Fashion Apparel Quotes

In the fashion industry, everything goes retro except the prices.

Take care of your costume and your confidence will take care of itself.

With right fashion, every female would be a flame.

It's time to shop high heels if your fiance kisses you on the forehead.

Fashion doesn't make you perfect, but it makes you pretty.

The way you dress is how you greet the sun and other stars.

Jewelry maybe is more expensive than clothes, but clothes are more important than jewelry.

Any girl with a grin never looks grim.

Pantaloons were often worn tight as paint and were not a great deal less revealing, particularly as they were worn without underwear. . . . Jackets were tailored with tails in the back, but were cut away in front so that they perfectly framed the groin. It was the first time in history that men's apparel was consciously designed to be more sexy than women's.

Your clothes should be as important as your skin.

You cannot choose your face but you can choose your dress.

Dresses don't look beautiful on hangers.

Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.

Why should we labor this unpleasant point? Because the Book of Mormon labors it, for our special benefit. Wealth is a jealous master who will not be served halfheartedly and will suffer no rival--not even God: "Ye cannot serve God and Mammon." (Matthew 6:24) In return for unquestioning obedience wealth promises security, power, position, and honors, in fact anything in this world. Above all, the Nephites like the Romans saw in it a mark of superiority and would do anything to get hold of it, for to them "money answereth all things." (Ecclesiastes 10:19) "Ye do always remember your riches," cried Samuel the Lamanite, ". . .unto great swelling, envyings, strifes, malice, persecutions, and murders, and all manner of iniquities." (Helaman 13:22) Along with this, of course, everyone dresses in the height of fashion, the main point being always that the proper clothes are expensive--the expression "costly apparel" occurs 14 times in the Book of Mormon. The more important wealth is, the less important it is how one gets it.

All this I see; and see that the fashion wears out more apparel than the man.

The childish and savage taste of men and women for new patterns keeps how many shaking and squinting through kaleidoscopes that they may discover the particular figure which this generation requires to-day. The manufacturers have learned that this taste is merely whimsical. Of two patterns which differ only by a few threads more or less of a particular color, the one will be sold readily, the other lie on the shelf, though it frequently happens that after the lapse of a season the latter becomes the most fashionable. Comparatively, tattooing is not the hideous custom which it is called. It is not barbarous merely because the printing is skin-deep and unalterable.

...catching a glimpse of his rather hippyish form in a mirror, he wonders at this atavism of apparel, is it an inversion of foetal ontogeny, in which the phenotype passes through previous fashion stages? Soon there will be gaiters and gloves...I will probably die, he thinks, clad in animal skins.

This is how athleisure has carved out the space between exercise apparel and fashion: the former category optimizes your performance, the latter optimizes your appearance, and athleisure does both simultaneously. It is tailor-made for a time when work is rebranded as pleasure so that we will accept more of it—a time when, for women, improving your looks is a job that you’re supposed to believe is fun.

Our dress affects not only our thoughts and actions but also the thoughts and actions of others. Accordingly, Paul the Apostle counseled “women [to] adorn themselves in modest apparel” (1 Timothy 2:9). The dress of a woman has a powerful impact upon the minds and passions of men. If it is too low or too high or too tight, it may prompt improper thoughts, even in the mind of a young man who is striving to be pure. Men and women can look sharp and be fashionable, yet they can also be modest. Women particularly can dress modestly and in the process contribute to their own self-respect and to the moral purity of men. In the end, most women get the type of man they dress for. [Ensign, Mar. 2014, 47-48]

The Spirit at work in us is replacing our desire to dress in a way that impresses or seduces with a desire to dress as Paul instructed women in his letter to Timothy, “in respectable apparel, with modesty and self-control” (1 Tim. 2:9). Rather than making a fashion statement with our clothes that will cause heads to turn in our direction, we want to make a fashion statement with our character that will cause heads to turn in Christ’s direction.

An old fashioned outfit is not a costume, it's a comedy.

To Tanta Yanns the clothes in fashion when she was young represented God's final say on human apparel. All change since then came from the style book of the devil.

Over the past twenty years, Maher watched that pattern play out again and again as major clothing brands made demands on suppliers in Bangladesh to lower their prices while also completing orders faster and constantly improving their workplace and environmental standards. Fakir Fashion has implemented certified projects to treat its wastewater, harvest rainwater, use more solar power, provide meals and child care for workers, hire workers with disabilities, build schools in the local area and more. They have been unable to pass on any of the expenses of these improvements to apparel brands or consumers, who continue to want more for less.

The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.” George Bernard Shaw On a cool fall evening in 2008, four students set out to revolutionize an industry. Buried in loans, they had lost and broken eyeglasses and were outraged at how much it cost to replace them. One of them had been wearing the same damaged pair for five years: He was using a paper clip to bind the frames together. Even after his prescription changed twice, he refused to pay for pricey new lenses. Luxottica, the 800-pound gorilla of the industry, controlled more than 80 percent of the eyewear market. To make glasses more affordable, the students would need to topple a giant. Having recently watched Zappos transform footwear by selling shoes online, they wondered if they could do the same with eyewear. When they casually mentioned their idea to friends, time and again they were blasted with scorching criticism. No one would ever buy glasses over the internet, their friends insisted. People had to try them on first. Sure, Zappos had pulled the concept off with shoes, but there was a reason it hadn’t happened with eyewear. “If this were a good idea,” they heard repeatedly, “someone would have done it already.” None of the students had a background in e-commerce and technology, let alone in retail, fashion, or apparel. Despite being told their idea was crazy, they walked away from lucrative job offers to start a company. They would sell eyeglasses that normally cost $500 in a store for $95 online, donating a pair to someone in the developing world with every purchase. The business depended on a functioning website. Without one, it would be impossible for customers to view or buy their products. After scrambling to pull a website together, they finally managed to get it online at 4 A.M. on the day before the launch in February 2010. They called the company Warby Parker, combining the names of two characters created by the novelist Jack Kerouac, who inspired them to break free from the shackles of social pressure and embark on their adventure. They admired his rebellious spirit, infusing it into their culture. And it paid off. The students expected to sell a pair or two of glasses per day. But when GQ called them “the Netflix of eyewear,” they hit their target for the entire first year in less than a month, selling out so fast that they had to put twenty thousand customers on a waiting list. It took them nine months to stock enough inventory to meet the demand. Fast forward to 2015, when Fast Company released a list of the world’s most innovative companies. Warby Parker didn’t just make the list—they came in first. The three previous winners were creative giants Google, Nike, and Apple, all with over fifty thousand employees. Warby Parker’s scrappy startup, a new kid on the block, had a staff of just five hundred. In the span of five years, the four friends built one of the most fashionable brands on the planet and donated over a million pairs of glasses to people in need. The company cleared $100 million in annual revenues and was valued at over $1 billion. Back in 2009, one of the founders pitched the company to me, offering me the chance to invest in Warby Parker. I declined. It was the worst financial decision I’ve ever made, and I needed to understand where I went wrong.

The world now consumes about 80 billion new pieces of clothing every year. Ninety-five percent of discarded clothing can be recycled or upcycled. The amount of water used in apparel production each year is enough to fill 32 million Olympic-size swimming pools. Meanwhile, 1.1 billion people lack access to safe drinking water. A $25 T-shirt would be only $1.35 more expensive if the wages of the worker who made it were doubled. By extending the life of your clothing by an additional nine months, you can reduce your carbon, water, and waste footprints by 20 to 30 percent each. Clothing made from conventional polyester can take up to two hundred years to decompose in a landfill. Making a pair of jeans uses the same amount of water as flushing your toilet for three years. The average American woman wears just 20 percent of her wardrobe. The average annual clothing consumption per person in the US is sixty-five garments, according to the American Apparel & Footwear Association.

The executives on the trip were amazed by what they saw. The group on the fashion leg visited an apparel factory that was making $9 sport coats for the retailer Abercrombie & Fitch, which then sold them at retail for $500. The same factory was also selling the coats with a different button pattern directly online for $90—and still making a fat profit. They also visited a factory that made women’s tops for the retail chain Zara. As the Amazon execs looked down from a balcony onto the factory floor, one asked their host about a group of workers separate from the rest, making similar clothing as the others. They sold on Alibaba, the host said, under the factory’s own private label.

BABY FASHION TRENDS 2021 AND BEYOND Fashion for babies is fun - dressing up the babies in the tiniest adorable attires. Relished with excitement, all mommies want to keep their little ones on top of the fashion trends. Even before they're born, their wardrobe is well stocked, with piles of new onesies, dungarees, dresses for little girls, and a range of shorts for boys. Well, before you know, these adorable munchkins grow up within a blink of an eye, as you're stunned how quickly they grew out of their wardrobe. Whether you're soon to become a new mommy or already have your little one playing around, you've come to the right place to find all sorts of options to endearingly dress up the tiny souls. With the fascinating boom in baby apparel in the last few decades, new and adorable trends are revealed each year. Passionate as ever, you would want to try out the styles on your baby. Though your little one might not know what they're wearing, but just a few years - actually months – later, the way you dress them will reflect in the fashion sense and personality they develop! While you would want the trendiest closet for your newborn and toddlers, keep in mind that children feel the most comfortable when their clothes do not pose an obstacle in their flexibility and freedom. Dressed up in stylish yet practical clothes would give your little one freedom of self-expression as they indulge in their innocence. Therefore, when dressing up your kids, keeping a tonal mixture of style and comfort is vital. At Motheringo, we understand your mommy concerns to buy chic yet affordable clothing for your little ones. Stocked with a range of collections offering greater value of money, our clothes are aligned with your budget while ensuring we provide premium quality outfits made with the finest fabrics for your young fashionista.

Colors and Designs - Trends for Toddlers - Motheringo The summer collections this year are flooded with all the bright colors perfect for the summer look. Offering miscellaneous colors from blues and pinks to corals and mints, the basic colors of black and white would never go out of style. The clothing is enhanced with the use of multiple textures, animal prints, and graphics, from the sparkly sequins to the knits, velvets, and denims, making sure your little one is dressed in a convenient yet trendiest of attires. Another element of cuteness that is enchantingly loved by the young toddlers are the intricate yet bold appliques of characters and graphics on the shirts and dresses. From having the ears or tail protruding out, or the frills with a 3-D texture, young kids are fond of such sensory elements in their apparel.

Little Baby Fashion - Motheringo Stock up your babies’ wardrobes with tons of onesies. Aiding in the mobility of the babies and the unimaginable frequency with which babies spoil their clothes, you need to focus on convenience, above all. Depending on the weather, add a layer of the adorable little romper, available in a large variety. High in utility, they are adept at keeping your child composed under all weather conditions. You can never stop aweing on the perfectly coordinated clothing sets, often accompanied by the lovesome headbands, booties, and bowties. These sets make a perfect apparel for daily wear, keeping the baby comfortable yet stylishly dressed.

Malook – Women’s Pret Clothing Brand is an upcoming fashion label founded by Shazia Ovais. Malook is a tribute to the strong, multifaceted beauty of today’s woman and its delicately crafted apparel designs aim to balance an intrinsic sense of feminity with avant-garde innovation.

Step into the spotlight of elegance with Vitoria Jacket's excellent business listing, which has the desirable This shirt exudes a youthful yet refined attractiveness by combining Taylor Swift's unique charm with the vivid energy of the Junior Jewels collection. It is impeccably cut and intended for the modern trendsetter, blending comfort with couture. Each stitch is a tribute to quality, producing a garment that not only makes a statement but will also last the test of time.

Kanye West's influence extends far beyond the confines of music, resonating deeply in the realms of fashion and pop culture. His merchandise, often referred to simply as "Kanye West merch," has become a significant cultural phenomenon, reflecting his unique aesthetic and visionary approach. Kanye's venture into merchandise began with his concert tours, where limited-edition items became coveted symbols of fandom. The 2013 "Yeezus" tour marked a turning point, with merch that blended gothic motifs and bold graphics, creating a distinctive style that would define his future collections. Fans eagerly lined up for hours to grab a piece of Kanye's world, often reselling items at a premium, further cementing the status of his merch as not just apparel, but collector's items. In 2016, the "Life of Pablo" pop-up shops took this to a new level. Located in various global cities, these shops sold minimalist, streetwear-inspired pieces emblazoned with religious and personal iconography. The launch was a testament to Kanye's marketing genius and his ability to create a buzz that transcends traditional retail methods. The immediate sell-out of these items showcased his knack for blending exclusivity with mass appeal.

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While George fell asleep in the back of the bus, I examined his outfit, noting that my strange American friend had now got his ‘world traveller’ apparel down to a fine art. His compact munchkin figure wore a short-cropped jeans jacket from Nepal over a ratty pink T-shirt he’d picked up in Bangkok which was decorated with the simple message, ‘Fuck You.’ Beneath a pair of worn out, fashionably torn Levis from Dharamsala poked a brace of dusty hiking boots obtained second-hand from a hill porter in Manali. All this was topped by an expandable Afghani hat, into which he tucked his long, matted dreadlocks. As for his bespectacled features, these were rendered quite dwarfish by a wispy little beard, cut short at the cheeks and running wild below the chin. A glittering array of chunky ethnic rings adorned each finger. He actually had an extra one—fortunately out of sight—which had been inserted into his penis during his last foray into Paharganj. Around his neck hung a final touch: a valuable Zzi-bead necklace purchased from a Tibetan family in Ladakh for the considerable sum of 1600 dollars. Nobody looking at him would have guessed that this was the foremost wholesaler of hippy goods into America.

[F]ashion — i.e., the latest, fashion — in all these things (social forms, apparel, aesthetic judgment etc.) affects only the upper class. Just as soon as the lower classes begin to copy their style, thereby crossing the line of demarcation the upper classes have drawn and destroying the uniformity of their coherence, the upper classes turn away from this style and adopt a new one, which in its turn differentiates them from the masses; and thus the game goes merrily on.

We can discover one of the reasons why in these latter days fashion exercises such a powerful influence on our consciousness in the circumstance that the great, permanent, unquestionable convictions are continually losing strength as a consequence of which the transitory and vacillating elements of life acquire more room for the display of their activity. The break with the past, which, for more than a century, civilized mankind has been laboring unceasingly to bring about, makes the consciousness turn more and more to the present. This accentuation of the present evidently at the same time emphasizes the element of change, and a class will turn to fashion in all fields, by no means only in that of apparel, in proportion to the degree in which it supports the given civilizing tendency. It may almost be considered a sign of the increased power of fashion, that it has overstepped the bounds of its original domain, which comprised only personal externals, and has acquired an increasing influence over taste, over theoretical convictions, and even over the moral foundations of life.

For youth culture, with its emphasis on clothes and love of fashion, music, computers and sport, is not about acquisition but culture as commodity: what you are is defined by what you wear, and apparel becomes a species of ideology.

By the mid-1800s, mass-manufacturing of commercial goods was well established, and for the first time in history, ready-to-wear apparel was easily accessible for the populations of Europe and North America.

This is how athleisure has carved out the space between exercise apparel and fashion: the former category optimizes your performance, the latter optimizes your appearance, and athleisure does both simultaneously. It is tailor-made for a time when work is rebranded as pleasure so that we will accept more of it - a time when, for women, improving your looks is a job that you're supposed to believe is fun.

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【V信83113305】：The Graduate University of Culture and Fashion in Japan offers a unique academic environment at the intersection of traditional artistry and avant-garde design. It fosters a deep, research-driven approach to fashion, not merely as apparel but as a significant cultural and sociological phenomenon. The curriculum encourages students to critically examine the dynamics of global fashion systems while engaging deeply with Japan's own rich sartorial heritage, from meticulous craftsmanship to street-style innovations. By merging theoretical rigor with creative practice, the institution cultivates a new generation of visionary designers, critics, and curators. These graduates are equipped to become thought leaders, capable of shaping the future dialogues of the international fashion landscape with intellectual depth and innovative creativity.，日本买文凭办理文化时尚大学院大学毕业证成绩单, 高端文化时尚大学院大学毕业证办理流程, 本地日本硕士文凭证书原版定制文化ファッション大学院大学本科毕业证书, 办理文化ファッション大学院大学文化时尚大学院大学毕业证文凭, Bunka Fashion Graduate University毕业证文凭文化时尚大学院大学毕业证, 仿制文化时尚大学院大学毕业证文化ファッション大学院大学毕业证书快速办理, 极速办理文化ファッション大学院大学毕业证书, 日本文化ファッション大学院大学文化时尚大学院大学毕业证成绩单在线制作办理, 666办理文化时尚大学院大学毕业证最佳渠道

【V信83113305】：The Graduate School of Cultural Fashion in Japan offers a unique academic environment for advanced fashion studies. It transcends traditional design education by deeply integrating cultural theory, sociology, and anthropology into its curriculum. Students critically examine fashion not merely as apparel, but as a complex language of identity, social codes, and historical narrative. The program emphasizes research-driven practice, encouraging the exploration of Japanese aesthetics, global sustainability, and innovative materiality. Located within a vibrant fashion capital, it provides unparalleled access to industry resources, artisan workshops, and contemporary discourse. This institution is pivotal for those seeking to become thought leaders, pushing the boundaries of what fashion means in a cultural context.，本地日本硕士文凭证书原版定制文化ファッション大学院大学本科毕业证书, 文化时尚大学院大学文凭文化ファッション大学院大学, 日本文化时尚大学院大学毕业证成绩单在线制作办理, 文化ファッション大学院大学diploma文化ファッション大学院大学文化时尚大学院大学挂科处理解决方案, 极速办理文化ファッション大学院大学文化时尚大学院大学毕业证书, 学历证书!文化ファッション大学院大学学历证书文化时尚大学院大学学历证书文化ファッション大学院大学假文凭, 正版文化时尚大学院大学学历证书学位证书成绩单

【V信83113305】：Founded in 1953, Sugino Fashion College in Tokyo is a distinguished institution dedicated to the art and science of apparel. It offers a comprehensive curriculum that masterfully blends traditional craftsmanship with cutting-edge digital design technologies. Students are immersed in a rigorous, hands-on learning environment, exploring everything from pattern making and textiles to fashion business and global trends. The college’s philosophy centers on nurturing each student's unique creativity while equipping them with the high-level technical skills demanded by the global fashion industry. Its strong industry connections provide invaluable real-world experience, solidifying its reputation as a premier launchpad for the next generation of innovative designers, pattern makers, and fashion professionals.，100%办理杉野服飾大学杉野服饰大学毕业证书, 原价-杉野服饰大学毕业证官方成绩单学历认证, 定制杉野服饰大学成绩单, 最新杉野服饰大学毕业证成功案例, 日本留学本科毕业证, 杉野服飾大学文凭制作流程学术背后的努力, 杉野服飾大学毕业证办理流程和安全放心渠道, 办理杉野服饰大学毕业证成绩单学历认证

【V信83113305】：Founded in 1919, Bunka Fashion College stands as a historic and revolutionary force in Japanese fashion education. It shattered traditional norms by pioneering the first patternmaking system adapted for the Asian body, fundamentally altering apparel design. More than just a school, it is the legendary incubator for many of Japan’s most avant-garde designers, including iconic alumni like Yohji Yamamoto and Kenzo Takada. The institution is renowned for its intensely rigorous and practical curriculum, emphasizing technical mastery, creativity, and conceptual thinking. From its roots in Tokyo, Bunka has cultivated a unique aesthetic that merges exquisite craftsmanship with daring innovation, cementing its global reputation as a powerhouse where future fashion visionaries are forged.，网络办理文化服装学院毕业证-文化服装学院毕业证书-学位证书, 文化服装学院文化服装学院毕业证书, 原版定制文化服装学院毕业证书案例, 文化服装学院文凭购买, 文化服装学院文凭制作流程确保学历真实性, 快速办理文化服装学院文化服装学院毕业证如何放心, 学历文凭认证文化服装学院毕业证-文化服装学院毕业证如何办理, 文化服装学院毕业证书-一比一制作