Famous Publishing Quotes

When Benjamin Franklin, the famous inventor and publisher, was serving as the American ambassador to France, he often impressed French intellectual with the wisdom of his remarks. At one dinner, the question was raised, "What human condition deserves the most pity?" Each of the guests responded, but the answer that is still remembered is Benjamin Franklins's: "A lonesome man on a rainy day who does not know how to read.

To the people who insist they really do have a great idea but they just can't write, I'd say that given some of the books I've read, or at least started to read, it would appear that not being able to write is absolutely no obstacle whatsoever to writing a book and securing a publishing contract. Though becoming famous in some other field first may help.

The work matters. Nothing else. Not prizes. Not being published. Not being rich, famous, or both. Only the work.

It's impossible that James Joyce could have mentioned "talk-tapes" in his writing, Asher thought. Someday I'm going to get my article published; I'm going to prove that Finnegan's Wake is an information pool based on computer memory systems that didn't exist until a century after James Joyce's era; that Joyce was plugged into a cosmic consciousness from which he derived the inspiration for his entire corpus of work. I'll be famous forever.

I see you drinking at a fountain with tiny blue hands, no, your hands are not tiny they are small, and the fountain is in France where you wrote me that last letter and I answered and never heard from you again. you used to write insane poems about ANGELS AND GOD, all in upper case, and you knew famous artists and most of them were your lovers, and I wrote back, it’ all right, go ahead, enter their lives, I’ not jealous because we’ never met. we got close once in New Orleans, one half block, but never met, never touched. so you went with the famous and wrote about the famous, and, of course, what you found out is that the famous are worried about their fame –– not the beautiful young girl in bed with them, who gives them that, and then awakens in the morning to write upper case poems about ANGELS AND GOD. we know God is dead, they’ told us, but listening to you I wasn’ sure. maybe it was the upper case. you were one of the best female poets and I told the publishers, editors, “ her, print her, she’ mad but she’ magic. there’ no lie in her fire.” I loved you like a man loves a woman he never touches, only writes to, keeps little photographs of. I would have loved you more if I had sat in a small room rolling a cigarette and listened to you piss in the bathroom, but that didn’ happen. your letters got sadder. your lovers betrayed you. kid, I wrote back, all lovers betray. it didn’ help. you said you had a crying bench and it was by a bridge and the bridge was over a river and you sat on the crying bench every night and wept for the lovers who had hurt and forgotten you. I wrote back but never heard again. a friend wrote me of your suicide 3 or 4 months after it happened. if I had met you I would probably have been unfair to you or you to me. it was best like this.

The world of publishing is in crisis. It's no coincidence that the worst published writer in the world today is also one of the world's most successful writers... Dan Brown. Now Dan Brown is not a good writer, The Da Vinci Code is not literature. Dan Brown writes sentences like "The famous man looked at the red cup." ...and it's only to be hoped that Dan Brown never gets a job where he's required to break bad news. "Doctor is he going to be alright?" "The seventy five year old man died a painful death on the large green table... it was sad".

I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!

Jonathan Swift (November 30, 1667 – October 19, 1745) was an Irish cleric, satirist, essayist, political pamphleteer (first for Whigs then for Tories), and poet, famous for works like Gulliver's Travels, A Modest Proposal, A Journal to Stella, The Drapier's Letters, The Battle of the Books, and A Tale of a Tub. Swift is probably the foremost prose satirist in the English language, although he is less well known for his poetry. Swift published all of his works under pseudonyms — such as Lemuel Gulliver, Isaac Bickerstaff, M.B. Drapier — or anonymously. He is also known for being a master of 2 styles of satire; the Horatian and Juvenalian styles. Source: Wikipedia

A long list of propositions does not necessarily make a coherent argument

Because “extra-difficult popular physics books” scare publishers half to death. Hawking famously said that every equation halves the sale of a popular book.

A separate, international team analyzed more than a half million research articles, and classified a paper as “novel” if it cited two other journals that had never before appeared together. Just one in ten papers made a new combination, and only one in twenty made multiple new combinations. The group tracked the impact of research papers over time. They saw that papers with new knowledge combinations were more likely to be published in less prestigious journals, and also much more likely to be ignored upon publication. They got off to a slow start in the world, but after three years, the papers with new knowledge combos surpassed the conventional papers, and began accumulating more citations from other scientists. Fifteen years after publication, studies that made multiple new knowledge combinations were way more likely to be in the top 1 percent of most-cited papers. To recap: work that builds bridges between disparate pieces of knowledge is less likely to be funded, less likely to appear in famous journals, more likely to be ignored upon publication, and then more likely in the long run to be a smash hit in the library of human knowledge. •

Although Martin Luther's theological message was couched as an exhortation to all Christian people, his frame of reference, the human experiences on which he drew and his emotional sympathies, or almost entirely German.

...who is the pioneer of modern journalism? Not Hemingway who wrote of his experiences in the trenches, not Orwell who spent a year of his life with the Parisian poor, not Egon Erwin Kisch the expert on Prague prostitutes, but Oriana Fallaci who in the years 1969 to 1972 published a series of interviews with the most famous politicians of the time. Those interviews were more than mere conversations; they were duels. Before the powerful politicians realized that they were fighting under unequal conditions--for she was allowed to ask questions but they were not--they were already on the floor of the ring, KO'ed.

It's impossible that James Joyce could have mentioned "talk-tapes" in his writing, Asher thought. Someday I'm going to get my article published; I'm going to prove that Finnegan's Wake is an information pool based on computer memory systems that didn't exist until a century after James Joyce's era; that Joyce was plugged into a cosmic consciousness from which he derived the inspiration for his entire corpus of work. I'll be famous forever.

When Rin Tin Tin first became famous, most dogs in the world would not sit down when asked. Dogs performed duties: they herded sheep, they barked at strangers, they did what dogs do naturally, and people learned to interpret and make use of how they behaved. The idea of a dog's being obedient for the sake of good manners was unheard of. When dogs lived outside, as they usually did on farms and ranches, the etiquette required of them was minimal. But by the 1930s, Americans were leaving farms and moving into urban and suburban areas, bringing dogs along as pets and sharing living quarters with them. At the time, the principles of behavior were still mostly a mystery -- Ivan Pavlov's explication of conditional reflexes, on which much training is based, wasn't even published in an English translation until 1927. If dogs needed to be taught how to behave, people had to be trained to train their dogs. The idea that an ordinary person -- not a dog professional -- could train his own pet was a new idea, which is partly why Rin Tin Tin's performances in movies and onstage were looked upon as extraordinary.

Teams that spend a lot of time learning the tricks of the trade will probably never really learn the trade.

His plain, undecorated, and utilitarian work reeked week of provincialism.

The promise of a social gospel was for Luther an irrelevant and ultimately irrelevant and ultimately cruel delusion.

There is only two kind of #books .First one is by some #famous person and Second one makes a person #famous .

Print, it transpired, was not just an instrument of agitation and change: now it was equally necessary to win the peace.

It is often the parishioners, the men and women in the pews, who set the tone.

Because there was no pre-existing patrician elite, those successful in the new book industry could write very swiftly to the top of the social hierarchy.

In an age that valued prolonged and detailed exposition, complexity, and repetition it was astonishing that Luther should have instinctively discerned the value of brevity.

After listing the vast array of famous composers, artists, and authors who had created works based on Dante’s epic poem, Langdon scanned the crowd. “So tell me, do we have any authors here tonight?” Nearly one-third of the hands went up. Langdon stared out in shock. Wow, either this is the most accomplished audience on earth, or this e-publishing thing is really taking off.

I have always had a number of parts lined up in case the muse failed. A lepidopterist exploring famous jungles came first, then there was the chess grand master, then the tennis ace with an unreturnable service, then the goalie saving a historic shot, and finally, finally, the author of a pile of unknown writings- Pale Fire, Lolita, Ada- which my heirs discover and publish.

Oliver, my professor, was a scientific bounder, a journalist by instinct, a thief of ideas,—he was always prying! And you know the knavish system of the scientific world. I simply would not publish, and let him share my credit. I went on working, I got nearer and nearer making my formula into an experiment, a reality. I told no living soul, because I meant to flash my work upon the world with crushing effect and become famous at a blow. I took up the question of pigments to fill up certain gaps. And suddenly, not by design but by accident, I made a discovery in physiology.

Byron published the first two cantos of his epic poem Childe Harold’s Pilgrimage, a romanticized account of his wanderings through Portugal, Malta, and Greece, and, as he later remarked, “awoke one morning and found myself famous.” Beautiful, seductive, troubled, brooding, and sexually adventurous, he was living the life of a Byronic hero while creating the archetype in his poetry. He became the toast of literary London and was feted at three parties each day, most memorably a lavish morning dance hosted by Lady Caroline Lamb. Lady Caroline, though married to a politically powerful aristocrat who was later prime minister, fell madly in love with Byron. He thought she was “too thin,” yet she had an unconventional sexual ambiguity (she liked to dress as a page boy) that he found enticing. They had a turbulent affair, and after it ended she stalked him obsessively. She famously declared him to be “mad, bad, and dangerous to know,” which he was. So was she.

BERLIN, October 29 I’ve been looking into what Germans are reading these dark days. Among novels the three best-sellers are: (1) Gone with the Wind, translated as Vom Winde Verweht—literally “From the Wind Blown About”; (2) Cronin’s Citadel; (3) Beyond Sing the Woods, by Trygve Gulbranssen, a young Norwegian author. Note that all three novels are by foreign authors, one by an Englishman. Most sought-after non-fiction books are: (1) The Coloured Front, an anonymous study of the white-versus-Negro problem; (2) Look Up the Subject of England, a propaganda book about England; (3) Der totale Krieg, Ludendorff’s famous book about the Total War—very timely now; (4) Fifty Years of Germany, by Sven Hedin, the Swedish explorer and friend of Hitler; (5) So This is Poland, by von Oertzen, data on Poland, first published in 1928. Three

Martin Luther was a thoroughly educated man but he wore this lightly. His sermons were littered with only examples and improving tales, drawing equally from the fables of Aesop and the follies of life he observed all around him.

One such individual was Amos Tutuola, who was a talented writer. His most famous novels, The Palm-Wine Drinkard, published in 1946, and My Life in the Bush of Ghosts, in 1954, explore Yoruba traditions and folklore. He received a great deal of criticism from Nigerian literary critics for his use of “broken or Pidgin English.” Luckily for all of us, Dylan Thomas, the Welsh poet and writer, was enthralled by Tutuola’s “bewitching literary prose” and wrote glowing reviews that helped Tutuola’s work attain international acclaim. I still believe that Tutuola’s critics in Nigeria missed the point. The beauty of his tales was fantastical expression of a form of an indigenous Yoruba, therefore African, magical realism. It is important to note that his books came out several decades before the brilliant Gabriel García Márquez published his own masterpieces of Latin American literature, such as One Hundred Years of Solitude.

Daphne du Maurier was the fifth-generation descendant of a French master craftsman who settled in England during the Revolution. The Glass-Blowers, the fictionalized story of his family, was originally published in 1963, but du Maurier first conceived of writing about her French forebears in the mid-1950s. She had recently completed her novel about Mary Anne Clarke, her famous great-great-grandmother, and a complementary work about the French side of her family seemed logical.

his business. On Denman's death he returned to his former trade, and shortly set up a printing house of his own from which he published "The Pennsylvania Gazette," to which he contributed many essays, and which he made a medium for agitating a variety of local reforms. In 1732 he began to issue his famous "Poor Richard's Almanac" for the enrichment of which he borrowed or composed those pithy utterances of worldly wisdom which are the basis of a large part of his popular reputation.

In 1977 Justice William Brennan wrote a famous article, published in the Harvard Law Review, that encouraged the use of state constitutions to protect constitutional rights.52 State constitutions, he argued, “are a font of individual liberties.

There is no man,’ he began, ‘however wise, who has not at some period of his youth said things, or lived in a way the consciousness of which is so unpleasant to him in later life that he would gladly, if he could, expunge it from his memory. And yet he ought not entirely to regret it, because he cannot be certain that he has indeed become a wise man—so far as it is possible for any of us to be wise—unless he has passed through all the fatuous or unwholesome incarnations by which that ultimate stage must be preceded. I know that there are young fellows, the sons and grand sons of famous men, whose masters have instilled into them nobility of mind and moral refinement in their schooldays. They have, perhaps, when they look back upon their past lives, nothing to retract; they can, if they choose, publish a signed account of everything they have ever said or done; but they are poor creatures, feeble descendants of doctrinaires, and their wisdom is negative and sterile. We are not provided with wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can take for us, an effort which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world. The lives that you admire, the attitudes that seem noble to you are not the result of training at home, by a father, or by masters at school, they have sprung from beginnings of a very different order, by reaction from the influence of everything evil or commonplace that prevailed round about them. They represent a struggle and a victory. I can see that the picture of what we once were, in early youth, may not be recognisable and cannot, certainly, be pleasing to contemplate in later life. But we must not deny the truth of it, for it is evidence that we have really lived, that it is in accordance with the laws of life and of the mind that we have, from the common elements of life, of the life of studios, of artistic groups—assuming that one is a painter—extracted something that goes beyond them.

In 1855, at the height of the Crimean War, Roger Fenton’s photograph, ‘The Valley of the Shadow of Death’, published in The Times, poignantly captured the aftermath of British retreat in the face of the Russian army with a single image of an empty battlefield. There was only one problem. Fenton had constructed the entire scene, moving cannon balls artfully until he had the perfect image. In 1945, on the beach of Iwo Jima, legendary war photographer Joe Rosenthal captured the most famous image of battle ever taken: the raising of the Stars and Stripes as American soldiers took the summit from the Japanese. It won him the Pulitzer Prize. Both are a lie.

Baldwin penned a powerful open letter to Angela Davis, later published in The New York Review of Books. He famously wrote: “We must fight for your life as though it were our own—which it is—and render impassable with our bodies the corridor to the gas chamber. For, if they take you in the morning, they will be coming for us that night.

Like many men who experience fatherhood relatively late in life, Martin Luther was a devoted parent. Luther wrote his children letters of touching intensity, patiently converting the joys of the Christian life into a language of storytelling fit for the very young. A home with children brought out the best in Luther in a way that theological disputation patently did not.

In Martin Luther's life and behavior is very courteous and friendly, and there is nothing of the stern stoic or grumpy fellow about him. He can adjust to all occasions. In social gathering he is gay, witty, ever full of joy, always has a bright and happy face, no matter how seriously his adversaries threatening him. One can see that God's strength is within him. – Petrus Mosellanus

Returning to an almost complete anonymity is my dream. I feel like my own prisoner. Most famous people no longer really belong to themselves. And if today I have agreed to talk about myself so intimately, if I have agreed to publish one last book with my name on it, it is because I need to; I need to sweep away any ambiguity concerning my life and my intentions, for the sake of honesty and transparency.

It was necessary, therefore, to Moses that he should find the people of Israel in Egypt enslaved and oppressed by the Egyptians, in order that they should be disposed to follow him so as to be delivered out of bondage. It was necessary that Romulus should not remain in Alba, and that he should be abandoned at his birth, in order that he should become King of Rome and founder of the fatherland. It was necessary that Cyrus should find the Persians discontented with the government of the Medes, and the Medes soft and effeminate through their long peace. Theseus could not have shown his ability had he not found the Athenians dispersed. These opportunities, therefore, made those men fortunate, and their high ability enabled them to recognize the opportunity whereby their country was ennobled and made famous.

Stevenson’s most famous novel was first published in 1886 and concerns the unfortunate Dr. Jekyll (pronounced ‘Jeekill’), whose attempts to understand the ‘thorough and primitive duality of man’ lead him to ingest a potion that splits him into two people. To the novel’s original readers, this summary would constitute a fatal spoiler – but so legendary has the novel become that there can be few modern readers unaware of its central twist.

When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism. The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them. In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void. Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.

Well, I can’t really talk about it, but we’ve recently acquired a very promising new author who specialises in high-concept science fiction. And it got a starred review in Publishers Weekly and everything, and there were some wonderful pull quotes and the one we decided to run with especially recommended it to fans of another, more famous author of high-concept science fiction. So we put it on all the posters and there’s big campaign all over the Underground and it’s on the front of the book and it’s too late to change any of it.” Oliver was looking perplexed in a way that made me want to hug him. “That seems unalloyedly positive, Bridget.” “It would be.” She threw herself into the nearest free chair. “Except the more famous author in question was Philip K. Dick. And the pull quote was, ‘If you like Dick, you’ll love this.’ And no one spotted it until we started getting extremely disappointed reviews on Amazon.

Knowledge of the truth I may perhaps have attained to; happiness, certainly not. What shall I do? Accomplish something in the world, men tell me. Shall I then publish my grief to the world, contribute one more proof for the wretchedness and misery of existence, perhaps discover a new flaw in human life, hitherto unnoticed? I might then reap the rare reward of becoming famous, like the man who discovered the spots on Jupiter. I prefer, however, to keep silent.

Little did Dickens know when he finished A Christmas Carol after just six weeks of feverish writing that this brief story would become one of his most famous works. Though the story was successful as soon as it was published on December 19, 1843, Dickens bolstered its renown further by choosing to perform it aloud when he began touring in 1853. His name became synonymous with Christmas in England to the extent that, after his death in 1870, some feared the holiday would become culturally obsolete

In On Liberty, first published in 1859, John Stuart Mill famously laid out four reasons for why free speech was a necessity in a free society: the first and second being that a contrary opinion may be true, or true in part, and therefore may require to be heard in order to correct your own erroneous views; the third and fourth being that even if the contrary opinion is in error, the airing of it may help to remind people of a truth and prevent its slippage into an ignorant dogma which may in time – if unchallenged – itself become lost.

Rolf Ekeus came round to my apartment one day and showed me the name of the Iraqi diplomat who had visited the little West African country of Niger: a statelet famous only for its production of yellowcake uranium. The name was Wissam Zahawi. He was the brother of my louche gay part-Kurdish friend, the by-now late Mazen. He was also, or had been at the time of his trip to Niger, Saddam Hussein's ambassador to the Vatican. I expressed incomprehension. What was an envoy to the Holy See doing in Niger? Obviously he was not taking a vacation. Rolf then explained two things to me. The first was that Wissam Zahawi had, when Rolf was at the United Nations, been one of Saddam Hussein's chief envoys for discussions on nuclear matters (this at a time when the Iraqis had functioning reactors). The second was that, during the period of sanctions that followed the Kuwait war, no Western European country had full diplomatic relations with Baghdad. TheVatican was the sole exception, so it was sent a very senior Iraqi envoy to act as a listening post. And this man, a specialist in nuclear matters, had made a discreet side trip to Niger. This was to suggest exactly what most right-thinking people were convinced was not the case: namely that British intelligence was on to something when it said that Saddam had not ceased seeking nuclear materials in Africa. I published a few columns on this, drawing at one point an angry email from Ambassador Zahawi that very satisfyingly blustered and bluffed on what he'd really been up to. I also received—this is what sometimes makes journalism worthwhile—a letter from a BBC correspondent named Gordon Correa who had been writing a book about A.Q. Khan. This was the Pakistani proprietor of the nuclear black market that had supplied fissile material to Libya, North Korea, very probably to Syria, and was open for business with any member of the 'rogue states' club. (Saddam's people, we already knew for sure, had been meeting North Korean missile salesmen in Damascus until just before the invasion, when Kim Jong Il's mercenary bargainers took fright and went home.) It turned out, said the highly interested Mr. Correa, that his man Khan had also been in Niger, and at about the same time that Zahawi had. The likelihood of the senior Iraqi diplomat in Europe and the senior Pakistani nuclear black-marketeer both choosing an off-season holiday in chic little uranium-rich Niger… well, you have to admit that it makes an affecting picture. But you must be ready to credit something as ridiculous as that if your touching belief is that Saddam Hussein was already 'contained,' and that Mr. Bush and Mr. Blair were acting on panic reports, fabricated in turn by self-interested provocateurs.

As a cook I generally believe that you can tell a lot about people by what they keep in their refrigerators. What comforts them, what they need to have on hand to sustain them. Bon Appétit magazine publishes an interview with a different famous person each month, and often the interviewer will ask the celebrity to name three things that can always be found in his or her refrigerator. The answers are generally too finely crafted to be believable. "A bottle of Stoli, fresh raspberries, and beluga caviar," or, "San Pellegrino, fresh figs, and key limes.

But there is another possible attitude towards the records of the past, and I have never been able to understand why it has not been more often adopted. To put it in its curtest form, my proposal is this: That we should not read historians, but history. Let us read the actual text of the times. Let us, for a year, or a month, or a fortnight, refuse to read anything about Oliver Cromwell except what was written while he was alive. There is plenty of material; from my own memory (which is all I have to rely on in the place where I write) I could mention offhand many long and famous efforts of English literature that cover the period. Clarendon’s History, Evelyn’s Diary, the Life of Colonel Hutchinson. Above all let us read all Cromwell’s own letters and speeches, as Carlyle published them. But before we read them let us carefully paste pieces of stamp-paper over every sentence written by Carlyle. Let us blot out in every memoir every critical note and every modern paragraph. For a time let us cease altogether to read the living men on their dead topics. Let us read only the dead men on their living topics.

Are you Afraid of Sadness?" In an old interview with a famous and talented Iraqi actress, the interviewer asked her: “Why are you afraid of sadness?” The actress responded: “I am afraid of it because it quickly takes you to a place from which you can never return.” And exactly as she was answering, an insightful viewer could notice a sadness on her face indicating that the famous and talented actress herself wasn’t really present in the interview for sadness had long taken her with no return… [Original poem published in Arabic on November 19, 2023 at ahewar.org]

Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.

ELDRIDGE CLEAVER (1953-I998) was a man who made a a significant imprint on our times, and not for the best. But I mourn his passing nonetheless. I first met Eldridge when he was Ramparts magazine's most famous and most bloodthirsty ex-con. 'I'm perfectly aware that I'm in prison, that I'm a Negro, that I've been a rapist," he wrote in a notorious epistle that Ramparts published. "My answer to all such thoughts lurking in their split-level heads, crouching behind their squinting bombardier eyes, is that the blood of Vietnamese peasants has paid off all my debts." This nihilism became an iconographic comment for the times, a ready excuse for all the destructive acts radicals like us went on to commit.

The Sedition Act of 1918 went even further, prohibiting anyone to “utter, print, write, or publish any disloyal, profane, scurrilous, or abusive language” about the government, the Constitution, or the armed forces. More than a thousand people were convicted under these two acts, including Eugene Debs, who was sentenced to ten years in prison for advocating resistance to conscription. Such convictions were upheld by the Supreme Court in Schenck v. United States (1919), in which Justice Oliver Wendell Holmes Jr. famously declared that the doctrine of free speech would not protect a man falsely shouting “fire” in a theater or in other incidents in which such speech presents a “clear and present danger.

The Sedition Act of 1918 went even further, prohibiting anyone to “utter, print, write, or publish any disloyal, profane, scurrilous, or abusive language” about the government, the Constitution, or the armed forces. More than a thousand people were convicted under these two acts, including Eugene Debs, who was sentenced to ten years in prison for advocating resistance to conscription. Such convictions were upheld by the Supreme Court in Schenck v. United States (1919), in which Justice Oliver Wendell Holmes Jr. famously declared that the doctrine of free speech would not protect a man falsely shouting “fire” in a theater or in other incidents in which such speech presents a “clear and present danger.” Did Wilson overreact?

Furber had come in the late fall following that enormous summer, now famous, in which the temperature had hung in the high nineties along the river for weeks, parching the fields, drying and destroying; weeks which had, unmindful of the calendar, fallen undiminished into October so that the leaves shriveled before they fell and fell while green, the river level fell, exposing flat stretches of mud and bottom weed, the Siren Rocks were seen for the first time in twenty years, quite round and disappointingly small, and an unmoving cover of dust lay thickly everywhere, on fields, trees, buildings, on the river itself which crawled beneath it blindly like a mole. -- William H. Gass, Omensetter's Luck, p. 97, Penguin Twentieth Century Classics, 1997 (first published by The New American Library 1966).

Some researchers, such as psychologist Jean Twenge, say this new world where compliments are better than sex and pizza, in which the self-enhancing bias has been unchained and allowed to gorge unfettered, has led to a new normal in which the positive illusions of several generations have now mutated into full-blown narcissism. In her book The Narcissism Epidemic, Twenge says her research shows that since the mid-1980s, clinically defined narcissism rates in the United States have increased in the population at the same rate as obesity. She used the same test used by psychiatrists to test for narcissism in patients and found that, in 2006, one in four U.S. college students tested positive. That’s real narcissism, the kind that leads to diagnoses of personality disorders. In her estimation, this is a dangerous trend, and it shows signs of acceleration. Narcissistic overconfidence crosses a line, says Twenge, and taints those things improved by a skosh of confidence. Over that line, you become less concerned with the well-being of others, more materialistic, and obsessed with status in addition to losing all the restraint normally preventing you from tragically overestimating your ability to manage or even survive risky situations. In her book, Twenge connects this trend to the housing market crash of the mid-2000s and the stark increase in reality programming during that same decade. According to Twenge, the drive to be famous for nothing went from being strange to predictable thanks to a generation or two of people raised by parents who artificially boosted self-esteem to ’roidtastic levels and then released them into a culture filled with new technologies that emerged right when those people needed them most to prop up their self-enhancement biases. By the time Twenge’s research was published, reality programming had spent twenty years perfecting itself, and the modern stars of those shows represent a tiny portion of the population who not only want to be on those shows, but who also know what they are getting into and still want to participate. Producers with the experience to know who will provide the best television entertainment to millions then cull that small group. The result is a new generation of celebrities with positive illusions so robust and potent that the narcissistic overconfidence of the modern American teenager by comparison is now much easier to see as normal.

In 1978, an activist named Judi Chamberlin published one of the movement's most revered manifestos called 'On Our Own: Patient-Controlled Alternatives to the Mental Health System.' Chamberlin had been diagnosed with a mental illness and found traditional psychiatric intervention unhelpful and even traumatic. She did recover, however, and she credited that recovery to an alternative mental health care facility she stayed at in Canada. Chamberlin and many other madness pride activists believe that people with 'lived experience' should not only have a proverbial seat at the table when it comes to the creation of mental health care systems, but that such people are uniquely equipped to understand what constitutes the best treatment. A slogan Chamberlin sought to make famous was 'Nothing about us without us.

On January 30, 1750, Mayhew stood in the pulpit of Boston’s Old West Church and preached on the occasion of the 101st anniversary of the execution of King Charles I. His message from Romans 13, titled “A Discourse Concerning Unlimited Submission and Non-Resistance to the High Powers,” became “the most famous sermon preached in pre-Revolutionary America.”2 When published, Mayhew’s sermon spread like electricity through the Colonies. John Adams, fourteen at the time, read it over and over “till the Substance of it, was incorporated into my Nature and indelibly engraved on my Memory.”3 Adams later called Mayhew’s sermon “the catechism” for the American Revolution.4 Others have called it “the first volley of the American Revolution, setting forth the intellectual and scriptural justification for rebellion against the crown.”5 In

There is only one historical development that has real significance. Today, when we finally realise that the keys to happiness are in the hands of our biochemical system, we can stop wasting our time on politics and social reforms, putsches and ideologies, and focus instead on the only thing that can make us truly happy: manipulating our biochemistry. If we invest billions in understanding our brain chemistry and developing appropriate treatments, we can make people far happier than ever before, without any need of revolutions. Prozac, for example, does not change regimes, but by raising serotonin levels it lifts people out of their depression. Nothing captures the biological argument better than the famous New Age slogan: ‘Happiness begins within.’ Money, social status, plastic surgery, beautiful houses, powerful positions – none of these will bring you happiness. Lasting happiness comes only from serotonin, dopamine and oxytocin.1 In Aldous Huxley’s dystopian novel Brave New World, published in 1932 at the height of the Great Depression, happiness is the supreme value and psychiatric drugs replace the police and the ballot as the foundation of politics. Every day, each person takes a dose of ‘soma’, a synthetic drug which makes people happy without harming their productivity and efficiency. The World State that governs the entire globe is never threatened by wars, revolutions, strikes or demonstrations, because all people are supremely content with their current conditions, whatever they may be. Huxley’s vision of the future is far more troubling than George Orwell’s Nineteen Eighty-Four. Huxley’s world seems monstrous to most readers, but it is hard to explain why. Everybody is happy all the time – what could be wrong with that?

THE FOUNDING PROPHET of modern antihumanism was Thomas Malthus (1766–1834). For three decades a professor at the British East India Company’s East India College, Malthus was a political economist who famously argued that human reproduction always outruns available resources. This doctrine served to rationalize the starvation of millions caused by his employer’s policy of brutal oppression of the peasants of the Indian subcontinent. The British Empire’s colonial helots, however, were not Malthus’s only targets. Rather, his Essay on the Principle of Population (first published in 1798 and later expanded in numerous further editions) was initially penned as a direct attack on such Enlightenment revolutionaries as William Godwin and the Marquis de Condorcet, who advanced the notion that human liberty, expanding knowledge, and technological progress could ultimately make possible a decent life for all mankind. Malthus prescribed specific policies to keep population down by raising the death rate:

And when you are foolish enough to identify yourself as a poet, your interlocutors will often ask: A PUBLISHED Poet? And when you tell them that you are, indeed, a published poet, they seem at least vaguely impressed. Why is that? Its not like they or anybody they know reads poetry journals. And yet there is something deeply right, I think, about this knee-jerk appeal to publicity. It's as if to say: Everybody can write a poem, but has your poetry, the distillation of your innermost being, been found authentic and intelligible by others? Can it circulate among persons, make of its readership, however small, a People in that sense? This accounts for the otherwise bafflingly persistent association of Poetry and fame - baffling since no poets are famous among the general population. To demand proof of fame is to demand proof that your songs made it back intact from the dream in the stable to the social world of the fire, that your song is at once utterly specific to you and exemplary for others.

Lazlo Bock, senior vice president of people operations at Google, made the following comments in an interview published by the New York Times in June 2013: “One of the things we’ve seen from all our data crunching is that G.P.A.’s (grade point averages) are worthless as a criteria for hiring, and test scores are worthless. Google famously used to ask everyone for a transcript and G.P.A.’s and test scores, but we don’t anymore…. We found that they don’t predict anything. What’s interesting is the proportion of people without any college education at Google has increased over time as well. So we have teams where you have 14 percent of the team made up of people who’ve never gone to college.” Doing well in college—earning high test scores and grades—has no measurable correlation with becoming an effective worker or manager.  This is incontrovertible evidence that the entire Higher Education system is detached from the real economy: excelling in higher education has little discernible correlation to real-world skills or performance.

In addition to bearing him thirteen children, Soya was privileged to copy the 1,225-page War and Peace by hand eight times while Tolstoy was editing it, because Tolstoy needed clean drafts to send along to the publisher. She also helped him work on the less famous but equally essential book Resurrection about the many women he cheated on with her. In the final weeks of his life, the increasingly radical Tolstoy left his wife without telling her, refused to see her when she tracked him down, and then died ij a train station. But at least Soya was comforted by the fact Tolstoy also made sure that they never had any money. At this point he had already freed his serfs, renounced his title, and given away most of his wealth to the poor. Instead of his wife and kids, he left the entirety of his estate and future royalties to the fringe Doukhobor spiritual movement. Tolstoy was selected for the first Nobel Prize in Literature in 1901, but he turned it down because he knew the prize money would complicate things in his life, What could a man with a wife and about a dozen children possibly need money for?

JULIAN HUXLEY’S “EUGENICS MANIFESTO”: “Eugenics Manifesto” was the name given to an article supporting eugenics. The document, which appeared in Nature, September 16, 1939, was a joint statement issued by America’s and Britain’s most prominent biologists, and was widely referred to as the “Eugenics Manifesto.” The manifesto was a response to a request from Science Service, of Washington, D.C. for a reply to the question “How could the world’s population be improved most effectively genetically?” Two of the main signatories and authors were Hermann J. Muller and Julian Huxley. Julian Huxley, as this book documents, was the founding director of UNESCO from the famous Huxley family. Muller was an American geneticist, educator and Nobel laureate best known for his work on the physiological and genetic effects of radiation. Put into the context of the timeline, this document was published 15 years after “Mein Kampf” and a year after the highly publicized violence of Kristallnacht. In other words, there is no way either Muller or Huxley were unaware at the moment of publication of the historical implications of eugenic agendas.

He had to backtrack immediately to account for the most famous and most acclaimed poet in America, Phillis Wheatley, who was, very unfortunately for Jefferson’s argument, unquestionably black. She had been brought to Boston as an enslaved African at the age of about six, learned English and Latin as a child, and began writing poetry as a teenager. Her published works earned accolades on both sides of the Atlantic. Among her admirers were Voltaire, who praised Wheatley’s “very good English verse,” George Washington, Benjamin Franklin, and even the naval hero John Paul Jones, who addressed her as “the celebrated Phillis the African favorite of the Nine [Muses] and Apollo” when he sent her some of his own verses. Dr. Rush cited her as a proof of black ability, listing her accomplishments when he wrote in 1775, “We have many well attested anecdotes of as sublime and disinterested virtue among them as ever adorned a Roman or a Christian character.”14 Franklin went to see Wheatley when she was in London, a literary celebrity on book tour. The acclaim irked Jefferson: “The compositions published under her name are below the dignity of criticism.”15

There is no man,” he began, “however wise, who has not at some period of his youth said things, or lived in a way the consciousness of which is so unpleasant to him in later life that he would gladly, if he could, expunge it from his memory. And yet he ought not entirely to regret it, because he cannot be certain that he has indeed become a wise man—so far as it is possible for any of us to be wise—unless he has passed through all the fatuous or unwholesome incarnations by which that ultimate stage must be preceded. I know that there are young fellows, the sons and grandsons of famous men, whose masters have instilled into them nobility of mind and moral refinement in their schooldays. They have, perhaps, when they look back upon their past lives, nothing to retract; they can, if they choose, publish a signed account of everything they have ever said or done; but they are poor creatures, feeble descendants of doctrinaires, and their wisdom is negative and sterile. We are not provided with wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can take for us, an effort which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world

After my return from Carolina in 1746, I made some observations on keeping slaves, which some time before his decease I showed to him; he perused the manuscript, proposed a few alterations, and appeared well satisfied that I found a concern on that account. In his last sickness, as I was watching with him one night, he being so far spent that there was no expectation of his recovery, though he had the perfect use of his understanding, he asked me concerning the manuscript, and whether I expected soon to proceed to take the advice of friends in publishing it? After some further conversation thereon, he said, "I have all along been deeply affected with the oppression of the poor negroes; and now, at last, my concern for them is as great as ever." By his direction I had written his will in a time of health, and that night he desired me to read it to him, which I did; and he said it was agreeable to his mind. He then made mention of his end, which he believed was near; and signified that though he was sensible of many imperfections in the course of his life, yet his experience of the power of truth, and of the love and goodness of God from time to time, even till now, was such that he had no doubt that on leaving this life he should enter into one more happy.

I write because of the fragility of our existence. I write because it's my answer to impermanence. I write because it helps me stay connected to my heart. I write because we’re all different, and so much the same. I write because the world needs more tenderness. I write because I'm tired of secrets. I write because it’s my path to redemption. I write because I've forsaken those that I love. I write because I want to know myself. I write because I want to know you. I write because I'm drawn towards things I shouldn't do. I write because every flower is meant to bloom. I write because life is full of paradoxes. I write because I’ve had to leave friends behind. I write because it's my form of prayer. I write because, when I write, I lose track of time. I write because I've walked dark streets looking for love. I write because of the way the sublime slips away from words. I write because of the twice shy part of once burned. I write because it helps me learn. I write because there are plenty of people who have written, famous well-published people, literary figures, literary giants, and I didn't like what they wrote. I write because I'm always telling myself stories anyhow. I write because I don't know all of the reasons I write. I write for you. I write. I write. I write.

In the early 1990s, before Japan’s bubble economy burst, a leading newspaper in the U.S. published a large photo taken on a winter’s morning of rush-hour commuters in Shinjuku Station (or possibly Tokyo Station—the same applies to both) heading down the stairs. As if by agreement, all the commuters were gazing downward, their expressions strained and unhappy, looking more like lifeless fish packed in a can than people. The article said, “Japan may be affluent, but most Japanese look like this, heads downcast and unhappy-looking.” The photo became famous. Tsukuru had no idea if most Japanese were, as the article claimed, unhappy. But the real reason that most passengers descending the stairs at Shinjuku Station during their packed morning commute were looking down was less that they were unhappy than that they were concerned about their footing. Don’t slip on the stairs, don’t lose a shoe—these are the major issues on the minds of the commuters in the mammoth station during rush hour. There was no explanation of this, no context for the photograph. Certainly it was hard to view this mass of people, clad in dark overcoats, their heads down, as happy. And of course it’s logical to see a country where people can’t commute in the morning without fear of losing their shoes as an unhappy society.

To our amazement Jimmy received a letter, dated August 20, 1963, from Bertrand Russell, the world-famous philosopher and peace activist, saying “I have recently finished your remarkable book The American Resolution” and “have been greatly impressed with its power and insight.” The letter goes on to ask for Jimmy’s views on whether American whites “will understand the negro [sic] revolt because “the survival of mankind may well follow or fail to follow from political and social behavior of Americans in the next decades.” On September 5 Jimmy wrote back a lengthy reply saying among other things that “so far, with the exception of the students, there has been no social force in the white population which the Negroes can respect and a handful of liberals joining in a demonstration doesn’t change this one bit.” Russell replied on September 18 with more questions that Jimmy answered in an even longer letter dated December 22. Meanwhile, Russell had sent a telegram to the November 21 Town Hall meeting in New York City at which Jimmy was scheduled to speak, warning Negroes not to resort to violence. In response Jimmy said at the meeting that “I too would like to hope that the issues of our revolt might be resolved by peaceful means,” but “the issues and grievances were too deeply imbedded in the American system and the American peoples so that the very things Russell warned against might just have to take place if the Negroes in the U.S.A. are ever to walk the streets as free men.” In his December 22 letter Jimmy repeats what he said at the meeting and then patiently explains to Russell that what has historically been considered democracy in the United States has actually been fascism for millions of Negroes. The letter concludes: I believe that it is your responsibility as I believe that it is my responsibility to recognize and record this, so that in the future words do not confuse the struggle but help to clarify it. This is what I think philosophers should make clear. Because even though Negroes in the United States still think they are struggling for democracy, in fact democracy is what they are struggling against. This exchange between Jimmy and Russell has to be seen to be believed. In a way it epitomizes the 1960s—Jimmy Boggs, the Alabama-born autoworker, explaining the responsibility of philosophers to The Earl Russell, O.M., F.R.S., in his time probably the West’s best-known philosopher. Within the next few years The American Revolution was translated and published in French, Italian, Japanese, Spanish, Catalan, and Portuguese. To this day it remains a page-turner for grassroots activists because it is so personal and yet political, so down to earth and yet visionary.

Example: a famous-to-economists finding in behavioral economics concerns pricing, and the fact that people have a provable bias towards the middle of three prices. It was first demonstrated with an experiment in beer pricing: when there were two beers, a third of people chose the cheaper; adding an even cheaper beer made the share of that beer go up, because it was now in the middle of three prices; adding an even more expensive beer at the top, and dropping the cheapest beer, made the share of the new beer in the middle (which had previously been the most expensive) go up from two-thirds to 90 percent. Having a price above and a price below makes the price in the middle seem more appealing. This experiment has been repeated with other consumer goods, such as ovens, and is now a much-used strategy in the corporate world. Basically, if you have two prices for something, and want to make more people pay the higher price, you add a third, even higher price; that makes the formerly highest price more attractive. Watch out for this strategy. (The research paper about beer pricing, written by a trio of economists at Duke University in 1982, was published in the Journal of Consumer Research. It’s called “Adding Asymetrically Dominated Alternatives: Violations of Regularity and the Simularity Hypothesis”—which must surely be the least engaging title ever given to an article about beer.)

What would have happened, I wondered, if Clover and Jotter never ran the river—if they had listened to the critics and doomsayers, or to their own doubts? They brought knowledge, energy, and passion to their botanical work, but also a new perspective. Before them, men had gone down the Colorado to sketch dams, plot railroads, dig gold, and daydream little Swiss chalets stuck up on the cliffs. They saw the river for what it could be, harnessed for human use. Clover and Jotter saw it as it was, a living system made up of flower, leaf, and thorn, lovely in its fierceness, worthy of study for its own sake. They knew every saltbush twig and stickery cactus was, in its own way, as much a marvel as Boulder Dam—shaped to survive against all the odds. In the United States, half of all bachelor’s degrees in science, engineering, and mathematics go to women, yet these women go on to earn only 74 percent of a man’s salary in those fields. A recent study found that it will be another two decades before women and men publish papers at equal rates in the field of botany, a field traditionally welcoming to women. It may take four decades for chemistry, and three centuries for physics. Stereotypes linger of scientists as white-coated, wild-haired men, and they limit the ways in which young people envision their futures. In a famous, oft-replicated study, 70 percent of six-year-old girls, asked to draw a picture of a scientist, draw a woman, but only 25 percent do so at the age of sixteen.

Not long after Chris died, a national magazine published a story comparing his life with that of the man accused of killing him. There are some parallels; they both grew up in Texas. But the article skimped on the differences. Look at the decisions they made, look at what they did with their lives, look at the responsibilities they took on--or shirked. Chris saw a great deal of combat. He never made excuses for his behavior. He didn’t always do the right thing, but he tried to do the right thing by others. Chris got the good grace, as Abel did, not by his birthright, but by his effort. As I sat listening to the prosecutor, I thought his parallel extended through Chris’s life--not solely to the man who shot him, but to the haters, to the people who ended up in legal disputes with him or his estate, for whatever reason. They all wanted something he had. Not money, but authenticity. Real achievements. Soul. Grace. And of course that’s the one thing you can’t take from someone else, even if you steal his life. Chris became famous without wanting to. Opportunities that others had to fight and claw for seemed to fall in his lap. But most of all, people just liked him for being who he was, with seemingly no effort on his part at all. Of course, there was effort, and there was great struggle. He had to persevere--The Navy didn’t want him at all when he first tried to enlist. But people don’t see that part. They don’t see the long days at BUD/S, or the pain of leaving your family. Nor do they logically analyze what toll the achievements take.

NOBEL PRIZE–WINNER, British poet laureate, essayist, novelist, journalist, and short story writer Rudyard Kipling wrote for both children and adults, with many of his stories and poems focusing on British imperialism in India. His works were popular during the late nineteenth and early twentieth centuries, even though many deemed his political views too conservative. Born on December 30, 1865, in Bombay, India, Kipling had a happy early childhood, but in 1871 he and his sister were sent to a boarding house called Lorne Lodge in Southsea, where he spent many disappointing years. He was accepted in 1877 to United Services College in the west of England. In 1882, he returned to his family in India, working as a journalist, associate editor, and correspondent for many publications, including Civil and Military Gazette, a publication in Lahore, Pakistan. He also wrote poetry. He found great success in writing after his 1889 return to England, where he was eventually appointed poet laureate. Some of his most famous writings, including The Jungle Book, Kim, Puck of Pook’s Hill, and Rewards and Fairies, saw publication in the 1890s and 1900s. It was during this period that he married Caroline Balestier, the sister of an American friend and publishing colleague. The couple settled in Vermont, where their two daughters were born. After a quarrel with his brother-in-law and grumblings from his American neighbors about his controversial political views, Kipling and his family returned to England. There, Caroline gave birth to a son in 1896. Tragically, their eldest daughter died in 1899. Later, Kipling’s son perished in battle during World War I. In 1907 Kipling was awarded the Nobel Prize. He died on January 18, 1936, and his ashes are buried in Poets’ Corner in Westminster Abbey.

But nothing has ever expressed the general, gut-felt moral revulsion against city-bombing better than a virtually unknown article, from firsthand experience, by America’s most famous writer at the time, Ernest Hemingway, in July 1938. It’s still little known because he wrote it, by request, for the Soviet newspaper Pravda, which published it in Russian; his manuscript in English didn’t surface143 for forty-four years. It conveys in words the same surreal images that Picasso had rendered on canvas the year before. His lead sentence: “During the last fifteen months I saw murder done in Spain by the Fascist invaders. Murder is different from war.” Hemingway was describing what he had seen of fascist bombing of workers’ housing in Barcelona and shelling of civilian cinemagoers in Madrid. You see the murdered children with their twisted legs, their arms that bend in wrong directions, and their plaster powdered faces. You see the women, sometimes unmarked when they die from concussion, their faces grey, green matter running out of their mouths from bursted gall bladders. You see them sometimes looking like bloodied bundles of rags. You see them sometimes blown capriciously into fragments as an insane butcher might sever a carcass. And you hate the Italian and German murderers who do this as you hate no other people. … When they shell the cinema crowds, concentrating on the squares where the people will be coming out at six o’clock, it is murder. … You see a shell hit a queue of women standing in line to buy soap. There are only four women killed but a part of one woman’s torso is driven against a stone wall so that blood is driven into the stone with such force that sandblasting later fails to clean it. The other dead lie like scattered black bundles and the wounded are moaning or screaming.

It happened because during my first year at Berkeley I arrived late one day at one of [Jerzy] Neyman's classes. On the blackboard there were two problems that I assumed had been assigned for homework. I copied them down. A few days later I apologized to Neyman for taking so long to do the homework — the problems seemed to be a little harder than usual. I asked him if he still wanted it. He told me to throw it on his desk. I did so reluctantly because his desk was covered with such a heap of papers that I feared my homework would be lost there forever. About six weeks later, one Sunday morning about eight o'clock, [my wife] Anne and I were awakened by someone banging on our front door. It was Neyman. He rushed in with papers in hand, all excited: "I've just written an introduction to one of your papers. Read it so I can send it out right away for publication." For a minute I had no idea what he was talking about. To make a long story short, the problems on the blackboard that I had solved thinking they were homework were in fact two famous unsolved problems in statistics. That was the first inkling I had that there was anything special about them. A year later, when I began to worry about a thesis topic, Neyman just shrugged and told me to wrap the two problems in a binder and he would accept them as my thesis. The second of the two problems, however, was not published until after World War II. It happened this way. Around 1950 I received a letter from Abraham Wald enclosing the final galley proofs of a paper of his about to go to press in the Annals of Mathematical Statistics. Someone had just pointed out to him that the main result in his paper was the same as the second "homework" problem solved in my thesis. I wrote back suggesting we publish jointly. He simply inserted my name as coauthor into the galley proof. [interview in the College Mathematics Journal in 1986]

So I went to Case, and the Dean of Case says to us, says, it’s a all men’s school, says, “Men, look at, look to the person on your left, and the person on your right. One of you isn’t going to be here next year; one of you is going to fail.” So I get to Case, and again I’m studying all the time, working really hard on my classes, and so for that I had to be kind of a machine. I, the calculus book that I had, in high school we — in high school, as I said, our math program wasn’t much, and I had never heard of calculus until I got to college. But the calculus book that we had was great, and in the back of the book there were supplementary problems that weren’t, you know, that weren’t assigned by the teacher. The teacher would assign, so this was a famous calculus text by a man named George Thomas, and I mention it especially because it was one of the first books published by Addison-Wesley, and I loved this calculus book so much that later I chose Addison-Wesley to be the publisher of my own book. But Thomas’s Calculus would have the text, then would have problems, and our teacher would assign, say, the even numbered problems, or something like that. I would also do the odd numbered problems. In the back of Thomas’s book he had supplementary problems, the teacher didn’t assign the supplementary problems; I worked the supplementary problems. I was, you know, I was scared I wouldn’t learn calculus, so I worked hard on it, and it turned out that of course it took me longer to solve all these problems than the kids who were only working on what was assigned, at first. But after a year, I could do all of those problems in the same time as my classmates were doing the assigned problems, and after that I could just coast in mathematics, because I’d learned how to solve problems. So it was good that I was scared, in a way that I, you know, that made me start strong, and then I could coast afterwards, rather than always climbing and being on a lower part of the learning curve.

There is no man,” he began, “however wise, who has not at some period of his youth said things, or lived in a way the consciousness of which is so unpleasant to him in later life that he would gladly, if he could, expunge it from his memory. And yet he ought not entirely to regret it, because he cannot be certain that he has indeed become a wise man — so far as it is possible for any of us to be wise — unless he has passed through all the fatuous or unwholesome incarnations by which that ultimate stage must be preceded. I know that there are young fellows, the sons and grandsons of famous men, whose masters have instilled into them nobility of mind and moral refinement in their schooldays. They have, perhaps, when they look back upon their past lives, nothing to retract; they can, if they choose, publish a signed account of everything they have ever said or done; but they are poor creatures, feeble descendants of doctrinaires, and their wisdom is negative and sterile. We are not provided with wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can take for us, an effort which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world. The lives that you admire, the attitudes that seem noble to you are not the result of training at home, by a father, or by masters at school, they have sprung from beginnings of a very different order, by reaction from the influence of everything evil or commonplace that prevailed round about them. They represent a struggle and a victory. I can see that the picture of what we once were, in early youth, may not be recognisable and cannot, certainly, be pleasing to contemplate in later life. But we must not deny the truth of it, for it is evidence that we have really lived, that it is in accordance with the laws of life and of the mind that we have, from the common elements of life, of the life of studios, of artistic groups — assuming that one is a painter — extracted something that goes beyond them.

what makes life worth living when we are old and frail and unable to care for ourselves? In 1943, the psychologist Abraham Maslow published his hugely influential paper “A Theory of Human Motivation,” which famously described people as having a hierarchy of needs. It is often depicted as a pyramid. At the bottom are our basic needs—the essentials of physiological survival (such as food, water, and air) and of safety (such as law, order, and stability). Up one level are the need for love and for belonging. Above that is our desire for growth—the opportunity to attain personal goals, to master knowledge and skills, and to be recognized and rewarded for our achievements. Finally, at the top is the desire for what Maslow termed “self-actualization”—self-fulfillment through pursuit of moral ideals and creativity for their own sake. Maslow argued that safety and survival remain our primary and foundational goals in life, not least when our options and capacities become limited. If true, the fact that public policy and concern about old age homes focus on health and safety is just a recognition and manifestation of those goals. They are assumed to be everyone’s first priorities. Reality is more complex, though. People readily demonstrate a willingness to sacrifice their safety and survival for the sake of something beyond themselves, such as family, country, or justice. And this is regardless of age. What’s more, our driving motivations in life, instead of remaining constant, change hugely over time and in ways that don’t quite fit Maslow’s classic hierarchy. In young adulthood, people seek a life of growth and self-fulfillment, just as Maslow suggested. Growing up involves opening outward. We search out new experiences, wider social connections, and ways of putting our stamp on the world. When people reach the latter half of adulthood, however, their priorities change markedly. Most reduce the amount of time and effort they spend pursuing achievement and social networks. They narrow in. Given the choice, young people prefer meeting new people to spending time with, say, a sibling; old people prefer the opposite. Studies find that as people grow older they interact with fewer people and concentrate more on spending time with family and established friends. They focus on being rather than doing and on the present more than the future.

The key question for any nation is always, “Which system of morals should be followed?” Numerous American leaders, including Thomas Jefferson, thoroughly investigated the answer to this query. For years, Jefferson studied the moral teachings of dozens of history’s most famous moral philosophers, including Ocellus, Timæus, Pythagoras, Aristides, Cato, Socrates, Plato, Epicurus, Cicero, Xenophon, Seneca, Epictetus, Antoninus, and many others.27 After reading and critiquing the writings of each, Jefferson repeatedly praised the preeminence of Jesus’ moral teachings over all others,28 pointing out that Jesus alone “pushed His scrutinies into the heart of man, erected His tribunal in the region of his thoughts, and purified the waters at the fountain head.”29 Jefferson contemplated publishing a personal work to document his findings, explaining how he would cover this subject in such a piece: I should first take a general view of the moral doctrines of the most remarkable of the ancient philosophers of whose ethics we have sufficient information to make an estimate—say Pythagoras, Epicurus, Epictetus, Socrates, Cicero, Seneca, Antoninus. I should do justice to the branches of morality they have treated well, but point out the importance of those in which they are deficient….I should proceed to a view of the life, character, and doctrines of Jesus….[H]is system of morality was the most benevolent and sublime probably that has been ever taught, and consequently more perfect than those of any of the ancient philosophers.30 Jefferson eventually did compile a work on the “benevolent and sublime” teachings of Jesus for his personal use. He titled it The Life and Morals of Jesus of Nazareth, and in it he included 81 moral teachings of Jesus.31 In 1895, Congress purchased Jefferson’s original manuscript from his great-granddaughter,32 and in 1902, the US Congress published it for use by the nation’s federal senators and representatives.33 Nine thousand copies were printed at government expense, and for the next 50 years, every senator and representative received a copy of Jefferson’s Life and Morals of Jesus at his or her swearing in.34 This book is often called “The Jefferson Bible,” which is a substantial misrepresentation of this work on the wonderful moral teachings of Jesus. After all, Jefferson never called it a Bible; he simply created a readily-usable collection of the moral teachings of Jesus.*

Jones, along with the US military attaché in Indonesia, took Subandrio’s advice. He emphasized to Washington that the United States should support the Indonesian military as a more effective, long-term anticommunist strategy. The country of Indonesia couldn’t be simply broken into pieces to slow down the advance of global socialism, so this was a way that the US could work within existing conditions. This strategic shift would begin soon, and would prove very fruitful. But behind the scenes, the CIA boys dreamed up wild schemes. On the softer side, a CIA front called the Congress for Cultural Freedom, which funded literary magazines and fine arts around the world, published and distributed books in Indonesia, such as George Orwell’s Animal Farm and the famous anticommunist collection The God That Failed.33 And the CIA discussed simply murdering Sukarno. The Agency went so far as to identify the “asset” who would kill him, according to Richard M. Bissell, Wisner’s successor as deputy director for plans.34 Instead, the CIA hired pornographic actors, including a very rough Sukarno look-alike, and produced an adult film in a bizarre attempt to destroy his reputation. The Agency boys knew that Sukarno routinely engaged in extramarital affairs. But everyone in Indonesia also knew it. Indonesian elites didn’t shy away from Sukarno’s activities the way the Washington press corps protected philanderers like JFK. Some of Sukarno’s supporters viewed his promiscuity as a sign of his power and masculinity. Others, like Sumiyati and members of the Gerwani Women’s Movement, viewed it as an embarrassing defect. But the CIA thought this was their big chance to expose him. So they got a Hollywood film crew together.35 They wanted to spread the rumor that Sukarno had slept with a beautiful blond flight attendant who worked for the KGB, and was therefore both immoral and compromised. To play the president, the filmmakers (that is, Bing Crosby and his brother Larry) hired a “Hispanic-looking” actor, and put him in heavy makeup to make him look a little more Indonesian. They also wanted him bald, since exposing Sukarno—who always wore a hat—as such might further embarrass him. The idea was to destroy the genuine affection that young Sakono, and Francisca, and millions of other Indonesians, felt for the Founding Father of their country. The thing was never released—not because this was immoral or a bad idea, but because the team couldn’t put together a convincing enough film.36

He called back with an incredible report: there were people lined up around the store already. Wow, I thought. Wow! Wow didn’t begin to cover it. People lined up on two floors of the store to talk to Chris and get their books signed, hours before he was even scheduled to arrive. Chris was overwhelmed when he got there, and so was I. The week before, he’d been just another guy walking down the street. Now, all of a sudden he was famous. Except he was still the same Chris Kyle, humble and a bit abashed, ready to shake hands and pose for a picture, and always, at heart, a good ol’ boy. “I’m so nervous,” confided one of the people on the line as he approached Chris. “I’ve been waiting for three hours just to see you.” “Oh, I’m sorry,” said Chris. “Waitin’ all that time and come to find out there’s just another redneck up here.” The man laughed, and so did Chris. It was something he’d repeat, in different variations, countless times that night and over the coming weeks. We stayed for three or four hours that first night, far beyond what had been advertised, with Chris signing each book, shaking each hand, and genuinely grateful for each person who came. For their part, they were anxious not just to meet him but to thank him for his service to our country-and by extension, the service of every military member whom they couldn’t personally thank. From the moment the book was published, Chris became the son, the brother, the nephew, the cousin, the kid down the street whom they couldn’t personally thank. In a way, his outstanding military record was beside the point-he was a living, breathing patriot who had done his duty and come home safe to his wife and kids. Thanking him was people’s way of thanking everyone in uniform. And, of course, the book was an interesting read. It quickly became a commercial success beyond anyone’s wildest dreams, including the publisher’s. The hardcover debuted at number two on the New York Times bestseller list, then rose to number one and stayed there for more than two months. It’s remained a fixture on the bestseller lists ever since, and has been translated into twenty-four languages worldwide. It was a good read, and it had a profound effect on a lot of people. A lot of the people who bought it weren’t big book readers, but they ended up engrossed. A friend of ours told us that he’d started reading the book one night while he was taking a bath with his wife. She left, went to bed, and fell asleep. She woke up at three or four and went into the bathroom. Her husband was still there, in the cold water, reading. The funny thing is, Chris still could not have cared less about all the sales. He’d done his assignment, turned it in, and got his grade. Done deal.

A famous British writer is revealed to be the author of an obscure mystery novel. An immigrant is granted asylum when authorities verify he wrote anonymous articles critical of his home country. And a man is convicted of murder when he’s connected to messages painted at the crime scene. The common element in these seemingly disparate cases is “forensic linguistics”—an investigative technique that helps experts determine authorship by identifying quirks in a writer’s style. Advances in computer technology can now parse text with ever-finer accuracy. Consider the recent outing of Harry Potter author J.K. Rowling as the writer of The Cuckoo’s Calling , a crime novel she published under the pen name Robert Galbraith. England’s Sunday Times , responding to an anonymous tip that Rowling was the book’s real author, hired Duquesne University’s Patrick Juola to analyze the text of Cuckoo , using software that he had spent over a decade refining. One of Juola’s tests examined sequences of adjacent words, while another zoomed in on sequences of characters; a third test tallied the most common words, while a fourth examined the author’s preference for long or short words. Juola wound up with a linguistic fingerprint—hard data on the author’s stylistic quirks. He then ran the same tests on four other books: The Casual Vacancy , Rowling’s first post-Harry Potter novel, plus three stylistically similar crime novels by other female writers. Juola concluded that Rowling was the most likely author of The Cuckoo’s Calling , since she was the only one whose writing style showed up as the closest or second-closest match in each of the tests. After consulting an Oxford linguist and receiving a concurring opinion, the newspaper confronted Rowling, who confessed. Juola completed his analysis in about half an hour. By contrast, in the early 1960s, it had taken a team of two statisticians—using what was then a state-of-the-art, high-speed computer at MIT—three years to complete a project to reveal who wrote 12 unsigned Federalist Papers. Robert Leonard, who heads the forensic linguistics program at Hofstra University, has also made a career out of determining authorship. Certified to serve as an expert witness in 13 states, he has presented evidence in cases such as that of Christopher Coleman, who was arrested in 2009 for murdering his family in Waterloo, Illinois. Leonard testified that Coleman’s writing style matched threats spray-painted at his family’s home (photo, left). Coleman was convicted and is serving a life sentence. Since forensic linguists deal in probabilities, not certainties, it is all the more essential to further refine this field of study, experts say. “There have been cases where it was my impression that the evidence on which people were freed or convicted was iffy in one way or another,” says Edward Finegan, president of the International Association of Forensic Linguists. Vanderbilt law professor Edward Cheng, an expert on the reliability of forensic evidence, says that linguistic analysis is best used when only a handful of people could have written a given text. As forensic linguistics continues to make headlines, criminals may realize the importance of choosing their words carefully. And some worry that software also can be used to obscure distinctive written styles. “Anything that you can identify to analyze,” says Juola, “I can identify and try to hide.

Dear KDP Author, Just ahead of World War II, there was a radical invention that shook the foundations of book publishing. It was the paperback book. This was a time when movie tickets cost 10 or 20 cents, and books cost $2.50. The new paperback cost 25 cents – it was ten times cheaper. Readers loved the paperback and millions of copies were sold in just the first year. With it being so inexpensive and with so many more people able to afford to buy and read books, you would think the literary establishment of the day would have celebrated the invention of the paperback, yes? Nope. Instead, they dug in and circled the wagons. They believed low cost paperbacks would destroy literary culture and harm the industry (not to mention their own bank accounts). Many bookstores refused to stock them, and the early paperback publishers had to use unconventional methods of distribution – places like newsstands and drugstores. The famous author George Orwell came out publicly and said about the new paperback format, if “publishers had any sense, they would combine against them and suppress them.” Yes, George Orwell was suggesting collusion. Well… history doesn’t repeat itself, but it does rhyme. Fast forward to today, and it’s the e-book’s turn to be opposed by the literary establishment. Amazon and Hachette – a big US publisher and part of a $10 billion media conglomerate – are in the middle of a business dispute about e-books. We want lower e-book prices. Hachette does not. Many e-books are being released at $14.99 and even $19.99. That is unjustifiably high for an e-book. With an e-book, there’s no printing, no over-printing, no need to forecast, no returns, no lost sales due to out of stock, no warehousing costs, no transportation costs, and there is no secondary market – e-books cannot be resold as used books. E-books can and should be less expensive. Perhaps channeling Orwell’s decades old suggestion, Hachette has already been caught illegally colluding with its competitors to raise e-book prices. So far those parties have paid $166 million in penalties and restitution. Colluding with its competitors to raise prices wasn’t only illegal, it was also highly disrespectful to Hachette’s readers. The fact is many established incumbents in the industry have taken the position that lower e-book prices will “devalue books” and hurt “Arts and Letters.” They’re wrong. Just as paperbacks did not destroy book culture despite being ten times cheaper, neither will e-books. On the contrary, paperbacks ended up rejuvenating the book industry and making it stronger. The same will happen with e-books. Many inside the echo-chamber of the industry often draw the box too small. They think books only compete against books. But in reality, books compete against mobile games, television, movies, Facebook, blogs, free news sites and more. If we want a healthy reading culture, we have to work hard to be sure books actually are competitive against these other media types, and a big part of that is working hard to make books less expensive. Moreover, e-books are highly price elastic. This means that when the price goes down, customers buy much more. We've quantified the price elasticity of e-books from repeated measurements across many titles. For every copy an e-book would sell at $14.99, it would sell 1.74 copies if priced at $9.99. So, for example, if customers would buy 100,000 copies of a particular e-book at $14.99, then customers would buy 174,000 copies of that same e-book at $9.99. Total revenue at $14.99 would be $1,499,000. Total revenue at $9.99 is $1,738,000. The important thing to note here is that the lower price is good for all parties involved: the customer is paying 33% less and the author is getting a royalty check 16% larger and being read by an audience that’s 74% larger. The pie is simply bigger.

The process of receiving teaching depends upon the student giving something in return; some kind of psychological surrender is necessary, a gift of some sort. This is why we must discuss surrendering, opening, giving up expectations, before we can speak of the relationship between teacher and student. It is essential to surrender, to open yourself, to present whatever you are to the guru, rather than trying to present yourself as a worthwhile student. It does not matter how much you are willing to pay, how correctly you behave, how clever you are at saying the right thing to your teacher. It is not like having an interview for a job or buying a new car. Whether or not you will get the job depends upon your credentials, how well you are dressed, how beautifully your shoes are polished, how well you speak, how good your manners are. If you are buying a car, it is a matter of how much money you have and how good your credit is. But when it comes to spirituality, something more is required. It is not a matter of applying for a job, of dressing up to impress our potential employer. Such deception does not apply to an interview with a guru, because he sees right through us. He is amused if we dress up especially for the interview. Making ingratiating gestures is not applicable in this situation; in fact it is futile. We must make a real commitment to being open with our teacher; we must be willing to give up all our preconceptions. Milarepa expected Marpa to be a great scholar and a saintly person, dressed in yogic costume with beads, reciting mantras, meditating. Instead he found Marpa working on his farm, directing the laborers and plowing his land. I am afraid the word guru is overused in the West. It would be better to speak of one’s “spiritual friend,” because the teachings emphasize a mutual meeting of two minds. It is a matter of mutual communication, rather than a master-servant relationship between a highly evolved being and a miserable, confused one. In the master-servant relationship the highly evolved being may appear not even to be sitting on his seat but may seem to be floating, levitating, looking down at us. His voice is penetrating, pervading space. Every word, every cough, every movement that he makes is a gesture of wisdom. But this is a dream. A guru should be a spiritual friend who communicates and presents his qualities to us, as Marpa did with Milarepa and Naropa with Marpa. Marpa presented his quality of being a farmer-yogi. He happened to have seven children and a wife, and he looked after his farm, cultivating the land and supporting himself and his family. But these activities were just an ordinary part of his life. He cared for his students as he cared for his crops and family. He was so thorough, paying attention to every detail of his life, that he was able to be a competent teacher as well as a competent father and farmer. There was no physical or spiritual materialism in Marpa’s lifestyle at all. He did not emphasize spirituality and ignore his family or his physical relationship to the earth. If you are not involved with materialism, either spiritually or physically, then there is no emphasis made on any extreme. Nor is it helpful to choose someone for your guru simply because he is famous, someone who is renowned for having published stacks of books and converted thousands or millions of people. Instead the guideline is whether or not you are able actually to communicate with the person, directly and thoroughly. How much self-deception are you involved in? If you really open yourself to your spiritual friend, then you are bound to work together. Are you able to talk to him thoroughly and properly? Does he know anything about you? Does he know anything about himself, for that matter? Is the guru really able to see through your masks, communicate with you properly, directly? In searching for a teacher, this seems to be the guideline rather than fame or wisdom.

In October 1967 Richard Nixon published a now-famous article in Reader’s Digest titled “What Has Happened to America?” The article, which was actually written by Pat Buchanan, wrapped up all the nation’s turmoil in one package: Liberal permissiveness, Nixon/Buchanan claimed, was the root of all evil.3 “Just three years ago,” the article began, “this nation seemed to be completing its greatest decade of racial progress.” But now the nation was “among the most lawless and violent in the history of free peoples.” Urban riots were “the most virulent symptoms to date of another, and in some ways graver, national disorder—the decline in respect for public authority and the rule of law in America.” And it was all the fault of the liberals.

His first breach with the Church did not come with his famous Ninety-five Theses, which he posted on the Wittenberg church door on October 31, 1517. It came almost two months earlier, on September 4, when he published another set of theses, Disputation Against Scholastic Theology, which are less well-known but nearly as explosive.

His first breach with the Church did not come with his famous Ninety-five Theses, which he posted on the Wittenberg church door on October 31, 1517. It came almost two months earlier, on September 4, when he published another set of theses, Disputation Against Scholastic Theology, which are less well-known but nearly as explosive. They asserted that a Christianity founded on the spiritual power of God’s grace—in effect Christianity in its Platonized form as received from Saint Augustine—and the view of law and nature derived from Aristotle could never be reconciled. “The whole Aristotelian ethic,” Luther wrote, “is grace’s worst enemy.” And so as the tidal wave of Reformation overwhelmed the heart of Europe and changed its religious and cultural contours forever, it also swept Aristotle almost out of sight.

David Dunning and Justin Kruger. They had just published a “modest report” on skill and confidence that would soon become famous. They found that in many situations, those who can’t . . . don’t know they can’t. According to what’s now known as the Dunning-Kruger effect, it’s when we lack competence that we’re most likely to be brimming with overconfidence.

Montreal was the location of ice hockey’s first formal game (1875), its first published rules (1877), its first official club (1877), its first major tournament (1883), its first intercity league (1886) and its first national champion (1893).11 That occurred when the reigning governor general, Lord Frederick Stanley of Preston, presented his famous Cup, and a five-team league—three of which were from Montreal—settled on its winner.12 For much of this time, hockey as an organized sport had been marginal and largely unknown in Toronto.

Poor, luckless Foster I have twice seen. He came into my rooms in Boston, after I had become a barrister and my narrative had been published, and told me he was chief mate of a big ship; that he had heard I had said some things unfavorable of him in my book; that he had just bought it, and was going to read it that night, and if I had said anything unfair of him, he would punish me if he found me in State Street. I surveyed him from head to foot, and said to him, “Foster, you were not a formidable man when I last knew you, and I don’t believe you are now. Either he was of my opinion, or thought I had spoken of him well enough, for the next (and last) time I met him he was civil and pleasant.

In 1640 an anthology of Shakespeare’s poems was published, irreverently questioning the Folio’s presentation of Shakespeare. It, too, featured a copy of the Droeshout portrait but added a bright light behind his subject’s head, suggesting the figure in front is but a shadow. To drive home the point, an accompanying poem called the figure a “shadow” and mimicked the language of Jonson’s famous tribute, sprinkling it with sarcastic question marks that contest the legitimacy of the image: This Shadow is renowned Shakespear’s? Soule of th’age The applause? Delight? The wonder of the stage. Some of the First Folio’s early readers apparently suspected that this was a false image of the author.

One reason for this “dirty little secret” is the positive publication bias described in Chapter 7. If researchers and medical journals pay attention to positive findings and ignore negative findings, then they may well publish the one study that finds a drug effective and ignore the nineteen in which it has no effect. Some clinical trials may also have small samples (such as for a rare diseases), which magnifies the chances that random variation in the data will get more attention than it deserves. On top of that, researchers may have some conscious or unconscious bias, either because of a strongly held prior belief or because a positive finding would be better for their career. (No one ever gets rich or famous by proving what doesn’t cure cancer.)

In 1948, the New Yorker published a short story by a then-unknown writer. The tale, about an ordinary town with a sinister secret, so outraged readers that the magazine reported receiving more negative mail than ever before, including many subscription cancellations. That story was “The Lottery” by Shirley Jackson, which went on to become one of the most famous short stories in American literature.

First published in 2020 this book contains over 560 easily readable compact entries in systematic order augmented by an extensive bibliography, an alphabetical list of countries and locations of individuals final resting places (where known) and a day and month list in consecutive order of when an individual died. It details the deaths of individuals, who died too early and often in tragic circumstances, from film, literature, music, theatre, and television, and the achievements they left behind. In addition, some ordinary people who died in bizarre, freak, or strange circumstances are also included. It does not matter if they were famous or just celebrated by a few individuals, all the people in this book left behind family, friends and in some instances devotees who idolised them. Our heartfelt thoughts and sympathies go out to all those affected by each persons death. Whether you are concerned about yourself, a loved one, a friend, or a work colleague there are many helplines and support groups that offer confidential non-judgemental help, guidance and advice on mental health problems (such as anxiety, bereavement, depression, despair, distress, stress, substance abuse, suicidal feelings, and trauma). Support can be by phone, email, face-to-face counselling, courses, and self-help groups. Details can be found online or at your local health care organisation. There are many conspiracy theories, rumours, cover-ups, allegations, sensationalism, and myths about the cause of some individual’s deaths. Only the facts known at the time of writing are included in this book. Some important information is deliberately kept secret or undisclosed. Sometimes not until 20 or even 30 years later are full details of an accident or incident released or in some cases found during extensive research. Similarly, unsolved murders can be reinvestigated years later if new information becomes known. In some cases, 50 years on there are those who continue to investigate what they consider are alleged cover-ups. The first name in an entry is that by which a person was generally known. Where relevant their real name is included in brackets. Date of Death | In the entry detailing the date an individual died their age at the time of their death is recorded in brackets. Final Resting Place | Where known details of a persons final resting place are included. “Unknown” | Used when there is insufficient evidence available to the authorities to establish whether an individuals’ death was due to suicide, accident or caused by another. Statistics The following statistics are derived from the 579 individual “cause of death” entries included in this publication. The top five causes of death are, Heart attack/failure 88 (15.2%) Cancer 55 (9.5%) Fatal injuries (plane crash) 43 (7.4%) Fatal injuries (vehicle crash/collision) 39 (6.7%) Asphyxiation (Suicide) 23 (4%). extract from 'Untimely and Tragic Deaths of the Renowned, The Celebrated, The Iconic

The editors also realized an important secret in publishing, that information is made more memorable when it is tinged with bias. The Edinburgh Review’s motto was, “The judge is condemned when the guilty is acquitted.” The magazine became famous for its likes and dislikes, although “hatreds” might be a better word

Many residents had written letters, sickened by the aftermath of the spraying. Health officials were unbowed. But Olga Huckins refused to be ignored. She sent a copy of her Boston Herald letter to her friend, Rachel Carson. Four years later, Carson published a book about it. Called Silent Spring, it became an international best seller, alerting the world to the dangers of pesticides, landing Carson on national television programs and in front of congressional hearings, winning praise from people as diverse as President John F. Kennedy, Supreme Court Justice William O. Douglas, and singer-songwriter Joni Mitchell, and making Carson one of the most famous and most influential women in the United States. Unfortunately,

She may regret what she wrote later, but not now. Standing at the mailbox, bent over with her wet hair hanging in her face, she knows it’s the truth. The work matters. Nothing else. Not prizes. Not being published. Not being rich, famous, or both. Only the work.

In an interview published in Vanity Fair, President Barack Obama said, “You’ll see I wear only gray or blue suits. I’m trying to pare down decisions. I don’t want to make decisions about what I’m eating or wearing. Because I have too many other decisions to make.”10 The same is true of Facebook founder Mark Zuckerberg with his gray hoodies, or Apple founder Steve Jobs and his famous black-turtleneck-and-jeans uniform. Acutely aware of how taxing deliberating over options can be, they sought every opportunity to limit choice in their lives.

Only years later would scientists again need to harness the power of multiple processors at once, when massively parallel processing would become an integral part of supercomputing. Years later, too, the genealogy of Shoch’s worm would come full circle. Soon after he published a paper about the worm citing The Shockwave Rider, he received a letter from John Brunner himself. It seemed that most science fiction writers harbored an unspoken ambition to write a book that actually predicted the future. Their model was Arthur C. Clarke, the prolific author of 2001: A Space Odyssey, who had become world-famous for forecasting the invention of the geosynchronous communications satellite in an earlier short story. “Apparently they’re all jealous of Arthur Clarke,” Shoch reflected. “Brunner wrote that his editor had sent him my paper. He said he was ‘really delighted to learn, that like Arthur C. Clarke, I predicted an event of the future.’” Shoch briefly considered replying that he had only borrowed the tapeworm’s name but that the concept was his own and that, unfortunately, Brunner did not really invent the worm. But he let it pass.

Martoglio was also a journalist and newspaper editor. At the age of 16, he actually founded his own newspaper, naming it D’Artagnan, after the famous character from The Three Musketeers of A. Dumas and published it for fifteen years, from 1889 to 1904.4 He achieved fame for his humorous sonnets and for the biting satire with which he attacked the pomposity and corruption of his fellow Catanesi. While his biting criticism endeared him to the people of Catania, for whom Martoglio had a special affection, it caused him a number of problems with others. He was forced to fight duels with twenty-one men whose psyches he had bruised, risking injury and death. The D’Artagnan was written entirely or nearly by Martoglio under various pseudonyms. Of the many characters that he created, his Don Procopio Ballaccheri stands out. Ballaccheri, known as the “Ciciruni di Catania” (The Cicero of Catania) appeared as the main character of La Divina Commedia di Don Procopio Ballaccheri, which Martoglio serialized in his D’Artagnan.5 This wonderful satirical work written in Sicilian was recently published as a book by Salvatore Calleri.6 Ballaccheri was to be the model for Oronzo E. Marginati, which satirist Luigi Locatelli created for Il Travaso delle Idee, the most famous satiric journal in Italy.

The first known published text of the classic fairy tale "Beauty and the Beast" was written by Gabrielle-Suzanne Barbot de Villeneuve in 1740 and collected in her compilation La Jeune Américaine et les contes marins. To say that the story met with favor is an understatement. By 1756, "Beauty and the Beast" was so well known that Jeanne-Marie Leprince de Beaumont wrote an abridged edition of it that would become the popular version included in collections of fairy tales throughout the nineteenth century (although Andrew Lang went back to de Villeneuve's original for his groundbreaking anthology The Blue Fairy Book, first published in 1891 as the beginning of a twelve-book series that would revolutionize the anthologizing of fairy tales for young read ers). Fifteen years later. Jean-François Marmontel and André Ernest Modeste Grétry adapted de Villeneuve's story as the book for the opera Zémire et Azor. the start of more than two centuries of extraliterary treatments that now include Jean Cocteau's famous 1946 film La Belle et la Bête, Walt Disney's 1991 animated feature Beauty and the Beast, and countless other cinematic, televi sion, stage, and musical variations on the story's theme. More than 4,000 years after it became part of the oral storytelling tradi tion, it is easy to understand why "Beauty and the Beast" continues to be one of the most popular fairy tales of all time, and a seemingly inexhaustible source of inspiration for artists working in all mediums. Its theme of the power of unconditional love is one that never grows old.

Contrast this with the teams that eventually succeeded in competing with Facebook where Google+ failed. Snap famously grew within the high school segment before breaking out into the mainstream, and the ephemeral photos captured a whole unique set of content that had never been published—casual, unposed photos that were meant for communication. Early on, with fewer than 10,000 daily active users, Snapchat was already hitting 10 photos/day/user, several orders of magnitude more than equivalent services—showing it had mastered the hard side of the network. Twitch, Instagram, and TikTok innovated in a similar vector, giving creators new tools and media types to express themselves.

Hardin in a famous article published in 1968, the concept has been well known by social scientists for much longer.4 In economics, Paul Samuelson, a giant in the field, wrote about what he called

There is no man,’ he began, ‘however wise, who has not at some period of his youth said things, or lived in a way the consciousness of which is so unpleasant to him in later life that he would gladly, if he could, expunge it from his memory. And yet he ought not entirely to regret it, because he cannot be certain that he has indeed become a wise man—so far as it is possible for any of us to be wise—unless he has passed through all the fatuous or unwholesome incarnations by which that ultimate stage must be preceded. I know that there are young fellows, the sons and grand sons of famous men, whose masters have instilled into them nobility of mind and moral refinement in their schooldays. They have, perhaps, when they look back upon their past lives, nothing to retract; they can, if they choose, publish a signed account of everything they have ever said or done; but they are poor creatures, feeble descendants of doctrinaires, and their wisdom is negative and sterile. We are not provided with wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can take for us, an effort which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world.

Milne, whom I will always think of as Russell's literary friend, editor of the Granta, young and quick and clever, is now, of course, famous for a series of books about a bear and a toy piglet and a donkey, books which I have read and from which, I am perfectly willing to admit, I have derived far more pleasure than I have from most of the so-called serious literature published in the last decades. (Give me Milne over Virginia Woolf any day!)

It is hard to imagine a more famous fictional character during the twentieth century than Tarzan—and it is hard to imagine a more racist plot than what Burroughs wrote up in the Tarzan adventure series books, which he was writing and publishing almost until his death in 1950.

How Ma Bell Helped Us Build the Blue Box In 1955, the Bell System Technical Journal published an article entitled “In Band Signal Frequency Signaling” which described the process used for routing telephone calls over trunk lines with the signaling system at the time. It included all the information you’d need to build an interoffice telephone system, but it didn’t include the MF (multifrequency) tones you needed for accessing the system and dialing. But nine years later, in 1964, Bell revealed the other half of the equation, publishing the frequencies used for the digits needed for the actual routing codes. Now, anybody who wanted to get around Ma Bell was set. The formula was there for the taking. All you needed were these two bits of information found in these two articles. If you could build the equipment to emit the frequencies needed, you could make your own free calls, skipping Ma Bell’s billing and monitoring system completely. Famous “phone phreaks” of the early 1970s include Joe Engressia (a.k.a. Joybubbles), who was able to whistle (with his mouth) the high E tone needed to take over the line. John Draper (a.k.a. Captain Crunch) did the same with the free whistle that came inside boxes of Cap’n Crunch. A whole subculture was born. Eventually Steve Jobs (a.k.a. Oaf Tobar) and I (a.k.a. Berkeley Blue) joined the group, making and selling our own versions of the Blue Boxes. We actually made some good money at this.

…I am a storyteller. From barstools to back porches, from kitchen tables to campfires, from podiums to park benches, I have spun my yarns to audiences both big and small, both rapt and bored. I didn’t start out that way. I was just a dreamer, quietly imagining myself as something special, as someone who would “make a difference” in the world. But the fact is, I was just an ordinary person leading an ordinary life. Then, partly by design, partly by happenstance, I was thrust into a series of adventures and circumstances beyond anything I had ever dreamed. It all started when I ran away from home at eighteen and hitchhiked around the country. Then I joined the Army, became an infantry lieutenant, and went to Vietnam. After Vietnam, I tried to become a hippie, got involved with Vietnam Veterans Against the War (VVAW), and became a National Coordinator for the organization. I was subsequently indicted for conspiracy to incite a riot at the Republican Convention in 1972—the so-called Gainesville Eight case—and one of my best friends turned out to be an FBI informant who testified against me at the trial. In the early eighties, I was involved with the New York Vietnam Veterans Memorial Commission, which built a memorial for Vietnam veterans in New York City and published the book Dear America: Letters Home from Vietnam. In the late eighties, I was part of a delegation of Vietnam veterans who went to the Soviet Union to meet with Soviet veterans of their Afghanistan War. I fell in love with a woman from Russia, married her, and spent nine years living there, during which I fathered two children, then brought my family back to the U.S. and the suburban middle-class life I had left so many years before. The adventures ultimately, inevitably perhaps, ended, and like Samwise Gamgee, I returned to an ordinary life once they were over. The only thing I had left from that special time was the stories… I wrote this book for two reasons. First and foremost, I wrote it for my children. Their experience of me is as a slightly boring “soccer dad,” ordinary and unremarkable. I wanted them to know who I was and what I did before I became their dad. More importantly, I hope the book can be inspiring to the entire younger generation they represent, who will have to deal with the mess of a world that we have left them. The second reason is that when I was young, I had hoped that my actions would “make a difference,” but I’m not so sure if they amounted to “a hill of beans,” as Humphry Bogart famously intoned. If my actions did not change the world, then I dream that maybe my stories can.

The following year a famous English author, Captain Frederick Marryat, visited Fort Snelling. In the book he published later, A Diary in America, with Remarks on Its Institutions, he refers to the voyageur hamlet:23 “The French Canadians, who are here employed by the Fur Company, are a strange set of people. There is no law here, or appeal to law; yet they submit to authority, and are managed with very little trouble. They bind themselves for three years, and during that time … they work diligently and faithfully; ready at all seasons and at all hours, and never complaining, although the work is often extremely hard. Occasionally they return to Canada with their earnings, but the major part have connected themselves with Indian women and have numerous families; for children in this fine climate are so numerous, that they almost appear to spring from the earth.

The grand idea was an atlas. A collection of maps, both of real places and of imagined ones, but reversed. She and Daniel had come up with a list of books, fantasy novels famous for the beautiful maps created just for them—Tolkien’s The Lord of the Rings; Le Guin’s Earthsea series; Lewis’s The Chronicles of Narnia books; Dragt’s De brief voor de koning, The Letter for the King; Pratchett’s Discworld novels—and another list of maps from our real world, famous for their cartographic significance. We would painstakingly research all of them, studying them from historical, scientific, and artistic angles, and then redraw them in the opposite style. Our recreations of the fantasy maps would be rigidly detailed and precise, and our re-creations of the realistic maps would be embellished, expanded, and dreamlike, like their fictional cousins. Once complete, we planned to publish it in one giant volume. Readers would open it, expecting the same old type of atlas, but instead, they’d find previously familiar lands rendered in a completely unexpected manner, opening their imaginations to an entirely new way of looking at maps.

King James is more famous today for his version of the Bible than for his belief in diabolical practices. But in 1597, more than a decade before the King James Bible was published, he wrote a treatise on demons and sorcery called Daemonologie, In Forme of a Dialogue. The king was obsessed with the occult, and with witches in particular, having flushed out a coven of at least 70 in 1590, when he was still known as King James VI of Scotland. The witches were tortured using devices like the “breast ripper”—which is exactly as horrific as it sounds—until they confessed. Eventually, some 4,000 people were burned at the stake in Scotland’s witch trials. In Daemonologie, the king wrote of his belief in cruentation as a way to mete out justice: In a secret murther, if the deade carcase be at any time thereafter handled by the murtherer, it will gush out of bloud, as if the bloud were crying out to the heaven for revenge of the murtherer, God having appoynted that secret super-naturall signe for tryall of that secret unnatural crime.*

RAND proved formative. Some of its employees joked that it stood for “Research And No Development,” and its intellectualism was inspiring to the young economist. The think tank’s ethos was to work on problems so hard that they might actually be unsolvable.9 Four days of the week were dedicated to RAND projects, but the fifth was free for freewheeling personal research. Ken Arrow, a famous economist, and John Nash, the game theorist immortalized in the film A Beautiful Mind, both consulted for RAND around the time Sharpe was there. The eclecticism of RAND’s research community is reflected in his first published works, which were a proposal for a smog tax and a review of aircraft compartment design criteria for Army deployments.

1920s by a neuropsychologist called Alexander Luria, who published a famous book.

I love a mysterious underground and have exploited this in many of my books: the ice tunnels of Greenland, the volcanic tubes of Iceland, the mysterious passageways beneath an ancient African hillside or a Buddhist monastery in central China. And of course, London's famous tube system, setting for my book LONDON UNDERGROUND. It's a funny sort of fixation, especially given my mother's claustrophobia, which I saw her deal with on many occasions. We once lined up to take a tour into the Lascaux Caverns in France to see the ancient cave paintings. My mother didn't make it past the first quirky turn into the depths, and she sent me on by myself. Given her interest in history and archaeology, which she used as the basis for a series of mysteries she published and which inspired my own writing, it always surprised me she still loved to write about places she could never visit.

The officials failed to see the danger. The photo opportunity with Diana sitting sadly alone outside the world’s most famous monument to love was laden with ironic potential. But only Diana knew that she was about to publish a tale of cruelty and neglect. Now the woman who had dreamed of marrying a Prince was happy for the world to see that the fairytale had no happy ending. Judy

In my head, I’m composing a new piece of music.” Vim turned to see Lord Val riding along beside him. “It will be called, ‘Lament for a Promising Young Composer Who Died of a Frozen Bum-Fiddle.’ I’ll do something creative with the violins and double basses—a bit of humor for my final work. It will be published posthumously, of course, and bring me rave reviews from all my critics. ‘A tragic loss,’ they’ll all say. It could bring frozen bum-fiddles into fashion.” “You haven’t any critics.” St. Just spoke over his shoulder, having abdicated the lead position to his sister. “Ellen won’t allow it, more’s the pity.” “My wife is ever wise—” “Oh, famous.” Westhaven’s muttered imprecation interrupted his idiot younger brother. Lord Val leaned over toward Vim. “There’s another word, a word that alliterates with famous, that his-lordship-my-brother-the-heir has eschewed since becoming a father. Famous is his attempt at compromise.” “I’ll say it, then.” St. Just sighed as another flurry drifted down from the sky. “Fuck. It’s going to snow again. Beg sincere pardon for my language, Sophie.” She

During the decades after Darwin published, field geologists and paleontologists have gone on to uncover and discover thousands and thousands of fossils. They have uncovered an astonishing number of ancient dinosaurs, an overwhelming assortment of long-gone mammals, and an uncountable number of sea creature fossils. Just two years after Darwin expressed his concern about the missing fossils, the famous fossil of the birdlike Archaeopteryx was found in Germany, and that’s just one example. Later, fossil hunters found a whole range of human ancestors, including Sahelanthropus tchadensis, which may in fact be a shared ancestor with chimps as well.

Readers can only read so many books in a month. And unless you give them a really good reason to read your book, they'll prefer to read some other, more famous book. You're competing for the reader's attention. And if you don't even know that, you've already lost.

Shakespeare was one in a million. That makes you pretty unique, if there's only one million people. But when there's a hundred million people, then being one in a million means there are 100 people just as talented as you. In a country of 300 million people, there are 300 people like you. And in a world of seven billion people, you're competing with 7000 other people who are every bit as good as you. I wonder if Shakespeare would have gotten famous if he lived today, and had to compete with 7000 other Shakespeares.

It was this hierarchy—so central to Western cosmology for so long that, even today, a ten-year-old could intuitively get much of it right—that was challenged by the most famous compendium of all: Denis Diderot and Jean le Rond d’Alembert’s eighteen-thousand-page Encyclopédie. Published between 1751 and 1772, the Encyclopédie was sponsored by neither the Catholic Church nor the French monarchy and was covertly hostile to both. It was intended to secularize as well as to popularize knowledge, and it demonstrated those Enlightenment commitments most radically through its organizational scheme. Rather than being structured, as it were, God-down, with the whole world flowing forth from a divine creator, it was structured human-out, with the world divided according to the different ways in which the mind engages with it: “memory,” “reason,” and “imagination,” or what we might today call history, science and philosophy, and the arts. Like alphabetical order, which effectively democratizes topics by abolishing distinctions based on power and precedent in favor of subjecting them all to the same rule, this new structure had the effect of humbling even the most exalted subjects. In producing the Encyclopédie, Diderot did not look up to the heavens but out toward the future; his goal, he wrote, was “that our descendants, by becoming more learned, may become more virtuous and happier.” It is to Diderot’s Encyclopédie that we owe every modern one, from the Britannica and the World Book to Encarta and Wikipedia. But we also owe to it many other kinds of projects designed to, in his words, “assemble all the knowledge scattered on the surface of the earth.” It introduced not only new ways to do so but new reasons—chief among them, the diffusion of information prized by an élite class into the culture at large. The Encyclopédie was both the cause and the effect of a profoundly Enlightenment conviction: that, for books about everything, the best possible audience was the Everyman.

Alma wrote in depth about laurel, mimosa, and verbena. She wrote about grapes and camellias, about the myrtle orange, about the cosseting of figs, She published under the name "A. Whittaker." Neither she nor George Hawkes believed that it would much benefit Alma to announce herself in print as female. In the scientific world of the day, there was still a strict division between "botany" (the study of plants by men) and "polite botany" was often indistinguishable from "botany"- except that one field was regarded with respect and the other was not- but still, Alma did not wish to be shrugged off as a mere polite botanist. Of course, the Whittaker name was famous in the world of plants and science, so a good number of botanists already knew precisely who "A. Whittaker" was. Not all of them, however. In response to her articles, then, Alma sometimes received letters from botanists around the world, sent to her in care of George Hawkes's print shop. Some of these letters began, "My dear Sir." Other letters were written to "Mr. A. Whittaker." One quite memorable missive even came addressed to "Dr. A. Whittaker." ( Alma kept that letter for a long time, tickled by the unexpected honorific.)

Liu was taken at bayonet point from his Shandong village in 1944 and sent to work in the Showa coal mine in Hokkaido. Unlike those at Hanaoka who rose up in rebellion, he fled into the mountains. He escaped in July 1945, just about one month before the end of the war, but he was so terrified that he remained in hiding, living off grasses and nuts, and occasionally descending to the remote coastline to collect seaweed, less afraid of bears than of human beings, and with no knowledge that the war was over, until he was by chance discovered by a rabbit trapper in 1958. When he emerged, not only was the war over, but Kishi Nobosuke, the Tojo Cabinet's Minister for Commerce and Labor, who had been responsible for the forced-labor program, had become prime minister. When Kishi's government ordered an investigation of Liu on suspicion of illegal entry into the country, Liu published a famous statement of protest and then returned to China. As of the early 1990s, he was still pursuing his case for justice against the Japanese government, and still waiting for a response from it.

The following two chapters are taken from Dickens’ first novel The Pickwick Papers, concerning the Pickwickians famous visit to Dingley Dell to celebrate Christmas with their friend Mr. Wardle and to attend his daughter’s wedding. The second chapter includes the seasonal story Mr. Wardle tells the company on Christmas Eve. The tale of Gabriel Grub and the goblins is a clear precursor of Scrooge in A Christmas Carol, which would be published several years later.

In the Victorian times there was much demand for Christmas books, which would make an ideal gift, as well provide amusing entertainment over the holiday period. Without a doubt the most famous of these is Dickens’ A Christmas Carol, published in 1843, but he was by no means the only popular writer of such books. Published in 1847, Thackeray’s first Christmas book, Mrs Perkins’s Ball, is a humorous portrait of a seasonal social gathering, with a broad panorama of guests, from the hilarious sot Mulligan to the prissy middle-class characters he upsets. However, it is Thackeray’s ability as an illustrator that is the most impressive in this novella.

The suicide John Kennedy Toole is probably the most famous True Outsider, though it pains me to admit that I regard A Confederacy of Dunces as one of the most overrated novels ever published. I am glad, all the same, that it was published, if only for the moments of reflection it caused those who rejected it to suffer.

With the decline of the United States as the world’s leader, I find it important to look around our globe for intelligent people who have the depth of understanding that could perhaps chart a way to the future. One such person is Bernard-Henri Lévy a French philosopher who was born in Béni Saf, French Algeria on November 5, 1948. . The Boston Globe has said that he is "perhaps the most prominent intellectual in France today." Although his published work and political activism has fueled controversies, he invokes thought provoking insight into today’s controversial world and national views. As a young man and Zionist he was a war correspondent for “Combat” newspaper for the French Underground. Following the war Bernard attended Lycée Louis-le-Grand in Paris and in 1968; he graduated with a degree in philosophy from the famous École Normale Supérieure. This was followed by him traveling to India where he joined the International Brigade to aid Bangladeshi freedom fighters. Returning to Paris, Bernard founded the ‘New Philosophers School.’ At that time he wrote books bringing to light the dark side of French history. Although some of his books were criticized for their journalistic character and unbalanced approach to French history, but most respected French academics took a serious look at his position that Marxism was inherently corrupt. Some of his musings include the predicament of the Kurds and the Shame of Aleppo, referring to the plight of the children in Aleppo during the bloody Syrian civil war. Not everyone agrees with Bernard, as pointed out by an article “Why Does Everyone Hate Bernard-Henri Lévy?” However he is credited with nearly single handedly toppling Muammar Gaddafi. His reward was that in 2008 he was targeted for assassination by a Belgium-based Islamist militant group. Looking like a rock star and ladies man, with his signature dark suits and unbuttoned white shirt, he said that “democracies are not run by the truth,” and notes that the American president is not the author of the anti-intellectual movement it, but rather its product. He added that the anti-intellectualism movement that has swept the United States and Europe in the last 12 months has been a long time coming. The responsibility to support verified information and not publicize fake news as equal has been ignored. He said that the president may be the heart of the anti-intellectual movement, but social media is the mechanism! Not everyone agrees with Bernard; however his views require our attention. If we are to preserve our democracy we have to look at the big picture and let go of some of our partisan thinking. We can still save our democracy, but only if we become patriots instead of partisans!

Although a partner’s compensation depends in large part on the amount of business he brings to the Firm, no one goes out to knock on doors. The Firm waits for the phone to ring. And ring it does, not because McKinsey sells, but because McKinsey markets. It does this in several different ways, all of them designed to make sure that on the day a senior executive decides she has a business problem, one of the first calls she makes is to the local office of McKinsey. The Firm produces a steady stream of books and articles, some of them extremely influential, such as the famous In Search of Excellence by Peters and Waterman.* McKinsey also publishes its own scholarly journal, The McKinsey Quarterly, which it sends gratis to its clients, as well as to its former consultants, many of whom now occupy senior positions at potential clients. The Firm invites (and gets) a lot of coverage by journalists. Many McKinsey partners and directors are internationally known as experts in their fields.

One of those settlers was Normandy-born and ornately named J. Hector St John de Crevecoeur, who embarked for America in 1754, purchased an estate in Pennsylvania, and married the daughter of an American merchant. In his Letters from an American Farmer, first published in 1782 in English and translated soon after into French, Crevecoeur described his adoptive country and his countrymen in the most flattering terms: We are the most perfect society now existing in the world... Here individuals of all nations are melted into a new race of men, whose labours and posterity will one day cause great changes in the world... Here a man is free as he ought to be... An American is a new man, who acts upon new principles; he must therefore entertain new ideas, and form new opinions. From involuntary idleness, servile dependence, penury, and useless labour, he has passed to toils of a very different nature, rewarded by ample subsistence – this is an American. It was partly through such fervent testimonies from men like Crevecoeur, and from foreigners like the even more famous Frenchman de Tocqueville and the less famous German Francis Lieber, that America gained its reputation abroad, because third-party

In 1942, Joseph Schumpeter believed that socialism would inevitably triumph over capitalism. In 1970, when Paul Samuelson published the eighth edition of his famous textbook, he was still predicting that the GDP of the Soviet Union might outstrip that of the United States sometime between 1990 and 2000.

Dorian? Is that an important publisher?" "Count Dorian is really famous. How do you not know him?" "I can only think of the Dorian in the painting. You know, Oscar Wilde’s beautiful, cursed one?" he says. "Sorry. And, anyway, why is he important?" he asks, noting her apprehension. "Well, for one thing, he’s a Count." "Pardon..." he mocks, in a French accent. "Why is this Count famous?" "Because he cultivates young talent. He’s launched a lot of young people in different fields: music, painting, sculpture, fashion, theater, movies." She pauses for breath. "And writers, too." "So he’s a type of patron." She nods. "And he’s contacted you about your novels?" She nods again. "And what’s the problem?" "He has an estate in Tuscany, as well as houses in New York and Hong Kong. And he’s asked to meet me." "Are you embarrassed to go on your own? I can take you if you want. But if he’s a talent hunter, you just need to act as natural as possible and you'll be fine. I imagine he’s used to it. He can’t not like you," he says, caressing her face. "He thinks I’m a man..," she whispers. Andrea freezes. "Eh?!" he exclaims, looking at her and suddenly feeling a strange foreboding. "I

The stranglehold of the departed was much resented by the new generation of aspiring authors. Which is why it is who did make the breakthrough were so admired.

with you, as your date?” Liam asks me. “Yes,” I say quietly. “I’m so sorry. What can I do for you in return?” “Well, since you offered,” Liam responds, “I would like some information.” “Information?” I ask with a frown. “Yes,” Liam says. “Remember all those deep, dark secrets I said I’d extract from you? Well, if you share them with us, then I’ll be your date for your sister’s wedding.” This is probably the worst thing he could have requested. My mouth feels suddenly very dry. “Um. Isn’t there anything else you might want? Maybe I could dedicate my next book to you?” He laughs lightly. “You’re going to do that anyway once I get your sight back.” I rack my brain, searching for something I could give him. “I’ll have my publisher put out a press release,” I offer, “or maybe schedule an event, like a book launch. We can publicly declare that you’re the hero who helped the semi-famous blind author Winter Rose to see. Even if it doesn’t work, and I can’t see, I’ll pretend like I can, and you’ll probably get tons of research grants and stuff.” “I’m pretty sure that you’re going to do that anyway,” Liam tells me, “because it’s a good story that will sell books.” “Okay,” I mumble, getting desperate. “How about I name a character after you?” “That would be nice,” Liam says. “I’ll take all of the above, but I’ll still need one additional thing to sweeten the pot. Information.” “Why?” I moan in protest. “Because I’m curious,” he answers in a good-natured way. “Come on. It can’t be that bad. Tell me your deepest, darkest secrets.” I sigh. “Are you sure?” “Yes.” “Really? Right here. Right now? In front of Owen?” “Yeah, why not?” Liam says cheerfully. “He’s been telling us way more than we need to know for a while.” “I want to hear, too,” Owen chimes in.  “Entertain us, storyteller!” I spend a moment gathering my composure. I smooth my hands over my legs, and look around uneasily. Taking a deep breath, I try to mentally prepare myself for what I’m about to say to two complete strangers. “Well... three years ago, I was raped.” A hush falls over the car. I can feel the men looking

In this age where people can become famous without doing anything, we are now encouraging a literary and publishing atmosphere where you must become famous before you can do anything.

Michelangelo was not only widely famous during his lifetime, but actually wealthy as a result of producing art (he was the first Westerner to have a biography of his life published while he was living).

Our media also lavish mega attention on our idols, devoting countless hours of coverage to actors and sports figures, much of the coverage about how they get into trouble. Some networks admit to trying to include some daily snippet of “news” about Britney Spears, or Lindsay Lohan, or some other troubled famous young actor, co-enabled by the coverage and public attention, into their behavior. Some of the nation’s bestselling magazines and weekly newspapers exclusively report on the varied activities of public figures, almost all in the entertainment industry. People Magazine recently paid a movie star $4.1 million dollars. To make a movie? No, $4.1 million dollars was paid for the right to publish pictures of her new baby. America’s media covered the unfortunate death of singer Michael Jackson non-stop for days on end. We are “mad upon our idols.

Light control works; close control leads to overreaction, sometimes causing the machinery to break into pieces. In a famous paper “On Governors,” published in 1867, Maxwell modeled the behavior and showed mathematically that tightly controlling the speed of engines leads to instability.

One of the earliest to articulate a more doctrinal understanding of the Scripture was the slave and father of African-American literature, Jupiter Hammon (1711–1806?). In 1760, Hammon became the first African-American to publish a work of literature. He expressed his belief in the Bible and exhorted his audience to read it in his famous Address to the Negroes in the State of New York: [T]he Bible is the word of God and tells you what you must do to please God; it tells you how you may escape misery and be happy forever. If you see most people neglect the Bible, and many that can read never look into it, let it not harden you and make you think lightly of it and that it is a book of no worth. All those who are really good love the Bible and meditate on it day and night. In the Bible, God has told us everything it is necessary we should know in order to be happy here and hereafter. The Bible is the mind and will of God to men.5

Even though it’s pleasing to boast about achievements I have earned in my generation, nothing makes me more content in the world than just having the exciting opportunity to share my passion of work with the public. What is even more exhilarating, is being able (having the capability) to spend quality time with my loving wife, (Gloria) and family doing what I love most in the world -- writing. Their total well-being and health, along with my health too means everything to me. I have had my fair share of narrow escapes in my life to know how important my family, and health are to me. I will never take that for granted again – ever.

As with Nazism, the conspiracy theory needed Jews. The Iranian interior minister said that Zionists had ‘direct involvement’ in publishing the book. The Iranian president said that ‘Zionist-controlled news agencies’ had made Rushdie famous. In Syria, the Ba’athist dictatorship said that the novel was part of a plot to distract the world’s attention from Israel’s treatment of the Palestinians. In Pakistan, religious leaders talked of an ‘American Jewish conspiracy’. Across the planet, the drums shuddered to the same beat: ‘It’s the Jews, it’s the Jews, it’s the Jews.’ The demonstrations against Rushdie were not confined to the poor world. The faithful marched in Bradford and London as well as Tehran and Lahore. They inspired a fear in the West that went almost unnoticed during the elation the 1989 revolutions in Eastern Europe produced.

e=mc^2. I know. I promised there would be no equations and, except for a few footnotes, I've kept my promise. But I think you will forgive me for making an exception for the world's most famous equation-the only equation to have its biography written. And the thing is this: e = mc^2 pops right out of QFT. Einstein had to work hard to find it (it was published in a separate paper that followed his breakthrough paper on relativity theory in 1905), but in QFT it appears as an almost trivial consequence of the two previous results. Since both mass and energy are associated with oscillations in the field, it doesn't take an Einstein to see that there must be a relationship between the two. Any schoolboy can combine the two equations and find (big drum roll, please) e = mc^2. Not only does the equation tumble right out of QFT, its meaning is seen in the oscillations or "shimmer" of the fields. Frank Wilczek calls these oscillations "a marvelous bit of poetry" that create a "Music of the Grid" (Wilczek's term for space seen as a lattice of points): Rather than plucking a string, blowing through a reed, banging on a drumhead, or clanging a gong, we play the instrument that is empty space by plunking down different combinations of quarks, gluons, electrons, photons,...and let them settle until they reach equilibrium with the spontaneous activity of Grid...These vibrations represent particles of different mass m...The masses of particles sound the Music of the Grid. ----- Frank Wilczek

Without question, the most famous book ever written about angling is The Compleat Angler published by Izaak Walton in 1653. Since

often finds a more interesting story behind the conventional one. Martin Luther's supposedly revolutionary resistance to indulgences took place in a German state where they were sold. Even more intriguing, they weren't sold because the ruling authorities there get a brisk business in holy relics – which Luther left alone.

Trying to determine what is going on in the world by reading newspapers,” as a famously clever screenwriter/director/journalist named Ben Hecht once wrote, “is like trying to tell the time by watching the second hand of a clock.” The same is true of research and science. Trying to tell what’s true by looking at the latest articles published in a journal—and particularly in nutrition—is another fool’s game. The best idea is to attend little to the latest research and focus instead on the long-term trends, the accumulation of studies (one hopes, interpreted without bias), even if the long-term trends rarely, if ever, appear in the news.

The story doesn't mention him, but Steve Jobs himself famously kept his own household and kids fairly tech-free, and a parallel Times story published at the same time and by the same reporter, Nellie Bowles, found more tech celebrities doing likewise. Why? Because, explained Chris Anderson, ex-editor of Wired and head of a robotics company, "We thought we could control it. And this is beyond our power to control. This is going straight to the pleasure centers of the developing brain.

In early 2019, while I was still at the White House, BuzzFeed News published an article laying out the origins of the “Soros conspiracy.” It had originated in 2008, when two prominent political consultants in New York, Arthur Finkelstein and George Birnbaum, were recruited by Viktor Orbán to assist his political campaign. They had previously worked for Israeli prime minister Bibi Netanyahu, who was friendly with Orbán. Netanyahu recommended them. Finkelstein and Birnbaum decided they should create an external political enemy to help Orbán mobilize support for his bid to become Hungarian prime minister. They selected Soros, a prominent Hungarian Jew whose family had fled Budapest during the Holocaust. Soros was both famous and controversial, and still connected to Hungary.

In addition, Sultan Iltumish, for all his rhetoric of being India's sole legitimate Muslim ruler, continued to issue coins with the old bull-and-horseman motif and a Sanskritized form of his name and title: 'Suratana Sri Samsadina', the latter referring to his given name, Shams al-Din. He also enlarged Delhi's Qutb mosque by three times in order to accomodate the many immigrants from beyond the Khyber who had flocked to Delhi during his reign. And he added three storeys to the city's famous minaret, the Qutb Minar. Notably, he placed a seven-metre iron pillar in the centre of the mosque's oldest courtyard, on a direct axis with its main prayer chamber. Originally installed in a Vishnu temple to announce the military victories of a fourth-or-fifth century Indian king, the pillar was now associated with Iltumish and his own victories. In transplanting the pillar in this way, the Sultan broke with Islamic architectural conventions while conforming to Indian political traditions. For in 1164, within living memory of Iltumish's installations of the Vishnu pillar in Delhi's great mosque, Vigraharaja IV Chauhan (r. 1150-64) recorded his own conquests on the same stone pillar on which the emperor Ashoka had published an edict back in the third century BC.

Franklin, "the most accomplished American of his age and the most influential in inventing the type of society America would become."[4] Franklin became a newspaper editor, printer, and merchant in Philadelphia, becoming very wealthy, writing and publishing Poor Richard's Almanack and The Pennsylvania Gazette. Franklin was interested in science and technology, and gained international renown for his famous experiments. He played a major role in establishing the University of Pennsylvania and Franklin & Marshall College and was elected the first president of the American Philosophical Society. Franklin became a national hero in America when he spearheaded the effort to have Parliament repeal the unpopular Stamp Act. An accomplished diplomat, he was widely admired among the French as American minister to Paris and was a major figure in the development of positive Franco-American relations.

Years ago, before the internet and electronic ways to investigate intellectual property thefts, publishers would put traps into books. Fictitious entries in reference books, to catch copyright thieves. Lillian Virginia Mountweazel is the most famous.

Alabama Tenant Farmer Wife, by Walker Evans (version published in Let Us Now Praise Famous Men). From a print in a private collection, trimmed under Evans’s direction and signed by him in 1971.

[Long Life] This famous writer has died at 92 And that legend journalist, The darling of authorities and mainstream media, Has died at 95. This pious religious man Has died at 96, And that billionaire, Known for his countless charities and charitable deeds Has died at 96 also… The veteran and shrewd politician, The former president of that country, Has died at 95 as well… And the same questions that dawned on me Ever since I understood the oppression & filthiness Of what the elites, authorities, and those in power are capable of, Begin ringing in my ears once again: Can anyone aware of the ugliness of what is going on live a long life? Is it a coincidence that most people, writers, and artists Who enriched my awareness and world died prematurely Or died, literally or metaphorically, by suicide, assassination, or in prison? Can a shred of awareness fell upon us without defeating the body and the soul Cell by cell and one organ after another causing a premature death? I also wonder have the writers, journalists, religious men, and politicians Who lived long lives enriched truth and justness, Or have they gotten rich at the expense of the above to live long lives up to 92, 93, 94, 95, & 96? And by biggest questions of all: Is there somewhere, in some world, in some place, a dagger of awareness that stabs without the killing the stabbed prematurely? [Original poem published in Arabic on December 31, 2022, at ahewar.org]

In 1536, when he was twenty-seven years old, he published his best-known work, the Institutes of the Christian Religion. This book, which summarized the essential Protestant beliefs and presented them in comprehensive and systematic form, made him famous.

The emergency provision of the Weimar constitution was, of course, the famous article 48. Inasmuch as Schmitt's focus in Political Theology is on the theory of sovereignty, we must tum to his other writings for an appreciation of how he translated his theoretical construction into concrete terms. Mindful of how easily an emergency provision such as article 48 could be abused, Schmitt published a comprehensive study of dictatorship shortly before the appearance of Political Theology. There he traced the history of dictatorship and concluded that it can be categorized into two forms: commissarial and sovereign. A sovereign dictatorship utilizes a crisis to abrogate the existing constitution in order to bring about a "condition whereby a constitution [that the sovereign dictator] considers to be a true constitution will become possible," whereas a commissarial dictatorship endeavors to restore order so that the existing constitution can be revived and allowed to function normally. Schmitt showed that article 48 accorded with the commissarial type of dictatorship, stressing the continuation of the Weimar constitutional order, critical interruptions notwithstanding.

Since virtually all human societies organized themselves tribally at one point, many people are tempted to believe that this is somehow a natural state of affairs or biologically driven. It is not obvious, however, why you should want to cooperate with a cousin four times removed rather than a familiar nonrelative just because you share one sixty-fourth of your genes with your cousin. No animal species behaves in this manner, nor do human beings in band-level societies. The reason that this form of social organization took hold across human societies was due to religious belief, that is, the worship of dead ancestors. Worship of dead ancestors begins in band-level societies; within each small group there may be shamans or religious specialists whose job it is to communicate with those ancestors. With the development of lineages, however, religion becomes more complex and institutionalized, which in turn affects other institutions like leadership and property. It is belief in the power of dead ancestors over the living and not some mysterious biological instinct that causes tribal societies to cohere. One of the most famous descriptions of ancestor worship was provided by the nineteenth-century French historian Numa Denis Fustel de Coulanges. His book The Ancient City, first published in 1864, came as a revelation to generations of Europeans brought up to associate Greek and Roman religion with the Olympian gods. Fustel de Coulanges pointed to a much older religious tradition that was shared by other Indo-European groups including

Where does the word cocktail come from? There are many answers to that question, and none is really satisfactory. One particular favorite story of mine, though, comes from The Booze Reader: A Soggy Saga of a Man in His Cups, by George Bishop: “The word itself stems from the English cock-tail which, in the middle 1800s, referred to a woman of easy virtue who was considered desirable but impure. The word was imported by expatriate Englishmen and applied derogatorily to the newly acquired American habit of bastardizing good British Gin with foreign matter, including ice. The disappearance of the hyphen coincided with the general acceptance of the word and its re-exportation back to England in its present meaning.” Of course, this can’t be true since the word was applied to a drink before the middle 1800s, but it’s entertaining nonetheless, and the definition of “desirable but impure” fits cocktails to a tee. A delightful story, published in 1936 in the Bartender, a British publication, details how English sailors of “many years ago” were served mixed drinks in a Mexican tavern. The drinks were stirred with “the fine, slender and smooth root of a plant which owing to its shape was called Cola de Gallo, which in English means ‘Cock’s tail.’ ” The story goes on to say that the sailors made the name popular in England, and from there the word made its way to America. Another Mexican tale about the etymology of cocktail—again, dated “many years ago”—concerns Xoc-tl (transliterated as Xochitl and Coctel in different accounts), the daughter of a Mexican king, who served drinks to visiting American officers. The Americans honored her by calling the drinks cocktails—the closest they could come to pronouncing her name. And one more south-of-the-border explanation for the word can be found in Made in America, by Bill Bryson, who explains that in the Krio language, spoken in Sierra Leone, a scorpion is called a kaktel. Could it be that the sting in the cocktail is related to the sting in the scorpion’s tail? It’s doubtful at best. One of the most popular tales told about the first drinks known as cocktails concerns a tavernkeeper by the name of Betsy Flanagan, who in 1779 served French soldiers drinks garnished with feathers she had plucked from a neighbor’s roosters. The soldiers toasted her by shouting, “Vive le cocktail!” William Grimes, however, points out in his book Straight Up or On the Rocks: A Cultural History of American Drink that Flanagan was a fictional character who appeared in The Spy, by James Fenimore Cooper. He also notes that the book “relied on oral testimony of Revolutionary War veterans,” so although it’s possible that the tale has some merit, it’s a very unsatisfactory explanation. A fairly plausible narrative on this subject can be found in Famous New Orleans Drinks & How to Mix ’em, by Stanley Clisby Arthur, first published in 1937. Arthur tells the story of Antoine Amedie Peychaud, a French refugee from San Domingo who settled in New Orleans in 1793. Peychaud was an apothecary who opened his own business, where, among other things, he made his own bitters, Peychaud’s, a concoction still available today. He created a stomach remedy by mixing his bitters with brandy in an eggcup—a vessel known to him in his native tongue as a coquetier. Presumably not all Peychaud’s customers spoke French, and it’s quite possible that the word, pronounced coh-KET-yay, could have been corrupted into cocktail. However, according to the Sazerac Company, the present-day producers of Peychaud’s bitters, the apothecary didn’t open until 1838, so there’s yet another explanation that doesn’t work.

The individual most responsible for the triumph of the documentary style was probably Roy Stryker of the government’s Farm Security Administration (FSA), who sent a platoon of famous photographers out to record the lives of impoverished farmers and thus “introduce America to Americans.” Stryker was the son of a Kansas Populist, and, according to a recent study of his work, “agrarian populism” was the “first basic assumption” of the distinctive FSA style. Other agencies pursued the same aesthetic goal from different directions. Federal workers transcribed folklore, interviewed surviving ex-slaves, and recorded the music of the common man. Federally employed artists painted murals illustrating local legends and the daily work of ordinary people on the walls of public buildings. Unknowns contributed to this work, and great artists did too—Thomas Hart Benton, for example, painted a mural that was actually titled A Social History of the State of Missouri in the capitol building in Jefferson City.16 There was a mania for documentary books, photos of ordinary people in their homes and workplaces that were collected and narrated by some renowned prose stylist. James Agee wrote the most enduring of these, Let Us Now Praise Famous Men, in cooperation with photographer Walker Evans, but there were many others. The novelist Erskine Caldwell and the photographer Margaret Bourke-White published You Have Seen Their Faces in 1937, while Richard Wright, fresh from the success of his novel Native Son, published Twelve Million Black Voices in 1941, with depictions of African American life chosen from the populist photographic output of the FSA.

Conrad spent six months working for a cargo company in the EIC in 1890, three weeks of it aboard a steamship traveling up river to today’s Kisangani. There is no mention of rubber in the novel because Conrad was there five years before rubber cultivation began. Kurtz is an ivory trader. So whatever sources Conrad was using when he began work on Heart of Darkness in 1898, his personal experiences would at most have added some color and context. Hochschild will have none of it, insisting that Conrad “saw the beginnings of the frenzy of plunder and death” which he then “recorded” in Heart of Darkness. The brutalities by whites in the 1979 film Apocalypse Now were inspired by the novel, Hochschild avers, because Conrad “had seen it all, a century earlier, in the Congo.” In another example of creative chronology, Hochschild cites a quotation that he believes was the inspiration for Kurtz’s famous scrawl, “Exterminate all the brutes!” The quotation was made public for the first time during a Belgian legislative debate in 1906. Whatever its authenticity, it could not be a source for a book published in 1902.

I must begin my relationship with the readers of The Evening Star by expressing my enormous gratitude to the editor, Mr. Kingsford, who has been as eager to receive these memoirs as I am to see them published.  To see my adventures printed as a fortnightly Extra Edition, and in such a highly-regarded journal, is positively overwhelming.  No essayist or journalist, no matter how famous his pen, could deserve the extreme favor with which Mr. Kingsford has honored me.

It is his bottomless interest in other people, famous and unfamous, his loving immersion in their pasts, in what their mothers said to them when they were children, and what their childhood bedrooms looked like, that distinguishes him from the run-of-the-mill journalist. For him the story is not over when the book is sent off to the publishers. He stays in touch with many of his sources for years, for decades, still interested in what happens to them, still gathering information, still involved.

What had she been thinking—trying to pull the wool over Asia’s most famous woman in both the publishing and fashion worlds? Someone who had rubbed shoulders with celebrities, dignitaries, and people far more illustrious than Samantha ever could be.

In this moment I’m reminded of Thor tutoring me math in the second grade. Thor was a math major in college, and in fact, Thor has an Erdős number of three. This means that Thor studied with someone who studied with someone who studied with Paul Erdős. Erdős was a brilliant mathematician who was as famous for his eccentric lifestyle as his mathematical theorems. I guess this give me an Erdős number of four.

We emphasized “informative advertising,” a term borrowed from the famous entrepreneur Paul Hawken, who started publishing in the Whole Earth Review in the early 1980s. These informative texts were intended to stress how our products were differentiated from ordinary stuff. Please see the chapter on Private Label Products for examples of claims we made.

Bronnie Ware, an Australian palliative care nurse, became famous for her arresting writings and book, The Top Five Regrets of the Dying, about her patients in the final twelve weeks of life. Though her list has been widely published, it can’t be shared often enough. If not for the heaviness of its message, it should be posted on every fridge and bathroom mirror for every person on this earth to reread daily. The top five regrets of dying people were: I wish I’d had the courage to live a life true to myself, not the life others expected of me. I wish I hadn’t worked so hard. I wish I’d had the courage to express my feelings. I wish I had stayed in touch with my friends. I wish that I had let myself be happier.

The strongest argument for gene editing cane toads, house mice, and ship rats is also the simplest: what's the alternative? Rejecting such technologies as unnatural isn't going to bring nature back. The choice is not between what was and what is, but between what is and what will be, which often enough is nothing. This is the situation of the Devil's Hole pupfish, the Shoshone pupfish, and the Pahrump poolfish, of the northern quoll, the Campbell Island teal, and the Tristan albatross. Stick to a strict interpretation of the natural and these--along with thousands of other species--are goners. The issue at this point, is not whether we're going to alter nature, but to what end? "We are as gods and might as well get good at it," Stewart Brand, editor of the Who Earth Catalog, famously wrote in its first issue, published in 1968. Recently, in response to the whole-earth transformation that's under way, Brand has sharpened his statement: "We are as gods and we have to get good at it.

The work was all-consuming that winter, and friends recalled the long hours he spent in the Spee Club library, toiling away, surrounded by stacks of books and documents, his Underwood typewriter in front of him, as the fireplace burned orange and red and the snow fell outside. “How’s your book coming?” they would ask him—in jest, as no one really believed it would become a published work. He would respond with a disquisition on whatever section he was working on. “We used to tease him about it all the time,” one of them remembered, “because it was sort of his King Charles head that he was carrying around all the time: his famous thesis. We got so sick of hearing about it that I think he finally shut up.

Now I remember that at Iowa, a famous writer told us that we must taste life more than we write about it, that we shouldn't publish while in this preparatory bubble. When you're waiting for life to begin, you're prone to spectacle, to theater, and, as any asylum seeker who has looked into the cold eyes of an immigration officer knows, no one believes melodrama.

central characters in the tale, lending it a sense of veracity. Even better if one could give a first-hand account of a ghostly apparition. But one must not discount the multitude of stories penned by writers eager to provide readers with suitably eerie fare for the holiday. Along with Dickens, M. R. James, provost of King’s College, Cambridge, became famous for his stories, which he shared with students and eventually published (Ghost Stories of an Antiquary was his first collection). Mrs. J. H. Riddell, Wilkie Collins

An Almost Made Up Poem I see you drinking at a fountain with tiny blue hands, no, your hands are not tiny they are small, and the fountain is in France where you wrote me that last letter and I answered and never heard from you again. You used to write insane poems about ANGELS AND GOD, all in upper case, and you knew famous artists and most of them were your lovers, and I wrote back, it’ all right, go ahead, enter their lives, I’ not jealous because we’ never met. We got close once in New Orleans, one half block, but never met, never touched. So you went with the famous and wrote about the famous, and, of course, what you found out is that the famous are worried about their fame –– not the beautiful young girl in bed with them, who gives them that, and then awakens in the morning to write upper case poems about ANGELS AND GOD. We know God is dead, they’ told us, but listening to you I wasn’t sure. Maybe it was the upper case. You were one of the best female poets and I told the publishers and editors: “Her, print her, she’ mad but she’ magic. There’ no lie in her fire.” I loved you like a man loves a woman he never touches, only writes to, keeps little photographs of. I would have loved you more if I had sat in a small room rolling a cigarette and listened to you piss in the bathroom, but that didn’ happen. Your letters got sadder. Your lovers betrayed you. Kid, I wrote back, all lovers betray. It didn’ help. You said you had a crying bench and it was by a bridge and the bridge was over a river and you sat on the crying bench every night and wept for the lovers who had hurt and forgotten you. I wrote back but never heard again. A friend wrote me of your suicide 3 or 4 months after it happened. If I had met you I would probably have been unfair to you or you to me. It was best like this.

Early in its history, Google famously instituted a “20-percent time” program for all Google engineers: for every four hours they spend working on official company projects, the engineers are required to spend one hour on their own pet project, guided entirely by their own passions and instincts. (Modeled on a similar program pioneered by 3M known as “the 15-percent rule,” Google’s system is officially called “Innovation Time Off.”) The only requirements are that they give semiregular updates on their progress to their superiors. Most engineers end up drifting from idea to idea, and the vast majority of those ideas never turn into an official Google product. But every now and then, one of those hunches blooms into something significant. AdSense, Google’s platform that allows bloggers and Web publishers to run Google ads on their sites, was partially generated during 20-percent time. In 2009, AdSense was responsible for more than $5 billion of Google’s earnings, nearly a third of their total for the year. Orkut, one of the largest social network sites in India and Brazil, originated in the Innovation Time Off of a Turkish Google engineer named Orkut Büyükkökten. Google’s popular mail platform, Gmail, has roots in an Innovation Time Off project as well. Marissa Mayer, Google’s vice president of Search Products and User Experience, claims that over 50 percent of Google’s new products derive from Innovation Time Off hunches.

One leading French naturalist, the Comte de Buffon, famously proposed that climate and other conditions in the New World had led to the inevitable degeneration of its fauna and flora. Buffon’s more enthusiastic readers extrapolated from this argument to call into question the virility and intelligence of both America’s European settlers and its native inhabitants, the Indians. That sparked a rousing defense of American virtue and vigor from Jefferson, spelled out in his only published book, Notes on the State of Virginia.20

In a famous hoax, physicist Alan Sokal submitted an article to a leading journal of cultural studies purporting to describe how quantum gravity could produce a “liberatory postmodern science.” The article, which parodied the convoluted style of argument in the fashionable academic world of cultural studies, was promptly published by the editors. Sokal announced that his intention was to test the intellectual standards of the discipline by checking whether the journal would publish a piece “liberally salted with nonsense.” Sokal, “A Physicist Experiments with Cultural Studies,” April 15, 1996,

Do you know who Samuel Langhorne Clemens is, Antonio?” Bessie asked. “No, chood I?” he said. “He is best known as Mark Twain, the author of The Adventures of Tom Sawyer,” she said. “I have herd of the story, but I hav not red the booc,” he said. “Well, you should read it,” she said. “It is excellent reading. An American classic. Mark Twain worked in Schoharie for a while,” she said. “Is that so?” he said. “Yes, he worked as a brakeman on the Schoharie railroad station on Depot Street the winter of 1879, three years after he wrote his famous book,” Bessie said. “Why would he do that, a famos author?” Antonio asked. “A self-published author, I should add.

When he died, much was made of how singular Steve Jobs had been. For comparisons, observers needed to reach back to the mythic inventors and showmen of earlier eras, particularly Thomas Edison and Walt Disney. Jobs was singular, to be sure. But he also was of a type. He was what psychotherapist and business coach Michael Maccoby called a “productive narcissist.” In 2000, Maccoby published an insightful article in the Harvard Business Review that applies Freudian terminology to three categories of executives Maccoby had observed in corporate life. “Erotics” feel a need to be loved, value consensus, and as a result are not natural leaders. These are the people to whom a manager should assign tasks—and then heap praise for a job well done. “Obsessives” are by-the-books tacticians with a knack for making the trains run on time. An efficient head of logistics or bottom-line-oriented spreadsheet jockey is the classic obsessive. The greats of business history, however, are “productive narcissists,” visionary risk takers with a burning desire to “change the world.” Corporate narcissists are charismatic leaders willing to do whatever it takes to win and who couldn’t give a fig about being liked. Steve Jobs was the textbook example of a productive narcissist. An unimpressed Jobs was famous for calling other companies “bozos.” His own executives endured their rides on what one called the “bozo/hero rollercoaster,” often within the same marathon meeting.

Experiments published in 1983 clearly showed that subjects could choose not to perform a movement that was on the cusp of occurring (that is, that their brain was preparing to make) and that was preceded by a large readiness potential. In this view, although the physical sensation of an urge to move is initiated unconsciously, will can still control the outcome by vetoing the action. Later researchers, in fact, reported readiness potentials that precede a planned foot movement not by mere milliseconds but by almost two full seconds, leaving free won’t an even larger window of opportunity. “Conscious will could thus affect the outcome of the volitional process even though the latter was initiated by unconscious cerebral processes,” Libet says. “Conscious will might block or veto the process, so that no act occurs.” Everyone, Libet continues, has had the experience of “vetoing a spontaneous urge to perform some act. This often occurs when the urge to act involves some socially unacceptable consequence, like an urge to shout some obscenity at the professor.” Volunteers report something quite consistent with this view of the will as wielding veto power. Sometimes, they told Libet, a conscious urge to move seemed to bubble up from somewhere, but they suppressed it. Although the possibility of moving gets under way some 350 milliseconds before the subject experiences the will to move, that sense of will nevertheless kicks in 150 to 200 milliseconds before the muscle moves—and with it the power to call a halt to the proceedings. Libet’s findings suggest that free will operates not to initiate a voluntary act but to allow or suppress it. “We may view the unconscious initiatives for voluntary actions as ‘bubbling up’ in the brain,” he explains. “The conscious will then selects which of these initiatives may go forward to an action or which ones to veto and abort…. This kind of role for free will is actually in accord with religious and ethical strictures. These commonly advocate that you ‘control yourself.’ Most of the Ten Commandments are ‘do not’ orders.” And all five of the basic moral precepts of Buddhism are restraints: refraining from killing, from lying, from stealing, from sexual misconduct, from intoxicants. In the Buddha’s famous dictum, “Restraint everywhere is excellent.

The picture of the Pythia breathing in vapors from a chasm below her tripod has always been the dominant model for understanding how the oracle at Delphi functioned. To such an extent that finding the mechanism of the vapors was originally regarded as the litmus test for successful archaeological investigation at Delphi. The original excavators of the site were extremely disappointed not to find a chasm below the temple—they felt almost cheated by the “deception” of the literary sources. The stakes were understandably high: at the time of Delphi’s excavation in the 1890s, interest in the oracle, and in psychic research more generally, could not have been stronger. In 1891 the burlesque opera Apollo, or The Oracle at Delphi played to great acclaim on Broadway. In the same year, John Collier painted his famous Priestess of Delphi in which a sensual priestess breathes in vapors from her tripod over a chasm (see plate 4), and the Society of Psychical Research was started by Cambridge academics and published its first volume examining the oracle at Delphi. In the wake of the disappointing excavations, thus, there was a feeling that the ancient sources had lied. The scholar A. P. Oppé in 1904 in the Journal of Hellenic Studies argued that the entire practice at Delphi was a farce, a sham, put on by the priests of Apollo, tricking the ancient world. Others sought different explanations for the Pythia’s madness: they focused on the laurel leaves, and suggested the Pythia had been high from eating laurel. One German scholar, Professor Oesterreich, even ate laurel leaves to test the theory, remarking disappointedly that he felt no different. Others opined that the answer relied not in some form of drug, but in psychology. Herbert Parke and Donald Wormell argued in the 1950s that the Pythia, in the heat of the moment after so much preparation on the particular day of consultation, and after so many years perhaps involved with the temple as one of the women guarding the sacred flame, would have found herself in an emotionally intense relationship with the god, and could easily have fallen victim to self-induced hypnosis. More recently, scholars have employed a series of anthropological approaches to understand belief in spirit possession, and applied these to how the Pythia may have functioned.

magazine published by the famous Junichi Nakahara

Subway restaurants agreed to remove the “yoga mat chemical” from their bread following a petition I started.1 Kraft decided to remove artificial food dyes from their kids’ mac and cheese products after I stormed their headquarters with over 200,000 petitions.2 Chick-fil-A’s chicken went antibiotic free following my meetings with them urging them to do so.3 Anheuser-Busch and Miller-Coors both agreed to publish their ingredients for the first time in history following another of my petitions.4 I was finishing up my first book, exposing the chemicals in our food, and it was slated to be out in a few short months. I had just published an investigation into Starbucks’ famous Pumpkin Spice Latte,5 calling them out for their use of “class IV” caramel coloring (a chemical linked to cancer).6 This piece went viral, with millions of views and shares (which ultimately led to Starbucks dropping this coloring from their drinks).

Lucius Orbilius Pupillus [literally, “Student,” a fine cognomen for a famous teacher], who published a book titled On Stupidity, in which he complains about the injustices suffered by teachers because of parents’ negligence or interference.

one of the most famous of his later works of nonfiction, The Kingdom of God Is Within You, he responded directly to this criticism. “Blessedness,” Tolstoy writes in that book, first published in Germany, in 1894, after being banned in Russia, “consists in progress towards perfection; to stand still in any condition whatever means the cessation of this blessedness.” To tell somebody that striving toward such a high ideal is hopelessly naïve, Tolstoy writes, is just like telling a man who is struggling on a swift river and is directing his course against the current, that it is impossible to cross the river against the current, and that to cross it he must point in the direction of the point he wants to reach. In reality, in order to reach the place to which he wants to go, he must row with all his strength toward a point much higher up.

George Mumford, a Newton-based mindfulness teacher, one such moment took place in 1993, at the Omega Institute, a holistic learning center in Rhinebeck, New York. The center was hosting a retreat devoted to mindfulness meditation, the clear-your-head habit in which participants sit quietly and focus on their breathing. Leading the session: meditation megastar Jon Kabat-Zinn. Originally trained as a molecular biologist at MIT, Kabat-Zinn had gone on to revolutionize the meditation world in the 1970s by creating a more secularized version of the practice, one focused less on Buddhism and more on stress reduction and other health benefits. After dinner one night, Kabat-Zinn was giving a talk about his work, clicking through a slide show to give the audience something to look at. At one point he displayed a slide of Mumford. Mumford had been a star high school basketball player who’d subsequently hit hard times as a heroin addict, Kabat-Zinn explained. By the early 1980s, however, he’d embraced meditation and gotten sober. Now Mumford taught meditation to prison inmates and other unlikely students. Kabat-Zinn explained how they were able to relate to Mumford because of his tough upbringing, his openness about his addiction — and because, like many inmates, he’s African-American. Kabat-Zinn’s description of Mumford didn’t seem to affect most Omega visitors, but one participant immediately took notice: June Jackson, whose husband had just coached the Chicago Bulls to their third consecutive NBA championship. Phil Jackson had spent years studying Buddhism and Native American spirituality and was a devoted meditator. Yet his efforts to get Michael Jordan, Scottie Pippen, and their teammates to embrace mindfulness was meeting with only limited success. “June took one look at George and said, ‘He could totally connect with Phil’s players,’ ’’ Kabat-Zinn recalls. So he provided an introduction. Soon Mumford was in Chicago, gathering some of the world’s most famous athletes in a darkened room and telling them to focus on their breathing. Mumford spent the next five years working with the Bulls, frequently sitting behind the bench, as they won three more championships. In 1999 Mumford followed Phil Jackson to the Los Angeles Lakers, where he helped turn Kobe Bryant into an outspoken adherent of meditation. Last year, as Jackson began rebuilding the moribund New York Knicks as president, Mumford signed on for a third tour of duty. He won’t speak about the specific work he’s doing in New York, but it surely involves helping a new team adjust to Jackson’s sensibilities, his controversial triangle offense, and the particular stress that comes with compiling the worst record in the NBA. Late one April afternoon just as the NBA playoffs are beginning, Mumford is sitting at a table in O’Hara’s, a Newton pub. Sober for more than 30 years, he sips Perrier. It’s Marathon Monday, and as police begin allowing traffic back onto Commonwealth Avenue, early finishers surround us, un-showered and drinking beer. No one recognizes Mumford, but that’s hardly unusual. While most NBA fans are aware that Jackson is serious about meditation — his nickname is the Zen Master — few outside his locker rooms can name the consultant he employs. And Mumford hasn’t done much to change that. He has no office and does no marketing, and his recently launched website, mindfulathlete.org, is mired deep in search-engine results. Mumford has worked with teams that have won six championships, but, one friend jokes, he remains the world’s most famous completely unknown meditation teacher. That may soon change. This month, Mumford published his first book, The Mindful Athlete, which is part memoir and part instruction guide, and he has agreed to give a series of talks and book signings

The first B text wasn’t published until 1616. That quarto is similar to yours in that it’s the first to use the now famous woodcut on the title page that shows Faustus raising the Devil while he, Faustus, stays inside his magic circle. That copy is in the British Museum. The next edition to surface is a 1619 one, essentially the same as the one from 1616. There is a single known copy in the hands of an American collector in Baltimore. Then we come to yours, the 1620 edition. Here, curiously, there’s a misprint on the title page – printers were notorious for misprints back then – the word “History” is printed as “Hiftoy”. There’s a single copy in the British Library. We know that three copies have appeared in the saleroom in the past forty years. All of them have been lost to follow-up. Until now, I’d say. Yours is undoubtedly one of them.

On Liberty, first published in 1859, John Stuart Mill famously laid out four reasons for why free speech was a necessity in a free society: the first and second being that a contrary opinion may be true, or true in part, and therefore may require to be heard in order to correct your own erroneous views; the third and fourth being that even if the contrary opinion is in error, the airing of it may help to remind people of a truth and prevent its slippage into an ignorant dogma which may in time – if unchallenged – itself become lost.2

Most discoverers became famous because they traveled the routes that few had before and published their findings first.

like that. Many of the mighty cities of North Africa like El Djem in what is now Tunisia were left to decay in peace. Even today they have massive ruins. El Djem has its vast Roman amphitheatre. Orange, in southern France, has a Roman theatre and an aqueduct. Athens has a vast Roman temple of Zeus and a library built by the emperor Hadrian (AD 117–138), who passed this way on his travels (see Chapter 17). Baalbek in the Lebanon has two colossal temples, and one of them – the temple of Bacchus – is still practically intact. Rome itself remained home to some of the most enormous ruins: The Colosseum, the city’s biggest amphitheatre, is still largely in one piece (see Chapter 8); the ruins of the imperial palaces still cluster across the Palatine Hill, and the baths of Caracalla look like a giant’s cave complex. The Aurelian walls of Rome, built in the 270s (see Chapter 19 for information on the emperor Aurelian), still surround most of Rome. The survival of Roman books Roman writers were all hugely influential in different ways, but it’s thanks to the survival of their texts that we know what we do about the Roman world. Consider these examples: Cicero (Marcus Tullius Cicero) (106–43 BC): Cicero was a great orator, lawyer, and statesman. Well aware of his importance, he published his speeches, treatises on government (De Re Publica), duty (De Officiis), the nature of gods (De Deorum Natura), and also a vast collection of his private correspondence. A great deal survives and he had a huge influence on thought and literature in early modern times. Caesar (Gaius Julius Caesar) (100–44 BC): Caesar wrote his own account of his war in Gaul (Bellum Gallicum), and also part of his civil war with Pompey (Bellum Civile). The texts are famous for sounding objective (though they aren’t at all), and for their spare, terse style, but are exceptional historical resources for the time. To find out more about Julius Caesar, go to Chapter 14. Catullus

of we are to believe Helen Cody Wetmore, one of William Cody's sisters, her family was descended from Spanish and Irish royalty, and were accordingly entitled to a crest. In her book Buffalo Bill, Last of the Great Scouts: The Life Story of Colonel William F. Cody, published in 1899, she wrote that her brother was "a lineal descendant of Milesius, king of Spain, that famous monarch whose three sons, Heber, Heremon, and Ir, founded the first dynasty in Ireland about the beginning of the

The most famous courtesy book is Il Cortegiano by Baldassare Castiglione, published in 1528.

In his memoirs of the late 1940s and 50s, published after his death following the famous ‘umbrella assassination’ in London in 1978, the Bulgarian dissident writer Georgi Markov told a story that is emblematic of the postwar period – not only in his own country, but in Europe as a whole. It involved a conversation between one of his friends, who had been arrested for challenging a Communist official who had jumped the bread queue, and an officer of the Bulgarian Communist militia: ‘And now tell me who your enemies are?’ the militia chief demanded. K. thought for a while and replied: ‘I don’t really know, I don’t think I have any enemies.’ ‘No enemies!’ The chief raised his voice. ‘Do you mean to say that you hate nobody and nobody hates you?’ ‘As far as I know, nobody.’ ‘You are lying,’ shouted the Lieutenant-Colonel suddenly, rising from his chair. ‘What kind of a man are you not to have any enemies? You clearly do not belong to our youth, you cannot be one of our citizens, if you have no enemies! … And if you really do not know how to hate, we shall teach you! We shall teach you very quickly!’1 In a sense, the militia chief in this story is right – it was virtually impossible to emerge from the Second World War without enemies. There can hardly be a better demonstration than this of the moral and human legacy of the war. After the desolation of entire regions; after the butchery of over 35 million people; after countless massacres in the name of nationality, race, religion, class or personal prejudice, virtually every person on the continent had suffered some kind of loss or injustice. Even countries which had seen little direct fighting, such as Bulgaria, had been subject to political turmoil, violent squabbles with their neighbours, coercion from the Nazis and eventually invasion by one of the world’s new superpowers. Amidst all these events, to hate one’s rivals had become entirely natural. Indeed, the leaders and propagandists of all sides had spent six long years promoting hatred as an essential weapon in the quest for victory. By the time this Bulgarian militia chief was terrorizing young students at Sofia University, hatred was no longer a mere by-product of the war – in the Communist mindset it had been elevated to a duty.

Ten things you should never do when you form a group 1.​Work with your friends (they won’t be for long if you do) 2.​Let the singer do his own backing vocals (this is a great opportunity for the band to pull together – ignore it at your peril; see also ‘narcissism’) 3.​Have a couple in the band (they will always conspire against you) 4.​Listen to an A&R man (apart from Pete Tong, everyone I have ever met has been an idiot) 5.​Let your manager open a club/bar (see The Haçienda: How Not to Run a Club) 6.​Let the publishing/performance split go unspoken (sort it out as soon as the recording is finished and put it in writing; this is the worst thing you will ever have to do, but the most important, and usually splits most bands before they even start) 7.​Get off the bus (Fatty Molloy did this once and has regretted it ever since) 8.​Think one member is bigger than the group (courtesy Gene Simmons again) 9.​Sign anything that says ‘in perpetuity’ (that means forever, even you won’t live that long) 10.​Let your record company owe you money (see Factory Records) 11.​Ship your gear – always hire (a very famous sub-dance sub-indie outfit once phoned their manager after they’d split and said, ‘Hey, where did all the money go?’ See above!) 12.​Interfere with another group member’s sleep (they will turn very nasty and may call the police) 13.​Interfere with another group member’s girlfriend/wife (this will always end in violence) 14.​Never have a party in your own hotel room (always go to someone else’s) . . . Oh shit, way too many. I’ll stop now.

During a belated New Year’s cleaning, I come across my grad-school coursework on the Austrian psychiatrist Viktor Frankl. Scanning my notes, I begin to remember his story. Frankl was born in 1905, and as a boy, he became intensely interested in psychology. By high school, he began an active correspondence with Freud. He went on to study medicine and lecture on the intersection of psychology and philosophy, or what he called logotherapy, from the Greek word logos, or “meaning.” Whereas Freud believed that people are driven to seek pleasure and avoid pain (his famous pleasure principle), Frankl maintained that people’s primary drive isn’t toward pleasure but toward finding meaning in their lives. He was in his thirties when World War II broke out, putting him, a Jew, in jeopardy. Offered immigration to the United States, he turned it down so as not to abandon his parents, and a year later, the Nazis forced Frankl and his wife to have her pregnancy terminated. In a matter of months, he and other family members were deported to concentration camps, and when Frankl was finally freed, three years later, he learned that the Nazis had killed his wife, his brother, and both of his parents. Freedom under these circumstances might have led to despair. After all, the hope of what awaited Frankl and his fellow prisoners upon their release was now gone—the people they cared about were dead, their families and friends wiped out. But Frankl wrote what became an extraordinary treatise on resilience and spiritual salvation, known in English as Man’s Search for Meaning. In it, he shares his theory of logotherapy as it relates not just to the horrors of concentration camps but also to more mundane struggles. He wrote, “Everything can be taken from a man but one thing: the last of the human freedoms—to choose one’s attitude in any given set of circumstances.” Indeed, Frankl remarried, had a daughter, published prolifically, and spoke around the world until his death at age ninety-two. Rereading these notes, I thought of my conversations with Wendell. Scribbled in my grad-school spiral were the words Reacting vs. responding = reflexive vs. chosen. We can choose our response, Frankl was saying, even under the specter of death. The same was true of John’s loss of his mother and son, Julie’s illness, Rita’s regrettable past, and Charlotte’s upbringing. I couldn’t think of a single patient to whom Frankl’s ideas didn’t apply, whether it was about extreme trauma or an interaction with a difficult family member. More than sixty years later, Wendell was saying I could choose too—that the jail cell was open on both sides. I particularly liked this line from Frankl’s book: “Between stimulus and response there is a space. In that space is our power to choose our response. In our response lies our growth and our freedom.

The sentimental public interpreted Caesar’s behaviour in a different light. His starring role in the funeral procession had transformed him into the most famous dog in the world. All that summer, and well into the autumn, he was big business. The Illustrated London News commissioned the artist Maud Earl to paint Caesar with his head resting forlornly upon Edward’s empty armchair. Entitled Silent Sorrow, copies were advertised for sale: five shillings for a photogravure plate, or ten shillings and sixpence for a limited-edition India proof. Itself a relatively recent addition to the Edwardian nursery, the teddy-bear temporarily took a back seat to the toy Caesars manufactured by the German firm of Steiff. Fashioned out of shaggy mohair with glass eyes, jointed legs and leather collars replete with embossed brass tags, the endearing animals were soon flying off the shelves. Most popular of all was the anonymously authored Where’s Master?, which narrated the events surrounding Edward’s death from Caesar’s perspective. Dedicated to Alexandra (who was called ‘She’ throughout) and published by Hodder & Stoughton, it was guaranteed to raise a lump in the most stoic throat: She says I can go if I am very good and follow close behind Master, and walk very slowly, and never move from the middle of the road. Oh, how glad and thankful I am. I wonder if Master knows, and is pleased that, after all, his little dog is going with him on his last journey.35

This is why To Sell Is Human author Daniel Pink recommends adopting cartoon favorite Bob the Builder’s famous approach. In each episode, Bob is presented with a problem, and instead of spouting possible solutions, he switches to interrogative mode by asking, “Can we fix it?” That’s good advice. However, there is also a second half of Bob’s incessantly optimistic credo—“Yes we can!” Embedded front and center is our magic word “yes.” The optimism this “yes” carries brings an added magic all its own. A study done by Peter Schulman, published in the Journal of Selling and Sales Management, found that salespeople who are optimistic outsell their pessimistic counterparts by 35 percent. The defining trait of an optimist is that they’ll answer positive outcome questions with a “yes.” Pessimists, on the other hand, prefer to stick with the go-to answer they use for just about everything—“no.” This puts them at a significant disadvantage. However, pessimists needn’t despair (although they would probably prefer to). Martin Seligman, author of Learned Optimism and a renowned psychologist and clinical researcher, has been studying optimists and pessimists for more than twenty-five years. He states, “Pessimism is escapable.

Yes, I'd gone through that fantasy many times before, dreaming of having a book published and becoming a famous author, seeing my book displayed in bookstore windows, being interviewed by reporters, being asked for my autograph. What wonderful things dreams are! They can make you be anything you want and take you anyplace in the world. And some of them can actually come true, as this one had for me. In the meantime, I sat on that bench near the lake wishing it had all taken place

As I absorbed natural history knowledge from specialised books and field visits, I started noticing this disconnect between Tata's broad interest in nature and his lack of awareness about the serious problem of wildlife around us being wiped out by hunters. When Tata published his science encyclopedia, Vijanana Prapancha, in the mid-1960s, I recall passionately arguing with him about his averment that wild tigers were so numerous in Malenad that local hunters could never extirpate them. I told him that if a famous writer like him said this in print, his many admirers among the local landed gentry would rush out to finish off the last wild tigers. Tata appeared nonplussed for once, but the book was already out in print.

the one Feynman finally published, became famous. A bombardier watching a single road through the bomb-sight of a low flying plane suddenly sees three roads, the confusion only resolving itself when two of them move together and disappear and he realizes he has only passed over a long reverse switchback of a single road. The reversed section represents the positron in analogy, which is first created along with an electron and then moves about and annihilates another electron.

She was Jackie Kennedy, the most famous woman in the world,” noted Stanley Levin, “and that was worth all the money in the world to a man like Aristotle Onassis. He felt she’d legitimize him in the eyes of the world. I also believe that, deep down, he loved her in his own way and wanted to help her. His heart went out to her. She had that effect on people. He had Maria Callas on the side. Jackie accepted it. She knew the terms of their arrangement from the very beginning.” In years to come, there would be many published accounts about the Onassises’ sex life, which was always reported as being very robust. Onassis often bragged about their lovemaking, but it was all for show to boost his image. Some of his employees from that time now admit he actually paid them to spread these sorts of rumors in the tabloids.

But perhaps the most lasting autobiographical fake ever to be published in Constellation was "I Was Stalin's Nanny." The putative author, a certain Boudou Zvanidze, was not to be found among our somewhat limited range of corrupt acquaintances who would impersonate the author in return for a small percentage of the fee. Indeed, the fluent Russian-speaking Madame Lecoutre would have seen through such an impersonation, even if the venerable nanny had survived that long ( she would have had to be nearly a hundred years old at the time). Prodigies of eloquence were needed to persuade the Constellation editors that a Russian emigre of our acquaintance, remotely related to the Zvanidze family, had come across certain "family papers"-including a diary kept by Stalin's nanny during his earliest years. Needless to say, Boudou Zvanidze depicted her charge as a monster-smashing his toys, torturing animals, pulling the wings off flies, and providing other early evidence of inhuman behavior. After Stalin's death and the 20th Congress of the Communist Party of the USSR, at which Stalin's crimes were posthumously revealed, the article on Boudou Zvanidze assumed considerable importance. One rumor was that Khrushchev himself had ref erred to it in his famous speech attacking Stalin, as an example of Stalin's cruelty, and it has since been included in the endless biographical data concerning Stalin, not only in the West but, I am told, also in the Soviet Union itself.

Before his death the famous value investor Benjamin Graham said: In general, no. I am no longer an advocate of elaborate techniques of security analysis in order to find superior value opportunities. This was a rewarding activity, say, 40 years ago, when our textbook “Graham and Dodd” was first published; but the situation has changed a great deal since then.1 The world is a very different place than it was in the last quarter of the twentieth century during the heyday of Warren Buffett and Benjamin Graham when economies were highly localized and information was difficult to obtain. This era was truly the golden age of the value, or microeconomic, investor. Securities analysis was a highly rewarding endeavor as markets were starved for information, and competitive analysis of information created vast opportunities. But we no longer live in the age of Buffett and Graham. The world today is a global economy in which information moves fast and the competition in search of information is greater than it’s ever been. Computer algorithms scour every bit of news and data for any potential price discrepancy, and armies of PhD mathematicians now populate financial firms to compete with the everyday person in search of value. I think Benjamin Graham was beginning to see this trend unfolding during his career, but the world has been slow to catch up.

Many years later, serving time in a special detention center after yet another arrest, I sat in my cell reading a collection of newly published materials from the archives. These were secret reports by the KGB branch of the Ukrainian Soviet Socialist Republic proudly documenting an extraordinary operation involving a journalist from Newsweek who had visited Ukraine sometime after the accident. Some twenty or so individuals had been involved in this operation, including members of special militia units and retired KGB agents. The KGB arranged it so that everybody the journalist interviewed was an intelligence officer, and all of them assured him the consequences of the accident were minimal and that the public was impressed and delighted by the efficient way the party and government had dealt with it. Vast resources had been brought to bear to deceive a single reporter because it was the appropriate thing to do. We could hardly allow enemy journalists to slander the Soviet reality by twisting the facts. Therefore, we would rather twist the facts a little ourselves. None of these tricks were any more effective than the infamous grocery stores in North Korea in which plastic produce is strategically placed so foreigners being driven from the airport can see that bananas and oranges are freely available. For years now the foreigners have been merrily snapping photos of these stores as a tourist sight. Hey, look over there! The famous fake fruit! Paradoxically, people in Washington, London, and Berlin knew more about what was really happening than those living in the contaminated zones. Our family did not know the whole truth, but we knew a whole lot more than most: when the party and government robustly denied the "contemptible insinuations of Washington's propaganda" about an explosion in Chernobyl, our relatives phoned and told us everyone in the region was aware there had been an explosion at the power station and that there were soldiers all over the place. Then the nightmare began. Soon, everybody within thirty kilometers of the power plant was being evacuated, and no matter how glowingly state television reported a well-coordinated operation, we already knew better. Our numerous relatives had been dispersed all over Ukraine, to wherever empty accommodations, like Pioneer camps, could be found. People were in despair. It was unbearable to be forced to abandon your farmstead, a home you had built with your own hands, especially since these people could be considered well-off by Soviet standards. We were the poor relatives compared to them, even though my father was in the army, which meant his pay was above average. We were just living a standard Soviet life in a military unit, with an apartment and a salary, while they, with their orchards and cows and private plots of land, were better provided for, at least in terms of food. Now they were leading their children to a bus and being driven away permanently to who knows where with only their identification papers and a minimal set of clothes. There were cows mooing and dogs barking, just like in films about the war. A couple of days later soldiers went around the villages shooting the dogs. A starving cow will just die, but dogs go feral, form packs, and might attack the few remaining people. What a monstrous shambles it all was, and it could not be concealed...A total of 116,000 people were evacuated. They needed new housing, new jobs, and compensation for the property they had abandoned. Even for a rich, developed country that would be a big ask. For the U.S.S.R., with its planned economy, it was a nightmare. New homes were needed; new cars were needed.

There was another belief, no less persistent and harmful, that nobody in the public eye would ever openly donate money to political causes. They would be afraid of reprisals, so it was better not to ask. It was far more effective to secretly approach some businessman who would give you cash under the table, or to just go straight to the presidential administration. I was sure that was wrong, and decided to prove it. In September 1011, I registered the Anti-Corruption Foundation as a nonprofit organization. All my individual projects now existed as parts of a single brand. I announced I would continue to raise money for the work of the ACF through crowdfunding, but this time I specifically called for famous people to become donors. After a few months I had sixteen public figures openly supporting me. Each one donated more than $10,000. They included the entrepreneur Boris Zimin; Sergei Guriev, an economist; Leonid Parfyonov, a journalist; and the writer Boris Akunin. Vladimir Ashurkoy, a financier, not only donated money but helped me enormously to get the whole thing organized. These sixteen brave people broke the very important social taboo that you should never fund a cause you believed in without prior permission. I had been planning to raise about 9 million rubles in the first year of ACF's existence and achieved that with ease. In 2019, the year before I was poisoned, we collected more than 80 million rubles, receiving tens of thousands of small donations of 100-500 rubles from all over the country. Our organization's underlying principle is transparency. That was important to me from the outset, for two reasons. First, because people would donate more readily if they knew what their money was being spent on, and second, because I wanted to be completely different from the state. The government is spending our taxes without any explanation. We have no influence over the budget's priorities, and do not even know exactly how the money is distributed. Russia has never seen a politician who was truly open in his approach. Even in the brief period in the 1990s when democrats were in power, it was considered normal to conceal your own resources and where they had come from. I wanted to do things differently. I published the details of my personal income and where my organization's money came from. Everyone knew what my wife and children looked like. All those people who were sending me donations were also sending an unambiguous signal to the authorities: they chose to donate to me because they could see what I was doing and how I spent the money, while the government officials kept everything hidden and often stole it. Despite the intimidation of donors, which began almost immediately-"Are you donating to Navalny? All transactions are recorded. Expect problems!"-thousands of people carried on sending us money. It always felt as if I were being sent a message: "We are ready to fight but need a leader; someone who is not afraid of the state and will not accept bribes. We believe that is the kind of person you are, which is why we are supporting you." I never drew a salary from the Anti-Corruption Foundation, and under no circumstances did I ever use donations for personal purposes. I decided there would be an unassailable Great Wall of China between my earnings and the organization's budget. I did, after all, have a job as a lawyer, so even while heading the ACF, I continued providing legal services, even though it may be true that some of my clients employed me as a way of supporting me.