Farmhouse Style Quotes

...Violet followed her friend into the massive kitchen with its Restoration Hardware fixture and faux-weathered, farmhouse-style cabinets. Its perplexed Violet, the way people tried to make the insides of new homes look old.

Italy still has a provincial sophistication that comes from its long history as a collection of city states. That, combined with a hot climate, means that the Italians occupy their streets and squares with much greater ease than the English. The resultant street life is very rich, even in small towns like Arezzo and Gaiole, fertile ground for the peeping Tom aspect of an actor’s preparation. I took many trips to Siena, and was struck by its beauty, but also by the beauty of the Siennese themselves. They are dark, fierce, and aristocratic, very different to the much paler Venetians or Florentines. They have always looked like this, as the paintings of their ancestors testify. I observed the groups of young people, the lounging grace with which they wore their clothes, their sense of always being on show. I walked the streets, they paraded them. It did not matter that I do not speak a word of Italian; I made up stories about them, and took surreptitious photographs. I was in Siena on the final day of the Palio, a lengthy festival ending in a horse race around the main square. Each district is represented by a horse and jockey and a pair of flag-bearers. The day is spent by teams of supporters with drums, banners, and ceremonial horse and rider processing round the town singing a strange chanting song. Outside the Cathedral, watched from a high window by a smiling Cardinal and a group of nuns, with a huge crowd in the Cathedral Square itself, the supporters passed, and to drum rolls the two flag-bearers hurled their flags high into the air and caught them, the crowd roaring in approval. The winner of the extremely dangerous horse race is presented with a palio, a standard bearing the effigy of the Virgin. In the last few years the jockeys have had to be professional by law, as when they were amateurs, corruption and bribery were rife. The teams wear a curious fancy dress encompassing styles from the twelfth to the eighteenth centuries. They are followed by gangs of young men, supporters, who create an atmosphere or intense rivalry and barely suppressed violence as they run through the narrow streets in the heat of the day. It was perfect. I took many more photographs. At the farmhouse that evening, after far too much Chianti, I and my friends played a bizarre game. In the dark, some of us moved lighted candles from one room to another, whilst others watched the effect of the light on faces and on the rooms from outside. It was like a strange living film of the paintings we had seen. Maybe Derek Jarman was spying on us.

As Regina McGowan pulled her silver Volvo SUV into the driveway in front of the huge, farmhouse-style home, all Megan could see was boys. Boys everywhere. All seven of them plus their dad, running and laughing and shoving each other around on the front lawn, engaged in what appeared to be a full-contact, tackle version of ultimate Frisbee. They were playing shirts and skins. Shirts and mighty-fine-lookin’ skins. Megan’s pulse pounded in her ears. Forget evil, laughing little monsters. These guys had been touched by the Abercrombie gods. They were a blur of toned, suntanned perfection.

As Regina McGowan pulled her silver Volvo SUV into the driveway in front of the huge, farmhouse-style home, all Megan could see was boys. Boys everywhere. All seven of them plus their dad, running and laughing and shoving each other around on the front lawn, engaged in what appeared to be a full-contact, tackle version of ultimate Frisbee. They were playing shirts and skins. Shirts and mighty-fine-lookin’ skins. Megan’s pulse pounded in her ears. Forget evil, laughing little monsters. These guys had been touched by the Abercrombie gods. They were a blur of toned, suntanned perfection. For a few seconds, Megan had trouble focusing on any one of them, but then one of the skins scored a goal and jumped up, arms thrust in the air, whooping in triumph as he clutched the Frisbee in one hand. His six-pack abs were dotted with sweat and a couple of stray pieces of torn grass. His smile sent shivers right through Megan’s core. He had shaggy blond hair, a square chin, and the most perfect shoulder muscles Megan had ever seen. One of his brothers slapped him on the back and pointed toward the Volvo. He turned around and looked right at Megan. The rest of the world ceased to exist. “Well, here we are,” Regina said, killing the engine. “Megan?” He smiled slowly--a perfect, open, happy smile. “Megan?” Something touched Megan’s arm. “Oh! Uh…yeah?” Megan whipped her eyes away from Mr. Perfection and blushed. Regina’s brown eyes twinkled with amusement and sympathy. “You can live in the car if you want to, but they’ll find a way to get to you anyway.” “Oh…uh…” God, did she just catch me drooling all over one of her kids? Gross! “Don’t worry. They promised me they would be on their best behavior,” Regina said, unbuckling her seat belt. She swung her long dark hair over her shoulder as she got out of the car and leaned down to look at Megan. “My advice? Just be yourself. I’m sure you’ll be fine.” Megan managed to smile and Regina slammed the car door. Be myself. Yeah. Right. Because that’s gotten me so far in the past.

We love the unexpected, the gloriously chaotic combination of a million different elements. We love things that have history. We’re not looking for perfection. If we love something, we will find a way to make it fit. We love rock ’n’ roll style as well as farmhouse. We love boho and hippie and country. The truth is, we’re a little of all those things combined. You could say we have commitment issues. We love color, but we also love white. We love vintage concert posters mixed with red-lacquered Asian pieces, then combined with chippy, peely farmhouse furniture and maybe topped off with fringed velvet curtains. For us, the design process is a gut-wrenchingly beautiful thing, a deeply meditative process, a cultural exploration of who you are, and it’s one of the most personal things you can do. If a home is set up the right way, there’s something you can feel, and it’s not for anyone else; it’s for yourself. All the stars (or the chandeliers) align, and you just know: It’s right.

STYLE & STRUCTURE LANGUAGE Simple, clear; effectively creates the atmosphere of a world that, on the surface, is down-to-earth and unsophisticated, but that on a deeper level is complex and contains many conflicting forces. NARRATOR Invisible, third-person narrator who emphasizes the thoughts, feelings, and actions of animals. FABLE (Short tale that teaches a moral lesson, with animals as characters.) The animals act in accordance with their animal nature, but their ideas and emotions are those of human beings: Benjamin is skeptical about the chances of improving his lot and feels just as disillusioned about their new society as a human would; Clover, the gentle, patient elderly mare, reacts to tragic events with the compassionate tears of a human being. It is obvious that Orwell sympathizes with the plight of the animals, whether they are ruled by Jones or Napoleon. His treatment of animals makes them believable as individuals, not just as types. IRONY (Use of words to express a meaning opposite to the literal meaning.) Orwell sees the animals’ flaws as well as their positive qualities; treats circumstances of their lives with persuasive irony: the Rebellion occurs not merely because of a bloodthirsty desire for revenge on the animals’ part, but also because Jones has forgotten to feed them and they are desperately hungry. STRUCTURE Ten chapters. Rising action: First five chapters tell of the animals’ Rebellion. Crisis (turning point): Napoleon launches the surprise attack that drives Snowball into exile, thus eliminating a rival for the position of power. The novel’s second half tells how Napoleon firmly establishes his power by making clever use of propaganda and terrorist tactics. Several unexplained events are cleared up as the story develops: why Napoleon took puppies (he raises them as a police force); what happened to the cows’ milk (it is reserved exclusively for the pigs’ use); the reason for the pigs’ moving into farmhouse (they are secretly learning to acquire human habits); the strange negotiations with Foxwood and Pinchfield Farms (Napoleon attempts to deal with humans on terms advantageous to him).