Famous Persian Quotes

A famous Persian proverb hung on my aunt’s kitchen wall reads, “I cried because I had no shoes, until I met a man who had no feet.

Deep in the shadows, a hot ember from a lit cigarette glows. For a brief second, the light illumines the face of the famous chimp, Bosco, champion bicyclist. He stares back, emotionless, unimpressed. His relentless gaze makes me uncomfortable, self-conscious, intimidated.

the maxim of the famous Spartan nurses: never expose a small child to fear, let him enter confidently on boyhood.

I read a book one day and my whole life was changed” starts Orhan Pamuk to his famous and brilliantly written book: The New Life. Some books just strike you with the very first sentence, and generally those are the ones that leave a mark in your memory and soul, the ones that make you read, come back many years later and read again, and have the same pleasure each time. I was lucky enough to have a father who was passionate about literature, so passionate that he would teach me how to read at the age of five. The very first book he bought for me was “The Little Black Fish” by Samad Behrangi. After that I started reading his other books, and at that age I had already owned a small Behrangi collection. Recently I was talking with a Persian friend about how Behrangi and his books changed my life. A girl, from another country, from kilometeters away, around the same time was also reading Behrangi’s books, and creating her own imaginary worlds with his rich and deep characters, and intense stories.

But to continue the story of my professional experiences. I made one pound ten and six by my first review; and I bought a Persian cat with the proceeds. Then I grew ambitious. A Persian cat is all very well, I said; but a Persian cat is not enough. I must have a motor car. And it was thus that I became a novelist--for it is a very strange thing that people will give you a motor car if you will tell them a story. It is a still stranger thing that there is nothing so delightful in the world as telling stories. It is far pleasanter than writing reviews of famous novels.

What benefit have the Hindus derived from their contact with Christian nations? The idea generally prevalent in this country about the morality and truthfulness of the Hindus evidently has been very low. Such seeds of enmity and hatred have been sown by the missionaries that it would be an almost Herculean task to establish better relations between India and America... If we examine Greek, Chinese, Persian, or Arabian writings on the Hindus, before foreigners invaded India, we find an impartial description of their national character. Megasthenes, the famous Greek ambassador, praises them for their love of truth and justice, for the absence of slavery, and for the chastity of their women. Arrian, in the second century, Hiouen-thsang, the famous Buddhist pilgrim in the seventh century, Marco Polo in the thirteenth century, have written in highest terms of praise of Hindu morality. The literature and philosophy of Ancient India have excited the admiration of all scholars, except Christian missionaries.

My mother used to say that if I couldn’t sleep I should count something that matters, anything but sheep. Count stars. Count Mercedes-Benzes. Count U.S. presidents. Count the years you have left to live. I might jump out the window, I thought, if I couldn’t sleep. I pulled the blanket up to my chest. I counted state capitals. I counted different kinds of flowers. I counted shades of blue. Cerulean. Cadet. Electric. Teal. Tiffany. Egyptian. Persian. Oxford. I didn’t sleep. I wouldn’t sleep. I couldn’t. I counted as many kinds of birds as I could think of. I counted TV shows from the eighties. I counted movies set in New York City. I counted famous people who committed suicide: Diane Arbus, the Hemingways, Marilyn Monroe, Sylvia Plath, van Gogh, Virginia Woolf. Poor Kurt Cobain. I counted the times I’d cried since my parents died. I counted the seconds passing. Time could go on forever like this, I thought again. Time would. Infinity loomed consistently and all at once, forever, with or without me. Amen.

The most famous long-distance race with a Greek origin is the marathon, which celebrates the arduous journey of the messenger who ran from Marathon to Athens, a distance of 26.2 miles, to announce Greece’s victory over the Persians in 490 B.C.; he then dropped dead from exhaustion.

Stuyvesants and Vanderbilts and Roosevelts and staid, respectable Washington Square. Trinity Church. Mrs. Astor’s famous ballroom, the Four Hundred, snobby Ward McAllister, that traitor Edith Wharton, Delmonico’s. Zany Zelda and Scott in the Plaza fountain, the Algonquin Round Table, Dottie Parker and her razor tongue and pen, the Follies. Cholly Knickerbocker, 21, Lucky Strike dances at the Stork, El Morocco. The incomparable Hildegarde playing the Persian Room at the Plaza, Cary Grant kneeling at her feet in awe. Fifth Avenue: Henri Bendel, Bergdorf’s, Tiffany’s.

It was necessary, therefore, to Moses that he should find the people of Israel in Egypt enslaved and oppressed by the Egyptians, in order that they should be disposed to follow him so as to be delivered out of bondage. It was necessary that Romulus should not remain in Alba, and that he should be abandoned at his birth, in order that he should become King of Rome and founder of the fatherland. It was necessary that Cyrus should find the Persians discontented with the government of the Medes, and the Medes soft and effeminate through their long peace. Theseus could not have shown his ability had he not found the Athenians dispersed. These opportunities, therefore, made those men fortunate, and their high ability enabled them to recognize the opportunity whereby their country was ennobled and made famous.

As most students of antiquity know, the modern marathon takes its name from the name of a famous battle that the Athenians won over the Persians in 490 B.C. Pheidippides, a Greek soldier and champion runner, volunteered to run the 25 miles from Marathon to Athens to spread the news of the victory. Upon arriving, Pheidippides is reported to have gasped "Rejoice, we conquer!" and then promptly died on the spot.

As Rodney Stark puts it, “Almost generation after generation, Christian writers recorded acts of persecution and harassment, to the point of slaughter and destruction, suffered at the hands of Muslim [Arab, Persian, and Turkish] rulers.”9 That said, the persecution and carnage had reached apocalyptic levels by the 1090s. THE CALL FROM CLERMONT It was in this context that, on November 27, 1095, Pope Urban II (r. 1088–1099) made his famous appeal to the knights of Christendom.

From the pleasure podium of Ali Qapu, beyond the enhanced enclosure, the city spread itself towards the horizon. Ugly buildings are prohibited in Esfahan. They go to Tehran or stay in Mashhad. Planters vie with planners to outnumber buildings with trees. Attracting nightingales, blackbirds and orioles is considered as important as attracting people. Maples line the canals, reaching towards each other with branches linked. Beneath them, people meander, stroll and promenade. The Safavids' high standards generated a kind of architectural pole-vaulting competition in which beauty is the bar, and ever since the Persians have been imbuing the most mundane objects with design. Turquoise tiles ennoble even power stations. In the meadow in the middle of Naghshe Jahan, as lovers strolled or rode in horse-drawn traps, I lay on my back picking four-leafed clovers and looking at the sky. There was an intimacy about its grandeur, like having someone famous in your family. The life of centuries past was more alive here than anywhere else, its physical dimensions unchanged. Even the brutal mountains, folded in light and shadows beyond the square, stood back in awe of it. At three o'clock, the tiled domes soaked up the sunshine, transforming its invisible colours to their own hue, and the gushing fountains ventilated the breeze and passed it on to grateful Esfahanis. But above all was the soaring sky, captured by this snare of arches.(p378)

The great Persian Sufi poet Rumi beautifully describes the mind of befriending emotions in his famous poem, “Guest House”:         This being human is a guest house         Every morning a new arrival.         A joy, a depression, a meanness,         some momentary awareness comes         as an unexpected visitor.         Welcome and entertain them all!         Even if they are a crowd of sorrows,         who violently sweep your house         empty of its furniture,         still, treat each guest honorably.         He may be clearing you out         for some new delight.         The dark thought, the shame, the malice,         meet them at the door laughing,         and invite them in.         Be grateful for whoever comes,         because each has been sent         as a guide from beyond.

The reality of the Islamic metaphysical world was not taken seriously despite the fact that Iqbal, who was the ideological founder of Pakistan, had shown much interest in Islamic philosophy, although I do not think that he is really a traditional Islamic philosopher. He himself was influenced by Western philosophy, but at least was intelligent enough to realize the significance of Islamic philosophy. The problem with him was that he did not know Arabic well enough. His Persian was very good, but he could not read all the major texts of Islamic philoso- phy, which are written mostly in Arabic. Nevertheless, he wrote on the development of metaphysics in Persia, and he had some philosophical substance, much more than the other famous reformers who are men- tioned all the time, such as Sir Syed Ahmad Khan or Muh:ammad ‘Abduh.

When Nietzsche made his famous definition of tragic pleasure he fixed his eyes, like all the other philosophers in like case, not on the Muse herself but on a single tragedian. His “reaffirmation of the will to live in the face of death, and the joy of its inexhaustibility when so reaffirmed” is not the tragedy of Sophocles nor the tragedy of Euripides, but it is the very essence of the tragedy of Æschylus. The strange power tragedy has to present suffering and death in such a way as to exalt and not depress is to be felt in Æschylus’ plays as in those of no other tragic poet. He was the first tragedian; tragedy was his creation, and he set upon it the stamp of his own spirit. It was a soldier-spirit. Æschylus was a Marathon-warrior, the title given to each of the little band who had beaten back the earlier tremendous Persian onslaught.

Vestiges of this kind of crude learning mechanism in the human brain may incline people to see objects or places as inhabited by evil, a perception that figures in various religions. Hence, perhaps, the sense of dread that has been associated by some anthropologists with primitive religious experience. And what of the sense of awe that has also been identified with religious experience—most famously by the German theologian Rudolf Otto (who saw primordial religious awe as often intermingled with dread)? Was awe originally “designed” by natural selection for some nonreligious purpose? Certainly feelings of that general type sometimes overtake people confronted by other people who are overwhelmingly powerful. They crouch abjectly, beg desperately for mercy. (In the Persian Gulf War of 1991, after weeks of American bombing, Iraqi soldiers were so shaken that they knelt and kissed the hands of the first Americans they saw even when those Americans were journalists.) On the one hand, this is a pragmatic move—the smartest thing to do under the circumstances. But it seems fueled at least as much by instinctive emotion as by conscious strategy. Indeed, chimpanzees do roughly the same thing. Faced with a formidable foe, they either confront it with a “threat display” or, if it’s too formidable, crouch in submission. There’s no telling what chimps feel in these instances, but in the case of humans there have been reports of something like awe. That this feeling is naturally directed toward other living beings would seem to lubricate theological interpretations of nature; if a severe thunderstorm summons the same emotion as an ill-tempered and potent foe, it’s not much of a stretch to imagine an ill-tempered foe behind the thunderstorm.

Another celebrated building that we saw inside the Fort was the Diwan-i-Khas. Here can be seen in Persian characters the famous inscription, “If a paradise be on the face of the earth, it is this, it is this, it is this.” At the time of the Delhi Durbar in 1903 to celebrate the proclamation of Edward VII as Emperor of India, this exquisite building was used as a supper room. “This is the Chandni Chauk [Silver Street],” said our driver as we passed along Delhi’s main street. “It is the richest street in the world.” “Used to be,” corrected Sam. “It was sacked at least four times and most of its riches carried away.” Nowadays it is the abode of the jewelers and ivory workers of Delhi. Ten miles south of Delhi, amid the ruins of another ancient Delhi, stands the Kutb Minar, which is said to be the most perfect tower in the world and one of the seven architectural wonders of India. Built of marble and sandstone which is dark red at the base, pink in the middle, and orange on the top story, this remarkable structure, 238 feet high, looks almost brand new, yet it was built in A.D. 1200. Close by is another Indian wonder, the Iron Pillar, dating from A.D. 400. A remarkable tribute to Hindu knowledge of metallurgy and engineering, this pillar, some sixteen inches in diameter and twenty-three feet eight inches in height, is made of pure rustless malleable iron and is estimated to weigh more than six tons. Overlooking both the Fort and the city, and approached by a magnificent flight of stone steps, is the Great Mosque, also erected by Emperor Shah Jehan. It has three domes of white marble, two tall minarets, and a front court measuring 450 feet square, paved with granite and inlaid with marble. “Sight-seeing in Delhi is as tiring as doing the Mediterranean,” I

The Macedonians and Greek has been raised to despise Persians and all Asians as barbarians, fit only to be slaves, and the defeat of Darius and his great armies can only have reinforced their immense sense of superiority. They were master over subjects whose language and culture held no interest or value for them, apart from its luxury, wealth, and famously beautiful women.

The Medes, Parthians, Persians, and some others who spoke the same language like in Bactria, combined were deemed the Aryan people. And the language of Darius the Mede was called "Aryan."39 This is likely the name of the language of the Medes (or possibly the old Persian language) that dominated much of the area. Map of Asshur and his descendants What is interesting is that the term Aryan was adopted by the Nazis and Adolf Hitler in the early 20th century to describe a people group they deemed as purely Germanic (must be of one people group) and more "evolved" than the rest of European peoples and the rest of the world. And yet, the true Aryans were one of the most famous groups of people who were of mixed descent.

This famous collection of Middle Eastern and South Asian stories and folk tales was compiled in Arabic during the Islamic Golden Age and is often known in English as the Arabian Nights, due to the 1706 first English language edition being titled The Arabian Nights’ Entertainment. The tales were collected over many centuries by various authors, translators and scholars across West, Central and South Asia and North Africa, revealing influences from ancient and medieval Arabic, Persian, Mesopotamian, Indian and Egyptian literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most likely drawn from the Pahlavi Persian work Hazār Afsān, which in turn relied partly on Indian elements. The stories are connected by the frame story concerning the ruler Shahryār (Persian for “king”) and his wife Scheherazade (Persian for “of noble lineage”), while other tales are introduced within the frame story by its characters.

This is the tomb of the famous Megistias, slain by the Persians near the Spercheios River, a seer who even when aware that death was near would not desert his Spartan kings.

In addition, Sultan Iltumish, for all his rhetoric of being India's sole legitimate Muslim ruler, continued to issue coins with the old bull-and-horseman motif and a Sanskritized form of his name and title: 'Suratana Sri Samsadina', the latter referring to his given name, Shams al-Din. He also enlarged Delhi's Qutb mosque by three times in order to accomodate the many immigrants from beyond the Khyber who had flocked to Delhi during his reign. And he added three storeys to the city's famous minaret, the Qutb Minar. Notably, he placed a seven-metre iron pillar in the centre of the mosque's oldest courtyard, on a direct axis with its main prayer chamber. Originally installed in a Vishnu temple to announce the military victories of a fourth-or-fifth century Indian king, the pillar was now associated with Iltumish and his own victories. In transplanting the pillar in this way, the Sultan broke with Islamic architectural conventions while conforming to Indian political traditions. For in 1164, within living memory of Iltumish's installations of the Vishnu pillar in Delhi's great mosque, Vigraharaja IV Chauhan (r. 1150-64) recorded his own conquests on the same stone pillar on which the emperor Ashoka had published an edict back in the third century BC.