Famous Saxophone Quotes

To your party I'll bring my World-Famous Leftover Duck Meatloaf. It's from 1999, and the only reason I have it in my possession is because my old high-school math teacher called me up to come remove it from my old locker, because it was making his class smell like Savage Garden.

I find the writings of actors to be interesting. Actors are people who are famous for speaking words that others have crafted for them, and very often they themselves are incredibly inarticulate. If they were ducks, they couldn’t even say “quack” without someone writing it for them.

I was somewhat surprised, therefore, to find that my college teachers—famous academics and composers—inhabited an entirely different musical universe. They knew nothing about, and cared little for, the music I had grown up with. Instead, their world revolved around the dissonant, cerebral music of Arnold Schoenberg and his followers. As I quickly learned, in this environment not everything was possible: tonality was considered passé and “unserious”; electric guitars and saxophones were not to be mixed with violins and pianos; and success was judged by criteria I could not immediately fathom. Music, it seemed, was not so much to be composed as constructed—assembled painstakingly, note by note, according to complicated artificial systems. Questions like “does this chord sound good?” or “does this compositional system produce likeable music?” were frowned upon as naive or