Farming Passion Quotes

I am in love with you', I responded. He laughed the most beguiling and gentle laugh. 'Of course you are,' he replied. 'I understand perfectly because I'm in love with myself. The fact that I'm not transfixed in front of the nearest mirror takes a great deal of self-control.' It was my turn to laugh.

Experience teaches us in a millennium what passion teaches us in an hour.

A farm includes the passion of the farmer's heart, the interest of the farm's customers, the biological activity in the soil, the pleasantness of the air about the farm -- it's everything touching, emanating from, and supplying that piece of landscape. A farm is virtually a living organism. The tragedy of our time is that cultural philosophies and market realities are squeezing life's vitality out of most farms. And that is why the average farmer is now 60 years old. Serfdom just doesn't attract the best and brightest.

For it is a peculiarity of persons who lead rich, emotional lives, and who (as the saying is) live intensely and with a wild poetry, that they read all kind of meanings into comparatively simple actions, especially the actions of other people who do not live intensely and with a wild poetry. Thus you may find them weeping passionately on their bed, and be told that you - you alone - are the cause because you said that awful thing to them at lunch. Or they wonder why you like going to concerts; there must be more to it than meets the eye.

She is a bold and passionate woman, fighting to earn respect as a farm owner and over the course of the novel she has to endure much suffering, which enhances her better qualities while diminishing some elements of her less admirable traits.

My mother insured that a life of petty facts and dutiful farming was kept at bay by her passionate intensity, which nurtured the essential dreaminess of his nature

Writing stories not only involved secrecy, it also gave her all the pleasures of miniaturization. A world could be made in five pages, and one that was more pleasing than a model farm. The childhood of a spoiled prince could be framed within half a page, a moonlit dash through sleepy villages was one rhythmically emphatic sentence, falling in love could be achieved in a single word--a glance . The pages of a recently finished story seemed to vibrate in her hand with all the life they contained. Her passion for tidiness was also satisfied, for an unruly world could be made just so.

The Popeyes Spicy Chicken Sandwich was so popular that customers stabbed each other to get it, and then seeing that passion, McDonald's created its own Spicy Chicken Sandwich. Here on my duck farm, I fully support McDonald's trying to get their customers to stab each other.

Trust is built in many ways: by creating opportunities to share something of our lives and feelings, by encouraging people to argue passionately for their ideas and positions while still respecting their opponents' right to differ, by meeting responsibilities and building a track record of dependability, and by sharing risks together.

Earth, water, and sky—ducks are birds of those three elements. And their passion for play embodies the fourth—fire.

As the months passed, even the strident voices from the newspapers had begun to moderate, and the passion to put Preston’s neck in a noose had become subdued. It was a relief to Adams that with the trial now scheduled for October, he had time to work with Josiah Quincy to prepare a case based on law and reason. And it meant he could spend time with his family and enjoy the wonderful peace of the farm.

Towards the end of the Second World War, when I was sixteen years old, I was taken out of school and forced into the army. After a brief period of training at a base in Wüzburg, I arrived at the front, which by that time had already crossed the Rhine into Germany. There were well over a hundred in my company, all of whom were very young. One evening the company commander sent me with a message to battalion headquarters. I wandered all night long through destroyed, burning villages and farms, and when in the morning I returned to my company I found only the dead, nothing but dead, overrun by a combined bomber and tank assault. I could see only dead and empty faces, where the day before I had shared childhood fears and youthful laughter. I remember nothing but a wordless cry. Thus I see myself to this very day, and behind this memory all my childhood dreams crumble away.

For Alwyn's grandfather, who was known as "the greatest talker in the country," used words which no one else understood, words which he did not understand, and words which do not exist, to swell a passionate theme, to confound his neighbors in an argument, and for their own sake. He would say, for example, "My farm was the very apocalypse of fertility, but the renter has rested on his oars till it is good for nothing," or "Manifest the bounty to pass the salt shaker in my direction." Something of the Bible, something of an Irish inheritance, something of a liar's anxiety, made of his most ordinary remark a strange and wearisome oratory.

I wrote MARCH FARM because I fell in love with the farms of Bethlehem when I moved here in 2000. I became passionate about preserving farms for many reasons: to secure the open spaces vital for wildlife habitat, to support my community by maintaining its rural beauty, and to honor a way of life that has deep roots in our cultural psyche.

The very points of my character that are most commended mark me as unfit to reign: love of retirement and of studies inconsistent with business, a passion that has become inveterate in me for peace, for unwarlike occupations, and for the society of men whose meetings are but those of worship and of kindly intercourse, whose lives in general are spent upon their farms and their pastures.

Get out. Get out of our house. Both of you. It makes me sick just to have you here. You called me a nothing girl. Well, this nothing girl despises you. I’d rather be nothing and loved by Russell Checkland than anything else on earth. You would have ruined his life and he’s so much better than you. He’s kind and generous and passionate and everything you’re not. He will be a great painter one day. And – and he goes like a train.

TELLING TIME Before she was old, she took canoe trips in the rain and buried her passions deep within nature poems. Ten years before she was old, her husband died and developers paid a mighty price for their dairy farm. She knew she was getting old, when rest stops in Iowa changed over to those crazy automated washrooms. When she was old, God helped with little things (growing tomatoes in her garden) but was missing on big ticket items (bringing her husband back). She knew she had lived too long when her grandson explained extinction to his stuffed polar bear.

The buzzards over Pondy Woods Achieve the blue tense altitudes Black figments that the woods release, Obscenity in form and grace, Drifting high through the pure sunshine Till the sun in gold decline. (...) By the buzzard roost Big Jim Todd Listened for hoofs on the corduroy road Or for the foul and sucking sound A man's foot makes on the marshy ground. Past midnight, when the moccasin Slipped from the log and, trailing in Its obscured waters, broke The dark algae, one lean bird spoke, (...) "[Big Jim] your breed ain't metaphysical." The buzzard coughed, His words fell In the darkness, mystic and ambrosial. "But we maintain our ancient rite, Eat the gods by day and prophesy by night. We swing against the sky and wait; You seize the hour, more passionate Than strong, and strive with time to die -- With time, the beaked tribe's astute ally. "The Jew-boy died. The Syrian vulture swung Remotely above the cross whereon he hung From dinner-time to supper-time, and all The people gathered there watched him until The lean brown chest no longer stirred, Then idly watched the slow majestic bird That in the last sun above the twilit hill Gleamed for a moment at the height and slid Down the hot wind and in the darkness hid. [Big Jim], regard the circumstance of breath: Non omnis moriar, the poet sayeth." Pedantic, the bird clacked its gray beak, With a Tennessee accent to the classic phrase; Jim understood, and was about to speak, But the buzzard drooped one wing and filmed the eyes. At dawn unto the Sabbath wheat he came, That gave to the dew its faithless yellow flame From kindly loam in recollection of The fires that in the brutal rock one strove. To the ripe wheat he came at dawn. Northward the printed smoke stood quiet above The distant cabins of Squiggtown. A train's far whistle blew and drifted away Coldly; lucid and thin the morning lay Along the farms, and here no sound Touched the sweet earth miraculously stilled. Then down the damp and sudden wood there belled The musical white-throated hound. In pondy Woods in the summer's drouth Lurk fever and the cottonmouth. And buzzards over Pondy Woods Achieve the blue tense altitudes, Drifting high in the pure sunshine Till the sun in gold decline; Then golden and hieratic through The night their eyes burn two by two.

The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

over to Ross with John Cobb, the groom. Shortly after my return I heard the wheels of his trap in the yard, and, looking out of my window, I saw him get out and walk rapidly out of the yard, though I was not aware in which direction he was going. I then took my gun and strolled out in the direction of the Boscombe Pool, with the intention of visiting the rabbit warren which is upon the other side. On my way I saw William Crowder, the game-keeper, as he had stated in his evidence; but he is mistaken in thinking that I was following my father. I had no idea that he was in front of me. When about a hundred yards from the pool I heard a cry of “Cooee!” which was a usual signal between my father and myself. I then hurried forward, and found him standing by the pool. He appeared to be much surprised at seeing me and asked me rather roughly what I was doing there. A conversation ensued which led to high words and almost to blows, for my father was a man of a very violent temper. Seeing that his passion was becoming ungovernable, I left him and returned towards Hatherley Farm. I had not gone more than 150 yards, however, when I heard a hideous outcry behind me, which caused me to run back again. I found my father expiring upon the ground, with his head terribly injured. I dropped my gun and held him in my arms,

driven over to Ross with John Cobb, the groom. Shortly after my return I heard the wheels of his trap in the yard, and, looking out of my window, I saw him get out and walk rapidly out of the yard, though I was not aware in which direction he was going. I then took my gun and strolled out in the direction of the Boscombe Pool, with the intention of visiting the rabbit warren which is upon the other side. On my way I saw William Crowder, the game-keeper, as he had stated in his evidence; but he is mistaken in thinking that I was following my father. I had no idea that he was in front of me. When about a hundred yards from the pool I heard a cry of “Cooee!” which was a usual signal between my father and myself. I then hurried forward, and found him standing by the pool. He appeared to be much surprised at seeing me and asked me rather roughly what I was doing there. A conversation ensued which led to high words and almost to blows, for my father was a man of a very violent temper. Seeing that his passion was becoming ungovernable, I left him and returned towards Hatherley Farm. I had not gone more than 150 yards, however, when I heard a hideous outcry behind me, which caused me to run back again. I found my father expiring upon the ground, with his head terribly injured. I dropped my gun and held him in my arms,

Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

Until three weeks before,Lu Xin had lived on her family's millet farm on the banks of the Huan River. Passing through her river valley on his shining chariot one afternoon,the king had glimpsed Lu Xin tending the crops.He had decided that he fancied her. The next day,two militiamen had arrived at her door.She'd had to leave her family and her home. She'd had to leave De, the handsome young fisherman from the next village. Before the king's summons, De had shown Lu Xin how to fish using his pair of pet cormorants,by tying a bit of rope loosely around their necks so that they could catch several fish in their mouths but not swallow them. Watching De gently coax the fish from the depths of the funny bird's beaks,Lu Xin had fallen in love with him.The very next morning,she'd had to say goodbye to him. Forever. Or so she'd thought. It had been nineteen sunsets since Lu Xin had seen De,seven sunsets since she'd received a scroll from home with bad news: De and some other boys from the neighboring farms had run away to join the rebel army, and no sooner had he left than the kind's men had ransacked the village,looking for the deserters. With the king dead,the Shang men would show no mercy to Lu Xin,and she would never find De,never reunite with Daniel. Unless the king's council didn't find out that their king was dead.

… This was chronicled in a harsher book and McCaslin, fourteen and fifteen and sixteen, had seen it and the boy himself had inherited it as Noah’s grandchildren had inherited the Flood although they had not been there to see the deluge: that dark corrupt and bloody time while three separate people had tried to adjust not only to one another but to the new land which they had created and inherited too and must live in for the reason that those who had lost it were no less free to quit it than those who had gained it were: – those upon whom freedom and equality had been dumped overnight and without warning or preparation or any training in how to employ it or even just endure it and who misused it not as children would nor yet because they had been so long in bondage and then so suddenly freed, but misused it as human beings always misused freedom, so that he thought Apparently there is a wisdom beyond even that learned through suffiring necessary for a man to distinguish between liberty and license; those who had fought for four years and lost to preserve a condition under which that franchisement was anomaly and paradox, for the old reasons for which man (not the generals and politicians but man) has always fought and died in wars: to preserve a status quo or to establish a better future one to endure for his children; and lastly, as if that were not enough for bitterness and hatred and fear, that third race even more alien to the people whom they resembled in pigment and in whom even the same blood ran, than to the people whom they did not, – that race threefold in one and alien even among themselves save for a single fierce aged Quartermaster lieutenants and Army sutlers and contractors in military blankets and shoes and transport mules, who followed the battles they themselves had not fought and inherited the conquest they themselves had not helped to gain, sanctioned and protected even if not blessed, and left their bones and in another generation would be engaged in a fierce economic competition of small sloven farms with the black men they were supposed to have freed and the white descendants of fathers who had owned no slaves anyway whom they were supposed to have disinherited and in the third generation would be back once more in the little lost country seats as barbers and garage mechanics and deputy sheriffs and mill- and gin-hands and power-plant firemen, leading, first in mufti then later in an actual formalized regalia of hooded sheets and passwords and fiery Christian symbols, lynching mobs against the race their ancestors had come to save: and of all that other nameless horde of speculators in human misery, manipulators of money and politics and land, who follow catastrophe and are their own protection as grasshoppers are and need no blessing and sweat no plow or axe-helve and batten and vanish and leave no bones, just as they derived apparently from no ancestry, no mortal flesh, no act even of passion or even of lust: and the Jew who came without protection too since after two thousand years he had got out of the habit of being or needing it, and solitary, without even the solidarity of the locusts and in this a sort of courage since he had come thinking not in terms of simple pillage but in terms of his great-grand-children, seeking yet some place to establish them to endure even though forever alien: and unblessed: a pariah about the face of the Western earth which twenty centuries later was still taking revenge on him for the fairy tale with which he had conquered it. …

At Monticello he planned to return to farming and gardening with passionate zeal.

At the age of ninety-two, James spent months hunched over the kitchen table, learning the alphabet, practicing his signature, and slowly progressing to reading simple children’s books. Then his wife died, sending him into a tailspin and robbing him of his motivation to learn to read. But his story doesn’t end there. At the age of ninety-six, Henry became determined to try to learn to read again. This time he not only dove back into reading, but, with the help of a retired English teacher, he began to write, longhand, about his life, his time at sea, a man he lost overboard on one voyage, and what his grandfather’s farm was like in the Azores. He finished his memoir, and when he was ninety-eight it was published and became a bestselling book called In a Fisherman’s Language. It was optioned to become a film, and his success triggered a congratulatory letter from President Obama. Henry was working on his second book when he died at age ninety-nine in 2013. Henry’s story is remarkable on many levels. First, it took a tremendous amount of grit just to get by in today’s world as an illiterate adult. Even more remarkable was his determination to overcome it later in life.

If you leave your soil untilled, you will not benefit from God’s rain. Even if God pours down a heavy rainfall, it will only grow weeds on your land.

waved his hand; and it was as though, with an invisible feather wisk, he had brushed away a little dust, and the dust was Harappa, was Ur of the Chaldees; some spider-webs, and they were Thebes and Babylon and Cnossos and Mycenae. Whisk. Whisk–and where was Odysseus, where was Job, where were Jupiter and Gotama and Jesus? Whisk–and those specks of antique dirt called Athens and Rome, Jerusalem and the Middle Kingdom–all were gone. Whisk– the place where Italy had been was empty. Whisk, the cathedrals; whisk, whisk, King Lear and the Thoughts of Pascal. Whisk, Passion; whisk, Requiem; whisk, Symphony; whisk

Many people have something they love passionately. It could be collecting old farm implements, cross country skiing, foraging for mushrooms, or playing the harmonium. They devote themselves to their interests—obsessively practicing, learning, researching, and talking with those who share their passion. But when it comes to the person we love most in our lives, we don’t do any of this. And then wonder how it all went wrong.

His half brother’s passion was farming, and Kevin had tried again and again to capture Gage’s look of pride, a look that said he was proud to be an American farmer, proud of who he was and what he did. To love this man was to love the sweeping land of the prairie.

No one would doubt that I love my children, and even a quantitative social psychologist would find no fault with my list of loving behaviors: nurturing health and well-being protection from harm encouraging individual growth and development desire to be together generous sharing of resources working together for a common goal celebration of shared values interdependence sacrifice by one for the other creation of beauty If we observed these behaviors between humans, we would say, “She loves that person.” You might also observe these actions between a person and a bit of carefully tended ground and say, “She loves that garden.” Why then, seeing this list, would you not make the leap to say that the garden loves her back? The exchange between plants and people has shaped the evolutionary history of both. Farms, orchards, and vineyards are stocked with species we have domesticated. Our appetite for their fruits leads us to till, prune, irrigate, fertilize, and weed on their behalf. Perhaps they have domesticated us. Wild plants have changed to stand in well-behaved rows and wild humans have changed to settle alongside the fields and care for the plants—a kind of mutual taming. We are linked in a co-evolutionary circle. The sweeter the peach, the more frequently we disperse its seeds, nurture its young, and protect them from harm. Food plants and people act as selective forces on each other’s evolution—the thriving of one in the best interest of the other. This, to me, sounds a bit like love. I sat once in a graduate writing workshop on relationships to the land. The students all demonstrated a deep respect and affection for nature. They said that nature was the place where they experienced the greatest sense of belonging and well-being. They professed without reservation that they loved the earth. And then I asked them, “Do you think that the earth loves you back?” No one was willing to answer that. It was as if I had brought a two-headed porcupine into the classroom. Unexpected. Prickly. They backed slowly away. Here was a room full of writers, passionately wallowing in unrequited love of nature. So I made it hypothetical and asked, “What do you suppose would happen if people believed this crazy notion that the earth loved them back?” The floodgates opened. They all wanted to talk at once. We were suddenly off the deep end, heading for world peace and perfect harmony. One student summed it up: “You wouldn’t harm what gives you love.” Knowing that you love the earth changes you, activates you to defend and protect and celebrate. But when you feel that the earth loves you in return, that feeling transforms the relationship from a one-way street into a sacred bond.

I trust in the slow and natural process of learning to love and be loved by another person. I'd be lying if I said [my healthy relationship] was as exciting as the unhealthy relationships I'd had in the past. It wasn't. But I'd lost the taste for drama. The backside of Hollywood passion is disappointment and loneliness-- and more often than not, resentment and cynicism about the nature of love itself. My healthy relationship was more of a symphony than a pop song. Don't get me wrong. Love is wonderful and our season of getting to know each other was the harvest of a long season of farming. But true intimacy is just like that: it's the food you grow from well-tilled ground. And like most things good for us, it's an acquired taste.

Two hours later, the drawing room converted, the costumes wrapped, the electric-kerosene lamps flickering in a semicircle at their feet, the performers enacted the thirty-minute ode to love and the Mediterranean, Home by the Sea. Miss Charming kept a ferocious grip on her script and gave oily air kisses to Colonel Andrews. Amelia was calm and sweet, melting into her dialogue with Captain East as though into his arms. Jane knelt beside Mr. Nobley, the wounded war captain, as he nearly died, and did her best to sound earnest. Old Jane would’ve run away or laughed self-consciously throughout. New Jane decided to feel as enchanting as Miss Charming and performed each line with relish and passion. It didn’t matter that she wasn’t a very good actress. Mr. Nobley’s character miraculously recovered all the same, leading to the part where he stood and took her hands. They were still cold. He paused, as though trying to remember what came next. He looked. Looked at her. At her and into her. Into her eyes as though he couldn’t bear to look away. And there was a delicious curl in his smile. “I love you,” he said. Zing, thought Jane. It was his line, more or less, though simplified. Stripped of similes and farms and rain and moon and all, it pierced her. She opened her mouth to say her own line but couldn’t remember a single word. And she didn’t want to. He leaned. She leaned. Then Aunt Saffronia, who’d been laughing encouragingly during the parts that were supposed to be sad and clapping gleefully whenever a new character came onstage, now cleared her throat as though intensely uncomfortable. Mr. Nobley hesitated, then kissed Jane’s cheek. His lips were warm, his cheek slightly scratchy. She smiled and breathed him in. At length, the six actors stood side by side, pretending the bright yellow wall of the drawing room opened to a view of the Mediterranean Sea, and said their closing lines. Jane: Trying to sound actress-y. “At last, we are all truly happy.” Miss Charming: Pause. Crinkling of paper. Frantic searching for line. “Indeed.” Amelia: With a shy smile for the tall man beside her. “Our travels are ended.” Captain East: With a manly smile for his lady. “We can rest peacefully in each other’s arms.” Colonel Andrews: As always, with panache! “And no matter where we may roam…” Mr. Nobley: A sigh. “This will always be our home.” His voice unhappy with the line. “By the sea.” And, silence as the audience waited for who knows what--a better ending line? A better play? Colonel Andrews cleared his throat, and Jane inclined her head in a hurried curtsy. “Oh,” Aunt Saffronia said and started the applause. The audience clapped enthusiastically and arhythmically, and the cast bowed, Miss Charming giggling. Jane squinted past the lamps to get her first good look at the audience, now that the play was over and stage fright couldn’t prickle her. Aunt Saffronia, beaming. Mrs. Wattlesbrook, looking for all the world like a proud schoolmarm. Matilda, bored, and a few other servants, equally bored.

Birds gotta fly, and cow’s gotta shit, Orla.  On a farm, it’s as natural as breathing for these animals,” Jethro returned with an unconcerned shrug. Staring at the cow in horror, Orla shuddered.  “Well, that was just plain rude!” she declared, feeling mildly traumatized… possibly more from the smell than the actual act itself. “I’ll register your complaint with the head heifer in charge. 

For some, passion is the gift of a ring in a church ceremony, the bearing of children as shared property. For me it was just a smile I couldn’t help, tugging at the sides of my face.

Blessed are they which do hunger and thirst after righteousness: for they shall be filled. —Matthew 5:6 (KJV) Hey, old man.” It was my sister Keri on the line. “I can’t believe you are about to turn forty.” Hearing those words rang hard in my head. How could I be forty? It was time for a reality check. I was passionate about my career. My son Harrison was a wellspring of joy, and six-month-old Mary Katherine had forever changed Corinne’s and my life for the better. Yet, I couldn’t help but think about my shortcomings. Did I reach out to others or was I too self-centered? Was I giving back in proportion to what had been given to me? Was I mindful enough of the teachings of Jesus? Was I His defender? I tortured myself remembering that Dietrich Bonhoeffer and Dr. Martin Luther King Jr. achieved greatness before age forty. How could my life ever measure up to theirs? My big day started with birthday calls, but by lunch I was feeling disappointed. How anticlimactic it seemed. In the afternoon, Corinne suggested we take a drive to a friend’s farm. She led me to a converted barn and swung open the door. “Surprise!” The room was filled with family and friends. Toasts followed. One friend spoke of our work in Africa; another thanked me for helping his parents through a hard financial time; another mentioned my work in the inner city. Small steps, I thought. Tiny acts far from greatness. But wait! Why am I treating forty as a deadline? What better age to begin again to make the world right, to reach out, to give, to defend God’s rightness? Everything old turned new in that moment, and I was on my way. Father, I want to do more than long for a better world. Come with me. Help me make it happen. —Brock Kidd Digging Deeper: Gal 6:9; Eph 2:10

My SOUTH sign stopped working on an entrance ramp in a sleepy farm town called Kittitas in the state of Washington. A man who introduced himself as Juan Hernandez—a Mexican immigrant with a contracting business in Yakima—saw me and decided to pull over, even though he wasn’t heading in my direction. He took me to a Wendy’s and, despite my objections, bought me a hamburger and fries, which he watched me eat. He spoke in broken, hard-to-understand English, but his passion for his god and his America was palpable. He spoke with no hint of cynicism, of sarcasm, of guile. He only spoke of how happy he was to raise his baby girl, Genesis, here in America and to be able to buy nice clothes for his family. When he dropped me off, I sat down on my pack and covered my eyes with my hands to hide the tears streaming down my cheeks. This was neither the first nor the last time I had difficulty bearing other people’s generosity. Even though I had liked to think I was a solo adventurer, I realized that I was never really alone. I walked a tightwire above a net of compassion, stretched out by the hands of strangers

The Politics of the Bible The key to seeing the political passion of the Bible is hearing and understanding its primary voices in their ancient historical contexts. These contexts are not only literary, but also political. The political context of the Bible is “the ancient domination system,” sometimes also called “the premodern domination system.” Both phrases are used in historical scholarship for the way “this world”—the humanly created world of societies, nations, and empires—was structured until the democratic and industrial revolutions of the past few centuries. Ancient Domination Systems Ancient domination systems began in the 3000s BCE. Two developments account for their emergence. The first was large-scale agriculture and the production of agricultural surpluses, made possible by the invention of metal and metal farm instruments, especially the plow, and the domestication of large animals. The second was the direct result of the first: cities—large concentrations of settled population—became possible. Before large-scale agriculture that produced surpluses, humans lived as nomads or in small settlements that depended on horticulture—gardening—for their sustenance. Cities created the need for a ruling class. One need was a protector class because many people lived outside of cities and knew that cities had food and wealth and were thus apt to attack them. A second need was to order the life of cities. People cannot live in concentrations of thousands without organization. Thus a ruling class of power and wealth emerged. Cities were quickly followed by kingdoms and empires, small and large, all in the same millennium.

Rose Heikkinen, flourishing in mental health counselling, holds dual master’s degrees and operates a private practice in Maine. On her 38-acre farm, she offers Ecotherapy, intertwining nature with therapy. Passionate about biking, yoga, and sailing, Rose champions holistic well-being and environmental consciousness through her innovative therapeutic methods.

It appeared that there had even been demonstrations to thank Big Brother for raising the chocolate ration to twenty grammes a week. And only yesterday, he reflected, it had been announced that the ration was to be REDUCED to twenty grammes a week. Was it possible that they could swallow that, after only twenty-four hours? Yes, they swallowed it. Parsons swallowed it easily, with the stupidity of an animal. The eyeless creature at the other table swallowed it fanatically, passionately, with a furious desire to track down, denounce, and vaporize anyone who should suggest that last week the ration had been thirty grammes. Syme, too — in some more complex way, involving doublethink, Syme swallowed it. Was he, then, ALONE in the possession of a memory?

I’ve always passionately believed in the power of the state to improve lives. Before my career in AI, I worked in government and the nonprofit sector. I helped start a charity telephone counseling service when I was nineteen, worked for the mayor of London, and co-founded a conflict resolution firm focused on multi-stakeholder negotiation. Working with public servants—people stretched thin and bone-tired, but forever in demand and doing heroic work for those who need it—was enough to show me what a disaster it would be if the state failed. However, my experience with local government, UN negotiations, and nonprofits also gave me invaluable firsthand knowledge of their limitations. They are often chronically mismanaged, bloated, and slow to act. One project I facilitated in 2009 at the Copenhagen climate negotiations involved convening hundreds of NGOs and scientific experts to align their negotiating positions. The idea was to present a coherent position to 192 squabbling countries at the main summit. Except we couldn’t get consensus on anything. For starters, no one could agree on the science, or the reality of what was happening on the ground. Priorities were scattered. There was no consensus on what would be effective, affordable, or even practical. Could you raise $10 billion to turn the Amazon into a national park to absorb CO2? How are you going to deal with the militias and bribes? Or maybe the answer was to reforest Norway, not Brazil, or was the solution to grow giant kelp farms instead? As soon as proposals were voiced, someone spoke up to poke holes in them. Every suggestion was a problem. We ended up with maximum divergence on all possible things. It was, in other words, politics as usual. And this involved people notionally on the “same team.” We hadn’t even gotten to the main event and the real horse-trading. At the Copenhagen summit a morass of states all had their own competing positions. Now pile on the raw emotion. Negotiators were trying to make decisions with hundreds of people in the room arguing and shouting and breaking off into groups, all while the clock was ticking, on both the summit and the planet. I was there trying to help facilitate the process, perhaps the most complex, high-stakes multiparty negotiation in human history, but from the start it looked almost impossible. Observing this, I realized we weren’t going to make sufficient progress fast enough. The timeline was too tight. The issues were too complex. Our institutions for addressing massive global problems were not fit for purpose.

Not only is the experiment still ongoing, but Lyudmila Trut, who is now almost 90 years old, is still active! And not only is she active in the institute, she is also publishing path-breaking scientific articles. Herbeck was kind enough to attach four research articles published by Lyudmila Trut (and others) in prestigious scientific journals in recent years. The latest one was published in the Journal of Neuroscience on July 14, 2021, and is titled “Neuromorphological Changes Following Selection for Tameness and Aggression in the Russian Farm-Fox Experiment.” I used to feel proud that we have been successfully investing for over fifteen years. No longer. After reading about Lyudmila Trut, who has maintained her passion, discipline, and excellence over more than sixty years, I am confronted with a stark and painful reality. We have a very long way to go.

In all her hours with Ben, his naked body against hers, inside hers, she’d never felt as dirty and ashamed as she did when the men who used to rule her world judged her in the Silent Circle Farm parking lot.

At Locke, Roys grew up. He worked on the farm and learned how to be a farmer. He was also raised to be a good Christian in what was a very religious household. The Oatmans were engulfed by the religious zeal and enthusiasm of protestant—largely Methodist—revivalists ministers who traveled the countryside giving fiery sermons and igniting a religious passion in their audiences. This period is often referred to historically as the “Second Great Awakening,” and it touched many American families, especially in rural farming communities like the Oatmans. In

About the age of fourteen, he was sent to school every alternate week for the improvement of his writing. In the mean while, he was busily employed upon the operations of the farm; and, at the age of fifteen, was considered as the principal laborer upon it. About a year after this he gained three weeks of respite, which he spent with his old tutor, Murdoch, at Ayr, in revising the English grammar, and in studying the French language, in which he made uncommon progress. Ere his sixteenth year elapsed, he had considerably extended his reading. The vicinity of Mount Oliphant to Ayr afforded him facilities for gratifying what had now become a passion.

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Sanna measured the apple juice into a large glass beaker and added it to the carboy, swirling a cheery red- like Santa's suit. She wrote down the amount in her notebook and did the same with the next juice, this one a bold sapphire blue, which mixed with the red into a vivid purple. When it came to cider, colors and flavors blended together for her. She knew she had the right blend when it matched the color she had envisioned. It wasn't scientific- and it didn't happen with anything else Sanna tasted- but here, with her beloved trees, it worked. She carefully tracked the blends in her journal. The sun streamed through the window, lighting up the colors in the carboy like Christmas lights. She was close- one more juice should do it. She closed her eyes, calling to mind all the juices in the barn's cooler and their corresponding colors. Every juice she tasted from their apples had a slightly different hue, differing among individual varieties, but even varying slightly from tree to tree. When she was twenty-four, she had stood at the tall kitchen counter tasting freshly pressed juices she had made for the first time with the press she had unearthed from the old barn. Her plan had originally been to sell them in the farm stand, but she wanted to pick the best. As she sipped each one, an unmistakable color came to mind- different for each juice- and she finally understood the watercolor apple portraits above the fireplace. They were proof she wasn't the only family member who could see the colors. After she explained it to her dad, he smiled. "I thought you might have the gift." "You knew about this?" "It's family legend. My dad said Grandpa could taste colors in the apples, but no one in my lifetime has been able to, so I thought it might be myth. When you returned home after college- the way you were drawn to Idun's- I thought you might have it." He had put his hands on the side of her face. "This means something good, Sanna." "Why didn't you say anything? Why didn't I know before?" "Would you have believed me?" "I've had apple juice from the Rundstroms a thousand times. Why can't I see that with theirs?" "I think it has something to do with apples from our land. We're connected to it, and it to us." Sanna had always appreciated the sanctuary of the orchard, and this revelation bonded Sanna like another root digging into the soil, finding nourishment. She'd never leave. After a few years of making and selling apple juice, Sanna strolled through the Looms wondering how these older trees still produced apples, even though they couldn't sell them. They didn't make for good eating or baking- Einars called them spitters. Over the years, the family had stopped paying attention to the sprawling trees since no one would buy their fruit- customers only wanted attractive, sweet produce. Other than the art above the mantel, they had lost track of what varieties they had, but with a bit of research and a lot of comparing and contrasting to the watercolors and online photos, Sanna discovered they had a treasure trove of cider-making apples- Kingston Black, Ashton Bitter, Medaille d'Or, Foxwhelp, her favorite Rambo tree, and so many more. The first Lunds had brought these trees to make cider, but had to stop during Prohibition, packing away the equipment in the back of their barn for Sanna to find so many years later. She spent years experimenting with small batches, understanding the colors, using their existing press and carboys to ferment. Then, last year, Einars surprised her with plans to rebuild the barn, complete with huge fermentation tanks and modern mills and presses. Sanna could use her talent and passion to help move their orchard into a new phase... or so they had hoped.

Along with every other male of his acquaintance he loathed the Naked Chef with messianic passion and prayed for the day he suffered a fatal accident on his scooter or burst into flames with the friction of sliding down that nauseating banister. Mark hated to think how rich he must be. And the fact that a mere bloody cook was taking up space in The Times that could be filled by a train journalist. Like himself, for example. Bastard.

An elegant Italian woman, worldly, sophisticated. Francesca. At the end of World War II, she meets and marries an American soldier, moves with him to his small Iowan farm town of good people who bring carrot cakes to their neighbors, look after the elderly, and ostracize those who flout norms by, say, committing adultery. Her husband is kind, devoted, and limited. She loves her children. One day her family leaves town for a week, to show their pigs at a state fair. She's alone in the farmhouse for the first time in her married life. She relishes her solitude. Until a photographer fro National Geographic knocks on the door, asking directions to a nearby landmark... and they fall into a passionate, four-day affair. He begs her to run away with him; she packs her bags. Until, at the last minute, she unpacks them. Partly because she's married, and she has children, and the town's eyes are on them all. But also because she knows that she and the photographer have already taken each other to the perfect and beautiful world. And that now it's time to descend to the actual one. If they try to live in that other world for good, it will recede into the distance; it will be as if they'd never been there at all. She says goodbye, and they long for each other for the rest of their lives. Yet Francesca is quietly sustained by their encounter, the photographer creatively renewed. On his deathbed years later, he sends her a book of images he made, commemorating their four days together. If this story sounds familiar , it's because it comes from The Bridges of Madison County, a 1992 novel by Robert James Waller that sold more than twelve million copies, and a 1995 movie, starring Meryl Streep and Clint Eastwood, that grossed $182 million. The press attributed its popularity to a rash of women trapped in unhappy marriages and pining for handsome photographers. But that's not what the story was really about. In the frenzy after the book came out, there were two camps: one that loved it because the couple's love was pure and endured over the decades. The other camp saw this as a copout--that real love is working through challenges of an actual relationship. Which was right?