“
Misery won't touch you gentle. It always leaves its thumbprints on you; sometimes it leaves them for others to see, sometimes for nobody but you to know of.
”
”
Edwidge Danticat (The Farming of Bones)
“
Needless to say, jamming deformed, drugged, overstressed birds together in a filthy, waste-coated room is not very healthy. Beyond deformities, eye damage, blindness, bacterial infections of bones, slipped vertebrae, paralysis, internal bleeding, anemia, slipped tendons, twisted lower legs and necks, respiratory diseases, and weakened immune systems are frequent and long-standing problems on factory farms.
”
”
Jonathan Safran Foer (Eating Animals)
“
To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air. Marie-Laure can sit in an attic high above the street and hear lilies rustling in marshes two miles away. She hears Americans scurry across farm fields, directing their huge cannons at the smoke of Saint-Malo; she hears families sniffling around hurricane lamps in cellars, crows hopping from pile to pile, flies landing on corpses in ditches; she hears the tamarinds shiver and the jays shriek and the dune grass burn; she feels the great granite fist, sunk deep into the earth’s crust, on which Saint-Malo sits, and the ocean teething at it from all four sides, and the outer islands holding steady against the swirling tides; she hears cows drink from stone troughs and dolphins rise through the green water of the Channel; she hears the bones of dead whales stir five leagues below, their marrow offering a century of food for cities of creatures who will live their whole lives and never once see a photon sent from the sun. She hears her snails in the grotto drag their bodies over the rocks.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Once there was a bunny. This bunny had a birthday party. It was the bestest birthday party ever. Because that was the day the bunny got a bazooka.
THe bunny loved his bazooka. He blew up all sorts of things on the farm. He blew up the stable of Henrietta the Horse. He blew up the pen of Pugsly the Pig. He blew up the coop of Chuck the Chicken.
"I have the bestest bazooka ever," the bunny said. Then the farm friends proceeded to beat him senseless and steal his bazooka. It was the happiest day of his life.
The end.
Epilogue: Pugsly the Pig, now without a pen, was quite annoyed. When none of the others were looking, he stole the bazooka. He tied a bandana on his head and swore vengeance for what had been done to him.
"From this day on," he whispered, raising the bazooka, "I shall be known as Hambo.
”
”
Brandon Sanderson (Alcatraz Versus the Scrivener's Bones (Alcatraz vs. the Evil Librarians, #2))
“
You do have an eye for the tarnished lining.
”
”
Jefferson Bass (Flesh and Bone (Body Farm #2))
“
I wish I could've done more for her, but some sorrows were simply too individual to share.
”
”
Edwidge Danticat (The Farming of Bones)
“
Cook things, eat them with other people. If you can tire your own bones while growing the beans, so much the better for you.
”
”
Kristin Kimball (The Dirty Life: On Farming, Food, and Love)
“
Among the relics of the Anthropocene, therefore, will be the fallout of our atomic age, the crushed foundations of our cities, the spines of millions of intensively farmed ungulates, and the faint outlines of some of the billions of plastic bottles we produce each year – the strata that contain them precisely dateable with reference to the product-design archives of multinationals. Philip Larkin famously proposed that what will survive of us is love. Wrong. What will survive of us is plastic, swine bones and lead-207, the stable isotope at the end of the uranium-235 decay chain.
”
”
Robert Macfarlane (Underland: A Deep Time Journey)
“
Old age is not meant to be survived alone," Man Rapadou said, her voice trailing with her own hidden thoughts. "Death should come gently, slowly, like a man's hand approaching your body. There can be joy in impatience if there is time to find the joy.
”
”
Edwidge Danticat (The Farming of Bones)
“
Both of the boys were unsettling — Adam Parrish, in particular, had a curious face. Not as in, he was a curious person. But rather that there was something peculiar about his facial features. He was an alien, handsome specimen of this western Virginia species; feather-boned, hollow-cheeked, eyebrows fair and barely visible. He was feral and raw-boned by way of those Civil War portraits. Brother fought brother while their farms ran to ruins —
And Ronan Lynch looked like Niall Lynch, which was to say, he looked like an asshole.
Oh, youth.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Two mountains can never meet but perhaps you and I can meet again. I am coming to your waterfall
”
”
Edwidge Danticat (The Farming of Bones)
“
Perhaps there had been joy for them in finding that sugar could be made from blood.
”
”
Edwidge Danticat (The Farming of Bones)
“
I might be turning into a guy who talks to himself, though." After a pause, I added, "Yep. I've been meaning to speak to you about that.
”
”
Jefferson Bass (Flesh and Bone (Body Farm #2))
“
It is perhaps the great discomfort of those trying to silence the world to discover that we have voices sealed inside our heads, voices that with each passing day, grow even louder than the clamor of the world outside.
”
”
Edwidge Danticat (The Farming of Bones)
“
Oh land of farms and green hills mild
Once formed by giants rough and wild
With massive paws they gripped and tore
With one great rip they formed the shore
Where heavy boots left prints so deep
Blue lakes remain 'tween summits steep
The giants fought beneath our skies
And from their bones our mountains rise
”
”
Shannon Hale (Palace of Stone (Princess Academy, #2))
“
Que diga amor? Love? Hate? Speak to me of things the world has yet to truly understand, of the instant meaning of each bird's call, of a child's secret thoughts in her mother's womb, of the measured rhythmical time of every man and woman's breath, of the true colors of the inside of the moon, of the larger miracles in small things, the deeper mysteries.
”
”
Edwidge Danticat (The Farming of Bones)
“
Finn fell asleep draped in Kittens and dreamed that the corn walked the earth on skinny white roots, liked to joke with the crows, and wasn't afraid of anything.
”
”
Laura Ruby (Bone Gap)
“
In despair, he left that farm and came to Bone Gap when it was a huge expanse of empty fields, drawn here by the grass and the bees and the strange sensation that this was a magical place, that the bones of the world were little looser here, double-jointed, twisting back on themselves, leaving spaces one could slip into and hide.
”
”
Laura Ruby (Bone Gap)
“
Instead I dreamt of walking out of the world, of spending all my time inside with no one to talk to, and no one to talk to me. All I wanted was a routine, a series of sterile acts that I could perform without dedication or effort, a life where everything was constantly the same, where every day passed exactly like the one before.
”
”
Edwidge Danticat (The Farming of Bones)
“
Outside, washing hung still on the rotary line, bone dry and stiff from the sun. A child's scooter lay abandoned on the stepping-stone path. Just one human heart beat within a kilometer radius of the farm. So nothing reacted when, deep inside the house, the baby started crying.
”
”
Jane Harper (The Dry (Aaron Falk, #1))
“
Our fatigue limited our desire to talk. Besides, each person's story did nothing except bring you closer to your own pain.
”
”
Edwidge Danticat (The Farming of Bones)
“
For so long this had been my life, but it was all in the past. Now we all had to try and find the future.
”
”
Edwidge Danticat (The Farming of Bones)
“
In a sense, New World conquest was about men seeking a way around one of life's basic rules - that human beings have to work for a living, just like the rest of the animal world. In Peru, as elsewhere in the Americas, Spaniards were not looking for fertile land that they could farm, they were looking for the cessation of their own need to perform manual labor. To do so, they needed to find large enough groups of people they could force to carry out all the laborious tasks necessary to provide them with the essentials of life: food, shelter, clothing, and, ideally, liquid wealth. Conquest, then, had little to do with adventure, but rather had everything to do with groups of men willing to do just about anything in order to avoid working for a living. Stripped down to its barest bones, the conquest of Peru was all about finding a comfortable retirement.
”
”
Kim MacQuarrie (The Last Days of the Incas)
“
America’s food system is broken.
”
”
Mark Bittman (A Bone to Pick: The good and bad news about food, with wisdom and advice on diets, food safety, GMOs, farming, and more)
“
It doesna matter how many things ye do on a farm, there’s always more than ye can do. A wonder the place doesna rise up about my ears and swallow me, like Jonah and the whale.
”
”
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
“
Carpe librum, meant “Seize the book.
”
”
Jefferson Bass (The Bone Thief (Body Farm #5))
“
The story of her death was written in bone.
”
”
Jefferson Bass (Carved in Bone (Body Farm, #1))
“
...the groveling on the floor and screaming for mercy, the crack of broken bones, the smashed teeth and bloody clots of hair.
”
”
George Orwell (Animal Farm / 1984)
“
At times I like it when he is just a deep echo, one utterance after another filling every crevice of the room, a voice that sounds like it's never been an infant's whimper, a boy's whisper, a young man's mumble, a voice that speaks as if every word it has ever uttered has always been and will always be for me.
”
”
Edwidge Danticat (The Farming of Bones)
“
The culture of good place-making, like the culture of farming, or agriculture, is a body of knowledge and acquired skills. It is not bred in the bone, and if it is not transmitted from one generation to the next, it is lost.
”
”
James Howard Kunstler
“
By now it was nearly noon and I was hungry, so we made a quick run to Mr. Burger, a tiny carryout place a mile down the road, and wolfed down lunch standing outside the cemetery shop. We positioned ourselves upwind from the coffin, but occasionally the wind would shift and the aroma of burgers would mingle with the aroma of the Bopper.
”
”
William M. Bass (Beyond the Body Farm: A Legendary Bone Detective Explores Murders, Mysteries, and the Revolution in Forensic Science)
“
Jephthah called together the men of Gilead and fought against Ephraim. The Gileadites captured the fords of the Jordan leading to Ephraim, and whenever a survivor of Ephraim said, 'Let me cross over,' the men of Gilead asked him, 'Are you an Ephraimite?' If he replied, 'No,' they said, 'All right, say Shibboleth.' If he said, 'Sibboleth,' because he could not pronounce the word correctly, they seized and killed him at the fords of the Jordan. Fourty-thousand were killed at the time.
- Judges 12:4-6
”
”
Edwidge Danticat (The Farming of Bones)
“
I once heard an elder say that the dead who have no use for their words leave them as part of their children's inheritance. Proverbs, teeth suckings, obscenities, even grunts and moans once inserted in special places during conversations, all are passed along to the next heir.
”
”
Edwidge Danticat (The Farming of Bones)
“
Some scientists thrive on the conceptual; their minds can envision particles that the most powerful microscopes can’t show us; processes that can’t be directly observed, but only inferred, guessed at, by interpreting a stew of complex biochemical by-products. I am not one of these scientists; I need bones and teeth, things I can see with my eyes and grasp with my hands. Jason Eshleman, on the other hand, can see with his mind’s eye, grasping the complex interactions of the most complex molecules in the body, DNA.
”
”
William M. Bass (Beyond the Body Farm: A Legendary Bone Detective Explores Murders, Mysteries, and the Revolution in Forensic Science)
“
Sitting at the table, watching the cards being dealt, I heard a man say that the difference between an amateur and a pro is that the pro doesn't have an emotional reaction to losing anymore. It's just the other side of winning. I guess I'm a farmer now, because I'm used to loss like this, to death of all kinds, and to rot. It's just the other side of life. It is your first big horse and all he meant to you, and it is also his bones and skin breaking down in the compost pile, almost ready to be spread on the fields.
”
”
Kristin Kimball (The Dirty Life: On Farming, Food, and Love)
“
One recent experiment, for instance, demonstrated that people who died shortly after undergoing chemotherapy decomposed far more slowly than what I’d since begun to think of as “organic” or “all natural” bodies. Chemotherapy, in other words, bore more than a passing resemblance to antemortem embalming, which was not a particularly comforting notion.
”
”
Jefferson Bass (Flesh and Bone (Body Farm, #2))
“
Alfred Simmonds, Horse Slaughterer and Glue Boiler, Willingdon. Dealer in Hides and Bone-Meal. Kennels Supplied.
”
”
George Orwell (Animal Farm)
“
The morgue looked deserted, though in fact it was never unattended.
”
”
Jefferson Bass (Carved in Bone (Body Farm, #1))
“
My God, is this a date?" Jeff had asked when I asked if I could bring her along.
"I don't know," I said. "She might still be happily lesbian.
”
”
Jefferson Bass (Carved in Bone (Body Farm, #1))
“
It’s not entirely clear why we have sinuses, aside from their role in providing a huge revenue stream for pharmaceutical companies and over-the-counter drug makers.
”
”
William M. Bass (Beyond the Body Farm: A Legendary Bone Detective Explores Murders, Mysteries, and the Revolution in Forensic Science)
“
I'd be okay with that kind of trouble," Amber said, as a pair of flannel-clad farm boys headed toward them.
”
”
Laura Ruby (Bone Gap)
“
At 6:15 she was standing on her front porch watering gardenias and watching another line of thunderstorms split and go around her. The same thing happened almost every day. Some days they came so close all she could smell was the rain. The wind whipped up dust from the fields until it drove like buckshot into the shuddering mesquites, and Clara Nell started to pray. 'Jesus,' she whispered. 'Jesus, Jesus....' But the only thing that came out of the sky was her topsoil. Every day the wind took a little more, and it hadn't rained in almost a year.
”
”
Andrew Geyer (Whispers in Dust and Bone: Andrew Geyer)
“
When you live on a farm, everyone is uncomfortable much of the time. Too cold, too warm, dirty, bone tired, banged up, injured by a tool or hot grate - too preoccupied to worry much about each other
”
”
Christina Baker Kline (A Piece of the World)
“
... I watched in astonishment, Jess reached up and cupped Miss Georgia's breasts in her hands, giving them an appraising squeeze and admiring nod. A moment later, Miss Georgia returned the gesture...
”
”
Jefferson Bass (Flesh and Bone (Body Farm #2))
“
Her blank eyes burrowed through the fetid air between herself and her visitor. They were without content; hollow pools of meaninglessness. They were not eyes, but voids sunk between two jutting pent-houses of bone and two bloodless hummocks of cheek. They suspended two raw rods of grief before their own immobility, like frozen fountains in a bright wintry air; and on these rods the fluttering rags of a futile grief were hung.
”
”
Stella Gibbons (Cold Comfort Farm)
“
I know I ain't smart, Miss Althea. I don't pretend to be. It's something a feller can't lie about. But I can get you game. I can keep ups this farm. And I care about your boy. I care about him a lot. But I'd never get between the two of you. Miss Althea, if you'll marry up with me, I promise to listen to you in the things I don't know about. Work for you 'til my back is broke and my fingers is down to the bone. And love and care for you until the day I die.
”
”
Pamela Morsi (Simple Jess (Tales from Marrying Stone, #2))
“
hands and transported by animal effort, eight dollars, ten dollars, sixteen dollars a ton. They were piled beside the railroad tracks as each section was built farther west. Hills of bones, mountains of blind skulls, loaded onto railroad cars and shipped back east to process sugar. So it was, every teaspoon of sugar that was stirred into a cup or baked into a pudding was haunted by the slave trade and the slaughter of the buffalo. Just as now, into every teaspoon, is mixed the pragmatic nihilism of industrial sugar farming and the death of our place on earth. This is the sweetness that pricks people’s senses and sparkles in a birthday cake and glitters on the tongue. Price guaranteed, delicious, a craving strong as love.
”
”
Louise Erdrich (The Mighty Red)
“
Adults who could digest raw milk had an excellent source of food on the hoof. Cattle could go on turning grass into milk for years before they were slaughtered for beef. It has been proposed that lactase persistence was the genetic edge that allowed the dairy pastoralist Indo-Europeans to spread. Dairy farming produces five times as many calories per acre as raising cattle for slaughter.61 The protein and calcium of milk certainly build bones. Prehistoric dairy farmers tended to be taller than other farmers.62
”
”
Jean Manco (Ancestral Journeys: The Peopling of Europe from the First Venturers to the Vikings)
“
surprisingly dramatic glow some minerals gave off when illuminated with ultraviolet light, or “black light.” In daylight, for instance, the mineral fluorite is a drab, chalky color; in a dark room under UV light, though, fluorite glows a brilliant blue; the mineral calcite shines bright red; and aragonite gives off a neon green. If you’ve ever stepped into a teenager’s cavelike room decorated with black-light posters (less common now than they were in the 1970s, when my three sons were growing up), you’ve seen another version of UV fluorescence in action.
”
”
William M. Bass (Beyond the Body Farm: A Legendary Bone Detective Explores Murders, Mysteries, and the Revolution in Forensic Science)
“
The animals crowded round the van. 'Goodbye, Boxer!' they chorused, 'goodbye!'
'Fools! Fools!' shouted Benjamin, prancing round them and stamping the earth with his small hoofs. 'Fools! Do you not see what is written on the side of that van?'
That gave the animals pause, and there was a hush. Muriel began to spell out the words. But Benjamin pushed her aside and in the midst of a deadly silence he read:
'"Alfred Simmonds, Horse Slaughterer and Glue Boiler, Willingdon. Dealer in Hides and Bone-Meal. Kennels Supplied." Do you not understand what that means? They are taking Boxer to the knackers!
”
”
George Orwell (Animal Farm)
“
Even more remarkable—and a key reason Bob invited me to Hasanlu—was the object cradled in the arms of the front runner. The object was a bowl (or a vase, or a beaker): a metal vessel measuring about eight inches high, seven inches across the top, and six inches across the base. The falling walls had flattened the bowl, of course, along with the guy carrying it.
”
”
William M. Bass (Beyond the Body Farm: A Legendary Bone Detective Explores Murders, Mysteries, and the Revolution in Forensic Science)
“
The first thing to understand about the human race is that, in evolutionary terms, we’re babies. As a species we’ve only just emerged. Imagine that the whole history of life on earth spans just one calendar year, instead of four billion. Up until about mid-October, bacteria had the place to themselves. Not until November did life as we know it appear, with buds and branches, bones and brains. And we humans? We made our entrance on 31 December, at approximately 11 p.m. Then we spent about an hour roaming around as hunter-gatherers, only getting around to inventing farming at 11:58 p.m. Everything else we call ‘history’ happened in the final sixty seconds to midnight: all the pyramids and castles, the knights and ladies, the steam engines and rocket ships.
”
”
Rutger Bregman (Humankind: A Hopeful History)
“
Flesh decays; bone endures. Flesh forgets and forgives ancient injuries; bone heals, but it always remembers: a childhood fall, a barroom brawl; the smash of a pistol butt to the temple, the quick sting of a blade between the ribs. The bones capture such moments, preserve a record of them, and reveal them to anyone with eyes trained to see the rich visual record, to hear the faint whispers rising from the dead. I
”
”
William M. Bass (Death's Acre: Inside the Legendary Forensic Lab the Body Farm Where the Dead Do Tell Tales)
“
I wish I could answer your question. All I can say is that all of us, humans, witches, bears, are engaged in a war already, although not all of us know it. Whether you find danger on Svalbard or whether you fly off unharmed, you are a recruit, under arms, a soldier."
"Well, that seems kinda precipitate. Seems to me a man should have a choice whether to take up arms or not."
"We have no more choice in that than in whether or not to be born."
"Oh, I like choice, though," he said. "I like choosing the jobs I take and the places I go and the food I eat and the companions I sit and yarn with. Don't you wish for a choice once in a while ?"
She considered, and then said, "Perhaps we don't mean the same thing by choice, Mr. Scoresby. Witches own nothing, so we're not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs. You have to repair your balloon and keep it in good condition, and that takes time and trouble, I see that; but for us to fly, all we have to do is tear off a branch of cloud-pine; any will do, and there are plenty more. We don't feel cold, so we need no warm clothes. We have no means of exchange apart from mutual aid. If a witch needs something, another witch will give it to her. If there is a war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor, as bears do, for instance. An insult to a bear is a deadly thing. To us... inconceivable. How could you insult a witch? What would it matter if you did?"
"Well, I'm kinda with you on that. Sticks and stones, I'll break yer bones, but names ain't worth a quarrel. But ma'am, you see my dilemma, I hope. I'm a simple aeronaut, and I'd like to end my days in comfort. Buy a little farm, a few head of cattle, some horses...Nothing grand, you notice. No palace or slaves or heaps of gold. Just the evening wind over the sage, and a ceegar, and a glass of bourbon whiskey. Now the trouble is, that costs money. So I do my flying in exchange for cash, and after every job I send some gold back to the Wells Fargo Bank, and when I've got enough, ma'am, I'm gonna sell this balloon and book me a passage on a steamer to Port Galveston, and I'll never leave the ground again."
"There's another difference between us, Mr. Scoresby. A witch would no sooner give up flying than give up breathing. To fly is to be perfectly ourselves."
"I see that, ma'am, and I envy you; but I ain't got your sources of satisfaction. Flying is just a job to me, and I'm just a technician. I might as well be adjusting valves in a gas engine or wiring up anbaric circuits. But I chose it, you see. It was my own free choice. Which is why I find this notion of a war I ain't been told nothing about kinda troubling."
"lorek Byrnison's quarrel with his king is part of it too," said the witch. "This child is destined to play a part in that."
"You speak of destiny," he said, "as if it was fixed. And I ain't sure I like that any more than a war I'm enlisted in without knowing about it. Where's my free will, if you please? And this child seems to me to have more free will than anyone I ever met. Are you telling me that she's just some kind of clockwork toy wound up and set going on a course she can't change?"
"We are all subject to the fates. But we must all act as if we are not, or die of despair. There is a curious prophecy about this child: she is destined to bring about the end of destiny. But she must do so without knowing what she is doing, as if it were her nature and not her destiny to do it. If she's told what she must do, it will all fail; death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
In my sleep, I see my mother rising, like the mother spirit of the rivers, above the current that drowned her.
She is wearing a dress of glass, fashioned out of the hardened clarity of the river, and this dress flows like raised dust behind her as she runs towards me and enfolds me in her smoke-light arms. Her face is like mine now, in fact it is the exact same long, three-different-shades-of-night face, and she is smiling a both-row-of-teeth revealing smile.
”
”
Edwidge Danticat (The Farming of Bones)
“
Must be twenty-five pickers sat round the tables yacking, snacking, smoking, drinking, flirting and playing cards, and although there’s no telly someone’s got a paint-spattered ghetto-blaster and a Siouxsie and the Banshees tape. Outside, the fields of Black Elm Farm slope down to the sea, and lights dot-to-dot the coast past Faversham, past Whitstable and further. You’d never believe it’s a world where people get murdered or mugged or kicked out by their mothers.
”
”
David Mitchell (The Bone Clocks)
“
At the edge of Saint-Michel is the Wildwood. The wolves who live there come out at night. They prowl fields and farms, hungry for hens and tender young lambs. But there is another sort of wolf, one that's far more treacherous. This is the wolf the old ones speak of.
"Run if you see him," they tell their granddaughters. "His tongue is silver, but his teeth are sharp. If he gets hold of you, he'll eat you alive."
Most of the village girls do what they're told, but occasionally one does not. She stands her ground, looks the wolf in the eye, and falls in love with him.
People see her run to the woods at night. They see her the next morning with leaves in her hair and blood on her lips. This is not proper, they say. A girl should not love a wolf.
So they decide to intervene. They come after the wolf with guns and swords. They hunt him down in the Wildwood. But the girl is with him and sees them coming.
The people raise their rifles and take aim. The girl opens her mouth to scream, and as she does, the wolf jumps inside it. Quickly the girl swallows him whole, teeth and claws and fur. He curls up under her heart.
The villagers lower their weapons and go home. The girl heaves a sigh of relief. She believes this arrangement will work. She thinks she can be satisfied with memories of the wolf’s golden eyes. She thinks the wolf will be happy with a warm place to sleep.
But the girl soon realized she’s made a terrible mistake, for the wolf is a wild thing and wild things cannot be caged. He wants to get out, but the girl is all darkness inside and he cannot find his way.
So he howls in her blood. He tears at her heart.
The howling and gnawing –it drives the girl mad.
She tries to cut him out, slicing lines in her flesh with a razor.
She tries to burn him out, holding a candle flame to her skin.
She tries to starve him out, refusing to eat until she’s nothing but skin over bones.
Before long, the grave takes them both.
A wolf lives in Isabelle. She tries hard to keep him down, but his hunger grows. He cracks her spine and devours her heart.
Run home. Slam the door. Throw the bolt. It won’t help.
The wolves in the woods have sharp teeth and long claws, but it’s the wolf inside who will tear you apart.
”
”
Jennifer Donnelly
“
Most fans of forensic books and television shows are aware that the biochemical building blocks of DNA can be assembled in many billions of different ways, ensuring that no two people—except for identical twins—will possess the same genetic “fingerprint.” Not many of those same people realize that there are likewise billions of possible combinations of tooth shapes, sizes, orientations, and anomalies, including cavities, fillings, chips, and distinctively shaped roots. Although identical twins can’t be distinguished from one another by their DNA, they can be told apart by their teeth.
”
”
William M. Bass (Beyond the Body Farm: A Legendary Bone Detective Explores Murders, Mysteries, and the Revolution in Forensic Science)
“
Think of Chicago as a piece of music, perhaps,” he continued. “In it you can hear the thousands of years of people living here and fishing and hunting, and then bullets and axes, and the whine of machinery, and the bellowing of cattle, and the shriek of railroads, and the thud of fists and staves and crowbars, and a hundred languages, a thousand dialects. And the murmur of the lake like a basso undertone. Ships and storms, snow and fire. To the north the vast dark forests, and everywhere else around the city rolling fields of farms, and all roads leading to Chicago, which rises from the plains like Oz, glowing with light and fire at night, drawing people to it from around the world. A roaring city, gunfire and applause and thunder. Gleaming but made of bone and stone. Bitter cold and melting hot and clotheslines hung in the alleys and porches like the webbing of countless spiders. A city without illusions but with vaulting imaginations and expectations. A city of burning energies on the shore of a huge northern sea. An American city, with all the violence and humor and grace and greed of this particular powerful adolescent country. Perhaps the American city—no other city in the nation is as big and central and grown up from the very soil. Chicago was never ruled by Spain or England or France or Russia or Texas, it shares no ocean with other countries, it is no mere regional captain, like Cincinnati or Nashville; it is itself, all brawn and greed and song, brilliant and venal, almost a small nation, sprawling and vulgar and foul and beautiful, cold and cruel and wonderful. Its music is the blues, of course. Sad and uplifting at once, elevating and haunting at the same time. You sing so that you do not weep. You have no choice but to sing. So you raise up your voice and sing of love and woe, and soon another voice joins in, and you sing together, for a while, for a time, perhaps a brief time, but perhaps not.…
”
”
Brian Doyle
“
Everything the Kiowas had came from the buffalo.… Most of all, the buffalo was part of the Kiowa religion. A white buffalo calf must be sacrificed in the Sun Dance. The priests used parts of the buffalo to make their prayers when they healed people or when they sang to the powers above. So, when the white men wanted to build railroads, or when they wanted to farm or raise cattle, the buffalo still protected the Kiowas. They tore up the railroad tracks and the gardens. They chased the cattle off the ranges. The buffalo loved their people as much as the Kiowas loved them. There was war between the buffalo and the white men. The white men built forts in the Kiowa country, and the woolly-headed buffalo soldiers shot the buffalo as fast as they could, but the buffalo kept coming on, coming on, even into the post cemetery at Fort Sill. Soldiers were not enough to hold them back. Then the white men hired hunters to do nothing but kill the buffalo. Up and down the plains those men ranged, shooting sometimes as many as a hundred buffalo a day. Behind them came the skinners with their wagons. They piled the hides and bones into the wagons until they were full, and then took their loads to the new railroad stations that were being built, to be shipped east to the market. Sometimes there would be a pile of bones as high as a man, stretching a mile along the railroad track. The buffalo saw that their day was over. They could protect their people no longer.
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Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
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Those who die young, they are cheated,” she said. “Not cheated out of life, because life is a penance, but the young, they’re cheated because they don’t know it’s coming. They don’t have time to move closer, to return home. When you know you’re going to die, you try to be near the bones of your own people. You don’t even think you have bones when you’re young, even when you break them, you don’t believe you have them. But when you’re old, they start reminding you they’re there. They start turning to dust on you, even as you’re walking here and there, going from place to place. And this is when you crave to be near the bones of your own people. My children never felt this. They had to look death in the face, even before they knew what it was. Just like you did, no?
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Edwidge Danticat (The Farming of Bones)
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Folks take after they folks. That’s the law of nature. The thing about not watching my mother get old is that I wasn’t never sure what I was gonna get, cause if you don’t got your folks to look at, if all you got is a little picture of a woman standing beside a cactus, a picture took by a man who weren’t even your daddy, then you don’t got a good idea really of where yr headed. When I seen her bones I knew what we all knew, that we’s all gonna end up in a grave someday, but there’s stops in between there and now. Right now I got my first child running around in the yard and another one on the way. Five years from now Laz gives me Mother’s diamond ring back. He’d never sold it in Dallas. The money he brought back was from his savings. Dill’s hog farm is going pretty good. Uncle Teddy’s got another church. There’s lots of things between now and them bones.
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Suzan-Lori Parks
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You look at the history of any sentient species and what do you find but tableaux of violence and slaughter. It’s finger-painted on the ceilings of caves and engraved into the walls of temples. Dig a hole deep enough on any world and you’ll find the skulls and bones of adults and children fractured by crude weapons. All of us were fighting long before we were farming and raising livestock.”
He held up a hand before anyone could voice an objection. “All of you are exceedingly well educated, and you’re going to start rattling off the names of species and societies where that isn’t the case. And my answer is that those aren’t the beings or the star systems we need to worry about. It’s the rest of them. Violence is hardwired into most of us and there’s no eliminating the impulse—not with an army of stormtroopers or a fleet of Star Destroyers. That’s why we’ve embarked on a path to a different solution. We have a chance to forge a peace that will endure for longer than the Republic was in existence.”
“Peace through fear,” Reeva said.
“Yes,” Krennic told her, and let it go at that.
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James Luceno (Star Wars: Catalyst - A Rogue One Novel)
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Bycatch and discards are a fact of life to a fisherman. There is no fishing method that catches only the quarry. ...The UN Food and Agriculture Organization estimates that about a third of what is caught worldwide, some 29 million tons, goes over the side. This takes what is hauled from the sea to around 132 million tons a year. Add to that the number of organisms that are killed or damaged by net, line, or trap and are never landed--such as whales, porpoises, turtles, and birds--and the number of animals destroyed on the bottom, and the total catch by fishermen reaches something more like 220 million tons a year. Consider that much of the weight of palatable fish is head, cartilage, bone, and offal, which goes over the side or is thrown away by processors. Consider also that about 44 million tons of fish are caught to make industrial products and food for farmed fish. Consider that some of the palatable fish caught will be turned into products for other than human consumption--as cat food, for instance. Consider that there may be an element of waste because some fish will not sell. Taking all these things into account, it is possible to conclude that the amount of protein eaten by someone or something is maybe less than 20 percent of the 104 million tons landed, and only 10 percent of the amount of marine animals destroyed annually in the oceans. These are rough figures, but, given a wide margin of error, they are about right. So catching wild fish is a wasteful business.
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Charles Clover (The End of the Line: How Overfishing Is Changing the World and What We Eat)
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There followed, however, the devastating experience of the Communist Party’s purge of the anarchists on Stalin’s orders. Thousands of Orwell’s comrades were simply murdered or thrown into prison, tortured and executed. He himself was lucky to escape with his life. Almost as illuminating, to him, was the difficulty he found, on his return to England, in getting his account of these terrible events published. Neither Victor Gollancz, in the Left Book Club, nor Kingsley Martin, in the New Statesman – the two principal institutions whereby progressive opinion in Britain was kept informed – would allow him to tell the truth. He was forced to turn elsewhere. Orwell had always put experience before theory, and these events proved how right he had been. Theory taught that the left, when exercising power, would behave justly and respect truth. Experience showed him that the left was capable of a degree of injustice and cruelty of a kind hitherto almost unknown, rivalled only by the monstrous crimes of the German Nazis, and that it would eagerly suppress truth in the cause of the higher truth it upheld. Experience, confirmed by what happened in the Second World War, where all values and loyalties became confused, also taught him that, in the event, human beings mattered more than abstract ideas; it was something he had always felt in his bones. Orwell never wholly abandoned his belief that a better society could be created by the force of ideas, and in this sense he remained an intellectual. But the axis of his attack shifted from existing, traditional and capitalist society to the fraudulent utopias with which intellectuals like Lenin had sought to replace it. His two greatest books, Animal Farm (1945) and Nineteen Eighty-Four (1949), were essentially critiques of realized abstractions, of the totalitarian control over mind and body which an embodied utopia demanded, and (as he put it) ‘of the perversions to which a centralized economy is liable’.
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Paul Johnson (Intellectuals: A fascinating examination of whether intellectuals are morally fit to give advice to humanity)
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Hundreds of men crowded the yard, and not a one among them was whole. They covered the ground thick as maggots on a week old carcass, the dirt itself hardly anywhere visible. No one could move without all feeling it and thus rising together in a hellish contortion of agony. Everywhere men moaned, shouting for water and praying for God to end their suffering. They screamed and groaned in an unending litany, calling for mothers and wives and fathers and sisters. The predominant color was blue, though nauseations of red intruded throughout. Men lay half naked, piled on top of one another in scenes to pitiful to imagine. Bloodied heads rested on shoulders and laps, broken feet upon arms. Tired hands held in torn guts and torsos twisted every which way. Dirty shirts dressed the bleeding bodies and not enough material existed in all the world to sop up the spilled blood. A boy clad in gray, perhaps the only rebel among them, lay quietly in one corner, raised arm rigid with a finger extended, as if pointing to the heavens. His face was a singular portrait of contentment among the misery. Broken bones, dirty white and soiled with the passing of hours since injury, were everywhere abundant. All manner of devices splinted the damaged and battered limbs: muskets, branches, bayonets, lengths of wood or iron from barns and carts. One individual had bone splinted with bone: the dried femur of a horse was lashed to his busted shin. A blind man, his eyes subtracted by the minié ball that had enfiladed him, moaned over and over “I’m kilt, I’m kilt! Oh Gawd, I’m kilt!” Others lay limp, in shock. These last were mostly quiet, their color unnaturally pale. It was agonizingly humid in the still air of the yard. The stink of blood mixed with human waste produced a potent and offensive odor not unlike that of a hog farm in the high heat of a South Carolina summer. Swarms of fat, green blowflies everywhere harassed the soldiers to the point of insanity, biting at their wounds. Their steady buzz was a noise straight out of hell itself, a distress to the ears.
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Edison McDaniels (Not One Among Them Whole: A Novel of Gettysburg)
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Consider the life of a pregnant sow. Her incredible fertility is the source of her particular hell. While a cow will give birth to only a single calf at a time, the modern factory sow will birth, nurse, and raise an average of nearly nine piglets — a number that has been increased annually by industry breeders. She will invariably be kept pregnant as much as possible, which will prove to be the majority of her life. When she is approaching her due date, drugs to induce labor may be administered to make the timing more convenient for the farmer. After her piglets are weaned, a hormone injection makes the sow rapidly “cycle” so that she will be ready to be artificially inseminated again in only three weeks. Four out of five times a sow will spend the sixteen weeks of her pregnancy confined in a “gestation crate” so small that she will not be able to turn around. Her bone density will decrease because of the lack of movement. She will be given no bedding and often will develop quarter-sized, blackened, pus-filled sores from chafing in the crate. (In one undercover investigation in Nebraska, pregnant pigs with multiple open sores on their faces, heads, shoulders, backs, and legs — some as large as a fist — were videotaped. A worker at the farm commented, “They all have sores. . . . There’s hardly a pig in there who doesn’t have a sore.”) More serious and pervasive is the suffering caused by boredom and isolation and the thwarting of the sow’s powerful urge to prepare for her coming piglets. In nature, she would spend much of her time before giving birth foraging and ultimately would build a nest of grass, leaves, or straw. To avoid excessive weight gain and to further reduce feed costs, the crated sow will be feed restricted and often hungry. Pigs also have an inborn tendency to use separate areas for sleeping and defecating that is totally thwarted in confinement. The pregnant pigs, like most all pigs in industrial systems, must lie or step in their excrement to force it through the slatted floor. The industry defends such confinement by arguing that it helps control and manage animals better, but the system makes good welfare practices more difficult because lame and diseased animals are almost impossible to identify when no animals are allowed to move.
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Jonathan Safran Foer (Eating Animals)
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Witches own nothing, so we’re not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs. You have to repair your balloon and keep it in good condition, and that takes time and trouble, I see that; but for us to fly, all we have to do is tear off a branch of cloud-pine; any will do, and there are plenty more. We don’t feel cold, so we need no warm clothes. We have no means of exchange apart from mutual aid. If a witch needs something, another witch will give it to her. If there is a war to be fought, we don’t consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor, as bears do, for instance. An insult to a bear is a deadly thing. To us... inconceivable. How could you insult a witch? What would it matter if you did?” “Well, I’m kinda with you on that. Sticks and stones, I’ll break yer bones, but names ain’t worth a quarrel. But ma’am, you see my dilemma, I hope. I’m a simple aeronaut, and I’d like to end my days in comfort. Buy a little farm, a few head of cattle, some horses...Nothing grand, you notice. No palace or slaves or heaps of gold. Just the evening wind over the sage, and a ceegar, and a glass of bourbon whiskey. Now the trouble is, that costs money. So I do my flying in exchange for cash, and after every job I send some gold back to the Wells Fargo Bank, and when I’ve got enough, ma’am, I’m gonna sell this balloon and book me a passage on a steamer to Port Galveston, and I’ll never leave the ground again.” “There’s another difference between us, Mr. Scoresby. A witch would no sooner give up flying than give up breathing. To fly is to be perfectly ourselves.” “I see that, ma’am, and I envy you; but I ain’t got your sources of satisfaction. Flying is just a job to me, and I’m just a technician. I might as well be adjusting valves in a gas engine or wiring up anbaric circuits. But I chose it, you see. It was my own free choice. Which is why I find this notion of a war I ain’t been told nothing about kinda troubling.” “Iorek Byrnison’s quarrel with his king is part of it too,” said the witch. “This child is destined to play a part in that.” “You speak of destiny,” he said, “as if it was fixed. And I ain’t sure I like that any more than a war I’m enlisted in without knowing about it. Where’s my free will, if you please?
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Philip Pullman (The Golden Compass (His Dark Materials, #1))
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8:00am The sun is shining, the cows are mooing, and I am ready for the mines. I hope I find something awesome today. Steve has told me about some pretty crazy things I had no idea existed. According to him, I must find empty tombs in the desert. That’s where the real treasures are. For today, I will stick to regular mining. Who knows, maybe I will come across an abandoned mine shaft; could be my lucky day. 12:30pm I was forced to come home for lunch today because I had too much stuff to carry. I was getting low on my iron ore, gold, and lapis lazuli stocks before this mine trip. It’s amazing how quick lapis goes when you are busy enchanting everything but the kitchen sink. I’d enchant that too if I had one. I wonder what an enchanted kitchen sink would do. Would it do my dishes for me? That would be so cool. I have plenty of both now. I can make some new armor and enchant it! I love mining. Steve decided to join me for lunch and we ate a couple of pork chops and some cake. I love cake! We ate until no more food could fill us up. Then, Steve had the guts to brag about how, when he mines, he takes a horse with extra storage so he can stay down there all day long. Well fancy you, Steve. He also went on to tell me about how well the crops are doing these days. He thinks it’s because he is looking after them half of the time. What he doesn’t know is I throw bone marrow on them when I am working. Makes my job faster and gives me more free time so whatever you need to tell yourself, Steve. Life may be easier switching every day between mines and farming, but it still doesn’t make me his biggest fan. I just don’t think he needs to fall in a hole, either. At least… Not right now. I would consider us to be frienemies; Friendly enemies. Yes. At times we pretend to get along, but most of the time, we are happiest doing our own thing. 6:00pm Mining this afternoon was super fun… Not! I got attacked by a partially hidden skeleton guy. I couldn’t see him enough to strike back until half of my life hearts were gone. I must not have made the space bright enough. Those guys are nasty. They are hard to kill too. If you don’t have a bow and arrow you might as well surrender. Plus, they kind of smell like death. Yuck. Note to self: Bring more torches on the next mining day. On the other hand, I came back with an overshare of Redstone, too much iron for my own good, and oddly, quite a few diamonds. I won’t be sharing the diamonds with anyone. They are far too precious. They will go to some new diamond pickaxes, and maybe some armor. Hmm, I could enchant those too! The iron and Redstone though, I am thinking a trip to the village may be in order. See what those up-tight weirdos are willing to trade me. For now, it’s bedtime. 6:10pm You can only sleep at night. You can only sleep at night. You can only sleep at night. 6:11pm That stupid rule gets me every time. Why can’t I decide when it’s bed time? First, I will go eat a cookie, then I will go to sleep. Day Thirty-Three 3:00am I just dreamt that our world was made of cookies.
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Crafty Nichole (Diary of an Angry Alex: Book 3 (an Unofficial Minecraft Book))
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was waiting, silently waiting, not so much for my actual death, which meant little to me, one way or the other, as for the pine box that contained my bones to be carried three thousand miles from the hills of California back along the railroad lines to my family’s house and farm in the Adirondack mountain village of North Elba, New York. To the place that, because of the Negroes living there, we called Timbuctoo. A letter from a distinguished woman in the East who had long
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Russell Banks (Cloudsplitter)
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Beauty’s only skin deep,” she murmured. “Stupidity goes all the way to the bone.
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Jefferson Bass (Cut to the Bone (Body Farm #8))
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Once there was a bunny. This bunny had a birthday party. It was the bestest birthday party ever. Because that was the day the bunny got a bazooka. The bunny loved his bazooka. He blew up all sorts of things on the farm. He blew up the stable of Henrietta the Horse. He blew up the pen of Pugsly the Pig. He blew up the coop of Chuck the Chicken. “I have the bestest bazooka ever,” the bunny said. Then the farm friends proceeded to beat him senseless and steal his bazooka. It was the happiest day of his life. The end. Epilogue: Pugsly the Pig, now without a pen, was quite annoyed. When none of the others were looking, he stole the bazooka. He tied a bandana on his head and swore vengeance for what had been done to him. “From this day on,” he whispered, raising the bazooka, “I shall be known as Hambo.
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Brandon Sanderson (The Scrivener's Bones (Alcatraz, #2))
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Size didn’t matter. Rock-solid bone and a heart of gold did.
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Natalie Keller Reinert (Friends With Horses (Briar Hill Farm Book 2))
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There is something about the first frost that brings out the caveman--- one might even say the vampire--- in me. I want to wear fur and suck the meat off lamb bones, and on comes my annual craving for boudin noir, otherwise known as blood sausage. You know you've been in France for nearly a decade when the idea of eating congealed blood sounds not only normal, but positively delightful.
When I was pregnant, my body craved iron in silly amounts. I could have eaten a skyscraper. It's a shame that it's not on the French pregnancy diet--- forbidden along with charcuterie, liver, and steak tartare.
It's true that boudin noir is not the sort of thing I'd buy at any old supermarket. Ideally, you want a butcher who prepares his own. I bought mine from the mustached man with the little truck in Apt market, the same one I'd spotted during our first picnic in Provence. Since our first visit, I'd returned many times to buy his delicious, very lean, saucisses fraîches and his handmade andouillettes, which I sauté with onions, Dijon mustard, and a bit of cream.
I serve my boudin with roasted apples--- this time, some Golden Delicious we picked up from a farm stand by the side of the road. I toasted the apple slices with olive oil, sprinkled the whole lot with sea salt, and added a cinnamon stick and a star anise to ground the dish with cozy autumn spices. Boudin is already cooked through when you buy it, but twenty minutes or so in a hot oven gives it time to blister, even burst. I'm an adventurous eater, but the idea of boiled (or cold) boudin makes me think about moving back to New Jersey. No, not really.
I admit, when you first take it out of the oven, there are some visual hurdles. There's always a brief moment--- particularly when I serve the dish to guests--- that I think, But that looks like large Labrador shit on a plate. True enough. But once you get past the aesthetics, you have one of the richest savory tastes I can imagine. Good boudin has a velveteen consistency that marries perfectly with the slight tartness of the roasted apples. Add mashed potatoes (with skin and lumps), a bottle of Châteauneuf-du-Pape, and wake me in the spring.
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Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
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Mrs. Lulu Harte, who lived nearby and drove Nellie Kehoe to church every Sunday, “had a little fox terrier dog of which she thought a great deal.” Sometime in March 1920—about a year after the Kehoes moved to Bath—the dog “came up missing.” Setting off in search of her pet, she arrived at the Kehoe farm and asked Andrew “if he had seen anything of her dog.” Kehoe allowed that he had. “It was burying a bone beside my road fence,” he explained matter-of-factly, “and I shot the damned nuisance.” Shocked as she was, Mrs. Harte didn’t raise a fuss, merely turning away in silence. But she never drove Nellie to church again.8
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Harold Schechter (Maniac: The Bath School Disaster and the Birth of the Modern Mass Killer)
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First up were these dainty heirloom vegetables, speared like lollipops on a "fence" of fine metal pricks. "I'm not a minimalist by nature," the chef explains of this simple yet exquisite dish, "but sometimes the stuff we get from the farm is so perfect, I feel like I shouldn't do much with it: just vegetables, naked, with salt and a little lemon vinaigrette." Andrew and I plucked the carrots, fennel, radishes, and greens one by one, relishing the powerful flavor contained within each, along with the snap, crunch, and wholesomeness. So simple and pure.
But it wasn't all so austere. We moved on to luscious potato gnocchi, fresh tilefish from Montauk, and my favorite, duck. Blue Hill gets its ducks from a local farm called Garden of Spices, where they're raised on grass, something that is rarely done in this country. "We cold smoke the legs for several hours- tenderizing the muscles from all that activity- and roast the breasts on the bone.
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Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself)
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Horseman is the haunting sequel to the 1820 novel The Legend of Sleepy Hollow by Washington Irving and takes place two decades after the events that unfolded in the original. We are introduced to 14-year-old trans boy Bente “Ben” Van Brunt, who has been raised by his idiosyncratic grandparents - lively Brom “Bones” Van Brunt and prim Kristina Van Tassel - in the small town of Sleepy Hollow, New York, where gossip and rumour run rife and people are exceedingly closed-minded. He has lived with them on their farm ever since he was orphaned when his parents, Bendix and Fenna, died in suspicious and enigmatic circumstances. Ben and his only friend, Sander, head into the woodland one Autumn day to play a game known as Sleepy Hollow Boys, but they are both a little startled when they witness a group of men they recognise from the village discussing the headless, handless body of a local boy that has just been found. But this isn't the end; it is only the beginning. From that moment on, Ben feels an otherworldly presence following him wherever he ventures, and one day while scanning his grandfather’s fields he catches a fleeting glimpse of a weird creature seemingly sucking blood from a victim.
An evil of an altogether different nature. But Ben knows this is not the elusive Horseman who has been the primary focus of folkloric tales in the area for many years because he can both feel and hear his presence. However, unlike others who fear the Headless Horseman, Ben can hear whispers in the woods at the end of a forbidden path, and he has visions of the Horseman who says he is there to protect him. Ben soon discovers connections between the recent murders and the death of his parents and realises he has been shaded from the truth about them his whole life. Thus begins a journey to unravel the mystery and establish his identity in the process. This is an enthralling and compulsively readable piece of horror fiction building on Irvings’ solid ground. Evoking such feelings as horror, terror, dread and claustrophobic oppressiveness, this tale invites you to immerse yourself in its sinister, creepy and disturbing narrative. The staggering beauty of the remote village location is juxtaposed with the darkness of the demons and devilish spirits that lurk there, and the village residents aren't exactly welcoming to outsiders or accepting of anyone different from their norm.
What I love the most is that it is subtle and full of nuance, instead of the usual cheap thrills with which the genre is often pervaded, meaning the feeling of sheer panic creeps up on you when you least expect, and you come to the sudden realisation that the story has managed to get under your skin, into your psyche and even into your dreams (or should that be nightmares?) Published at a time when the nights are closing in and the light diminishes ever more rapidly, not to mention with Halloween around the corner, this is the perfect autumnal read for the spooky season full of both supernatural and real-world horrors. It begins innocuously enough to lull you into a false sense of security but soon becomes bleak and hauntingly atmospheric as well as frightening before descending into true nightmare-inducing territory. A chilling and eerie romp, and a story full of superstition, secrets, folklore and old wives’ tales and with messages about love, loss, belonging, family, grief, being unapologetically you and becoming more accepting and tolerant of those who are different. Highly recommended.
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The Metamorphosis of Prime Intellect
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For Hmong, an additional layer of punishment was how life in the camps deprived them of their self-reliance. Officially, residents of Ban Vinai were not allowed to leave the camp. In the earlier years, some men and women made informal arrangements to work off-site, mostly as farm laborers. At no point, though, were they allowed to have their own farms: that would have taken land away from Thai farmers, and it might have encouraged the refugees to stay. While camp rations were meager, the cruelty of this prohibition was not the people’s hunger; it was that since before anyone’s memories began, agriculture had been the axis on which Hmong lives spun. Practically, farming designed how they spent each day. Societally, farming was the underpinning of their financial and cultural independence. Now it was gone. As if all the bones had been removed from a body, the structure of life had been taken away.
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Lisa M. Hamilton (The Hungry Season: A Journey of War, Love, and Survival)
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To teach me that a lifetime can be vast as a hundred years or sudden as a few breaths? Enjoy this one you have left. It all passes so fast. In the time it takes to draw a breath.
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Edwidge Danticat (The Farming of Bones)
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Flesh decays; bone endures. Flesh forgets and forgives ancient injuries; bone heals, but it always remembers: a childhood fall, a barroom brawl; the smash of a pistol butt to the temple, the quick sting of a blade between the ribs. The bones capture such moments, preserve a record of them, and reveal them to anyone with eyes trained to see the rich visual record, to hear the faint whispers rising from the dead.
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William M. Bass (Death's Acre: Inside the Legendary Forensic Lab the Body Farm Where the Dead Do Tell Tales)
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Furthermore, the agricultural revolution stunted children’s growth rates. An analysis of juvenile long bones from Neolithic sites shows declines in length and density over the periods when farming took root. Hunter-gatherer skeletons are far more strapping than those of settled laborers, and it’s only since the Industrial Revolution that we’ve regained the stature of our ancestors from ten thousand years ago.
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Evan D.G. Fraser (Empires of Food: Feast, Famine, and the Rise and Fall of Civilization)
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Each moment of your life is the sum total of all the prior moments. There’s not a single thing that happens to you that doesn’t leave its mark; doesn’t redirect your course somehow; doesn’t make you more fully who you are. It took every single step—even the steps you took as life dragged you by the hair of your head—to put you exactly where you are.
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Jefferson Bass (Bones of Betrayal (Body Farm, #4))
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Those fists in the air were dedicated to everyone at home, back in the projects in Chicago, Oakland, and Detroit, to everyone in the boroughs of Queens and Brooklyn, to all of the brothers and sisters, fathers and mothers in Birmingham, Atlanta, Dallas, Houston, St. Louis, New Orleans, to everyone struggling, working their fingers to the bone on farms across America, to everyone holding out hope that things will get better... that was for you, from John and me. We had to be seen because we were not being heard.
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Tommie Smith
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It felt right to be this close to him. It felt like home though she’d never imagined home could be anywhere but with her farming caravan.
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Hunter Kay Wallace (The Shaman's Bones (Migratory Farmers Book 1))
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I’ve always passionately believed in the power of the state to improve lives. Before my career in AI, I worked in government and the nonprofit sector. I helped start a charity telephone counseling service when I was nineteen, worked for the mayor of London, and co-founded a conflict resolution firm focused on multi-stakeholder negotiation. Working with public servants—people stretched thin and bone-tired, but forever in demand and doing heroic work for those who need it—was enough to show me what a disaster it would be if the state failed. However, my experience with local government, UN negotiations, and nonprofits also gave me invaluable firsthand knowledge of their limitations. They are often chronically mismanaged, bloated, and slow to act. One project I facilitated in 2009 at the Copenhagen climate negotiations involved convening hundreds of NGOs and scientific experts to align their negotiating positions. The idea was to present a coherent position to 192 squabbling countries at the main summit. Except we couldn’t get consensus on anything. For starters, no one could agree on the science, or the reality of what was happening on the ground. Priorities were scattered. There was no consensus on what would be effective, affordable, or even practical. Could you raise $10 billion to turn the Amazon into a national park to absorb CO2? How are you going to deal with the militias and bribes? Or maybe the answer was to reforest Norway, not Brazil, or was the solution to grow giant kelp farms instead? As soon as proposals were voiced, someone spoke up to poke holes in them. Every suggestion was a problem. We ended up with maximum divergence on all possible things. It was, in other words, politics as usual. And this involved people notionally on the “same team.” We hadn’t even gotten to the main event and the real horse-trading. At the Copenhagen summit a morass of states all had their own competing positions. Now pile on the raw emotion. Negotiators were trying to make decisions with hundreds of people in the room arguing and shouting and breaking off into groups, all while the clock was ticking, on both the summit and the planet. I was there trying to help facilitate the process, perhaps the most complex, high-stakes multiparty negotiation in human history, but from the start it looked almost impossible. Observing this, I realized we weren’t going to make sufficient progress fast enough. The timeline was too tight. The issues were too complex. Our institutions for addressing massive global problems were not fit for purpose.
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Mustafa Suleyman (The Coming Wave: AI, Power, and Our Future)
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Never take advice, trust, or rely on a hungry person.
Hunger has made people kill each other and sell each other.
Hunger has made people turn against each other.
We have no shame , morals, values, or principles anymore.
We don’t have back bone or stand for something, because of hunger we fall for everything. Hunger controls lot of people.
Hunger for success or for attention. Hunger to be rich. Hunger for being relevant or to trend. Hunger for being famous. Hunger for power or to be in control. Hunger for being noticed or liked. Hunger for sex or pleasure. Hunger for being loved. Hunger for money. Hunger for being cool, hunger for being credited, Hunger for being looked at as the smartest, wisest, or educated. Hunger for more followers or promos. Hunger for being right. Hunger for being in the circle or table. Hunger for being admired and hunger for friends.
A starving person will say and do anything as long it is feeding their hunger. They can mislead, say wrong things, misinform, manipulate, abuse, lie, provoke, insult, intimidate, black mail, rage farm, influence, instigate people if it will feed their hunger.
I hate poverty. It has made lot us break the law, support criminals, bad people, bad leaders , bad parties, bad things, bad behavior because whatever we support feeds our hunger.
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De philosopher DJ Kyos
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Misery won’t touch you gentle. It always leaves its thumbprints on you; sometimes it leaves them for others to see, sometimes for nobody but you to know of.
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Edwidge Danticat (The Farming of Bones)
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Elizabeth continued to sob, Sara watched from a little further back. There was blood all over her, along with pieces of bone and brain matter that had been sprayed
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Amy Cross (The Farm)
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We know pretty well the makeup of the party of the global economy, but who are the members of the party of local community? They are people who take a generous and neighborly view of self-preservation; they do not believe that they can survive and flourish by the rule of dog eat dog; they do not believe that they can succeed by defeating or destroying or selling or using up everything but themselves. They doubt that good solutions can be produced by violence. They want to preserve the precious things of nature and of human culture and pass them on to their children. They want the world's fields and forests to be productive; they do not want them to be destroyed for the sake of production. They know you cannot be a democrat (small d ) or a conservationist and at the same time a proponent of the supranational corporate economy. They believe-they know from their experience-that the neighborhood, the local community, is the proper place and frame of reference for responsible work. 'They see that no commonwealth or community of interest can be defined by greed. They know that things connect-that farming, for example, is connected to nature, and food to farming, and health to food-and they want to preserve the connections. They know that a healthy local community cannot be replaced by a market or an entertainment industry or an information highway. They know that contrary to all the unmeaning and unmeant political talk about "job creation," work ought not to be merely a bone thrown to otherwise unemployed. They know that work ought to be necessary; it ought to be good, it ought to be satisfying and dignifying to the people who do it, and genuinely useful and pleasing to the people for whom it is done.
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Wendell Berry
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Each night I kept her up and busy until she fell into a satisfied slumber. I made sure she was too tired and sated to run. Of course, I ended up pretty satisfied too. Really satisfied. More so that I’d ever been in my entire life. Bone
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Joanna Blake (Stud Farm: The Delancey Brothers)
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I knew you forever and you were always old,
soft white lady of my heart. Surely you would scold
me for sitting up late, reading your letters,
as if these foreign postmarks were meant for me.
You posted them first in London, wearing furs
and a new dress in the winter of eighteen-ninety.
I read how London is dull on Lord Mayor's Day,
where you guided past groups of robbers, the sad holes
of Whitechapel, clutching your pocketbook, on the way
to Jack the Ripper dissecting his famous bones.
This Wednesday in Berlin, you say, you will
go to a bazaar at Bismarck's house. And I
see you as a young girl in a good world still,
writing three generations before mine. I try
to reach into your page and breathe it back…
but life is a trick, life is a kitten in a sack.
This is the sack of time your death vacates.
How distant your are on your nickel-plated skates
in the skating park in Berlin, gliding past
me with your Count, while a military band
plays a Strauss waltz. I loved you last,
a pleated old lady with a crooked hand.
Once you read Lohengrin and every goose
hung high while you practiced castle life
in Hanover. Tonight your letters reduce
history to a guess. The count had a wife.
You were the old maid aunt who lived with us.
Tonight I read how the winter howled around
the towers of Schloss Schwobber, how the tedious
language grew in your jaw, how you loved the sound
of the music of the rats tapping on the stone
floors. When you were mine you wore an earphone.
This is Wednesday, May 9th, near Lucerne,
Switzerland, sixty-nine years ago. I learn
your first climb up Mount San Salvatore;
this is the rocky path, the hole in your shoes,
the yankee girl, the iron interior
of her sweet body. You let the Count choose
your next climb. You went together, armed
with alpine stocks, with ham sandwiches
and seltzer wasser. You were not alarmed
by the thick woods of briars and bushes,
nor the rugged cliff, nor the first vertigo
up over Lake Lucerne. The Count sweated
with his coat off as you waded through top snow.
He held your hand and kissed you. You rattled
down on the train to catch a steam boat for home;
or other postmarks: Paris, verona, Rome.
This is Italy. You learn its mother tongue.
I read how you walked on the Palatine among
the ruins of the palace of the Caesars;
alone in the Roman autumn, alone since July.
When you were mine they wrapped you out of here
with your best hat over your face. I cried
because I was seventeen. I am older now.
I read how your student ticket admitted you
into the private chapel of the Vatican and how
you cheered with the others, as we used to do
on the fourth of July. One Wednesday in November
you watched a balloon, painted like a silver abll,
float up over the Forum, up over the lost emperors,
to shiver its little modern cage in an occasional
breeze. You worked your New England conscience out
beside artisans, chestnut vendors and the devout.
Tonight I will learn to love you twice;
learn your first days, your mid-Victorian face.
Tonight I will speak up and interrupt
your letters, warning you that wars are coming,
that the Count will die, that you will accept
your America back to live like a prim thing
on the farm in Maine. I tell you, you will come
here, to the suburbs of Boston, to see the blue-nose
world go drunk each night, to see the handsome
children jitterbug, to feel your left ear close
one Friday at Symphony. And I tell you,
you will tip your boot feet out of that hall,
rocking from its sour sound, out onto
the crowded street, letting your spectacles fall
and your hair net tangle as you stop passers-by
to mumble your guilty love while your ears die.
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Anne Sexton
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For some, passion is the gift of a ring in a church ceremony, the bearing of children as shared property. For me it was just a smile I couldn’t help, tugging at the sides of my face.
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Edwidge Dandicat
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You have no intention ot majoring in business and running my grandmother’s farm after graduation.”
“No.”
Not without admiration I said, “You’re just milking her for everything she’s worth.”
Now that he knew he was caught, he charmed me with a big grin. “Basically.”
I was glad we’d faced off and I’d finally pried the truth out of him while I was propped up. But my hip ached like nothing I’d ever experienced, and I simply couldn’t balance on my tender bones any linger. “Any swindler of my grandmother is a friend of mine” came out a groan as I eased forward to lie down on my stomach on the table, one hand on my ass to make sure the paper gown didn’t ride up to reveal even more of my broken body to Hunter.
His arm shot across my chest to support me as I lay down. I wondered whether he knew exactly what he was touching underneath my paper gown-but surely that was the farthest thing from his mind. Most people did not think dirty thoughts at a time like this. Only me.
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Jennifer Echols (Love Story)
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Approximately eight hundred skeletons from the Dickson Mounds in the lower Illinois Valley have been analyzed. They reveal a clear picture of the health changes that accompanied the shift from foraging to corn farming around 1200 AD. Archaeologist George Armelagos and his colleagues reported that the farmers’ remains show a 50 percent increase in chronic malnutrition, and three times the incidence of infectious diseases (indicated by bone lesions) compared with the foragers who preceded them. Furthermore, they found evidence of increased infant mortality, delayed skeletal growth in adults, and a fourfold increase in porotic hyperostosis, indicating iron-deficiency anemia in more than half the population.
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Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
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Father Romain always made much of our being from the same place, just as Sebatstien did. Most people here did. It was a way of being joined to your old life through the presence of another person. At times you could sit for a whole evening with such individuals, just listening to their existence unfold, from the house where they were born to the hill where they wanted to be buried. It was their way of returning home, with you as a witness or as someone to bring them back to the present...
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Edwidge Danticat (The Farming of Bones)
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For an hour we talked of Anne and that famous farm on Prince Edward Island. Thus the friendship began.
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Kathy Reichs (Bones to Ashes (Temperance Brennan, #10))
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Along with John and Judi, we took a big risk and started filming on the movie before we had a contract signed with MGM. There didn’t seem to be any choice. I imagined all the insurance underwriters across the world reacting to the phrase “live crocodiles.” Those two words would be enough to blow them right out of their cubicles. So we began shooting with our zoo crocodiles, but without signatures on the dotted line for the movie.
A particular scene in the script--and a good example of an insurance man’s nightmare--had a crocodile trying to lunge into a boat. Only Steve’s expertise could make this happen, since the action called for Steve and me to be in the boat at the time. If the lunging crocodile happened to hook his head over the edge of the boat, he would tip us both into the water. That would be a one-way trip.
“How are you going to work it?” I asked Steve.
“Get the crocs accustomed to the dinghy first,” he said. “Then I’ll see if I can get them interacting with me while I’m in the boat.”
First he tried Agro, one of our biggest male crocs. Agro was too wary of the boat. He’s a smart crocodile. I think he remembered back when he was captured. He didn’t want any of it. We decided to try with our friend Charlie.
Charlie had been very close to ending up at a farm, his skin turned into boots, bags, and belts. He definitely had attitude. He spent a lot of his time trying to kill everything within range. Steve felt good about the possibility of Charlie having a go.
Because he was filming a movie and not shooting a documentary, John had a more complex setup than usual, utilizing three thirty-five-millimeter cameras. Each one would film in staggered succession, so that the film magazine changes would never happen all at once. There would never be a time when film was not rolling. We couldn’t very well ask a crocodile to wait while a fresh mag was loaded into a camera.
“You need to be careful to stay out of Charlie’s line of sight,” Steve said to me. “I want Charlie focusing only on me. If he changes focus and starts attacking you, it’s going to be too difficult for me to control the situation.”
Right. Steve got no argument from me. Getting anywhere near those bone-crushing jaws was the furthest thing from my mind. I wasn’t keen on being down on the water with a huge saltwater crocodile trying to get me. I would have to totally rely on Steve to keep me safe.
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Terri Irwin (Steve & Me)
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The three ladies perused the menu. Muriel let out a sigh.
"I don't like it when they give too much detail about the meat," she said, "It says here the roast pork is made from Gloucester Old Spot pigs that were raised at Tyler's Green Farm. I've been there and can picture the little piglets running around. It's put me off ordering that."
"And the beef," Diana told her, not looking up, "They're serving Daisy. She had a happy life on the farm until an unfortunate accident with the combine harvester led to her being something delicious on your plate today."
"Oh God," Muriel replied, "I think I'll have the spinach quiche.
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Stuart Bone, Nothing Ventured
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Happens more than we want to know. There are Indian kids, just like your brother, heck just like me, all over this Valley. Fostered out, adopted out, working their fingers to the bone--heck, many of them not being properly fed so they are nothing but muscle and bone to begin with, thinking that if they just do good enough, maybe, just maybe, someday they will actually belong.
Mostly what I see is once they've been used up--in some cases broken beyond repair--they're thrown away like all the battered farm equipment you see sitting in the back of farmyards, back by the windbreak."
- Cash Blackbear in Girl Gone Missing
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Marcie R. Rendon (Girl Gone Missing (Cash Blackbear Mysteries, #2))
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And maybe she would have carried this thing with her the rest of her life, this secret pain, this secret worry, but who doesn't? Who doesn't know their lives are built on top of bones? Who doesn't carry inside them that it's only brutal violence keeping this world afloat? Child slaves making our clothes, factory farms turning animals to slurry, nations of plastic floating in the ocean.
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Jordan Harper (Everybody Knows)