Farm Girl Quotes

We've searched our database for all the quotes and captions related to Farm Girl. Here they are! All 100 of them:

He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself. And he is not in the position to do any rescuing of his own.
Erin Morgenstern (The Night Circus)
You can go back to blacksmithing in Hintindar and live a quiet happy life. Do me a favor and marry some pretty farm girl and train your son to beat the crap out of imperial knights." "Sure," Hadrian told him. "And with any luck he'll make friends with a cynical burglar who'll do nothing but torment him.
Michael J. Sullivan (Percepliquis (The Riyria Revelations, #6))
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
Alan Moore (V for Vendetta)
There are a few people out there with whom you fit just so, and, amazingly, you keep fitting just so even after you have growth spurts or lose weight or stop wearing high heels. You keep fitting after you have children or change religions or stop dyeing your hair or quit your job at Goldman Sachs and take up farming. Somehow, God is gracious enough to give us a few of those people, people you can stretch into, people who don't go away, and whom you wouldn't want to go away, even if they offered.
Lauren F. Winner (Girl Meets God)
Somehow she managed to survive and dig herself out and—“ “And somehow get back to the farm and swing an axe into Zalachenko’s skull,” Blomkvist finished for him. “She can be a moody bitch.
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
We are the centuries... We have your eoliths and your mesoliths and your neoliths. We have your Babylons and your Pompeiis, your Caesars and your chromium-plated (vital-ingredient impregnated) artifacts. We have your bloody hatchets and your Hiroshimas. We march in spite of Hell, we do – Atrophy, Entropy, and Proteus vulgaris, telling bawdy jokes about a farm girl name of Eve and a traveling salesman called Lucifer. We bury your dead and their reputations. We bury you. We are the centuries. Be born then, gasp wind, screech at the surgeon’s slap, seek manhood, taste a little godhood, feel pain, give birth, struggle a little while, succumb: (Dying, leave quietly by the rear exit, please.) Generation, regeneration, again, again, as in a ritual, with blood-stained vestments and nail-torn hands, children of Merlin, chasing a gleam. Children, too, of Eve, forever building Edens – and kicking them apart in berserk fury because somehow it isn’t the same. (AGH! AGH! AGH! – an idiot screams his mindless anguish amid the rubble. But quickly! let it be inundated by the choir, chanting Alleluias at ninety decibels.)
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
Before I found Minerva, I'd passed nights with more than my share of women." Thorne groaned. Don't. Just don't. "I've passed time with duchesses and farm girls, and it doesn't matter whether their skirts are silk or homespun. Once you get them bare--" Thorne drew up short. "If you start in on rivers of silk and alabaster orbs, I will have to hit you.
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
His grandparents lived on an old farm. Like he should have considered that psycho teenage girls might be leaving tainted steaks for his dog to find. "If you hurt him, I'll kill you.
Brigid Kemmerer (Spirit (Elemental, #3))
In a werewolf pack, you cannot interfere with the mate choice of a clan fellow. You cannot intentionally harm that werewolf’s chosen mate. You are not, however, required to help that person should he find himself in a life - threatening situation. Somehow, Zeb had managed to stumble into several such situations in the few months since he ’d been engaged to Jolene. He’d had several hunting “accidents” while visiting the McClaine farm, even though he didn’t hunt. The brakes on his car had failed while he was driving home from the farm—twice. Also, a running chainsaw mysteriously fell on him from a hayloft. He would never get that pinkie toe back.
Molly Harper (Nice Girls Don't Date Dead Men (Jane Jameson, #2))
He touched me as if I were the curved and delicate handle of a china cup, but he held me tightly just as I was, flesh and blood and full of human flaws and fears. In his arms I wasn't a girl dreaming of sailing the high seas, and I wasn't a farm kid jumping the train, either, but a fully grown woman riding the soft side of a crescent moon.
Ann Howard Creel (The Magic of Ordinary Days)
No one had seen anything of Urk since he had gone galloping out into the night carrying Meriam, the hired girl. It was generally assumed that he had drowned her and then himself. Who cared, anyway?
Stella Gibbons (Cold Comfort Farm)
The only talents he possessed were delusions of adequacy.
Jodi Taylor (The Nothing Girl (Frogmorton Farm, #1))
Ask that girl who left Tom Lake what she wanted out of life and she would never in a million years have said the Nelson farm in Traverse City, Michigan, but as it turned out, it was all she wanted.
Ann Patchett (Tom Lake)
He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves.
Erin Morgenstern (The Night Circus)
Miss Marshall, are you trying to tell me that you didn’t dream of marrying a lord when you were young? That you didn’t play at being a lady, imagining what it would be like to be waited on hand and foot? I thought every little girl with any inclination at all to marry dreamed of catching the eye of a lord.” “God, no.” She looked horrified. “Farm girls who catch the eye of a lord don’t end up married. If we’re lucky, we don’t end up pregnant.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself. And he is not in the position to do any rescuing of his own. During the hours spent watching the sheep as they wander aimlessly around their fields, he even wishes that someone would come and take him away, but wishes on sheep appear to work to better than wishes on stars.
Erin Morgenstern (The Night Circus)
Every time you consume factory-farmed chicken, beef, veal, pork, eggs, or dairy, you are eating antibiotics, pesticides, steroids, and hormones.
Rory Freedman (Skinny Bitch: A No-Nonsense, Tough-Love Guide for Savvy Girls Who Want to Stop Eating Crap and Start Looking Fabulous!)
What farm girl dolled up in a farm dress captivates your wits not knowing how to pull her rags down to her ankles?
Sappho
The meanest girl who dances and dresses becomes something higher when her children look up into her face and ask her questions. It is the only education we have and which they cannot take from us
Olive Schreiner (The Story of an African Farm)
As Gill says, "every man is called to give love to the work of his hands. Every man is called to be an artist." The small family farm is one of the last places - they are getting rarer every day - where men and women (and girls and boys, too) can answer that call to be an artist, to learn to give love to the work of their hands. It is one of the last places where the maker - and some farmers still do talk about "making the crops" - is responsible, from start to finish, for the thing made. This certainly is a spiritual value, but it is not for that reason an impractical or uneconomic one. In fact, from the exercise of this responsibility, this giving of love to the work of the hands, the farmer, the farm, the consumer, and the nation all stand to gain in the most practical ways: They gain the means of life, the goodness of food, and the longevity and dependability of the sources of food, both natural and cultural. The proper answer to the spiritual calling becomes, in turn, the proper fulfillment of physical need.
Wendell Berry (Bringing it to the Table: On Farming and Food)
The way the girl soaked in the world around her, gathered treasures, and searched for miracles-and found them right where she walked and breathed and lived her moments. Hers was a rich, deep, expansive life right there on that farm.
Amanda Dykes (Set the Stars Alight)
Good God, girl!” shouted her uncle. “It was an army of individuals! They walked off their farms and walked to the War!
Harper Lee (Go Set a Watchman)
God is with you in the spectacular, and he’s with you in the regular. There is dignity in both places.
Jennifer Dukes Lee (Growing Slow: Lessons on Un-Hurrying Your Heart from an Accidental Farm Girl)
These memories are part of my heritage, the fabric of my personality, and as real to me as the land itself.
Karen Jones Gowen (Farm Girl)
I decided I would not sell this farm if the Devil himself promised me pretty girls, fame, or all the money in the world.
James Aura (When Saigon Surrendered: A Kentucky Mystery)
I looked at the girls. Luna had her hands over her mouth. Hallie’s eyes were wide, and she pointed to the bathroom door. “Winnie was naked,” she whispered. “We saw her bum.
Melanie Harlow (Ignite (Cloverleigh Farms, #6))
Just because you are struggling on a farm or in a factory, doing something against which your whole nature rebels, because there is no one to help you support your aged parents or an invalid brother or sister, do not conclude that your vision must perish. Keep pushing on as best you can, and affirming your divine power to attain your desire. Hundreds and thousands of poor boys and girls with poorer opportunities than yours have done immortal deeds because they had faith in their ideal and in their power to attain it.
Orison Swett Marden (How to Get What You Want)
Every year, Kansas watches the world die. Civilizations of wheat grow tall and green; they grow old and golden, and then men shaped from the same earth as the crop cut those lives down. And when the grain is threshed, and the dances and festivals have come and gone, then the fields are given over to fire, and the wheat stubble ascends into the Kansas sky, and the moon swells to bursting above a blackened earth. The fields around Henry, Kansas, had given up their gold and were charred. Some had already been tilled under, waiting for the promised life of new seed. Waiting for winter, and for spring, and another black death. The harvest had been good. Men, women, boys and girls had found work, and Henry Days had been all hot dogs and laughter, even without Frank Willis's old brown truck in the parade. The truck was over on the edge of town, by a lonely barn decorated with new No Trespassing signs and a hole in the ground where the Willis house had been in the spring and the early summer. Late summer had now faded into fall, and the pale blue farm house was gone. Kansas would never forget it.
N.D. Wilson (The Chestnut King (100 Cupboards, #3))
Oh. I see. So your grace never curses.” “I do not.” “Words like cor . . . bollocks . . . damn . . . devil . . . blast . . . bloody hell . . .” She pronounced the words with relish, warming to her task. “They don’t cross a duchess’s lips?” “No.” “Never?” “Never.” Miss Simms’s fair brow creased in thought. “What if a duchess steps on a tack? What if a gust of wind steals a duchess’s best powdered wig? Not even then?” “Not even when an impertinent farm girl provokes a duchess to a simmering rage,” she replied evenly. “A duchess might contemplate all manner of cutting remarks and frustrated oaths. But even in the face of extreme annoyance, she stifles any such ejaculations.” “My,” Miss Simms said, wide-eyed. “I do hope dukes aren’t held to the same standard. Can’t be healthy for a man, always stifling his ejaculations.” Griff promptly broke the prohibition against elbows on the table, smothering a burst of laughter with his palm and disguising it as a coughing
Tessa Dare (Any Duchess Will Do (Spindle Cove, #4))
In an agricultural society, or during a time of exploration and settlement, or hunting and fathering--which is to say, most of mankind's history--energetic boys were particularly prized for their strength, speed, and agility. [...] As recently as the 1950s, most families still had some kind of agricultural connection. Many of these children, girls as well as boys, would have been directing their energy and physicality in constructive ways: doing farm chores, baling hay, splashing in the swimming hole, climbing trees, racing to the sandlot for a game of baseball. Their unregimented play would have been steeped in nature.
Richard Louv (Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder)
Girl, you're free, can't you see that? You've got your child, you've got your family down here who love you, you've got your farm. You don't have to ask for anything. You know how few women in this world get to say that, black or white?
Natalie Baszile (Queen Sugar)
wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself. And he is not in the position to do any rescuing of his own.
Erin Morgenstern (The Night Circus)
I know, I know. I was there, remember?" I love my husband, but he's such an Aquarian. Ask him the time, and he'll tell you how to make the watch.
Susan McCorkindale (500 Acres and No Place to Hide: More Confessions of a Counterfeit Farm Girl)
The sparkle and morning-freshness of the shop, and the butter-conjuring girl, formed a mind-picture which accompanied the whole of my youth.(about the Buttercup Dairy)
Muriel Spark (Curriculum Vitae: Autobiography)
As if being a good girl and being strong willed were in conflict.
Joanne Ramos (The Farm)
This is your time. Go live your dream, Sadie girl. Pemberley will still be standing strong when you come back.
Stacey Rae Charles (Dancing Beneath the Blue Junipers (Pemberley Farm Romance #1))
He'll stand up for you and protect you and kill dragons for you, but he won't always know that sometimes, he's the dragon
Jodi Taylor (The Nothing Girl (Frogmorton Farm, #1))
This is the first time for the girl, a time of revelation. Mysteries unravel at this height, patterns emerge. She stands woman--tall, shoulder to shoulder, with the sun and laughs to think that such a splendid world had ever frightened her. All that she sees, farm and forest, pasture and prairie, city and country, and continent, stretches before her like tomorrows filled with promise . . . She was born to this kingdom. In time it will be hers to explore, to make her own. One climb is over, another just beginning. She is rich in days, wealthy in possibilities. And here in this crowning moment, For the very first time . . . She knows.
Edward Cunningham
He'd chosen to go for a soldier. Maybe he had a story that began that way: a poor widowed mother at home and three young sisters to feed and a girl from down the lane who smiled at him...he'd go home then in his fine uniform and put silver in his mother's hands and ask the smiling girl to marry him. Or maybe he'd lose a leg and go home sorrowful and bitter to find her married to a man who could farm; or maybe he'd take to drink to forget that he'd killed men...“They all had stories. They had mothers or fathers, sisters or lovers. They weren't alone in the world, mattering to no one but themselves. It seemed utterly wrong to treat them like pennies in a purse. I felt the soldiers understood perfectly well that we were making sums out of them...this many safe to spend, this number too high, as if each one wasn't a whole man.
Naomi Novik (Uprooted)
I felt as if Orwell knew where I was from and what I had been through. The animal farm was really North Korea, and he was describing my life. I saw my family in the animals—my grandmother, mother, father, and me, too: I was like one of the “new pigs” with no ideas. Reducing the horror of North Korea into a simple allegory erased its power over me. It helped set me free.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
provides American business with the only reliable domestic market in the world. Schools train individuals to respond as a mass. Boys and girls are drilled in being bored, frightened, envious, emotionally needy, generally incomplete. A successful mass production economy requires such a clientele. A small business, small farm economy like that of the Amish requires individual competence, thoughtfulness, compassion, and universal participation; our own requires a managed mass of leveled, spiritless, anxious, familyless, friendless, godless, and obedient people who believe the difference between Cheers and Seinfeld is a subject worth arguing about.
John Taylor Gatto (The Underground History of American Education: An Intimate Investigation Into the Prison of Modern Schooling)
I consider it completely irresponsible that public schools offer sex education but no systematic guidance to adolescent girls, who should be thinking about how they want to structure their future lives: do they want children, and if so, when should that be scheduled, with the advantages and disadvantages of each option laid out. Because of the stubborn biological burden of pregnancy and childbirth, these are issues that will always affect women more profoundly than men. Starting a family early has its price for an ambitions young woman, a career hiatus that may be difficult to overcome. On the other hand, the reward of being with one's children in their formative years, instead of farming out that fleeting and irreplaceable experience to day care centres or nannies, has an inherent emotional and perhaps spiritual value that has been lamentable ignored by second-wave feminism.
Camille Paglia (Free Women, Free Men: Sex, Gender, Feminism)
The euphoric lust cloud is gone and once the smoke begins to clear, like in all good fairytales, the princess turns into nothing more than a common farm girl while the prince goes back to being a regular frog.
Tali Alexander (Lost in Rewind (Love in Rewind, #3))
The same patriarchy that oppresses women oppresses nonhuman animals. Farmed animals and “housewives,” “lab” animals and prostitutes, dancing bears and girls in the sex trade—all have too long been exploited by the same patriarchal hierarchy wherein the comparatively weak are exploited for the benefit of the powerful.
Lisa Kemmerer (Speaking Up for Animals: An Anthology of Women's Voices)
powerless suckers who believed in the American dream scrambling to the suburbs because they, the big boys, wanted a bigger percentage. He felt it, or thought he felt it, as they stood by the front door. There was a connection: a man whose father was dead and a woman whose father was about to die, a sense of wanting to belong, standing in the warm vestibule, she in her farm-girl dress, with a job that paid taxes and drew no cops, no Joe Pecks, no complicated phone calls from complicated people trying to pick your pocket with one
James McBride (Deacon King Kong)
I have discovered that of all cursed places under the sun, where the hungriest soul can hardly pick up a few grains of knowledge, a girls' boarding-school is the worst. They are called finishing schools, and the name tells accurately what they are. They finish everything but imbecility and weakness, and that they cultivate.
Olive Schreiner (The Story of an African Farm)
Of course, Storm-Lord! But why would a god marry a poor farm girl?" asked one of the bound novices, his voice thin and chirping as an insect. "All things must eventually mate," I shrugged, "having been cast into a man's flesh I must do as flesh does. And it hardly matters whether one mates with a woman or a rock or a river - the end result is the same. Once all the world wed stones and trees - but this is a degenerate age, and no one keeps to tradition.
Catherynne M. Valente (The Grass-Cutting Sword)
He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself...During the hours spent watching the sheep as they wander aimlessly around their fields, he even wishes that someone would come and take him away, but wishes on sheep appear to work no better than wishes on stars.
Erin Morgenstern (The Night Circus)
Maybe I’m naive, but I thought college would be different. I thought all the gossiping and backstabbing and bullshit ceased to exist once you left high school, but I guess mean girls can be found at any level of the education system. It’s like visiting a farm—if you go there not expecting to see piles of cow shit everywhere, then you’re in for a rude awakening. And there’s a good SAT question for you. SCHOOL is to MEAN GIRLS as FARMS are to _______. Shit. The answer to that is shit.
Elle Kennedy (The Mistake (Off-Campus, #2))
The girl's eyes were soft and tender and the heart within her stretched a little and grew; grew in sweetness and intuition and depth of feeling. It had looked into another heart, felt it beat, and heard it sigh; and that is how all hearts grow.
Kate Douglas Wiggin (Rebecca of Sunnybrook Farm)
People won’t see you as just another woman any more, but as a white woman who hangs with brownies, and you’ll lose a bit of your privilege, you should still check it, though, have you heard the expression, check your privilege, babe? Courtney replied that seeing as Yazz is the daughter of a professor and a very well-known theatre director, she’s hardly underprivileged herself, whereas she, Courtney, comes from a really poor community where it’s normal to be working in a factory at sixteen and have your first child as a single mother at seventeen, and that her father’s farm is effectively owned by the bank Yes but I’m black, Courts, which makes me more oppressed than anyone who isn’t, except Waris who is the most oppressed of all of them (although don’t tell her that) In five categories, black, Muslim, female, poor, hijab bed She’s the only one Yazz can’t tell to check her privilege Courtney replied that Roxane Gay warned against the idea of playing ‘privilege Olympics’ and wrote in Bad Feminist that privilege is relative and contextual, and I agree, Yazz, I mean, where does it all end? Is Obama less privileged than a white hillbilly growing up in a trailer park with a junkie single mother and a jailbird father? Is a severely disabled person more privileged than a Syrian asylum-seeker who’s been tortured? Roxane argues that we have to find a new discourse for discussing inequality Yazz doesn’t know what to say, when did Court read Roxane Gay - who’s amaaaazing? Was this a student outwitting the master moment? #whitegirltrumpsblackgirl
Bernardine Evaristo (Girl, Woman, Other)
It was Dolana, at the salt farm, who first told me about the gaze of men: that look of temporary possession that some men pressed against female flesh. About its dangers and possibilities. It can be used to survive, Dolana had said softly, showing me the power that lay in reflecting a man's desire. And even at twelve years old, the knowledge of it was already in the way I moved my head, my hands, my shoulders. But Dolana had whispered her secrets to a girl. And I had to become a boy. I had to stop being alert to the turn of a man's head towards me. Stop glancing up to meet his gaze in fleeting connection. Stop falsely veiling my eyes from his momentary interest. It was hard to train out of my body, but I practised and learned to cloak myself in the skin and gaze of a boy.
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
I imagined accumulating books as the truest form of wealth and dreamt of vast libraries with rolling ladders, shelves rising up to high ceilings, volumes filled with my notes and annotations. Selling half of my collection reduced me. I worried that I’d given too much away.
Megan Baxter (Farm Girl: A Memoir)
I see a time when the farmer will not need to live in a lonely cabin on a lonely farm. I see the farmers coming together in groups. I see them with time to read, and time to visit with their fellows. I see them enjoying lectures in beautiful halls, erected in every village. I see them gather like the Saxons of old upon the green at evening to sing and dance. I see cities rising near them with schools, and churches, and concert halls, and theaters. I see a day when the farmer will no longer be a drudge and his wife a bond slave, but happy men and women who will go singing to their pleasant tasks upon their fruitful farms. When the boys and girls will not go west nor to the city; when life will be worth living. In that day the moon will be brighter and the stars more glad, and pleasure and poetry and love of life come back to the man who tills the soil.
Hamlin Garland (A Spoil Of Office: A Story Of The Modern West (1897))
We're so lucky to have family like we do." "We are. And maybe we can even add to it." Leaning back, I looked at him in surprise. "Did I hear that right?" He shrugged. "I figure I'm not that old. Might be fun to give the girls a little brother." "Or sister." He paused. "Um ... a house with four girls in it?" Giggling, I kissed his lips. "Five. Don't forget your wife." He sighed. "We're going to need more space. And I'm going to need a bigger swear jar.
Melanie Harlow (Irresistible (Cloverleigh Farms, #1))
what will you do if you go home? i dunno stuff grows out of the ground if you put stuff in it so maybe ill do that farming? yeah go home and put stuff in the ground and no one will take the girls i like and i hope you all die in this stupid war you don't mean that you don't mean your face what? leave me alone
Daniel M. Lavery (Texts from Jane Eyre: And Other Conversations with Your Favorite Literary Characters)
Good girl. Make for the bridge, and cross it. Do you remember the empty farm down the road? Find a place to hide there—and do not come out, do not let yourself be seen by anyone except someone you recognize. Not even if they say they’re a friend. Wait for the court—they will find you.” She was shaking again. But Marion gripped her shoulders. “I am going to buy you what time I can, Aelin. No matter what you hear, no matter what you see, don’t look back, and don’t stop until you find a place to hide.” She shook her head, silent tears finding their way out at last. The front door groaned—a quick movement. Lady Marion reached for the dagger in her boot. It glinted in the dim light. “When I say run, you run, Aelin. Do you understand?” She didn’t want to, not at all, but she nodded. Lady Marion brushed a kiss to her brow. “Tell my Elide…” Her voice broke. “Tell my Elide that I love her very much.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Hungry?” he asks. “The wager?” I remind him. “I’m getting there—it’s related to my question.” He lifts his chin to the meat locker. “They have good steaks here.” And just like that, I’m interested in whatever he’s suggesting. “They do. What’re you thinking?” “They have a porterhouse for two, three, or four.” I haven’t eaten in nearly twenty-four hours, and the idea of a big juicy steak has me salivating. “Yeah?” “So, I say we split the one for three, and whoever eats more wins.” “I’m going to guess their porterhouse for three could feed us both for a week.” “I’m betting you’re right.” His adorable grin should be accompanied by the sound of a silvery ding. “And your dinner is on me.” For not the first time, it occurs to me to ask him how he makes ends meet, but I can’t—not here, and maybe not when we’re alone, either. “You don’t have to do that.” “I think I can handle treating my wife to dinner on our wedding night.” Our wedding night. My heart thuds heavily. “That’s a lot of meat. No pun intended.” He grins enthusiastically. “I’d sure like to see how you handle it.” “You’re betting Holland can’t finish a steak?” Lulu chimes in from behind me. “Oh, you sweet summer child.” *** As we get up, I groan, clutching my stomach. “Is this what pregnancy feels like? Not interested.” “I could carry you,” Calvin offers sweetly, helping me with my coat. Lulu pushes between us, giddy from wine as she throws her arms around our shoulders. “You’re supposed to carry the bride across the threshold to be romantic, not because she’s broken from eating her weight in beef.” I stifle a belch. “The way to impress a man is to show him how much meat you can handle, don’t you know this, Lu?” Calvin laughs. “It was a close battle.” “Not that close,” Mark says, beside him. We went so far as to have the waiter split the cooked steak into two equal portions, much to the amused fascination of our tablemates. I ate roughly three-quarters of mine. Calvin was two ounces short. “Calvin Bakker has a pretty solid ring to it,” I say. He laugh-groans. “What did I get myself into?” “A marriage to a farm girl,” I say. “It’s best you learn on day one that I take my eating very seriously.
Christina Lauren (Roomies)
I want to say that I am not that kind of girl. Portable, contorting herself over an inaccessible, possibly disinterested man, but what if I am? There are worse things—factory farming and Christian rock and the three-dimensional animation of Mr. Clean. Because maybe I don’t want to be cool. Maybe I want to be all-purpose. Maybe I can’t pretend to be aloof to men who are aloof to me.
Raven Leilani (Luster)
After I escaped to South Korea, I was surprised to hear that the blossoms and green shoots of spring symbolize life and renewal in other parts in the world. In North Korea, spring is the season of death. It is the time of year when our stores of food are gone, but the farms produce nothing to eat because new crops are just being planted. Spring is when most people died of starvation
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
Oh, how our good knight reveled in this speech, and more than ever when he came to think of the name that he should give his lady! As the story goes, there was a very good=looking farm girl who lived near by, with whom he had once been smitten, although it is generally believed that she never knew or suspected it. Her name was Aldonza Lorenzo, and it seemed to him that she was the one upon whom he should bestow the title of mistress of his thoughts. For her he wished a name that should not be incongruous with his own and that would convey the suggestion of a princess or a great lady; and, accordingly, he resolved to call her "Dulcinea del Toboso," she being a native of that place. A musical name to his ears, out of the ordinary and significant, like the others he had chosen for himself and his appurtenances.
Miguel de Cervantes Saavedra (Don Quixote)
The church revealed itself to me then. Creaking wood planks, peeling and hot. Trinity Prism in the rafters, long in the face. The cheap common glitter, no specimen of heaven. Vern in a polyester robe fraying at the edges. I saw everything exactly as it was, dark and dirty, the people covered in filth, farm-beaten and raw, their deadened searching eyes, desperation. And the girls. The girls of blood, all full up like me.
Chelsea Bieker (Godshot)
Ball?" said one of the Pistons with interest. "We like balls." Dimity gave them her best, most haughty look. "Yes, but are you certain they like you?" "What's that supposed to mean?" Sophronia whispered to her. Pillover joined them, as confident in his new situation as if he had always expected to set off with his sister and two other girls in a farm cart. "I don't know," replied Dimity as they drove away. "It sounded good at the time.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
Once upon a time there was a young apprentice apothecary who lived on a red-brick farm with a golden thatch roof, surrounded by green fields. She had a father who called her a “clever girl” and gave her a herb garden all of her own, and a mother who was whole and kind. She had a brother who knew how to smile and laugh. But then one day her father had an accident and, despite her efforts to save him, he died. And so did all of her hopes and dreams. The farm – the family’s home for generations – was sold. Her mother’s brown hair greyed, her spirit dulled as she drifted towards Almwyk like a wraith, uncomplaining, unfeeling. And her brother, once impulsive and joyful, became cold and hard, his eyes turned east with malice.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
Talk about corporate greed and everything is really crucially beside the point, in my view, and really should be recognized as a very big regression from what working people, and a lot of others, understood very well a century ago. Talk about corporate greed is nonsense. Corporations are greedy by their nature. They’re nothing else – they are instruments for interfering with markets to maximize profit, and wealth and market control. You can’t make them more or less greedy; I mean maybe you can sort of force them, but it’s like taking a totalitarian state and saying “Be less brutal!” Well yeah, maybe you can get a totalitarian state to be less brutal, but that’s not the point – the point is not to get a tyranny to be less brutal, but to get rid of it. Now 150 years ago, that was understood. If you read the labour press – there was a very lively labour press, right around here [Massachusetts] ; Lowell and Lawrence and places like that, around the mid nineteenth century, run by artisans and what they called factory girls; young women from the farms who were working there – they weren’t asking the autocracy to be less brutal, they were saying get rid of it. And in fact that makes perfect sense; these are human institutions, there’s nothing graven in stone about them. They [corporations] were created early in this century with their present powers, they come from the same intellectual roots as the other modern forms of totalitarianism – namely Stalinism and Fascism – and they have no more legitimacy than they do. I mean yeah, let’s try and make the autocracy less brutal if that’s the short term possibility – but we should have the sophistication of, say, factory girls in Lowell 150 years ago and recognize that this is just degrading and intolerable and that, as they put it “those who work in the mills should own them ” And on to everything else, and that’s democracy – if you don’t have that, you don’t have democracy.
Noam Chomsky (Free Market Fantasies: Capitalism in the Real World)
I pumped my fist. “Fuck yeah.” “That’s another dollar, Daddy,” Luna said. “Remember the swear jar.” “There’s no way I’m having a swear jar in this house, girls. I’ll go broke.” “Or maybe you’ll stop swearing,” Hallie said. I leveled her with a look. “Not. Fucking. Likely.
Melanie Harlow (Ignite (Cloverleigh Farms, #6))
He asked me if he could pick out my panties every day and I said yes. He asked if I would let him in my bed every night and I said yes. He asked if I would be a good girl and do every damn thing he said, in and out of the ring from now on. Lord help me, I said yes. "That's
Joanna Blake (Stud Farm: The Delancey Brothers)
Yes, anger king, yes, eat like you’re going to destroy the world, eat like you’re the conqueror of the galaxy. I want to watch you trample the meatpacking plants to the ground, burn down the fields of wheat, annihilate the dairy farms that brought the milk to your doorstep.
Autumn Christian (Girl Like a Bomb)
Is Zaddie Sapp deformed because she was born with black skin?” “Of course not—” “Are Grace and Lucille deformed because they have given up men and live out at Gavin Pond Farm together?” “No, Mama, that’s not—” “That’s how they were born, darling! Zaddie was born with black skin and Grace Caskey was born to dote on girls, and just because they’re different, do you think Creola Sapp should have said, ‘I’m not going to give birth to this child’? Do you think Genevieve and James should have said, ‘We don’t want a little baby if she’s not going to grow up to be just like everybody else in this town’?
Michael McDowell (Blackwater: The Complete Caskey Family Saga (Blackwater, #1-6))
At the door to the shop, a bell tinkled, and moments later they seemed to enter the very flowering of lavender. The scent was all around them; it curled and diffused in the air with a sweet warmth and subtlety, then burst with a peppery, musky intensity. The blind girls moved into another room. There they arranged themselves expectantly around a long wooden table, Mme Musset welcomed them, and a cork was pulled with a squeaky pop. "This is pure essence of lavender, grown on the Valensole plateau," said Madame. "It is in a glass bottle I am sending around to the right for you all to smell. Be patient, and you will get your turn." Other scents followed: rose and mimosa and oil of almond. Now that they felt more relaxed, some of the other girls started being silly, pretending to sniff too hard and claiming the liquid leapt up at them. Marthe remained silent and composed, concentrating hard. Then came the various blends: the lavender and rosemary antiseptic, the orange and clove scent for the house in winter, the liqueur with the tang of juniper that made Marthe unexpectedly homesick for her family's farming hamlet over the hills to the west, where as a child she had been able to see brightness and colors and precise shapes of faces and hills and fruits and flowers.
Deborah Lawrenson (The Sea Garden)
I was walking ahead of our little group and, as the Wallace princesses approached, I stepped off the sidewalk into the dew-dampened grass to let them pass. Aunt Belle saw this; she hurried up to me and asked, "Why did you get off the walk when you met those girls?" I replied, as if it should have been clear to anyone, "Because they are the prettiest girls in town! And I didn't want them to get their feet wet!" Aunt Belle grabbed me above the right elbow with both of her hands and shook me until I actually saw blue stars, roughly pushed me back onto the sidewalk, and growled between clenched teeth, emphasizing each word: "DON'T YOU EVER, EVER GET OFF THE SIDEWALK FOR ANYONE! YOU ARE AS PRETTY AS ANYONE! DO YOU UNDERSTAND?
Mildred Armstrong Kalish (Little Heathens: Hard Times and High Spirits on an Iowa Farm During the Great Depression)
Teenage boys were very useful for farm work, of course. But the men did not like having their grown sons in the house. They took up too much space, for one. But also, it was not fit to have lusty young men share a roof with so many women. Since the girls in Paradise were married off at seventeen or eighteen, that meant that the youngest wives were often the same age as the bachelors.
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
The lift that comes from sending girls like Sona to school is stunning—for the girls, their families, and their communities. When you send a girl to school, the good deed never dies. It goes on for generations advancing every public good, from health to economic gain to gender equity and national prosperity. Here are just a few of the things we know from the research. Sending girls to school leads to greater literacy, higher wages, faster income growth, and more productive farming. It reduces premarital sex, lowers the chance of early marriage, delays first births, and helps mothers plan how many children to have and when. Mothers who have had an education do a better job learning about nutrition, vaccination, and other behaviors necessary for raising healthy children.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
There I was out in the barn playing midwife to a pregnant mare. I remember sitting there, spinning yarn in the light of a little oil lamp, a city girl who knew nothing about farming, sitting on the deel beside that mother in pain, already beginning the birthing process. All around me there was darkness and perfect silence, except for the mother's pain. It was as if the war didn't exist in those hours.
Diet Eman (Things We Couldn't Say)
There are more than fifty subgroups within the main songbun castes, and once you become an adult, your status is constantly being monitored and adjusted by the authorities. A network of casual neighborhood informants and official police surveillance ensures that nothing you do or your family does goes unnoticed. Everything about you is recorded and stored in local administrative offices and in big national organizations, and the information is used to determine where you can live, where you can go to school, and where you can work. With a superior songbun, you can join the Workers’ Party, which gives you access to political power. You can go to a good university and get a good job. With a poor one, you can end up on a collective farm chopping rice paddies for the rest of your life. And, in times of famine, starving to death.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
I see a time when the farmer will not need to live in a cabin on a lonely farm. I see the farmers coming together in groups. I see them with the time to read, and time to visit with their fellows. I see them enjoying lectures in beautiful halls, erected in every village. I see them gather like Saxons of old upon the green at evening to sing and dance. I see cities rising near them with schools, and churches, and concert halls and theaters. I see a day when the farmer will no longer be a drudge and his wife a bond slave, but happy men and women who will go singing to their pleasant tasks upon their fruitful farms. When the boys and girls will not go west nor to the city; when life will be worth living. In that day the moon will be brighter and the stars more glad, and pleasure and poetry and love of life come back to the man who tills the soil.
Howard Zinn (A People’s History of the United States)
Get out. Get out of our house. Both of you. It makes me sick just to have you here. You called me a nothing girl. Well, this nothing girl despises you. I’d rather be nothing and loved by Russell Checkland than anything else on earth. You would have ruined his life and he’s so much better than you. He’s kind and generous and passionate and everything you’re not. He will be a great painter one day. And – and he goes like a train.
Jodi Taylor (The Nothing Girl (Frogmorton Farm, #1))
lately I'd been thinking about the girl I used to be. The zealot. Scrawny and shy, seventy-five pounds soaking wet, operating with the only currency she had. She knew she wasn't enough on her own. She needed to make allegiances. She wanted power, the kind that heals the sick and raises the dead and lifts small girls from backwoods farm towns into the glittering, bustling, half-evil world. A world that for all its faults was still beloved to God.
Jessica Wilbanks (When I Spoke in Tongues: A Story of Faith and Its Loss)
I have better things to do.’ ‘Like what?’ He opens one eye and looks at me. ‘Like convince a stubborn girl to admit she’s madly in love with me.’ I can’t help but smile. ‘So if it’s not a pig farm that you want, what is it?’ he asks. I swallow. ‘How about a safe place to live where we don’t have to scrounge for food or fight for it?’ ‘It’s yours.’ ‘That’s it? All I have to do is ask?’ ‘No. There’s a price for everything.’ ‘I knew it. What is it?’ ‘Me.
Susan Ee
The young girl giggled again and Jake shook his head in amazement. Not only was the U.S. dark operative cooking pancakes, but it seemed he'd won over the timid teenager in no time flat. "I've been entertaining this pretty girl with my vast repertoire of daring and heroic adventures from around the globe." Jake snorted as he opened the refrigerator and pulled out the container of orange juice. "You sound like Blackbeard the pirate. Don't believe a word he says, Alyssa. He's actually Insurance salesman and lies like a rug." "An Insurance salesman?" She narrowed her eyes at Carter as he flipped three pancackes off the electric griddle sitting on the island and onto a plate for her. "I knew you were conning me," she chastised, then rolled her eyes toward Jake. "He said he was a government spy, like James Bond." After filling a glass, Jake smirked at his friend who shrugged his shoulders and gave the girl a sad puppy-dog expression. "Who are you going to believe, me or Jake from State Farm?
Samantha A. Cole (Topping the Alpha (Trident Security, #4))
There are a few people out there with whom you fit just so, and, amazingly, you keep fitting just so even after you have growth spurts or lose weight or stop wearing high heels. You keep fitting after you have children or change religions or stop dyeing your hair or quit your job at Goldman Sachs and take up farming. Somehow, God is gracious enough to give us a few of these people, people you can stretch into, people who don't go away, and whom you wouldn't want to go away, even if they offered to.
Lauren F. Winner (Girl Meets God)
I must think of something to say, thought Verity. Why have I no small talk like those girls over there? If I could help him to talk, he would like me more; he’s shy like me, and I ought to make things easier, not harder. There’s farming but he would not be attracted by my pigs and poultry. Mining I’m no more interested in than he. The sea I know nothing of except cutters and seiners and other small fry. The shipwreck last month…but that might not be a tactful thing to discuss. Why can’t I just say, la, la, la, and giggle and be fanciful.
Winston Graham (Ross Poldark (Poldark, #1))
The soldiers were already laying pikes along the wall by torch-light, with the points bristling upwards; they had draped cloaks over the poles to make small tents to sleep under. A few of them were sitting around small campfires, soaking dried meat in boiling water, stirring kasha into the broth to cook up. They cleared hastily out of our way without our even having to say a word, afraid. Sarkan seemed not to notice, but I couldn’t help feeling sorry and strange and wrong. One of the soldiers was a boy my own age, industriously sharpening pike-heads one by one with a stone, skillfully: six strokes for each one and done as quick as the two men putting them along the wall could come back for them. He must have put himself to it, to learn how to do it so well. He didn’t look sullen or unhappy. He’d chosen to go for a soldier. Maybe he had a story that began that way: a poor widowed mother at home and three young sisters to feed, and a girl from down the lane who smiled at him over the fence as she drove her father’s herd out into the meadows every morning. So he’d given his mother his signing-money and gone to make his fortune. He worked hard; he meant to be a corporal soon, and after that a sergeant: he’d go home then in his fine uniform, and put silver in his mother’s hands, and ask the smiling girl to marry him. Or maybe he’d lose a leg, and go home sorrowful and bitter to find her married to a man who could farm; or maybe he’d take to drink to forget that he’d killed men in trying to make himself rich. That was a story, too; they all had stories. They had mothers or fathers, sisters or lovers. They weren’t alone in the world, mattering to no one but themselves.
Naomi Novik (Uprooted)
At the edge of Saint-Michel is the Wildwood. The wolves who live there come out at night. They prowl fields and farms, hungry for hens and tender young lambs. But there is another sort of wolf, one that's far more treacherous. This is the wolf the old ones speak of. "Run if you see him," they tell their granddaughters. "His tongue is silver, but his teeth are sharp. If he gets hold of you, he'll eat you alive." Most of the village girls do what they're told, but occasionally one does not. She stands her ground, looks the wolf in the eye, and falls in love with him. People see her run to the woods at night. They see her the next morning with leaves in her hair and blood on her lips. This is not proper, they say. A girl should not love a wolf. So they decide to intervene. They come after the wolf with guns and swords. They hunt him down in the Wildwood. But the girl is with him and sees them coming. The people raise their rifles and take aim. The girl opens her mouth to scream, and as she does, the wolf jumps inside it. Quickly the girl swallows him whole, teeth and claws and fur. He curls up under her heart. The villagers lower their weapons and go home. The girl heaves a sigh of relief. She believes this arrangement will work. She thinks she can be satisfied with memories of the wolf’s golden eyes. She thinks the wolf will be happy with a warm place to sleep. But the girl soon realized she’s made a terrible mistake, for the wolf is a wild thing and wild things cannot be caged. He wants to get out, but the girl is all darkness inside and he cannot find his way. So he howls in her blood. He tears at her heart. The howling and gnawing –it drives the girl mad. She tries to cut him out, slicing lines in her flesh with a razor. She tries to burn him out, holding a candle flame to her skin. She tries to starve him out, refusing to eat until she’s nothing but skin over bones. Before long, the grave takes them both. A wolf lives in Isabelle. She tries hard to keep him down, but his hunger grows. He cracks her spine and devours her heart. Run home. Slam the door. Throw the bolt. It won’t help. The wolves in the woods have sharp teeth and long claws, but it’s the wolf inside who will tear you apart.
Jennifer Donnelly
He was always saying: “Don’t get ideas above your station. Don’t think you’re anything special.” When the boys in their high spirits declared that they wanted to become professional footballers when they grew up, or lawyers or millionaires, he would always snap back: “One should know one’s place!” He was stingy when it came to praise and encouragement, and certainly when it came to money. He distilled his own spirits, ate the meat of animals which he himself had shot or slaughtered, and the farm was as good as self-sufficient. Nothing was ever bought unless heavily discounted or in a
David Lagercrantz (The Girl Who Takes an Eye for an Eye (Millennium, #5))
Hypothetically, then, you may be picking up in someone a certain very strange type of sadness that appears as a kind of disassociation from itself, maybe, Love-o.’ ‘I don’t know disassociation.’ ‘Well, love, but you know the idiom “not yourself” — “He’s not himself today,” for example,’ crooking and uncrooking fingers to form quotes on either side of what she says, which Mario adores. ‘There are, apparently, persons who are deeply afraid of their own emotions, particularly the painful ones. Grief, regret, sadness. Sadness especially, perhaps. Dolores describes these persons as afraid of obliteration, emotional engulfment. As if something truly and thoroughly felt would have no end or bottom. Would become infinite and engulf them.’ ‘Engulf means obliterate.’ ‘I am saying that such persons usually have a very fragile sense of themselves as persons. As existing at all. This interpretation is “existential,” Mario, which means vague and slightly flaky. But I think it may hold true in certain cases. My own father told stories of his own father, whose potato farm had been in St. Pamphile and very much larger than my father’s. My grandfather had had a marvelous harvest one season, and he wanted to invest money. This was in the early 1920s, when there was a great deal of money to be made on upstart companies and new American products. He apparently narrowed the field to two choices — Delaware-brand Punch, or an obscure sweet fizzy coffee substitute that sold out of pharmacy soda fountains and was rumored to contain smidgeons of cocaine, which was the subject of much controversy in those days. My father’s father chose Delaware Punch, which apparently tasted like rancid cranberry juice, and the manufacturer of which folded. And then his next two potato harvests were decimated by blight, resulting in the forced sale of his farm. Coca-Cola is now Coca-Cola. My father said his father showed very little emotion or anger or sadness about this, though. That he somehow couldn’t. My father said his father was frozen, and could feel emotion only when he was drunk. He would apparently get drunk four times a year, weep about his life, throw my father through the living room window, and disappear for several days, roaming the countryside of L’Islet Province, drunk and enraged.’ She’s not been looking at Mario this whole time, though Mario’s been looking at her. She smiled. ‘My father, of course, could himself tell this story only when he was drunk. He never threw anyone through any windows. He simply sat in his chair, drinking ale and reading the newspaper, for hours, until he fell out of the chair. And then one day he fell out of the chair and didn’t get up again, and that was how your maternal grandfather passed away. I’d never have gotten to go to University had he not died when I was a girl. He believed education was a waste for girls. It was a function of his era; it wasn’t his fault. His inheritance to Charles and me paid for university.’ She’s been smiling pleasantly this whole time, emptying the butt from the ashtray into the wastebasket, wiping the bowl’s inside with a Kleenex, straightening straight piles of folders on her desk.
David Foster Wallace (Infinite Jest)
Girls,” I said. “I have to tell you something serious.” “Is it that you’re in love with Winnie?” Hallie asked. “Because we already know that.” I stared at them in disbelief. “You do?” “Yes, we made it happen,” said Luna triumphantly. “With our noses.” “What?” “Winnie taught us how to cast magic spells,” Hallie explained. “It worked for the cat.” Luna shrugged. “So we figured it might work on you guys. Although we weren’t supposed to say anything about it. Even Winnie doesn’t know.” She turned to Hallie. “Do you think we messed it up? What if it only worked on Daddy and not Winnie?” Hallie shook her head. “We did it the same way for both. She has to love him.
Melanie Harlow (Ignite (Cloverleigh Farms, #6))
Stories of the Street" The stories of the street are mine, the Spanish voices laugh. The Cadillacs go creeping now through the night and the poison gas, And I lean from my window sill in this old hotel I chose, Yes one hand on my suicide, one hand on the rose. I know you've heard it's over now and war must surely come, The cities they are broke in half and the middle men are gone. But let me ask you one more time, O children of the dusk, All these hunters who are shrieking now oh do they speak for us? And where do all these highways go, now that we are free? Why are the armies marching still that were coming home to me? O lady with your legs so fine O stranger at your wheel, You are locked into your suffering and your pleasures are the seal. The age of lust is giving birth, and both the parents ask The nurse to tell them fairy tales on both sides of the glass. And now the infant with his cord is hauled in like a kite, And one eye filled with blueprints, one eye filled with night. O come with me my little one, we will find that farm And grow us grass and apples there and keep all the animals warm. And if by chance I wake at night and I ask you who I am, O take me to the slaughterhouse, I will wait there with the lamb. With one hand on the hexagram and one hand on the girl I balance on a wishing well that all men call the world. We are so small between the stars, so large against the sky, And lost among the subway crowds I try to catch your eye.
Leonard Cohen
In a moment a world will lose its focus and become a different place. They say that blind people have been struck by their affliction without warning, and that Helen Keller found language and light in a word. For me, I suddenly knew, viscerally at least, a number of things about my town that I’d only ever suspected. The dog was a girl. The dog was a native girl. I dug her out of the snow with more care than I’d ever lifted a porcupine or a snapping rat, and feeling that she was still somewhat warm, that her wrappings of rags had protected her from the cold of a Manitoba winter, I placed my jacket around her and covered her head with my hat. Then I set a pace back to the farm that left a taste of blood in my mouth, freezing my lungs by running at minus thirty.
Barry Pomeroy
Many in Richmond and Washington, DC, looked down on western Virginia, regarding it as a lawless place where poor families occupied land they didn’t own and didn’t farm, a lifestyle that was at odds with both the Puritan ideals of family and Southern aristocratic values. Something “had to be done” about this place. The Virginia government adopted a policy that anyone squatting on land in the western territories of the state could claim first rights to buy it, but if they couldn’t come up with the cash fast, they would have to either start paying rent or move on. Most families in western Virginia made their livings from the natural world or bartered; they didn’t keep money on hand. Great swaths of land were sold to rich investors in Baltimore, Philadelphia, and New York.
Emma Copley Eisenberg (The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia)
Of the Poet’s Youth" When the man behind the counter said, “You pay by the orifice,” what could we do but purchase them all? Ah, Sandy, vou were clearly the deluxe doll, modish and pert in your plastic nurse whites, official hostess to our halcyon days, where you bobbed in the doorway of our dishabille apartment, a block downwind from the stockyards. Holding court on the corroded balcony, K. and I passed hash brownies, collecting change for the building’s monthly pool to predict which balcony would fall off next. That’s when K. was fucking M. and M. was fucking J., and even B. and I threw down once on the glass-speckled lawn, adrift in the headlights of his El Camino. Those were immortal times, Sandy! Coke wasn’t addictive yet, condoms prevented herpes and men were only a form of practice for the Russian novel we foolishly hoped our lives would become. Now it’s a Friday night, sixteen years from there. Don’t the best characters know better than to live too long? My estranged husband house-sits for a spoiled cockatoo while saving to buy his own place. My lover’s gone back to his gin and the farm-team fiancée he keeps in New York. What else to do but read Frank O’Hara to my tired three-year-old? When I put him to bed, he mutters “more sorry” as he turns into sleep. Tonight, I find you in a box I once marked “The Past.” Well, therapy’s good for some things, Sandy, but who’d want to forgive a girl like that? Frank says Destroy yourself if you don’t know! Deflated, you’re simply the smile that surrounds a hole. I don’t know anything.
Erin Belieu
But nothing was said about chicken farming anymore. Once, long after it was too late for farming, he might catch her crying and pet her a bit. 'What's the matter, little baby? You got a fever? You want to take the night off?' She might murmur something about candling eggs, but he wouldn't be able to understand what she meant. And after a while she cried on without knowing what she meant either, as a girl cries over a bad dream long after the dream is forgotten. In time the tears dried. She could no longer cry over anything. All the tears had been shed, all the laughs had been had; all the long spent. Leaving nothing to do but to sit stupefied, night after night, under lights made soft beside music with a beat, to rise automatically when someone wearing pants pointed a finger and said 'that one there.
Nelson Algren (A Walk on the Wild Side)
One of the big problems in North Korea was a fertilizer shortage. When the economy collapsed in the 1990s, the Soviet Union stopped sending fertilizer to us and our own factories stopped producing it. Whatever was donated from other countries couldn’t get to the farms because the transportation system had also broken down. This led to crop failures that made the famine even worse. So the government came up with a campaign to fill the fertilizer gap with a local and renewable source: human and animal waste. Every worker and schoolchild had a quota to fill. You can imagine what kind of problems this created for our families. Every member of the household had a daily assignment, so when we got up in the morning, it was like a war. My aunts were the most competitive. “Remember not to poop in school!” my aunt in Kowon told me every day. “Wait to do it here!” Whenever my aunt in Songnam-ri traveled away from home and had to poop somewhere else, she loudly complained that she didn’t have a plastic bag with her to save it. “Next time I’ll remember!” she would say. Thankfully, she never actually did this. The big effort to collect waste peaked in January, so it could be ready for growing season. Our bathrooms in North Korea were usually far away from the house, so you had to be careful that the neighbors didn’t steal from you at night. Some people would lock up their outhouses to keep the poop thieves away. At school the teachers would send us out into the streets to find poop and carry it back to class. So if we saw a dog pooping in the street, it was like gold. My uncle in Kowon had a big dog who made a big poop—and everyone in the family would fight over it. This is not something you see every day in the West.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
... They're really going to mash the world up this time, the damn fools. When I read that description of the victims of Nagasaki I was sick: "And we saw what first looked like lizards crawling up the hill, croaking. It got lighter and we could see that it was humans, their skin burned off, and their bodies broken where they had been thrown against something." Sounds like something out of a horror story. God save us from doing that again. For the United States did that. Our guilt. My country. No, never again. And then one reads in the papers "Second bomb blast in Nevada bigger than the first! " What obsession do men have for destruction and murder? Why do we electrocute men for murdering an individual and then pin a purple heart on them for mass slaughter of someone arbitrarily labeled "enemy?" Weren't the Russians communists when they helped us slap down the Germans? And now. What could we do with the Russian nation if we bombed it to bits? How could we "rule" such a mass of foreign people - - - we, who don't even speak the Russian language? How could we control them under our "democratic" system, we, who even now are losing that precious commodity, freedom of speech? (Mr. Crockett," that dear man, was questioned by the town board. A supposedly "enlightened" community. All he is is a pacifist. That, it seems, is a crime.) Why do we send the pride of our young men overseas to be massacred for three dirty miles of nothing but earth? Korea was never divided into "North" and "South." They are one people; and our democracy is of no use to those who have not been educated to it. Freedom is not of use to those who do not know how to employ it. When I think of that little girl on the farm talking about her brother - "And he said all they can think of over there is killing those God-damn Koreans." What does she know of war? Of lizard-like humans crawling up a hillside? All she knows is movies and school room gossip. Oh, America's young, strong. So is Russia. And how they can think of atom-bombing each other, I don't know. What will be left? War will come some day now, with all the hothead leaders and articles "What If Women are Drafted?" Hell, I'd sooner be a citizen of Africa than see America mashed and bloody and making a fool of herself. This country has a lot, but we're not always right and pure. And what of the veterans of the first and second world wars? The maimed, the crippled. What good their lives? Nothing. They rot in the hospitals, and we forget them. I could love a Russian boy - and live with him. It's the living, the eating, the sleeping that everyone needs. Ideas don't matter so much after all. My three best friends are Catholic. I can't see their beliefs, but I can see the things they love to do on earth. When you come right down to it, I do believe in the freedom of the individual - but to kill off all the ones who could forge a strong nation? How foolish! Of what good - living and freedom without home, without family, without all that makes life?
Sylvia Plath
Unlike Kate, by then I’d had a job. In fact, I’d had sixteen jobs, not including the years I worked as a babysitter before I could legally be anyone’s employee. They were janitor’s assistant (humiliatingly, at my high school), fast-food restaurant worker, laborer at a wildlife refuge, administrative assistant to a Realtor, English as a Second Language tutor, lemonade cart attendant, small town newspaper reporter, canvasser for a lefty nonprofit, waitress at a Japanese restaurant, volunteer coordinator for a reproductive rights organization, berry picker on a farm, waitress at a vegetarian restaurant, “coffee girl” at an accounting firm, student-faculty conflict mediator, teacher’s assistant for a women’s studies class, and office temp at a half a dozen places that by and large did not resemble offices and did not engage me in work that struck me as remotely “officey,” but rather involved things such as standing on a concrete floor wearing a hairnet, a paper mask and gown, goggles, and plastic gloves and—with a pair of tweezers—placing two pipe cleaners into a sterile box that came to me down a slow conveyor belt for eight excruciating hours a day.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Someone Who's Been There)
Revitalized and healthy, I started dreaming new dreams. I saw ways that I could make a significant contribution by sharing what I’ve learned. I decided to refocus my legal practice on counseling and helping start-up companies avoid liability and protect their intellectual property. To share some of what I know, I started a blog, IP Law for Startups, where I teach basic lessons on trade secrets, trademarks, copyrights, and patents and give tips for avoiding the biggest blunders that destroy the value of intellectual assets. Few start-up companies, especially women-owned companies that rarely get venture capital funding, can afford the expensive hourly rates of a large law firm to the get the critical information they need. I feel deeply rewarded when I help a company create a strategy that protects the value of their company and supports their business dreams. Further, I had a dream to help young women see their career possibilities. In partnership with my sister, Julie Simmons, I created lookilulu.com, a website where women share their insights, career paths, and ways they have integrated motherhood with their professional pursuits. When my sister and I were growing up on a farm, we had a hard time seeing that women could have rewarding careers. With Lookilulu® we want to help young women see what we couldn’t see: that dreams are not linear—they take many twists and unexpected turns. As I’ve learned the hard way, dreams change and shift as life happens. I’ve learned the value of continuing to dream new dreams after other dreams are derailed. I’m sure I’ll have many more dreams in my future. I’ve learned to be open to new and unexpected opportunities. By way of postscript, Jill writes, “I didn’t grow up planning to be lawyer. As a girl growing up in a small rural town, I was afraid to dream. I loved science, but rather than pursuing medical school, I opted for low-paying laboratory jobs, planning to quit when I had children. But then I couldn’t have children. As I awakened to the possibility that dreaming was an inalienable right, even for me, I started law school when I was thirty; intellectual property combines my love of law and science.” As a young girl, Jill’s rightsizing involved mustering the courage to expand her dreams, to dream outside of her box. Once she had children, she again transformed her dreams. In many ways her dreams are bigger and aim to help more people than before the twists and turns in her life’s path.
Whitney Johnson (Dare, Dream, Do: Remarkable Things Happen When You Dare to Dream)
There was a man in the garden with the little girl. He was turning over the soil in a garden bed. He had obviously heard the car, because he raised his hand in greeting, but then he had gone back to his work. He had actually turned his back on the car. Tina thought she knew what that meant. The man had not wanted to see Pete the policeman. Maybe he thought Pete was bringing bad news. Tina smiled. Here was good news. Finally, here was good news for this family. The man dug the garden fork into the soil with a little bit of effort. He was deliberately not looking at Pete. The little girl walked down the driveway towards them. Pete said quietly, ‘No real way to prepare them. You go ahead, Lockie.’ Lockie squeezed Tina’s hand. ‘Go on, Lockie, it’s your dad. He’s been looking for you for a long time. Go on.’ She pulled her hand slowly out of Lockie’s grip. She wanted to save him from his fear, but she had saved him once. Lockie would have to do this by himself. The little girl who was surely Sammy looked back at her father, but he was still concentrating on his work. She smiled in Pete’s direction and then she focused on Lockie. She stared at him, as if trying to work out exactly who he was. Lockie pushed his hood back, exposing his short blond hair. He stood, and Tina could sense him holding his breath, waiting for his sister to see him. To really see him. Sammy stared hard at Lockie now, frowning. And then Tina saw recognition light up her face. She looked at her father who had still not looked up. She looked back at Lockie. She started jumping up and down. ‘Lockie!’ she screamed. ‘Lockie, Lockie, Lockie!’ Lockie smiled.The man jerked upright and dropped the garden fork. ‘Stop that, Samantha,’ he whispered angrily. ‘Jesus, stop that! Be quiet. Stop that.’ ‘Lockie, Lockie, Lockie!’ The little girl flew down the driveway and launched herself at her brother, who went, ‘Oof,’ but he steadied himself and wrapped his arms around her. ‘Lockie, Lockie, Lockie,’ she repeated, as if to make the moment real for herself. The man stood and stared at his children, still without realising that he was indeed looking at both his children. He started walking down the driveway. He began with an angry quick stride but the closer he got the more unsure his steps became. He was a big man in charge of a big farm but his steps became small and faltering. Tina could see the disbelief spreading across his face. Sammy let go of Lockie and took his hand. She started pulling him up the driveway. ‘It’s Lockie, Dad. Look, it’s Lockie, come look, Dad, Lockie’s home. He’s home, Dad. I knew he home. He’s home, Dad. I knew he would come home. I told you, Dad. Look its Lockie. Lockie, Lockie, Lockie’s home. Lockie’s home.’ The man stopped a few feet away from Lockie. His mouth was open. He moved it once or twice, but no words came out, and then came a sound that Tina had never heard before. It was a moaning, keening sound, but rough with the depth of his voice. It was four months of agony and the ecstasy of this moment all rolled into one. It was his heart right out there in the open for everyone to see. He opened his arms and dropped to his knees. Lockie let go of Sammy’s hand and continued alone up the driveway towards his father. He was twisting his hands and pulling at his jumper. He walked into his father’s arms and was completely surrounded by the large man. ‘I’m sorry, Dad,’ he said. ‘I’m sorry, Dad, I’m sorry.’ At the bottom of the driveway Tina watched Lockie and his father. Lockie’s voice was muffled by his father’s arms, but Tina could still hear him repeating, ‘I’m sorry.’ Say it, Tina begged the man silently. Please, please, just say it. ‘Oh, Lockie,’ said the man through his tears, his large shoulders heaving. ‘It wasn’t your fault. It wasn’t your fault. I’m sorry, Lockie. I’m sorry. I’ve been looking for you, Lockie. Where did you go, mate? Where did you go?
Nicole Trope (The Boy Under the Table)
The fact that no one made demands on her knowledge in her special field was lucky for Simochka. Not only she but many of her girlfriends had graduated from the institute without any such knowledge. There were many reasons for this. The young girls had come from high schools with very little grounding in mathematics and physics. They had learned in the upper grades that at faculty council meetings the school director had scolded the teachers for giving out failing marks, and that even if a pupil didn't study at all he received a diploma. In the institute, when they found time to sit down to study, they made their way through the mathematics and radio-technology as through a dense pine forest. But more often there was no time at all. Every fall for a month or more the students were taken to collective farms to harvest potatoes. For this reason, they had to attend lectures for eight and ten hours a day all the rest of the year, leaving no time to study their course work. On Monday evenings there was political indoctrination. Once a week a meeting of some kind was obligatory. Then one had to do socially useful work, too: issue bulletins, organize concerts, and it was also necessary to help at home, to shop, to wash, to dress. And what about the movies? And the theater? And the club? If a girl didn't have some fun and dance a bit during her student years, when would she do so afterward? For their examinations Simochka and her girlfriends wrote many cribs, which they hid in those sections of female clothing denied to males, and at the exams they pulled out the one the needed, smoothed it out, and turned it in as a work sheet. The examiners, of course, could have easily discovered the women students' ignorance, but they themselves were overburdened with committee meetings, assemblies, a variety of plans and reports to the dean's office and to the rector. It was hard on them to have to give an examination a second time. Besides, when their students failed, the examiners were reprimanded as if the failures were spoiled goods in a production process—according to the well-known theory that there are no bad pupils, only bad teachers. Therefore the examiners did not try to trip the students up but, in fact, attempted to get them through the examination with as good results as possible.
Aleksandr Solzhenitsyn (The First Circle)
Please give me another chance!” Breathing hard, I waited for a light to come on, a door to open, a sign that she still loved me . . . but the house remained dark and silent. Crickets chirped. I glanced over at the girls, who seemed just as distraught as I was. They looked at each other, and then back at me. That’s when I heard a feminine voice come out of the darkness behind me. “Hey Winnie? Yeah, it’s Audrey. There’s some guy across the street yelling at the Wilsons’ house, but I think he’s talking to you.” Oh, fuck. Horrified, I spun around on my knees. A teenage couple stood under a front porch light at a home across the street. The girl was talking into her phone. “Dude,” the guy called out. “I think you’re at the wrong house.” Fuck. Me. Behind the couple, the front door opened and a barrel-chested man came storming out the front door wearing jeans, a USMC sweatshirt, and a scowl. “What’s going on out here? Who’s shouting?” “That guy over there is telling Winnie that he’s sorry and he loves her, but he’s at the wrong house,” said the girl. “I feel really bad for him.” “What?” The man’s chest puffed out further and he squinted in my direction. Then Winnie’s mom appeared on the porch, pulling a cardigan around her. “Is everything okay?” No. Everything was not okay. “Who is that guy?” her dad asked, and by his tone I could tell what he meant was, Who is that fucking idiot? “Is it Dex?” Frannie leaned forward and squinted. “Is that you, Dex?” “Yeah. It’s me.” I’d never wanted a sinkhole to open up and swallow me as badly as I did at that moment. If my kids hadn’t been there, I might have taken off on foot. Just then, a car pulled into their driveway, and my stomach lurched when Winnie jumped out of the passenger side. Her friend Ellie got out of the driver’s side and looked back and forth between Winnie and me. “Holy shit,” she said. “Dex?” Winnie started walking down the drive and stopped at the sidewalk, gaping at me kneeling in the spotlight from the streetlamp above. “What on earth are you doing?” “Hi, Winnie!” Hallie and Luna started jumping up and down and waving like mad. “Hi!” And then, because apparently there wasn’t a big enough audience, another car pulled up in front of the MacAllisters’ house, and a second teenage girl jumped out. “Bye!” she yelled, waving as the car drove off. Then she noticed everyone outside. “Oh, crap. Did I miss curfew or something?” “No,” the first teenage girl said, hopping down from the porch. “Omigod, Emmeline, this is amazing. Kyle was just leaving when this man pulled up, jumped out of his car, and starts shouting to Winnie that he loves her and he wants another chance—but he was yelling at the Wilsons’ house, not ours. Not that it mattered, because she wasn’t even here.” “Audrey, be quiet!” Winnie put her hands on her head. “Dex. What is this? Why are you on your knees?” “We told him to do that!” Hallie shouted proudly. “Because that’s what the ogre would do!
Melanie Harlow (Ignite (Cloverleigh Farms, #6))