Famous Pixel Quotes

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For many years when I have heard nice people try to be respectful about describing undocumented people, I’ve heard them call us “undocumented workers” as a euphemism, as if there was something uncouth about being just an undocumented person standing with your hands clasped together or at your sides. I almost wish they’d called us something rude like “crazy fuckin’ Mexicans” because that’s acknowledging something about us beyond our usefulness—we’re crazy, we’re Mexican, we’re clearly unwanted!—but to describe all of us, men, women, children, locally Instagram-famous teens, queer puppeteers, all of us, as workers in order to make us palatable, my god. We were brown bodies made to labor, faces pixelated.
Karla Cornejo Villavicencio (The Undocumented Americans)
Steam Greenlight. With Greenlight, Valve crowdsourced its approval process, allowing fans to vote on the games they’d want to play. Games that hit a certain number of votes (a number that the famously secretive Valve kept quiet) would automatically get a spot in the store.
Jason Schreier (Blood, Sweat, and Pixels)
I almost wish they’d called us something rude like “crazy fuckin’ Mexicans” because that’s acknowledging something about us beyond our usefulness—we’re crazy, we’re Mexican, we’re clearly unwanted!—but to describe all of us, men, women, children, locally Instagram-famous teens, queer puppeteers, all of us, as workers in order to make us palatable, my god. We were brown bodies made to labor, faces pixelated.
Karla Cornejo Villavicencio (The Undocumented Americans (One World Essentials))
Much like Sylvia's Plath's famous line in The Bell Jar, as Esther tries to reassure herself of her place in the world - 'I took a deep breath and listened to the old brag of my heart. I am, I am, I am' - the fervour with which we create content, capture ourselves, our rooms, our outfits, our possessions, and the ardour with which we turn ourselves inside out in the digital realm feels like a repeated reassurance: I was here, I was here, I was here.
Ellen Atlanta (Pixel Flesh: How Toxic Beauty Culture Harms Women)