Famous Rowing Quotes

Yes, yes, I know what you’re thinking! ‘It’s all right for him, he’s an internationally famous wizard already!’ But when I was twelve, I was just as much of a nobody as you are now. In fact, I’d say I was even more of a nobody! I mean, a few people have heard of you, haven’t they? All that business with He-Who-Must-Not-Be-Named!” He glanced at the lightning scar on Harry’s forehead. “I know, I know — it’s not quite as good as winning Witch Weekly’s Most-Charming-Smile Award five times in a row, as I have — but it’s a start, Harry, it’s a start.

At Lockwood & Co., George was famous for not being able to throw or catch with any accuracy. Back in the kitchen at Portland Row, even the casual passing out of fruit or bags of chips became an exercise fraught with danger.

Pick up a pinecone and count the spiral rows of scales. You may find eight spirals winding up to the left and 13 spirals winding up to the right, or 13 left and 21 right spirals, or other pairs of numbers. The striking fact is that these pairs of numbers are adjacent numbers in the famous Fibonacci series: 1, 1, 2, 3, 5, 8, 13, 21... Here, each term is the sum of the previous two terms. The phenomenon is well known and called phyllotaxis. Many are the efforts of biologists to understand why pinecones, sunflowers, and many other plants exhibit this remarkable pattern. Organisms do the strangest things, but all these odd things need not reflect selection or historical accident. Some of the best efforts to understand phyllotaxis appeal to a form of self-organization. Paul Green, at Stanford, has argued persuasively that the Fibonacci series is just what one would expects as the simplest self-repeating pattern that can be generated by the particular growth processes in the growing tips of the tissues that form sunflowers, pinecones, and so forth. Like a snowflake and its sixfold symmetry, the pinecone and its phyllotaxis may be part of order for free

I don't want to be rich and famous but I want to die knowing I stood infront of a broken man and gave him one reason to smile again.

She could surely rise to a dishwasher, but she prefers to use her children. She believes that a row of children chopping vegetables is a better thing than a machine.

Monarchy can easily be "debunked", but watch the faces, mark well the accents of the debunkers. These are the men whose taproot in Eden has been cut -- whom no rumor of the polyphony, the dance, can reach – men to whom pebbles laid in a row are more beautiful than an arch. Yet even if they desire mere equality they cannot reach it. Where men are forbidden to honor a king they honor millionaires, athletes, or film-stars instead -- even famous prostitutes or gangsters. For spiritual nature, like bodily nature, will be served -- deny it food and it will gobble poison. (Article "Equality")

Methinks, Oh! vain ill-judging Book, I see thee cast a wishful look, Where reputations won and lost are In famous row called Paternoster. Incensed to find your precious olio Buried in unexplored port-folio, You scorn the prudent lock and key, And pant well bound and gilt to see Your Volume in the window set Of Stockdale, Hookham, or Debrett. Go then, and pass that dangerous bourn Whence never Book can back return: And when you find, condemned, despised, Neglected, blamed, and criticised, Abuse from All who read you fall, (If haply you be read at all Sorely will you your folly sigh at, And wish for me, and home, and quiet. Assuming now a conjuror’s office, I Thus on your future Fortune prophesy: — Soon as your novelty is o’er, And you are young and new no more, In some dark dirty corner thrown, Mouldy with damps, with cobwebs strown, Your leaves shall be the Book-worm’s prey; Or sent to Chandler–Shop away, And doomed to suffer public scandal, Shall line the trunk, or wrap the candle! But should you meet with approbation, And some one find an inclination To ask, by natural transition Respecting me and my condition; That I am one, the enquirer teach, Nor very poor, nor very rich; Of passions strong, of hasty nature, Of graceless form and dwarfish stature; By few approved, and few approving; Extreme in hating and in loving; Abhorring all whom I dislike, Adoring who my fancy strike; In forming judgements never long, And for the most part judging wrong; In friendship firm, but still believing Others are treacherous and deceiving, And thinking in the present aera That Friendship is a pure chimaera: More passionate no creature living, Proud, obstinate, and unforgiving, But yet for those who kindness show, Ready through fire and smoke to go. Again, should it be asked your page, ‘Pray, what may be the author’s age?’ Your faults, no doubt, will make it clear, I scarce have seen my twentieth year, Which passed, kind Reader, on my word, While England’s Throne held George the Third. Now then your venturous course pursue: Go, my delight! Dear Book, adieu!

In both runs, Curtain Time attempted to play to the same sizable audience that had made The First Nighter Program a radio powerhouse. It had a theater setting, announcements that the curtain was “about to go up,” and the same fare, generally bubbly boy-girl romances. There was an usher in the later run, who called out “Tickets, please, thank you, sir,” and escorted “theatergoers” to their imaginary seats in “seventh row center, seats seven and eight.” The announcer, Myron Wallace, became famous decades later as the tough TV reporter on 60 Minutes.

America’s most famous feminist decapitated by a jagged chunk of flying glass. Her head went flying into the sixth row like some strange white bowling ball with a blonde wig pasted on it. They didn’t erupt into panic until the lights went out.

I had, by then, done my share of reading on Philadelphia, so I knew that, in another time, when the Task was here in Philadelphia, the city had fallen victim to a fever. And among the men who combatted this fever was Benjamin Rush, a famous doctor, which is hard to countenance given the theory he put forth in defense of the city. Colored people were immune to the fever, he told Philadelphia, and more than immune, their very presence could alter the air itself, sucking up the scourge and holding it captive in our fetid black bodies. And so tasking men were brought in by the hundreds on the alleged black magic of our bodies. They all died. And when the city began to fill with their corpses, its masters searched for a space far from the whites who were felled by the disease. And they chose a patch of land where no one lived, and tossed us into pits. Years later, after the fever had been forgotten, after the war had birthed this new country, they built rows and rows of well-appointed houses right on top of those people, and and named a square for their liberating general. It struck me that even here, in the free North, the luxuries of this world were built right on top of us.

Funnel The family story tells, and it was told true, of my great-grandfather who begat eight genius children and bought twelve almost-new grand pianos. He left a considerable estate when he died. The children honored their separate arts; two became moderately famous, three married and fattened their delicate share of wealth and brilliance. The sixth one was a concert pianist. She had a notable career and wore cropped hair and walked like a man, or so I heard when prying a childhood car into the hushed talk of the straight Maine clan. One died a pinafore child, she stays her five years forever. And here is one that wrote- I sort his odd books and wonder his once alive words and scratch out my short marginal notes and finger my accounts. back from that great-grandfather I have come to tidy a country graveyard for his sake, to chat with the custodian under a yearly sun and touch a ghost sound where it lies awake. I like best to think of that Bunyan man slapping his thighs and trading the yankee sale for one dozen grand pianos. it fit his plan of culture to do it big. On this same scale he built seven arking houses and they still stand. One, five stories up, straight up like a square box, still dominates its coastal edge of land. It is rented cheap in the summer musted air to sneaker-footed families who pad through its rooms and sometimes finger the yellow keys of an old piano that wheezes bells of mildew. Like a shoe factory amid the spruce trees it squats; flat roof and rows of windows spying through the mist. Where those eight children danced their starfished summers, the thirty-six pines sighing, that bearded man walked giant steps and chanced his gifts in numbers. Back from that great-grandfather I have come to puzzle a bending gravestone for his sake, to question this diminishing and feed a minimum of children their careful slice of suburban cake.

Daniel's wings were concealed, but he must have sensed her eyeing the place where they unfurled from his shoulders. "When everything is in order, we'll fly wherever we have to go to stop Lucifer. Until then it's better to stay low to the ground." "Okay," Luce said. "Race you to the other side?" Her breath frosted the air. "You know I'd beat you." "True." He slipped an arm around her waist, warming her. "Maybe we'd better take the boat, then. Protect my famous pride." She watched him unmoor a small metal rowboat from a boat slip. The soft light on the water made her think back to the day they'd raced across the secret lake at Sword & Cross. His skin had glistened as they had pulled themselves up to the flat rock in the center to catch their breath, then had lain on the sun-warmed stone, letting the day's heat dry their bodies. She'd barely known Daniel then-she hadn't known he was an angel-and already she'd been dangerously in love with him. "We used to swim together in my lifetime in Tahiti, didn't we?" she asked, surprised to remember another time she'd seen Daniel's hair glisten with water. Daniel stared at her and she knew how much it meant to him finally to be able to share some of his memories of their past. He looked so moved that Luce thought he might cry. Instead he kissed her forehead tenderly and said, "You beat me all those times, too, Lulu." They didn't talk much as Daniel rowed. It was enough for Luce to watch the way his muscles strained and flexed each time he dragged back, hearing the oars dip into and out of the cold water, breathing in the brine of the ocean.

Mike Sprecklen was the coach and mentor to the famous all-conquering rowing pair Andy Holmes and Steve Redgrave. “I was stuck, I had taught them all I knew technically,” Sprecklen said on completion of a Performance Coaching course many years ago, “but this opens up the possibility of going further, for they can feel things that I can’t even see.” He had discovered a new way forward with them, working from their experience and perceptions rather than from his own. Good coaching, and good mentoring for that matter, can and should take a performer beyond the limitations of the coach or mentor’s own knowledge.

He saw my confusion and led me a slow, stately march to the library. There were shelves all the way around the room, and every shelf was crowed with books. I had not thought so many books existed.[...] There was a desk, several big leather chairs, a wooden floor covered with faded rugs, and in front of the fireplace a sofa with soft pillows. The shelves stopped several feet short of the ceiling, leaving room for a row of busts of what I imagined must be famous gentlemen. Lamps cast little pools light in the room, and the sound and smell of the fire reminded me of the fires the Kikuyu would make outside theirs huts when they roasted goats.

Kings of a bakery? The very suggestion was laughable. How easy it was to assume that elsewhere was infinitely better than where you stood. Sometimes at night, she dreamed of the TEXAS, U.S.A. magazine advertisement, envisioning a land with row upon row of fat loaves laden with jeweled fruits; bread cubes sodden with thick lamb stew; sugar-dusted sweet breads, ginger-spiced cookies, and fat wedges of chocolate cake soaked in Kirschwasser. She’d awake with cold drool down her chin. Regardless of the family’s lack of resources, one of Papa’s famous Black Forest cakes had miraculously prevailed. Dressed in a layer of bittersweet chocolate shavings

Here,” said Autolycus, “is a settlement of curly-bearded, long-robed Assyrians, exiles from their country; and beyond stretches the land of the Chalybeans, a savage tribe famous as iron-workers, with whom I have lately traded. Soon we shall sight an islet, called the Isle of Barter, close to the Chalybean shore, where we of Sinope come in our dug-out canoes, and lay out on the rocks painted Minyan pottery and linen cloth from Colchis and sheepskin coats dyed red with madder or yellow with heather, such as the Chalybeans prize, and spear-shafts painted with vermilion. Then we row away out of sight behind rocks. As soon as we are gone, the Chalybeans venture across to the islet on rafts; they lay down beside our goods broad-bladed, well-tempered spear-heads and axe-heads, also awls and knives and sail-needles, and go away again. If on our return we are satisfied with their goods, we take them up and make for home; but if we are not satisfied, we remove apart from the rest of our merchandise whatever we think is not covered by their payment. The Chalybeans then return again and pay for this extra heap with a few more iron implements. In the end the barter is complete, unless the Chalybeans in a huff take away all their iron goods and let us sail off empty-handed; for they are a capricious race.

The next day we booked a three-hundred pound sow for a most unusual photoshoot. She was chauffeured to Hollywood from a farm in Central Valley, and arrived in style at the soundstage bright and early, ready for her close-up. She was a perfect pig, straight from the animal equivalent of Central casting: pink, with gray spots and a sweet disposition. Like Wilbur from Charlotte's Web, but all grown up. I called her "Rhonda." In a pristine studio with white walls and a white floor, I watched as Rhonda was coaxed up a ramp that led to the top of a white pedestal, four feet off the ground. Once she was situated, the ramp was removed, and I took my place beside her. It was a simple setup. Standing next to Rhonda, I would look into the camera and riff about the unsung heroes of Dirty Jobs. I'd conclude with a pointed question: "So, what's on your pedestal?" It was a play on that credit card campaign: "What's in your wallet?" I nailed it on the first take, in front of a roomful of nervous executives. Unfortunately, Rhonda nailed it, too. Just as I asked, "What's on your pedestal?" she crapped all over hers. It was an enormous dump, delivered with impeccable timing. During the second take, Rhonda did it again, right on cue. This time, with a frightful spray of diarrhea that filled the studio with a sulfurous funk, blackening the white walls of the pristine set, and transforming my blue jeans into something browner. I could only marvel at the stench, while the horrified executives backed into a corner - a huddled mass, if you will, yearning to breath free. But Rhonda wasn't done. She crapped on every subsequent take. And when she could crap no more, she began to pee. She peed on my cameraman, She peed on her handler. She peed on me. Finally, when her bladder was empty, we got the take the network could use, along with a commercial that won several awards for "Excellence in Promos." (Yes, they have trophies for such things.) Interestingly, the footage that went viral was not the footage that aired, but the footage Mary encouraged me to release on YouTube after the fact. The outtakes of Rhonda at her incontinent finest. Those were hysterical, and viewed more times than the actual commercial. Go figure. Looking back, putting a pig on a pedestal was maybe the smartest thing I ever did. Not only did it make Rhonda famous, it established me as the nontraditional host of a nontraditional show. One whose primary job was to appear more like a guest, and less like a host. And, whenever possible, not at all like an asshole.

Cooking’s a more popular hobby than fencing.” “They don’t have a Great British Fence-Off,” muttered Dante. There was a thoughtful pause. “Oh, that sounds like such a good show,” Nicholas murmured. “I like your idea for a television show as well,” Seiji told Dante. “Why do you picture it being British specifically?” Dante’s mouth opened and closed. No sound came out. “Could be because of the European history of dueling?” Nicholas suggested, and looked to Seiji. “Like in the book you let me borrow. Did you know that if you killed someone in a duel back in the old days, you could run away to France, because in France, dueling was still a totally cool and legal way to kill someone you had beef with?” Seiji nodded, pointing at Nicholas for emphasis. “I did know that, but clearly not everybody does. You’re right; the show would be educational for many people. Perhaps they could hold fencing displays in old manor houses and castles and châteaux? And, of course, in colleges such as Cambridge, Oxford, and Trinity, where the legacy of fencing students is so illustrious.” Breakfast conversation was so awesome now that Seiji had joined them! Nicholas bet nobody else had as much fun as they did. Dante had clearly given up on talking and was giving Bobby a silent, pleading look. Nicholas guessed Dante was shy. Seiji was pretty famous, so maybe Dante was overwhelmed.

home of Elon Simpson. We were right off of Washington Square, a part of the city marked by well-appointed brownstones with shuttered windows and a park hailing back to this country’s birth. Here was the seat of this city’s Quality—and the seat of our dead. I had, by then, done my share of reading on Philadelphia, so I knew that, in another time, when the Task was here in Pennsylvania, the city had fallen victim to a wave of fever. And among the men who combatted this fever was Benjamin Rush, a famous doctor, which is hard to countenance given the theory he put forth in defense of the city. Colored people were immune to the fever, he told Philadelphia, and more than immune, their very presence could alter the air itself, sucking up the scourge and holding it captive in our fetid black bodies. And so tasking men were brought in by the hundreds on the alleged black magic of our bodies. They all died. And when the city began to fill with their corpses, its masters searched for a space far from the whites who were felled by the disease. And they chose a patch of land where no one lived, and tossed us into pits. Years later, after the fever had been forgotten, after the war had birthed this new country, they built rows and rows of well-appointed houses right on top of those people, and named a square for their liberating general. It struck me that even here, in the free North, the luxuries of this world were built right on top of us.

God took His time to carve out the perfect place, Sam remembered her grandma always saying. Indeed, the hilltop was akin to a real cherry on top of a stunningly picturesque sundae. Bayview Point was home to two of northern Michigan's most popular orchards and tourist stops: Very Cherry Orchards and her family's Orchard and Pie Pantry. The first half of the hill was dense with rows of tart cherry trees, and the limbs of the small, bushy trees were bursting with cherries, red arms waving at Sam as if to greet her home. In the spring, these trees were filled with white blossoms that slowly turned as pink as a perfect rosé, their beauty so tender that it used to make Sam's heart ache when she would run through the orchards as part of her high school cross-country training. Often, when Sam ran, the spring winds would tear at the tender flowers and make it look as though it were snowing in the midst of a beautiful warm day. Like every good native, Sam knew cherries had a long history in northern Michigan. French settlers had cherry trees in their gardens, and a missionary planted the very first cherry trees on Old Mission Peninsula. Very Cherry Orchards grew nearly 100 acres of Montmorency tart cherries in addition to Balaton cherries, black sweet cherries, plums, and nectarines. They sold their fruit to U-Pickers as well as large companies that made pies, but they had also become famous for their tart cherry juice concentrate, now sold at grocery and health food stores across the United States. People loved it for its natural health benefits, rich in antioxidants.

From Walt: The Grapes of Wrath, Les Misérables, To Kill a Mockingbird, Moby-Dick, The Ox-Bow Incident, A Tale of Two Cities, The Adventures of Huckleberry Finn, The Three Musketeers, Don Quixote (where your nickname came from), The Complete Works of William Shakespeare, and anything by Anton Chekhov. From Henry: Bury My Heart at Wounded Knee, Cheyenne Autumn, War and Peace, The Things They Carried, Catch-22, The Sun Also Rises, The Blessing Way, Beyond Good and Evil, The Teachings of Don Juan, Heart of Darkness, The Human Comedy, The Art of War. From Vic: Justine, Concrete Charlie: The Story of Philadelphia Football Legend Chuck Bednarik, Medea (you’ll love it; it’s got a great ending), The Kama Sutra, Henry and June, The Onion Field, Fear and Loathing in Las Vegas, Zorba the Greek, Madame Bovary, Richie Ashburn’s Phillies Trivia (fuck you, it’s a great book). From Ruby: The Holy Bible (New Testament), The Pilgrim’s Progress, Inferno, Paradise Lost, My Ántonia, The Scarlet Letter, Walden, Poems of Emily Dickinson, My Friend Flicka, Our Town. From Dorothy: The Gastronomical Me, The French Chef Cookbook (you don’t eat, you don’t read), Last Suppers: Famous Final Meals From Death Row, The Bonfire of the Vanities, The Scarlet Pimpernel, Something Fresh, The Sound and the Fury, The Maltese Falcon, Pride and Prejudice, Brides-head Revisited. From Lucian: Thirty Seconds over Tokyo, Band of Brothers, All Quiet on the Western Front, The Virginian, The Basque History of the World (so you can learn about your heritage you illiterate bastard), Hondo, Sackett, The Man Who Shot Liberty Valance, Bobby Fischer: My 60 Memorable Games, The Rise and Fall of the Third Reich, Quartered Safe Out Here. From Ferg: Riders of the Purple Sage, Kiss Me Deadly, Lonesome Dove, White Fang, A River Runs Through It (I saw the movie, but I heard the book was good, too), Kip Carey’s Official Wyoming Fishing Guide (sorry, kid, I couldn’t come up with ten but this ought to do).

one of the most famous of his later works of nonfiction, The Kingdom of God Is Within You, he responded directly to this criticism. “Blessedness,” Tolstoy writes in that book, first published in Germany, in 1894, after being banned in Russia, “consists in progress towards perfection; to stand still in any condition whatever means the cessation of this blessedness.” To tell somebody that striving toward such a high ideal is hopelessly naïve, Tolstoy writes, is just like telling a man who is struggling on a swift river and is directing his course against the current, that it is impossible to cross the river against the current, and that to cross it he must point in the direction of the point he wants to reach. In reality, in order to reach the place to which he wants to go, he must row with all his strength toward a point much higher up.

A wealthy man and his son loved to collect works of art. They had in their collection works ranging from Picasso to Raphael and Rembrandt. When the Vietnam War broke out, the son was drafted and sent to fight in ’Nam. He was very courageous and died in battle. The father was notified and grieved deeply for his only son. About a month later, a young lad appeared at the door to his house and said, “Sir, you don’t know me, but I am the soldier for whom your son gave his life that fateful day. He was carrying me to safety when a bullet struck him in the heart. He died instantly. He used to often talk about you and your love for art. Here’s something for you,” he added, holding out a package. “It is something that I drew. I know I am not much of an artist, but I wanted you to have this from me as a small measure of memory and thanks.” It was a portrait of his son, painted by the young man. It captured the personality of his son. The father’s eyes welled up with tears as he thanked the young man for the painting. He offered to pay for the picture, but the man replied, “Oh! No, sir. I could never repay what your son did for me. It is my gift to you.” The father hung the portrait over his mantel and showed it proudly to all his visitors along with all of the great works of art he possessed. Some time later, the old man died. As decreed in his will, his paintings were all to be auctioned. Many influential and rich people gathered together, excited over the prospect of owning one of the masterpieces. On a platform nearby also sat the painting of his son. The auctioneer pounded his gavel. “Let’s start the bidding with the picture of his son. Who will bid for this picture?” There was silence. A voice shouted from the back, “Let’s skip this one. We want the famous masters.” But the auctioneer persisted. “Ten dollars, twenty dollars, what do I hear?” Another voice came back angrily, “We didn’t come here for this. Let’s have the Picassos, the Matisses, the van Goghs.” Still the auctioneer persisted. “The son. Anyone for the son? Who’ll take the son?” Finally a quavering voice came from the back. It was the longtime gardener of the house. “I’ll take the son for ten dollars. I am sorry, but that’s all I have.” “Ten dollars once, ten dollars twice, anybody for twenty dollars? Sold for ten dollars.” “Now let’s get on with the auction,” said a wealthy art aficionado sitting in the front row. The auctioneer laid down his gavel and spoke. “I am sorry, but the auction is over.” “But what about the other paintings? The masters?” “The auction is over,” said the auctioneer. “I was asked to conduct the auction with a stipulation, a secret stipulation that said that only the painting of the son would be auctioned. Whoever bought that painting would inherit the entire estate, paintings and all. The one who took the son gets everything.

Pat and I felt rather insignificant in a throng that included not only England’s most important, famous, and titled citizens but also most of western Europe’s royalty and heads of state from all over the world. The marriage of the heir to the English throne was very much a grand state occasion, in contrast to the ball, which had been a private celebration. The relative intimacy of the ball and the chance to visit with Diana made the party the more dazzling experience for us that week. Nonetheless, our spirits were buoyed by the happy fact that we actually knew the bride. Given our lack of social or political stature, Pat and I had joked that our assigned seats were likely to be at the very back of the nave and behind a pillar. Silently, we gave each other wide-eyed looks of surprise as the usher led us slowly up and up the center aisle to seats under the famous crossing dome, less than a dozen rows from the very front of the nave. We were floored! We would have an unobstructed view of the ceremony taking place on the dais on the front edge of the choir. As we entered our row to the left, we noticed Mrs. Thatcher, somber in dark blue, on the aisle in the same row to the right. Once again, I regretted my timidity two nights earlier. Pat and I couldn’t understand how we had ended up so near to the front of the cathedral. We assumed some error had been made, but were grateful for the mistake. Years later, when I was in London for Diana’s funeral, I learned that she had been allowed only one hundred personal invitations to her own wedding. We must have been in that small group, fortunately placed near the front of the church. As we waited almost breathlessly for the ceremony to being, Pat and I gazed discreetly at our splendid surroundings and the other guests privileged to be inside the cathedral. Once again, we didn’t know a soul and we would only see Diana from a distance today.

Given our lack of social or political stature, Pat and I had joked that our assigned seats were likely to be at the very back of the nave and behind a pillar. Silently, we gave each other wide-eyed looks of surprise as the usher led us slowly up and up the center aisle to seats under the famous crossing dome, less than a dozen rows from the very front of the nave. We were floored! We would have an unobstructed view of the ceremony taking place on the dais on the front edge of the choir. As we entered our row to the left, we noticed Mrs. Thatcher, somber in dark blue, on the aisle in the same row to the right. Once again, I regretted my timidity two nights earlier. Pat and I couldn’t understand how we had ended up so near to the front of the cathedral. We assumed some error had been made, but were grateful for the mistake. Years later, when I was in London for Diana’s funeral, I learned that she had been allowed only one hundred personal invitations to her own wedding. We must have been in that small group, fortunately placed near the front of the church.

The dungeons—arranged along a hallway on the first floor, fifteen to a side, all divided by concrete partitions—were famous throughout Puerto Rico. This hallway was covered with filth, barely lit and poorly ventilated. Each row of fifteen cells shared a common roof of iron bars as thick as railroad tracks, topped with steel walkways. The guards patrolled them from opposite ends, stopping when they met in the middle to retrace their steps. It was a vantage point, like a captain’s bridge: the guards could look down and see every occupant of every cell. They could also point their rifles at them.

I remember the great feeling of sadness to have left many of our brothers behind in a foreign land, but as I sat on the rowing bench, alongside Hengist and Yffi, as the Famous Horse sailed over the gentle waves, I couldn't help but feel excited of what was to come. Yet none of us could have predicted that we were sailing towards a head -on-collision with the Roman General, Flavius Aëtius and his Hun allies, where Hengist and I would come face to face with the legendary Siegfried the Dragon Slayer and the one they call Attila the Hun!

As former Senator Daniel Patrick Moynihan famously said, ' You are entitled to your own opinion, but you are not entitled to your own facts.

He later explained that when the ship landed, it hit so hard that it sunk 60 feet down into the ocean’s floor.  As they maneuvered Argo up its side, they saw rows and rows of portholes, looking back at them, Ballard later said, like the eyes of the dead.

A little later on, Phil ran what became one of the most famous item promotions in our history. We sent him down to open store number 52 in Hot Springs, Arkansas—the first store we ever opened in a town that already had a Kmart. Phil got there and decided Kmart had been getting away with some pretty high prices in the absence of any discounting competition. So he worked up a detergent promotion that turned into the world’s largest display ever of Tide, or maybe Cheer—some detergent. He worked out a deal to get about $1.00 off a case if he would buy some absolutely ridiculous amount of detergent, something like 3,500 cases of the giant-sized box. Then he ran it as an ad promotion for, say, $1.99 a box, off from the usual $3.97. Well, when all of us in the Bentonville office saw how much he’d bought, we really thought old Phil had completely gone over the dam. This was an unbelievable amount of soap. It made up a pyramid of detergent boxes that ran twelve to eighteen cases high—all the way to the ceiling, and it was 75 or 100 feet long, which took up the whole aisle across the back of the store, and then it was about 12 feet wide so you could hardly get past it. I think a lot of companies would have fired Phil for that one, but we always felt we had to try some of this crazy stuff. PHIL GREEN: “Mr. Sam usually let me do whatever I wanted on these promotions because he figured I wasn’t going to screw it up, but on this one he came down and said, ‘Why did you buy so much? You can’t sell all of this!’ But the thing was so big it made the news, and everybody came to look at it, and it was all gone in a week. I had another one that scared them up in Bentonville too. This guy from Murray of Ohio called one day and said he had 200 Murray 8 horsepower riding mowers available at the end of the season, and he could let us have them for $175. Did we want any? And I said, ‘Yeah, I’ll take 200.’ And he said, ‘Two hundred!’ We’d been selling them for $447, I think. So when they came in we unpacked every one of them and lined them all up out in front of the store, twenty-five in a row, eight rows deep. Ran a chain through them and put a big sign up that said: ‘8 h.p. Murray Tractors, $199.’ Sold every one of them. I guess I was just always a promoter, and being an early Wal-Mart manager was as good a place to promote as there ever was.

Some of the famous warriors of the Western Plains earned more coup feathers in their lifetime than were required for a full-sized headdress. These warriors were allowed by tribal law to make and wear a war bonnet having either a single or double row of eagle feathers hanging down the back. Originally these bonnets were only knee length, but when the Indian started to ride horses, the tails were extended to the wearer’s heels.

Alyque and his team began a public interest ad campaign (for which Lintas had become famous) to raise aid for drought stricken Rajasthan and raised substantial assistance. A death row convict wrote to me from his cell. In the epochal Express style that always encouraged the reporter, the editors ran the story on the front page.

Keynes’s third act of statesmanship was to negotiate the American loan in September-December 1945. He estimated that Britain’s deficit on current account would total nearly $7bn over the first three post-war years. Keynes went to Washington in September 1945 to seek a grant of $5bn ‘without strings’. He returned, three months and several famous rows later, with a loan of $3.75bn conditional on a commitment to make sterling convertible into other currencies a year after the loan agreement was ratified. It was probably the most humiliating experience of his life.

Dad had gone ballistic when Ruby got suspended from school for smoking, but not Nora. Her mother had picked Ruby up from the principal’s office and driven her to the state park at the tip of the island. She’d dragged Ruby down to the secluded patch of beach that overlooked Haro Strait and the distant glitter of downtown Victoria. It had been exactly three in the afternoon, and the gray whales had been migrating past them in a spouting, splashing row. Nora had been wearing her good dress, the one she saved for parent–teacher conferences, but she had plopped down cross-legged on the sand. Ruby had stood there, waiting to be bawled out, her chin stuck out, her arms crossed. Instead, Nora had reached into her pocket and pulled out the joint that had been found in Ruby’s locker. Amazingly, she had put it in her mouth and lit up, taking a deep toke, then she had held it out to Ruby. Stunned, Ruby had sat down by her mother and taken the joint. They’d smoked the whole damn thing together, and all the while, neither of them had spoken. Gradually, night had fallen; across the water, the sparkling white city lights had come on. Her mother had chosen that minute to say what she’d come to say. “Do you notice anything different about Victoria?” Ruby had found it difficult to focus. “It looks farther away,” she had said, giggling. “It is farther away. That’s the thing about drugs. When you use them, everything you want in life is farther away.” Nora had turned to her. “How cool is it to do something that anyone with a match can do? Cool is becoming an astronaut…or a comedian…or a scientist who cures cancer. Lopez Island is exactly what you think it is—a tiny blip on a map. But the world is out there, Ruby, even if you haven’t seen it. Don’t throw your chances away. We don’t get as many of them as we need. Right now you can go anywhere, be anyone, do anything. You can become so damned famous that they’ll have a parade for you when you come home for your high-school reunion…or you can keep screwing up and failing your classes and you can snip away the ends of your choices until finally you end up with that crowd who hangs out at Zeke’s Diner, smoking cigarettes and talking about high-school football games that ended twenty years ago.” She had stood up and brushed off her dress, then looked down at Ruby. “It’s your choice. Your life. I’m your mother, not your warden.” Ruby remembered that she’d been shaking as she’d stood up. That’s how deeply her mother’s words had reached. Very softly, she’d said, “I love you, Mom.

Hence a man's reaction to Monarchy is a kind of test. (…) watch the faces, mark well the accents of the debunkers. These are the men whose taproot in Eden has been cut — whom no rumor of the polyphony, the dance, can reach – men to whom pebbles laid in a row are more beautiful than an arch. Yet even if they desire mere equality they cannot reach it. Where men are forbidden to honor a king they honor millionaires, athletes, or film-stars instead — even famous prostitutes or gangsters. For spiritual nature, like bodily nature, will be served — deny it food and it will gobble poison.

No one lives on Hobe's Hill today. Only a few abandoned shacks remain. The land has greatly changed. When Walker Evans took his pictures, it was a grand, open place, full of cotton. Now forest has reclaimed the land. There is still some field, planted in soybeans, and this provides some sense of how things once were. These soybeans, as well as those down by the main highway, were planted by Joe Bridges and his son Huey. Amid the soybeans, the ground is stony, and the water-starved beans grow with more courage than success. This same dust was breathed by Fred Ricketts as he plowed behind the seat rump of a mule fifty years ago. He and his children stared at this ground as they chopped weeds and, later, hunched over the long rows to pick. They knew this same sun, this silence, the awful loneliness of this red plateau. The heat dulls the senses. Even sulfur butterflies, those neurotic field strutters, are slothful. The whole South seems under a hot Augustan pause--all the highways blurry beneath the burden of hear, be they four-lane marchers, two-lane winders, single-track dirt poems. From this hill, it's hard to imagine life going on in this hear anywhere across the six hundred miles of the South, in any of those terrible little towns...

Well,there's not much more to see," Bill said. "Just the usual routine of a building catching fire-smoke, walls of flame,people screaming and stampeding toward the exits,trampling the less fortunate underfoot-you get the picture.The Globe burned to the ground." "What?" she asked, feeling sick. "I started the fire at the Globe?" Surely burning down the most famous theater in English history would have repercussions across time. "Oh,don't get all self-important. It was going to happen anyway. If you hadn't burst into flames, the cannon onstage would have misfired and taken the whole place out." "This is so much bigger than me and Daniel. All those people-" "Look, Mother Teresa, no one died that night...besides you.No one else even got hurt. Remember that drunk leering at you from the third row? His pants catch on fire.That's the worst of it. Feel better?" "Not really.Not at all." "How about this: You're not here to add to your mountain of guilt. Or to change the past.There's a script,and you have your entrances and your exits." "I wasn't ready for my exit." "Why not? Henry the Eighth sucks, anyway." "I wanted to give Daniel hope. I wanted him to know that I would always choose him,always love him.But Lucinda died before I could be sure he understood." She closed her eyes. "His half of our curse is so much worse than mine." "That's good,Luce!" "What do you mean? That's horrible!" "I mean that little gem-that 'Wah, Daniel's agony is infinitely more horrible than mine'-that's what you learned here.The more you understand, the closer you'll get to knowing the root of the curse,and the more liekly it is that you'll eventually find your way out of it.Right?" "I-I don't know." "I do. Now come on, you've got bigger roles to play.

Kate Sperry, of Winchester, wrote in her diary on October 26, “Bell Boyd [sic], from Martinsburg, called this afternoon, and of all fools I ever saw of the womankind, she certainly beats all — Perfect insane on the subject of men — a dark green riding dress with brass buttons down the front, a pair of Lieut. Col.’s shoulder straps — a small riding hat with a row of brass buttons on the rim from every state in the Confederacy. She is the fastest girl in Virginia or anywhere else for that matter. Since the army has been around, her senses are perfectly gone.” Boyd

awkward televised hug from the new president of the United States. My curtain call worked. Until it didn’t. Still speaking in his usual stream-of-consciousness and free-association cadence, the president moved his eyes again, sweeping from left to right, toward me and my protective curtain. This time, I was not so lucky. The small eyes with the white shadows stopped on me. “Jim!” Trump exclaimed. The president called me forward. “He’s more famous than me.” Awesome. My wife Patrice has known me since I was nineteen. In the endless TV coverage of what felt to me like a thousand-yard walk across the Blue Room, back at our home she was watching TV and pointing at the screen: “That’s Jim’s ‘oh shit’ face.” Yes, it was. My inner voice was screaming: “How could he think this is a good idea? Isn’t he supposed to be the master of television? This is a complete disaster. And there is no fricking way I’m going to hug him.” The FBI and its director are not on anyone’s political team. The entire nightmare of the Clinton email investigation had been about protecting the integrity and independence of the FBI and the Department of Justice, about safeguarding the reservoir of trust and credibility. That Trump would appear to publicly thank me on his second day in office was a threat to the reservoir. Near the end of my thousand-yard walk, I extended my right hand to President Trump. This was going to be a handshake, nothing more. The president gripped my hand. Then he pulled it forward and down. There it was. He was going for the hug on national TV. I tightened the right side of my body, calling on years of side planks and dumbbell rows. He was not going to get a hug without being a whole lot stronger than he looked. He wasn’t. I thwarted the hug, but I got something worse in exchange. The president leaned in and put his mouth near my right ear. “I’m really looking forward to working with you,” he said. Unfortunately, because of the vantage point of the TV cameras, what many in the world, including my children, thought they saw was a kiss. The whole world “saw” Donald Trump kiss the man who some believed got him elected. Surely this couldn’t get any worse. President Trump made a motion as if to invite me to stand with him and the vice president and Joe Clancy. Backing away, I waved it off with a smile. “I’m not worthy,” my expression tried to say. “I’m not suicidal,” my inner voice said. Defeated and depressed, I retreated back to the far side of the room. The press was excused, and the police chiefs and directors started lining up for pictures with the president. They were very quiet. I made like I was getting in the back of the line and slipped out the side door, through the Green Room, into the hall, and down the stairs. On the way, I heard someone say the score from the Packers-Falcons game. Perfect. It is possible that I was reading too much into the usual Trump theatrics, but the episode left me worried. It was no surprise that President Trump behaved in a manner that was completely different from his predecessors—I couldn’t imagine Barack Obama or George W. Bush asking someone to come onstage like a contestant on The Price Is Right. What was distressing was what Trump symbolically seemed to be asking leaders of the law enforcement and national security agencies to do—to come forward and kiss the great man’s ring. To show their deference and loyalty. It was tremendously important that these leaders not do that—or be seen to even look like they were doing that. Trump either didn’t know that or didn’t care, though I’d spend the next several weeks quite memorably, and disastrously, trying to make this point to him and his staff.

At least three of the girls in the front row were already whispering behind their hands. When Quinn winked at them, they started giggling. Lucy shook her head. “The Drake brothers, making girls stupid since 2002.” The eldest of the brothers, Sebastian, had turned sixteen in 2002, and changed into a vampire, as all Drakes did. Even without the famous vampire pheromones, they were dangerous. “Please. I was born pretty.” And they knew it.

The listener was absorbed by the sounds of Broadway: the car horns, police whistles, the people milling about. Up Broadway to 42nd Street, where an attendant shouted, “Have your tickets ready, please! have your tickets ready, please! … Good evening, Mr. First Nighter, the usher will show you to your box.” Then, in the “fourth-row center” seats, the First Nighter gave a quick reading of the program—title, cast, author—and the “famous First Nighter orchestra” played a few bars of music. An usher came down the aisle, shouting “Curtain! Curtain!” Buzzers sounded. Ushers reminded people that smoking was permitted in the lobby only. Then, listeners were told, the lights were dimmed and the play began. Afterward, the effect was reversed, with Mr. First Nighter weaving his way through the still-humming crowd and melting away into the street.

While so many people floated on the sea, dying, most of the lifeboats did not sit idly by. They had to confront the excruciating moral question of whether to put their own lives at risk and row back to pick up survivors, or whether to preserve their safety at a distance, and either hope that a ship would arrive soon (doubtful, since none appeared to be on the horizon), or let the others die. Most opted for the latter. Famously, Margaret Brown (discussed above) forced her boat to return, but by the time she had taken charge, they were only able to pull a few people from the icy water. The rest had already perished.

I consider myself a student of colours and shades and hues and tints. Crimson lake, burnt umber, ultramarine … I was too clumsy as a child to paint with my moistened brush the scenery that I would have liked to bring into being. I preferred to leave untouched in their white metallic surroundings my rows of powdery rectangles of water-colours, to read aloud one after another of the tiny printed names of the coloured rectangles, and to let each colour seem to soak into each word of its name or even into each syllable of each word of each name so that I could afterwards call to mind an exact shade or hue from an image of no more than black letters on a white ground. Deep cadmium, geranium lake, imperial purple, parchment … after the last of our children had found employment and had moved out of our home, my wife and I were able to buy for ourselves things that had previously been beyond our means. I bought my first such luxury, as I called it, in a shop selling artists’ supplies. I bought there a complete set of coloured pencils made by a famous maker of pencils in England: a hundred and twenty pencils, each stamped with gold lettering along its side and having at its end a perfectly tapered wick. The collection of pencils is behind me as I write these words. It rests near the jars of glass marbles and the kaleidoscope mentioned earlier. None of the pencils has ever been used in the way that most pencils are used, but I have sometimes used the many-striped collection in order to confirm my suspicion as a child that each of what I called my long-lost moods might be recollected and, perhaps, preserved if only I could look again at the precise shade or hue that had become connected with the mood – that had absorbed, as it were, or had been permeated with, one or more of the indefinable qualities that constitute what is called a mood or a state of feeling. During the weeks since I first wrote in the earlier pages of this report about the windows in the church of white stone, I have spent every day an increasing amount of time in moving my pencils to and fro among the hollow spaces allotted to them in their container. I seem to recall that I tried sometimes, many years ago, to move my glass marbles from place to place on the carpet near my desk with the vague hope that some or another chance arrangement of them would restore to me some previously irretrievable mood. The marbles, however, were too variously coloured, and each differed too markedly from the other. Their colours seemed to vie, to compete. Or, a single marble might suggest more than I was in search of: a whole afternoon in my childhood or a row of trees in a backyard when I had wanted back only a certain few moments when my face was brushed by a certain few leaves. Among the pencils are many differing only subtly from their neighbours. Six at least I might have called simply red if I had not learned long ago their true names. With these six, and with still others from each side of them, I often arrange one after another of many possible sequences, hoping to see in the conjectured space between some or another unlikely pair a certain tint that I have wanted for long to see.