Farewell Speech Quotes

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Years and years ago, there was a production of The Tempest, out of doors, at an Oxford college on a lawn, which was the stage, and the lawn went back towards the lake in the grounds of the college, and the play began in natural light. But as it developed, and as it became time for Ariel to say his farewell to the world of The Tempest, the evening had started to close in and there was some artificial lighting coming on. And as Ariel uttered his last speech, he turned and he ran across the grass, and he got to the edge of the lake and he just kept running across the top of the water — the producer having thoughtfully provided a kind of walkway an inch beneath the water. And you could see and you could hear the plish, plash as he ran away from you across the top of the lake, until the gloom enveloped him and he disappeared from your view. And as he did so, from the further shore, a firework rocket was ignited, and it went whoosh into the air, and high up there it burst into lots of sparks, and all the sparks went out, and he had gone. When you look up the stage directions, it says, ‘Exit Ariel.
Tom Stoppard
1881, two decades after his farewell speech to Congress, Jefferson Davis published a history of the Confederacy claiming that slavery had nothing to do with the Civil War
Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
Apt and poetic though this was, it was simply too bleak to read at a funeral. Instead I settled on Rumfoord's farewell speech on page 2007, which starts: "I am not dying. I am merely taking my leave of the solar system," and ends: "I shall always be here. I shall always be wherever I've been.
Gavin Extence (The Universe Versus Alex Woods)
I must confess that Phemius behaved very well when, a couple of years later, I presented him with a manuscript of more than twelve thousand lines—not written on sheepskin but on scrolls of Egyptian papyrus which Aethon won in his glorious sack of Canopus. After all, Phemius is a professional bard and I am a mere interloper and a woman; and we had several serious tiffs while I was composing it. However, I let him have his way sometimes when he protested that this verse or that was faulty. But not always. He hated me to borrow passages from the Iliad for what he considered improper contexts, and he grew furious to find that Homer’s lines about the water being heated to wash Patroclus’s dead body were now used to describe the warm bath prepared for Odysseus, and that I had put part of Hector’s farewell speech to Andromache into Telemachus’s mouth, when he forbids his mother to meddle in men’s affairs. Phemius called me heartless to treat any passage so tragic as the first, or so moving as the second, with such disrespect.
Robert Graves (Homer's Daughter)
If you protest, if you think that death is a terrible thing, then you have not understood a word I've said." Now he closes his speech-with these words; "Farewell, hello, farewell, hello.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
16 November 2013, my cricketing journey finally came to an end at the Wankhede Stadium. After somehow managing to complete my farewell speech, I was having a conversation with my family, trying to soak in every moment, when my team-mate Virat Kohli walked up to me. He said, ‘Paaji aapne kaha tha aap ko yaad dilane ke liye ki aapko pitch pe jana hain.’ (You asked me to remind you that you had to go to the pitch one final time.) To be honest, I hadn’t forgotten; I was just trying to put the moment off for a little longer. It was to be my final visit to
Sachin Tendulkar (Playing It My Way: My Autobiography)
The truth is that we never know from whom we originally get the ideas and beliefs that shape us, those that make a deep impression on us and which we adopt as a guide, those we retain without intending to and make our own. From a great-grandparent, a grandparent, a parent, not necessarily ours? From a distant teacher we never knew and who taught the one we did know? From a mother, from a nursemaid who looked after her as a child? From the ex-husband of our beloved, from a ġe-bryd-guma we never met? From a few books we never read and from an age through which we never lived? Yes, it's incredible how much people say, how much they discuss and recount and write down, this is a wearisome world of ceaseless transmission, and thus we are born with the work already far advanced but condemned to the knowledge that nothing is ever entirely finished, and thus we carry-like a faint booming in our heads-the exhausting accumulated voices of the countless centuries, believing naively that some of those thoughts and stories are new, never before heard or read, but how could that be, when ever since they acquired the gift of speech people have never stopped endlessly telling stories and, sooner or later, everything is told, the interesting and the trivial, the private and the public, the intimate and the superfluous, what should remain hidden and what will one day inevitably be broadcast, sorrows and joys and resentments, certainties and conjectures, the imagined and the factual, persuasions and suspicions, grievances and flattery and plans for revenge, great feats and humiliations, what fills us with pride and what shames us utterly, what appeared to be a secret and what begged to remain so, the normal and the unconfessable and the horrific and the obvious, the substantial-falling in love-and the insignificant-falling in love. Without even giving it a second thought, we go and we tell.
Javier Marías (Poison, Shadow, and Farewell (Your Face Tomorrow, #3))
For moderns - for us - there is something illicit, it seems, about wasted time, the empty hours of contemplation when a thought unfurls, figures of speech budding and blossoming, articulation drifting like spent petals onto the dark table we all once gathered around to talk and talk, letting time get the better of us. _Just taking our time_, as we say. That is, letting time take us. "Can you say," I once inquired of a sixty-year old cloistered nun who had lived (vibrantly, it seemed) from teh age of nineteen in her monastery cell, "what the core of contemplative life is?" "Leisure," she said, without hesitation, her china blue eyes cheerfully steady on me. I suppose I expected her to say, "Prayer." Or maybe "The search for God." Or "Inner peace." Inner peace would have been good. One of the big-ticket items of spirituality. She saw I didn't see. "It takes time to do this," she said finally. Her "this" being the kind of work that requires abdication from time's industrial purpose (doing things, getting things). By choosing leisure she had bid farewell to the fevered enterprise of getting-and-spending whereby, as the poet said, we lay waste our powers.
Patricia Hampl (Blue Arabesque: A Search for the Sublime)
I begin this chapter with President Ronald Reagan’s Farewell Speech on January 11, 1989. President Reagan encouraged the rising generation to “let ’em know and nail ’em on it”—that is, to push back against teachers, professors, journalists, politicians, and others in the governing generation who manipulate and deceive them: An informed patriotism is what we want. And are we doing a good enough job teaching our children what America is and what she represents in the long history of the world? Those of us who are over 35 or so years of age grew up in a different America. We were taught, very directly, what it means to be an American. And we absorbed, almost in the air, a love of country and an appreciation of its institutions. If you didn’t get these things from your family, you got them from the neighborhood, from the father down the street who fought in Korea or the family who lost someone at Anzio. Or you could get a sense of patriotism from school. And if all else failed, you could get a sense of patriotism from the popular culture. The movies celebrated democratic values and implicitly reinforced the idea that America was special. TV was like that, too, through the mid-sixties. But now, we’re about to enter the nineties, and some things have changed. Younger parents aren’t sure that an unambivalent appreciation of America is the right thing to teach modern children. And as for those who create the popular culture, well-grounded patriotism is no longer the style. Our spirit is back, but we haven’t reinstitutionalized it. We’ve got to do a better job of getting across that America is freedom—freedom of speech, freedom of religion, freedom of enterprise. And freedom is special and rare. It’s fragile; it needs [protection]. So, we’ve got to teach history based not on what’s in fashion but what’s important—why the Pilgrims came here, who Jimmy Doolittle was, and what those 30 seconds over Tokyo meant. You know, 4 years ago on the 40th anniversary of D-Day, I read a letter from a young woman writing to her late father, who’d fought on Omaha Beach. Her name was Lisa Zanatta Henn, and she said, “We will always remember, we will never forget what the boys of Normandy did.” Well, let’s help her keep her word. If we forget what we did, we won’t know who we are. I’m warning of an eradication of the American memory that could result, ultimately, in an erosion of the American spirit. Let’s start with some basics: more attention to American history and a greater emphasis on civic ritual. And let me offer lesson number one about America: All great change in America begins at the dinner table. So, tomorrow night in the kitchen, I hope the talking begins. And children, if your parents haven’t been teaching you what it means to be an American, let ’em know and nail ’em on it. That would be a very American thing to do.1
Mark R. Levin (Plunder and Deceit: Big Government's Exploitation of Young People and the Future)
Our capitalist elites have used propaganda, money, and the marginalizing of their critics to erase the first three of philosopher John Locke’s elements of the perfect state: liberty, equality, and freedom. They exclusively empower the fourth, property. Liberty and freedom in the corporate state mean the liberty and freedom of corporations and the rich to exploit and pillage without government interference or regulatory oversight. And the single most important characteristic of government is its willingness to use force, at home and abroad, to protect the interests of the property classes. This abject surrender of the state to the rich is illustrated in the 2017 tax code and the dismantling of environmental regulations. This degradation of basic democratic ideals—evidenced when the Supreme Court refuses to curb wholesale government surveillance of the public or defines pouring unlimited dark money into political campaigns as a form of free speech and the right to petition the government—means the society defines itself by virtues that are dead.
Chris Hedges (America: The Farewell Tour)
Chaplin left the Keystone studios on a Saturday night in December after cutting his last film, without bidding farewell to any of his erstwhile colleagues; he spent Sunday in his room at the Los Angeles Athletic Club and on the following day he turned up for work at the Essanay Studios in Niles, California. Of course, everyone at Keystone knew about his imminent departure, but he could not bring himself to make a speech or shake hands. He just left. Sennett said later that 'as for Charles Spencer Chaplin, I am not at all sure that we know him'. He had never really been part of the team; he would never become a member of any group.
Peter Ackroyd (Charlie Chaplin: A Brief Life)
the Sac and Fox Indians of Illinois were removed, after the Black Hawk War (in which Abraham Lincoln was an officer, although he was not in combat). When Chief Black Hawk was defeated and captured in 1832, he made a surrender speech: I fought hard. But your guns were well aimed. The bullets flew like birds in the air, and whizzed by our ears like the wind through the trees in the winter. My warriors fell around me. . . . The sun rose dim on us in the morning, and at night it sunk in a dark cloud, and looked like a ball of fire. That was the last sun that shone on Black Hawk. . . . He is now a prisoner to the white men. . . . He has done nothing for which an Indian ought to be ashamed. He has fought for his countrymen, the squaws and papooses, against white men, who came year after year, to cheat them and take away their lands. You know the cause of our making war. It is known to all white men. They ought to be ashamed of it. Indians are not deceitful. The white men speak bad of the Indian and look at him spitefully. But the Indian does not tell lies. Indians do not steal. An Indian who is as bad as the white men could not live in our nation; he would be put to death, and eaten up by the wolves. The white men are bad schoolmasters; they carry false books, and deal in false actions; they smile in the face of the poor Indian to cheat him; they shake them by the hand to gain their confidence, to make them drunk, to deceive them, and ruin our wives. We told them to leave us alone, and keep away from us; they followed on, and beset our paths, and they coiled themselves among us, like the snake. They poisoned us by their touch. We were not safe. We lived in danger. We were becoming like them, hypocrites and liars, adulterous lazy drones, all talkers and no workers. . . . The white men do not scalp the head; but they do worse—they poison the heart. . . . Farewell, my nation! . . . Farewell to Black Hawk.
Howard Zinn (A People's History of the United States: 1492 to Present)
He looked at his monitor. A hundred and seventy-five. A hundred and seventy-two. A welcome little gust of wind carried the sound of distant cheering up from the town. It must have been from Ullevål Stadium—there was an important international match this evening. Slovakia or Slovenia. Erlend Vennesla imagined for a few seconds that they had been applauding for him. It was a while since anyone had done that. The last time would have been the farewell ceremony at Kripos up at Bryn. Layer cake, speech by the boss, Mikael Bellman, who since then had continued his steady rise to take the top police job. And Erlend had received the applause, met their eyes, thanked them and even felt his throat constrict as he was about to deliver his simple, brief speech.
Jo Nesbø (Police (Harry Hole, #10))
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell
By reading the text out loud to an affectionate audience, Hamilton was applying the old speechwriter's trick of writing for the ear as well as the eye, despite the fact that he knew the speech would be printed in a newspaper and not spoken. He was writing for a larger audience: posterity rather than simply this president.
John P. Avlon (Washington's Farewell: The Founding Father's Warning to Future Generations)
Years later, when Ike gave his farewell speech warning against the power of a military-industrial complex, he was much heralded; but the truth was that such views were always the bedrock of his philosophy. He was the second President who had to make difficult choices about complex and expensive weapons systems. He worried about the potential drain on the economy, and he believed that the Joint Chiefs cared little or nothing about the dangers of inflation. He spoke often in private about the danger of spending so much on weaponry and defense and in the process destroying the economy and thus weakening the country these weapons were going to protect. The federal budget, he liked to say, had risen from $4 billion a year in 1932 to $85.5 billion in 1952—with some 57 percent of that increase going to the Pentagon. “This country,” he once noted, “can choke itself to death piling up expenditures just as surely as it can defeat itself by not spending enough for protection.” Defense spending, he believed quite passionately, was dead weight; it was inflationary and subtracted from the nation’s vitality rather than added to it.
David Halberstam (The Fifties)
Before leaving, Jackson assembled his brigade to bid them this farewell: “Officers and Soldiers of the First Brigade: I am not here to make a speech, but simply to say farewell. I first met you at Harper’s Ferry, in the commencement of this war, and I cannot take leave of you without giving expression to my admiration for your conduct from that day to this, whether on the march, the bivouac, the tented field, or the bloody plains of Manassas, when you gained the well deserved reputation of having decided the fate of that battle. “Throughout the broad extent of country over which you have marched, by your respect for the rights and property of citizens you have shown that you were soldiers, not only to defend, but able and willing to both defend and protect. You have already gained a brilliant and deservedly high reputation throughout the army and the whole Confederacy, and I trust in the future, by your own deeds on the field, and by the assistance of the same kind Providence who has heretofore favored our cause, you will gain more victories, and add additional luster to the reputation you now enjoy. “You have already gained a proud position in the future history of this, our second war of independence. I shall look with great anxiety to your future movements, and I trust that whenever I shall hear of the 1st Brigade on the field of battle it will be of still nobler deeds achieved and a higher reputation won. “In the Army of the Shenandoah you were the First Brigade, in the Army of the Potomac you were the First Brigade, in the 2d Corps of this army you are the First Brigade; you are First Brigade in the affections of your general, and I hope by your future deeds and bearing you will be handed down to posterity as the First Brigade in this, our second war of independence. Farewell!”[21] As it turned out, this moving speech was premature in its deliverance, because just one month later, after witnessing the deplorable troops over who he was to command, Jackson called for his old brigade to reinforce him in the Valley. An
Charles River Editors (The Stonewall Brigade: The History of the Most Famous Confederate Combat Unit of the Civil War)
In his farewell speech, President Obama addressed the “work of democracy,” the daily grind of change and the importance of the belief in the American experiment rather than the ideals on which the experiment is based.
Masha Gessen (Surviving Autocracy)
This is what President Eisenhower warned Americans to fear when he spoke of the perils of the military-industrial complex in his farewell speech in January 1961. “We have been compelled to create a permanent armaments industry of vast proportions,” the president said.
Annie Jacobsen (The Pentagon's Brain: An Uncensored History of DARPA, America's Top-Secret Military Research Agency)
I thought of you when I read this quote from "A Farewell to Mars: An Evangelical Pastor's Journey Toward the Biblical Gospel of Peace" by Brian Zahnd - "Jesus is introduced. (Standing ovation.) He stands before Congress and begins to deliver his speech. “Blessed are the poor …the mourners … the meek.” “Love your enemies.” “Turn the other cheek.” After a few perfunctory applauses early on, I’m pretty sure there would be a lot of squirming senators and uncomfortable congressmen. The room would sink into a tense silence. And when Jesus concluded his speech with a prophecy of the inevitable fall of the house that would not act upon his words (Matt. 7:26–27), what would Congress do? Nothing. They would not act. They could not act. To act on Jesus’s words would undo their system. The Sermon on the Mount doesn’t work in Cain’s system—no matter how noble or sophisticated. In the end, the US Congress would no more adopt the policies Jesus set out in the Sermon on the Mount than they were adopted by the Jewish Sanhedrin or the Roman Senate.
Brian Zahnd (A Farewell to Mars: An Evangelical Pastor's Journey Toward the Biblical Gospel of Peace)
Ten blondes and a brunette were hanging onto a rope that was tied to an airplane. They knew that one of them needed to let go because the weight of all eleven of them would tear the rope and they would all die.      So, they argued back and forth about who was to let go. This went on for a few minutes, until the brunette finally said, "Ok, I'll let go!"       The brunette gave a little speech about why she would go and said her farewells. All of the blondes were so touched, they started clapping. Problem solved.
E. King (Best Adult Jokes Ever)
Truman’s farewell address on January 15, 1953, delivered five days before he left the renovated White House, is to this day one of the best speeches of the Cold War, containing insightful analysis and a prediction of how, decades later, it would end. “I suppose that history will remember my term in office as the years when the ‘Cold War’ began to overshadow our lives,” he told the American people, speaking late at night from the Oval Office. Winning the Cold War wouldn’t be easy—or fast—but the United States, he firmly believed, would win simply by holding the line.
Garrett M. Graff (Raven Rock: The Story of the U.S. Government's Secret Plan to Save Itself--While the Rest of Us Die)
In the course of writing this book, I did something I had never done before that I now recommend to you: go back and read speeches by the presidents, above all their inaugural and farewell addresses. They are readily available on the Internet. Not all are memorable, much less poetic, but a few are one or the other or both, and every one is valuable as a window on the moment it was delivered.
Richard N. Haass (The Bill of Obligations: The Ten Habits of Good Citizens)
General Douglas MacArthur’s Farewell Speech May 12, 1962 If you have made it this far, I leave you with MacArthur’s speech upon receiving the Sylvanus Thayer Award. Most consider this his farewell speech to his years of military service.
Roger Mannon (Secret Warriors Psychic Spies: Redux)
What every businessman should know Hendrick Kganyago gives you a series of fundamental tips for any businessman looking to function successfully. The business world can be tough to cope with. Follow Hendrick Kganyago's advice to successfully navigate the psychological, practical and managerial aspects of business. 1. A 'killer' presentation 2. Negotiate salaries 3. The elevator speech 4. Give up gracefully 5. Farewell head on 6. Say only what is necessary 7. Say no 8. The handshake
Hendrick Kganyago
Together with Aristotle, he created a civic tradition founded on the heroic image of the orator, who inspires his countrymen by a combination of eloquence, rational argument, and moral vision, and by doing so rallies his nation in a time of crisis. From Washington’s farewell speech to Lincoln’s Gettysburg Address and Kennedy’s inaugural, Cicero and Aristotle would inspire a vital part of American political culture.
Arthur Herman (The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization)
Americans of the West surrendered Pahaska to his final slumber. Pahaska, Farewell." Some twenty-five thousand people toiled up the mountainside to pay their respects. Three thousand automobiles (which included some Sells-Floto circus wagons) also climbed the mountain that day, not without strain, for cars of that time were not the powerful machines we know, and the Lariat Trail they followed, while a splendid achievement for 1913, was daunting. "The roads are excellent in their wealth of view," wrote Fowler. "At first the pitch of the road is gradual. It becomes more abrupt on the ascent. Its trend is ever upward." Mrs. Cody had to stop and rest before reaching the summit. "It was a remarkable funeral," continued Fowler. "There was a circus atmosphere about the whole thing. A lot of us drank straight rye from bottles while speeches were being made by expert liars. Six of the Colonel's surviving sweethearts-now obese and sagging with memories-sat on camp chairs beside the grave. . . . The glass over the Colonel's amazingly handsome face began to steam on the inside. . . . One of the old Camilles rose from her camp chair. . . . Then, as though
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
am interested in the farewell between black and white strangers who have, or might have, shared something significant; or who represent the end of something larger than themselves, where the separation symbolizes loss or renewal, for example.
Toni Morrison (The Source of Self-Regard: Selected Essays, Speeches, and Meditations)
Our citizens must act as Americans; not as Americans with a prefix and qualifications; not as Irish-Americans, German-Americans, native Americans—but as Americans pure and simple.28 We must have only one language here, he said, “the language of the Declaration of Independence and the Constitution, of Lincoln’s Gettysburg speech and Second Inaugural, and of Washington’s farewell address.
Mary Beth Smith (The Joy of Life)