Famous Mutiny Quotes

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It had been hard enough to drive past the area. It was harder to imagine what it was like living there. Yet people lived with the stench and the terrible air, and had careers there. Even lawyers lived there, I was told. Was the smell of excrement only on the periphery, from the iridescent black lake? No; that stench went right through Dharavi. Even more astonishing was to read in a Bombay magazine an article about Papu's suburb of Sion, in which the slum of Dharavi was written about almost as a bohemian feature of the place, something that added spice to humdrum middle-class life. Bombay clearly innoculated its residents in some way. I had another glimpse of Dharavi some time later, when I was going in a taxi to the domestic airport at Santa Cruz. The taxi-driver - a Muslim from Hyderabad, full of self-respect, nervous about living in Bombay, fearful of sinking, planning to go back home soon, and in the meantime nervously particular about his car and his clothes - the taxi-driver showed the apartment blocks on one side of the airport road where hutment dwellers had been rehoused. In the other direction he showed the marsh on which Dharavi had grown and, away in the distance, the low black line of the famous slum. Seen from here, Dharavi looked artificial, unnecessary even in Bombay: allowed to exist because, as people said, it was a vote-bank, and hate-bank, something to be drawn upon by many people. All the conflicting currents of Bombay flowed there as well; all the new particularities were heightened there. And yet people lived there, subject to this extra exploitation, because in Bombay, once you had a place to stay, you could make money.
V.S. Naipaul (India: A Million Mutinies Now)
Harry Tugend had abandoned radio to write films; Allen’s writers were now Arnold Auerbach and Herman Wouk (later famous as the author of The Caine Mutiny and other bestselling novels). Wouk and Auerbach may have been the most rewritten team in radio, for Allen continued to do the script’s final drafts.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
So why write a book about an old ship that only a handful of people have ever heard of and even fewer could care anything about? Unlike most maritime subjects, the William Badger experienced no mutinies or revolts—like the Bounty or the Amistad. Although she indirectly provided inspiration for one of the most famous shipwreck poems in American literature, she herself was never wrecked—like the fictional Hesperus, the Pequod, or the non-fictional Nantucket whaleship Essex.
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)