Famous Lucy Quotes

We've searched our database for all the quotes and captions related to Famous Lucy. Here they are! All 38 of them:

He was very handsome and romantic. But he also frightened me, he was so wild. I knew I shouldn’t have married him, but that was one of the biggest attractions.
Warren G. Harris (Lucy & Desi: The Legendary Love Story of Television's Most Famous Couple)
After a while, the writers of the Allen Room invited me to lunch, which we thereafter ate almost every day in the employees’ cafeteria in the library basement. These writers included not just some who were already famous, but some who were, at the time, little better known than I was, like John Demaray, Lucy Komisar, Irene Mahoney and Susan Brownmiller, who was working on Against Our Will and would sit at the desk adjoining mine for the next two years, her petite feet, clad in brightly striped socks, sticking under the partition that divided our desks, giving me an odd feeling of companionship.
Robert A. Caro (Working)
Comedy, much of the time, is built on disorder. Comedy is intoxicating to a young mind in distress. You see these famous people pointing out the ridiculousness of a world that you’ve never been able to make sense of. Comedians offer the hope, the chance, however slim, that it’s not you that’s broken but the world. And they dress up in cool clothes! And hang out with various late-night hosts named Jimmy! And they make people laugh, and those people then love them. I can’t say for certain that depression leads people to a career in comedy, but it seems like the path is smoothly paved and well lit. Comedian Solomon Georgio came to the United States as a refugee from Ethiopia when he was three years old, and his family relied on comedy early on for entertainment and education. “We all loved comedy because that’s one of the few things that we comprehended when we didn’t speak the language,” he says. “Surprisingly, standup comedy, too, which, even though we didn’t know what was going on, you kind of see a rhythm and you know people are being entertained and laughing along. So we watched a lot of old television. Three Stooges, I Love Lucy, and, like, slapstick. We just immediately started watching and enjoying. So you can only imagine how disappointed I was when I met my first white person in real life and I was like, ‘Oh, you’re not like the Three Stooges. I can’t slap you and poke you in the eye. You guys aren’t doing any of that stuff out here. Okay.
John Moe (The Hilarious World of Depression)
Albert Einstein, considered the most influential person of the 20th century, was four years old before he could speak and seven before he could read. His parents thought he was retarded. He spoke haltingly until age nine. He was advised by a teacher to drop out of grade school: “You’ll never amount to anything, Einstein.” Isaac Newton, the scientist who invented modern-day physics, did poorly in math. Patricia Polacco, a prolific children’s author and illustrator, didn’t learn to read until she was 14. Henry Ford, who developed the famous Model-T car and started Ford Motor Company, barely made it through high school. Lucille Ball, famous comedian and star of I Love Lucy, was once dismissed from drama school for being too quiet and shy. Pablo Picasso, one of the great artists of all time, was pulled out of school at age 10 because he was doing so poorly. A tutor hired by Pablo’s father gave up on Pablo. Ludwig van Beethoven was one of the world’s great composers. His music teacher once said of him, “As a composer, he is hopeless.” Wernher von Braun, the world-renowned mathematician, flunked ninth-grade algebra. Agatha Christie, the world’s best-known mystery writer and all-time bestselling author other than William Shakespeare of any genre, struggled to learn to read because of dyslexia. Winston Churchill, famous English prime minister, failed the sixth grade.
Sean Covey (The 6 Most Important Decisions You'll Ever Make: A Guide for Teens)
The night in the hospital when I felt I had been unkind to my mother by saying that I did not think she ever cared what it was like to be famous, I couldn’t fall asleep. I was agitated; I wanted to cry. When my own children cried I fell to pieces, I would kiss them and see what was wrong. Maybe I did it too much. And when I had had an argument with William, I sometimes cried, and I learned early that he was not a man who hated to hear a woman cry, as many men are, but that it would break whatever coldness was in him, and he would almost always hold me if I cried very hard and say, “It’s okay, Button, we’ll work it out.”But with my mother I didn’t dare cry. Both my parents loathed the act of crying, and it’s difficult for a child who is crying to have to stop, knowing if she doesn’t stop everything will be made worse. This is not an easy position for any child. And my mother—that night in the hospital room—was the mother I had had all my life, no matter how different she seemed with her urgent quiet voice, her softer face. What I mean is, I tried not to cry. In the dark I felt she was awake.
Elizabeth Strout (My Name Is Lucy Barton (Amgash #1))
At least three of the girls in the front row were already whispering behind their hands. When Quinn winked at them, they started giggling. Lucy shook her head. “The Drake brothers, making girls stupid since 2002.” The eldest of the brothers, Sebastian, had turned sixteen in 2002, and changed into a vampire, as all Drakes did. Even without the famous vampire pheromones, they were dangerous. “Please. I was born pretty.” And they knew it.
Alyxandra Harvey (The Longest Night (Drake Chronicles, #6.5))
That evening, Desi took her to El Zerape, a Mexican-Cuban nightspot close to downtown Los Angeles and the current rage for slumming Hollywood celebrities. It turned out to be a group excursion organized by George Abbott, a fanatic ballroom dancer. Nearly the entire cast of Too Many Girls was there, including the fourteen singing and dancing choristers that RKO had hired from the New York production at a weekly salary of forty dollars each.
Warren G. Harris (Lucy & Desi: The Legendary Love Story of Television's Most Famous Couple)
During the flight back to Los Angeles from Milwaukee, Lucy became sick and went to bed as soon as the couple got home. Two days later, Desi rushed her to Cedars of Lebanon Hospital and the conclusion was the same as before. Another miscarriage.
Warren G. Harris (Lucy & Desi: The Legendary Love Story of Television's Most Famous Couple)
Like most women of her generation, Desiree Ball (known familiarly as “DeDe”) had been raised to become a wife, housekeeper, and mother hen. When DeDe married Henry Ball, it was taken for granted that she—and eventually the family—would accompany him wherever his job took him. As a result, Lucy spent her early years far from Jamestown, first in the copper-mining territory around Anaconda, Montana, and then in Wyandotte, Michigan, a factory town dependent on the automotive industry in nearby Detroit.
Warren G. Harris (Lucy & Desi: The Legendary Love Story of Television's Most Famous Couple)
Desi didn’t really want to settle down with Lucy, or with any other woman for that matter. But Lucy put up such a campaign that he wound up believing that he did.” Lucy
Warren G. Harris (Lucy & Desi: The Legendary Love Story of Television's Most Famous Couple)
There was this feeling that you got when your video went viral. Like people were going to start asking for your autograph or panties. Like they were going to start sending you marriage proposals or death threats. Like you were going to be famous or at least internet famous. It started around a million hits. By ten million, you were buying bulk packs of panties to sell on iBuy.
Lucy Mihajlich (Interface)
They can survive several years of desiccation and high blasts of radiation. As far as we know, they are the most radiation resistant creature on the planet, beating even the famously indestructible tardigrade in the hard-nut stakes.
Lucy Cooke (Bitch: On the Female of the Species)
Meanwhile, in the early 1970s Donald Johanson, a brash young scientist from the United States, joined a field expedition at a site in Ethiopia called Hadar. The team found hominin fossils, including a partial skeleton soon to become the most famous in the world, nicknamed “Lucy.” Geological work dated Lucy and associated fossils back more than three million years.
Lee Berger (Almost Human: The Astonishing Tale of Homo Naledi and the Discovery That Changed Our Human Story)
Famous for its microbrews and restored tin ceiling with golden tiles that cast a warm glow over the entire restaurant, Chetter’s Bar and Grill was a hallmark of the historic Old Kensington area of Philadelphia. If I were in my twenties and still naïve, I’d probably love the place. But it’s too noisy, too full of people who can’t see what’s right in front of them. A
Stacy Green (All Good Deeds (Lucy Kendall, #1))
LUCY and Desi. Lucy and Ricky. As far as the public knew, the private life of the Arnazes closely resembled that of the Ricardos on the TV screen; a camera crew just dropped by once a week to film a half hour of slapstick and tender kisses.
Warren G. Harris (Lucy & Desi: The Legendary Love Story of Television's Most Famous Couple)
THE “AUSTRALOPITHS” At 4.2 million years ago, in northern Kenya, we find the first evidence of a hominid species called Australopithecus anamensis. This is the first member of our family whose fossil leg and foot bones speak directly of upright bipedality. Its jaws and teeth were also comfortingly similar to the next-in-time Australopithecus afarensis, a hominid whose fossils are widely known in eastern Africa between about 3.6 and 3.0 million years ago. Most famously represented by the 3.2-million-year-old partial skeleton “Lucy,” from Hadar in Ethiopia,
Ian Tattersall (Race?: Debunking a Scientific Myth (Texas A&M University Anthropology Series Book 15))
It’s because I have certain standards for the connotations that my name rings and the legacy that I leave behind,” I responded. “When people hear my name, I want them to recognize it for the reasons that I want. I want to be recognized for my intellect, my intellectual discoveries, my writing, my contributions to equality, and other such things. I don’t just want to be recognized for being a converter; I want to be recognized for being who I truly am.” “You want to be famous?” “I would have to be in order for my legacy to be known… but I want to be famous for intellectual change, philosophical contributions, my writing, and my support of equality. I don’t just want to be famous for converting! My life could amount to more than just conversion!
Lucy Carter (The Reformation)
Hodge admired Wilder’s performance but didn't want to reproduce it - for practical as well as artistic reasons. ‘I'm working in a different medium,’ he says. ‘I really admire Gene Wilder's version, but his energy - that druggy, transcendental, gently enigmatic thing - is different from what I require to sing huge songs and fill a theatre full of children. There's a different engine powering a big West End musical.
Lucy Mangan (Inside Charlie's Chocolate Factory: The Complete Story of Willy Wonka, the Golden Ticket, and Roald Dahl's Most Famous Creation.)
As 30 Rock’s Liz Lemon would say, ‘I want to go to there.
Lucy Mangan (Inside Charlie's Chocolate Factory: The Complete Story of Willy Wonka, the Golden Ticket, and Roald Dahl's Most Famous Creation.)
Wilder's Wonka is, as in the book, the embellishment and excitement round the edges - his batty, barmy, nutty, screwy, dippy, dotty, daffy, goofy, beany, buggy, wacky, loony nature dazzling and drawing our attention but, narratively speaking, remaining decoration.
Lucy Mangan (Inside Charlie's Chocolate Factory: The Complete Story of Willy Wonka, the Golden Ticket, and Roald Dahl's Most Famous Creation.)
Perhaps it is only someone who has experienced first-hand what family can and should mean who can be so ruthless when they write about those who fall short of producing the ideal for their offspring.
Lucy Mangan (Inside Charlie's Chocolate Factory: The Complete Story of Willy Wonka, the Golden Ticket, and Roald Dahl's Most Famous Creation.)
The idea of a child (of whatever age) forgiving a bad parent, and the unthinkableness of a happy ending without it, is very modern and not one that has much to do with Roald's world view at all. It is idealistic and sentimental, and is more concerned with relieving adult anxieties (there is nothing we can do so bad that it cannot ultimately be undone) than entertaining child viewers/readers or slaking their thirst for natural justice.
Lucy Mangan (Inside Charlie's Chocolate Factory: The Complete Story of Willy Wonka, the Golden Ticket, and Roald Dahl's Most Famous Creation.)
This book is written for all those who loved Charlie and the Chocolate Factory when they were young, and those who love it now. It's for anyone who wants to know a bit more about how it came to be, how it managed to permeate readers' worlds and the world at large, and how it has endured so happily for fifty years - and counting.
Lucy Mangan (Inside Charlie's Chocolate Factory: The Complete Story of Willy Wonka, the Golden Ticket, and Roald Dahl's Most Famous Creation.)
A good children's book teaches the uses of words, the joy of playing with language. Above all, it helps children learn not to be frightened of books. Once they get through a book and enjoy it, they realize that books are something they can cope with. If my books can help children become readers, then I feel I have accomplished something important.
Lucy Mangan (Inside Charlie's Chocolate Factory: The Complete Story of Willy Wonka, the Golden Ticket, and Roald Dahl's Most Famous Creation.)
People develop at different paces at different life stages. Many of us are late bloomers. Bill Gates? Steve Jobs? Ray Kroc? Sim Wong Hoo? These are famous personalities who have made it big in life despite not having a university degree. They made many mistakes but they did not give up. They worked hard. They persevered. Each and every one of us are born with unique strengths and talents. When someone is not good in academic studies, it does not mean that he is also not good in other areas. And so, in my opinion, academic grades are just one way of measuring a person's ability or knowledgeability.
Lucy Crehan (Cleverlands: The secrets behind the success of the world's education superpowers)
Although our feelings are not particularly fraternal, we give the people inhabiting this continent the national cognomen of "Brother Jonathan," while we name individuals "Yankees." We know that they are famous for smoking, spitting, "gouging," and bowie-knives—for monster hotels, steamboat explosions, railway collisions, and repudiated debts.
Isabella Lucy Bird (The Englishwoman in America)
In 1832, twenty-three-year-old Roys Oatman married Mary Ann Sperry, eighteen-year-old daughter of an Ohio farmer. Roys and his new wife Mary purchased land near Lyman’s land in Hancock County, Illinois. The newlywed couple began their frontier life together. Roys worked the fields, and eventually set up a store in town. Mary almost immediately began having children, birthing their first daughter, Lucy, in 1834 and first son, Lorenzo, in 1836. Their third child, born September 7th, 1837, was the now famous Olive Ann Oatman.
Brent Schulte (Olive Oatman: Explore The Mysterious Story of Captivity and Tragedy from Beginning to End)
Come along, now,” he said, his voice gentle. “Don’t be frightened. What shall we talk about? Do you like stories?” “I love stories,” said Lucie. “When I grow up, I am going to be a famous writer.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
and Lucy looked on mutely, like a kitten pausing from its lapping.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Maggie saw them leaving the garden, and could not resist the impulse to follow. Anger and jealousy can no more bear to lose sight of their objects than love, and that Tom and Lucy should do or see anything of which she was ignorant would have been an intolerable idea to Maggie. So she kept a few yards behind them, unobserved by Tom, who was presently absorbed in watching for the pike
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Maggie had drawn nearer and nearer; she must see it too, though it was bitter to her, like everything else, since Tom did not care about her seeing it. At last she was close by Lucy; and Tom, who had been aware of her approach, but would not notice it till he was obliged, turned round and said — “Now, get away, Maggie; there’s no room for you on the grass here. Nobody asked you to come.” There were passions at war in Maggie at that moment to have made a tragedy, if tragedies were made by passion only; but the essential τι μεγεθως which was present in the passion was wanting to the action; the utmost Maggie could do, with a fierce thrust of her small brown arm, was to push poor little pink-and-white Lucy into the cow-trodden mud.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
here justice clearly demanded that Maggie should be visited with the utmost punishment; not that Tom had learned to put his views in that abstract form; he never mentioned “justice,” and had no idea that his desire to punish might be called by that fine name. Lucy was too entirely absorbed by the evil that had befallen her — the spoiling of her pretty best clothes, and the discomfort of being wet and dirty — to think much of the cause, which was entirely mysterious to her.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Artificial conversation of this sort went on a little while, till Lucy, determined to put an end to it, exclaimed, with a good imitation of annoyance, that she had forgotten something, and was quickly out of the room. In a moment Maggie and Philip leaned forward, and the hands were clasped again, with a look of sad contentment, like that of friends who meet in the memory of recent sorrow.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Stephen mastered the little hand that was straying toward the table, and touched it lightly with his lips. Little Lucy felt very proud and happy. She and Stephen were in that stage of courtship which makes the most exquisite moment of youth, the freshest blossom-time of passion — when each is sure of the other’s love, but no formal declaration has been made, and all is mutual divination, exalting the most trivial word, the lightest gesture, into thrills delicate and delicious as wafted jasmine scent. The explicitness of an engagement wears off this finest edge of susceptibility; it is jasmine gathered and presented in a large bouquet.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
She merely said, she saw now that Tom was, no the whole, right in regarding any prospect of love and marriage between her and Philip as put out of the question by the relation of the two families. Of course Philip’s father would never consent. “There, Lucy, you have had my story,” said Maggie, smiling, with the tears in her eyes. “You see I am like Sir Andrew Aguecheek. I was adored once.” “Ah, now I see how it is you know Shakespeare and everything, and have learned so much since you left school; which always seemed to me witchcraft before — part of your general uncanniness,” said Lucy. She mused a little with her eyes downward, and then added, looking at Maggie, “It is very beautiful that you should love Philip; I never thought such a happiness would befall him. And in my opinion, you ought not to give him up. There are obstacles now; but they may be done away with in time.” Maggie shook her head. “Yes, yes,” persisted Lucy; “I can’t help being hopeful about it. There is something romantic in it — out of the common way — just what everything that happens to you ought to be. And Philip will adore you like a husband in a fairy tale. Oh, I shall puzzle my small brain to contrive some plot that will bring everybody into the right mind, so that you may marry Philip when I marry — somebody else. Wouldn’t that be a pretty ending to all my poor, poor Maggie’s troubles?
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Oh, what is Lucy feeling now? She believed in me — she loved me — she was so good to me. Think of her ——” Maggie’s voice was getting choked as she uttered these last words. “I can’t think of her,” said Stephen, stamping as if with pain. “I can think of nothing but you, Maggie. You demand of a man what is impossible.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
should never have failed toward Lucy and Philip as I have done, if I had not been weak, selfish, and hard
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
I do care for Philip — in a different way; I remember all we said to each other; I know how he thought of me as the one promise of his life. He was given to me that I might make his lot less hard; and I have forsaken him. And Lucy — she has been deceived; she who trusted me more than any one. I cannot marry you; I cannot take a good for myself that has been wrung out of their misery. It is not the force that ought to rule us — this that we feel for each other; it would rend me away from all that my past life has made dear and holy to me. I can’t set out on a fresh life, and forget that; I must go back to it, and cling to it, else I shall feel as if there were nothing firm beneath my feet.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)