Far Cry 3 Quotes

We've searched our database for all the quotes and captions related to Far Cry 3. Here they are! All 91 of them:

There is an ancient tribal proverb I once heard in India. It says that before we can see properly we must first shed our tears to clear the way.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
We are English, and I expect you to behave as such. No more crying.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
But Gemma, you could change the world." "That should take far more than my power," I say. "True. But change needn't happen all at once. It can be small gestures." "Moments. Do you understand?" He's looking at me differently now, though I cannot say how. I only know I need to look away... We pass by the pools, where the mud larks sift. And for only a few seconds, I let the magic loose again. "Oi! By all the saints!" a boy cries from the river. "Gone off the dock?" an old woman calls. The mud larks break into cackles. "'S not a rock!" he shouts. He races out of the fog, cradling something in his palm. Curiosity gets the better of the others. They crowd about trying to see. In his palm is a smattering of rubies. "We're rich mates! It's a hot bath and a full belly for every one of us!" Kartik eyes me suspiciously. "That was a strange stroke of good fortune." "Yes it was." "I don't suppose that was your doing." "I'm not sure I don't know what you mean," I say. And that is how change happens. One gesture. One person. One moment at a time.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
She was unique in his sophisticated world, a far cry from all the women he’d known, completely natural, fresh and artless, irrepressibly eager for sex. His constant wet dream.
C.C. Gibbs (All He Desires (All or Nothing, #3))
He smiles sadly. "Now I know my destiny." "What is it?" "This." He draws me in to him in a kiss. His lips are warm. He pulls me tighter in his embrace. The roots sigh and release their hold on my waist and the wound in my side is healed. "Kartik," I cry, kissing his cheeks. "It's let me go." "That's good," he says. He makes a small cry. His back arches, and every muscle in his body tightens.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
Have a joke for me Tania," he says, "I could use a joke." "Hmm." She thinks, looks at him, looks to see where Anthony is. He's far in the back. "Okay, what about this." With a short cough she leans into Alexander and lowers her voice. "A man and his young girlfriend are driving in a car. The man has never seen his girlfriend naked. She thinks he is driving too slow, so they decide to play a game. For every five miles he goes above 50, she will take off a piece of her clothing. In no time at all, he is flying and she is naked. The man gets so excited that he loses control of the car. It veers off the road and hits a tree. She is unharmed but he is stuck in the car and can’t get out. “Go back on the road and get help,” he tells her. “But I’m naked,” she says. He rummages around and pulls off his shoe. “Here, just put this between your legs to cover yourself.” She does as she is told and runs out to the road. A truck driver, seeing a naked crying woman, stops. “Help me, Help me,” she sobs, “My boyfriend is stuck and I can’t get him out.” The Truck driver says, “Miss, if he’s that far in, I’m afraid he’s a goner.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Frodo gave a cry, and there was, fallen upon his knees at the chasm's edge. But Gollum, dancing like a mad thing, held aloft the ring, a finger still thrust within its circle. "Precious, precious, precious!" Gollum cried. "My Precious! O my Precious!" And with that, even as his eyes were lifted up to gloat on his prize, he stepped too far, toppled, wavered for a moment on the brink, and then with a shriek he fell. Out of the depths came his last wail precious, and he was gone.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
And far away, as Frodo put on the Ring and claimed it for his own, even in Sammath Naur the very heart of his realm, the Power in Barad-dûr was shaken, and the Tower trembled from its foundations to its proud and bitter crown. The Dark Lord was suddenly aware of him, and his Eye piercing all shadows looked across the plain to the door that he had made; and the magnitude of his own folly was revealed to him in a blinding flash, and all the devices of his enemies were at last laid bare. Then his wrath blazed in consuming flame, but his fear rose like a vast black smoke to choke him. For he knew his deadly peril and the thread upon which his doom now hung. From all his policies and webs of fear and treachery, from all his stratagems and wars his mind shook free; and throughout his realm a tremor ran, his slaves quailed, and his armies halted, and his captains suddenly steerless, bereft of will, wavered and despaired. For they were forgotten. The whole mind and purpose of the Power that wielded them was now bent with overwhelming force upon the Mountain. At his summons, wheeling with a rending cry, in a last desperate race there flew, faster than the winds, the Nazgûl, the Ringwraiths, and with a storm of wings they hurtled southwards to Mount Doom.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
Death and dying makes us into children once again, in truth, one last time, there in our final wailing cries. More than one philosopher has claimed that we ever remain children, far beneath the indurated layers that make up the armour of adulthood.
Steven Erikson (Memories of Ice (Malazan Book of the Fallen, #3))
It would have been so easy if only I could have cried. But crying wasn't an option, because I felt that far ahead of me there was something really worth crying about.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
I was ready to get the hell off the mountain, but somehow that offered no satisfaction. I had gotten in too deep. I would have been so easy if only I could have cried. But crying wasn't an option, because I felt that far ahead of me there was something really worth crying about.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
He reminds me of a demon ready to possess my body. If I allow the hijack to happen, I'll succumb to his dark and delicious ways and I have a feeling I'll never want to walk on the safe side again. I'll be the Persephone to his Hades, but the ride will be a far cry from hell.
K.L. Savage (Tool (Ruthless Kings MC, #3))
Death and dying makes us into children once again, in truth, one last time, there in our final wailing cries. More than one philosopher has claimed that we ever remain children, far beneath the indurated layers that make up the armour of adulthood. Armour encumbers, restricts the body and soul within it. But it also protects. Blows are blunted. Feelings lose their edge, leaving us to suffer naught but a plague of bruises, and, after a time, bruises fade.
Steven Erikson (Memories of Ice (Malazan Book of the Fallen, #3))
You’re not the same as you were a few days ago,” he murmured. “You’re no longer a wallflower, nor a virgin, nor the helpless child who had to endure life with the Maybricks. You’re a viscountess with a sizable fortune, and a scoundrel of a husband. Whose rules will you adhere to now?” Evie shook her head in weary confusion. She discovered that as Sebastian worked the tension out of her back, her control over her emotions seemed to dissolve at an equal rate. She was afraid that if she tried to speak, she might cry. Instead she remained silent, squeezing her eyes shut and fighting to keep her breathing even. “So far you’ve spent your life striving to please others,” she heard him say. “With a rather poor rate of success. Why don’t you try pleasing yourself for a change? Why not live by your own rules? What has obeying the conventions ever gotten you?” Evie pondered the questions, and her breath hissed in pleasure as he found a particularly sore spot. “I like the conventions,” she said after a moment. “There is nothing wrong with being an ordinary person, is there?” “No. But you’re not ordinary.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Surely it would be easier for a small escape pod to zip through asteroids than it would be for a hulking warship. “Let’s lose them in the asteroids!” “Unlikely,” the computer said calmly as the pod swerved again. “Asteroid Belt 116749 is far enough away that we will probably be—” “Just try, damn it!” Ava gritted. The harness dug into Ava’s shoulders as she was jerked from side to side. She thought about asking Evie to turn off the artificial gravity but honestly didn’t know if that would make things better or worse. “Asteroid Belt 116749 is now in sight.” “Yes!” Ava cried triumphantly. “We can do this!” “Unlikely,” the ever-unflappable Evie replied. “Though the pod can change direction faster than the Gathendien ship and I have eluded its acquisition beam, the ship is still pursuing us and—” “Evie,” Ava gritted, “you’re killing me.” “Negative. Killing you is counter to my programming.” “I don’t mean literally!” She grunted as the pod changed directions again. Thank goodness motion sickness never plagued her. “I’m trying to be optimistic!” “Optimism at this juncture is inadvisable.” “Oh, for crap’s sake!
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
It’s so great that you have opinions,” she mused. “Even better that I don’t give a single fuck what you think.” She leaned forward, folded her arms on the edge of the bar. “Then again, I can’t give a single fuck because I don’t have any. Literally.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
He raised his arm, braced it on the doorframe … “What the hell do you want?” I glanced down at his jeans. “Take off your pants.” His brows pinched together. “Come again?” “I’d love to, but I’m going to need you to drop those jeans first.” I ducked under his arm and stepped into his home. “I trust you have a condom or two.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
Have you ever been in a demon rumble before, Jenna?” I asked. Hoisting her own demonglass dagger, she shook her head. “Nope. I have a feeling it’s going to be super violent.” “Maybe we can talk to them,” I said, rubbing my nose with the back of my hand. “Have a little sit-down chat.” “With tea.” “Ooh, yeah, with the nice china, and those little sandwiches that don’t have crusts.” Cal came to stand with us. Aislinn and Finley were getting to their feet, but I could tell they were far away from optimum Brannick strength. “I don’t want to kill these kids,” Cal said. “Neither do I. But I don’t want them to kill me, either.” “Not sure what we want is going to matter that much,” Jenna said. I stared out into the trees, hearing my fate move closer. And here’s the thing: I knew I was supposed to be courageous. I was supposed to use my magic for as long as I could, and be all Braveheart about it. But I didn’t want to. I wanted to cry. I wanted to hug my mom and dad again. I wanted to see Archer. And I wanted to know that I’d done more here than just delay Aislinn’s and Finley’s deaths by a few minutes. So there was no stoic badass facing down the demon hordes. There was just a teenage girl with tears streaming down her face, her two best friends on either side of her, as all kinds of hellish creatures rushed forward.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Once upon a time, in a faraway forest, there lived a tree that was different from all the other trees in the woods. While the other trees grew perfectly straight toward the sky, this particular tree grew in loops, twists, and turns. It was known as the Curvy Tree by all who saw it, and many humans and animals came from far and wide to see its splendor. When the humans and animals were away, in a language that only could be heard by the plants of the forest, the other trees would taunt the poor Curvy Tree. ‘We hate your bark and your branches and your leaves that twist and turn! One day they will chop you into firewood and you will forever burn!’ It made the Curvy Tree very sad, and if you spoke Plant you would hear it cry itself to sleep every night. Years later, on the last day of winter before spring began, loggers traveled to the forest looking for wood, not to burn, but to build with. They cut down every tree in the woods to build houses, tables, chairs, and beds. When they finally left the forest, only one tree remained, and I bet it will come as no surprise when I tell you it was the Curvy Tree. The loggers had seen how its trunk and branches twisted and turned and they knew they could never use its wood to build with. And so the Curvy Tree was left alone to grow in peace now that all the other trees were gone. The end.
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
Why then I do but dream on sovereignty, Like one that stands upon a promontory And spies a far-off shore where he would tread, Wishing his foot were equal with his eye, And chides the sea that sunders him from thence, Saying, he'll lade it dry to have his way: So do I wish the crown, being so far off, And so I chide the means that keeps me from it, And so, I say, I'll cut the causes off, Flattering me with impossibilities, My eye's too quick, my hear o'erweens too much, Unless my hand and strength could equal them. Well, say there is no kingdom then for Richard; What other pleasure can the world afford? I'll make my heaven in a lady's lap, And deck my body in gay ornaments, And witch sweet ladies with my words and looks. O miserable thought! and more unlikely Than to accomplish twenty golden crowns! Why, love forswore me in my mother's womb; And for I should not deal in her soft laws, She did corrupt frail nature with some bribe, To shrink mine arm up like a wither'd shrub, To make an envious mountain on my back, Where sits deformity to mock my body; To shape my legs of an unequal size, To disproportion me in every part, Like to a chaos, or an unlick'd bear-whelp That carries no impression like the dam. And am I then a man to be belov'd? O monstrous fault, to harbor such a thought! Then since this earth affords no joy to me But to command, to check, to o'erbear such As are of better person than myself, I'll make my heaven to dream upon the crown, And whiles I live, t' account this world but hell, Until my misshap'd trunk that bears this head Be round impaled with a glorious crown. And yet I know not how to get the crown, For many lives stand between me and home; And I - like one lost in a thorny wood, That rents the thorns, and is rent with the thorns, Seeking a way, and straying from the way, Not knowing how to find the open air, But toiling desperately to find it out - Torment myself to catch the English crown; And from that torment I will free myself, Or hew my way out with a bloody axe. Why, I can smile, and murther whiles I smile, And cry "Content" to that which grieves my heart, And wet my cheeks with artificial tears, And frame my face to all occasions. I'll drown more sailors than the mermaid shall, I'll slay more gazers than the basilisk, I'll play the orator as well as Nestor, Deceive more slily than Ulysses could, And like a Simon, take another Troy. I can add colors to the chameleon, Change shapes with Proteus for advantages, And set the murtherous Machevil to school. Can I do this, and cannot get a crown? Tut, were it farther off, I'll pluck it down.
William Shakespeare (King Henry VI, Part 3)
The Sinsar Dubh popped up on my radar, and it was moving straight toward us. At an extremely high rate of speed. I whipped the Viper around, tires smoking on the pavement. There was nothing else I could do. Barrons looked at me sharply. “What? Do you sense it?” Oh, how ironic, he thought I’d turned us toward it. “No,” I lied, “I just realized I forgot my spear tonight. I left it back at the bookstore. Can you believe it? I never forget my spear. I can’t imagine what I was thinking. I guess I wasn’t. I was talking to my dad while I was getting dressed and I totally spaced it.” I worked the pedals, ripping through the gears. He didn’t even try to pat me down. He just said, “Liar.” I sped up, pasting a blushing, uncomfortable look on my face. “All right, Barrons. You got me. But I do need to go back to the bookstore. It’s . . . well . . . it’s personal.” The bloody, stupid Sinsar Dubh was gaining on me. I was being chased by the thing I was supposed to be chasing. There was something very wrong with that. “It’s . . . a woman thing . . . you know.” “No, I don’t know, Ms. Lane. Why don’t you enlighten me?” A stream of pubs whizzed by. I was grateful it was too cold for much pedestrian traffic. If I had to slow down, the Book would gain on me, and I already had a headache the size of Texas that was threatening to absorb New Mexico and Oklahoma. “It’s that time. You know. Of the month.” I swallowed a moan of pain. “That time?” he echoed softly. “You mean time to stop at one of the multiple convenience stores we just whizzed past so you can buy tampons? Is that what you’re telling me?” I was going to throw up. It was too close. Saliva was pooling in my mouth. How far behind me was it? Two blocks? Less? “Yes,” I cried. “That’s it! But I use a special kind and they don’t carry it.” “I can smell you, Ms. Lane,” he said, even more softly. “The only blood on you is from your veins, not your womb.” My head whipped to the left and I stared at him. Okay, that was one of the more disturbing things he’d ever said to me. “Ahhh!” I cried, letting go of both the wheel and the gearshift to clutch my head. The Viper ran up on the sidewalk and took out two newspaper stands and a streetlamp before crashing to a stop against a fire hydrant. And the blasted, idiotic Book was still coming. I began foaming at the mouth, wondering what would happen if it passed within a few feet of me. Would I die? Would my head really explode?
Karen Marie Moning (Faefever (Fever, #3))
His mother called it wallowing in the mud, and by that Ferguson supposed she meant the mud of their unhappiness, but sinking into that unhappiness could be eerily satisfying, he discovered, as long as you sank into it as far as you could and weren’t afraid to drown, and because the tears kept pushing them back into the past, they had protected them from having to think about the future, but then one day his mother said it was time to start thinking about it, and the crying came to an end.
Paul Auster (4 3 2 1)
All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?” He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.” He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.” “I’m the worst fiancé ever, aren’t I?” Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.” Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind. Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.” “Got room for two more?” Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say. Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.” “You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“ “With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.” I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.” “Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand. “Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared. “I’m just hoping to be the Not Dead Guy,” Cal muttered. We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.” “See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand. And then, moving almost as one, we stepped into the rock.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I’m not a child!” the boy cried out while hastily using his sleeve to wipe away his running nose. “Yes, my son, you are.” Norman stepped forward and knelt before the young prince before resting his hands on his shoulders. “There is nothing wrong with being a child; in fact, it is far more important than you know. You are entitled to your childhood, Eric. All boys and girls are, and it is the adults’ responsibility to protect those childhoods. When you are grown up, then it will be your job to protect the younger ones.
Delemhach (The House Witch 3 (The House Witch, #3))
Sprawled out, the Suriel's bony chest heaved unevenly, its breaths few and far between. Dying. I slid to my knees before it, sinking into the blood moss. 'Let me help you. I can heal you.' I'd do it the same way I'd helped Rhysand. Remove those arrows- and offer it my blood. I reached for the first one, but a dry, bony hand settled on my wrist. 'Your magic...' it rasped, 'is spent. Do not... waste it.' 'I can save you.' It only gripped my wrist. 'I am already gone.' 'What- what can I do?' The words turned thin- brittle. 'Stay...' it breathed. 'Stay... until the end.' I took its hand in mine. 'I'm sorry.' It was all I could think to say. I had done this- I had brought it here. 'I knew,' it gasped, sensing my shift in thoughts. 'The tracking... I knew of it.' 'Then why come at all?' 'You... you were kind. You... fought your fear. You were... kind,' it said again. I began crying. 'And you were kind to me,' I said, not brushing away the tears that fell onto its bloodied, tattered robe. 'Thank you- for helping me. When no one else would.' A small smile on that lipless mouth. 'Feyre Archeron.' A laboured breath. 'I told you- to stay with the High Lord. And you did.' Its warning to me that first time we'd met. 'You- you meant Rhys.' All this time, all this time- 'Stay with him... and live to see everything righted.' 'Yes, I did- and it was.' 'No- not yet. Stay with him.' 'I will.' I always would. Its chest rose- then fell. 'I don't even know your name,' I whispered. The Suriel- it was a title, a name for its kind. That small smile again. 'Does it matter, Cursebreaker?' 'Yes.' Its eyes dimmed, but it did not tell me. It only said, 'You should go now. Worse things- worse things are coming. The blood... draws them.' I squeezed its bony hand, the leathery skin growing colder. 'I can stay a while longer.' I had killed enough animals to know when a body neared death. Soon, now- it would be a matter of breaths. 'Feyre Archeron,' the Suriel said again, gazing at the leafy canopy, the sky peeking through it. A painful inhale. 'A request.' I leaned close. 'Anything.' Another rattling breath. 'Leave this world... a better place than how you found it.' And as its chest rose and stopped altogether, as its breath escaped in one last sigh, I understood why the Suriel had come to help me, again and again. Not just for kindness... but because it was a dreamer. And it was the heart of a dreamer that had created healing inside that monstrous chest. Its sudden silence echoed in my own. I laid my head on its chest, on that now-silent vault of bone, and wept. I wept and wept, until there was a strong hand at my shoulder.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Tatiasha, my wife, I got cookies from you and Janie, anxious medical advice from Gordon Pasha (tell him you gave me a gallon of silver nitrate), some sharp sticks from Harry (nearly cried). I’m saddling up, I’m good to go. From you I got a letter that I could tell you wrote very late at night. It was filled with the sorts of things a wife of twenty-seven years should not write to her far-away and desperate husband, though this husband was glad and grateful to read and re-read them. Tom Richter saw the care package you sent with the preacher cookies and said, “Wow, man. You must still be doing something right.” I leveled a long look at him and said, “It’s good to know nothing’s changed in the army in twenty years.” Imagine what he might have said had he been privy to the fervent sentiments in your letter. No, I have not eaten any poison berries, or poison mushrooms, or poison anything. The U.S. Army feeds its men. Have you seen a C-ration? Franks and beans, beefsteak, crackers, fruit, cheese, peanut butter, coffee, cocoa, sacks of sugar(!). It’s enough to make a Soviet blockade girl cry. We’re going out on a little scoping mission early tomorrow morning. I’ll call when I come back. I tried to call you today, but the phone lines were jammed. It’s unbelievable. No wonder Ant only called once a year. I would’ve liked to hear your voice though: you know, one word from you before battle, that sort of thing . . . Preacher cookies, by the way, BIG success among war-weary soldiers. Say hi to the kids. Stop teaching Janie back flip dives. Do you remember what you’re supposed to do now? Kiss the palm of your hand and press it against your heart.   Alexander   P.S. I’m getting off the boat at Coconut Grove. It’s six and you’re not on the dock. I finish up, and start walking home, thinking you’re tied up making dinner, and then I see you and Ant hurrying down the promenade. He is running and you’re running after him. You’re wearing a yellow dress. He jumps on me, and you stop shyly, and I say to you, come on, tadpole, show me what you got, and you laugh and run and jump into my arms. Such a good memory. I love you, babe.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
There were groans---his---and moans---hers---and cool hands under his shirt, nails scraping against his skin, zings of electricity along his nerves, clothes tearing... "Not here." Her words. Because if he had his way, she'd already be naked and the limo driver would have been handsomely paid to take a coffee break somewhere far away. He had a vision of himself pushing her onto the seat, flipping up that pretty skirt, and hammering into her until they both shattered in ecstasy and she screamed his name. Had he spoken those words out loud? "Law...Indecent exposure..." Words he didn't understand except they meant more waiting when he ached to his hands on her, strip her naked, and make all his fantasies come true. Insatiable, he tore open her top and flicked the catch on her bra, freeing her breasts from their restraint. Beautiful. Round and firm. Nipples hardened to deliciously dark peaks. He drew one into his mouth, licked and sucked until she cried out. Her hand tightened in his hair until pain merged with pleasure, and he couldn't think beyond doing it again.
Sara Desai (The Singles Table (Marriage Game, #3))
I’ve told you, I had nothing to do with it,” Michael snapped. “But I hope to hell that he’s found soon—facedown in the Thames.” “Enough,” Poppy cried in outrage. Both men glanced at her in surprise. “That is beneath you, Michael! Harry wronged both of us, it’s true, but he has apologized and tried to make reparations.” “Not to me, by God!” Poppy gave him an incredulous glance. “You want an apology from him?” “No.” He glared at her, and then a hoarse note of pleading entered his voice. “I want you.” She flushed with fury. “That will never be possible. And it never was. Your father wouldn’t have consented to have me as his daughter-in-law, because he considered me beneath him. And the truth is that you did, too, or you would have managed everything far differently than you did.” “I’m not a snob, Poppy. I’m conventional. There’s a difference.” She shook her head impatiently—it was an argument she didn’t want to waste precious time on. “It doesn’t matter. I’ve come to love my husband. I will never leave him. So for your sake as well as mine, stop making a spectacle and a nuisance of yourself, and go on with your life. You were meant for better things than this.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
So many people are gone that I can’t even mourn them properly. It would take every hour of every day to do it. I want to hold on to them, to think of them, but I would never get any living done if I gave them all the time they deserve. Especially now, when we’re barely living as it is—barely surviving. I hug Ana’s bag to my chest and sob. I cry over the things in my dead friend’s bag and for all the things we’ve lost so far. I don’t know why I thought saving my tears for Alaska was a good idea. It was stupid as fuck. There’s no point in saving things for later if later never comes.
Sarah Lyons Fleming (All the Stars in the Sky (Until the End of the World, #3))
She tightened her grip on his wrist and slowly pulled it towards her. His index finger slid in farther and she gasped at how it felt. She paused, pulled again. Deeper. Deeper. Her pussy throbbed and she took him as far in to her body as she could. His hand was flat against her pulsing lips, his palm pressing on her clit. “Oh!” she said. “Oh, Chris… oh, God.” “It feels good, baby?” “Yes… it feels amazing.” She withdrew his finger slowly, feeling the suction of her body, then pulled him in again, using both her hands this time. He groaned as her pussy muscles tightened on him, and he felt the answering burst of wetness between her lips. Jenny pulled his finger in and out of her, slowly at first, then faster, and Chris felt her body start to tremble. I’m going to come myself if this goes on much longer. She pulled him out of her heat completely, unfolded his middle finger to join his index one. The she pulled both of them in to her, giving a small cry at the renewed sensation. “Touch my clit,” she begged. “Use your thumb… Chris, please.” He did as she asked, swirling around her hard nub every time she pulled his fingers in to her body. She plunged his fingers faster, every pull in going deeper and harder. His thumb pushed down consistently, not breaking the contact, and she closed her eyes as the wave of pleasure rose and rose, became larger and stronger than she’d expected. She released his hand now. “I trust you,” she breathed. “I want you to do it. I want you to make me come…” He groaned and kissed her, hard, his fingers moving in and out of her at a steady pace. Her hands gripped the headboard above her, her toes curled, she threw her head back. “So close, sweetheart,” he said, his voice almost a growl against her mouth. “You’re going to love it. Let go. Let me see you.
Marysol James (Enemy Mine (Unseen Enemy, #3))
The River Queen’s daughter stood slowly. “You dare speak to me in such a way?” And at her petulant fury, at her mother’s rage … he’d had it. He’d fucking had it. Tharion pointed to the window. Not at the sobeks, but at the surface too far above to see. “There are imperial battleships in this river! Asphodel Meadows is a smoldering ruin, with the bodies of children strewn in the streets!” He’d never yelled like this. At anyone, least of all his former queen and princess. But he couldn’t stop it, the pure rage and desperation that ruptured from him. “And all you care about is who one stupid fucking male is married to? There are babies in that rubble! And you cry only for yourself!
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
It’s dark as a tomb in here,” she said, unable to see more than shadows. “Will you light the candles, please,” she asked, “assuming there are candles in here?” “Aye, milady, right there, next to the bed.” His shadow crossed before her, and Elizabeth focused on a large, oddly shaped object that she supposed could be a bed, given its size. “Will you light them, please?” she urged. “I-I can’t see a thing in here.” “His lordship don’t like more’n one candle lit in the bedchambers,” the footman said. “He says it’s a waste of beeswax.” Elizabeth blinked in the darkness, torn somewhere between laughter and tears at her plight. “Oh,” she said, nonplussed. The footman lit a small candle at the far end of the room and left, closing the door behind him. “Milady?” Berta whispered, peering through the dark, impenetrable gloom. “Where are you?” “I’m over here,” Elizabeth replied, walking cautiously forward, her arms outstretched, her hands groping about for possible obstructions in her path as she headed for what she hoped was the outside wall of the bedchamber, where there was bound to be a window with draperies hiding its light. “Where?” Berta asked in a frightened whisper, and Elizabeth could hear the maid’s teeth chattering halfway across the room. “Here-on your left.” Berta followed the sound of her mistress’s voice and let out a terrified gasp at the sight of the ghostlike figure moving eerily through the darkness, arms outstretched. “Raise your arm,” she said urgently, “so I’ll know ‘tis you.” Elizabeth, knowing Berta’s timid nature, complied immediately. She raised her arm, which, while calming poor Berta, unfortunately caused Elizabeth to walk straight into a slender, fluted pillar with a marble bust upon it, and they both began to topple. “Good God!” Elizabeth burst out, wrapping her arms protectively around the pillar and the marble object upon it. “Berta!” she said urgently. “This is no time to be afraid of the dark. Help me, please. I’ve bumped into something-a bust and its stand, I think-and I daren’t let go of them until I can see how to set them upright. There are draperies over here, right in front of me. All you have to do is follow my voice and open them. Once we do, ‘twill be bright as day in here.” “I’m coming, milady,” Berta said bravely, and Elizabeth breathed a sigh of relief. “I’ve found them!” Berta cried softly a few minutes later. “They’re heavy-velvet they are, with another panel behind them.” Berta pulled one heavy panel back across the wall, and then, with renewed urgency and vigor, she yanked back the other and turned around to survey the room. “Light as last!” Elizabeth said with relief. Dazzling late-afternoon sunlight poured into the windows directly in front of her, blinding her momentarily. “That’s much better,” she said, blinking. Satisfied that the pillar was quite sturdy enough to stand without her aid, Elizabeth was about to place the bust back upon it, but Berta’s cry stopped her. “Saints preserve us!” With the fragile bust clutched protectively to her chest Elizabeth swung sharply around. There, spread out before her, furnished entirely in red and gold, was the most shocking room Elizabeth had ever beheld: Six enormous gold cupids seemed to hover in thin air above a gigantic bed clutching crimson velvet bed draperies in one pudgy fist and holding bows and arrows in the other; more cupids adorned the headboard. Elizabeth’s eyes widened, first in disbelief, and a moment later in mirth. “Berta,” she breathed on a smothered giggle, “will you look at this place!
Judith McNaught (Almost Heaven (Sequels, #3))
A husband is the only possible solution to your problems.” “Don’t you dare suggest a man as the solution for my troubles,” she cried. “You’re all the cause of them! My father gambled away the entire family fortune and left me in debt; my brother disappeared after getting me deeper in debt; you kissed me and destroyed my reputation; my fiancé left me at the first breath of a scandal you caused; and my uncle is trying to sell me! As far as I’m concerned,” she finished, spiting fire, “men make excellent dancing partners, but beyond that I have no use for the lot of you. You’re all quite detestable, actually, when one takes time to ponder it, which of course one rarely does, for it would only cause depression.
Judith McNaught (Almost Heaven (Sequels, #3))
Okay,” I finally said. “Can we all agree that this is maybe the most screwed-up situation we’ve ever found ourselves in?” “Agreed,” they said in unison. “Awesome.” I gave a little nod. “And do either of you have any idea what we should do about it?” “Well, we can’t use magic,” Archer said. “And if we try to leave, we get eaten by Monster Fog,” Jenna added. “Right. So no plans at all, then?” Jenna frowned. “Other than rocking in the fetal position for a while?” “Yeah, I was thinking about taking one of those showers where you huddle in the corner fully clothed and cry,” Archer offered. I couldn’t help but snort with laughter. “Great. So we’ll all go have our mental breakdowns, and then we’ll somehow get ourselves out of this mess.” “I think our best bet is to lie low for a while,” Archer said. “Let Mrs. Casnoff think we’re all too shocked and awed to do anything. Maybe this assembly tonight will give us some answers.” “Answers,” I practically sighed. “About freaking time.” Jenna gave me a funny look. “Soph, are you…grinning?” I could feel my cheeks aching, so I knew that I was. “Look, you two have to admit: if we want to figure out just what the Casnoffs are plotting, this is pretty much the perfect place.” “My girl has a point,” Archer said, smiling at me. Now my cheeks didn’t just ache, they burned. Clearing her throat, Jenna said, “Okay, so we all go up to our rooms, then after the assembly tonight we can regroup and decide what to do next.” “Deal,” I said as Archer nodded. “Are we all going to high-five now?” Jenna asked after a pause. “No, but I can make up some kind of secret handshake if you want,” Archer said, and for a second, they smiled at each other. But just as quickly, the smile disappeared from Jenna’s face, and she said to me, “Let’s go. I want to see if our room is as freakified as the rest of this place.” “Good idea,” I said. Archer reached out and brushed his fingers over mine. “See you later, then?” he asked. His voice was casual, but my skin was hot where he touched me. “Definitely,” I answered, figuring that even a girl who has to stop evil witches from taking over the world could make time for kissage in there somewhere. He turned and walked away. As I watched him go, I could feel Jenna starting at me. “Fine,” she acknowledged with a dramatic roll of her eyes. “He’s a little dreamy.” I elbowed her gently in the side. “Thanks.” Jenna started to walk to the stairs. “You coming?” “Yeah,” I said. “I’ll be right up. I just want to take a quick look around down here.” “Why, so you can be even more depressed?” Actually, I wanted to stay downstairs just a little longer to see if anyone else showed up. So far, I’d seen nearly everyone I remembered from last year at Hex Hall. Had Cal been dragged here, too? Technically he hadn’t been a student, but Mrs. Casnoff had used his powers a lot last year. Would she still want him here? To Jenna, I just said, “Yeah, you know me. I like poking bruises.” “Okay. Get your Nancy Drew on.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
The Dying Man" in memoriam W.B. Yeats 1. His words I heard a dying man Say to his gathered kin, “My soul’s hung out to dry, Like a fresh salted skin; I doubt I’ll use it again. “What’s done is yet to come; The flesh deserts the bone, But a kiss widens the rose I know, as the dying know Eternity is Now. “A man sees, as he dies, Death’s possibilities; My heart sways with the world. I am that final thing, A man learning to sing. 2. What Now? Caught in the dying light, I thought myself reborn. My hand turn into hooves. I wear the leaden weight Of what I did not do. Places great with their dead, The mire, the sodden wood, Remind me to stay alive. I am the clumsy man The instant ages on. I burned the flesh away, In love, in lively May. I turn my look upon Another shape than hers Now, as the casement blurs. In the worst night of my will, I dared to question all, And would the same again. What’s beating at the gate? Who’s come can wait. 3. The Wall A ghost comes out of the unconscious mind To grope my sill: It moans to be reborn! The figure at my back is not my friend; The hand upon my shoulder turns to horn. I found my father when I did my work, Only to lose myself in this small dark. Though it reject dry borders of the seen, What sensual eye can keep and image pure, Leaning across a sill to greet the dawn? A slow growth is a hard thing to endure. When figures our of obscure shadow rave, All sensual love’s but dancing on a grave. The wall has entered: I must love the wall, A madman staring at perpetual night, A spirit raging at the visible. I breathe alone until my dark is bright. Dawn’s where the white is. Who would know the dawn When there’s a dazzling dark behind the sun. 4. The Exulting Once I delighted in a single tree; The loose air sent me running like a child– I love the world; I want more than the world, Or after image of the inner eye. Flesh cries to flesh, and bone cries out to bone; I die into this life, alone yet not alone. Was it a god his suffering renewed?– I saw my father shrinking in his skin; He turned his face: there was another man, Walking the edge, loquacious, unafraid. He quivered like a bird in birdless air, Yet dared to fix his vision anywhere. Fish feed on fish, according to their need: My enemies renew me, and my blood Beats slower in my careless solitude. I bare a wound, and dare myself to bleed. I think a bird, and it begins to fly. By dying daily, I have come to be. All exultation is a dangerous thing. I see you, love, I see you in a dream; I hear a noise of bees, a trellis hum, And that slow humming rises into song. A breath is but a breath: I have the earth; I shall undo all dying with my death. 5. They Sing, They Sing All women loved dance in a dying light– The moon’s my mother: how I love the moon! Out of her place she comes, a dolphin one, Then settles back to shade and the long night. A beast cries out as if its flesh were torn, And that cry takes me back where I was born. Who thought love but a motion in the mind? Am I but nothing, leaning towards a thing? I scare myself with sighing, or I’ll sing; Descend O gentlest light, descend, descend. I sweet field far ahead, I hear your birds, They sing, they sing, but still in minor thirds. I’ve the lark’s word for it, who sings alone: What’s seen recededs; Forever’s what we know!– Eternity defined, and strewn with straw, The fury of the slug beneath the stone. The vision moves, and yet remains the same. In heaven’s praise, I dread the thing I am. The edges of the summit still appall When we brood on the dead or the beloved; Nor can imagination do it all In this last place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.
Theodore Roethke (The Collected Poems)
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell
All about the hills the hosts of Mordor raged. The Captains of the West were foundering in a gathering sea. The sun gleamed red, and under the wings of the Nazgul the shadows of death fell dark upon the earth. Aragorn stood beneath his banner, silent and stern, as one lost in thought of things long past or far away; but his eyes gleamed like stars that shine the brighter as the night deepens. Upon the hill-top stood Gandalf, and he was white and cold and no shadow fell on him. The onslaught of Mordor broke like a wave on the beleaguered hills, voices roaring like a tide amid the wreck and crash of arms. As if to his eyes some sudden vision had been given, Gandalf stirred; and he turned, looking back north where the skies were pale and clear. Then he lifted up his hands and cried in a loud voice ringing above the din: The Eagles are coming! And many voices answered crying: The Eagles are coming! The Eagles are coming! The hosts of Mordor looked up and wondered what this sign might mean. There came Gwaihir the Windlord, and Landroval his brother, greatest of all the Eagles of the North, mightiest of the descendants of old Thorondor, who built his eyries in the inaccessible peaks of the Encircling Mountains when Middle-earth was young. Behind them in long swift lines came all their vassals from the northern mountains, speeding on a gathering wind. Straight down upon the Nazgul they bore, stooping suddenly out of the high airs, and the rush of their wide wings as they passed over was like a gale. But the Nazgul turned and fled, and vanished into Mordor's shadows, hearing a sudden terrible call out of the Dark Tower; and even at that moment all the hosts of Mordor trembled, doubt clutched their hearts, their laughter failed, their hands shook and their limbs were loosed. The Power that drove them on and filled them with hate and fury was wavering, its will was removed from them; and now looking in the eyes of their enemies they saw a deadly light and were afraid. Then all the Captains of the West cried aloud, for their hearts were filled with a new hope in the midst of darkness. Out from the beleaguered hills knights of Gondor, Riders of Rohan, Dunedain of the North, close-serried companies, drove against their wavering foes, piercing the press with the thrust of bitter spears. But Gandalf lifted up his arms and called once more in a clear voice: 'Stand, Men of the West! Stand and wait! This is the hour of doom.' And even as he spoke the earth rocked beneath their feet. Then rising swiftly up, far above the Towers of the Black Gate, high above the mountains, a vast soaring darkness sprang into the sky, flickering with fire. The earth groaned and quaked. The Towers of the Teeth swayed, tottered, and fell down; the mighty rampart crumbled; the Black Gate was hurled in ruin; and from far away, now dim, now growing, now mounting to the clouds, there came a drumming rumble, a roar, a long echoing roll of ruinous noise. 'The realm of Sauron is ended!' said Gandalf. 'The Ring-bearer has fulfilled his Quest.' And as the Captains gazed south to the Land of Mordor, it seemed to them that, black against the pall of cloud, there rose a huge shape of shadow, impenetrable, lightning-crowned, filling all the sky. Enormous it reared above the world, and stretched out towards them a vast threatening hand, terrible but impotent: for even as it leaned over them, a great wind took it, and it was all blown away, and passed; and then a hush fell. The Captains bowed their heads...
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
Oft had I heard of Lucy Gray, And when I crossed the Wild, I chanced to see at break of day The solitary Child. No Mate, no comrade Lucy knew; She dwelt on a wide Moor, The sweetest Thing that ever grew Beside a human door! You yet may spy the Fawn at play, The Hare upon the Green; But the sweet face of Lucy Gray Will never more be seen. 'To-night will be a stormy night, You to the Town must go, And take a lantern, Child, to light Your Mother thro' the snow.' 'That, Father! will I gladly do; 'Tis scarcely afternoon -- The Minster-clock has just struck two, And yonder is the Moon.' At this the Father raised his hook And snapped a faggot-band; He plied his work, and Lucy took The lantern in her hand. Not blither is the mountain roe, With many a wanton stroke Her feet disperse the powd'ry snow That rises up like smoke. The storm came on before its time, She wandered up and down, And many a hill did Lucy climb But never reached the Town. The wretched Parents all that night Went shouting far and wide; But there was neither sound nor sight To serve them for a guide. At day-break on a hill they stood That overlooked the Moor; And thence they saw the Bridge of Wood A furlong from their door. And now they homeward turned, and cried 'In Heaven we all shall meet!' When in the snow the Mother spied The print of Lucy's feet. Then downward from the steep hill's edge They tracked the footmarks small; And through the broken hawthorn-hedge, And by the long stone-wall; And then an open field they crossed, The marks were still the same; They tracked them on, nor ever lost, And to the Bridge they came. They followed from the snowy bank The footmarks, one by one, Into the middle of the plank, And further there were none. Yet some maintain that to this day She is a living Child, That you may see sweet Lucy Gray Upon the lonesome Wild. O'er rough and smooth she trips along, And never looks behind; And sings a solitary song That whistles in the wind.
William Wordsworth (AmblesideOnline Poetry, Year 4, Terms 1, 2, and 3: Tennyson, Dickinson, and Wordsworth)
Christina walks out, bumping me with her shoulder as she leaves. Tris lifts her eyes to mine. “We should talk,” I say. “Fine,” she says, and I follow her into the hallway. We stand next to the door until everyone else leaves. Her shoulders are drawn in like she’s trying to make herself even smaller, trying to evaporate on the spot, and we stand too far apart, the entire width of the hallway between us. I try to remember the last time I kissed her and I can’t. Finally we’re alone, and the hallway is quiet. My hands start to tingle and go numb, the way they always do when I panic. “Do you think you’ll ever forgive me?” I say. She shakes her head, but says, “I don’t know. I think that’s what I need to figure out.” “You know…you know I never wanted Uriah to get hurt, right?” I look at the stitches crossing her forehead and I add, “Or you. I never wanted you to get hurt either.” She’s tapping her foot, her body shifting with the movement. She nods. “I know that.” “I had to do something,” I say. “I had to.” “A lot of people got hurt,” she says. “All because you dismissed what I said, because--and this is the worst part, Tobias--because you thought I was being petty and jealous. Just some silly sixteen-year-old girl, right?” She shakes her head. “I would never call you silly or petty,” I say sternly. “I thought your judgment was clouded, yes. But that’s all.” “That’s enough.” Her fingers slide through her hair and wrap around it. “It’s just the same thing all over again, isn’t it? You don’t respect me as much as you say you do. When it comes down to it, you still believe I can’t think rationally--” “That is not what’s happening!” I say hotly. “I respect you more than anyone. But right now I’m wondering what bothers you more, that I made a stupid decision or that I didn’t make your decision.” “What’s that supposed to mean?” “It means,” I say, “that you may have said you just wanted us to be honest with each other, but I think you really wanted me to always agree with you.” “I can’t believe you would say that! You were wrong--” “Yeah, I was wrong!” I’m shouting now, and I don’t know where the anger came from, except that I can feel it swirling around inside me, violent and vicious and the strongest I have felt in days. “I was wrong, I made a huge mistake! My best friend’s brother is as good as dead! And now you’re acting like a parent, punishing me for it because I didn’t do as I was told. Well, you are not my parent, Tris, and you don’t get to tell me what to do, what to choose--!” “Stop yelling at me,” she says quietly, and she finally looks at me. I used to see all kinds of things in her eyes, love and longing and curiosity, but now all I see is anger. “Just stop.” Her quiet voice stalls the anger inside me, and I relax into the wall behind me, shoving my hands into my pockets. I didn’t mean to yell at her. I didn’t mean to get angry at all. I stare, shocked, as tears touch her cheeks. I haven’t seen her cry in a long time. She sniffs, and gulps, and tries to sound normal, but she doesn’t. “I just need some time,” she says, choking on each word. “Okay?” “Okay,” I say. She wipes her cheeks with her palms and walks down the hallway. I watch her blond head until it disappears around the bend, and I feel bare, like there’s nothing left to protect me against pain. Her absence stings worst of all.
Veronica Roth (Allegiant (Divergent, #3))
There now,” she said to the flowers in an encouraging tone, “you have food and air. You’ll be very happy and pretty in no time.” “Are you talking to the flowers?” Ian asked from behind her. Elizabeth started and turned around on an embarrassed laugh. “They like it when I talk to them.” Knowing how peculiar that sounded, she reinforced it by adding, “Our gardener used to say all living things need affection, and that includes flowers.” Turning back to the garden, she shoveled the last of the compost around the flowers, then she stood up and brushed off her hands. Her earlier ruminations about him had abolished so much of her antagonism that as she looked at him now she was able to regard him with perfect equanimity. It occurred to her, though, that it must seem odd to him that a guest was rooting about in his garden like a menial. “I hope you don’t mind,” she said, nodding toward the garden, “but the flowers couldn’t breathe with so many weeds choking them. They were crying out for a little room and sustenance.” An indescribable expression flashed across his face. “You heard them?” “Of course not,” Elizabeth said with a chuckle. “But I did take the liberty of fixing a special meal-well, compost, actually-for them. It won’t help them very much this year, but next year I think they’ll be much happier…” She trailed off, belatedly noticing the worried look he gave the flowers when she mentioned fixing them “a meal.” “You needn’t look as if you expect them to collapse at my feet,” she admonished, laughing. “They’ll fare far better with their meal than we did with ours. I am a much better gardener than I am a cook.” Ian jerked his gaze from the flowers, then looked at her with an odd, contemplative expression. “I think I’ll go inside and clean up.” She walked away without looking back, and so she did not see Ian Thornton turn halfway around to watch her.
Judith McNaught (Almost Heaven (Sequels, #3))
Sitting with some of the other members of the Scholastic Decathlon team, quiet, studious Martha Cox heard snatches of the lunchtime poetry. Her ears instantly pricked up. "What's going on?" she asked, her eyes bright. Betty Hong closed her book and leaned close. "Taylor McKessie told me all about it," she whispered. Betty told Martha about next week's poetry-reading assembly and how Taylor was trying to help half the starting basketball team locate their muse. "That's totally fresh!" Martha cried. "Too bad I'm not in Ms Barrington's English class." Betty made a face. "You like poetry stuff? I thought you were into maths and science." "I like it all," Martha replied. "I love astronomy and hip-hop-" Betty rolled her eyes. "Not hip-hop again." "Word, girl," Martha replied. "You know I've been bustin' out kickin' rhymes for years. It helps me remember lessons, like last night's astronomy lecture." "No," Betty said. "You didn't make up a rap to that." "Just watch," Martha cried. Leaping out of her chair, she began to chant, freestyle: "At the centre of our system is the molten sun, A star that burns hot, Fahrenheit two billion and one. But the sun, he ain't alone in the heavenly sphere, He's got nine homeys in orbit, some far, some near. Old Mercury's crowding in 'bout as close as he can, Yo, Merc's a tiny planet who loves a tan.... Some kids around Martha heard her rap. They really got into it, jumping up from their tables to clap and dance. The beat was contagious. Martha started bustin' some moves herself. She kept the rap flowing, and more kids joined the party.... "Venus is next. She's a real hot planet, Shrouded by clouds, hot enough to melt granite. Earth is the third planet from the sun, Just enough light and heat to make living fun. Then comes Mars, a planet funky and red. Covered with sand, the place is pretty dead. Jupiter's huge! The largest planet of all! Saturn's big, too, but Uranus is small. So far away, the place is almost forgotten, Neptune's view of Earth is pretty rotten. And last but not least, Pluto's in a fog, Far away and named after Mickey's home dog. Yo, that's all the planets orbiting our sun, But the Milky Way galaxy is far from done!" When Martha finished her freestyle, hip-hop flow, the entire cafeteria burst into wild applause. Troy, Chad, Zeke, and Jason had been clapping and dancing, too. Now they joined in the whooping and hollering. "Whoa," said Chad. "Martha's awesome.
Alice Alfonsi (Poetry in Motion (High School Musical: Stories from East High, #3))
I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night. “Because my cave’s better than their cave.” “You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.” “I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance. When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.” He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?” “Mine has bats.” She breathed, “If I stick with you, I’ll have nothing but the best.” “Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side. Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts. She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.” “Or I could help you.” “I’ve had a bit of practice bathing myself and think I can stumble my way through this.” “But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.” “You give me privacy or I go without.” “Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
Evie shook her head in confusion, staring from her husband’s wrathful countenance to Gully’s carefully blank one. “I don’t understand—” “Call it a rite of passage,” Sebastian snapped, and left her with long strides that quickly broke into a run. Picking up her skirts, Evie hurried after him. Rite of passage? What did he mean? And why wasn’t Cam willing to do something about the brawl? Unable to match Sebastian’s reckless pace, she trailed behind, taking care not to trip over her skirts as she descended the flight of stairs. The noise grew louder as she approached a small crowd that had congregated around the coffee room, shouts and exclamations renting the air. She saw Sebastian strip off his coat and thrust it at someone, and then he was shouldering his way into the melee. In a small clearing, three milling figures swung their fists and clumsily attempted to push and shove one another while the onlookers roared with excitement. Sebastian strategically attacked the man who seemed the most unsteady on his feet, spinning him around, jabbing and hooking with a few deft blows until the dazed fellow tottered forward and collapsed to the carpeted floor. The remaining pair turned in tandem and rushed at Sebastian, one of them attempting to pin his arms while the other came at him with churning fists. Evie let out a cry of alarm, which somehow reached Sebastian’s ears through the thunder of the crowd. Distracted, he glanced in her direction, and he was instantly seized in a mauling clinch, with his neck caught in the vise of his opponent’s arm while his head was battered with heavy blows. “No,” Evie gasped, and started forward, only to be hauled back by a steely arm that clamped around her waist. “Wait,” came a familiar voice in her ear. “Give him a chance.” “Cam!” She twisted around wildly, her panicked gaze finding his exotic but familiar face with its elevated cheekbones and thick-lashed golden eyes. “They’ll hurt him,” she said, clutching at the lapels of his coat. “Go help him— Cam, you have to—” “He’s already broken free,” Cam observed mildly, turning her around with inexorable hands. “Watch— he’s not doing badly.” One of Sebastian’s opponents let loose with a mighty swing of his arm. Sebastian ducked and came back with a swift jab. “Cam, why the d-devil aren’t you doing anything to help him?” “I can’t.” “Yes, you can! You’re used to fighting, far more than he—” “He has to,” Cam said, his voice quiet and firm in her ear. “He’ll have no authority here otherwise. The men who work at the club have a notion of leadership that requires action as well as words. St. Vincent can’t ask them to do anything that he wouldn’t be willing to do himself. And he knows that. Otherwise he wouldn’t be doing this right now.” Evie covered her eyes as one opponent endeavored to close in on her husband from behind while the other engaged him with a flurry of blows. “They’ll be loyal to him only if he is w-willing to use his fists in a pointless display of brute force?” “Basically, yes.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Clary held her hands up. 'I do get it. I know you don’t like me, Isabelle. Because I’m a mundane to you.' 'You think that’s why—' Isabelle broke off, her eyes bright; not just with anger, Clary saw with surprise, but with tears. “God, you don’t understand anything, do you? You’ve known Jace what, a month? I’ve known him for seven years. And all the time I’ve known him, I’ve never seen him fall in love, never seen him even like anyone. He’d hook up with girls, sure. Girls always fell in love with him, but he never cared. I think that’s why Alec thought—” Isabelle stopped for a moment, holding herself very still. She’s trying not to cry, Clary thought in wonder—Isabelle, who seemed like she never cried. “It always worried me, and my mom, too—I mean, what kind of teenage boy never even gets a crush on anyone? It was like he was always half-awake where other people were concerned. I thought maybe what had happened with his father had done some sort of permanent damage to him, like maybe he never really could love anyone. If I’d only known what had really happened with his father—but then I probably would have thought the same thing, wouldn’t I? I mean, who wouldn’t have been damaged by that?' 'And then we met you, and it was like he woke up. You couldn’t see it, because you’d never known him any different. But I saw it. Hodge saw it. Alec saw it—why do you think he hated you so much? It was like that from the second we met you. You thought it was amazing that you could see us, and it was, but what was amazing to me was that Jace could see you, too. He kept talking about you all the way back to the Institute; he made Hodge send him out to get you; and once he brought you back, he didn’t want you to leave again. Wherever you were in the room, he watched you…. He was even jealous of Simon. I’m not sure he realized it himself, but he was. I could tell. Jealous of a mundane. And then after what happened to Simon at the party, he was willing to go with you to the Dumort, to break Clave Law, just to save a mundane he didn’t even like. He did it for you. Because if anything had happened to Simon, you would have been hurt. You were the first person outside our family whose happiness I’d ever seen him take into consideration. Because he loved you.' Clary made a noise in the back of her throat. 'But that was before—' 'Before he found out you were his sister. I know. And I don’t blame you for that. You couldn’t have known. And I guess you couldn’t have helped that you just went right on ahead and dated Simon afterward like you didn’t even care. I thought once Jace knew you were his sister, he’d give up and get over it, but he didn’t, and he couldn’t. I don’t know what Valentine did to him when he was a child. I don’t know if that’s why he is the way he is, or if it’s just the way he’s made, but he won’t get over you, Clary. He can’t. I started to hate seeing you. I hated for Jace to see you. It’s like an injury you get from demon poison—you have to leave it alone and let it heal. Every time you rip the bandages off, you just open the wound up again. Every time he sees you, it’s like tearing off the bandages.' 'I know,' Clary whispered. “How do you think it is for me?” 'I don’t know. I can’t tell what you’re feeling. You’re not my sister. I don’t hate you, Clary. I even like you. If it were possible, there isn’t anyone I’d rather Jace be with. But I hope you can understand when I say that if by some miracle we all get through this, I hope my family moves itself somewhere so far away that we never see you again.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Run!” Helena cried and ran down the staircase. Maryse took the steps two at a time, passing Helena on the way, and almost fell as she hit the foyer floor. The scream of police sirens was far too close for comfort, and Maryse struggled to pick up the pace. Skidding on the polished wood, she dashed around the corner and onto the textured tile in the kitchen, where her shoes had a much better grip and she picked up some speed. She ran into the laundry room, shoving down the window where she’d entered the house. Then she rushed out the side door, locking it before she slammed it behind her. She made for the huge hedge of bushes that separated Helena
Jana Deleon (Ghost-in-Law Series 1-3 Boxset)
Borderlands, Call of Duty, Far Cry... You got any of those, Charlie?
Sean Michael (And Manny Makes Seven (Mannies Incorporated, #3))
They knew what gunfire meant better than anyone. Some were crying by the time they reached the exit and stepped outside into the afternoon air. The sun was already descending in the sky, leaving shadows crawling across the valley floor. Not daring to look behind her, Khalia’s eyes fixed on her target, the emergency bunker. Across the expanse of lush green grass before her, the beckoning hillside seemed impossibly far away. A warning prickle began at her nape, as if someone had her in their sights and was taking aim at her. More shots erupted from the hills behind them. The lead group broke
Kaylea Cross (Titanium Security Series Box Set: Volume I (Titanium Security, #1-3))
She stood alone in the blustery wind, as cold in her heart as she was in her fingertips. Finally, moving like an old woman, she got on her mustang and started for home. A home without enough grass. A home with cattle so far from her cabin, it would be a life-and-death struggle to get to them through the winter. A home so lonely that Bailey, a woman who didn't cry let the wind cry for her.
Mary Connealy (Fire and Ice (Wild at Heart, #3))
Tam let his hand drop to his neck and slowly circled his fingers around it. It was a free, gentle touch and Casen knew that if he asked him not to, he would remove his hand and nothing would change. He couldn't get the words out; it wasn't the touch he had a problem with, it was the far away look in Tam's eyes that said he wasn't in the room anymore. The look that suggested he was lying on the ground, as the rain fell in buckets and a stranger knelt over him, trying to keep him awake. Casen blinked and looked away, as the urge to cry for that lost look threatened.
Elaine White (Right Kind of Wrong (Decadent, #3))
Lora shrank back in the seat, cringing. She didn’t want to belong to any man. Did he actually think she would go for that idea? Her gaze furious, she opened her mouth to respond, but he held up a hand. “I’m sorry, Lora. We’ll come up with another story. No big deal.” She looked at his clamped jaw and realized he was offended. Why the hell would he…her eyes fell to his left hand, hidden at his side. Ah. He had scars on that side of his neck, too, and she wondered for the first time how far down they reached. It had to have been incredibly painful, what he’d gone through. Chad had put himself out there to help her, help them both actually, and she’d cut him off at the knees. Shame fought with her instinct to protect herself at all cost. “I can’t…I don’t know that I would be able to fake being with you. Physically, I mean.” If anything, his jaw hardened even more. “No problem,” he snapped. She clenched her fists and gave a sharp cry, frustrated that she’d hurt him even more. “I can’t do physical. Me. I can’t do that.” Some of the tension went out of the fist clutching the steering wheel and he glanced at her. “Okay. I can understand that. We’ll come up with something else then.” Lora
J.M. Madden (Embattled Home (Lost and Found, #3))
The girl in the mirror begins to cry, feeling so far from normal, it hurts to even breathe.
Katherine Owen (Tell Me Something True (Truth in Lies, #3))
The door slapped shut, sound echoing as Derek marched across the yard, dead on target. I looked around, desperate for an escape route, but there was none. Go forward and deal with Derek, or run back toward Simon and have to deal with both of them. I kept walking. "Where's Simon?" he snapped. Relief washed through me. I didn't trust myself to speak, so I just pointed back to the woods. "He left you? Out here? At night?" "He dropped something," I mumbled, trying to get past him. "He isn't far." Without a sound, he was right in front of me, blocking my path "You're crying?" he said. "No, I—" I tore my gaze away. "Just dust. From the path. Simon's that way." I tried to pass him, but he stooped, trying to get a look at my face. When i wouldn't let him, he caught my chin. I jerked back, flinching at his touch, heart thudding at it, too. I told myself Simon was wrong. I'd never be dumb enough to fall for Derek. But I had. With him so close, my stomach kept doing weird little flips. It wasn't fear. It hadn't been fear for a while. "You've have been crying," he said, voice softer. Then his breath caught, the growl coming back as he snapped, "What did Simon—?" He bit off the words, cheeks reddening like he was embarrassed even to think Simon might be responsible.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
This was a far cry from the incident room Yorke was sitting in less than an hour ago. He preferred it.
Wes Markin (DCI Yorke Boxset #1-3)
Flatlanders,” Huggins said. “That’s the third group so far tonight. Nine times out of ten, when we’re called for search and rescue, it’s one of them. I don’t go down to the city and get lost and make them come looking for me. I don’t see why they can’t return the favor.” He looked at Clare. “You’re from away, too, aren’t you?
Julia Spencer-Fleming (Out of the Deep I Cry (Rev. Clare Fergusson & Russ Van Alstyne Mysteries, #3))
Come on, Melinda. You can’t avoid it forever. We both know you’re pregnant.” “Ugh,” she said, accepting the cool, wet cloth. She pressed it to her face, her brow, her neck. She didn’t have any more to say. But Jack knew. There had been tears, exhaustion, nausea. She turned watering eyes up to him. He shrugged and said, “You eased up on the breast-feeding, popped an egg and I nailed it.” Her eyes narrowed as if to say she did not appreciate the explanation. He held out a hand to bring her to her feet. “You have to wean David,” he said. “Your body can’t completely nourish two children. You’ll get weak. You’re already exhausted.” “I don’t want to be pregnant right now,” she said. “I’m barely over being pregnant.” “I understand.” “No, you don’t. Because you haven’t ever been pregnant.” He thought this would probably be a bad time to tell her that he did so understand, since he had lived with a pregnant person and listened very attentively to every complaint. “We should go see John right away, so you can find out how pregnant.” “How long have you suspected?” she asked him. “I don’t know. A few weeks. It was a little tougher this time….” “Oh, yeah?” “Well, yeah. Since you haven’t had a period since the first time I laid a hand on you. God, for a supposedly sterile woman, you certainly are fertile.” Then he grinned, fully aware it would have got him smacked if he hadn’t been holding the baby. She whirled away from him and went to sit on their bed. She put her face in her hands and began to cry. Well, he’d been expecting exactly this. There’d been a lot of crying lately and he knew she was going to be mighty pissed off. He sat down beside her, put an arm around her and pulled her close. David patted her head. “It’s going to be okay,” he said. “I’m not delivering this one. I want that understood.” “Try not to be cute,” she said through her tears. “I think my back already hurts.” “Can I get you something? Soda? Crackers? Arsenic?” “Very funny.” She turned her head to look at him. “Are you upset?” He shook his head. “I’m sorry it happened so soon. Sorry for you. I know there are times you get damned uncomfortable and I wanted you to get a break.” “I should never have gone away with you.” “Nah. You were already pregnant. Wanna bet?” “You knew before that?” “I wondered why you were so emotional, and that was a possible reason. I never bought your whole sterile thing. But I don’t have a problem with it. I wanted more kids. I like the idea of a larger family than the three of us. I come from a big family.” “There will not be five, I can guarantee you that,” she said. Then she bored a hole through him with her eyes. “Snip, snip.” “You’re not going to blame this on me, Mel. I suggested birth control. A couple of times, as a matter of fact. You were the one said it could never happen twice. And then explained that whole business about not ovulating while you’re nursing. How’s that working for you so far? Hmm?” “Screw you,” she said, not sweetly. “Well, obviously…” “I’d like you to understand I wasn’t relying on that breast-feeding thing. I’m a midwife—I know that’s not foolproof. I really didn’t think it possible that… Shit,” she said. She sighed deeply. “I just barely got back into my jeans….” “Yeah, those jeans. Whoa, damn. Those jeans really do it to me. No one wears a pair of jeans like you do.” “Aren’t you getting a little sick of having a fat wife?” “You’re not fat. You’re perfect. I love your body, pregnant and unpregnant. I know you’re trying to get me all worked up, but I’m not going there. You can try to pick a fight with me all day and I just won’t play. It wouldn’t be a fair fight—you’re out to get me and we both know it. Do you have appointments this morning?” “Why?” “Because I want to go to Grace Valley for an ultrasound. I want to know when I have to have the house done.” *
Robyn Carr (Whispering Rock (Virgin River, #3))
Louisa?” The gentleness in his voice was unnerving. “Are you unharmed?” She nodded, but it was a lie. If Joseph hadn’t come along, then that crowd would have seen far, far worse than a disarranged dress or Grattingly dusting dirt off his satin-clad arse. “You’re shaking.” Sir Joseph handed her a handkerchief. “Next come the chills. Sometimes I’d cast up my accounts too. Once, to my unending horror, I cried. Fortunately, only my horse witnessed that indignity.” “Grattingly has been trying to kiss you too?” “Good girl.” How could a man put such approval and warmth into two stupid words? “Care for a nip?” “Your special brew?” He passed her his flask. “Nothing else is quite as effective. I have to ask again, Louisa: Are you unharmed?” “I’ll have some bruises. Did you follow us in here?” “I did not. I came here for the warmth and quiet.” He
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Gabriel leaned his cheek against Jared’s shoulder. “I love you,” he whispered, his voice tight with emotion. Jared closed his eyes. “Don’t.” Gabriel wrapped his other arm around Jared’s waist. “You can’t say I don’t feel it only because I don’t want you that way. I—” His voice thickened. “I love you in every way that matters. I love you so much it fucking scares me.” His voice dropped, becoming barely audible. “I shouldn’t love you more than Jules and Claire.” “Don’t be silly. You don’t love me more than them.” The laugh that left Gabriel’s lips was strained. “Jules had blue eyes and dark hair at birth, you know. Claire told me the eye and hair color might change, but I didn’t believe it. But then they started changing and I…I was so disappointed. I felt so bad about it, you have no idea. I tried to hide it from Claire, didn’t want to upset her, but somehow she knew and she got so mad. We had a huge fight. She yelled at me that I should have let you knock me up if I wanted a son that looks like you.” Christ. “It’s not at all like I imagined,” Gabriel said quietly into his shoulder. His fingers played with the buttons of Jared’s shirt. “I used to think having a family would be amazing, but—but it’s not. The baby cries all the time, and Claire…we’ve been fighting off and on. About little things, things like we think the other said something and we take it the wrong way—minor things like that, but lately it’s been worse. Much worse. I’m not even sure why. Everything just feels wrong and pointless, you know? It sounds horrible, but sometimes…sometimes I wish they would both disappear. And then I feel like such an asshole.” Jared put a hand over Gabriel’s and stroked his knuckles. Sighing, Gabriel twined their fingers together. Jared stared blankly at the carpet, wondering how a person who could never be truly his could feel so right. The simple act of holding Gabriel’s hand was far more satisfying than it had any right to be. It fit perfectly in his.
Alessandra Hazard (Just a Bit Unhealthy (Straight Guys #3))
Make no mistake. Women are far more dangerous than men. We’re just less obvious about it.
M.M. Chouinard (Her Daughter's Cry (Detective Jo Fournier #3))
Among the properties that belong to you are a pair of lungs. The Internet tells me (for free again) that those lungs emit 2.3 pounds of carbon dioxide a day. Multiply by world population and that’s 17.25 trillion pounds of carbon dioxide, which is much more than the 209 billion pounds of carbon dioxide that burning fossil fuels emits daily.
P.J. O'Rourke (A Cry from the Far Middle: Dispatches from a Divided Land)
I didn’t stop him when he tipped my head up and pressed his lips to mine in a gentle gesture. However, Kale knew better than to take it too far. The kiss was nice but chaste. It ended as quickly as it started. He really was a terrific friend.
Trina M. Lee (Only Vampires Cry Blood (Alexa O'Brien, Huntress, #3))
A 2006 review covered nineteen studies of the unfortunately named “Extinction” method—the form of “cry it out” in which you leave and do not return—of which seventeen showed improvements in sleep.3 Another fourteen studies used “Graduated Extinction”—where you come in to check on the baby at increasingly lengthy intervals—and all showed improvements. A smaller number of studies covered “Extinction with Parental Presence”—in which you stay in the room but let the child cry—and these also showed positive effects. These effects persist through six months or a year in studies that can look this far out. This means that children who are sleep trained are sleeping better (on average) even a year after the training.
Emily Oster (Cribsheet: A Data-Driven Guide to Better, More Relaxed Parenting, from Birth to Preschool (The ParentData Series Book 2))
You seem to be very composed for someone who just went through a traumatic experience. Do you get kidnapped often?” No, I wouldn’t say often. Only twice so far, but I don’t plan on sharing that detail. Maybe I should have cried, but well, that ship has sailed. “I . . . I’m very good at functioning under pressure.” He smiles. “Indeed.
Neva Altaj (Hidden Truths (Perfectly Imperfect, #3))
Songs that felt like Wyatt: “Iris” by Goo Goo Dolls “A Murder of One” by Counting Crows “Take It Easy on Me” by Little River Band “Hold You in My Arms” by Ray LaMontagne “Wild Horses” by The Rolling Stones “Thinking Out Loud” by Ed Sheeran “Yellow” by Coldplay Songs that took me to the beach: “Watermelon Sugar” by Harry Styles “Sunshine on My Shoulders” by John Denver “Wouldn’t It Be Nice” by The Beach Boys Songs to make Sam cry: “Who Knew” by Pink “Wrecking Ball” by Miley Cyrus “1 Step Forward, 3 Steps Back” by Olivia Rodrigo “So Far Away” by Carole King “Romeo and Juliet” by Dire Straits “Stay” by Rihanna “Sam, I Am” by Missy McGee
Annabel Monaghan (Same Time Next Summer)
I couldn’t stop staring at his cock. I hadn’t looked away since it’d appeared. “Mmhmm?” “Close your mouth, sweetheart, unless that’s where you want me putting this.” I glanced up as he joined me on the bed. “Could you talk less? Your cock looks bigger when you’re quiet.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
It's not that hard, sweetheart. You tell me what you want, I give it to you." "Haven't I told you to shut up? You're the most conversational dick appointment I've ever had," she hissed. "It's a tragedy I don't carry ball gags with me anymore.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
I don’t want you to go, Brooke.” Resentful, overwhelmed, significant tears streaked down my cheeks and I turned my face toward his arm. “You don’t get to say things like that.” “Why not?” he asked, his lips skating over my neck, my shoulder. “You’re allowed to hate me just as much as I’m allowed to want you. It’s always been that way.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
You’ve let me inside you, but not to any of the places that matter.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
Oh my god, Annette. Can we talk about sex now? Please. There are so many things I want to tell you. Is Jackson licking your ass? If not, go home and ask for that, pronto. You can thank me later.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
To women.” Jackson tapped his glass against mien. “And their red flags.” “And the bulls who love them,” I added. “Too right,” he murmured into his tea.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
The Good witch wasn’t good, was she? It was an act and she had the right look for it.” “And the Wicked Witch wasn’t wicked, honey. She’d jut taken too much of everyone’s shit to play nice anymore.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
This place called me home. I’m not sure of much, but I think it might’ve called you too.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
You have to stop with that face…” “Which face?” “The one that’s a cross between wanting to suck a dick and snatch a soul.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
That woman is a motherfucking force to be reckoned with and I love her.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
I don’t know what I’m doing and it scares the hell out of me, but I know I love you.” Raw, fragile honesty from this woman was like a shooting star. I kissed her then because come the fuck on, how could I not? “That’s all you need to know.
Kate Canterbary (Far Cry (Talbott's Cove, #3))
The me right now who's begun thinking these things makes me nervous. I wonder if the other me would cry. This present moment is far too kind. I wonder if the other me is scared- afraid the moment will be lost or destroyed. Afraid of it ending... See? My thoughts always go straight to that. I get so annoyed at myself for doing that, and I hate myself for it. I always want to cut that part of myself off and throw it away. I want to be a bright person who's always laughing... I'm going to take her with me. I won't throw her away. I won't forget her. From now on, we'll be together. That's how...we'll start again. One step at a time.
Natsuki Takaya (Twinkle Stars, Vol. 3 (Twinkle Stars Omnibus #3))
And then I started seeing it everywhere I looked. Everywhere I looked, all these fucking pricks, everywhere I looked, doing the exact same fucking thing, over and over and over and over and over again. Thinking ‘This time, it’s gonna be different. No, no, no please! This time it’s gonna be different.
Vaas
Did I ever tell you what the definition of insanity is? Insanity is doing the exact same fucking thing over and over again, expecting shit to change. That is crazy.
Vaas
The U.S. federal recommendation for fiber intake is at least 14 g per 1,000 calories, which comes out to about 25 g a day for women and 38 g a day for men.7519 Even though that’s a far cry from the 100 g our body was designed to get (based on the diets of isolated modern-day hunter-gatherer tribes7520 and analyzing coprolites, human fossilized feces7521), fewer than 3 percent of Americans even reach the minimal minimum recommendation.
Michael Greger (How Not to Age: The Scientific Approach to Getting Healthier as You Get Older)
She hadn’t made it far when a whoop drew her attention from rehearsing her excuses to Fallon about where she’d been.   She turned to find herself lifted off her feet in a back-breaking hug, a hulk of a man grinning down at her.   “Eamon!” she cried in surprised delight.   “Lass, you have no idea how happy I am to see you,” he said.   Shea wrapped him in a hug and held tight.   Buck popped up next to them. “Is this a group hug?” He didn’t wait for a response, wrapping his arms around them both.   “You know, if the warlord sees this, he’s going to kill you both,” Trenton drawled.   Buck leaped back, a cocky grin on his face.   “What? You don’t think he’d make an exception for one of the Badlands’ heroes?” Buck asked, referencing how he and the other’s who’d gone on the mission were now called.   Trenton gave him a wry look. “Considering he’s threatened to kill me at least twice a day since we’ve been back, I’m not sure how much weight your new title will carry with him.
T.A. White (Wayfarer's Keep (The Broken Lands, #3))
Was this what death was like? A drifting away from the mundane, each silver thread of connection breaking one by one, until earthly life no longer meant anything and the cries of grief that tugged at you became thin and insignificant as the far songs of birds?
Storm Constantine (The Way of Light (The Chronicles of Magravandias, #3))
Morning, July 3 "The ill favored and leanfleshed kine did eat up the seven wellfavored and fat kine." Genesis 41:4 Pharaoh's dream has too often been my waking experience. My days of sloth have ruinously destroyed all that I had achieved in times of zealous industry; my seasons of coldness have frozen all the genial glow of my periods of fervency and enthusiasm; and my fits of worldliness have thrown me back from my advances in the divine life. I had need to beware of lean prayers, lean praises, lean duties, and lean experiences, for these will eat up the fat of my comfort and peace. If I neglect prayer for never so short a time, I lose all the spirituality to which I had attained; if I draw no fresh supplies from heaven, the old corn in my granary is soon consumed by the famine which rages in my soul. When the caterpillars of indifference, the cankerworms of worldliness, and the palmerworms of self-indulgence, lay my heart completely desolate, and make my soul to languish, all my former fruitfulness and growth in grace avails me nothing whatever. How anxious should I be to have no lean-fleshed days, no ill-favored hours! If every day I journeyed towards the goal of my desires I should soon reach it, but backsliding leaves me still far off from the prize of my high calling, and robs me of the advances which I had so laboriously made. The only way in which all my days can be as the "fat kine," is to feed them in the right meadow, to spend them with the Lord, in His service, in His company, in His fear, and in His way. Why should not every year be richer than the past, in love, and usefulness, and joy?--I am nearer the celestial hills, I have had more experience of my Lord, and should be more like Him. O Lord, keep far from me the curse of leanness of soul; let me not have to cry, "My leanness, my leanness, woe unto me!" but may I be well-fed and nourished in thy house, that I may praise thy name.
Charles Haddon Spurgeon (MORNING AND EVENING: DAILY READINGS)
Likes, however, is a far cry from loves,” Daphne pointed out. “Not so very far.” Artemis spoke as though from great experience. Still lying on her back, she held her hands up, counting off on her fingers. “‘Notices’ comes first, followed by ‘is interested in.’ Then comes ‘likes.’ Then ‘thoroughly likes.’ Next is ‘desperately likes.’ Then the only step left is ‘loves.’” Artemis clasped her hands together and allowed them to sink back down against her heart. She sighed rather too loudly. “You are only two steps from ‘loves,’ Daphne.
Sarah M. Eden (Romancing Daphne (The Lancaster Family, #3))
He just hadn’t found all these pieces while he was alive, but in death, he had access to and knowledge of all the things that had been too far-flung or hidden for him to find before. Thank you, thank you, thank you, Ronan thought. He could cry from it, such relief, such relief. He
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
I slept far more heavily than I had expected or intended, waking when the room was dark. Surprised that Luke hadn’t made a sound, I reached for him and felt a thrill of panic as my hand found nothing but empty space. “Luke!” I scrambled upward, gasping. “Hey . . .” Jack entered the room and turned on the light. “Easy. It’s okay, Ella.” His voice was soothing and soft. “The baby woke up before you did. I took him to the other room to let you get a little more sleep. We’ve been watching a game.” “Did he cry?” I asked thickly, rubbing my eyes. “Only when he realized the Astros were having another first-round play-off flameout. But I told him there’s no shame in crying over the Astros. It’s how we Houston guys bond.” -Ella & Jack
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Revelation also makes reference to the location of the Daughter of Babylon in relation to the world’s navigable waters: “Every sea captain, and all who travel by ship, the sailors, and all who earn their living from the sea, will stand far off. When they see the smoke of her burning, they will exclaim, ‘Was there ever a city like this great city?’ They will throw dust on their heads, and with weeping and mourning cry out: ‘Woe! Woe, O great city, where all who had ships on the sea became rich through her wealth! In one hour she has been brought to ruin! (Revelation 18:17 and 19). “…and the merchants of the earth grew rich from her excessive luxuries.” (Revelation 18:3b)
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
Here are just two stand-out facts from a major study in the Annals of Epidemiology entitled ‘Vitamin D for Cancer Prevention.’[3] “Women with higher solar UVB exposure had only half the incidence of breast cancer as those with lower solar exposure.” “Men with higher residential solar exposure had only half the incidence rate of fatal prostate cancer.” To put that in simple English, if you spend longer in the sun, you may be far less likely to die of breast and prostate cancer (and lots of other cancers as well, but more on cancer later). But what about the increased risk of dying of skin cancer! I hear you cry. Well, what of it? Around 2,000 people a year die of malignant melanoma in the UK each year. If increased sun exposure were to double this figure, we would have 2,000 more cases. On the other hand, breast cancer kills around 20,000 a year, as does prostate cancer. If we managed to halve the rate of breast and prostate cancer, we would reduce cancer deaths by 20,000 a year. Which is ten times as great any potential increase in deaths from malignant melanoma.
Malcolm Kendrick (Doctoring Data: How to sort out medical advice from medical nonsense)
Follow my lead," De murmured. "We will head for the hills to the west, as far from this battle as our horses can take us." He freed one of the horses from the chariot and guided it to Luce. The horse was stunning, black as coal, with a diamond-shaped white patch on its chest.De helped Luce into the saddle and held up the king's halberd in one hand and a crossbow in the other.Luce had never fired or even touched a crossbow in her life,and Lu Xin had only used one once,to scare a lynx away from her baby sister's crib.But the weapon felt light in Luce's hand,and she knew if it came down to it,she could fire it. De smiled at her choice and whistled for his horse. A beautiful brindle mare trotted over.He hopped onto its back. "De! What are you doing?" an alarmed voice called from the line of the horses. "You were to kill the king! Not mount him on one of our horses!" "Yes! Kill the king!" a chorus of angry voices called. "The king is dead!" Luce shouted, silencing the soldiers. The feminine voice behind the helmet brought gasps from all of them. They stood frozen, uncertain whether to raise their weapons. De drew his horse close to Luce's. He took her hands in his.They were warmer and stronger and more reassuring than anything she'd ever felt. "Whatever happens,I love you.Our love is worth everything to me." "And to me," Luce whispered back. De let out a battle cry,and their horses took off at a breakneck pace. The crossbow nearly slipped out of Luce's grasp as she lurched forward to clutch the reins. Then the rebel soldiers began to shout. "Traitors!" "Lu Xin!" De's voice rose above the shrillest cry,the heaviest horse's hoof. "Go!" He raised his arm high, pointing toward the hills.
Lauren Kate (Passion (Fallen, #3))
Doral used to be swampland, but now Carnival Cruise Lines and one of the major Miami papers makes it their home. Everyone who knows Florida well enough calls it Doralzula because so many Venezuelans live there. Rich Venezuelans, the beneficiaries of the old “re-distribute the wealth” scam of socialism, which fails repeatedly and consistently — though this fact is rarely ever mentioned in the media — around the globe. Once they had theirs, of course, they were off to the land of plenty, leaving the masses to wallow in poverty, under corrupt iron rule, while they golfed and ate at fine restaurants and bought exotic cars and slept with beautiful women who could be bought with luxury. Perhaps there was love sometimes, too, but I was always skeptical of any woman under forty wearing designer clothes. The far left loves countries like Cuba, and Venezuela, never taking note of the conditions, the poverty, or the people trying to get out and have a better life; most of whom will never make it to those golden shores of Florida. They are the first to cry over the oppressed, the victimized, the impoverished, as though they are their champion. Unless, of course, those unfortunate folks live in a country in line with their hard-left-leaning ideology, then they are willing to ignore their plight completely. There is no hypocrisy so bald as that of the liberal do-gooder. Talk to a real Venezuelan, or better yet, a Cuban refugee who’d made it to Miami, and ask them how it is there. After you do you will roll your eyes at the next liberal trying to convince you the time has come to embrace these countries.
Bobby Underwood (Eight Blonde Dolls (Seth Halliday #3))
38 Then the Lord spoke to Job out of the storm. He said: 2 “Who is this that obscures my plans with words without knowledge? 3 Brace yourself like a man; I will question you, and you shall answer me. 4 “Where were you when I laid the earth’s foundation? Tell me, if you understand. 5 Who marked off its dimensions? Surely you know! Who stretched a measuring line across it? 6 On what were its footings set, or who laid its cornerstone— 7 while the morning stars sang together and all the angels[a] shouted for joy? 8 “Who shut up the sea behind doors when it burst forth from the womb, 9 when I made the clouds its garment and wrapped it in thick darkness, 10 when I fixed limits for it and set its doors and bars in place, 11 when I said, ‘This far you may come and no farther; here is where your proud waves halt’? 12 “Have you ever given orders to the morning, or shown the dawn its place, 13 that it might take the earth by the edges and shake the wicked out of it? 14 The earth takes shape like clay under a seal; its features stand out like those of a garment. 15 The wicked are denied their light, and their upraised arm is broken. 16 “Have you journeyed to the springs of the sea or walked in the recesses of the deep? 17 Have the gates of death been shown to you? Have you seen the gates of the deepest darkness? 18 Have you comprehended the vast expanses of the earth? Tell me, if you know all this. 19 “What is the way to the abode of light? And where does darkness reside? 20 Can you take them to their places? Do you know the paths to their dwellings? 21 Surely you know, for you were already born! You have lived so many years! 22 “Have you entered the storehouses of the snow or seen the storehouses of the hail, 23 which I reserve for times of trouble, for days of war and battle? 24 What is the way to the place where the lightning is dispersed, or the place where the east winds are scattered over the earth? 25 Who cuts a channel for the torrents of rain, and a path for the thunderstorm, 26 to water a land where no one lives, an uninhabited desert, 27 to satisfy a desolate wasteland and make it sprout with grass? 28 Does the rain have a father? Who fathers the drops of dew? 29 From whose womb comes the ice? Who gives birth to the frost from the heavens 30 when the waters become hard as stone, when the surface of the deep is frozen? 31 “Can you bind the chains[b] of the Pleiades? Can you loosen Orion’s belt? 32 Can you bring forth the constellations in their seasons[c] or lead out the Bear[d] with its cubs? 33 Do you know the laws of the heavens? Can you set up God’s[e] dominion over the earth? 34 “Can you raise your voice to the clouds and cover yourself with a flood of water? 35 Do you send the lightning bolts on their way? Do they report to you, ‘Here we are’? 36 Who gives the ibis wisdom[f] or gives the rooster understanding?[g] 37 Who has the wisdom to count the clouds? Who can tip over the water jars of the heavens 38 when the dust becomes hard and the clods of earth stick together? 39 “Do you hunt the prey for the lioness and satisfy the hunger of the lions 40 when they crouch in their dens or lie in wait in a thicket? 41 Who provides food for the raven when its young cry out to God and wander about for lack of food?
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My God, my God, why have you forsaken me? Why are you so far from saving me, so far from my cries of anguish? 2 My God, I cry out by day, but you do not answer, by night, but I find no rest.[b] 3 Yet you are enthroned as the Holy One; you are the one Israel praises.[c] 4 In you our ancestors put their trust; they trusted and you delivered them. 5 To you they cried out and were saved; in you they trusted and were not put to shame. 6 But I am a worm and not a man, scorned by everyone, despised by the people. 7 All who see me mock me; they hurl insults, shaking their heads. 8 “He trusts in the Lord,” they say, “let the Lord rescue him. Let him deliver him, since he delights in him.” 9 Yet you brought me out of the womb; you made me trust in you, even at my mother’s breast. 10 From birth I was cast on you; from my mother’s womb you have been my God. 11 Do not be far from me, for trouble is near and there is no one to help. 12 Many bulls surround me; strong bulls of Bashan encircle me. 13 Roaring lions that tear their prey open their mouths wide against me. 14 I am poured out like water, and all my bones are out of joint. My heart has turned to wax; it has melted within me. 15 My mouth[d] is dried up like a potsherd, and my tongue sticks to the roof of my mouth; you lay me in the dust of death. 16 Dogs surround me, a pack of villains encircles me; they pierce[e] my hands and my feet. 17 All my bones are on display; people stare and gloat over me. 18 They divide my clothes among them and cast lots for my garment. 19 But you, Lord, do not be far from me. You are my strength; come quickly to help me. 20 Deliver me from the sword, my precious life from the power of the dogs. 21 Rescue me from the mouth of the lions; save me from the horns of the wild oxen. 22 I will declare your name to my people; in the assembly I will praise you. 23 You who fear the Lord, praise him! All you descendants of Jacob, honor him! Revere him, all you descendants of Israel! 24 For he has not despised or scorned the suffering of the afflicted one; he has not hidden his face from him but has listened to his cry for help. 25 From you comes the theme of my praise in the great assembly; before those who fear you[f] I will fulfill my vows. 26 The poor will eat and be satisfied; those who seek the Lord will praise him— may your hearts live forever! 27 All the ends of the earth will remember and turn to the Lord, and all the families of the nations will bow down before him, 28 for dominion belongs to the Lord and he rules over the nations. 29 All the rich of the earth will feast and worship; all who go down to the dust will kneel before him— those who cannot keep themselves alive. 30 Posterity will serve him; future generations will be told about the Lord. 31 They will proclaim his righteousness, declaring to a people yet unborn: He has done it!
David
Looking at herself suddenly deformed into an out-of-body dream;the image in the mirror was someone else. An unbearable melancholy washed over her. She stifled a sob, momentarily overwhelmed by her situation, by tonight’s danger, and by her whole existence as a spy. Look at you, she thought. What are you doing? Who are you? A ridiculous fanatic fighting alone in the dark, overwhelming dangers arrayed against you, the odds of surviving slim, your friends far away, separated from the man you love. How long will you last? How did her mentor General Korchnoi -he spied for CIA for fourteen years- summon the will and determination to keep going? Dominika blinked as tears slid down the cheeks of the revenant in the mirror. It wasn’t her; it was someone else crying.
Jason Matthews (The Kremlin's Candidate (Red Sparrow Trilogy, #3))