Famous Knitting Quotes

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If I start doing more things with my hands, whether that's woodworking or gardening or knitting or baking cookies, I might fall into the condition made famous by the psychologist with the impossible name: Mihaly Csikszentmihalyi. That condition is "flow." It means becoming completely involved in an activity not for the sake of the outcome but for the sheer joy of it. It means feeling alive when we are fully in the groove of doing something. According to Csikszentmihalyi, the path to greatest happiness lies not with mindless consuming but with challenging ourselves to experience or produce something new, becoming in the process more engaged, connected and alive.
Catherine Friend (Sheepish: Two Women, Fifty Sheep, and Enough Wool to Save the Planet)
I am praising that famous individualism associated with Western and American myth... Tightly knit communities in which members look to one another for identity, and to establish meaning and value, are disabled and often dangerous, however polished their veneer... The cult of the individual is properly aesthetic and religious. The significance of every human destiny is absolute and equal... Only lonesomeness allows one to experience this sort of radical singularity, one's greatest dignity and privilege.
Marilynne Robinson (When I Was a Child I Read Books)
of cherry vanilla Diet Dr Pepper, and their cell phones splayed out on the coffee table. A month ago, Ali had come to school with a brand-new LG flip phone, and the others had rushed out to buy their own that very day. They all had pink leather holsters to match Ali’s, too—well, all except for Aria, whose holster was made of pink mohair. She’d knitted it herself. Aria moved the camera’s lever back and forth to zoom in and out. “And anyway, my face isn’t going to freeze like this. I’m concentrating on setting up this shot. This is for posterity. For when we become famous.” “Well, we all know I’m going to get famous.” Alison thrust back her shoulders and turned her head to the side, revealing her swanlike neck. “Why are you going to be famous?” Spencer challenged, sounding bitchier than she probably meant to. “I’m going to have my own show. I’ll
Sara Shepard (Perfect (Pretty Little Liars, #3))
Sighing, she wished Pallas were here right now. Then she’d have someone friendly to talk to. Shoving the pink scroll aside, Athena pulled out a ball of yellow yarn. Knitting relaxed her, and it would help disguise the fact that she was a loser with no friends. The soft click, click of her needles was a comforting sound. When lunch period was nearly over, she remembered the cookie. Finding it under the pink scroll, she tore off the wrapper and bit into it. Instantly, a small, dramatic voice announced, “You’ll be famous.” “What?” Athena looked around, her eyes wide. No one was near. “Who said that?” she asked. But no one answered. She took another bite.
Joan Holub (Athena the Brain (Goddess Girls, #1))
That peculiar light just before sunset, before gloaming: it is then that Essa sees for the first time the famous dunes at Avanue, which roll like fat people in their sleep, and shift restlessly forever. “They cast long shadows, these sleeping giants, and Essa shivers. She has walked too far—after the trip north she was so grateful to be out of hospital—her hands and feet are cold, and she is dizzy with exhaustion. She sits down on the ragged grass at the edge of the bluff which overlooks the dunes, and tries not to hate them. “Her mother’s words, remembered in a dream, sound like water flowing in her thoughts. There is no water here. The grasses under her are dry and stiff, and they grow in sand so fine it grits through her clothing against the skin of her ass. The sea is too far away to see or smell. But at least she is alone. “Though she is shivering, it is still a hot day, and the sun has warmed the sand. The ground radiates heat into her body. She lies down flat on her belly, her head to one side so that she can still see the dunes, and puts her hands beneath her; gradually they warm. “Gradually her body comes back into balance and she starts to see an eerie beauty before her. The sun is fully down when she sits up, brushes the sand away as well as she can, and hugs her knees to her chest. She puts her chin on her knees and watches darkness descend over the low rolling landscape. “This is unlike any cliff on which she has rested yet. It is low and gives no perspective. The dunes come up almost to her feet. Yet the demarcation is quite abrupt: there is no grass growing anywhere after this brief crumbling drop-off, and she can see as the land-breeze begins to quicken that ahead of her the sand is moving. In fact, she realizes, she can hear it, a low sweeping sound which has mounted from inaudibility until it inexorably backs every other sound: sounds of grasses moving, insects scraping, birds calling from the invisible sea far beyond her viewpoint are all subsumed in one great sand-song. “It is a sound so relentlessly sad that Essa can hardly bear to listen, but so persistent that she cannot ignore it now that she has become aware of its susurration. She pulls her sweater—the one her mother made by her knitting—around her and waits. “When it is fully dark and the wind has died again, she rises and begins the long walk back to town in the dim light of stars and crescent moon.
Candas Jane Dorsey (Black Wine)
She got sullen then. “Who are you? Miss Marple?” Oh funny, just because I was opening a knitting shop. I was ten or eleven years older than Hattie. I wasn’t ninety like Agatha Christie's famous amateur detective.
Nancy Warren (The Vampire Knitting Club: Cornwall (Vampire Knitting Club: Cornwall, #1))
But even during an event as exceptional as the world famous troubadour's just concluded performance, the travelers kept to themselves remaining in clearly delineated groups. Elves stayed with elves. Dwarvish craftsman gathered with their kin who would often hide to protect their merchant caravans and were armed to the teeth. The groups tolerated at best the gnome miners and halfling farmers who camped beside them. All non-humans were uniformly distant towards humans. The humans re-payed in kind but were not seem to mix amongst themselves either. Nobility looked down on the merchants and traveling salesman with open scorn. While soldiers and mercenaries, distanced themselves from shepherds and their reeking sheepskins. The few wizards and their disciples, kept themselves entirely apart from the others and bestowed their arrogance on everyone in equal parts. A tied knit, dark and silent group of peasants lurked in the background resembling a forest with their rakes, pitchforks and flails, poking above their heads. They were ignored by all. The exception, as ever was the children. Freed from the constraints of silence which have been enforced during the bards performance, the children dashed into the woods with wild cries and enthusiastically immersed themselves in a game whose rules were incomprehensible to all those who have bidden farewell to the happy years of childhood. Children of elves, dwarves, halflings, gnomes, half elves, quarter elves and toddlers of mysterious provenance, neither knew or recognized racial or social divisions. At least, not yet.
Andrzej Sapkowski (The Witcher Boxed Set (The Witcher, #1-3))
Toward the end of his presidency, he gave one of his most famous speeches, diagnosing a crisis of confidence in the country and attacking materialism as the cause: "In a nation that was proud of hard work, strong families, close-knit communities, and our faith in God, too many of us now tend to worship self-indulgence and consumption.
Ernst F. Schumacher (Small Is Beautiful: Economics As If People Mattered)
I pictured myself sitting by the fire and knitting the Celtic mists and shadowy pools into my cloth. I pictured Jonathan getting up from his typewriter and going out to split wood like a man in Ingmar Bergman, and the child, with woollen mittens flapping at its cuffs, tottering after him.
Barbara Trapido (Brother of the More Famous Jack)
Much of this pattern of thought finds its echo in the Pre-Raphaelite Brotherhood – who were young enough to be Carlyle’s sons. The ‘brotherhood’ began in 1848 at 83 Gower Street, when a group of art students vowed ‘to produce thoroughly good pictures and statues’. Of the original seven, three members of the PRB – Dante Gabriel Rossetti, aged twenty, John Everett Millais, aged nineteen, and William Holman Hunt, aged twenty-one – went on to be famous artists. Other painters whom we think of as ‘Pre-Raphaelite’ – such as Ford Madox Brown himself – never in fact joined the Brotherhood, which was never a very tightly knit guild, and which dissolved with the years. One sees the way in which these
A.N. Wilson (The Victorians)