Familiar Wife Quotes

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Negro Slavery is an evil of Colossal magnitude and I am utterly averse to the admission of Slavery into the Missouri Territories.
John Adams (Familiar Letters of John Adams & His Wife Abigail Adams, During the Revolution)
But can you imagine how some of them were envying you your freedom to work, to think, to travel, to enter a room as yourself, not as some child’s mother or some man’s wife?…we have no familiar, ready-made name for a woman who defines herself, by choice, neither in relation to children nor to men, who is self-identified, who has chosen herself.
Adrienne Rich (Of Woman Born: Motherhood as Experience and Institution)
What is more important for us, at an elemental level, than the control, the owning and operation, of our own physical selves? And yet it is so automatic, so familiar, we never give it a thought.
Oliver Sacks (The Man Who Mistook His Wife for a Hat)
A Great Rabbi stands, teaching in the marketplace. It happens that a husband finds proof that morning of his wife's adultery, and a mob carries her to the marketplace to stone her to death. There is a familiar version of this story, but a friend of mine - a Speaker for the Dead - has told me of two other Rabbis that faced the same situation. Those are the ones I'm going to tell you. The Rabbi walks forward and stands beside the woman. Out of respect for him the mob forbears and waits with the stones heavy in their hands. 'Is there any man here,' he says to them, 'who has not desired another man's wife, another woman's husband?' They murmur and say, 'We all know the desire, but Rabbi none of us has acted on it.' The Rabbi says, 'Then kneel down and give thanks that God has made you strong.' He takes the woman by the hand and leads her out of the market. Just before he lets her go, he whispers to her, 'Tell the Lord Magistrate who saved his mistress, then he'll know I am his loyal servant.' So the woman lives because the community is too corrupt to protect itself from disorder. Another Rabbi. Another city. He goes to her and stops the mob as in the other story and says, 'Which of you is without sin? Let him cast the first stone.' The people are abashed, and they forget their unity of purpose in the memory of their own individual sins. ‘Someday,’ they think, ‘I may be like this woman. And I’ll hope for forgiveness and another chance. I should treat her as I wish to be treated.’ As they opened their hands and let their stones fall to the ground, the Rabbi picks up one of the fallen stones, lifts it high over the woman’s head and throws it straight down with all his might it crushes her skull and dashes her brain among the cobblestones. ‘Nor am I without sins,’ he says to the people, ‘but if we allow only perfect people to enforce the law, the law will soon be dead – and our city with it.’ So the woman died because her community was too rigid to endure her deviance. The famous version of this story is noteworthy because it is so startlingly rare in our experience. Most communities lurch between decay and rigor mortis and when they veer too far they die. Only one Rabbi dared to expect of us such a perfect balance that we could preserve the law and still forgive the deviation. So of course, we killed him. -San Angelo Letters to an Incipient Heretic
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
There is no difference in it, really. It’s the same life for a daughter as it is for a wife – just a different man telling you what to do.
Stacey Halls (The Familiars)
But how has it happened that millions of fables, tales, legends, have been blended with both Jewish and Christian revelation that have made them the most bloody religion that ever existed? How has it happened that all the fine arts, architecture, painting, sculpture, statuary, music, poetry, and oratory, have been prostituted, from the creation of the world, to the sordid and detestable purposes of superstition and fraud? [Letter to judge F.A. Van der Kamp, December 27, 1816.]
John Adams (Familiar Letters of John Adams & His Wife Abigail Adams, During the Revolution)
Nobody is familiar with his own profile, and it comes as a shock, when one sees it in a portrait, that one really looks like that to people standing beside one. For one’s full face, because of the familiarity that mirrors give it, a certain toleration and even affection is felt; but I must say that when I first saw the model of the gold piece that the mint-masters were striking for me I grew angry and asked whether it was intended to be a caricature.
Robert Graves (Claudius the God: And His Wife Messalina)
Leila, this is my friend and honorary sire, Menecheres, and his wife, Kira," he said, indicating the lopng-haired Middle Eastern man and the blonde. "Also let me introduce my friend, Cat." The redhead, and for some reason she looked familiar. "Her husband, Bones"-here Vlad smiled coolly at the short-haired brunet-"is not my friend.
Jeaniene Frost
Was this what marriage was, the slow process of getting to know another individual far better than was advisable? Sometimes [his] gestures and inflections were so mercilessly familiar that it was as if he were an extension of me, an element of my own personality over which I had little control.
Curtis Sittenfeld (American Wife)
most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
He flipped it open, gently tugged out the oft-touched photo and looked into a pair of familiar golden eyes. "She's happy, Andie," he whispered to his wife. Andromeda Quinn did what she always did. She smiled back at him, her beautiful eyes lit with that bright, golden light Harold Quinn loved so fucking much.
Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
That the man and woman were husband and wife, and the parents of the girl in arms there could be little doubt. No other than such relationship would have accounted for the atmosphere of stale familiarity which the trio carried along with them like a nimbus as they moved down the
Thomas Hardy (Complete Works of Thomas Hardy)
Human nature with all its infirmities and deprivation is still capable of great things. It is capable of attaining to degrees of wisdom and goodness, which we have reason to believe, appear as respectable in the estimation of superior intelligences. Education makes a greater difference between man and man, than nature has made between man and brute. The virtues and powers to which men may be trained, by early education and constant discipline, are truly sublime and astonishing. Isaac Newton and John Locke are examples of the deep sagacity which may be acquired by long habits of thinking and study.
John Adams (Familiar Letters of John Adams & His Wife Abigail Adams, During the Revolution)
You say it is a simple thing surely, all gain and no loss, to pick up a good-looking woman and head for the beach on the first day of the year. So say the newspaper poets. Well it is not such a simple thing and if you have ever done it, you know it isn't--unless, of course, the woman happens to be your wife or some other everyday creature so familiar to you that she is as invisible as you yourself. Where there is chance of gain, there is also chance of loss. Whenever one courts great happiness, one also risks malaise.
Walker Percy
The learned has grieve by instructing foolish disciple surely, As a wicked wife or with the wretched having familiarity. [4] 1.4 Chanakya
Munindra Misra (Wisdom of Mahatma Vidur & Chanakya: in English Rhyme)
He felt that dull, heart-choking pain that feeds on itself, the pain of a wife no longer by his side at waking, of a familiar world lost…
Isaac Asimov (Pebble in the Sky (Galactic Empire, #3))
It was too familiar to Cody. He placed his arms around his wife trying somehow to shelter her from the reality she was facing. There was another reason for his closeness; his desperation to show her he was not one of them, that the tribes of cruel men did not recognize him as one of their own, and to show his wife that his promise to create a safe place for her was a promise she need not fear would be broken. In the innermost part of him, from the secret child that lives within all men, was a scared cry, “Please don’t think I’m bad too.” From the other innermost part of him, the secret animal that prowls in some men was a raging wolf ready to kill. The battle line within the man had been drawn. The boundaries of faith rose up around the rage, warning the soul against righteous anger morphing to blood lust.
Lee Goff (A Wrath Like Thunder (Thunder Trilogy, #2))
Roth was feeling a gentle warmth as he thought of his son. He was remembering the way his son used to awaken him on Sunday mornings. His wife would put the baby in bed with him, and the child would straddle his stomach and pull feebly at the hairs on Roth’s chest, cooing with delight. It gave him a pang of joy to think of it, and then, back of it, a realization that he had never enjoyed his child as much when he had lived with him. He had been annoyed and irritable at having his sleep disturbed, and it filled him with wonder that he could have missed so much happiness when he had been so close to it. It seemed to him now that he was very near a fundamental understanding of himself, and he felt a sense of mystery and discovery as if he had found unseen gulfs and bridges in all the familiar drab terrain of his life. “You know,” he said, “life is funny.
Norman Mailer (The Naked and the Dead)
Dr. Bar David?” A young man with black eyes and curly hair came toward him. Carrying a digital recorder. He looked familiar. “Richard Falco, North Richardson High. I took algebra and Calc I from you.” “Oh, yes, of course. Good to see you.” “I’m now reporting for Anchor Media. Just started a couple of months ago.” David started walking away. “Good for you. What a good course of action.” “Listen, I need to get a couple of quotes anyway. I wonder if—Oh, wait! I’m so sorry. You were at the North Richardson school shooting, five years ago.” David nodded. And began to panic. “That’s why you’re here, right?” the stupid student asked. “Protesting gun laws?” “I really need to be going, now. Good luck with your interviews.” Hyperventilating. Richard grabbed David’s shoulder. “But Dr. Bar David. Your story, tragic as it is, ends up being the reason for this whole public gun melting, right? A few words from you about—” David lost it. “Listen! My whole life changed that day. When that meshugener killed my entire family, my wife and my son, in an instant! With a gun he purchased the week before!” David grabbed the kid’s throat. “I do not want to talk about it. Don’t mention me in your article. I will sue you! Leave me alone.” Richard swallowed and nodded, fast. “Sorry, sorry, I’m so sorry—” David started shouting, “The bullets! The bullets! The bullets!” His head pounded. His ears roared.
Michael Grigsby (Segment of One)
To-day all our novels and newspapers will be found to be swarming with numberless allusions to the popular character called a Cave-Man. He seems to be quite familiar to us, not only as a public character but as a private character. His psychology is seriously taken into account in psychological fiction and psychological medicine. So far as I can understand, his chief occupation in life was knocking his wife about, or treating women in general with what is, I believe, known in the world of the film as 'rough stuff.' I have never happeend to come upon the evidence for this idea; and I do not know on what primitive diaries or prehistoric divorce-reports it is founded. Nor, as I have explained elsewhere, have I ever been able to see the probability of it, even considered a priori. We are always told without any explanation or authority that primitive man waved a club and knocked the woman down before he carried her off. But on every animal analogy, it would seem an almost morbid modesty and reluctance, on the part of the lady, always to insist on being knocked down before consenting to be carried off. And I repeat that I can never comprehend why, when the male was so very rude, the female should have been so very refined. The cave-man may have been a brute, but there is no reason why he should have been more brutal than the brutes. And the loves of the giraffes and the river romances of the hippopotami are affected without any of this preliminary fracas or shindy.
G.K. Chesterton (The Everlasting Man)
I put both of my hands on the desk. 'Just tell me why you hate me. Once and for all.' His long fingers smooth over the wood of Dain's desk. 'You really want honesty?' 'I am the one with the crossbow, not shooting you because you promised me answers. What do you think?' 'Very well.' He fixes me with a spiteful look. 'I hate you because your father loves you even though you're a human brat born to his unfaithful wife, while mine never cared for me, though I am a prince of Faerie. I hate you because you don't have a brother who beats you. And I hate you because Locke used you and your sister to make Nicasia cry after he stole her from me. Besides which, after the tournament, Balekin never failed to throw you in my face as the mortal who could best me.' ... 'Is that all?' I demand. 'Because it's ridiculous. You can't be jealous of me. You don't have to live at the sufferance of the same person who murdered your parents. You don't have to stay angry because if you don't, there's a bottomless well of fear ready to open up under you.' I stop speaking abruptly, surprised at myself. I said I wasn't going to be charmed, but I let him trick me in to opening up to him. As I think that, Cardan's smile turns in to a more familiar sneer. 'Oh, really? I don't know about being angry? I don't know about being afraid? You're not the one bargaining for your life.' 'That's really why you hate me?' I demand. 'Only that? There's no better reason?' For a moment, I think he's ignoring me, but then I realise he's not answering me because he can't lie and he doesn't want to tell the truth. 'Well?' I say, lifting the crossbow again, glad to have a reason to reassert my position as the person in charge. 'Tell me!' He leans in and closes his eyes. 'Most of all, I hate you because I think of you. Often. It's disgusting, and I can't stop.' I am shocked in to silence. 'Maybe you should shoot me after all,' he says, covering his face with one long-fingered hand.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Every morning he went for a walk with his wife, Reine-Marie, and their German shepherd Henri. Tossing the tennis ball ahead of them, they ended up chasing it down themselves when Henri became distracted by a fluttering leaf, or a black fly, or the voices in his head. The dog would race after the ball, then stop and stare into thin air, moving his gigantic satellite ears this way and that. Honing in on some message. Not tense, but quizzical. It was, Gamache recognized, the way most people listened when they heard on the wind the wisps of a particularly beloved piece of music. Or a familiar voice from far away.
Louise Penny (The Long Way Home (Chief Inspector Armand Gamache #10))
We think we know the ones we love. Our husbands, our wives. We know them - we are them, sometimes; when separated at a party we find ourselves voicing their opinions, their taste in food or books, telling an anecdote that never happened to us but happened to them. We watch their tics of conversation, of driving and dressing, how they touch a sugar cube to their coffee and stare as it turns white to brown, then drop it, satisfied, into the cup. I watched my own husband do that every morning; I was a vigilant wife. We think we know them. We think we love them. But what we love turns out to be a poor translation, a translation we ourselves have made, from a language we barely know. We try to get past it to the original, but we never can. We have seen it all. But what have we really understood? One morning we awaken. Beside us, that familiar sleeping body in the bed: a new kind of stranger. For me, it came in 1953. That was when I stood in my house and saw a creature merely bewitched with my husband's face. Perhaps you cannot see a marriage. Like those giant heavenly bodies invisible to the human eye, it can only be charted by its gravity, its pull on everything around it. That is how I think of it. That I must look at everything around it, all the hidden stories, the unseen parts, so that somewhere in the middle - turning like a dark star - it will reveal itself at last.
Andrew Sean Greer (The Story of a Marriage)
As ingenious as this explanation is, it seems to me to miss entirely the emotional significance of the text- its beautiful and beautifully economical evocation of certain difficult feelings that most ordinary people, at least, are all too familiar with: searing regret for the past we must abandon, tragic longing for what must be left behind. (...) Still, perhaps that's the pagan, the Hellenist in me talking. (Rabbi Friedman, by contrast, cannot bring himself even to contemplate that what the people of Sodom intend to do to the two male angels, as they crowd around Lot's house at the beginning of the narrative, is to rape them, and interpretation blandly accepted by Rashi, who blithely points out thta if the Sodomites hadn't wanted sexual pleasure from the angels, Lot wouldn't have suggested, as he rather startingly does, that the Sodomites take his two daughter as subsitutes. But then, Rashi was French.) It is this temperamental failure to understand Sodom in its own context, as an ancient metropolis of the Near East, as a site of sophisticated, even decadent delights and hyper-civilized beauties, that results in the commentator's inability to see the true meaning of the two crucial elements of this story: the angel's command to Lot's family not to turn and look back at the city they are fleeing, and the transformation of Lot's wife into a pillar of salt. For if you see Sodom as beautiful -which it will seem to be all the more so, no doubt, for having to be abandoned and lost forever, precisely the way in which, say, relatives who are dead are always somehow more beautiful and good than those who still live- then it seems clear that Lot and his family are commanded not to look back at it not as a punishment, but for a practical reason: because regret for what we have lost, for the pasts we have to abandon, often poisons any attempts to make a new life, which is what Lot and his family now must do, as Noah and his family once had to do, as indeed all those who survive awful annihilations must somehow do. This explanation, in turn, helps explain the form that the punishment of Lot's wife took- if indeed it was a punishment to begin with, which I personally do not believe it was, since to me it seems far more like a natural process, the inevitable outcome of her character. For those who are compelled by their natures always to be looking back at what has been, rather than forward into the future, the great danger is tears, the unstoppable weeping that the Greeks, if not the author of Genesis, knew was not only a pain but a narcotic pleasure, too: a mournful contemplation so flawless, so crystalline, that it can, in the end, immobilize you.
Daniel Mendelsohn (The Lost: A Search for Six of Six Million)
My wife believes in it not one whit, but is scrupulous in its observance," said Charles Leiden, sipping from his glass. "A curious state of affairs, don't you think? We are kosher, Fermi probably attends synagogue, Albert believed in Spinoza's God and helped raise money for Israel, Teller may end up teaching in a Jewish parochial school one day, Szilard has the soul of a Jewish prophet. And we tinker with light and atomic bombs, with the energy of the universe. Do you wonder that the world doesn't know what to make of its Jews? No one is on more familiar terms with the heart of the insanity in the universe than is the Jew, and no one is more frenetic and untidy in the search for the an answer.
Chaim Potok (The Book of Lights)
Sometimes we think we know someone, but we really don’t. All too often we’re all just familiar strangers.
L.G. Davis (The Janitor's Wife)
There is no difference in it, really. It’s the same life for a daughter as it is for a wife—just a different man telling you what to do.
Stacey Halls (The Familiars)
she counted it as a blessing that she was familiar making peace with disappointment.
Jo Goodman (In Want of a Wife (Bitter Springs #3))
The kind of house that is immediately familiar: a generically grand, unchallenging, new, new, new house that my wife would—and did—detest.
Gillian Flynn (Gone Girl)
Mile after mile, all of it familiar, yet not, this distance that separates us, me from my mother.
Amy Tan (The Kitchen God's Wife)
We wished to go to the Ambrosian Library, and we did that also. We saw a manuscript of Virgil, with annotations in the handwriting of Petrarch, the gentleman who loved another man's Laura, and lavished upon her all through life a love which was a clear waste of the raw material. It was sound sentiment, but bad judgment. It brought both parties fame, and created a fountain of commiseration for them in sentimental breasts that is running yet. But who says a word in behalf of poor Mr. Laura? (I do not know his other name.) Who glorifies him? Who bedews him with tears? Who writes poetry about him? Nobody. How do you suppose he liked the state of things that has given the world so much pleasure? How did he enjoy having another man following his wife every where and making her name a familiar word in every garlic-exterminating mouth in Italy with his sonnets to her pre-empted eyebrows? They got fame and sympathy--he got neither. This is a peculiarly felicitous instance of what is called poetical justice. It is all very fine; but it does not chime with my notions of right. It is too one-sided--too ungenerous.
Mark Twain (The Innocents Abroad, Or, the New Pilgrims' Progress)
The queen did not know what to say about a man whose virtue was that he did not beat his wife. “He was even kind to his ponies,” Mrs. Dai added. “I’m sure he was,” said the queen, back on familiar ground.
Ken Follett (Fall of Giants (The Century Trilogy #1))
It was not enough now, but when she stepped back into the bedroom and saw that Morgan had not returned to say good night, she counted it as a blessing that she was familiar making peace with disappointment.
Jo Goodman (In Want of a Wife (Bitter Springs #3))
All the peace that had returned after his father finished mourning his wife for many years vanished at once. Grief returned like an army of old ants crawling into familiar holes in the soft earth of his father’s life.....
Chigozie Obioma (An Orchestra of Minorities)
To review briefly, in the late 1960s, men got paid more than women (usually double) for doing the exact same job. Women could get credit cards in their husband's names but not their own, and many divorced, single and separated women could not get cards at all. Women could not get mortgages on their own and if a couple applied for a mortgage, only the husband's income was considered. Women faced widespread and consistent discrimination in education, scholarship awards, and on the job. In most states the collective property of a marriage was legally the husband's since the wife had allegedly not contributed to acquiring it. Women were largely kept out of a whole host of jobs--doctor, college professor, bus driver, business manager--that women today take for granted. They were knocked out in the delivery room... once women got pregnant they were either fired from their jobs or expected to quit. If they were women of color, it was worse on all fronts--work education, health care. (And talk about slim pickings. African American men were being sent to prison and cut out of jobs by the millions.) Most women today, having seen reruns of The Brady Bunch and Father Knows Best, and having heard of Betty Friedan's The Feminine Mystique, the bestseller that attacked women's confinement to the home, are all too familiar with the idealized yet suffocating media images of happy, devoted housewives. In fact, most of us have learned to laugh at them, vacuuming in their stockings and heels, clueless about balancing a checkbook, asking dogs directions to the neighbor's. But we should not permit our ability to distance ourselves from these images to erase the fact that all women--and we mean all women--were, in the 1950s and '60s supposed to internalize this ideal, to live it and believe it.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
Artemus Ward: Respected Sir—My wife was afflicted with the pipsywipsy in the head for nearly eight years. The doctors all gave her up. But in a fortunate moment she went to one of your lectures, and commenced recovering very rapidly. She is now in perfect health. We like your lectures very much. Please send me a box of them. They are purely vegetable. Send me another five dollar bill and I’ll write you another certificate twice as long as this. Yours,
Garson O'Toole (Hemingway Didn't Say That: The Truth Behind Familiar Quotations)
If ever a man and his wife, or a man and his mistress, who pass nights as well as days together, absolutely lay aside all good breeding, their intimacy will soon degenerate into a coarse familiarity, infallibly productive of contempt or disgust.
Philip Dormer Stanhope
It had not occurred to him how he must appear to an outsider, to the world. For a moment he saw himself as he must thus appear; and what Edith said was part of what he saw. He had a glimpse of a figure that flitted through smoking-room anecdotes, and through the pages of cheap fiction—a pitiable fellow going into his middle-age, misunderstood by his wife, seeking to renew his youth, taking up with a girl years younger than himself, awkwardly and apishly reaching for the youth he could not have, a fatuous, garishly got-up clown at whom the world laughed out of discomfort, pity, and contempt. He looked at this figure as closely as he could; but the longer he looked, the less familiar it became. It was not himself that he saw, and he knew suddenly that it was no one.
John Williams (Stoner)
nd the more familiar the strange becomes, the more and more strange the familiar appears. That’s how the once-upon-a-time fiery feminist becomes a battered wife. By observing, but not doing anything. By experiencing, but not understanding. By recording but not judging.
Meena Kandasamy
another copy of the Unsuspecting Thief into the film show. She returned his smile. “Where’s Mom?” Using his head, Mr. Hastings pointed to his wife in a heated debate with a tall sandy-haired man. Although his back was turned to Spencer, he looked vaguely familiar. From the
Jewel Amethyst (Indiscretion (Pretty Little Liars))
Theologians chided wives who used endearing nicknames for their husbands, because such familiarity on a wife’s part undermined the husband’s authority and the awe that his wife should feel for him. Although medieval Muslim thinkers were more approving of sexual passion between husband and wife than were Christian theologians, they also insisted that too much intimacy between husband and wife weakened a believer’s devotion to God. And, like their European counterparts, secular writers in the Islamic world believed that love thrived best outside marriage.
Stephanie Coontz (Marriage, a History: From Obedience to Intimacy)
Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia and the Biggest Funeral in the History of the World)
If you're so miserable,' my daughter said delicately, 'why don't you leave him?' Oh my darling girl, I might have said, what a good question. In her worldview, bad marriages were simply terminated, like unwanted pregnancies. She knew nothing about this subculture of women who stayed, women who couldn't logically explain their allegiances, who held tight because it was the thing they felt most comfortable doing, the thing they actually liked. she didn't understand the luxury of the familiar, the known: the same hump of back poking up under the cover in bed, the hair tufting in the ear. The husband. A figure you never strove toward, never work yourself up over, but simply lived beside season upon season, which started building up like bricks spread thick with sloppy mortar. A marriage wall would rise up between the two of you, a marriage bed, and you would lie in it gratefully.
Meg Wolitzer (The Wife)
According to Goffman, the Wise are those people (often with a close personal relationship to a stigmatised individual, such as the wife of a psychiatric patient) who do not subscribe to the prejudicial and stigmatising behaviours prevalent throughout society and do not let the stigmatisable status of an individual cloud their judgment on such persons. They are often afforded honorary status as “one of us” within communities of stigmatised people, and in return help the stigmatised people pass for Normals (as such they can often spot an otherwise passing individual because they are familiar with techniques which are employed to this end).
Jenn Sims (The Sociology of Harry Potter: 22 Enchanting Essays on the Wizarding World)
Why this one?” Mack smirked. “Because it’s about an idiot who screws up his marriage and has to win back his wife. Sound familiar?” He swallowed against his rising humiliation. “What do I have to do?” “Simple,” Malcolm said. “Listen to us and read the book.” “Yeah.” Del snorted. “And for fuck’s sake, do not kiss your wife again until I tell you to.
Lyssa Kay Adams (The Bromance Book Club (Bromance Book Club, #1))
In the front seats, Eva and Petya argued over the ending of an Australian horror movie. Eva was winning, speaking with more conviction; Petya kept falling silent as he navigated around potholes in the road. The next time he downshifted, Eva turned in her seat to make her case to Marina. “The end of it is a fantasy, like a dream sequence, don’t you agree?” “I didn’t see the movie,” Marina said. Eva pursed her lips. “From what you heard us describe, though. Doesn’t it seem most likely that it’s a fantasy?” Marina shook her head. “I don’t know.” That familiar pressure began to come down on her chest. Petya, bringing the car back up to speed, glanced at his wife. “She hasn’t seen it. Leave her alone.
Julia Phillips (Disappearing Earth)
Humanae Vitae is important for yet another reason. Just as the National Socialists used nationalism and racism, among other levers, to overthrow Christian morality, in modern, liberal society the levers have been sexual liberation and consumerism. These two “freedoms to choose” have replaced objective morality with the dogma of whatever the customer, or the individual, wants is right. In opposing this attitude, the Church is often accused of being “opposed to sex.” Such an accusation reveals the incredible poverty of modern thought. Far from being opposed to sex, the Church affirms that sex is a definable thing: God made them man and woman. The Church affirms the twofold “unitive” and “procreative” purpose and virtue inherent in conjugal activity and cherishes the result: the bonding of man and wife and their commitment to raise their children. And as anyone remotely familiar with the paintings and sculptures in the Vatican can affirm, the Church celebrates the human body, celebrates the reality of sex and the erotic (in the same spirit as the Bible's Song of Solomon), and indeed celebrates marriage as a sacrament. It is modern, liberal secularists who are “opposed to sex” in that they attempt to blur the distinctions between male and female, ignore the objective meaning of sexual activity, and who think that its natural result should be freely and inconsequentially aborted if it cannot otherwise be prevented.
H.W. Crocker III (Triumph: The Power and the Glory of the Catholic Church)
Alice thought the supposedly toxic plant seemed perfectly harmless. The flowers resembled bell-shaped slippers, grouped in satisfying lines that hung from the main stalk as though weighted from their centers. "This one? It's actually quite pretty." "Isn't it?" "The previous owner must have loved it. There's quite a lot." Alice noted aside from the bunch in front of her, it grew in two other spots in the garden. "It seems she did," Sally said. "The plant also has another name; maybe you've heard of it? Digitalis purpurea." "Doesn't sound familiar." "They use foxgloves to make digitalis, the heart medication." Sally put her glove back on. "But touching any part of the plant- leaves, flower, stem- with bare hands can cause a whole host of trouble.
Karma Brown (Recipe for a Perfect Wife)
Chinny. My brother. Let’s clear up two points right now. First? If my wife decides that she wants to do something, I will let her do it. Why? Because I want to live. Because she will cut me down in the prime of my youth if I dare to suggest that I have control over her, and I’m not that stupid. I mean, I have stupid moments, but that? Ordering her to not do something? Grade A stupid.
Honor Raconteur (Remnants (Familiar and Mage #3))
I hate the Moor: And it is thought abroad, that 'twixt my sheets He has done my office: I know not if't be true; But I, for mere suspicion in that kind, Will do as if for surety. He holds me well; The better shall my purpose work on him. Cassio's a proper man: let me see now: To get his place and to plume up my will In double knavery—How, how? Let's see:— After some time, to abuse Othello's ear That he is too familiar with his wife. He hath a person and a smooth dispose To be suspected, framed to make women false. The Moor is of a free and open nature, That thinks men honest that but seem to be so, And will as tenderly be led by the nose As asses are. I have't. It is engender'd. Hell and night Must bring this monstrous birth to the world's light.
William Shakespeare (Othello)
She approached the head again. There was something calming and familiar about the queen’s face, something that reminded Celaena of the rose smell. But there was still something off about her—something odd. Celaena almost cried aloud as she saw them: the pointed, arched ears. The ears of the Fae, the immortal. But no Fae had married into the Havilliard line for a thousand years, and there had been only one, and she was a half-breed at that. If this were true, if she was Fae or half-Fae, then she was … she was … Celaena stumbled back from the woman and slammed into the wall. A coating of dust flew into the air around her. Then this man was Gavin, the first King of Adarlan. And this was Elena, the first princess of Terrasen, Brannon’s daughter, and Gavin’s wife and queen.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
A woman once told me that, for a time after her husband died, her grief was as constant as breathing. Then one day, while pushing a shopping cart, she realized she was thinking about yogurt. With time, thoughts in this vein became contiguous. With more time thoughts in this vein became sustained. Eventually they won a kind of majority. Her grieving had ended while she wasn’t watching (although, she added, grief never ends). And so it was with my depression. One day in December I changed a furnace filter with modest interest in the process. The day after that I drove to Gorst for the repair of a faulty seat belt. On the thirty-first I went walking with a friend—grasslands, cattails, asparagus fields, ice-bound sloughs, frost-rimed fencerows—with a familiar engrossment in the changing of winter light. I was home, that night, in time to bang pots and pans at the year’s turn: “E quindi uscimmo a riveder le stelle.” It wasn’t at all like that—this eve was cloudy, the stars hidden by high racing clouds—but I found myself looking skyward anyway, into the night’s maw, and I noticed I was thinking of January’s appointments without a shudder, even with anticipation. Who knows why, but the edge had come off, and being me felt endurable again. My crucible had crested, not suddenly but less gradually than how it had come, and I felt the way a newborn fawn looks in an elementary school documentary. Born, but on shaky, insecure legs. Vulnerable, but in this world for now, with its leaf buds and packs of wolves. Was it pharmacology, and if so, is that a bad thing? Or do I credit time for my healing? Or my Jungian? My reading? My seclusion? My wife’s love? Maybe I finally exhausted my tears, or my dreams at last found sufficient purchase, or maybe the news just began to sound better, the world less precarious, not headed for disaster. Or was it talk in the end, the acknowledgments I made? The surfacing of so many festering pains? My children’s voices down the hall,
David Guterson (Descent: A Memoir of Madness (Kindle Single))
At once he felt the scales begin to grow out on his thickened skin, and his dark body lighten up with patches of irridescent blue; he fell upon his breast, and his two legs were blended into one, which, gradually lengthening, became an elegant and sharply pointed tail. His arms remained unchanged; he held them out, and as the tears coursed down his cheeks (which were still—for the moment—human), he exclaimed, “Come closer to me, O most wretched wife, and while there is still something left of me, before I am entirely transformed to serpent, touch me, take these hands in yours!” He would have said much more, but suddenly the tip of his tongue divided into two, and words no longer would obey his wishes, so that whenever he tried to complain or grieve, he hissed, and could not manage more, for he had been left with no other voice. Now striking her bare breast, his wife cries out, “Cadmus! Stay as you are! Put off these strange shapes now possessing you, unfortunate man! Cadmus, what’s happening? Where are your feet? Your face? Complexion? Even as I speak, where is the rest of you! Heavenly beings, will you not also turn me to a snake?” The creature’s tongue flicked lightly over her lips, and he slipped in between her cherished breasts as though he were familiar with the place, embraced her, and slid right around her neck. Those of his companions who were present were horrified, but she just calmly stroked the smooth, sleek neck of the crested dragon, and at once there were two serpents intertwined, who presently went crawling off and found a hiding place within a nearby grove.
Ovid
It's a rented house right along the Mississippi River, a house that screams Suburban Nouveau Riche, the kind of place I aspired to as a kid from my split-level, shag-carpet side of town. The kind of house that is immediately familiar: a generically grand, unchallenging, new, new, new house that my wife would-and did-detest. 'Should I remove my soul before I come inside?' Her first line upon arrival.
Gillian Flynn (Gone Girl)
And the son bursting into his father's house, killing him, and at the same time not killing him, this is not even a novel, not a poem, it is a sphinx posing riddles, which it, of course, will not solve itself. If he killed him, he killed him; how can it be that he killed him and yet did not kill him--who can understand that? Then it is announced to us that our tribune is the tribune of truth and sensible ideas, and so from this tribune of 'sensible ideas' an axiom resounds, accompanied by an oath, that to call the murder of a father parricide is simply a prejudice! But if parricide is a prejudice, and if every child ought to ask his father, 'Father, why should I love you?'--what will become of us, what will become of the foundations of society, where will the family end up? Parricide--don't you see, it's just the 'brimstone' of some Moscow merchant's wife? The most precious, the most sacred precepts concerning the purpose and future of the Russian courts are presented perversely and frivolously, only to achieve a certain end, to achieve the acquittal of that which cannot be acquitted. 'Oh, overwhelm him with mercy,' the defense attorney exclaims, and that is just what the criminal wants, and tomorrow everyone will see how overwhelmed he is! And is the defense attorney not being too modest in asking only for the defendant's acquittal? Why does he not ask that a fund be established in the parricide's name, in order to immortalize his deed for posterity and the younger generation? The Gospel and religion are corrected: it's all mysticism, he says, and ours is the only true Christianity, tested by the analysis of reason and sensible ideas. And so a false image of Christ is held up to us! With what measure ye mete, it shall be measured to you,' the defense attorney exclaims, and concludes then and there that Christ commanded us to measure with the same measure as it is measured to us--and that from the tribune of truth and sensible ideas! We glance into the Gospel only on the eve of our speeches, in order to make a brilliant display of our familiarity with what is, after all, a rather original work, which may prove useful and serve for a certain effect, in good measure, all in good measure! Yet Christ tells us precisely not to do so, to beware of doing so, because that is what the wicked world does, whereas we must forgive and turn our cheek, and not measure with the same measure as our offenders measure to us. This is what our God taught us, and not that it is a prejudice to forbid children to kill their own fathers. And let us not, from the rostrum of truth and sensible ideas, correct the Gospel of our God, whom the defense attorney deems worthy of being called merely 'the crucified lover of mankind,' in opposition to the whole of Orthodox Russia, which calls out to him: 'For thou art our God...!
Fyodor Dostoevsky (The Brothers Karamazov)
But Mr. Fish was the quintessential neighbor; he was all neighbors—all dog owners, all the friendly faces from familiar backyards, all the hands on your shoulders at your mother’s funeral. I don’t remember if he had a wife. I don’t even remember what he looked like, but he manifested the fussy concentration of a man about to pick up a fallen leaf; he was all rakers of all lawns, all snow-shovelers of all sidewalks.
John Irving (A Prayer for Owen Meany)
I was going to click my heels and go home, where life would be, as it is anywhere, a little bit dull Knasas, a little bit great and terrible Oz. I just wanted to stand here for a minute, first, and fix in my memory the life I wasn't choosing, the way Rajiv looked at me before I told him I was leaving, the cottonwood snow. Nathan watched me, an uncertain look on his perfectly, terribly familiar face. "Are you ready?" he said
Leah Stewart (Husband and Wife)
To escape, he’d married a woman who already counted her affections by the pfennig and dealt them out as a miser, as scant wages for those behaviors she wished to cultivate in husband and son. Even in the merriest circumstances, Felix’s wife could surrender herself to an unhappy mood. These attributes he recognized, too late, she shared with his mother. Not impossible was the idea that he was acclimatized to finding comfort in such familiar discomfort.
Chuck Palahniuk (Make Something Up: Stories You Can't Unread)
You have told yourself that you have found your knight in shining armor, my brother Rick. Isn't that the truth? You met him and he fit the bill, so you have told yourself a wonderful story and, stubborn brat that you are, you have been clinging to it ever since. After all, what could be more appropriate than for Francesca Cahill, reformer extraordinaire, to fall in love with my reform-minded Republican brother? But wait! Being as this is a love story, there has to be an unhappy middle and the perfect hero isn't quite so perfect after all. For he is married. Oh, wait! It isn't that bad, after all, for as it turns out he is a man of virtue, and he really loves you, while he despises his wife! And did I forget to mention that she is vile and evil? So the story can limp along, and true love might survive after all! Does this sound at all familiar, Francesca?" "I almost hate you," she whispered. And she felt a tear sliding down her cheek.
Brenda Joyce (Deadly Desire (Francesca Cahill Deadly, #4))
So words play a very important part in our lives. Our life, it appears, is a network of complicated, interrelated words. Words have a great impact upon us, like ‘god’, ‘democracy’, ‘freedom’, ‘totalitarianism’. These words conjure up familiar images. The words ‘wife’ and ‘husband’ are part of our everyday currency. But the word ‘wife’ is not actually the living person, with all her complexities and troubles. So the word is never the actual. When the word becomes all-important, the living, the actual is neglected.
J. Krishnamurti (Meeting Life: Writings and Talks on Finding Your Path Without Retreating from Society)
In the official police account, the plumber was shot and robbed on the street. Not true—guys stick together—the detective didn't want the victim's wife to know he was flagrante delicto with a prostitute when wounded. I didn't want her hurt or embarrassed either. She figured it out herself. I met her later, after their divorce, and she brought up the subject. The hospital returned her injured husband's garments. She was washing them when she realized that, although there were a number of bullet holes in his body, there were none in his clothes.
Edna Buchanan (The Corpse Had a Familiar Face: Covering Miami, America's Hottest Beat)
We can familiarize ourselves with the will of nature by calling to mind our common experiences. When a friend breaks a glass, we are quick to say, ‘Oh, bad luck.’ It’s only reasonable, then, that when a glass of your own breaks, you accept it in the same patient spirit. Moving on to graver things: when somebody’s wife or child dies, to a man we all routinely say, ‘Well, that’s part of life.’ But if one of our own family is involved, then right away it’s ‘Poor, poor me!’ We would do better to remember how we react when a similar loss afflicts others.
Epictetus (Discourses and Selected Writings (Classics))
Stop! Stop!” Sophie shrieked with laughter as she ran down the stone steps that led to the garden behind Bridgerton House. After three children and seven years of marriage, Benedict could still make her smile, still make her laugh . . . and he still chased her around the house any chance he could get. “Where are the children?” she gasped, once he’d caught her at the base of the steps. “Francesca is watching them.” “And your mother?” He grinned. “I daresay Francesca is watching her, too.” “Anyone could stumble upon us out here,” she said, looking this way and that. His smile turned wicked. “Maybe,” he said, catching hold of her green-velvet skirt and reeling her in, “we should adjourn to the private terrace.” The words were oh-so-familiar, and it was only a second before she was transported back nine years to the masquerade ball. “The private terrace, you say?” she asked, amusement dancing in her eyes. “And how, pray tell, would you know of a private terrace?” His lips brushed against hers. “I have my ways,” he murmured. “And I,” she returned, smiling slyly, “have my secrets.” He drew back. “Oh? And will you share?” “We five,” she said with a nod, “are about to be six.” He looked at her face, then looked at her belly. “Are you sure?” “As sure as I was last time.” He took her hand and raised it to lips. “This one will be a girl.” “That’s what you said last time.” “I know, but—” “And the time before.” “All the more reason for the odds to favor me this time.” She shook her head. “I’m glad you’re not a gambler.” He smiled at that. “Let’s not tell anyone yet.” “I think a few people already suspect,” Sophie admitted. “I want to see how long it takes that Whistledown woman to figure it out,” Benedict said. “Are you serious?” “The blasted woman knew about Charles, and she knew about Alexander, and she knew about William.” Sophie smiled as she let him pull her into the shadows. “Do you realize that I have been mentioned in Whistledown two hundred and thirty-two times?” That stopped him cold. “You’ve been counting?” “Two hundred and thirty-three if you include the time after the masquerade.” “I can’t believe you’ve been counting.” She gave him a nonchalant shrug. “It’s exciting to be mentioned.” Benedict thought it was a bloody nuisance to be mentioned, but he wasn’t about to spoil her delight, so instead he just said, “At least she always writes nice things about you. If she didn’t, I might have to hunt her down and run her out of the country.” Sophie couldn’t help but smile. “Oh, please. I hardly think you could discover her identity when no one else in the ton has managed it.” He raised one arrogant brow. “That doesn’t sound like wifely devotion and confidence to me.” She pretended to examine her glove. “You needn’t expend the energy. She’s obviously very good at what she does.” “Well, she won’t know about Violet,” Benedict vowed. “At least not until it’s obvious to the world.” “Violet?” Sophie asked softly. “It’s time my mother had a grandchild named after her, don’t you think?” Sophie leaned against him, letting her cheek rest against the crisp linen of his shirt. “I think Violet is a lovely name,” she murmured, nestling deeper into the shelter of his arms. “I just hope it’s a girl. Because if it’s a boy, he’s never going to forgive us . . .
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
The song was familiar. I’d heard it many times. It was “Lullaby” by Billy Joel. And I would bet any money he could play it splendidly on the piano, as well. A lump grew in my throat as he sang to his daughter. The love he had for her was evident, and it was a love I recognized. My own fathers love. It was a love that made men lay down his life to defend and protect. I thought of Liam standing in the way when someone tried to harm his daughter, his wife. Had he done as my father had? Did he fight off a man so out of his mind he would slash an innocent?
Sarah Brocious (More Than Scars)
HERE'S THE PROBLEM: Many men have an exaggerated fear of commitment. If you are a contemporary woman, there is a very good chance that you are going to be involved with at least one man, possibly more, who chooses to walk away from love. It may be the man who doesn't call after a particularly good first date; it may be the ardent pursuer who woos you only to leave after the first night of sex; it may be the trusted boyfriend and lover who sabotages the relationship just as it heads for marriage, or it may be the man who waits until after marriage to respond to the enormity of his commitment by ignoring your emotional needs and becoming unfaithful or abusive. However, whenever it happens, chances are you are dealing with a man who has an abnormal response to the notion of commitment. To him something about you spells out wife, mother, togetherness —forever— and it terrifies him. That's why he leaves you. You don't understand it. You don't see yourself as threatening. As a matter of fact, you may not even have wanted that much from this particular guy. If it's any consolation, he probably doesn't understand his reactions any better than you do. All he knows is that the relationship is "too close for comfort." Something about it, and therefore you, makes him anxious. If his fear is strong enough, this man will ultimately sabotage, destroy, or run away from any solid, good relationship. He wants love, but he is terrified—genuinely phobic—about commitment and will run away from any woman who represents "happily ever after." In other words, if his fear is too great, the commitment-phobic will not be able to love, no matter how much he wants to. But that's not how it seems at the beginning. At the beginning of the relationship, when you look at him you see a man who seems to need and want love. His blatant pursuit and touching displays of vulnerability convince you that it is "safe" for you to respond in kind. But as soon as you do, as soon as you are willing to give love a chance, as soon as it's time for the relationship to move forward, something changes. Suddenly the man begins running away, either figuratively, by withdrawing and provoking arguments, or literally, by disappearing and never calling again. Either way, you are left with disappointed dreams and destroyed self-esteem. What happened, what went wrong, and why is this scenario so familiar to so many women?
Steven Carter (MEN WHO CAN'T LOVE)
Never, not in her wildest dreams, had she dared to imagine that she'd be that important to someone. As if she was air and without her, he couldn't breathe. "I love you too," she whispered. "And I forgive future Sailor for being a dumbass." Linking her arms around his neck, she spoke through the storm inside her. "In fact, I think future Sailor is going to be an incredible man I'll adore more with each and every day." "Yeah?" His lips kicked up in that familiar smile, but there was a question in his eyes, a quiet hunger. "What's he going to do?" Ísa knew what he was asking her, what he needed her to tell him. "He's going to be a man who works hard but who has time for the people he loves. And he definitely has time to get up to wicked things with a certain redhead." "I like this guy's priorities already." "He's also the kind of father who takes a turn doing the school run because he enjoys spending time with his child." It was scary doing this, laying out her dreams, but Sailor had given her everything. Ísa would be brave enough to give him the same back. "He has time to play with his baby, and to kiss his wife, and even if he forgets things now and then, or if he gets a little busy for a while, it's all right because his wife and child and all the members of his family know they're loved beyond measure." Perfection had never been what Ísa wanted. "Because when it matters, he's there. He sees the people who love him." Demon-blue eyes solemn, Sailor said, "I can do that." It was a vow. "I can be that guy." "You already are." Ísa whispered. "You're my dream, Sailor." But Sailor shook his head. "You ain't seen nothing yet, spitfire. I'm going to court the hell out of you." After a meditative pause, he added, "Nakedness during said courting is optional but highly encouraged." He was wonderful. And he was hers.
Nalini Singh (Cherish Hard (Hard Play, #1))
Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E
Melissa Jensen (The Fine Art of Truth or Dare)
Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.
Carol Ann Duffy (The World's Wife)
Examples of Trump’s narcissism are legion and instructive. A widely photographed instance occurred in February 2018, when Trump, boarding Air Force One on a rainy day, held a large umbrella to cover his head in the storm without inviting his wife or young son to join him. While depriving Melania and Barron of cover from the rain, Trump was exhibiting textbook signs of two kinds of narcissism: primary narcissism, associated with survival, which was the impulse behind his disregarding his family’s comfort to ensure his own protection, and secondary narcissism, the impulse we connect to the familiar impulse to give oneself pleasure beyond mere survival
Justin A. Frank (Trump on the Couch: Inside the Mind of the President)
In men, there is the familiar distinction between the Madonna on a pedestal and the lowlife whore, in the sense that they elevate the love object to unknown—and, above all, unattainable—heights. These are the super-conventional husbands who respect their wives. They often respect them so much that they become psychologically impotent. The shadow of the for-bidden mother covers the beloved in this cloak of respect, so that any sexual approach becomes impossible. However, this impotence wholly melts away, together with the respect, when such a man goes to a whore, either in his imagination or in reality. The pendulum swings the other way, because in this case the woman, in the figure of the whore, is humiliated just as much as the wife-mother is extolled. The dimension of lust appears here, inevitably accompanied by feelings of guilt. It is in this context that we come across the typical male fantasy, well known to every prostitute, of 'saving' a woman. A large number of her clients want to 'save' her from her ruin. They want to restore to her the status of being an object of love. In other words, they want her to become a wife-mother, which brings them back to respect, and completes the circle. Interestingly, in either case, whether he saves her or humiliates her, the power lies with the man. This in itself is a rewrite of the original mother-child scenario. His position has shifted from passive to active.
Paul Verheage
The Riders Placencia Beach, Belize, 1996 Americans aren’t overly familiar with Tim Winton, although in my mind he is one of the best writers anywhere. This novel is set in Ireland and Greece as a man and his daughter search for their missing wife and mother. Gripping. 2. Family Happiness Miacomet Beach, Nantucket, 2001 The finest of Laurie Colwin’s novels, this is, perhaps, my favorite book in all the world. It tells the story of Polly Demarest, a Manhattan woman who is torn between her very uptown lawyer husband and her very downtown artist lover. 3. Mary and O’Neil Cottesloe Beach, Western Australia, 2009 These connected stories by Justin Cronin will leave you weeping and astonished. 4. Appointment in Samarra Nha Trang Beach, Vietnam, 2010 This classic novel was recommended to me by my local independent bookseller, Dick Burns, once he had found out how much I loved Revolutionary Road by Richard Yates. John O’Hara’s novel has all the requisite elements of a page-turner—drinking, swearing, and country club adultery, although set in 1930s Pennsylvania. This may sound odd, but trust me, it’s un-put-downable! 5. Wife 22 Oppenheimer Beach, St. John, U.S. Virgin Islands, 2012 If you like piña coladas… you will love Melanie Gideon’s tale of marriage lost and rediscovered. 6. The Interestings Steps Beach, Nantucket, 2013 And this summer, on Steps Beach in Nantucket, I will be reading The Interestings by Meg Wolitzer. Wolitzer is one of my favorite writers. She explores the battles between the sexes better than anyone around.
Elin Hilderbrand (Beautiful Day)
It had not occurred to him how he must appear to an outsider, to the world. For a moment he saw himself as he must thus appear, and what Edith said was part of what he saw. He had a glimpse of a figure that flitted through smoking-room anecdotes, and through the pages of cheap fiction--a pitiable fellow going into his middle age, misunderstood by his wife, seeking to renew his youth, taking up with a girl years younger than himself, awkwardly and apishly reaching for the youth he could not have, a fatuous, garishly got-up clown at whom the world laughed out of discomfort, pity, and contempt. He looked at this figure as closely as he could; but the longer he looked, the less familiar it became. It was not himself that he saw, and he knew suddenly that it was no one.
John Williams (Stoner)
It had not occurred to him how he must appear to an outsider, to the world. For a moment he saw himself as he must thus appear; and what Edith said was part of what he saw. He had a glimpse of a figure that flitted through smoking-room anecdotes, and through the pages of cheap fiction--a pitiable fellow going into his middle age, misunderstood by his wife, seeking to renew his youth, taking up with a girl years younger than himself, awkwardly and apishly reaching for the youth he could not have, a fatuous, garishly got-up clown at whom the world laughed out of discomfort, pity, and contempt. He looked at this figure as closely as he could; but the longer he looked, the less familiar it became. It was not himself that he saw, and he knew suddenly that it was no one.
John Williams (Stoner)
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
I met my wife through Match.com. My profile said, 'I am a medical student with only one eye, an awkward social manner, and $145,000 in student loans.' She wrote back, 'You're just what I've been looking for.' She meant 'honest,' so let me be honest. Making money is not like what I thought it would be. This business kills the part of life that is essential, the part that has nothing to do with business. For the past two years, my insides have felt like they've been eating themselves. All the people that I respected won't talk to me anymore, except through lawyers. People want an authority to tell them how to value things, but they choose this authority not based on facts or results. They choose it because it seems authoritative and familiar. And I am not, nor ever have been, 'familiar.' So...so I have come to the sullen realization that I must close down the fund. Sincerely, Michael J. Burry, M.D.
Michael Burry
Around Christmas 2003, we visited Chris’s parents in Texas. I found myself exceptionally hungry, though I couldn’t figure out why. When we came back to California, I just felt something was off. Could I be…pregnant? Nah. I bought a pregnancy test just in case. Chris and I had always planned to have children, but we weren’t in a rush about it. In fact, we had only recently decided to be “a little less careful.” It was a compromise between our spontaneous impulses and our careful planning instincts, which we both shared. We figured, if it happens somewhere in the next year… I was upstairs in the house working when I decided to take a break and check things out. Wow. WOW!!! Chris happened to be home fiddling with something in the garage. I ran downstairs, holding the stick in my hand. When I got there, I held it up, waving. “Hey, babe,” he said, looking at me as if I were waving a sword. “Come here,” I said. “I have to show you something.” He came over. I showed him the stick. “Okay?” “Look!” “What is it?” “Look at this!” Obviously, he wasn’t familiar with home pregnancy tests. Maybe that’s a guy thing-given that the tests reveal either your worst nightmare or one of the most exciting events of your life. I’d wager every woman in America knows what they are and how they work. Slowly it dawned on him. “Oh my God,” he said, stunned. “Are you…?” “Yes!” We confirmed it at the doctor’s soon after. I know you’re supposed to wait something like twelve weeks before telling anyone-there’s so much that can go wrong-but we couldn’t keep that kind of secret to ourselves for more than a few days. We ended up sending packages with an ultrasound and baby booties-one pink, one blue-to our parents, telling them we had a late Christmas surprise and to call us so we could be on the phone when they opened them.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
I saw a television sketch that, with some variations, might seem familiar in many households. A husband is watching television and his wife if trying to engage him in conversation: Wife: Dear, the plumber didn’t come to fix the leak behind the water heater today. Husband: Uh-huh. Wife: The pipe burst today and flooded the basement. Husband: Quiet. It’s third down and goal to go. Wife: Some of the wiring got wet and almost electrocuted Fluffy. Husband: Darn it! Touchdown. Wife: The vet says he’ll be better in a week. Husband: Can you get me a Coke? Wife: The plumber told me that he was happy that our pipe broke because now he can afford to go on vacation. Husband: Aren’t you listening? I said I could use a Coke! Wife: And Stanley, I’m leaving you. The plumber and I are flying to Acapulco in the morning. Husband: Can’t you please stop all that yakking and get me a Coke? The trouble around here is that nobody ever listens to me. 5.
John C. Maxwell (Be a People Person: Effective Leadership Through Effective Relationships)
The person who discovered the answer was a retiring, self-funded scientist named Peter Mitchell who in the early 1960s inherited a fortune from the Wimpey house-building company and used it to set up a research center in a stately home in Cornwall. Mitchell was something of an eccentric. He wore shoulder-length hair and an earring at a time when that was especially unusual among serious scientists. He was also famously forgetful. At his daughter’s wedding, he approached another guest and confessed that she looked familiar, though he couldn’t quite place her. “I was your first wife,” she answered. Mitchell’s ideas were universally dismissed, not altogether surprisingly. As one chronicler has noted, “At the time that Mitchell proposed his hypothesis there was not a shred of evidence in support of it.” But he was eventually vindicated and in 1978 was awarded the Nobel Prize in Chemistry—an extraordinary accomplishment for someone who worked from a home lab. The
Bill Bryson (The Body: A Guide for Occupants)
On this account I feel always, on a Saturday night, as though I also were released from some yoke of labour, had some wages to receive, and some luxury of repose to enjoy. For the sake, therefore, of witnessing, upon as large a scale as possible, a spectacle with which my sympathy was so entire, I used after, on Saturday nights, after I had taken opium, to wander forth, without much regarding the direction or the sistance, to all the markets, and other parts of London, to which the poor resort on a Saturday night, for laying out their wages. Many a family party, consisting of a man, his wife, and sometimes one or two of his children, have I listened to, as they stood consulting on their ways and means, or the strength of their exchequer, or the price of household articles. Gradually I became familiar with their wishes, their difficulties, and their opinions. Sometimes there might be heard murmers of discontent: but far oftener expressions on the countenance, or uttered in words, of patience, hope, and tranquillity. And taken generally, I must say, that, in this point at least, the poor are far more philosophic than the rich - that they show a more ready and cheerful submission to what they consider as irremediable evils, or irreparable losses. Whenever I saw occasion, or could do it without appearing to be intrusive, I joined their parties; and gave my opinion upon the matter in discussion, which, if not always judicious, was always received indulgently. If wages were a little higher, or expected to be so, or the quartern loaf a little lower, or it was reported that onions and butter were expected to fall, I was glad: yet, if the contrary were true, I drew from opium some means of consoling myself. For opium (like the bee, that extracts its materials indiscriminately from roses and from the soot of chimneys) can overrule all feelings into a compliance with the master key. Some of these rambles lead me to great distances: for an opium-eater is too happy to observe the motion of time.
Thomas de Quincey (Confessions of an English Opium Eater and Analects From John Paul Richter)
I am Nikolai Wroth.” Why did that name sound so familiar? She squinted up at him. “You are a friend of my aunts?” she said, her voice sounding faint. “With one. And it seems only one.” A short laugh with no humor. “Myst is my wife.” “Myst married?” Was that where she’d been? No, no way. “That’s funny.” “The jest’s on me, I’m afraid.” As they reached the manor, he bellowed, “Annika, call off the goddamn wraiths and let me in.” Emma stared up at the sky, seeing swirling red swaths of ragged cloth circling the house. Occasionally she spied a gaunt, skeletal face, but it would change to beauty if you met its eyes. The price for their protection was hair from each of the Valkyrie within. The wraiths wove each lock into a massive braid, and when it grew long enough, they bent all living Valkyrie to their will for a time. “Myst hasn’t returned yet,” someone called from the house. “But you know that, or else you’d both be naked and fornicating on the front lawn.” “The night’s young. Give us time.” To himself, he murmured, “And it was a field a mile away.” “Don’t you have an appointment to go to, vampire?” Emma stiffened. Vampire? But his eyes weren’t red. “Did you follow me?” “No, I was awaiting Myst’s return from shopping and sensed you trace into the woods.” A vampire waiting for Myst? He’d said she was his wife. She sucked in a breath. “You’re the general, aren’t you,” she whispered. “The one Myst had to be pried from.” She thought the corners of his lips quirked. “Is that what you heard?” At her solemn nod, he said, “It was mutual, I assure you.” He glanced away down the drive, as if willing Myst to return, and said almost to himself, “How much lingerie can one female need . . . ?” Suddenly Annika was shrieking, running for her, vowing to kill him ever so slowly. Amazingly, his body was still relaxed. “If you do not cease trying to take off my head, Annika, we will have words.” “What have you done to her?” she cried. “Obviously, I clawed her, bloodied her, and burned her, and now, oddly, I offer her up to you.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
When they finally left the bed, they were giddy. Christopher made a project of bathing her, drying her, even brushing her hair. She brought his robe and sat beside the bathtub as he washed. Occasionally she leaned downward to steal a kiss. They invented endearments for each other. Small marital intimacies that meant nothing and everything. They were collecting them, just as they were collecting words and memories, all of it containing special resonance for the two of them. Beatrix turned down all the lamps except the one on the night table. “Time for bed,” she murmured. Christopher stood at the threshold, watching his wife slip beneath the covers, her hair falling in a loose braid over one shoulder. She gave him the look that by now had become familiar…patiently encouraging. A Beatrix look. A lifetime with such a woman was not nearly enough. Taking a deep breath, Christopher made a decision. “I want the left side,” he said, and turned down the last lamp. He got into bed with his wife, taking her into his arms. And together they slept until morning.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
I do blame myself,” said Miss de Vine, less to him than to herself. “Most bitterly. Not for my original action, which was unavoidable, but for the sequel. Nothing you can say to me could make me feel more responsible than I do already.” “I can have nothing to say,” said he. “Like you and every member of this Common Room, I admit the principle and the consequences must follow.” “That won’t do,” said the Fellow, bluntly. “One ought to take some thought for other people. Miss Lydgate would have done what I did in the first place; but she would have made it her business to see what became of that unhappy man and his wife.” “Miss Lydgate is a very great and a very rare person. But she could not prevent other people from suffering for her principles. That seems to be what principles are for, somehow …I don’t claim, you know,” he added, with something of his familiar diffidence, “to be a Christian or anything of that kind. But there’s one thing in the Bible that seems to me to be a mere statement of brutal fact—I mean, about bringing not peace but a sword.” Miss
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
August 18, 2006 It was so nice to talk to you tonight. I always wind up in a better mood after talking to you. Somehow you always manage to brighten my life even when in a hell hole like this. You are the greatest woman ever, and I will never understand how I got so lucky to have been blessed with you. I appreciate all you do. You are the strongest person I know, and I admire you, and respect you. I am always extremely proud of you. I know with all that has happened with Marc and Biggles, you have gone out of your way to try to make everyone feel better. Even though I know that is your worst nightmare. I don’t know many people who could be there, and put themselves through the pain just to make someone you don’t even know more comfortable. You are an angel sent by God. Now you have given me two more angels. Remember Satan was once an angel of God, so Bubba is an angel, but just which side is sometimes debatable. Just joking. I know he can be very trying sometimes, and you have kept your cool way better than I ever could have. Our kids are so lucky to have you as their mother. So am I. I cannot wait to get back into your arms. Talking about it tonight felt so good. Knowing that this whole thing is coming to an end. I dream about the day I step off that plane to see you. Hope you have no plans for the rest of your life, because you’re gonna be a little busy. I miss you so much!!! I loved talking to Bubba tonight. I love hearing him tell me he loves me, but I also don’t want to force him to say it. I know inside that he loves me. He just gets a little busy with everything going on around him. I can’t wait to play with him and chase him around the house. I was also thinking, all this time I’ve been wanting to talk to Bubba because he can talk back to me, but I want Angel to hear my voice, too. I want her to be a little familiar with me if at least my voice. Anyway, I love you with all my heart, and can’t wait to see you again. I am gonna smother you like crazy. You’ll be begging me to go on another deployment so you can get a little break. Too bad. You’re stuck with me now. I love you, sexy! XOXOXOXOXOXOOX
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Nothing seemed to have merged. They all sat separate. And the whole of the effort of merging and flowing and creating rested on her. Again she felt, as a fact without hostility, the sterility of men, for if she did not do it nobody would do it, and so, giving herself a little shake that one gives a watch that has stopped, the old familiar pulse began beating, as the watch begins ticking—one, two, three, one, two, three. And so on and so on, she repeated, listening to it, sheltering and fostering the still feeble pulse as one might guard a weak flame with a news-paper. And so then, she concluded, addressing herself by bending silently in his direction to William Bankes—poor man! who had no wife, and no children and dined alone in lodgings except for tonight; and in pity for him, life being now strong enough to bear her on again, she began all this business, as a sailor not without weariness sees the wind fill his sail and yet hardly wants to be off again and thinks how, had the ship sunk, he would have whirled round and round and found rest on the floor of the sea. “Did
Virginia Woolf (To the Lighthouse)
You’re worried about Anna?” “Anna and the baby, who, I can assure you, are not worried about me.” “Westhaven, are you pouting?” Westhaven glanced over to see his brother smiling, but it was a commiserating sort of smile. “Yes. Care to join me?” The commiserating smile became the signature St. Just Black Irish piratical grin. “Only until Valentine joins us. He’s so eager to get under way, we’ll let him break the trail when we depart in the morning.” “Where is he? I thought you were just going out to the stables to check on your babies.” “They’re horses, Westhaven. I do know the difference.” “You know it much differently than you knew it a year ago. Anna reports you sing your daughter to sleep more nights than not.” Two very large booted feet thunked onto the coffee table. “Do I take it your wife has been corresponding with my wife?” “And your daughter with my wife, and on and on.” Westhaven did not glance at his brother but, rather, kept his gaze trained on St. Just’s feet. Devlin could exude great good cheer among his familiars, but he was at heart a very private man. “The Royal Mail would go bankrupt if women were forbidden to correspond with each other.” St. Just’s tone was grumpy. “Does your wife let you read her mail in order that my personal marital business may now be known to all and sundry?” “I am not all and sundry,” Westhaven said. “I am your brother, and no, I do not read Anna’s mail. It will astound you to know this, but on occasion, say on days ending in y, I am known to talk with my very own wife. Not at all fashionable, but one must occasionally buck trends. I daresay you and Emmie indulge in the same eccentricity.” St. Just was silent for a moment while the fire hissed and popped in the hearth. “So I like to sing to my daughters. Emmie bears so much of the burden, it’s little enough I can do to look after my own children.” “You love them all more than you ever thought possible, and you’re scared witless,” Westhaven said, feeling a pang of gratitude to be able to offer the simple comfort of a shared truth. “I believe we’re just getting started on that part. With every child, we’ll fret more for our ladies, more for the children, for the ones we have, the one to come.” “You’re such a wonderful help to a man, Westhaven. Perhaps I’ll lock you in that nice cozy privy next time nature calls.” Which
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
I find myself in a dark hallway. At the end of the hall is a door, slightly open with white light spilling around its edges. The hall is full of galoshes and rain coats. I walk slowly and silently to the door and carefully look in to the next room. Morning light fills up the room and is painful at first, but as my eyes adjust I see that in the room is a plain wooden table next to a window. A woman sits at the table facing the window. A teacup sits at her elbow. Outside is the lake, the waves rush up the shore and recede with calming repetition which becomes like stillness after a few minutes. The woman is extremely still. Something about her is familiar. She is an old woman; her hair is perfectly white and lies long on her back in a thin stream, over a slight dowager's hump. She wears a sweater the colour of coral. The curve of her shoulders, the stiffness in her posture says her is someone who is very tired, and I am very tired, myself. I shift my weight from one foot to the other and the floor creaks; the woman turns and sees me and her face is remade in to joy. I am suddenly amazed; this is Clare, Clare old! and she is coming to me, so slowly, and I take her in to my arms.
Audrey Niffenegger (The Time Traveler’s Wife)
There was a young man with a hot temper. He was not all bad, but he was reckless, and he drank more than he should, and spent more than he could, and gave a ring to more women than one, and gambled himself into a corner so tight an ant couldn't turn round in it. Once night, in despair, and desperate with worry, he got into a fight outside a bar, and killed a man. Mad with fear and remorse, for he was more hot-tempered than wicked, and stupid when he could have been wise, he locked himself into his filthy bare attic room and took the revolver that had killed his enemy, loaded it, cocked it and prepared to blast himself to pieces. In the few moments before he pulled the trigger, he said, "If I had known that all that I have done would bring me to this, I would have led a very different life. If I could live my life again, I would not be here, with the trigger in my hand and the barrel at my head." His good angel was sitting by him and, felling pity for the young, man, the angel flew to Heaven and interceded on his behalf. The in all his six-winged glory, the angel appeared before the terrified boy, and granted him his wish. "In full knowledge of what you have become, go back and begin again." And suddenly, the young man had another chance. For a time, all went well. He was sober, upright, true, thrifty. Then one night he passed a bar, and it seemed familiar to him, and he went in and gambled all he had, and he met a woman and told her he had no wife, and he stole from his employer, and spent all he could. And his debts mounted with his despair, and he decided to gamble everything on one last throw of the dice. This time, as the wheel spun and slowed, his chance would be on the black, not the red. This time, he would win. The ball fell in the fateful place, as it must. The young man had lost. He ran outside, but the men followed him, and in a brawl with the bar owner, he shot him dead, and found himself alone and hunted in a filthy attic room. He took out his revolver. He primed it. He said, "If I'd known that I could do such a thing again, I would never have risked it. I would have lived a different life. If I had known where my actions would lead me..." And his angel came, and sat by him, and took pity on him once again, and interceded for him, and... And years passed, and the young man was doing well until he came to a bar that seemed familiar to him... Bullets, revolver, attic, angel, begin again. Bar, bullets, revolver, attic, angel, begin again...angel, bar, ball, bullets...
Jeanette Winterson (The Stone Gods)
To state the proposition, generally, at the outset, I assert that the whole end and object of the Etiquette of Courtship and Matrimony is to insult, persecute, and degrade the bridegroom. I first became satisfied of this disgraceful fact at page thirty-six of the Hand Book or Manual. In the earlier part of the volume it was assumed that I had fallen in love, had made my offer, and had been accepted by my young woman and her family. Etiquette is hard on my heels all through those preliminary processes, and finally runs me down as soon as I appear in the character of an engaged man. My behaviour in my future wife’s company is of the last importance and there Etiquette has me, and never lets me go again. “In private,” says the Manual, “the slightest approach to familiarity must be avoided, as it will always be resented by a woman who deserves to be a wife.” So! I may be brimming over with affection; I may even have put on a soft waistcoat expressly for the purpose; but I am never to clasp my future wife with rapture to my bosom; I am never to print upon her soft cheek a momentary impression of the pattern of my upper shirt-stud! She is to keep me at arm’s length, in private as well as in public and I am actually expected to believe, all the time, that she is devotedly attached to me! First insult.
Wilkie Collins (The Collected Works of Wilkie Collins: The Complete Works PergamonMedia)
Missy and I became best friends, and soon after our first year together I decided to propose to her. It was a bit of a silly proposal. It was shortly before Christmas Day 1988, and I bought her a potted plant for her present. I know, I know, but let me finish. The plan was to put her engagement ring in the dirt (which I did) and make her dig to find it (which I forced her to do). I was then going to give a speech saying, “Sometimes in life you have to get your hands dirty and work hard to achieve something that grows to be wonderful.” I got the idea from Matthew 13, where Jesus gave the Parable of the Sower. I don’t know if it was the digging through the dirt to find the ring or my speech, but she looked dazed and confused. So I sort of popped the question: “You’re going to marry me, aren’t you?” She eventually said yes (whew!), and I thought everything was great. A few days later, she asked me if I’d asked her dad for his blessing. I was not familiar with this custom or tradition, which led to a pretty heated argument about people who are raised in a barn or down on a riverbank. She finally convinced me that it was a formality that was a prerequisite for our marriage, so I decided to go along with it. I arrived one night at her dad’s house and asked if I could talk with him. I told him about the potted plant and the proposal to his daughter, and he pretty much had the same bewildered look on his face that she’d had. He answered quite politely by saying no. “I think you should wait a bit, like maybe a couple of years,” he said. I wasn’t prepared for that response. I didn’t handle it well. I don’t remember all the details of what was said next because I was uncomfortable and angry. I do remember saying, “Well, you are a preacher so I am going to give you some scripture.” I quoted 1 Corinthians 7:9, which says: “It is better to marry than to burn with passion.” That didn’t go over very well. I informed him that I’d treated his daughter with respect and he still wouldn’t budge. I then told him we were going to get married with him or without him, and I left in a huff. Over the next few days, I did a lot of soul-searching and Missy did a lot of crying. I finally decided that it was time for me to become a man. Genesis 2:24 says: “For this reason [creation of a woman] a man will leave his father and mother and be united to his wife, and they will become one flesh.” God is the architect of marriage, and I’d decided that my family would have God as its foundation. It was time for me to leave and cleave, as they say. My dad told me once that my mom would cuddle us when we were in his nest, but there would be a day when it would be his job to kick me out. He didn’t have to kick me out, nor did he have to ask me, “Who’s a man?” Through prayer and patience, Missy’s parents eventually came around, and we were more than ready to make our own nest.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds
Teresa Driscoll (I Am Watching You)
The phone rang. It was a familiar voice. It was Alan Greenspan. Paul O'Neill had tried to stay in touch with people who had served under Gerald Ford, and he'd been reasonably conscientious about it. Alan Greenspan was the exception. In his case, the effort was constant and purposeful. When Greenspan was the chairman of Ford's Council of Economic Advisers, and O'Neill was number two at OMB, they had become a kind of team. Never social so much. They never talked about families or outside interests. It was all about ideas: Medicare financing or block grants - a concept that O'Neill basically invented to balance federal power and local autonomy - or what was really happening in the economy. It became clear that they thought well together. President Ford used to have them talk about various issues while he listened. After a while, each knew how the other's mind worked, the way married couples do. In the past fifteen years, they'd made a point of meeting every few months. It could be in New York, or Washington, or Pittsburgh. They talked about everything, just as always. Greenspan, O'Neill told a friend, "doesn't have many people who don't want something from him, who will talk straight to him. So that's what we do together - straight talk." O'Neill felt some straight talk coming in. "Paul, I'll be blunt. We really need you down here," Greenspan said. "There is a real chance to make lasting changes. We could be a team at the key moment, to do the things we've always talked about." The jocular tone was gone. This was a serious discussion. They digressed into some things they'd "always talked about," especially reforming Medicare and Social Security. For Paul and Alan, the possibility of such bold reinventions bordered on fantasy, but fantasy made real. "We have an extraordinary opportunity," Alan said. Paul noticed that he seemed oddly anxious. "Paul, your presence will be an enormous asset in the creation of sensible policy." Sensible policy. This was akin to prayer from Greenspan. O'Neill, not expecting such conviction from his old friend, said little. After a while, he just thanked Alan. He said he always respected his counsel. He said he was thinking hard about it, and he'd call as soon as he decided what to do. The receiver returned to its cradle. He thought about Greenspan. They were young men together in the capital. Alan stayed, became the most noteworthy Federal Reserve Bank chairman in modern history and, arguably the most powerful public official of the past two decades. O'Neill left, led a corporate army, made a fortune, and learned lessons - about how to think and act, about the importance of outcomes - that you can't ever learn in a government. But, he supposed, he'd missed some things. There were always trade-offs. Talking to Alan reminded him of that. Alan and his wife, Andrea Mitchell, White House correspondent for NBC news, lived a fine life. They weren't wealthy like Paul and Nancy. But Alan led a life of highest purpose, a life guided by inquiry. Paul O'Neill picked up the telephone receiver, punched the keypad. "It's me," he said, always his opening. He started going into the details of his trip to New York from Washington, but he's not much of a phone talker - Nancy knew that - and the small talk trailed off. "I think I'm going to have to do this." She was quiet. "You know what I think," she said. She knew him too well, maybe. How bullheaded he can be, once he decides what's right. How he had loved these last few years as a sovereign, his own man. How badly he was suited to politics, as it was being played. And then there was that other problem: she'd almost always been right about what was best for him. "Whatever, Paul. I'm behind you. If you don't do this, I guess you'll always regret it." But it was clearly about what he wanted, what he needed. Paul thanked her. Though somehow a thank-you didn't seem appropriate. And then he realized she was crying.
Suskind (The Price of Loyalty: George W. Bush, the White House, and the Education of Paul O'Neill)
Her mind escaped between them, and went exploring for itself through the great gaps they had made in the simple obedient assumptions of her girlhood. That question originally put in Paradise, "Why shouldn't we?" came into her mind and stayed there. It is a question that marks a definite stage in the departure from innocence. Things that had seemed opaque and immutable appeared translucent and questionable. She began to read more and more in order to learn things and get a light upon things, and less and less to pass the time. Ideas came to her that seemed at first strange altogether and then grotesquely justifiable and then crept to a sort of acceptance by familiarity. And a disturbing intermittent sense of a general responsibility increased and increased in her. You will understand this sense of responsibility which was growing up in Lady Harman's mind if you have felt it yourself, but if you have not then you may find it a little difficult to understand. You see it comes, when it comes at all, out of a phase of disillusionment. All children, I suppose, begin by taking for granted the rightness of things in general, the soundness of accepted standards, and many people are at least so happy that they never really grow out of this assumption. They go to the grave with an unbroken confidence that somewhere behind all the immediate injustices and disorders of life, behind the antics of politics, the rigidities of institutions, the pressure of custom and the vagaries of law, there is wisdom and purpose and adequate provision, they never lose that faith in the human household they acquired amongst the directed securities of home. But for more of us and more there comes a dissolution of these assurances; there comes illumination as the day comes into a candle-lit uncurtained room. The warm lights that once rounded off our world so completely are betrayed for what they are, smoky and guttering candles. Beyond what once seemed a casket of dutiful security is now a limitless and indifferent universe. Ours is the wisdom or there is no wisdom; ours is the decision or there is no decision. That burthen is upon each of us in the measure of our capacity. The talent has been given us and we may not bury it.
H.G. Wells (The Wife of Sir Isaac Harman)
For years now I have heard the word “Wait!” It rings in the ear of every Negro with piercing familiarity. This “Wait” has almost always meant “Never.” We must come to see, with one of our distinguished jurists, that “justice too long delayed is justice denied.” We have waited for more than 340 years for our constitutional and God-given rights. The nations of Asia and Africa are moving with jet-like speed toward gaining political independence, but we still creep at horse-and-buggy pace toward gaining a cup of coffee at a lunch counter. Perhaps it is easy for those who have never felt the stinging darts of segregation to say, “Wait.” But when you have seen vicious mobs lynch your mothers and fathers at will and drown your sisters and brothers at whim; when you have seen hate-filled policemen curse, kick, and even kill your black brothers and sisters; when you see the vast majority of your twenty million Negro brothers smothering in an airtight cage of poverty in the midst of an affluent society; when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she can’t go to the public amusement park that has just been advertised on television, and see tears welling up in her eyes when she is told that Funtown is closed to colored children, and see ominous clouds of inferiority beginning to form in her little mental sky, and see her beginning to distort her personality by developing an unconscious bitterness toward white people; when you have to concoct an answer for a five-year-old son who is asking: “Daddy, why do white people treat colored people so mean?”; when you take a cross-county drive and find it necessary to sleep night after night in the uncomfortable corners of your automobile because no motel will accept you; when you are humiliated day in and day out by nagging signs reading “white” and “colored”; when your first name becomes “nigger,” your middle names becomes “boy” (however old you are), and your last name becomes “John,” and your wife and mother are never given the respected title “Mrs.”; when you are harried by day and haunted by night by the fact that you are a Negro, living constantly at tiptoe stance, never quite knowing what to expect next, and are plagued with inner fears and outer resentments; when you are forever fighting a degenerating sense of “nobodiness”—then you will understand why we find it difficult to wait.
Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
If Mamaw's second God was the United States of America, then many people in my community were losing something akin to a religion. The tie that bound them to the neighbors, that inspired them in the way my patriotism had always inspired me, had seemingly vanished. The symptoms are all around us. Significant percentages of white conservative voters--about one-third--believe that Barack Obama is a Muslim. In one poll, 32 percent of conservatives said that they believed Obama was foreign-born and another 19 percent said they were unsure--which means that a majority of white conservatives aren't certain that Obama is even an American. I regularly hear from acquaintances or distant family members that Obama has ties to Islamic extremists, or is a traitor, or was born in some far-flung corner of the world. Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor--which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up; His accent--clean, perfect, neutral--is foreign; his credentials are so impressive that they're frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right--adversity familiar to many of us--but that was long before any of us knew him. President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we're not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren't. He wears suits to his job while we wear overalls, if we're lucky enough to have a job at all. His wife tells us that we shouldn't be feeding our children certain foods, and we hate her for it--not because we think she's wrong, but because we know she's right.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
He took a breath. He could feel his anxiety fade; he could feel himself returning to who he was. 'But would you sing with me?' Every morning for the past two months, they had been singing with each other in preparation for Duets. In the film, his character and the character's wife led an annual Christmas pageant, and both he and the actress playing his wife would be performing their own vocals. The director had sent him a list of songs to work on, and Jude had been practicing with him: Jude took the melody, and he took the harmony. 'Sure,' Jude said. 'Our usual?' For the past week, they'd been working on 'Adeste Fideles,' which he would have to sing a cappella, and for the past week, he'd been pitching sharp at the exact same point, at 'Venite adoremus,' right in the first stanza. He'd wince every time he did it, hearing the error, and Jude would shake his head at him and keep going, and he'd follow him until the end. 'You're overthinking it,' Jude would say. 'When you go sharp, its because you're concentrating too hard on staying on key; just don't think about it, Willem, and you'll get it.' That morning, though, he felt certain he'd get it right. He gave Jude the bunch of herbs, which he was still holding, and Jude thanked him, pinching its little purple flowers between his fingers to release its perfume. 'I think it's a kind of perilla,' he said, and held his fingers up for Willem to smell. 'Nice,' he said, and they smiled at each other. And so Jude began, and he followed, and he made it through without going sharp. And at the end of the song, just after the last note, Jude immediately began singing the next song on the list, 'For Unto Us a Child Is Born,' and after that, 'Good King Wenceslas,' and again and again, Willem followed. His voice wasn't as full as Jude's, but he could tell in those moments that it was good enough, that it was maybe better than good enough: he could tell it sounded better with Jude's, and he closed his eyes and let himself appreciate it. They were still singing when the doorbell chimed with their breakfast, but as he was standing, Jude put his hand on his wrist, and they remained there, Jude sitting, he standing, until they had sung the last words of the song, and only after they had finished did he go to answer the door. Around him, the room was redolent of the unknown herb he'd found, green and fresh and yet somehow familiar, like something he hadn't known he had liked until it had appeared, suddenly and unexpectedly, in his life.
Hanya Yanagihara (A Little Life)
If marriage is the great mystery of the City, the image of the Coinherence - if we do indeed become members one of another in it - then there is obviously going to be a fundamental need in marriage for two people to be able to get along with each other and with themselves. And that is precisely what the rules of human behavior are about. They are concerned with the mortaring of the joints of the City, with the strengthening of the ligatures of the Body. The moral laws are not just a collection of arbitrary parking regulations invented by God to make life complicated; they are the only way for human nature to be natural. For example, I am told not to lie because in the long run lying destroys my own, and my neighbor's nature. And the same goes for murder and envy, obviously; for gluttony and sloth, not quite so obviously; and for lust and pride not very obviously at all, but just as truly. Marriage is natural, and it demands the fullness of nature if it is to be itself. But human nature. And human nature in one piece, not in twenty-three self-frustrating fragments. A man and a woman schooled in pride cannot simply sit down together and start caring. It takes humility to look wide-eyed at somebody else, to praise, to cherish, to honor. They will have to acquire some before they can succeed. For as long as it lasts, of course, the first throes of romantic love will usually exhort it from them, but when the initial wonder fades and familiarity begins to hobble biology, it's going to take virtue to bring it off. Again, a husband and a wife cannot long exist as one flesh, if they are habitually unkind, rude, or untruthful. Every sin breaks down the body of the Mystery, puts asunder what God and nature have joined. The marriage rite is aware of this; it binds us to loving, to honoring, to cherishing, for just that reason. This is all obvious in the extreme, but it needs saying loudly and often. The only available candidates for matrimony are, every last one of them, sinners. As sinners, they are in a fair way to wreck themselves and anyone else who gets within arm's length of them. Without virtue, therefore, no marriage will make it. The first of all vocations, the ground line of the walls of the New Jerusalem is made of stuff like truthfulness, patience, love and liberality; of prudence, justice, temperance and courage; and of all their adjuncts and circumstances: manners, consideration, fair speech and the ability to keep one's mouth shut and one's heart open, as needed. And since this is all so utterly necessary and so highly likely to be in short supply at the crucial moments, it isn't going to be enough to deliver earnest exhortations to uprightness and stalwartness. The parties to matrimony should be prepared for its being, on numerous occasions, no party at all; they should be instructed that they will need both forgiveness and forgivingness if they are to survive the festivities. Neither virtue, nor the ability to forgive the absence of virtue are about to force their presence on us, and therefore we ought to be loudly and frequently forewarned that only the grace of God is sufficient to keep nature from coming unstuck. Fallen man does not rise by his own efforts; there is no balm in Gilead. Our domestic ills demand an imported remedy.
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
I’m the kind of patriot whom people on the Acela corridor laugh at. I choke up when I hear Lee Greenwood’s cheesy anthem “Proud to Be an American.” When I was sixteen, I vowed that every time I met a veteran, I would go out of my way to shake his or her hand, even if I had to awkwardly interject to do so. To this day, I refuse to watch Saving Private Ryan around anyone but my closest friends, because I can’t stop from crying during the final scene. Mamaw and Papaw taught me that we live in the best and greatest country on earth. This fact gave meaning to my childhood. Whenever times were tough—when I felt overwhelmed by the drama and the tumult of my youth—I knew that better days were ahead because I lived in a country that allowed me to make the good choices that others hadn’t. When I think today about my life and how genuinely incredible it is—a gorgeous, kind, brilliant life partner; the financial security that I dreamed about as a child; great friends and exciting new experiences—I feel overwhelming appreciation for these United States. I know it’s corny, but it’s the way I feel. If Mamaw’s second God was the United States of America, then many people in my community were losing something akin to a religion. The tie that bound them to their neighbors, that inspired them in the way my patriotism had always inspired me, had seemingly vanished. The symptoms are all around us. Significant percentages of white conservative voters—about one-third—believe that Barack Obama is a Muslim. In one poll, 32 percent of conservatives said that they believed Obama was foreign-born and another 19 percent said they were unsure—which means that a majority of white conservatives aren’t certain that Obama is even an American. I regularly hear from acquaintances or distant family members that Obama has ties to Islamic extremists, or is a traitor, or was born in some far-flung corner of the world. Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor—which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up: His accent—clean, perfect, neutral—is foreign; his credentials are so impressive that they’re frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right—adversity familiar to many of us—but that was long before any of us knew him. President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we’re not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren’t. He wears suits to his job while we wear overalls, if we’re lucky enough to have a job at all. His wife tells us that we shouldn’t be feeding our children certain foods, and we hate her for it—not because we think she’s wrong but because we know she’s right.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Billy sipped the last of his coffee from the mug and shut down his laptop. 1,000 words wasn’t great but it also wasn’t as bad as no words at all. It hadn’t exactly been a great couple of years and the royalties from his first few books were only going to hold out so much longer. Even if he didn’t have anything else to worry about there was always Sara to consider. Sara with her big blue eyes so like her mother’s. He sat for a moment longer thinking about his daughter and all they’d been through since Wendy had passed. Then he picked up his mug with a long sigh and carried it to the kitchen to rinse it in the sink. When he came back into his little living room and the quiet of 1 AM he wasn’t surprised to find her there over to the side of the bookshelf hovering close to the floor just beyond the couch. Wendy. Her eyes were cold and intense in death, angry and spiteful in a way he’d never seen them when she was alive. What once had been beautiful was now a horror and a threat, one that he’d known far too well in the years since she’d died. He and Sara both. He stood where he was looking at her as she glared up at him. Part of her smaller vantage point was caused by kneeling next to the shelf but he knew from the many times she’d walked or run through a room that death had also reduced her, made her no higher than 4 or 4 and half feet when she’d been 6 in life. She was like a child trapped there on the cusp between youth and coming adulthood. Crushed and broken down into a husk, an entity with no more love for them than a snake. Familiar tears stung his eyes but he blinked them away letting his anger and frustration rise in place of his grief. “Fuck you! What right do you have to be here? Why won’t you let Sara and I be? We loved you! We still love you!” She doesn’t respond, she never does. It’s as if she used up all of her words before she died and now all that’s left is the pain and the anger of her death. The empty lack of true life in her eyes leaves him cold. He doesn’t say anything else to her. It’s all a waste and he knows it. She frightens him as much as she makes him angry. Spite lives in every corner of her body and he’s reached his limit on how long he can see this perversion, this nightmare of what once meant so much to him. He walks past the bookshelf and through the doorway there. He and Sara’s rooms are up above. With an effort he resists the urge to look back down the hall to see if she’s followed. He refuses to treat his wife like a boogeyman no matter how much she has come to fit that mold. He can feel her eyes burning into him from somewhere back at the edge of the living room. The sensation leaves a cold trail of fear up his back as he walks the last four feet to the stairs and then up. He can hear her feet rush across the floor behind him and the rustle of fabric as she darts up the stairs after him. His pulse and his feet speed up as she grows closer but he’s never as fast as she is. Soon she slips up the steps under his foot shoving him aside as she crawls on her hands and feet through his legs and up the last few stairs above. As she passes through his legs, her presence never more clear than when it’s shoving right against him, he smells the clean and medicinal smells of the operating room and the cloying stench of blood. For a moment he’s back in that room with her, listening to her grunt and keen as she works so hard at pushing Sara into the world and then he’s back looking up at her as she slowly considers the landing and where to go from there. His voice is a whisper, one that pleads. “Wendy?
Amanda M. Lyons (Wendy Won't Go)
When We Seek Protection from Sexual Immorality Flee sexual immorality. Every sin that a man does is outside the body, but he who commits sexual immorality sins against his own body. 1 CORINTHIANS 6:18 SEXUAL SIN IS WORSE than other sins because it has consequences in our own body. Being that our body is the temple of the Holy Spirit, that means sexual sin of any kind—even in the mind—causes great conflict within us, for how can dark live alongside light? One of the ways to avoid sexual temptation is to stay close to God and His Word. The other is not to neglect the sexual needs of your spouse. Sexual intimacy is an important way to bring unity into your marriage. Joining your hearts, minds, and bodies breaks down any stronghold of separation between you and reaffirms your oneness. Your husband most likely is out working in the world where a spirit of lust is everywhere. He needs your prayers for protection and the strength to resist it when it presents itself. The same is true for you too. It is dangerous to think that sexual failure cannot happen to you or your husband in a moment of weakness or vulnerability—even if it is only in the mind. Thoughts have consequences, and that’s why God tells us to take every thought captive. We have to take charge of our mind in order to stay undeceived. There is no safe place where infidelity, or the idea of it, cannot reveal itself as an option. If infidelity has already happened to one of you, ask God for His healing and restoring power to work a miracle of deliverance, forgiveness, and restoration in both of you. And get help. This is too big an issue to go through alone. Ask God to enable you and your husband to see to it that this important area of your life is not polluted by neglect, selfishness, busyness, or the inability to keep your eyes from evil. Seek God for the strength to flee sexual sin—even if you think this can never happen to you. That story is way too familiar. My Prayer to God LORD, I pray You will help my husband and me to resist sexual temptation of any kind, even in the mind. Strengthen us so we will not surrender to the lust of the world that strives to keep us dissatisfied with what we have. Protect us from being lured to look and wonder, or to succumb and wander. Help us to flee at the first sign of any possibility of sexual sin and run immediately to You. Give us eyes to see what is truly happening even before it happens so that we can avoid the deception of immorality. Teach us how to maintain control over our own body, mind, and soul so that we are ever mindful of the purity You want us to live in (1 Thessalonians 4:3-5). Where either of us has fallen into sexual immorality in the past—even if only in the mind—I pray You would set us completely free from the severe bondage of that. Work a miracle of restoring trust and forgiveness between us. Only You have the power to free us from the debilitating sense of betrayal and can restore us to a new beginning. Keep us both strong in faith, in self-control, in Your Word, and in Your presence so that sexual sin is never a part of our future. In Jesus’ name I pray.
Stormie Omartian (The Power of a Praying Wife Devotional)
more, but no more than twenty. I had four songs left after the one I was doing when I saw her. And the talk between songs, well, I keep that short. So fifteen minutes, likely no more than seventeen.” “Did you see anyone follow her out?” “I didn’t, but I was looking for Forrest once she got up and started out. I wasn’t watching the door.” “I bet you saw a lot of familiar faces in the crowd tonight.” “I did. It was so nice to see everyone.” She thought of Arlo. “Mostly.” “A lot of unfamiliar ones, too.” “Tansy did a lot of marketing. She had flyers all over. I heard we had a lot of people in tonight who’re staying at the hotel and the lodge and so on, even campers who came in tonight. Something new, you know?” “Wish I could’ve been here myself. We’re going to make a point of it, the wife and me, next time. Now, did anybody strike you, Shelby? Somebody who just didn’t look right?
Nora Roberts (The Liar)