about them both, incessantly. Excessively, to hear them tell it, but they have no regard for my feelings, else they’d write more than just chatty little…” “Yes?” “Never mind.” Some
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…
J. Karl Bogartte (Luminous Weapons)
NOTE: The character of Aoleon is deaf. This conversation takes place in the book via sign language... “Feeling a certain kind of way Aoleon?” She snapped-to and quickly became defensive. “What in the name of the Goddess are you on about?” Shades of anger and annoyance. The old Aoleon coming out. “I’m sorry. I shouldn’t poke at you like that. It’s okay you know. There’s nothing wrong about the way you feel.” As if suddenly caught up in a lie, Aoleon cleared her throat and ran her fingers absentmindedly over her ear and started to fidget with one of the brass accents in her snowy hair. A very common nervous reaction. “No…I mean…well I was…uh...” “Aoleon, I know about you and Arjana.” he admitted outrightly as he pointed at the drawing. She coughed, stuttered, smiled, but could bring herself to fully say nothing. Words escaped her as she looked about the room for answers. “My sight is Dįvįnë, lest we forget. I knew you were growing close.” “Yes. Well…she’s…something else.” “Indeed?” he responded. Images flashed briefly in Aoleon’s head of her father’s old friend. Verging on her fiftieth decade of life. She was a fierce woman by all accounts. One who’d just as soon cut you with words as she would a blade. Yet, she was darling and caring towards those she held close to her. Lovely to a fault; in a wild sort of way. Dark skin, the colour of walnut stained wood. Thick, kinky hair fashioned into black locs that faded into reddish-brown tips that were dyed with Assamian henna; the sides of her head shaved bare in an undercut fashion. Tattoos and gauged ears. Very comfortable with her sexuality. Dwalli by blood, but a native of the Link by birth although she wasn’t a Magi. Magick was her mother’s gift. “I heard her say something very much the same about you once Aoleon.” “Really?” Aoleon perked up right away. “Did she?” “Yes. After she first met you in fact. Nearly exactly.” Aoleon’s smile widened and she beamed happiness. She sat up assertively and gave a curt nod. “Well, of course she did.” “She’s held such a torch for you for so long that I was starting to wonder if anything would actually come of it.” “Yeah. Both you and Prince Asshole.” Aoleon exclaimed with a certainty that was absolute as she once again tightened up with defensiveness. Samahdemn walked his statement back. “Peace daughter. I didn't know your brother had been giving you a row about her. Then again, he is your brother. So anything is possible.” Aoleon sighed and nodded. “Not so much problems as he’s been giving me the silent treatment over it. Na’Kwanza. It’s always Na’ Kwanza.” Samahdemn nodded knowingly and waived a dismissive hand. “He’s just jealous. He always has been.” “So I’ve noticed.” “Why would you hide it? Why not tell me?” “I don’t know.” she said; shrugging her shoulders. “I didn’t know how you’d take it I suppose.” “Seriously? You were afraid of rejection? From me? Love, have I ever held your individuality against you? Have I ever not supported you or your siblings?” She shook her head; a bit embarrassed that she hadn't trusted him. "No, I suppose not." -Reflections on the Dįvonësë War: The Dįvįnë Will Bear Witness to Fate
S.H. Robinson
I appreciate that you are now willing to converse with me due to my connection to the Radcliffe family—but for my part, any favor done for me on such terms may as well be left undone. I do not want friends whose attention is purchased by that connection, for it is nothing to me. You may as well continue to think of me as you did before—that I am but the niece of a tradesman, and the daughter of a widower
Alyssa Jefferson (Mr. Darcy & Elizabeth: The Fashionable and Young: a Pride and Prejudice Variation Romance)
She had had fleeting thoughts here and there of the misfortune of being only a stepdaughter rather than a true daughter; now, she saw that she and her sisters were unfairly deprived of even a daughter’s place. Their father could have used his influence to secure them more from his wife, but he did not.
Alyssa Jefferson (Mr. Darcy & Elizabeth: The Fashionable and Young: a Pride and Prejudice Variation Romance)
It is far more likely Mary found a new position and simply decided to leave us. I suspect we'll get a letter from her in the mail eventually asking for her back wages." "Which you won't pay." "Which Papa won't pay. He won't be happy about this at all. I cannot think of a way to conceal what has happened from him. He'll be sure to blame me in some fashion." "It is hardly your fault if one of the maids decides to change employment, Lucy," Anna said robustly. "You'll just have to stand up for yourself." Lucy bit back her hasty reply. It was easy for Anna to suggest she should be more forthright with their father when she was his favorite child, and not the oldest daughter of the house whose duty had been laid out for her from the cradle. Even now, when she knew her father's air of authority hid only his appalling selfishness, she still hadn't found a way to break free of his oft-expressed expectations. What had once been unquestioning obedience had slowly turned into a bitter and unexpressed resentment she had to conceal to avoid telling him her true feelings.
Catherine Lloyd (Death Comes to the Village (Kurland St. Mary Mystery, #1))
They sat around the dining table looking innocuous as they awaited my chilled avocado soup. The mango-cilantro salsa made a colorful garnish. But when I brought it out to the table, Todd, the painter, said he was allergic to mangoes, and Carlos from Guadalajara hated cilantro. How could a Mexican hate cilantro, I thought as I spooned out the garnish from Carlos’s bowl. Margo, the macrobiotic, wouldn’t eat avocado since it wasn’t native to the Northeast, and Robert, the banker on the Pritikin diet, was banned from eating it because it was high in fat. Things got progressively worse. Niloufer, the daughter of a Turkish diplomat, took one look at my dolma and said, “That doesn’t look like the ones my grandmother made.” Reza, the Iranian consultant, announced that he wouldn’t eat Turkish food, since his ancestors were murdered by Turks. Todd, I discovered, was allergic not only to mangoes but also to cabbage. He was the only one in the group who touched my umeboshi-cranberry sauce, which the entire group pronounced inedible. Olivia, my fashionable Italian friend, stated that she “simply couldn’t” eat the pine nuts that I had liberally included in my dolma stuffing, and spent the entire meal scratching her plate to spot and discard the offenders. With each dish, I had to recite its ingredients in excruciating detail and answer questions—had I used stone-ground flour? Was the produce organic (it wasn’t)? —all of which determined who would deign to eat my delicacies.
Shoba Narayan (Monsoon Diary: A Memoir with Recipes)
When you get dressed up, put on everything you want, just the way you want it. Then take off one thing. (Preferably not the dress.)
Sherry Conway Appel (From Mother to Daughter: Advice and Lessons for a Good Life)
My father knows how to reward me and my siblings Siblings have different interests and hobbies Hobbies are fulfilled in their due season Season of the league is approaching. I need to be ready Ready to be with my son during practice and buy a book A book for my daughter about fashion Fashion and reading both interest my daughter Daughter and son are blessed to have blessing Parents Parents Exist
Isaac Nash (PARENTS EXIST)
And this, Reese reflects, is the other reason to be a mother—in whatever fashion motherhood comes your way—so when you’re old and alone and feeling sorry for yourself, your daughter will roll her eyes at your theatrics and bring you in from the cold.
Torrey Peters (Detransition, Baby)
dressed fashionably and smelled of a woody cologne; he was said to be attractive to women, and he could be charming at times. Yet whenever she looked at him, Harp was reminded of the words of Cicero: ‘Ut imago est animi voltus’ – the face is a picture of the mind. That was true in the case of most people, but not her uncle. She never knew what was going on behind those eyes. It felt like a malevolent force. Of course, to be fair, there were things that Ralph Devereaux didn’t know about Harp either, for instance that he wasn’t her uncle – he was her biological father. And therefore that his brother, Henry, had not the right to leave the crumbling family home to Harp when he’d named her as his own daughter
Jean Grainger (The West's Awake)
On the other hand, the woman who in reality took away my innocence did not intend to and never knew she had. Her name was Trinidad, she was the daughter of someone who worked in the house, and one fatal spring she began to blossom. She was thirteen but still used the dresses she had worn when she was nine, and they were so tight to her body that she seemed more naked than if she had been undressed. One night we were alone in the courtyard, band music erupted without warning from the house next door, and Trinidad began to dance with me, and she held me so tight she took my breath away. I do not know what became of her, but even today I still wake up in the middle of the night agitated by the upheaval, and I know I could recognize her in the dark by the touch of every inch of her skin and her animal odor. In an instant I became conscious of my body with a clarity of instincts that I have never felt again, and that I dare to recall as an exquisite death. After that I knew in a confused and illusory fashion that there was an unfathomable mystery I did not know but that agitated me as if I did. The women of the family, however, always led me along the arid path of chastity.
Gabriel García Márquez (Living to Tell the Tale)
The coffee filling the pot looks beautiful this morning, made from mountain water, then I realize I had forgotten to put any ground beans in, and I start over. I am starting over. I am laying down my ambition—to disguise that I am a creature of narcissus, as if a daughter of narcissus could be anything but a narcissus. I am not seeking a man to love and be loved by, though of course I always am, I am asking to learn to like this large awkward being, flightless dragon damsel fly— Fashion thyself, then others shall thee beare— to pull up my vanity, out of the backyard dirt, where I buried it when I saw that it and I could not both go forth alive from that house.
Sharon Olds (Arias)
Memories haunt. So do fears that you don’t know half the things you are supposed to know since your name now sits on the jackets of some books. I had come to books in autodidact fashion, with a handful of workshops tossed in. What course could I teach? What were to be the rules? From what hollow in what bone was I to extract the necessary charm, the more necessary authority? I had no mystique and no defense against my own uncertainty and yet months of indecision melted into yes.
Beth Kephart (Wife | Daughter | Self: A Memoir in Essays)
I knew it was you! Only you could turn Main Street into your own fashion runway.” Alana Castillo, one of my high school classmates, waves. Of all the people from my past I could have run into, Alana is the best option. Not only is she nice, but we actually got along pretty well in high school despite being part of different friend groups. Her dark hair shines under the sun, bringing out the different brown tones. A tall, handsome, blond man beside her whispers something in her ear before taking off toward the Pink Tutu with her daughter, who is dressed in a leotard, neon green ballet skirt, and combat boots.
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
ZEUS THE FATHER will have no great Earth-goddess, Mother and Maid in one, in his man-fashioned Olympus, but her figure is from the beginning, so he re-makes it;
Rebecca Lochlann (The Year-God's Daughter (The Child of the Erinyes, #1))
The problem was that I wasn’t her, his firstborn; born in Europe to a Spanish mother. I wasn’t passionate about the land, about those damned cacao beans and chocolate like she was—even from afar. No, I was born in the New Continent; I was the daughter of a mestiza, his second not-so-legal wife and certainly not a full-blooded hidalga. It didn’t matter that I wore the latest fashion or how light my hair was (I washed it with manzanilla tea every other day to keep my blond streaks). It didn’t matter that I married a Frenchman
Lorena Hughes (The Spanish Daughter)
The most somber group of all, however, were the Ryersons of Haverford, Pennsylvania, who were returning home for the funeral of their twenty-one-year-old son, Arthur, a Yale student who been thrown from an open car while motoring on the Easter weekend. The family had received word by telegram in Paris, and Arthur Ryerson Sr. had cabled back to arrange his son’s funeral for April 19, two days after the Titanic was to arrive. His wife, Emily, was being given comfort by two of her daughters, Suzette, aged twenty-one, and Emily, aged eighteen, while thirteen-year-old Jack Ryerson was tended by his tutor, Grace Bowen. The Ryersons were part of Philadelphia Main Line society, named for the fashionable suburban towns built along the Main Line of the Pennsylvania Railroad and a group that would be well represented on the Titanic’s first-class passenger list.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
You wanted that? But you’re wise. You understand warfare better than any—” “Once!” the goddess said. “Replaced. Sacked. Looted like a trophy and carted off—away from my beloved homeland. I lost so much. I swore I would never forgive. Neither would my children.” She focused more closely on Annabeth. “You are my daughter?” “Yes.” The goddess fished something from the pocket of her shirt—an old-fashioned subway token—and pressed it into Annabeth’s hand. “Follow the Mark of Athena,” the goddess said. “Avenge me.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
She had bought herself a fashionable hat for the occasion, but had done nothing to accommodate it; so that the hat perched on her bird's-nest of ginger hair as if it had dropped there from an upper window as she walked along the street.
Josephine Tey (Classic collection of Josephine Tey. Illustrated: The Man in the Queue, A Shilling for Candles, The Franchise Affair, To Love and Be Wise, The Daughter of Time and others)
AM: My father had arrived in New York all alone, from the middle of Poland, before his seventh birthday… He arrived in New York, his parents were too busy to pick him up at Castle Garden and sent his next eldest brother Abe, going on 10, to find him, get him through immigration and bring him home to Stanton Street and the tenement where in two rooms the eight of them lived and worked, sewing the great long, many-buttoned cloaks that were the fashion then. They sent him to school for about six months, figuring he had enough. He never learned how to spell, he never learned how to figure. Then he went right back into the shop. By the time he was 12 he was employing two other boys to sew sleeves on coats alongside him in some basement workshop. KM: He went on the road when he was about 16 I think… selling clothes at a wholesale level. AM: He ended up being the support of the entire family because he started the business in 1921 or something. The Miltex Coat Company, which turned out to be one of the largest manufacturers in this country. See we lived in Manhattan then, on 110th Street facing the Park. It was beautiful apartment up on the sixth floor. KM: We had a chauffeur driven car. The family was wealthy. AM: It was the twenties and I remember our mother and father going to a show every weekend. And coming back Sunday morning and she would be playing the sheet music of the musicals. JM: It was an arranged marriage. But a woman of her ability to be married off to a man who couldn’t read or write… I think Gussie taught him how to read and to sign his name. AM: She knew she was being wasted, I think. But she respected him a lot. And that made up for a little. Until he really crashed, economically. And then she got angry with him. First the chauffeur was let go, then the summer bungalow was discarded, the last of her jewellery had to be pawned or sold. And then another step down - the move to Brooklyn. Not just in the case of my father but every boy I knew. I used to pal around with half a dozen guys and all their fathers were simply blown out of the water. I could not avoid awareness of my mother’s anger at this waning of his powers. A certain sneering contempt for him that filtered through her voice. RM: So how did the way you saw your father change when he lost his money? AM: Terrible… pity for him. Because so much of his authority sprang from the fact that he was a very successful businessman. And he always knew what he as doing. And suddenly: nothin’. He didn’t know where he was. It was absolutely not his fault, it was the Great Crash of the ‘29, ‘30, ‘31 period. So from that I always, I think, contracted the idea that we’re very deeply immersed in political and economic life of the country, of the world. And that these forces end up in the bedroom and they end up in the father and son and father and daughter arrangements. In Death of a Salesman what I was interested in there was what his world and what his life had left him with. What that had done to him? Y’know a guy can’t make a living, he loses his dignity. He loses his male force. And so you tend to make up for it by telling him he's OK anyway. Or else you turn your back on him and leave. All of which helps create integrated plays, incidentally. Where you begin to look: well, its a personality here but what part is being played by impersonal forces?
Rebecca Miller
We need the grounding of our divine identity in days fraught with chaos and confusion. You were first fashioned to reflect the ​image of God and then redeemed to be His daughter.
Lisa Bevere (The Fight for Female: Reclaiming Our Divine Identity)
Oh, yes, her husband was hopeless, and lost things and ran late, but he took care of his wife and daughters, in that old-fashioned, responsible, I-am-the-man-and-this-is-my-job way. Bridget was right: Cecilia ruled her world, but she’d always known that if there was a crisis—a crazed gunman, a flood, a fire—John-Paul would be the one to save their lives.
Liane Moriarty (The Husband's Secret)
David Sassoon For several decades, British designer David Sassoon has provided the best in evening wear for fashionable and famous customers from his high-profile store in London. His work has been featured in many international fashion shows and museums throughout the world, and his garments are in high demand at such notable stores as Sak’s Fifth Avenue, Harrods, and Neiman Marcus. The Princess of Wales would often make surprise visits to my shop, as I had made her going-away dress and many other outfits for her trousseau. In August 1982, Diana came to my shop with Lady Sarah Armstrong-Jones, the daughter of Princess Margaret, who had been a bridesmaid at Diana’s wedding. The Princess was wearing a blue-and-white-striped sailor-style two-piece outfit; Sarah wore a white shirt and a cotton skirt, as it was a very hot day. Diana said that she would like to choose a long evening dress for Sarah as a present. The dress was to be worn at a ball at Balmoral Castle. This was Sarah’s first long dress, and Diana wanted her to have her dream dress. There were lots of giggles and excitement as Diana helped Sarah try on some of the dresses, and the dressing room was full of laughter. Finally, Sarah chose a bright red strapless taffeta ball dress, which made her feel very grown up. We brought them tea while the dress was being fitted, and Sarah, who obviously adored Diana, listened to her advice about what accessories would complement the dress. Sarah was so excited about her beautiful and glamorous present when they left the shop. Diana had made a young girl’s dream come true.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Victor, Andy, and I sat waiting at the café within Miss Selfridge (the young fashion section of the department store) for our entourage to finish shopping. I took this opportunity to seek their advice.               “Tad proposed to me at the Oriental Club,” I declared nonchalantly.               “I know,” came Andy’s reply.               Boggled by his response, I questioned, “Why didn’t you ask me about it?” “I was waiting for you to tell me,” he answered. “He also gave you a key to his town house.” Shocked by his knowingness, I exclaimed, “How did you know?” “I know more about you than you,” he teased. Both men laughed at me. I looked at my teacher, confused. “You knew, too?” “Of course I did. I was present when Tad sought your Valet’s permission.” “Why did Tad come to you for permission?” I questioned. Victor promulgated, “Because he’s an honourable gentleman and a true romantic.” Andy nodded in agreement. My chaperone vociferated, “I’m your guardian, so he came to me to ask for your hand.” “Ask for my hand!” I exclaimed. “I’m not planning to marry him…” Before I could continue, my Valet pronounced, “Then it’s settled. You don’t want to be his property.” “I’m nobody’s property but my own!” I cried. The men burst into mirth. “I’m glad you are being sensible. In the Arab culture, being a kept boy is similar to being in a heterosexual marriage. The dominant partner has total control of his ‘wife boy,’” Triqueros commented. “I’m nobody’s ‘wife boy’!” I burst out. “And definitely not Tad’s.” “Very well then. It’s settled that you are not taking up his offer. I’ll convey your sentiments,” Andy finalized. Case closed. “I can tell him myself. I don’t need you to do it for me,” I voiced. Victor cited, “Since you are Andy’s charge, it is appropriate for him to act on your behalf to inform the intended of your decision. It’s customary protocol, as a man asks the father for his daughter’s hand.” I argued, “But I’m not a girl. I’m a boy who can make his own decisions. I am responsible for me!” Both mentors laughed again. “Are you sure about that?” my lover ruffled my hair and sniggered. “You could have fooled me.” My chaperone and I started a playful tug-of-war until my judicious professor put a stop to our silliness. “Young, stop this absurdity,” Triqueros commanded. “As I’d promised, I’m giving you a short lesson about the ‘real’ England. The existing British monarchy.” His words perked my attention.
Young (Turpitude (A Harem Boy's Saga Book 4))
Hypatia, the daughter of Theon, the mathematician, endeavored to continue the old-time instructions. Each day before her academy stood a long train of chariots; her lecture-room was crowded with the wealth and fashion of Alexandria. They came to listen to her discourses on those questions which man in all ages has asked, but which have never yet been answered: "What am I? Where am I? What can I know?" Hypatia and Cyril; philosophy and bigotry; they cannot exist together. As Hypatia repaired to her academy, she was assaulted by (Saint) Cyril's mob—a mob of many monks. Stripped naked in the street, she was dragged into a church, and there killed by the club of
Thomas William Doane (Bible Myths and their Parallels in other Religions Being a Comparison of the Old and New Testament Myths and Miracles with those of the Heathen Nations ... Considering also their Origin and Meaning)
Why won’t you marry me?” “Gracious, you are persistent.” She patted the bun he’d so expertly fashioned. “Has it occurred to you if I marry you all my wealth and independence would be forfeit?” “If you don’t trust me to leave your fortune in peace, transfer your wealth to your brother’s name. He’ll steward it as you direct.” Gayle would be more conscientious with her money than she was, which was saying something. “And what of my freedom, my independence?” How such a big man could move so quickly was beyond her. One moment Maggie was looking around for her boots and stockings, the next she was flat on her back with fifteen stone of determined earl poised above her. “You call it independence, but you never so much as go for a drive in the park, Maggie Windham. You do not make social calls except on your family members, you do not entertain, and you do not permit yourself even a dog for companionship. As my countess, you’ll have the run of the society functions, your invitations will be accepted by all and sundry, and you will have my charming and devoted company at your beck and call, even and especially in your confinements. Plural, God willing. Marry me.” Devoted
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
You pack quite a wallop, my lady.” Wallop. She smiled back at him, for she had walloped him without even using her parasol. “I was either going to kiss you or give in to some other kind of upset.” She liked lying there amid the flowers, despite what it was probably doing to her fashionable brown ensemble. “And your kisses are lovely, Lucas.” In the spirit of chivalry, she had to tell him that much. “As are yours. But, Eve, we’ve had a narrow escape.” And
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
Eve was talking to the horse in low, earnest tones, and the horse gave every appearance of listening raptly. An image of Mildred Staines flashed in Deene’s mind. He’d seen her riding in the park on a pretty bay mare just a few days previous. Mildred sat a horse competently, but there was nothing pretty about the picture. Her habit was fashionable, her horse tidily turned out, her appointments all coordinated for a smart impression, but… Eve was still wearing Deene’s coat, her skirts were rumpled, her boots dusty, and she sported a few wisps of straw in her hair. She stopped to turn the horse the other direction, pausing to pet the beast on his solid shoulder. I could marry her. The thought appeared in Deene’s brain between one instant and the next, complete and compelling. It rapidly began sprouting roots into his common sense. She was wellborn enough. She was pretty enough. She was passionate enough. She was—he forced himself to list this consideration—well dowered enough. And she charmed King William effortlessly. Why not? Little leaves of possibility began twining upward into Deene’s imagination. He knew her family thoroughly and wouldn’t have to deal with any aunts secreted away in Cumbria. He was friends with her brothers, who did not leave bastards all over the shire. The Windham hadn’t been born who lost control when gambling. And Eve Windham was a delightful kisser. Why the hell not? The longer he thought about it, the more patently right the idea became. Eve
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
Evie.” He brushed her hair back from her temple. “Time to wake up, love. We must greet our staff.” She straightened and peered out the window. “So many of them, and this is not even your family seat.” Our family seat. He did not emphasize the point. “Let me pin you up.” She turned on the seat while he fashioned something approximating a bun at her nape. The moment was somehow marital, and to Deene, imbued with significance as a result. Deene had laced up, dressed, and undressed any number of ladies, but there was nothing flirtatious in the way Eve presented to him the pale, downy nape of her neck. He kissed her there and felt a shiver go through her. “You are going to be the sort of husband who is indiscriminate with the placement of his lips on my person, aren’t you?” She did not sound pleased. “When we are private, probably. You always smell luscious, and I am only a man.” His
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
I beg your pardon, my ladies, Mr. Trottenham. I did not realize I’d be intruding unannounced.” “Deene, good day.” Trottenham rose and bowed, smacking his heels together audibly. “The more the merrier, I say, what? Saw your colt beat Islington’s by two lengths. Well done, jolly good and all that. Islington’s made a bit too much blunt off that animal in my opinion.” Trottenham apparently had a nervous affliction of the eyebrows, for they bounced up and down as he spoke, suggesting either a severe tic or an attempt to indicate some sort of shared confidence. “Perhaps the ladies would rather we save the race talk for the clubs?” “The ladies would indeed,” Louisa said. “Sit you down, Deene, and do the pretty. Mr. Trottenham was just leaving.” She gave a pointed look at the clock, while Eve, who had said nothing, busied herself pouring tea, which Deene most assuredly did not want. “Leaving?” Trottenham’s eyebrows jiggled around. “Suppose I ought, but first I must ask Lady Eve to join me at the fashionable hour for a drive around The Ring. It’s a beautiful day, and I’ve a spanking pair of bays to show off.” Deene accepted his cup of tea with good grace. “Afraid she’s not in a position to oblige, Trottenham, at least not today.” He smiled over at Eve, who blinked once then smiled back. Looking just a bit like Louisa when she did. “Sorry, Mr. Trottenham.” She did not sound sorry to Deene. “His lordship has spoken for my time today.” Trottenham’s smile dimmed then regained its strength. “Tomorrow, then?” Jenny spoke up. “We’re supposed to attend that Venetian breakfast with Her Grace tomorrow.” “And the next day is His Grace’s birthday. Couldn’t possibly wander off on such an occasion as that,” Louisa volunteered. “Why don’t I see you out, Mr. Trottenham, and you can tell me where you found these bays.” She rose and took him by the arm, leaving a small silence after her departure, in which Deene spared a moment to pity poor Trottenham. “I have an appointment at the modiste,” Lady Jenny said, getting to her feet. “Lucas, I’m sure you’ll excuse me.” She swanned off, leaving Eve sitting before the tea tray and Deene wondering what had just happened. “Did you tell them I’ve a preference for leeks?” “I did not, but I cannot vouch for the queer starts my sisters take.
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
I am not a desultory man, and you are not a woman a sane man could approach in a desultory fashion.” “Is that a compliment?” Because if it wasn’t a compliment, then she strongly suspected it was an insult. “It is a statement of fact.” He glanced over at her, his gaze lighting on her hair, which was coiled tidily on her head. He frowned at her hair, then his lips turned up. “And it is a compliment. You are quite pretty, Miss Windham.” “Gracious.” She rose, needing distance from him if he was going to spout nonsense and very nearly smile at her. “You need not dissemble when we are in private.” “Oh, but I do—though that was the God’s honest truth.” He was on his feet, strolling along right beside her. “Unless I am absolutely certain we cannot be seen, heard, or detected by others, I will comport myself like a man smitten.” “Smitten?” The notion was laughable. She could conceive of him allowing a discreet, calculated interest in some woman of impeccable breeding and tidy blonde hair, but nobody would believe him smitten with her. “Smitten.” He nodded once, agreeing with his own word choice. “Perhaps cautiously so, but smitten.” “This will require the thespian skills of Mr. Kean.” She eyed him curiously. What would it be like if he were smitten with her? “I shall rise to the challenge easily enough.” He glanced around as they approached a greening rose vine winding over an arched trellis. “Allow me to demonstrate.” He turned to face her under the trellis, bent his head, and kissed her.
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Benjamin Hazlit was a fiend from hell. Maggie became convinced of this when after their third pot of tea—he preferred Darjeeling—he was still grilling her about her household, her habits, her schedule on the day her reticule had gone missing. And all the while—when she herself ought to have been focused on how to recover the dratted reticule—Maggie had been hard put not to watch his mouth as it formed question after question. His mouth was neither cold nor stern. It was warm and knowing and even tender… gentle, God help her. Gracious, gracious, gracious. His mouth was… it was a revelation, a window into a side of the man Maggie would never have guessed existed. With the spotty boys and aging knights, she’d endured some pawing and slobbering. She’d been kissed, groped, and otherwise introduced to the nonsense that went on between men and women. They’d given her a rare moment of sympathy for her own mother, those suitors who wanted Maggie’s settlement despite the fact that it came attached to her hand in marriage. Until she’d asked her brother Devlin why men felt compelled to behave in such a fashion, and Dev had gotten that tight, lethal look to him. He’d taught her a few moves then, creative uses of the knee, the fist, the fingers, and the suitors had become more respectful as a result. She wanted to plant her fist in Mr. Hazlit’s gut at that moment, though she suspected her fist would be the worse for it. How could a man kiss so sweetly, so ardently, and yet be so… fiendish? “Show
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
You are being nonsensical, Benjamin. Why are you wearing those clothes?” “Because I did not want my pocket picked, today of all days.” His tone was sober enough that she glanced over at him in puzzlement. “I don’t understand.” “I’m carrying valuables for my lady.” He withdrew a little box from an inside pocket, and Maggie’s heart started trotting around nervously in her rib cage. “Benjamin, what are you about?” “Come.” He took her by the wrist and led her to a low stone wall circling a fountain. “I want to do this properly.” Foreboding mixed with an odd, sentimental thrill as Maggie seated herself on the stone wall. Benjamin took the place beside her, his expression still somber. He flipped open the box, withdrew a gorgeous emerald ring, and tucked the box out of sight again. “With this ring, I plight thee my troth, Maggie Windham.” She watched, dumbstruck, while he took her hand and slid the ring onto the appropriate finger. It was the stone she had picked out—she was almost sure of it—but the setting was nothing she recognized. “You should not be doing this.” She stared at the golden love knot crafted into the setting, stared at it until a teardrop splattered onto the back of her hand. “Oh, Benjamin, this is foolishness. We are not engaged, not truly.” He folded her into his embrace, resting his cheek against her temple. “It has been two weeks, Maggie, or nearly so. I think we are truly engaged.” She shook her head and tried to draw back, but he did not let her go. “I am not with child.” “Your menses have started then?” And still he did not let her go, but damn him, he understood her well enough to make a direct inquiry. “Not yet, but they will. I can feel it.” She would will it to happen, of that she was certain. No woman could conceive a child with this much tension and anxiety swirling in her vitals. “Then we’re still engaged.” “Must you be so stubborn?” He let her go and pulled back far enough to aim a look at her that asked silent, pointed questions about who was being stubborn with whom. “I got a ring for myself, too,” he said. “It’s not fashionable, but my parents observed this custom, and I noted yours do, as well.” “You don’t miss much of anything, do you?” He passed her a gold band that would have been plain, except it was chased with a swirling, interlocking pattern reminiscent of the love knot. “You don’t have to say the words, Maggie, but if you’d oblige me?” He held out his hand, and Maggie felt her heart—already fractured into a hundred sharp, miserable pieces—splinter further. Wordlessly, she took the ring from him and slid it onto the fourth finger of his left hand. “This is not a real engagement, Benjamin Portmaine. I wish it could be, but it cannot.” He kissed her, a sweet, gentle, heartrendingly tender pressing of his lips over hers. “It’s real to me, Maggie Windham. In this moment, sitting here with you, I am betrothed to the only woman I’ve ever wanted for my countess, my wife, and my love.” She
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
In my head, I’m composing a new piece of music.” Vim turned to see Lord Val riding along beside him. “It will be called, ‘Lament for a Promising Young Composer Who Died of a Frozen Bum-Fiddle.’ I’ll do something creative with the violins and double basses—a bit of humor for my final work. It will be published posthumously, of course, and bring me rave reviews from all my critics. ‘A tragic loss,’ they’ll all say. It could bring frozen bum-fiddles into fashion.” “You haven’t any critics.” St. Just spoke over his shoulder, having abdicated the lead position to his sister. “Ellen won’t allow it, more’s the pity.” “My wife is ever wise—” “Oh, famous.” Westhaven’s muttered imprecation interrupted his idiot younger brother. Lord Val leaned over toward Vim. “There’s another word, a word that alliterates with famous, that his-lordship-my-brother-the-heir has eschewed since becoming a father. Famous is his attempt at compromise.” “I’ll say it, then.” St. Just sighed as another flurry drifted down from the sky. “Fuck. It’s going to snow again. Beg sincere pardon for my language, Sophie.” She
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
He assisted Lady Louisa from her horse, which allowed him the realization that she was not as substantial as her height might have suggested. When she slid to the ground, he collected one other little fact about her: despite the morning’s activity, the scent of citrus and cloves clung to her. Expensive, and in the brisk air of a bright winter morning… Christmassy. He liked it. He liked her, in fact, though he would never burden the lady with such a confession. In the two years since he’d been turned loose on the local Kentish gentry, he’d spent considerable time on the edges of drawing rooms and dancing parlors, visiting in the churchyard, and tending to the neighborly civilities. From what he’d observed, Lady Louisa went her own way, as much as such a thing was possible for a duke’s unmarried daughter. She spoke her mind and had a saucy mouth. Also a saucy bottom. He particularly liked her saucy bottom. He enjoyed the way her riding habit revealed a bit more flare at the hips than was fashionable, and the way she made no effort to hide the Creator’s generosity with her fundament. She was a woman a man could get his hands on… “Sir
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Sophie ought to be comfortable enough, though.” Westhaven’s lips pursed where he sat on his horse. “My backside is not comfortable in the least. I tell myself to be grateful we’re not dealing with rain and mud, but a cold saddle is only a little less miserable.” “You should have let me fit a sheepskin under the ducal arse,” St. Just said, swinging onto his horse. “Baby Brother wasn’t so proud.” Val climbed aboard too, settling onto the sheepskin cushion St. Just had fashioned the night before. “It helps with that initial, ball-shriveling shock of cold when your backside first lands in the saddle. You ought to try it, Westhaven.” “Perhaps tomorrow, if we’re indeed to be traveling another day.” “We
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
I will not be spoken to in that tone," she said to her mother. Enid's mouth gaped open. For only a moment, however, until she began to protest. "You've gotten snippy since your marriage, haven't you? I'll not take that behavior from you, child. Your sister would never have disrespected me in such a fashion." "Enough!" Ellice held up her hand, her gaze never once leaving her mother. "When have you ever respected me, Mother? I'm only a poor substitute for Eudora." She took a deep breath. "I'm not Eudora," she said. "I'm not your beloved daughter who died. I'm the one who lived. I'm tired of hearing about what my sister did or would have done. I suspect that Eudora would have silenced you long before now." She grabbed her skirts and walked around her mother, heading for the kitchen. At the door, she stopped and turned. "Must I die before you begin to value me as well?
Karen Ranney (The Virgin of Clan Sinclair (Clan Sinclair, #3))
Joseph stopped and suddenly his vision seemed to memorize her face. Not once did he move his eyes from her. “Miss Campbell, would you think me too forward if I—” “Joseph!”  Nathaniel’s voice and sudden presence made Kitty gasp. Her eyes shot open wide and she clamped her teeth together to keep her mouth from following suit. What in mercy’s name was he doing here? Unfazed, Nathaniel smacked Joseph on the shoulder and nodded approval as he scanned the man’s suit and breeches. “You are always my inspiration for proper fashion, Joseph, I must say. You are dressed far finer than any other gentleman here, including myself. I’m surprised you don’t have a chorus of women clamoring for your attention.” Joseph grinned as if well acquainted with Nathaniel’s humor, then his smile rested slightly and he looked toward Kitty. “That honor is reserved for you Nathaniel, for I am much more content with only one.”  Kitty’s heart tapped against her ribs. Raising her lips in the most tantalizing smile she could create, she turned her head. Flirtatiousness was never her strong suit, but somehow at this moment the ability proved almost innate. And not, she told herself, because it might make Nathaniel wish he’d come to speak to her sooner.  The music began again and Joseph bowed, offering his hand. “It appears another dance is beginning, Miss Campbell. Would you do me the honor?” Kitty stepped forward, brushing her fingers across Joseph’s, bursting to life with all the charm she knew how to use but so rarely did. “I’d be honored, Mr. Wythe.” Quickly shooting Nathaniel a smile she hoped would broil him, Kitty followed Joseph onto the dance floor.  Nathaniel dodged in front of them, his expression drawn. “Forgive me but I’m afraid your brother-in-law sent me looking for you, Miss Campbell.” Kitty frowned. “Is Eliza unwell?” He shook his head. “Thomas is with her at the fainting couch and asked me to see if you would be available to bring her something to drink.” Worry replaced every other emotion as she gently gripped Joseph’s firm hand. “Forgive me, Mr. Wythe, but I need to see to my sister. May we postpone this dance until a later time?” Joseph nodded, his mouth tipped at one side. “Of course, Miss Campbell. Another time then, and I shall look forward to it.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
From Tudor to eighteenth-century England, there are many instances of women writers with no place or room of their own. The life-story of the play-wright Elizabeth Cary, Lady Falkland (1585-1639) gives us a dramatic and, lately, much-studied example. In the hagiographical 'The Lady Falkland: Her Life', written by one of her daughters, we hear how the prodigious Elizabeth learnt to read very soon and loved it much... Without a teacher, whilst she was a child, she learnt French, Spanish, Italian [and] Latin... She having neither brother nor sister, nor other companion of her age, spent her whole time in reading; to which she gave herself so much that she frequently read all night; so as her mother was fain to forbid her servants to let her have candles, which command they turned to their own profit, and let themselves be hired by her to let her have them, selling them to her at half a crown apiece, so was she bent to reading; and she not having money so free, was to owe it them, and in this fashion was she in debt a hundred pound afore she was twelve year old.
Hermione Lee (Body Parts : Essays on Life-Writing)
If you’re assuming that my plans to leave are nothing more than a reaction to Miss Hathaway … I’ve been considering this for a long time. I’m not an idiot. Nor am I inexperienced with women.” “To say the least,” St. Vincent commented dryly. “But in your pursuit of women—or perhaps I should say their pursuit of you—you seem to have regarded them all as interchangeable. Until now. If you are taken with this Hathaway creature, don’t you think it bears investigating?” “God, no. There’s only one thing it could lead to.” “Marriage,” the viscount said rather than asked. “Yes. And that’s impossible.” “Why?” The fact that they were discussing Amelia Hathaway and the subject of marriage was enough to make Cam blanch in discomfort. “I’m not the marrying kind—” St. Vincent snorted. “No man is. Marriage is a female invention.” “—but even if I were so inclined,” Cam continued, “I’m a Roma. I wouldn’t do that to her.” There was no need to elucidate. Decent gadjis didn’t marry Gypsies. His blood was mixed, and even though Amelia herself might harbor no prejudices, the routine discriminations Cam encountered would certainly extend to his wife and children. And if that wasn’t bad enough, his own people would be even more disapproving of the match. Gadje Gadjensa, Rom Romensa … Gadje with Gadje, Roma with Roma. “What if your heritage made no difference to her?” Westcliff asked quietly. “That’s not the point. It’s how others would view her.” Seeing that the older man was about to argue, Cam murmured, “Tell me, would either of you wish your daughter to marry a Gypsy?” In the face of their discomforted silence, he smiled without amusement. After a moment, Westcliff stubbed out his cigar in a deliberate, methodical fashion. “Obviously you’ve made up your mind. Further debate would be pointless.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
What happened to your face, sir?” Rose answered before he did, with the pride of a child who was delivering news of great significance. “Mr. Bronson ran into a left hook again, Mama. He was fighting. And he brought this to me.” She pulled the end of her button string from her large apron pocket and climbed into Holly's lap to display her newest acquisition. Cuddling her daughter, Holly examined the button carefully. It was fashioned of a huge sparkling diamond encased in rich yellow gold. Bewildered, she glanced at Elizabeth's rueful face, and Paula's tight-lipped one, before finally staring into Bronson's enigmatic black eyes. “You shouldn't have given Rose such a costly object, Mr. Bronson. Whose button is it? And why were you fighting?” “I had a disagreement with someone in my club.” “Over money?… Over a woman?…” Bronson's expression revealed nothing, and he gave an indifferent shrug, as if the matter were of no importance. Considering various possibilities, Holly continued to stare at him in the tense silence that had overtaken the room. Suddenly the answer occurred to her. “Over me?” she whispered. Idly Bronson picked a skein of thread from his sleeve. “Not really.” Holly suddenly discovered that she knew him well enough to discern when he was lying. “Yes, it was,” she said with growing conviction. “Someone must have said something unpleasant, and instead of ignoring the remark, you took up the challenge. Oh, Mr. Bronson, how could you?” Seeing her unhappiness, instead of the grateful admiration he had probably expected, Bronson scowled. “Would you rather I allowed some high-kick b—” He paused to correct himself as he noticed the rapt attention Rose was paying to the conversation. “Some high-kick fellow,” he said, his tone softening a degree, “to spread lies about you? His mouth needed to be shut, and I was able and willing to do it.” “The only way to respond to a distasteful remark is to ignore it,” Holly said crisply. “You did the exact opposite, thereby creating the impression in some people's minds that there may be a grain of truth in it. You should not have fought for my honor. You should have smiled disdainfully at any slight upon it, resting secure in the knowledge that there is nothing dishonorable about our relationship.” “But my lady, I would fight the world for you.” Bronson said it in the way he always made such startling comments, in a tone of such jeering lightness that the listener had no doubt he was being facetious. Elizabeth broke in then, her lips curved in a droll smile. “He'll use any excuse to fight, Lady Holly. My brother enjoys using his fists, primitive male that he is.” “That is an aspect of his character we will have to correct.
Lisa Kleypas (Where Dreams Begin)
In most gatherings people blend into one another—they are dressed in the same fashion and their faces wear the same sort of “party look”—but these people were so strong and rugged in personality that they always remained themselves no matter where they were or what they were doing. Presently,
D.E. Stevenson (The Baker's Daughter)
Do you ever regret the choices you made?” He asked because a man could love his wife and still be honest. Flint’s answer was to leaf through the sketches and pull out one of a young couple from a bygone era, his evening attire nearly as resplendent as her ball gown—for all the image was in black and white. “The fashion at one point was to have mirrors in ballrooms, the better to serve both light and vanity. At our betrothal ball, I caught a particular glimpse of your mother’s face as we danced, and it has been all the answer any husband should ever need.” The young marchioness gazed at her husband much as the queen had gazed at her king—with love and admiration, but without the worry. Clearly she had found her way into the arms of the one man in all the world who was right for her. Flint picked up the sketch. “I would give up the ability to see any color, the ability to sketch, and several appendages as well to spend my life with your mother.
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
We have to stop, Genevieve. Did your brothers tell you to apply perfume to your breasts?” He didn’t realize the extent of his non sequitur until he beheld the confusion in her eyes. “They did not.” “Your scent is stronger here.” He nuzzled her throat. “Jasmine and insanity.” A lovely combination. Her pulse raced at the base of her throat, matching the throbbing behind his falls. “Genevieve.” He swallowed and tried again. “Your nightgown sports a number of bows, my dear.” She smoothed her hands back through his hair, a caress that rippled over his skull, down his spine, and went right, straight to his bollocks. “Elijah, what—?” He untied the first bow with his teeth, mostly in the hope that, because teeth were not as dexterous as fingers, some sanity might return between bows number one and six. “Never, ever put the bows on your nightgown or your chemise in the front,” he warned as he undid bows two and three in a similar fashion. “A man can take only so much temptation.” He
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
I was greenly jealous of my peers’ moms with their bleach-blonde hair, tanning-bed arms, toothpick waists, and closets full of brand-new clothes: blouses and skirts and pants and designer jeans that some of the mothers let their daughters borrow. I didn’t know whether Mom’s lack of interest in all things fashionable came from being an immigrant from Scotland—where the media-saturated and commodity-rich beauty industry didn’t take over until the end of the twentieth century—or because she was a reader, a writer, and a teacher: mind over matter. All I knew was that, while she would buy me any book I asked for or take me to any play I might want to see, she couldn’t explain how to contour eye shadow or tell me whether my sweater complemented my complexion. She didn’t diet, she didn’t read women’s magazines, and she refused to buy me the enormous gold earrings or the pair of spiky red shoes I coveted, stilettos sharp enough to skewer fi sh. And even though her disinterest meant I didn’t have to participate in a daily beauty competition—one with a trophy mom sacrifi cing her body on the altar of loveliness—I also didn’t have a beauty mentor that I could trust. So I was left to try to copy the popular girls at school, tv and movie icons, or the breathtaking stars in magazines. Even the curling iron was a purchase I had to negotiate on my own.
Jennifer Cognard-Black (From Curlers to Chainsaws: Women and Their Machines)
She felt uncomfortably warm in her pink snakeskin jacket. The wooden platforms with the neon-green straps and rhinestones were already starting to cramp her toes.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
About the Author Native San Franciscan Erika Lenkert fled the dot-community to find respite and great food and wine in Napa Valley. When she’s not writing about food, wine, and travel for the likes of Four Seasons Magazine or InStyle, or promoting her book The Last-Minute Party Girl: Fashionable, Fearless, and Foolishly Simple Entertaining, she’s in search of Wine Country pleasures to share with Frommer’s readers. She also remains subservient to her owners—two Siamese cats and most recently, her new daughter Viva. In addition to this guide, Erika authors and co-authors a number of other Frommer’s guides to California, including Frommer’s California and Frommer’s San Francisco
Anonymous
For a society that will tinker with any “natural” process—birth, death, aging, noses, or chicken pox—this clinging to the old-fashioned “man and woman make a baby” mode as the truest path to motherhood is, when you think about it, rather odd. Witnessing my daughter’s birth as, essentially, a bystander, I promise I’m not less of a mother to her. I’m not like her mother; I am her mother.
Avital Norman Nathman (The Good Mother Myth: Redefining Motherhood to Fit Reality)
God created the angels, with their natural propensity to good. Later, he made beasts with their animal desires. But God was pleased with neither. So he fashioned man, a combination of angel and beast, free to follow good or evil.
Christine Lewry (Thin Wire: A Mother's Journey Through Her Daughter's Heroin Addiction)
Well, I don’t know for sure if it’s still there, but when we lived in Minnesota, we would drive through Janesville to get to our place. If you took the old Highway 14 through town, as you’re heading west, just as you cross Main Street, there’s this old two-story house on the right-hand side of the road.” “What happened?” Daniel anticipated where this was going: “Was someone killed there?” “No. But if you looked up at the attic window you’d see a doll hanging there. It was one of those old-fashioned dolls made of wood and it was hanging from a rafter with a noose around its neck.” “Okay, that’s disturbing.” “No kidding. Well, there are all these stories about the doll and why it’s there. Some people say it moves; others say someone died in the house and the place is haunted. The way I heard it, there was a girl who lived there and the other kids made fun of her because she was the sort of kid that adults call ‘special,’ and kids call all kinds of other things. You know what I mean.” “Sure,” Daniel said quietly. “Anyway, the other kids in the town were relentless, making fun of her, calling her names, all that. The story goes that even when she was a teenager she carried that doll with her everywhere—which only made them make fun of her more. One day her mom was looking for her and couldn’t find her anywhere.” He paused, as if to accentuate how long the girl’s mom searched. “Eventually she went outside to look for her and when she turned around toward the house, she saw her daughter hanging in the attic window where she’d killed herself—hung herself off one of the rafters. And they say that after the funeral, her parents took the same rope that their daughter had used and they hung that doll up there in the window as a constant reminder to the townspeople of what they’d driven their daughter to do.” Daniel was silent. “So, last month I was doing this contemporary-issues assignment and I thought I’d try to find out what really happened. I came across this newspaper article from 1975 that said that one time, years ago, the guy who lived in the house was looking through a National Geographic magazine and saw a picture of a house in Pennsylvania that had a doll hanging in the window and he basically said, ‘Huh. Wouldn’t it be cool if we had a doll hanging in our window too?’ So he hung it up there.
Steven James (Blur (Blur Trilogy #1))
To look at Mattel as a relative of the Hollywood studios is to make sense of some of its contradictions. The daughter of a Polish Jewish immigrant, Ruth Handler coded with her fashion dolls the same sort of phantasmic "America" that Louis B. Mayer had coded in his movies. Barbie was, in fact, better suited than a human actress to exemplify an impossible ideal. There was no tribal taint in her plastic flesh, no baggage to betray an immigrant past. She had no navel; no parents; no heritage.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
Tessa Dahl A daughter of famed British novelist Roald Dahl, Tessa Dahl was a good friend of Diana’s and her colleague at several successful charities. A prolific writer and editor, Tessa is a regular contributor to many important British newspapers and magazines, including the Sunday Times, the Daily Mail, the Telegraph, Vogue and the Tatler. The only part that marred the night was, typically, my dad, Roald Dahl, who left at the interval. I was devastated, but that was his modus operandi. I wanted him to see me in the Royal Box. I fear most of the post-party was spent with me on the phone crying to him, after Diana had left and we had done the royal lineup. Gosh, she was always so good at that. Talk about doing her homework. Every single performer, she had time for, even knowing a little bit about each one. We didn’t see each other again until Bruce Oldfield’s ball. Diana had come with Prince Charles and looked really miserable. Beautiful, in a gold crown (with Joan Collins trying to outdo her--good luck, Joan), but still, she had a new aura of hopelessness. Although she did dance with Bruce to KC and the Sunshine Band’s “That’s the Way I Like It.” We stopped to talk. “How’s Daisy?” she asked kindly. She obviously knew that I had been having my baby down the hall in the same hospital and at the same time as she had had Prince Harry. “Actually, it’s a different bovine name. She’s called Clover.” I was touched that she had remembered that we had had our babies around the same time and that my little girl did have a good old-fashioned cow’s name. I asked, “Wasn’t it fun at the Lindo? I do love having babies.” “I’m afraid I find it rather disgusting,” she revealed. This, of course, was the famous time when Prince Charles had been so disparaging about Harry’s being a redhead.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Very well. Since you won’t divulge her location, answer me this. Why would Miss Plum turn down a respectable offer of marriage from a gentleman such as my Bram?” “Why is it that ladies seem to believe I enjoy discussing these types of personal matters?” Mr. Skukman countered. Iris continued as if Mr. Skukman had not spoken. “Bram is a wealthy, eligible, and influential gentleman who owns his own castle—not to mention his stellar good looks.” “You’re his mother. Of course you’re going to believe he has stellar good looks.” “You don’t believe my Bram is handsome?” “Yet another topic I’m not comfortable discussing, but . . . I suppose if I really consider the matter, yes . . . Mr. Haverstein’s features are adequately arranged, but Miss Plum is not a lady who is impressed by a handsome face.” “She’s an actress.” Mr. Skukman let out a bit of a growl, which had Lucetta immediately stepping from behind the curtain. “Thank you, Mr. Skukman, but I think it might be for the best if I take it from here.” “Were you hiding behind the curtains?” Iris demanded. “Obviously,” Lucetta said as she headed across the room, stepping in between Iris, who was looking indignant, and Mr. Skukman, who’d adopted his most intimidating pose—a pose that didn’t appear to intimidate Iris in the least. “Now then,” Lucetta began, sending Mr. Skukman a frown when he cracked his knuckles, “from what I overheard, you’re here, Mrs. Haverstein, to learn why I rejected Bram’s offer.” Iris lifted her chin. “That’s one of the reasons I’ve sought you out.” “Lovely, and before we address those other reasons, allow me to say that the reason I refused Bram’s proposal was because your son was offering to marry a woman who doesn’t exist. He simply has yet to realize that.” Iris narrowed her eyes. “Bram could provide you with everything.” “I’m fairly good at providing for myself, Mrs. Haverstein.” Iris’s eyes narrowed to mere slits. “What are you really playing at? Are you, by chance, hoping that because you turned him down, he’ll make you a better offer?” Lucetta’s brows drew together. “What else could he possibly offer me that would be more appealing than his name?” For a second, Iris looked a little taken aback, but she rallied quickly. “You may be the type of woman who prefers the freedom spinsterhood provides, so I would imagine you’re holding out for a nice place in the city, replete with all the fashionable amenities.” Even though Lucetta was well aware of the reputation most actresses were assumed to enjoy, and even though such insinuations normally never bothered her, a sliver of hurt wormed its way into her heart. Before she could summon up a suitable response, though, Abigail suddenly breezed into the room. “Lucetta is like a granddaughter to me, Iris, and as such, you will treat her accordingly, as well as apologize for your serious lack of manners,” Abigail said as she plunked her hands on her hips and scowled at her daughter. At first, it seemed that Iris wanted to argue the point, but then she blew out a breath and nodded Lucetta’s way. “My mother is quite right. That was unkind of me, and unfair. Forgive me.” Lucetta
Jen Turano (Playing the Part (A Class of Their Own, #3))
Indubitably, eighteenth-century literature contains much that nineteenth-century historians might identify as ‘domestic ideology’, yet these themes were far from revolutionary. The dialectical polarity between home and world is an ancient trope of western writing; the notion that women were uniquely fashioned for the private realm is at least as old as Aristotle.
Amanda Vickery (The Gentleman's Daughter: Women's Lives in Georgian England)
Somebody is in a queer state of mind, perhaps behaves oddly, and no reason for this can be discovered at the time. Later—a month, a year, 10 years—the cause of this effect reveals itself. Because of where or what or how I am now, I behaved in such a fashion then.”54 Priestley called this the “future-influencing-present effect”—not unlike what later researchers would call presentiment but unfolding in many cases across a much longer timeframe of an individual’s life. In his 1964 book Man & Time, Priestley described several examples. One letter-writer was a WWII veteran with what we would now call PTSD, who experienced a “breakdown” during the war and relapses of his condition thereafter. He credited his recovery to a somewhat older woman with children whom he met and married after the war and, by the time of his writing, had a teenage daughter with. But “for a year before he met his wife or knew anything about her, he used to pass the gate of her country cottage on the local bus. And he never did this without feeling that he and that cottage were somehow related.”55 Another, older letter writer recalled being a girl during the First World War and when out walking one night in London, “found herself looking up at a hospital, quite strange to her, with tears streaming down her cheeks.” Years later, she moved in with a woman friend, and they remained partners for 25 years. “This friend was then taken ill and she died in that same hospital at which the girl so many years before had stared through her inexplicable tears.”56 Priestley also gives an example from two acquaintances of his own: Dr A began to receive official reports from Mrs B, who was in charge of one branch of a large department. These were not personal letters signed by Mrs B, but the usual duplicated official documents. Dr A did not know Mrs B, had never seen her, knew nothing about her except that she had this particular job. Nevertheless, he felt a growing excitement as he received more and more of these communications from Mrs B. This was so obvious that his secretary made some comment on it. A year later he had met Mrs B and fallen in love with her. They are now most happily married. He believes … that he felt this strange excitement because the future relationship communicated it to him; we might say that one part of his mind, not accessible to consciousness except as a queer feeling, already knew that Mrs B was to be tremendously important to him.57
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
Beloved sons and daughters! Let us maintain the desire for a life modeled after the Christian lifestyle. The Christian lifestyle is not always easy. It is, we know, a demanding style of living, sometimes inconvenient, and not always fashionable. But remember: it must not be judged only by what it takes away, but evaluated by what it gives. And if it is engraved on us by the law of sacrifice, that is, by the Cross, remember, or rather, experience for yourselves the paradox characteristic of the Christian way of life. It consists in an extraordinary and simultaneous fusion of braking and thrusting, of moderation and vitality, of sorrow and joy. The present life finds in this lifestyle its highest and fullest expression, as Saint Paul said: I am overjoyed in all our affliction. (Pope St Paul VI)
Pope Paul VI
Hussar could wear it on parade. No medals, although the cut and, when she got closer, cloth were such that it could easily support a few decorative diamonds on a neat diagonal across her chest – no one would find them out of place. Either it was high fashion or it had been stolen from the daughter-in-law of some Eastern European dictator who had spent her youth watching old war movies. Brunetti knew that if he were to compliment it, she would look down, flick at it with the back of her fingers, and ask, ‘You mean this?’ After she’d taken a seat, Brunetti asked, anyway, ‘Where’d you get the jacket?’ thinking that Chiara would run mad to have one like it. ‘What? This thing?’ Griffoni never disappointed him. ‘Yes.’ ‘It’s something a cousin of mine picked up in a thrift store.’ ‘Where?’ ‘Tashkent, I think,’ she said seriously. ‘Anyway, someplace where there had been a recent change of government.’ ‘Then it wasn’t Uzbekistan,’ Brunetti said neutrally, adding, ‘How may I help?
Donna Leon (So Shall You Reap (Commissario Brunetti #32))
Perhaps she was just old-fashioned, Agnes said, but it seemed to her that severe introspection was a sure way to get lost in the smallest issues, to reduce one's life to a list of grievances. For her daughter, it felt like every conversation, every memory could lead to an injustice that needs talking through.
Aysegül Savas (White on White)
The term "holy spirit" appears three times in the Hebrew Bible: Psalm 51 refers to "Your holy spirit" (ruach kodshecha)[3] and Isaiah refers twice to "His holy spirit" (ruach kodsho).[4] Psalm 51 contains a triple parallelism between different types of "spirit": Fashion a pure heart for me, O God; create in me a steadfast spirit (רוּחַ נָכֹון‎). Do not cast me out of Your presence, or take Your holy spirit (רוּחַ קָדְשְׁךָ‎) away from me. Let me again rejoice in Your help; let a vigorous spirit (רוּחַ נְדִיבָה‎) sustain me.[5] "Spirit of God" Variations of a similar term, "spirit of God", also appear in various places in the Hebrew Bible. The Hebrew noun ruacḥ (רוח‎) can refer to "breath", "wind", or some invisible moving force ("spirit"). The following are some examples of the word ruacḥ (in reference to God's "spirit") in the Hebrew scriptures:[6] Genesis 1:2 "a wind from God sweeping over the water" [7] 1 Samuel 16:13 "and the spirit of the LORD gripped David from that day on." Psalm 143:10 "Let Your gracious spirit lead me on level ground." Isaiah 42:1 "Behold My servant, I will support him, My chosen one, whom My soul desires; I have placed My spirit upon him, he shall promulgate justice to the nations." Isaiah 44:3 "So will I pour My spirit on your offspring, My blessing upon your posterity." Joel 2:28 "I will pour out My spirit on all flesh; Your sons and daughters shall prophesy.
Bible
saddlebags. “And please tell Kiri she should put her shoes on. Lucas will have a fit if she serves like that.” “Mummy, why do I have to put on shoes? Kiri isn’t wearing any.” George met Gwyneira and her daughter in the corridor outside his room just as he was about to go down to dinner. He had done his best as far as evening wear went. Though slightly wrinkled, his light brown suit was handsomely tailored and much more becoming than the comfortable leather pants and waxed jacket he had acquired in Australia. Gwyneira and the captivating little red-haired girl who was squabbling so loudly were likewise elegantly attired. Though not in the latest fashion. Gwyneira was wearing a turquoise evening gown of such breathtaking refinement that, even in the best London salons, it would have created a stir—especially with a woman as beautiful as Gwyneira modeling it. The little girl wore a pale green shift that was almost entirely concealed by her abundant red-gold locks. When Fleur’s hair hung down loose, it frizzed a bit, like that of a gold tinsel angel. Her delicate green shoes matched the adorable little dress, but the little one obviously preferred to carry them in her hands than wear them on her feet. “They pinch!” she complained. “Fleur, they don’t pinch,” her mother declared. “We just bought them four weeks ago, and they were on the verge of being too big then. Not even you grow that fast. And even if they do pinch, a lady bears a small degree of pain without complaining.” “Like the Indians? Ruben says that in America they take stakes and hurt themselves for fun to see who’s the bravest. His daddy told him. But Ruben thinks that’s dumb, and so do I.” “That’s her opinion on the subject of being ‘ladylike,’” Gwyneira remarked, looking to George for help. “Come, Fleurette. This is a gentleman. He’s from England, like Ruben’s mummy and me. If you behave properly, maybe he’ll greet you by kissing your hand and call you ‘my lady.’ But only if you wear shoes.” “Mr. McKenzie always calls me ‘my lady’ even if I walk around barefoot.” “He must not come from England, then,” George said, playing along. “And he certainly hasn’t been introduced to the queen.” This honor had been conferred on the Greenwoods the year before, and George’s mother would probably chatter on about it for the rest of her
Sarah Lark (In the Land of the Long White Cloud (In the Land of the Long White Cloud Saga, #1))
Then came a lady - I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her innermost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. "Who are all these young men and women on each side?" "They are her sons and daughters. Every young man or boy that met her became her son - even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter." "Isn't that a bit hard on their own parents?" "No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.
C.S. Lewis
Who are all these young men and women on each side? They are her sons and daughters. Every young man or boy that met her became her son - even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter. Isn't that a bit hard on their own parents? No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.
C.S. Lewis
To Naomi, my oldest daughter, who loved to hear my story ideas and encouraged me to write them down and then in typical teenager fashion rolled her eyes and said I’d probably not even mention her in the acknowledgments—I showed you, you salty bitch.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
Then came a lady - I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her innermost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. “Who are all these young men and women on each side?” “They are her sons and daughters. Every young man or boy that met her became her son - even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.
C.S. Lewis
Five minutes later she came back to the car wearing low fitted gray pants, high-heeled black boots, a white T-shirt, and a long black nylon coat that flapped behind her like a graceful set of wings. She had on eyeliner and her hair was pulled back into a severe ponytail. She looked like a rock star or a publicist for rock stars.
Jeanne Ray (Eat Cake)
This trans thing? I feel like it came up five years ago and everybody jumped on the bandwagon. And to tell me that it’s always been there, when I grew up in the heart of the fashion industry—it wasn’t.
Abigail Shrier (Irreversible Damage: The Transgender Craze Seducing Our Daughters)
Well, I am sorry if you were hurt, but it was quite your own fault,' said Miss Grantham defensively. `If you had not done such a shabby thing to me I would not have had you kidnapped. You have behaved in the most odious fashion, and you deserve it all!' A rankling score came into her mind. She added: `You did me the honour once, Mr Ravenscar, of telling me that I should be whipped at the cart's tail!' `Do you expect me to beg your pardon?' he demanded `You will be disappointed, my fair Cyprian!’ Miss Grantham flushed rosily, and her eyes darted fire. `I you dare to call me by that name I will hit you!’ she said between her teeth. `You may do what you please - strumpet!' replied M Ravenscar. She took one hasty step towards him, and then checked saying in a mortified tone: `You are not above taking an unfair advantage of me. You know very well I can't hit you when you have your hands tied.' `You amaze me, ma'am! I had not supposed you to be restricted by any consideration of fairness.
Georgette Heyer (Faro's Daughter)
What's wrong with looking chic? Women need to be strong enough to say, "I don't need to dress like a teen girl any more." It's okay to be in sync with your younger daughter or niece, but it's not okay to try to look like her (whether it comes to clothes or plastic surgery).
Rachel Zoe (Style A to Zoe: The Art of Fashion, Beauty, & Everything Glamour)
It was at about this time, on the eve of their annual sailing to London for the social and sporting season there, that Cornelia and her husband, the couple formerly known as Mr. and Mrs. Bradley Martin, sprouted a hyphen in their surname, somewhat like a supernumerary nipple, and, in parallel fashion to the orthographic coupling of the Waldorf and the Astoria hotels, began to call themselves the Bradley-Martins. In a similar status uptick they followed the virtually hallowed practice of their class by acquiring for their daughter an impecunious but titled mate, the twenty-five-year-old fourth Earl of Craven. A secure room in the basement of the Bradley
Justin Kaplan (When the Astors Owned New York: Blue Bloods & Grand Hotels in a Gilded Age)
The God Knife is a god remnant,” he answered. “God bone, fashioned by the hand of Un Drallag the Sorcerer. It harkens to the soul of the god from whose body the bone was taken. It can kill anyone and anything, the blessed and the cursed, the forever living and the risen dead—even other gods.” “Yet you keep it,” I’d said, not understanding the depth of his words or the fact that they would one day change my world. His only reply had been: “Yes, daughter. I keep it. Because I must.” Like Nephele, thoughts of my father are never far from my mind. Why he went to the fields the day he died—in the dead of winter—will forever remain a mystery, as will the question that might haunt me until my last breath: If the blade is so all-powerful, why didn’t he use it to save us? To save Nephele?
Charissa Weaks (The Witch Collector (Witch Walker #1))
Oh shit, I thought, if this isn’t the Low King of the Dwarves then I’m the President of the Cricklewood Branch of the Women’s Institute. It all fit—apart from the fact that he wasn’t a dwarf, nor did he appear to be a king, and they made dinner plates, not swords or rings of power. Still, definitely another bloody genius loci or something almost as powerful. Nightingale was going to throw a fit. Albeit in a restrained stiff-upper-lip fashion. “My name,” whispered the man, “is Mathew Ten-Tons and this is my daughter Elizabeth.
Ben Aaronovitch (Whispers Under Ground (Rivers of London #3))
When Christ formed the New Covenant with us, then, it was much more than a simple contract or legal exchange, where he took our sin and gave us his righteousness, as Luther and Calvin explained it. Although true, that explanation fell short of the full truth of the gospel. What I discovered was that the New Covenant established a new worldwide family in which Christ shared his own divine sonship, making us children of God. As a covenant act, being justified meant sharing in the grace of Christ as God’s sons and daughters; being sanctified meant sharing in the life and power of the Holy Spirit. In this light, God’s grace became something much more than divine favor; it was the actual gift of God’s life in divine sonship. Luther and Calvin explained this exclusively in terms of courtroom language. But I was beginning to see that, far more than simply being a judge, God was our Father. Far more than simply being criminals, we were runaways. Far more than the New Covenant being made in a courtroom, it was fashioned by God in a family room. Saint Paul (whom I had thought of as the first Luther) taught in Romans, Galatians and elsewhere that justification was more than a legal decree; it established us in Christ as God’s children by grace alone. In fact, I discovered that nowhere did Saint Paul ever teach that we were justified by faith alone! Sola fide was unscriptural!
Scott Hahn (Rome Sweet Home: Our Journey to Catholicism)
Though she is poor, like us, she has a sharp fashion sense, matching unusual colors and patterns in ways that somehow make sense. She makes outfits from the flea market look good on her. She smells like vanilla, and her laugh reminds me of wind chimes. I always thought Angie would grow up to be something awesome, like a designer or an artist, but it turned out she was another Mexican daughter who didn’t want to leave home. She works downtown and still lives with her parents.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
One of her nice dresses. What her mother meant was something more fashionable. Molly favored dark skirts and simple white blouses. Clothing that was practical and allowed her to move and breathe. Ruth Everton wanted her daughter in handsome suits with gathered flounces and lots of fringe, and a corset that laced her into the perfect S shape that fashion demanded. Forget breathing altogether.
Robin Lee Hatcher (Love Letter to the Editor (Four Weddings and a Kiss))
He scanned the crowd for Serena. She stood next to Jimena in silver hip huggers and a frosty top. Rhinestones and crystals sparkled in her hair like stars. Jimena wore a sequin-covered purple velvet dress. Their bodies glowed. He wanted to see a sadness on Serena's face that matched his own. Some sign that she missed him the way he ached for her.
Lynne Ewing (The Sacrifice (Daughters of the Moon, #5))
Who's Vanessa?" "I don't believe you. She's only the most popular girl in the whole school." She pointed a finger at the girl in the middle of the three who were still watching Tianna closely. "Everyone knows Vanessa." Vanessa had perfect skin, large blue eyes, and luxurious blond hair that curled over her shoulders. "Are those extensions?" Tianna asked. "All hers." Corrine sighed. Vanessa was dressed in a funky white coat of fake fur that went down to her brown suede boots; underneath was a low-hanging party-girl skirt with two gold belts draped around her tan waist. "Where'd she get the clothes? They're so cool." Tianna glanced self-consciously at her own jeans. The knees were soiled, and there was a long black mark on the side, as if she had skidded in dirt or oil. "Her mom's a costume designer for the movies," Corrine confided. Tianna felt a pang of jealousy- not for the clothes, but from the mention of Vanessa's mother. She wondered where hers was. Why hadn't she been with her this morning?
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
Who's that other girl with Vanessa?" Tianna asked. "The one with the teardrops tattooed under her eye?" "That's Jimena." Corrine spoke in a lower voice. "Don't mess with her. Everyone says she's been in a camp twice." "Camp?" Tianna asked. "Youth authority," Corrine muttered, as if Tianna ought to know. "I can't believe you didn't hear. It's all over school. She used to be in a gang." "And the one staring daggers at me?" "The one with the cello case is Serena," Corrine answered wistfully. "You should hear her play. I'm so jealous of her talent. She'll be famous someday." Serena wore a fedora and a tie-dyed shirt with studded jeans. She had a beautiful face and compelling eyes. "She can also tell your fortune with her tarot cards," Corrine whispered. "She read mine once, and it was spooky, everything she knew. I never went back for a second reading.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
Wow," she whispered. The clothes definitely looked like something she would wear. Scoop-neck tops and slinky skirts, hipster flare jeans and a leopard camisole. Even the shoes were perfect. Mary Janes with thick, chunky soles, bungee sneakers, and boots. She slipped off her leather jacket, tore off the tag on a fuzzy hooded sweater, and pulled it over her head. She liked the way the sleeves came down to the tips of her fingers. Automatically she poked her thumbs through the weave and smiled.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
An hour later Tianna was walking toward Planet Bang, wearing a sweater shell with sequins and an ankle-grazing skirt slit up the sides to the top of her thighs. She glanced at the waning moon and stopped. There was something important she had to do before the moon turned dark and it was in some way connected to Justin and Mason, but what? She stared at the sky as she continued, hoping the memory would come to her the way soccer and skateboarding had. When she rounded the corner, the music grew louder. A neon sign throbbed pink, blue, green, and orange lights over the kids waiting to go inside. She recognized some of them. It seemed as if everyone had come with a friend or friends. Their heads turned and watched her as she walked to the end of the line. She spread her hands through her hair and arched her back. As long as they were going to stare, she might as well give them a show. She twisted her body and stuck one long leg out from the slit in her skirt. Guys smiled back at her as she stretched her arms in a sexy pose. The girls mostly turned away, pretending they hadn't been checking out their competition.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
Mary Vial Holyoke was the daughter of a Boston merchant and the wife of a Salem gentleman, Edward Augustus Holyoke, a casual versifier and serious physician who was a member of the town’s economic and intellectual elite.3 The Holyokes enjoyed the barbecues, dances, teas, and “turtles” of the Essex County gentry, yet each of the four major housekeeping roles is clearly apparent in Mary’s diary, as this selection of entries from the 1760s shows: Service and maintenance: “Washed.” “Ironed.” “Scoured pewter.” “Scowered rooms.” “Scoured furniture Brasses & put up the Chintz bed & hung pictures.” “Burnt 5 Chimnies.” “Opened cask of Biscuit.” “Began a Barrel of flour.” “Began upon 22 lb. of chocolate.” “Dressed a Calves Head turtle fashion.” Agriculture: “Sowd sweet marjoram.” “Sowed pease.
Laurel Thatcher Ulrich (Good Wives: Image and Reality in the Lives of Women in Northern New England, 1650-1750)
My task was nothing less than the moulding of the cultural sense of the nation, and it had two main heads. I had to guide taste into the right channels and I had to see that no one else guided it into the wrong. Thus it was just as important to discourage bad influence as to encourage good. To send a promising and impecunious young painter to an Art School with a Government grant was in itself a praiseworthy act ; but it was useless from the national point of view if it was not accompanied by drastic measures to keep the most suggestive sorts of French literature from entering our ports. To help a young genius to Valhalla was one thing. But it was almost as important, from the national point of view, to see that our youth was not brought into contacts with those packets of French postcards which are labelled, “Très rare, très curieux. Discrétion.” I take a good deal of credit to myself—though, of course, Pettinger got the kudos at the time—for tightening up the administration of the Customs so that such authors as Joyce, whose name was either James or John—I forget which—Stein, Baudelaire, Louÿs, Anatole France, Proust, Freud, Jung, Rolland, and others, were intercepted at the ports by the special Pornographie section of the Constabulary which I created with men borrowed from the uniformed branch of the Metropolitan Police. These men, ail of whom could read and write English fluently, performed admirable service in the détection of immoral literature. Art Exhibitions also came within the scope of my department, and I closed at least a dozen objection-able ones which contained nudes and other suggestive subjects. It was always a matter of regret to me that I was unable to take strong action about Epstein’s “Genesis.” But the Marchioness of Risborough—a leader of taste and fashion, who was not only persona gratissima in exalted circles, but also the daughter of a millionaire steelmaker—had publicly declared her admiration of it, and so there was nothing for me to do except to déclaré mine. And now, looking back on it, I realize how right I was to choose Lady Risborough’s opinion rather than the small advantages to be obtained from Epstein’s gratitude. Small tradesmen who tried to sell miniature replicas of the “Genesis” were ruthlessly prosecuted, however, by my department on the charge of exhibiting, or causing to be exhibited, indécent figures.
A.G. Macdonell (The Autobiography of a Cad)
They were dressed in leather like biker chicks. Serena had on platform boots, a tight-fitting motorcycle jacket, and a mini. Jimena wore studded ankle boots, a bareback leather halter top, and a hip-hugging matching skirt.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
In the middle of the bobbing bodies, Vanessa moved sinuously against Toby. She wore a black leather skirt with a long slit up the side and a cropped leather jacket. Her midriff was bare and looked incredibly good with the gold chains that hung around her waist.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
When they finished dressing, Jimena wore racy red hot pants, a silky blouse with a star-burst pattern, and crazy ankle boots with thin chains draped around her ankles. "Too cool." Serena admired Jimena's outfit, then she twirled to show off her own shoulder-baring top that exposed her midriff. She had pasted a crystal in her belly button. Kendra's bell-bottoms had been too long, but when she stepped into a pair of gold 70's platform shoes the length became just right. Catty wore a backless halter top and a pair of lacy bell-bottoms. She held up some stencils. "Kendra is going to start selling these at the shop. Anyone want to try one?" She had two dragons in one hand and a lacy snowflake pattern in the other. Jimena and Serena started to examine them, when Vanessa walked into the room. She was wearing a pinstripe shirt unbuttoned over a black leather bra top. Kendra's mini-skirt was too big and the waist fell around Vanessa's hips. Her skin looked golden bronze and she had applied one of the snowflake stencils on her stomach. "Wow," Serena said. "Talk about going for the jugular," Jimena teased. "You like it?" she asked and took off the shirt. "It's too hot to wear.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
Miss Reeves…your grandmother led me to believe she and your grandfather would fully approve if I were to pay you court. Would you…? That is, I realize I am…apart from my family and our recent…” He huffed to a halt, and then he lifted his gaze to her face. Whatever he saw seemed to bolster him, though she thought she’d emptied her countenance of any telling expression. “Is your heart already set on Fairchild, or have I a chance at winning your affections?” Oh, how she wished he had phrased it in a more complicated fashion so that she could play her usual role and act the imbecile. But a question so direct could not be misinterpreted even by pseudo Winter. She cleared her throat. “If my grandparents sanction your court, then certainly I shall receive you when you call.” The set of his jaw looked at once amused and frustrated. “That is not what I asked.” Winter took a long moment to study his penetrating eyes, his pleasant face, the uncertainty in his posture. She took a moment to recall how endearing he was as he bumbled his way through all the balls they had both attended, how many smiles she had tamped down as he stuttered through each introduction to eligible females, yet spoke with eloquence to the gentlemen on topics of philosophy and science. Her heart seemed to twist within her. She could like this man, could enjoy his company, but she dared not. He knew nothing that would interest General Washington; she would be beyond useless if she attached herself to him. She would be no more, then, than another Loyalist daughter, seeking her own merriment above the call of freedom. That she could not do. She could not return to an existence without purpose. “Mr. Lane…” Her voice sounded uncertain to her own ears, so she paused for a slow breath. “I am surprised you would ask about my heart. Surely you have heard the rumor that I haven’t one.” He moved to her side and took her hand, tucking it into the crook of his elbow. All the while his gaze bore into her, measuring her. “I know you are not the empty vessel you pretend to be, Miss Reeves. With your leave, I intend to discover what lies beneath this lovely surface.
Roseanna M. White (Ring of Secrets (The Culper Ring, #1))
Motherhood By Christianna Maas My willingness to carry life is the revenge, the antidote, the great rebuttal of every murder, every abortion, and every genocide. I sustain humanity. Deep inside of me, life grows. I am death’s opposition. I have pushed back the hand of darkness today. I have caused there to be a weakening tremor among the ranks of those set on earth’s destruction. Today a vibration that calls angels to attention echoed throughout time. Our laughter threatened hell today. I dined with the greats of God’s army. I made their meals, and tied their shoes. Today, I walked with greatness, and when they were tired I carried them. I have poured myself out for the cause today. It is finally quiet, but life stirs inside of me. Gaining strength, the pulse of life sends a constant reminder to both good and evil that I have yielded myself to Heaven and now carry its dream. No angel has ever had such a privilege, nor any man. I am humbled by the honor. I am great with destiny. I birth the freedom fighters. In the great war, I am a leader of the underground resistance. I smile at the disguise of my troops, surrounded by a host of warriors, destiny swirling, invisible yet tangible, and the anointing to alter history. Our footsteps marking land for conquest, we move undetected through the common places. Today I was the barrier between evil and innocence. I was the gatekeeper, watching over the hope of mankind, and no intruder trespassed. There is not an hour of day or night when I turn from my post. The fierceness of my love is unmatched on earth. And because I smiled instead of frowned the world will know the power of grace. Hope has feet, and it will run to the corners of earth, because I stood up against destruction. I am a woman. I am a mother. I am the keeper and sustainer of life here on earth. Heaven stands in honor of my mission. No one else can carry my call. I am the daughter of Eve. Eve has been redeemed. I am the opposition of death. I am a woman.
Kris Vallotton (Fashioned to Reign: Empowering Women to Fulfill Their Divine Destiny)
Ciao, papa,” she said in as deadpan a voice as she could manage. “You look very well this evening. Quite dashing.” He couldn’t help himself; he glanced down and preened for just a moment before he remembered that this was his daughter speaking. She hadn’t said anything that wasn’t sarcastic since she turned thirteen. He felt a touch of nostalgia for the twelve-year-old Silvia, who had prepared her bedroom walls with photos of clean-cut pop stars and cute puppies, who had begged to go to work with him just so they could be together, who had blushed if a neighbor chided her for being too loud . . . But that Silvia was gone. In her place was this, this alien who said everything with a sneer and eyed him disdainfully and made him feel like the oldest, most ridiculous man on earth. “More to the point, I am dressed appropriately,” he said. He realized that he was gritting his teeth. He remembered what his dentist had said about cracked molars, and made a conscious effort to relax his jaw. “You, on the other hand—” He glanced at the tattoo and closed his eyes in pain. “The invitation said formal,” she said, innocently. Her face darkened as she remembered that she had a grievance of her own. “I wanted to buy a new dress for this party, but you said it would cost too much! You said that the babies needed new high chairs! You said that our family now had different financial priorities! And this is the only formal dress I have, remember?” “Yes, and I also remember that there used to be a bit more of it!” her father hissed. Silvia glanced down complacently. “I know,” she said. “I altered it myself. It’s an original design.” “Original.” Her father glared at her. “You’ll be lucky not to be charged with indecent exposure. And if you are”—he gave her a warning look—“don’t expect any favors just because you’re the mayor’s daughter!” Silvia ignored this comment with the disdain it deserved. First, she never told anyone she was the mayor’s daughter. Second, her father was not, by any stretch of the imagination, an authority on fashion. She curled her lip at his tuxedo (which was vintage, but not in a good way), his high-heeled shoes (which kept making him lose his balance), and that scarlet sash (which made him look like an extra in a second-rate opera company). “Fine,” she said loftily. “If the police arrest me, I will plead guilty to having a unique and inventive fashion sense.” He remembered what his wife had said about keeping his temper and forced himself to smile.
Suzanne Harper (The Juliet Club)
Sarah, his fifteen-year-old daughter, supposedly at boarding school, a very expensive one, in the coronary area. It didn’t so much drain his resources as blast a hole through them – wide and unstoppable. He tried for composure. ‘Whatcha doing home, not half term already?’ ‘No. I got suspended.’ ‘What? What on earth for? Got to get me a drink.’ He poured a sensible measure of Glenlivet, then added to it, took a heavy slug and glanced at his daughter. She was in that eternal moment of preciousness between girl and woman. She loved and loathed her dad in equal measure. He looked closer, said: ‘Good grief, are those hooks in your lips?’ ‘It’s fashion, Dad.’ ‘Bloody painful, I’d say. Is that why you’re home?’ ‘Course not. Mum says not to tell you, I didn’t do nuffink.’ Roberts sighed: an ever-constant cloud of financial ruin hung over his head, just to teach her how to pronounce ‘nothing’. And she said it as if she’d submerged south of the river and never surfaced.
Ken Bruen (The White Trilogy: A White Arrest, Taming the Alien, and The McDead)
The only thing I ask is that if I die and my father still lives, you would keep my son safe. He’s the only thing in the world that means anything to me.” I wasn’t used to asking for things. It was difficult and my pride was taking a beating, but my son was far more precious than my ego. “Done,” Dwayne said without missing a beat. “I’m clearly outnumbered with eight daughters and I’ve always wanted a son. Being gay and dead it’s highly unlikely I’ll get an heir in the usual fashion. I have more homes than I even know about. I can keep him hidden for eternity and the Cows will spoil his little fire-ass rotten.
Robyn Peterman (No Were To Run (Shift Happens, #3))
Our efforts to brace and strengthen the ceiling in the dark and dismal cellar of our home, with poles that were spaced about three feet apart, soon proved to be totally inadequate. We also fashioned window and door guards using scrap iron and steel as protection against the nightly rain of relentless horror by the bombings from above. Every time an air raid alarm sounded the five children and three women, living in this old building, stumbled down into the dark, damp basement. It was extremely difficult for one person to fit a baby carriage down the steep stairs and since my baby daughter’s pram was just too large for me to handle alone, I had to lift Ursula out of it and carry her down steep stairs to our makeshift subterranean pantry. The extreme cold of winter made the intolerable situation even worse. To care for little Ursula, my baby girl, I was forced to sit on the floor of this subterranean pantry. I can still remember the thick coarse material of the heavy coat I wore, as I crouched in what I thought was a protected corner, on the dirt floor. With the upturned collar of my heavy coat scratching my cheeks and uncertain of my surroundings, I fumbled and struggled in the dark and severe cold trying to burp, change and nurse my small, hungry child.
Hank Bracker
Saroj seemed to be enjoying the food, and that surprised as well as pleased Devi. Mama never ate anything but Indian food. Once in a while she'd try Thai, but her heart was with good old-fashioned south Indian food. Growing up, Saroj served only Indian food in the house. There were no two ways about it with her. "You can eat all the nonsense you like outside this house, but here, I will only make good Indian food," Saroj told her family. At least she didn't insist they become vegetarian like a lot of Indians abroad did. Devi couldn't imagine how her life would be if she couldn't eat salmon mousse or rogan josh.
Amulya Malladi (Serving Crazy with Curry)
In the evening after supper, Nicholas often sat in the family drawing room reading aloud while his wife and daughters sewed or embroidered. His choice, said Anna Vyrubova, who spent many of these cozy evenings with the Imperial family, might be Tolstoy, Turgenev or his own favorite, Gogol. On the other hand, to please the ladies, it might be a fashionable English novel. Nicholas read equally well in Russian, English and French and he could manage in German and Danish.
Robert K. Massie (Nicholas and Alexandra: The Classic Account of the Fall of the Romanov Dynasty)
Aren’t you getting dressed for work a little early? It’s not even noon yet.” “Oh, I know. I thought I would go downtown and do some shopping. Maybe stop in at Mode O’Day and see what they have in for summer fashions.” Dorothea’s half-smile froze on her face. Mode O’Day was the closest thing to a fashionable women’s store in Middle Falls. It was also owned by Marge O’Day, one of Dorothea’s closest friends. The thought of her only daughter parading around downtown in the mustard-colored uniform—and worse, talking to Dorothea’s friends—did not settle well with her. Finally, her face twisted in a sour knot, she nodded, and said, “Very good.” For the first time, Cassandra thought she saw some respect in her eyes.
Shawn Inmon (The Reset Life of Cassandra Collins (Middle Falls Time Travel, #8))
know, in one week we are supposed to have our annual bake sale,” I was very excitified. But when she added, “However, it has come to my attention that this year it will not be taking place,” my ears were so shocktified that tears almost spilled out of them. This was the worst news in the history of forever. It was the opposite of exciting. It was tragical is what it was, and that is not an opinion. But then she continued, “Instead, this year we’re going to do something entirely different, but no less wonderful. Children ... ,” she said, getting very quiet so that things got suspensiful, “we’re going to put on a fashion show!” That is when everyone in my class went into an uproar, and Mrs. Pellington was so happy, she didn’t even clap at our faces for quiet. “It will be a mother-daughter fashion show with special backstage jobs for the boys,” she said, which was the exact sentence that almost made my head fall off. It is a scientific fact that I have always wanted to be in a fashion show with my mother, even if it was something I had never known I’d wanted until just that second.
A.J. Stern (Fashion Frenzy (Frankly, Frannie Book 6))
Each of the Gods at the center of these diverse cosmogonies is not just a creator, but the creator, and in a unique way. It is not a question of these different Gods being responsible for different parts of the cosmos, or having different discrete functions in an integrated system. Rather, each such Creator is responsible for the cosmos as a whole, but through a different concept, in each case, of what creation is. Each cosmogony is thus its own science of being, or ontology. Note also that it is no obstacle that Isis, for example, occurs in the fourth ‘generation’, so to speak, of the Gods, according to the most common accounts; She can still be understood as the Creator, eternally arranging the conditions for Her own cosmic emergence. Nothing about the generational or familial relations among the Gods has much effect upon Their ability to operate in this fashion as ultimate Creator. Some Egyptian theological texts deploy specific terminology to explicitly render a God self-creating, such as the epithet kamutef, literally ‘bull of his mother’, that is, having conceived themselves, or in a feminine version, ‘mother who became a daughter’, but even in the absence of such terminology it is simply a pragmatic expectation in Egyptian theological texts that insofar as a God occupies the center of attention even momentarily, that God is rendered supreme.
Edward P. Butler (The Way of the Gods : Polytheism(s) Around the World)
The Book of Enoch provides an excellent foundation for the approach and understanding of Luciferianism as a philosophy: The Watchers bring knowledge and potential, this alone is celebrated among Left-Hand Path initiates. In the days before the rise of the Cult of Yahweh, the ancient world was ever changing. The earth evolved and the balance of predator and prey was shaped and fashioned in a beautiful conflict present in nature. The daughters of men, fair and inspiring lust in the Watchers, these gods of the empyrean and fiery realm of air to take notice. The Watchers as they are called, have origins in the Hebrew root ‘er, ‘awake, watchful’ indicating the divine fire of which they bestow unto the Daughters of Cain and the Nephilim. For those of the Luciferian Path, myths and lore are made individual and within the beginning and end of the initiate. We find a parallel and influence of the Watcher descent from the older Mesopotamian lore of the Seven Sages. The apkallu (Wise Ones, Sages) were seven sages sent by Ea from the Apsu to teach the arts of civilization to humanity prior to the Flood. The parallel with the Watchers is clear: the apkallu were skilled craftsmen who instructed man on the arts, social structure and the invention of walled cities. Ea later banished them back to the oceanic abyssic Apsu. Seleucid period Babylonian scribe Berossos recorded this myth in his works. The names of the Seven Sages are known: U-an, better recognized as Oannes, U-an-duga, En-me-duga, En-me-galama, En-me-buluga, An-Enlilda and Utu-abzu. Other epithets are known of the Seven Sages and each is paired with an antediluvian king. The sages came forth from the Apsu depicted as fish-men or with the Underworld features of a bird.
Michael W. Ford (Fallen Angels: Watchers and the Witches Sabbat)
Some people have a great fashion of calling things they do not like yellow. You exclude the yellow man. You fear the yellow peril. I edit a white paper turned out by yellow men, and many white men turn out yellow papers.
Julia Flynn Siler (The White Devil's Daughters: The Fight Against Slavery in San Francisco's Chinatown)
the humorous Ladies Dictionary of 1694. This manual advised the fashionable suitor to mobilize all his parts to secure the affections of his lady-love.
Amanda Vickery (The Gentleman's Daughter: Women's Lives in Georgian England)
When Sidney had first met Amanda, soon after her twenty-first birthday, he had been rather smitten. She was the tall and vivacious daughter of a wealthy diplomat who had once been a colleague of his grandfather. Unlike Juliette Thompson, she was not what a fashion magazine would refer to as an ‘English rose’, being dark and commanding and full of opinion. But she had presence, and even though her own mother had described her nose as ‘disappointingly Roman’, dinner parties throughout London were grateful for her conversational sparkle. It was universally considered that, although she might cause trouble with her outspoken views, Amanda could liven up any party and would be a good catch for any man who was prepared to take her on. Sidney had nurtured a faint hope that one day he might be that man, but as soon as he had decided to become a clergyman, that aspiration had bitten the dust. It would have been ludicrous for a well-connected debutante, in pursuit of the most eligible bachelor in town, to marry a vicar.
James Runcie (Sidney Chambers and the Shadow of Death)
I think I hate Capaldi because deep down I suspect he may be right. That what he claims is true. That science has now proved beyond doubt there’s nothing so unique about my daughter, nothing there our modern tools can’t excavate, copy, transfer. That people have been living with one another all this time, centuries, loving and hating each other, and all on a mistaken premise. A kind of superstition we kept going while we didn’t know better. That’s how Capaldi sees it, and there’s a part of me that fears he’s right. Chrissie, on the other hand, isn’t like me. She may not know it yet, but she’ll never let herself be persuaded. If the moment ever comes, never mind how well you play your part, Klara, never mind how much she wishes it to work, Chrissie just won’t be able to accept it. She’s too… old-fashioned. Even if she knows she’s going against the science and the math, she still won’t be able to do it. She just won’t stretch that far. But I’m different. I have…a kind of coldness inside me she lacks. Perhaps it’s because I’m an expert engineer, as you put it. This is why I find it so hard to be civil around people like Capaldi. When they do what they do, say what they say, it feels like they’re taking from me what I hold most precious in this life. Am I making sense?
Kazuo Ishiguro (Klara and the Sun)
Why do women feel the need to play the “everything’s fine” game? Why do we cover up for shitty situations and shitty men? At some point, this nonsense has to stop. We have to teach our daughters that shame isn’t the correct response when anyone wants to hurt them, silence them, or try to make them feel like they’re the problem. The correct response is rage. Silencing ourselves and our truth and playing a good-girl role is bullshit. It’s soul killing. We should have no room in our lives for people who try their best to make us feel small. What we should have is some good, old-fashioned fucking anger and ream them out like they deserve.
J.T. Geissinger (Beg For Me (Morally Gray, #3))
As we consider David and Sydney through these years they seem to shrink as their daughters grow. They had new nicknames: The Poor Old Male and The Poor Old Female, or TPOM and TPOF. Decca used to shake her father’s elbow as he was drinking his tea, to give him palsy practice for when he was old. As it happened it was not David but Sydney who was to suffer from Parkinson’s disease in old age. There was, however, a considerable difference between the two of them. Both were out of their depth in the waters into which their daughters plunged them; but it was David who was ultimately swept away. Sydney learned, in her fashion, to swim, although she swam very much against the current.
Jonathan Guinness (The House of Mitford)
Sweet merciful heaven,” Alasdair Hugh Morley, the Marquess of Westcliffe muttered hoarsely. An enchantress. Nothing else made sense for how she commanded his attention. The fickle beauty stood perfectly motionless, her head tilted left, the graceful and delicate arch of her neck on tantalizing display, a sensual smile on her lips. Lady Willow Rosalind Arlington, daughter of the Duke and Duchess of Milton, was exceptionally beautiful, though not in the way society would deem fashionable.
Stacy Reid (The Marquess and I (Forever Yours #1))
In the attic, the three discovered an entire rack of evening gowns representing every fashion trend of the twentieth century. Brigid chose a strapless black cocktail dress that Sadie had worn. Phoebe found a flowing white Halston that Flora purchased back in the seventies. And Sibyl chose a gold-beaded flapper dress that had belonged to her great-great-grandmother, Rose. Liam sent a car to fetch them for the party. Gathered in the foyer, it was the first time they saw each other in their formal wear. Brigid's eyes were smoky and lips scarlet. Her red hair fell over her bare shoulders, where blue veins were just visible beneath violet-tinged skin. Phoebe's skin glowed with no assistance from makeup, and she wore her hair in a crown of braids woven through with a golden ribbon. Sibyl was where all the Duncans traits met. She was light and dark, glamorous and natural. Her red curls formed a bloom around her lovely face. The Three looked, very much, like a trio.
Kirsten Miller (The Women of Wild Hill)
Less than six months later, Betty gave birth to a girl, Jacqueline Mary. The daughter arrived in the midst of a transition for the British so vivid that many who lived through it saw it as if the world switched in front of them from black-and-white to color. The arrival of rock ’n’ roll music from America, and the simultaneous explosion of its simplistic British sibling, skiffle, came at a point when food rationing had finally ended and the abolition of national service loomed enticingly on the horizon, inviting the nation’s youth to rediscover themselves as something brand-new: teenagers. They did so in a growing economy, with a disposable income on which to buy the 45 rpm singles of the newly hip hit parade, as well as to indulge in fresh fashions that experienced a tabloid-enhanced heyday with the drape jackets of the “teddy boys,” but were more generally enjoyed for the novel freedom to express oneself as something other than merely a working person.
Tony Fletcher (A Light That Never Goes Out: The Enduring Saga of the Smiths)
We keep on striving and we keep on fighting. We think we have only two choices: rebellion or religion? We think we are confined to only two options. However, Jesus came to show us that there is another way. Father God is so in love with mankind that He gave His only begotten Son to show us the right way and to die in our place. The Father is more than willing to bring us back to our rightful place, to live in His Presence. He proved His commitment by bringing His only Son to the altar of sacrifice. He told Abraham to hold back the dagger, but Father did not withhold His Son. He allowed the world to defile and crucify His precious Son. Even though His Son cried out, “Why have you forsaken me?” Father refused to answer because He knew it was the only way we could be restored to Him. Father God is waiting outside His home, and He is on the lookout for His prodigal and religious sons and daughters. He is waiting for both the prodigal and religious children who continue to strive far away from His Presence. The table is set and the entire house has been prepared for your homecoming. The only thing missing is you. Start the long journey home. Father is waiting for you. Reflection Invite the presence of your Father and ask Him to go deep into your spirit and just let Him love on you for a while. Activation Father, show me if there is any way in which I live or behave as if I have no home. Father, are there any areas in my life where I protect myself from rejection? There is no fear in love and perfect love casts out fear. So, Father, show me any place in my life where fear is stronger than love. Declaration Father, I know you did not give me a spirit of fear or shame! You fashioned me from your likeness and made me YOUR son! You are my Father! I know you have plans to prosper me and not to harm me, to give me a hope and a future. I trust you completely! Remove my fears and replace them with your perfect love!
Leif Hetland (Healing the Orphan Spirit)