Falling In Love Quickly Quotes

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When we meet someone and fall in love, we have a sense that the whole universe is on our side. And yet if something goes wrong, there is nothing left! How is it possible for the beauty that was there only minutes before to vanish so quickly? Life moves very fast. It rushes from heaven to hell in a matter of seconds.
Paulo Coelho (Eleven Minutes)
God Layken. How do you do it? she says. She blows her nose and grabs another tissue out of the box. How do I do what? I sniff as I continue to wipe the tears from my eyes. How do you not fall in love with him? The tears begin flowing just as quickly as they had ceased. I grab yet another tissue. I don't not fall in love with him. I don't not fall in love with him a lot!
Colleen Hoover (Slammed (Slammed, #1))
Inside the snow globe on my father's desk, there was a penguin wearing a red-and-white-striped scarf. When I was little my father would pull me into his lap and reach for the snow globe. He would turn it over, letting all the snow collect on the top, then quickly invert it. The two of us watched the snow fall gently around the penguin. The penguin was alone in there, I thought, and I worried for him. When I told my father this, he said, "Don't worry, Susie; he has a nice life. He's trapped in a perfect world.
Alice Sebold (The Lovely Bones)
I caught myself thinking about falling in love with someone who I hoped was out there right now thinking about the possibility of me, but I quickly banished the notion. It was that kind of thinking that landed me in this situation to begin with. Hope can ruin you.
Perry Moore (Hero)
How do you not fall in love with him?" The tears begin flowing just as quickly as they were ceasing. I grab yet another tissue.  "I don't not fall in love with him. I don't not fall in love with him a lot!
Colleen Hoover (Slammed (Slammed, #1))
Do not confuse "duty" with what other people expect of you; they are utterly different. Duty is a debt you owe to yourself to fulfill obligations you have assumed voluntarily. Paying that debt can entail anything from years of patient work to instant willingness to die. Difficult it may be, but the reward is self-respect. But there is no reward at all for doing what other people expect of you, and to do so is not merely difficult, but impossible. It is easier to deal with a footpad than it is with the leech who wants "just a few minutes of your time, please—this won't take long." Time is your total capital, and the minutes of your life are painfully few. If you allow yourself to fall into the vice of agreeing to such requests, they quickly snowball to the point where these parasites will use up 100 percent of your time—and squawk for more! So learn to say No—and to be rude about it when necessary. Otherwise you will not have time to carry out your duty, or to do your own work, and certainly no time for love and happiness. The termites will nibble away your life and leave none of it for you. (This rule does not mean that you must not do a favor for a friend, or even a stranger. But let the choice be yours. Don't do it because it is "expected" of you.)
Robert A. Heinlein (Time Enough for Love)
A girl who would fall in love so easily or want a man to love her so easily would probably get over it just as quickly, very little the worse for wear. On the contrary, a girl who would take love seriously would probably be a good while finding herself in love and would require something beyond mere friendly attentions from a man before she would think of him in that light.
L.M. Montgomery (My Dear Mr. M: Letters to G.B. Macmillan from L.M. Montgomery)
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
Peter Craig (Hot Plastic)
She was tired of hugging pillows, counting on blankets for warmth, and reliving romantic moments only in her dreams. She was tired of hoping that every day would hurry so she could get on to the next. Hoping that it would be a better day, an easier day. But it never was. Worked, paid the bills, and went to bed but never slept. Each morning the weight on her shoulders got heavier and heavier and each morning she wished for night to fall quickly so she could return to her bed to hug her pillows and wrap herself in the warmth of her blankets.
Cecelia Ahern
Have you always loved yourself this much?” “I had an awkward year in ‘ninety-nine, but I got over it quick.
K.A. Tucker (Five Ways to Fall (Ten Tiny Breaths, #4))
Draft Three Because I never realized that you could fall in love with humans the same way you fall in love with songs. How the tune of them could mean nothing to you at first, an unfamiliar melody, but quickly turn into a symphony carved across your skin; a hymn in the web of your veins; a harmony stitched into the lining of your soul
Krystal Sutherland (Our Chemical Hearts)
Ordinarily, I am the person who falls in love quickly and somewhat inappropriately and then goes on to destroy what is a good thing. That's always been my style. So, you know: I get it. And I feel right now the way I imagine all those guys felt with me. And I have to say, for the first time in my life, I feel something approaching compassion for them.
Sarah Dunn (Secrets to Happiness)
He's been sent by the devil to destabilize something that was already fragile. How could I fall in love so quickly with someone I don't even know?
Paulo Coelho (Adultery)
The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning. "Nice," he said. "As graceful as a falling snowflake." "Was I screaming?" She asked, genuinely curious. "You know, on the way down." He nodded. "Thankfully no one's home, or they would have assumed I was murdering you." "Ha. You can't even reach me." She kicked out a leg and spun lazily in midair. Jace's eyes glinted. "Want to bet?" Clary knew that expression. "No," she said quickly. "Whatever you're going to do-" But he'd already done it. When Jace moved fast, his individual movements were almost invisible. She saw his hand go to his belt, and then something flashed in the air. She heard the sound of parting fabric as the cord above her head was sheared through. Released, she fell freely, too surprised to scream- directly into Jace's arms. The force knocked him backward, and they sprawled together onto one of the padded floor mats, Clary on top of him. He grinned up at her. "Now," he said, "that was much better. You didn't scream at all." "I didn't get the chance." She was breathless, and not just from the impact of the fall. Being sprawled on top of Jace, feeling his body against hers, made her hands shake and her heart beat faster.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
He was not as soft as when I'd first met him, not as young, but the angles of his face, his quick gestures, the way he sucked in his lower lip to think before going on - I was in love with all of it.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
So dawn goes dawn goes down to day, nothing gold can stay." "without pain how could we know joy?" "Come quickly I tasting the stars" "I fell in love the way you fall asleep:slowly, and then all at once" "What a slut time is she srews everybody.
John Green (The Fault in Our Stars)
the opening, the breaking, the falling apart is always so quick. the hurting, the healing, the putting back together is always too long.
AVA. (you are safe here.)
Here lies a she sun, and a he moon there; She gives the best light to his sphere; Or each is both, and all, and so They unto one another nothing owe; And yet they do, but are So just and rich in that coin which they pay, That neither would, nor needs forbear, nor stay; Neither desires to be spared nor to spare. They quickly pay their debt, and then Take no acquittances, but pay again; They pay, they give, they lend, and so let fall No such occasion to be liberal. More truth, more courage in these two do shine, Than all thy turtles have and sparrows, Valentine.
John Donne (The Complete English Poems)
Today’s problem is that people are quickly falling in love and falling out of it just as quickly.
Moffat Machingura (How I Kissed Heartbreak Goodbye)
He laughs again. “You’re different, Caymen.” “Different than what?” “Than any other girl I’ve met.” Considering most of the girls he’d met probably had fifty times as much money as I did, that wasn’t a hard feat to accomplish. Thinking about that makes my eyes sting. “It’s refreshing. You make me feel normal.” “Huh. I better work on that because you’re far from normal.” He smiles and pushes my shoulder playfully. My heart slams into my ribs. “Caymen.” I take another handful of dirt and smash it against his neck then try to make a quick escape. He grabs me from behind, and I see his hand, full of dirt, coming toward my face when the warning beeps of the tractor start up. “Saved by the gravediggers,” he says.
Kasie West (The Distance Between Us (Old Town Shops, #1))
I never lie ― I am a blatantly truthful person about almost everything. My addiction (or disease as some call it) always lies. I have had very good relationships, but the addict in me always fucked them up. I fall in love quickly, it's a high that rivals drugs for a while. I am monogamous, but I always cheated with depression before the relationship fell apart. Addicts need best friends, healthy people need healthy relationships.
Emma Forrest (Your Voice in My Head)
Love is an admiration that comes with patience. Lust is an admiration that comes with impatience. In all, admiration is common but patience is not!
Israelmore Ayivor (The Great Hand Book of Quotes)
However, embarrassment was quickly replaced with a completely different emotion all together when I heard him say the words that I knew I was never going to forget, "I'm going to marry that girl one day." And in that moment... I knew that I was falling in love.
Karli Perrin (April Showers (April, #1))
Because I never realized that you could fall in love with humans the same way you fall in love with songs. How the tune of them could mean nothing to you at first, an unfamiliar melody, but quickly turn into a symphony carved across your skin; a hymn in the web of your veins; a harmony stitched into the lining of your soul.
Krystal Sutherland (Our Chemical Hearts)
Just So You Know You fall in love with every book you touch. You never break the spine or tear the pages. That would be cruel. You have secret favorites but, when asked, you say that you could never choose. But did you know that books fall in love with you, too? They watch you from the shelf while you sleep. Are you dreaming of them, they wonder, in that wistful mood books are prone to at night when they’re bored and there’s nothing else to do but tease the cat. Remember that pale yellow book you read when you were sixteen? It changed your world, that book. It changed your dreams. You carried it around until it was old and thin and sparkles no longer rose from the pages and filled the air when you opened it, like it did when it was new. You should know that it still thinks of you. It would like to get together sometime, maybe over coffee next month, so you can see how much you’ve both changed. And the book about the donkey your father read to you every night when you were three, it’s still around – older, a little worse for wear. But it still remembers the way your laughter made its pages tremble with joy. Then there was that book, just last week, in the bookstore. It caught your eye. You looked away quickly, but it was too late. You felt the rush. You picked it up and stroked your hand over its glassy cover. It knew you were The One. But, for whatever reason, you put it back and walked away. Maybe you were trying to be practical. Maybe you thought there wasn’t room enough, time enough, energy enough. But you’re thinking about it now, aren’t you? You fall in love so easily. But just so you know, they do, too.
Sarah Addison Allen
I was starting to fall in love with Michael Boutilier. Quickly, violently. It was a love that was both armed and dangerous, a ticking time-bomb of destruction that threatened to send my whole world up in flames--and it felt good.
Nenia Campbell (Armed and Dangerous (The IMA, #2))
They say love is ten percent falling and ninety percent picking yourself back up. What they never tell you is how quick that ten percent passes and how long that ninety percent lasts.
Parker S. Huntington (Darling Venom)
Austerity means to eliminate the comforts and cushions in your life that you have learned to snuggle into and lose wakefulness. Take away anything that dulls your edge. No newspapers or magazines. No TV. No candy, cookies, or sweets. No sex. No cuddling. No reading of anything at all while you eat or sit on the toilet. Reduce working time to a necessary minimum. No movies. No conversation that isn't about truth, love, or the divine. If you take on these disciplines for a few weeks, as well as any other disciplines that may particularly cut through your unique habits of dullness, then your life will be stripped of routine distraction. All that will be left is the edge you have been avoiding by means of your daily routine. You will have to face the basic discomfort and dissatisfaction that is the hidden texture of your life. You will be alive with the challenge of living your truth, rather than hiding form it. Unadorned suffering is the bedmate of masculine growth. Only by staying intimate with your personal suffering can you feel through it to its source. By putting all your attention into work, TV, sex, and reading, your suffering remains unpenetrated, and the source remains hidden. Your life becomes structured entirely by your favorite means of sidestepping the suffering you rarely allow yourself to feel. And when you do touch the surface of your suffering, perhaps in the form of boredom, you quickly pick up a magazine or the remote control. Instead, feel your suffering, rest with it, embrace it, make love with it. Feel your suffering so deeply and thoroughly that you penetrate it, and realize its fearful foundation. Almost everything you do, you do because you are afraid to die. And yet dying is exactly what you are doing, from the moment you are born. Two hours of absorption in a good Super Bowl telecast may distract you temporarily, but the fact remains. You were born as a sacrifice. And you can either participate in the sacrifice, dissolving in the giving of your gift, or you can resist it, which is your suffering. By eliminating the safety net of comforts in your life, you have the opportunity to free fall in this moment between birth and death, right through the hole of your fear, into the unthreatenable openness which is the source of your gifts. The superior man lives as this spontaneous sacrifice of love.
David Deida (The Way of the Superior Man: A Spiritual Guide to Mastering the Challenges of Women, Work, and Sexual Desire)
Only a rich cunt can save me now,' he says with an air of utmost weariness. 'One gets tired of chasing after new cunts all the time. It gets mechanical. The trouble is, you see, I can't fall in love. I'm too much of an egoist. Women only help me to dream, that's all. It's a vice, like drink or opium. I've got to have a new one every day; if I don't I get morbid. I think too much. Sometimes I'm amazed at myself, how quick I pull it off — and how little it really means. I do it automatically like. Sometimes I'm not thinking about a woman at all, but suddenly I notice a woman looking at me and then, bango! it starts all over again. Before I know what I'm doing I've got her up to the room. I don't even remember what I say to them. I bring them up to the room, give them a pat on the ass, and before I know what it's all about it's over. It's like a dream.... Do you know what I mean?
Henry Miller (Tropic of Cancer (Tropic, #1))
How could I not fall in love with him," she asked. And on the tail end of her words, her bedroom door flew open and closed just as fast. Jen bent over, panting heavily as she looked up at Sally. "Hey Sally girl. Who we falling in love with?" Jen asked breathlessly. "Jen, what's wrong?" Sally paused and then decided on a better question. "What have you done now?" Jen stood up and took two deep breaths. Seeming to have regained her wind, she spoke quickly. "First off, I've changed my mind. I don't want you to name your first born after me." Sally interrupted. "Thank goodness for that," she muttered. "I want you to name your entire freaking litter after me," Jen growled. "Do you know what I've been through?" Jen's arms were flinging around as she glared at Sally. "I did that little strip tease to try and keep things from escalating with the rest of the pack and Decebel was beyond pissed. I had to sneak out of the gathering room and make a run for it. I've been running through the freaking forest trying to throw him off by changing back and forth so that I could place my clothes that I carried in my freaking muzzle. CARRIED IN MY MUZZLE SALLY! I put them in different places to throw off him off my scent." Jen went over to Sally's window and was trying to judge the danger of using it as an exit.
Quinn Loftis
But as I get older I think – can it really be love if we don’t talk that much, don’t see each other? Isn’t love something that happens between people who spend time together and know each other’s faults and take care of each other? In the end I decide that the mark we’ve left on each other is the color and shape of love. That’s the unfinished business between us. Because love is never finished. It circles and circles the memories always out of order and not always complete. There’s one I always come back to: me and Cameron Quick, laying on the ground in an aspen grove on a golden fall day, the aspen leaves clattering and quaking the way they do. Cameron turning to me, reaching out a small and dirty hand, which I take and do not let go.
Sara Zarr (Sweethearts)
And as much as I'd love to continue exploring the existential implications of Damning roadkill, the truth is" - he plunged his hands into his hair until it stuck up even more than usual - "you've been back here in my presence for two agonising hours now, and if we don't properly make out soon, I'm going to hurl myself off the roof." Lex blinked. Then Driggs smushed his lips to hers so quickly that she had to grab the gutter to keep from falling.
Gina Damico (Scorch (Croak, #2))
If music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, and so die. That strain again! it had a dying fall: O, it came o'er my ear like the sweet sound, That breathes upon a bank of violets, Stealing and giving odour! Enough; no more: 'Tis not so sweet now as it was before. O spirit of love! how quick and fresh art thou, That, notwithstanding thy capacity Receiveth as the sea, nought enters there, Of what validity and pitch soe'er, But falls into abatement and low price, Even in a minute: so full of shapes is fancy That it alone is high fantastical.
William Shakespeare (Twelfth Night)
I try to remember what falling in love felt like and can’t recall. It must have been over with very quickly.
Sarah Hogle (You Deserve Each Other)
Our minds are generally lazy and like to get rid of problems as quickly as possible, so they surround first ideas with a lot of positive chemicals to make us “fall in love” with them. Do not fall in love with your first idea.
Bill Burnett (Designing Your Life: How to Build a Well-Lived, Joyful Life)
Where are we going, love?” “We?” Her eyes are darker – dilated, and her chest rises and falls in quick, excited pants. I wonder if she even realizes it. “I have a meeting. Mother’s sent her car to take me. You can’t come, Henry.” “I can come lots of times. My stamina is legendary. Do you want me to show you?” Her voice comes out soft, husky. “You can’t come with me” “That sounds like a challenge.” I smirk slowly. “I bet I could time it just right.
Emma Chase (Royally Matched (Royally, #2))
There are some things that don't change much. I find the smell of a dish, or the way a certain spice is crushed, or just a quick look at the way something has been put on a plate, can pull me back to another place and time. I love those memories that seem so far away, yet you can hold them and carry them with you, even forget them, and then, with a single taste or hint or a smell, be chaperoned back to a beautiful moment.
Tessa Kiros
And when we fall, God quickly lifts us up, leaping out into our lives like a mother playing peek-a-boo with her child, reassuring the baby with her touch. And when we have been strengthened by God’s action in our lives, then we choose with all our consciousness to serve God and be God’s lovers, endlessly. But
Julian of Norwich (All Shall Be Well: Daily Readings From Julian Of Norwich: Revelations Of Divine Love)
...be sure to wash every day, even if it is with your own spit; don't squat down to play marbles—you are not a boy, you know; don't pick people's flowers—you might catch something; don't throw stones at blackbirds, because it might not be a blackbird at all; this is how to make a bread pudding; this is how to make doukona; this is how to make pepper pot; this is how to make a good medicine for a cold; this is how to make a good medicine to throw away a child before it even becomes a child; this is how to catch a fish; this is how to throw back a fish you don't like, and that way something bad won't fall on you; this is how to bully a man; this is how a man bullies you; this is how to love a man; and if this doesn't work there are other ways, and if they don't work don't feel too bad about giving up; this is how to spit up in the air if you feel like it, and this is how to move quick so that it doesn't fall on you; this is how to make ends meet; always squeeze bread to make sure it's fresh; but what if the baker won't let me feel the bread?; you mean to say that after all you are really going to be the kind of woman who the baker won't let near the bread?
Jamaica Kincaid
I have learned to quit speeding through life, always trying to do too many things too quickly, without taking the time to enjoy each day’s doings. I think I always thought of real living as being high. I don’t mean on drugs – I mean real living was falling in love, or when I got my first job, or when I was able to help somebody, . . . In between the highs I was impatient – you know how it is – life seemed so Daily. Now I love the dailiness. I enjoy washing dishes, I enjoy cooking, I see my father’s roses out the kitchen window. I like picking beans. I notice everything – birdsongs, the clouds, the sound of wind, the glory of sunshine after two weeks of rain.
Olive Ann Burns
Fell in love first, Fell in love quickly—Like I was pushed. Fell in love next, Fell in love slowly—Like I was strolling. Falling in love now And feeling crazy. Thinking of closing my eyes And jumping.
Kamand Kojouri
Occupation, curfew, settlements, closed military zone, administrative detention, siege, preventive strike, terrorist infrastructure, transfer. Their WAR destroys language. Speaks genocide with the words of a quiet technician. Occupation means that you cannot trust the OPEN SKY, or any open street near to the gates of snipers tower. It means that you cannot trust the future or have faith that the past will always be there. Occupation means you live out your live under military rule, and the constant threat of death, a quick death from a snipers bullet or a rocket attack from an M16. A crushing, suffocating death, a slow bleeding death in an ambulance stopped for hours at a checkpoint. A dark death, at a torture table in an Israeli prison: just a random arbitrary death. A cold calculated death: from a curable disease. A thousand small deaths while you watch your family dying around you. Occupation means that every day you die, and the world watches in silence. As if your death was nothing, as if you were a stone falling in the earth, water falling over water. And if you face all of this death and indifference and keep your humanity, and your love and your dignity and YOU refuse to surrender to their terror, then you know something of the courage that is Palestine.
Suheir Hammad
After a while you learn the difference between holding a hand and falling in love.. You begin to learn that kisses don't always mean something, Promises can be broken just as quickly as they are made, and goodbyes sometime really are forever!
Atul Purohit
‎I did not understand how quickly one could fall in love, and I regarded almost as an affliction that one would eventually recover from. However, I now recognize that it is a force that reaches into every fiber of your body, and that it is something not to be resisted, but embraced.
Mary Lydon Simonsen (The Perfect Bride for Mr. Darcy)
She couldn't believe how quickly life could change. How could she have known when she'd woken up that morning that today was the day she'd fall in love?
Cecily von Ziegesar (You Know You Love Me (Gossip Girl, #2))
Slow-slow-quick-quick-slow went her heart. “Damn, I love the tango,” he whispered, tickling her ear.
Ophelia London (Falling for Her Soldier (Perfect Kisses, #3))
The melody of her heart had no name; it was quick, and light. It rolled with the waves, falling as the breath left his chest, rising as he inhaled. It was the rain sliding down the glass; the fog spreading its fingers over the water. The creaking of a ship's great body. The secrets whispered by the wind, and the unseen life that moved below. It was the flame of one last candle.
Alexandra Bracken (Passenger (Passenger, #1))
How can we not ask at every turn, 'What is going to happen? How will this turn out?' The main thing is not to consent consciously to anxiety or a troubled mind. The moment you realize you are worrying, make very quickly an act of confidence: 'No, Jesus, You are there: nothing--nothing--happens, not a hair falls from our heads, without Your permission. I have no right to worry." Perhaps He is sleeping in the boat, but He is there. He is always there. He is all-powerful; nothing escapes His vigilance. He watches over each one of us 'as over the apple of His eye.' He is all love, all tenderness.
Jean du Coeur de Jésus d'Elbée (I Believe in Love: A Personal Retreat Based on the Teaching of St. Therese of Lisieux)
I use a library the same way I’ve been describing the creative process as a writer — I don’t go in with lists of things to read, I go in blindly and reach up on shelves and take down books and open them and fall in love immediately. And if I don’t fall in love that quickly, shut the book, back on the shelf, find another book, and fall in love with it. You can only go with loves in this life.
Ray Bradbury
Love is fragile at best and often a burden or something that blinds us. It's fodder for poets and song writers and they build it into something beyond human capacity. Falling in love means enrolling yourself in the school of disappointment. Being human means failing each other often, and no two people fail each other more than two people who pledge to do things for each other that they'll never do because they are just incapable of it...That's why art is enduring. The look of love or hope, or the look of compassion, bravery, whatever, is captured forever. We spend our lives trying to get someone to be as enduring as a painting or a sculpture and we can't because feelings crumble as quickly as the flesh.
V.C. Andrews (Heart Song (Logan, #2))
Falling in love too quickly spells disaster. But I’ve always lived dangerously, and I spell disaster with a Z.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
You know you're in lust when you're quick to fall into a reverie because dreams seem better than reality.
Emmanuel Aghado
I did not expect to fall in love with this world, not so quickly, but with the blueness of the sky and the shimmer of the sun on the lake behind me, I am spellbound.
C.M. Stunich (The Feed (The Huntswomen Trilogy, #1))
He danced closely but never touched. The air between them crackling and sparkling like an electrical fire that must be contained quickly or it will take everything.
Anne Fall (Rosa Scriptum)
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven. even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory. and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite. of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
Annabel Giles (Birthday Girls)
In all honesty, he’s most likely going to get sex somewhere else if he’s not getting it from you. This is still GOOD! While he’s using some other woman for sex, he’s thinking about you and what it will take to get you to be his girl. She’ll be the quick piece of ass and you’ll be the woman that gives him butterflies in his stomach. He’ll use her for sex, while you’re receiving flowers and going out on nice dates. She’ll be the one hurt in the end, while you’ll be “the one” who made him fall in love.
Kara King (The Power of the Pussy - How to Get What You Want From Men: Love, Respect, Commitment and More!: Dating and Relationship Advice for Women)
I know that it seems like life is unfair right now, and you want things to be easier, but the rough side of the mountain will actually prepare you for life much better than the smooth side. Believe it or not, the setbacks of today can quickly become the forging blades of greatness for tomorrow. In fact, a wise man once said, “hardship often prepares ordinary people for an extraordinary destiny.4
Joshua Medcalf (Chop Wood Carry Water: How to Fall In Love With the Process of Becoming Great)
Love skimmed over the surface like a sailboat, grabbing me up and carrying me along one minute, the speed dizzying, the view passing by so quickly I couldn't take it in. The next minute, my little love boat was swamped in a storm, overturned, the sail pointing toward the murky depths, everything upside down. I was trying to swim with legs of lead. I'd never thought of love this way—as something that moved with the ebb and flow of currents. Push and pull. Joy and pain. Fear and trust. Falling, and trying to balance, and falling again.
Lisa Wingate (Firefly Island (Moses Lake, #3))
He reached for her, his big hand cupping her cheek, his fingers sliding into her hair, scattering hairpins, threatening the quick work she’d done to put it to rights earlier. She didn’t care. Let them fall. Let them rust in the soil to be found two hundred years from now.
Sarah MacLean (Bombshell (Hell's Belles, #1))
He still had his eyes on me, and it occurred to me that he was thinking the same thing as I was; that I was very underdressed to be here. I needed to leave, and quickly. But I didn't know how to say goodbye...
A. Esquivel (Betrayal)
Death is like giving birth. Birth can be painful. Sometimes women die from giving birth. However, when the baby is born, all that pain (that was endured) vanishes in an instant. Love for that tiny baby makes one forget the pain, the fear. And as I’ve said before, love between mother and child is the highest experience, the closest to divine love. You might wonder about the parallel I’m making between birth and death. But I say to you, the fear and pain accompanying an awful death is over quickly. Beyond that portal one is suddenly in the light, in oneness and bliss…Just as a woman heals rapidly after childbirth and then is able to fall in love with her baby, those who pass over also are able to fall in love with a new life."-Kuan Yin (From "Oracle of Compassion: the Living Word of Kuan Yin
Hope Bradford (Oracle of Compassion: The Living Word of Kuan Yin)
God Layken. How do you do it?" she says. "How do I do what?" I sniff as I continue to wipe the tears from my eyes. "How do you not fall in love with him?" The tears begin flowing just as quickly as they had ceased….."I don't not fall in love with him. I don't not fall in love with him a lot!
Colleen Hoover (This Girl (Slammed, #3))
How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap. To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…
Henry Miller (Sexus (The Rosy Crucifixion, #1))
I think true love transcends tiem. The thunderbolt does not. Not if it strkes men the way you described." I start a sprint toward a glade where my favorite orange flowers grow. He catches up with me easily. "Most girls prefer flowers over trees." I brush my fingers on the petals."These flowers blossom quickly. They speak of passion, of beauty." I take a witheting flower that had dropped to the ground and fondle it between my fingers. "But flowers don't last. They wither easily and have limited growth. A tree might not speak of passion but sturdiness. Yet, it grows higher and lasts longer. Some of these trees were here before I was born and they'll be here once I'm gone." My heads falls back as I look at the highest tree. "Real love ought to be more like a tree and less like a flower. That's the kind of love my parents had. It wasn't as consuming as it was everlasting. And you see that tree over there? Now it's showing only green leaves, but in spring it's covered in flowers. Because as reliable as trees are, they can also speak of beauty and passion.
Mya Robarts
Life isn't about falling in love as much as it is about learning to get over hatred..
Sanhita Baruah
The more unsettled and unbalanced we feel, the more quickly and recklessly we are likely to fall in love.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
I saw a star slide down the sky, Blinding the north as it went by, Too burning and too quick to hold, Too lovely to be bought or sold, Good only to make wishes on And then forever to be gone.
Sara Teasdale (The Collected Poems)
Anytime I fall for a dame like you I hope that somebody will take me outside an' cut my head off quick because I would rather be tied up to a coupla wild alligators than get myself hitched on to you.
Peter Cheyney (Your Deal, My Lovely)
We're very dismissive, as a culture, about heartbreak. We talk about it like it's funny, or silly, or cute. As if it can be cured by a pint of Haagen-Dazs and a set of flannel pajamas. But of course, a breakup is a type of grief, it's the death of not just any relationship - but the most important one in your life, There's nothing cute about it. "Dumped" is also a word that falls short of its true meaning. It sounds so quick - like a moment in time. But getting dumped lasts forever. Because a person who loved you decided not to love you anymore. Does that ever really go away?
Katherine Center (The Bodyguard)
She turned quickly to face him, and with one part of his mind he thought, They call it falling in love, admiring as always the wisdom of the language. Not stumbling in love, not walking, striding, jumping, bouncing, crawling in love. You fall in love, straight forward like a chopped tree, straight down like a rock from a cliff: gravity, earth, concussion.
Max Byrd (Jackson)
It is in the home that our behavior is most significant. It is the place where our actions have the greatest impact, for good or ill. Sometimes we are so much “at home” that we no longer guard our words. We forget simple civility. If we are not on guard, we can fall into the habit of criticizing one another, losing our tempers, or behaving selfishly. Because they love us, our spouses and children may be quick to forgive, but they often carry away in silence unseen injuries and unspoken heartache.
Wayne S. Peterson
What do you know about me? What do you know about love that comes into a life in which everything has become questionable? What is your cheap intoxication compared to that? When falling and falling suddenly changes, when the endless Why becomes the final You, when like a fata morgana above the desert of silence feeling suddenly arises, takes shape, and inexorably the delusion of the blood becomes a landscape compared with which all dreams are pale and commonplace? A landscape of silver, a city of filigree and rose quartz, shining like the bright reflection of blooming blood—what do you know about it? Do you think that one can talk about it so easily? That a glib tongue can quickly press it into a cliché of words or even of feelings? What do you know about graves that open and how one stands in dread of the many colorless empty nights of yesterday—yet they open and no skeletons now lie bleaching there, only earth is there, earth, fertile seeds, and already the first green. What do you know about that? You love the intoxication, the conquest, the Other You that wants to die in you and that will never die, you love the stormy deceit of the blood, but your heart will remain empty because one cannot keep anything that does not grow from within oneself. And not much can grow in a storm. It is in the empty nights of loneliness that it grows, if one does not despair. What do you know about it?
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
Never be afraid to say NO. To speak your mind. To voice your opinion. To try something new. To fall in love. To trust your instincts. To ask for what you need. To believe in yourself because fear will paralyze you if you let it. Believe in yourself and go for it.
Tony T. Robinson (101 Quick and Easy Confidence Quotes.)
You know, Tsitsi, you are so quick to point out that you are not a prostitute. I just want to laugh because you are just falling into rank. You all should spare us your ‘morality’ that lauds ‘women’ over the supposedly lesser ‘whores’ and ‘girls’. That’s how society sees us. That’s how you see us. You want it to be that we are like coal, only to be loved in the dark and tossed like ashes come morning.
Panashe Chigumadzi (Sweet Medicine)
No one falls in love anymore, silly boy. Falling in love means falling out of love. Love is an emotion that comes as quickly as it goes. But choosing to love someone. Choosing to love people is a far greater accomplishment then falling in love. When you choose to love a person, you focus your energy and your emotions to loving that person for who they are. There is no such thing as falling in love. You either want to love that person or you don't...and if you choose to love that person, you work on loving that person every day, no matter what.
Matthew Gillies (The Master & The Servant)
im not sure what is a dream and what is real. or if real is a real word and if words even exist outside of our imagination. i still can't say for certain if falling asleep is opening your eyes in the morning or closing them at night. and im lonely. but not sadly. everybody is alone. i want love like love wants love. and im not scared to be alive. these days more people are. money is an illusion. the world has been gaining some sort of momentum over "time" and every day it's spinning faster. we are growing up too quickly. someday i'll start too.
Jason Reeves
To quote one of the most beautiful sentences that was ever said to me, "I don't love you"". He smiled, and feeling encouraged, I continued. "But I think that I easily could, and that I probably very quickly will, though I can't promise anything. It could all very possibly end in years.
Cecelia Ahern (The Time of My Life)
When reading the history of the Jewish people, of their flight from slavery to death, of their exchange of tyrants, I must confess that my sympathies are all aroused in their behalf. They were cheated, deceived and abused. Their god was quick-tempered unreasonable, cruel, revengeful and dishonest. He was always promising but never performed. He wasted time in ceremony and childish detail, and in the exaggeration of what he had done. It is impossible for me to conceive of a character more utterly detestable than that of the Hebrew god. He had solemnly promised the Jews that he would take them from Egypt to a land flowing with milk and honey. He had led them to believe that in a little while their troubles would be over, and that they would soon in the land of Canaan, surrounded by their wives and little ones, forget the stripes and tears of Egypt. After promising the poor wanderers again and again that he would lead them in safety to the promised land of joy and plenty, this God, forgetting every promise, said to the wretches in his power:—'Your carcasses shall fall in this wilderness and your children shall wander until your carcasses be wasted.' This curse was the conclusion of the whole matter. Into this dust of death and night faded all the promises of God. Into this rottenness of wandering despair fell all the dreams of liberty and home. Millions of corpses were left to rot in the desert, and each one certified to the dishonesty of Jehovah. I cannot believe these things. They are so cruel and heartless, that my blood is chilled and my sense of justice shocked. A book that is equally abhorrent to my head and heart, cannot be accepted as a revelation from God. When we think of the poor Jews, destroyed, murdered, bitten by serpents, visited by plagues, decimated by famine, butchered by each, other, swallowed by the earth, frightened, cursed, starved, deceived, robbed and outraged, how thankful we should be that we are not the chosen people of God. No wonder that they longed for the slavery of Egypt, and remembered with sorrow the unhappy day when they exchanged masters. Compared with Jehovah, Pharaoh was a benefactor, and the tyranny of Egypt was freedom to those who suffered the liberty of God. While reading the Pentateuch, I am filled with indignation, pity and horror. Nothing can be sadder than the history of the starved and frightened wretches who wandered over the desolate crags and sands of wilderness and desert, the prey of famine, sword, and plague. Ignorant and superstitious to the last degree, governed by falsehood, plundered by hypocrisy, they were the sport of priests, and the food of fear. God was their greatest enemy, and death their only friend. It is impossible to conceive of a more thoroughly despicable, hateful, and arrogant being, than the Jewish god. He is without a redeeming feature. In the mythology of the world he has no parallel. He, only, is never touched by agony and tears. He delights only in blood and pain. Human affections are naught to him. He cares neither for love nor music, beauty nor joy. A false friend, an unjust judge, a braggart, hypocrite, and tyrant, sincere in hatred, jealous, vain, and revengeful, false in promise, honest in curse, suspicious, ignorant, and changeable, infamous and hideous:—such is the God of the Pentateuch.
Robert G. Ingersoll (Some Mistakes of Moses)
Because even this --being so close to her --was no longer the same. That light he'd felt when he first saw her --he understood now that it was only a lightbulb. It was quick and easy, full of electricity, but there was something artificial about it. What he wanted was fire: heat and spark and flame.
Jennifer E. Smith (The Geography of You and Me)
Their conversations were often charged with an excitement out of proportion to what they talked about... Their words seemed to glimmer in the air between them, dangerous metallic threads that quickly connected both of them to books and ideas, to language itself. The jailer told Teza about the daring subject matter of the famous writer Ju's recent novel, in which a passionate young man falls in love with an older woman, but the story, as he was telling it, became a metaphor for their own deepening and forbidden association....Teza refused to act like a prisoner, which freed Chit Naing from acting like a jailer.
Karen Connelly (The Lizard Cage)
This obsession was dangerous, he knew that. If anybody ever found out his reputation would be ruined, livelihood destroyed all for some hillbilly-kid with a tight ass and a talented mouth. Just a quick taste, a lick, a suck, a f**** and then he’ll be cured. The demon will succumb, Richard is sure of it. He just needs to scratch this itch, quench his thirst and then things will fall back into place. He’ll stop daydreaming about those eyes, that hair and that boy.
J.K. Jones
You aren't in love with me." She blinked. "I'm not?" "No," he said emphatically. "You just think you are. You're confused," he explained... She knew where he was headed. "I see." "Transference." "I'm sorry?" "It's called transference. It's kind of like a patient falling in love with a doctor. It's not real," he stressed. "That's what I'm suffering from?" "Not suffering, honey," he said. "But I do think you've confused gratitude for love." She pretended to ponder the possibility for a long minute and then said, "I believe you might be right." "You do?" He sounded a little stunned. "Yes, I do." She said more forcefully. He wanted confirmation. "So you realize you don't love me." "That's exactly what I realize," she told him. "It's that transference thing all right. I was confused, but I am not any longer. Thank you for clearing it up for me." He shot her a hasty glance. "That was pretty damn quick wasn't it?" "When you're right, you're right." "That's it?" He was suddenly furious with her and didn't care that it showed. Damn it, she had told him she loved him, and after a one-minute argument, she caved. What the hell kind of love was that? "That's all you have to say?" "No, actually there is just one more thing I'd like to mention." "Yeah? What's that?" "You're an idiot.
Julie Garwood (Heartbreaker (Buchanan-Renard, #1))
A number of terrible things about falling in love make it not worth the time and the effort. But the worst of these is that we can never truly fall in love with a person, but only what we think that person is - more precisely, we fall in love with an image of a person that we create in our minds based on a few inconsequential traits: hair color; bloodline; timbre of voice; preference in music or literature. We are so quick to make a judgment on first sight, and it is so easy for us to decide that the object of our love is unquestionably perfect. And while people can only be human at best, these same fallible humans are more than capable of imagining each other to be infallible gods. Any relationship we have with another human being is an ongoing process of error correction, altering this image that we see in our mind's eye whenever we lay love-blinded eyes on our beloved. It changes bit by bit until it matches the beloved herself, who is invariably less than perfect, often unworthy of love, and often incapable of giving love. This is why any extended interpersonal relationship other than the most superficial, be it a friendship, a romance, or a tie between father and daughter, must by necessity involve disappointment and pain. When the woman you worship behaves as a human being eventually will, she does not merely disappoint; she commits sacrilege, as if the God we worship were to somehow damn Himself.
Dexter Palmer (The Dream of Perpetual Motion)
She quickly learned that the sight of Venice at given moments can root you in your deepest longings. It can also make you realise your identity too is built on shifting water, consists of rising and falling tides, countless ephemeral reflections and refractions. Venice can wash through you the love you have never made, the battles you have never fought, the beauty you have never created. It can flood to the surface everything you have lost and everything you have never known. It can reveal you to yourself without your carnival masks.
Glenn Haybittle (The War in Venice)
The reality that someone you love has died is its own tragedy. But it's separate, isn't it, from the way it happened?
Sherrida Woodley (Quick Fall of Light)
I don’t fuck and fall in love, no matter how good it feels.” I rolled my eyes as he made a quick move and gripped my face firmly. His eyes were dead serious. “Tell me you heard me.
Kate Stewart (The Brave Line)
For despite what some people say, love is not only a sweet falling bound to come and quickly go away.
Erich Fromm
the opening, the breaking, the falling apart is always so quick. the hurting, the healing, the putting back together is always too long.
Just try to suppose that I may not know how to behave with dignity. That is, perhaps I'm a dignified man, but I don't know how to behave with dignity. Do you understand that it may be so? All Russians are that way, and you know why? Because Russians are too richly and multifariously endowed to be able to find a decent form for themselves very quickly. It's a matter of form. For the most part, we Russians are so richly endowed that it takes genius for us to find a decent form. Well, but most often there is no genius, because generally it rarely occurs. It's only the French, and perhaps some few other Europeans, who have so well-defined a form that one can look extremely dignified and yet be a most undignified man. That's why form means so much to them. A Frenchman can suffer an insult, a real, heartfelt insult, and not wince, but a flick on the nose he won't suffer for anything, because it's a violation of the accepted and time-honored form of decency. That's why our young ladies fall so much for Frenchmen, because they have good form. In my opinion, however, there's no form there, but only a rooster, le coq gaulois. However, that I cannot understand, I'm not a woman. Maybe roosters are fine. And generally I'm driveling, and you don't stop me. Stop me more often; when I talk with you, I want to say everything, everything, everything. I lose all form. I even agree that I have not only no form, but also no merits. I announce that to you. I don't even care about any merits. Everything in me has come to a stop now. You yourself know why. I don't have a single human thought in my head. For a long time I haven't known what's going on in the world, either in Russia or here. I went through Dresden and don't remember what Dresden is like. You know yourself what has swallowed me up. Since I have no hope and am a zero in your eyes, I say outright: I see only you everywhere, and the rest makes no difference to me. Why and how I love you--I don't know. Do you know, maybe you're not good at all? Imagine, I don't even know whether you're good or not, or even good-looking? Your heart probably isn't good; your mind isn't noble; that may very well be.
Fyodor Dostoevsky (The Gambler)
What happened isn't your fault." "Maybe. But maybe this wouldn't have happened if I'd run away with you." "You still can." "No, I can't." I shook my head. "I have so much I need to do here. I can't just leave it all behind. But you can stay here. I will grant you amnesty." "Mmm, I knew it." He smiled. "You'd miss me too much if I left." I laughed. "Hardly." "Hardly?" Loki smirked. He'd lowered his arm, so his hand was on my waist. Loki was incredibly near, and his muscles pressed against me. I knew that I should move away, that I had no justifiable reason to be this close to him, but I didn't move. "Would you?" Loki asked, his voice low. "Would I what?" "Would you run away with me, if you didn't have all the responsibilities and the palace and all that?" "I don't know," I said. "I think you would." "Of course you do." I looked away from him, but I didn't move away. "Where did you get the pajamas, by the way? You didn't bring anything with you when you came." "I don't want to tell you." "Why not?" I looked sharply at him. "Because. I'll tell you, and it will ruin this whole mood," Loki said. "Can't we just sit here and look longingly into each other's eyes until we fall into each other's arms, kissing passionately?" "No," I said and finally started to pull away from him. "Not if you don't tell me-" "Tove," Loki said quickly, trying to hang on to me. He was much stronger than me, but he let me push him off. "Of course." I stood up. "That's exactly the kind of thing my fiancé would do. He's always thinking of other people." "It's just pajamas!" Loki insisted, like that would mean something. "Sure, he's a terrifically nice guy, but that doesn't matter." "How does that not matter?" I asked. "Because you don't love him." "I care about him," I said, and he shrugged. "And it's not like I love you." "Maybe not," he allowed. "But you will." "You think so?" I asked. "Mark my words, Princess," Loki said. "One day, you'll be madly in love with me." "Okay." I laughed, because I didn't know how else to respond. "But I should go. If I've given you amnesty, that means I have to go about enacting it, and getting everyone to agree that it's not a suicidal decision." "Thank you." "You're welcome," I said and opened the door to go. "It was worth it," Loki said suddenly. "What was?" I turned back to him. "Everything I went through," he said. "For you. It was worth it.
Amanda Hocking (Ascend (Trylle, #3))
My girl got sick. She was constantly nervous because of problems at work, personal life, her failures and children. She lost 30 pounds and weighted about 90 pounds. She got very skinny and was constantly crying. She was not a happy woman. She had suffered from continuing headaches, heart pain and jammed nerves in her back and ribs. She did not sleep well, falling asleep only in the mornings and got tired very quickly during the day. Our relationship was on the verge of a break up. Her beauty was leaving her somewhere, she had bags under her eyes, she was poking her head, and stopped taking care of herself. She refused to shoot the films and rejected any role. I lost hope and thought that we’ll get separated soon… But then I decided to act. After all I’ve got the MOST Beautiful Woman on earth. She is the idol of more than half of men and women on earth, and I was the one allowed to fall asleep next to her and to hug her. I began to shower her with flowers, kisses and compliments. I surprised and pleased her every minute. I gave her a lot of gifts and lived just for her. I spoke in public only about her. I incorporated all themes in her direction. I praised her in front of her own and our mutual friends. You won’t believe it, but she blossomed. She became better. She gained weight, was no longer nervous and loved me even more than ever. I had no clue that she CAN love that much. And then I realized one thing: the woman is the reflection of her man. If you love her to the point of madness, she will become it.
Brad Pitt
I can’t win. Love is Russian roulette for me. No one loves the real me inside. they're all in love with my fame, my stardom. I fall in love far too quickly and end up getting hurt all the time. I've got scars all over. But I can't help myself because basically I'm a softie I have this hard, macho shell — which I project on stage but there's a much softer side. too, which melts like butter.
Freddie Mercury
Mirabella’s eyes fill with tears, and Billy quickly wipes his mouth. He scoops strawberry tart onto his fork and holds it out. “Here,” he says. “You must try this.” As she takes the bite, he uses his thumb to discreetly wipe the tear that falls down her cheek. “I’m sorry,” he says softly. “I suppose I haven’t even tried to consider your point of view. It was thoughtless of me.” “It is all right,” Mirabella says. “Does she know that you love her?” Billy raises his eyebrows. “Why would she when I didn’t? It wasn’t like I read in books. A thunderclap. Eyes meeting. Tortured glances. With Arsinoe it was more like . . . having cold water poured down your back and learning to enjoy it.” “And does she love you?” “I don’t know. I think she might.” He smiles. “I hope she does.” “I hope so too.” Another tear slides down her cheek, and Billy darts forward to discreetly hide it. “It is all right,” she says. “They will think I am only crying because of how terrible this strawberry tart is.” Billy sets down his fork, insulted. Then they both begin to laugh.
Kendare Blake (One Dark Throne (Three Dark Crowns, #2))
In genealogy you might say that interest lies in the eye of the gene holder. The actual descendants are far more intrigued with it all than the listeners, who quickly sink into a narcoleptic coma after the second or third great-great-somebody kills a bear or beheads Charles I, invents the safety pin or strip-mines Poland, catalogues slime molds, dances flamenco, or falls in love with a sheep. Genealogy is a forced march through stories. Yet everyone loves stories, and that is one reason we seek knowledge of our own blood kin. Through our ancestors we can witness their times. Or, we think, there might be something in their lives, an artist’s or a farmer’s skill, an affection for a certain landscape, that will match or explain something in our own. If we know who they were, perhaps we will know who we are. And few cultures have been as identity-obsessed as ours. So keen is this fascination with ancestry, genealogy has become an industry. Family reunions choke the social calendar. Europe crawls with ancestor-seeking Americans. Your mother or your spouse or your neighbors are too busy to talk to you because they are on the Internet running “heritage quests.” We have climbed so far back into our family trees, we stand inches away from the roots where the primates dominate.
Ellen Meloy (The Anthropology of Turquoise: Reflections on Desert, Sea, Stone, and Sky)
Do you know my best quality?” she asks. ”Of your many, I could not say, my darling.” ”I see the best in people. I fall in love with people when I see a window into their beings, their shining moments. I’ve fallen in love with so many people but the trouble is I fall out of love so quickly too. I see the worst in them just as easily. ”Do you know I fell in love with you right away? That day at the Trotters’ I had noted you because you were new, of course, and then you sat down at the piano, and you played a few notes, but you played them so well, with no self consciousness, and no idea that anyone might be listening. It was in that room off the garden and you were the only one there. I was passing through on the way to the ladies’ room and saw you there. I fell in love with you right then, and so I slipped my drink all over myself so I could meet you.”
Janice Y.K. Lee
Merrill Hartweiss scales a rocky incline toward Renna. The noon sun bakes the hillside as Merrill's boots dig into the broiling sands. Yet another gypsy tune enters his head. It starts off slowly. A lone guitar, its strings strummed with the lustful passion of a young man brushing his fingertips softly against the breasts of his lover. Another guitar joins, like a second hand, exploring her hot flesh, stroking the side of her bare abdomen, and gradually moving upward toward her chest. Then, a female voice joins the guitars; it is slightly raspy, yet sultry; filled with a fiery allure. The guitars pick up in intensity and tempo. There is a rhythmic clapping now, in synchronization with the strumming. The man has entered his lover. Sweat begins to form on Merrill's forehead, then quickly turns to vapor, dissipating into the blistering heat from the sunlight reflecting off the sands. Steady clapping, louder still. The tempo quickens, progressively and with a vigorous intensity. The man arches his back, cresting then falling; cresting, arching, rising and falling deeper again and again into his lover. The clapping, now faster, still rhythmic, but so much more intense. The guitars keep pace with increasing ferocity. In the woman's voice, short, quick breaths form words as she cries out her lover's name from deep within the throes of a forbidden love
Angel Rosa
Good powerlessness (because there is also a bad powerlessness) allows you to “fall into the hands of the living God” (Hebrews 10:31). You stop holding yourself up, so you can be held. There, wonderfully, you are not in control and only God needs to be right. That is always the very special space of any positive powerlessness and vulnerability, but it is admittedly rare. Faith can only happen in this very special threshold space. You don’t really do faith, it happens to you when you give up control and all the steering of your ship. Frankly, we often do it when we have no other choice. Faith hardly ever happens when we rush to judgment or seek too-quick resolution of anything. Thus you see why faith will invariably be a minority and suspect position. And you also see why the saints always said that faith is a gift. You fall into it more than ever fully choosing it, and only then do you know how grace, love, and God can sustain you and strengthen you at very deep levels.
Richard Rohr (Yes, and...: Daily Meditations)
We’re serious.” I sucked in a quick breath. This was the wrong place and time to have this conversation. “That’s not what I meant.” “What did you mean then?” His hand reached over the console to intertwine with mine. “What do you think we’re doing?” “Making out a bunch?” I dragged my gaze up to meet his and watched his lips twitch. “That is not what we’ve been doing,” he disagreed seriously. “We’re not fifteen anymore.” He could be so exasperating. “Then what would you call it?” “Foreplay.
Rachel Higginson (The Five Stages of Falling in Love)
I never knew it happened like that." I snap my gaze to her. "What?" "You know. Romeo and Juliet stuff. Love at first sight and all that." "It's not like that," I say quickly. "You could have fooled me." We're up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will's there, fighting laughter. "Nice," he says. "Glad I'm downcourt of you." I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. "Happy to amuse you." His smile slips then, and he's looking at me with that strange intensity again. Only I understand. I know why. He must remember...must recognize me on some level even though he can't understand it. "You want to go out?" he asks suddenly. I blink. "As in a date?" "Yes. That's what a guy usually means when he asks that question." Whistles blow. The guys and girls head in opposite directions. "Half-court scrimmage," Will mutters, looking unhappy as he watches the coaches toss out jerseys. "We'll talk later in study hall. Okay?" I nod, my chest uncomfortably tight, breath hard to catch. Seventh period. A few hours to decide whether to date a hunter. The choice should be easy, obvious, but already my head aches. I doubt anything will ever be easy for me again.
Sophie Jordan (Firelight (Firelight, #1))
You said it in a simple way, 4 AM, the second day, How strange that I don't know you at all. Stumbled through the quick goodbye, One last text, then unfriended me Right when I was just about to fall I used to tell myself, "Don't get attached," But in my mind I would play it back, Spinning faster than the text that you sent... The delicate beginning rush, The feeling you can know so much, Without knowing anything at all. And now that I can't put this down, If I had known what I'd known now, I never would have played so nonchalant. Taxi cabs and busy streets, That never bring you back to me, I can't help but wish you took me with you... And this is when the feeling sinks in, I don't wanna miss you like this, Come back... be here, come back... be here. I guess you're in California now, I don't wanna need you this way, Come back... be here, come back... be here.
There's not much to say about loneliness, for it's not a broad subject. Any child, alone in her room, can journey across its entire breadth, from border to border, in an hour. Though not broad, our subject is deep. Loneliness is deeper than the ocean. But here, too, there is no mystery. Our intrepid child is liable to fall quickly to the very bottom without even trying. And since the depths of loneliness cannot sustain human life, the child will swim to the surface again in short order, no worse for wear. Some of us, though, can bring breathing aids down with us for longer stays: imaginary friends, drugs and alcohol, mind-numbing entertainment, hobbies, ironclad routine, and pets. (Pets are some of the best enablers of loneliness, your own cuddlesome Murphy notwithstanding.) With the help of these aids, a poor sap can survive the airless depths of loneliness long enough to experience its true horror -- duration. Did you know, Myren Vole, that when presented with the same odor (even my own) for a duration of only several minutes, the olfactory nerves become habituated -- as my daughter used to say -- to it and cease transmitting its signal to the brain? Likewise, most pain loses its edge in time. Time heals all -- as they say. Even the loss of a loved one, perhaps life's most wrenching pain, is blunted in time. It recedes into the background where it can be borne with lesser pains. Not so our friend loneliness, which grows only more keen and insistent with each passing hour. Loneliness is as needle sharp now as it was an hour ago, or last week. But if loneliness is the wound, what's so secret about it? I submit to you, Myren Vole, that the most painful death of all is suffocation by loneliness. And by the time I started on my portrait of Jean, I was ten years into it (with another five to go). It is from that vantage point that I tell you that loneliness itself is the secret. It's a secret you cannot tell anyone. Why? Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats). So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one. Believe me in this; I've tried all the tricks of the lonely man.
David Marusek (Counting Heads (Counting Heads, #1))
You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.
Alexander Pushkin (Eugene Onegin)
Now burst above the city's cold twilight The piercing whistles and the tower-clocks: For day is done. Along the frozen docks The workmen set their ragged shirts aright. Thro' factory doors a stream of dingy light Follows the scrimmage as it quickly flocks To hut and home among the snow's gray blocks. -- I love you, human labourers. Good-night! Good-night to all the blackened arms that ache! Good-night to every sick and sweated brow, To the poor girl that strength and love forsake, To the poor boy who can no more! I vow The victim soon shall shudder at the stake And fall in blood: we bring him even now.
Trumbull Stickney
The value of Greek prose composition, he said, was not that it gave one any particular facility in the language that could not be gained as easily by other methods but that if done properly, off the top of one's head, it taught one to think in Greek. One's thought patterns become different, he said, when forced into the confines of a rigid and unfamiliar tongue. Certain common ideas become inexpressible; other, previously undreamt-of ones spring to life, finding miraculous new articulation. By necessity, I suppose, it is difficult for me to explain in English exactly what I mean. I can only say that an incendium is in its nature entirely different from the feu with which a Frenchman lights his cigarette, and both are very different from the stark, inhuman pur that the Greeks knew, the pur that roared from the towers of Ilion or leapt and screamed on that desolate, windy beach, from the funeral pyre of Patroklos. Pur: that one word contains for me the secret, the bright, terrible clarity of ancient Greek. How can I make you see it, this strange harsh light which pervades Homer's landscapes and illumines the dialogues of Plato, an alien light, inarticulable in our common tongue? Our shared language is a language of the intricate, the peculiar, the home of pumpkins and ragamuffins and bodkins and beer, the tongue of Ahab and Falstaff and Mrs. Gamp; and while I find it entirely suitable for reflections such as these, it fails me utterly when I attempt to describe in it what I love about Greek, that language innocent of all quirks and cranks; a language obsessed with action, and with the joy of seeing action multiply from action, action marching relentlessly ahead and with yet more actions filing in from either side to fall into neat step at the rear, in a long straight rank of cause and effect toward what will be inevitable, the only possible end. In a certain sense, this was why I felt so close to the other in the Greek class. They, too, knew this beautiful and harrowing landscape, centuries dead; they'd had the same experience of looking up from their books with fifth-century eyes and finding the world disconcertingly sluggish and alien, as if it were not their home. It was why I admired Julian, and Henry in particular. Their reason, their very eyes and ears were fixed irrevocably in the confines of those stern and ancient rhythms – the world, in fact, was not their home, at least the world as I knew it – and far from being occasional visitors to this land which I myself knew only as an admiring tourist, they were pretty much its permanent residents, as permanent as I suppose it was possible for them to be. Ancient Greek is a difficult language, a very difficult language indeed, and it is eminently possible to study it all one's life and never be able to speak a word; but it makes me smile, even today, to think of Henry's calculated, formal English, the English of a well-educated foreigner, as compared with the marvelous fluency and self-assurance of his Greek – quick, eloquent, remarkably witty. It was always a wonder to me when I happened to hear him and Julian conversing in Greek, arguing and joking, as I never once heard either of them do in English; many times, I've seen Henry pick up the telephone with an irritable, cautious 'Hello,' and may I never forget the harsh and irresistible delight of his 'Khairei!' when Julian happened to be at the other end.
Donna Tartt (The Secret History)
He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.” I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.” He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.” I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand. He lets his hand fall back to his side. “At least I got you to say something non-hostile.” “I haven’t been hostile,” I object. His eyebrows shoot up. “Oh, haven’t you?” “Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door. “Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me. “That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.
Ashley Earley (Alone in Paris)
When we meet someone and fall in love, we have a sense that the whole universe is on our side. And yet if something goes wrong, there is nothing left! How is it possible for the beauty that was there only minutes before to vanish so quickly? Life moves very fast. It rushes from heaven to hell in a matter of seconds..
Paulo Coelho (Eleven Minutes)
Sonnet of the Garland of Roses" A garland, quick, a wreath: I come and die. Braid flowers as they fade. Sing, cry, and sing! Heart in my throat, a storm swelling a gorge shadowed and silvered by a thousand falls. Between your own desire and my desire the space is starry, each step quakes the ground, and forests of anemones will spring to round the year, making their secret sound. Lovers in my wound's landscape, overjoyed, can watch the reeds bend in the crossing currents, can drink from red pools in the honeyed thigh. But hurry, let's entwine ourselves as one, our mouth broken, our soul bitten by love, so time discovers us safely destroyed.
Federico García Lorca (Sonetos del amor oscuro: Recopilación y reflexiones)
Everyone has faults and problems, everyone is wishing to have someone but, you see, people keep falling in and out of love so quickly, people give up on relationships so easily nowadays for, we always keep craving for something more, something new and trendy but you know, you are not trained to see the greatness in old school love.
Jyoti Patel
Strange when that part in you is touched how quickly you can fall apart. It’s as if the words that are being said go to the deepest place, the place in you that’s become the way you’ve become so you can keep on going. The helmet you put on when you were a kid that grew into your head and now someone is saying you have a helmet on your head.
Tom Spanbauer (I Loved You More)
But it was all for the best. Because feeling like I lost you made me realize I’d do whatever it takes to have you. Because you’re the one. You’ve been in front of me all along, and in some ways I feel like I fell in love with you quickly, in only one week. But in other ways, I know I’ve been falling in love with you over time, over the years.
Lauren Blakely (Big Rock (Big Rock, #1))
Is it always this awkward?" Sara asked. Her voice was hushed. Derek turned to look at her, his gaze falling to the white rose in her hands. She had taken it from the arrangement of hothouse flowers. Nervously her fingers ruffled the fragile petals. Self-consciously Sara sniffed the pale blossom and began to insert it back into the huge vase. "It's nice to have roses in January," she murmured. "Nothing in the world has such a lovely scent." She was so innocently beautiful, with the disordered waves of her hair falling around her face. His muscles tightened in response. He would like to have her painted this way, standing by the table with her head turned toward him, the white flower caught in her fingers. "Bring it here," he said. She obeyed, coming to him and handing him the rose. He closed his fingers around the plump head of the flower and pulled gently, freeing the petals from their tenuous moorings. Tossing aside the desecrated stem, he opened his hand over the bed. The petals scattered in a fragrant shower. Sara drew in a quick breath, staring at him as if mesmerized.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Tomorrow I want to get a New York bagel and see how it stacks up against Bodo’s.” Bodo’s Bagels are legendary in Charlottesville; we’re very proud of those bagels. Putting my head on his shoulder, I yawn and say, “I wish we could go to Levain Bakery so I could try their cookie. It’s supposed to be like no chocolate chip cookie you’ve had before. I want to go to Jacques Torres’s chocolate shop too. His chocolate chip cookie is the definitive chocolate chip cookie, you know. It’s truly legendary…” My eyes drift closed, and Peter pats my hair. I’m starting to fall asleep when I realize he’s unraveling the milkmaid braids Kitty pinned on the crown of my head. My eyes fly back open. “Peter!” “Shh, go back to sleep. I want to practice something.” “You’ll never get it back to how she had it.” “Just let me try,” he says, collecting bobby pins in the palm of his hand. When we get to the hotel in New Jersey, despite his best efforts, my braids are lumpy and loose and won’t stay pinned. “I’m sending a picture of this to Kitty so she’ll see what a bad student you are,” I say as I gather up my things. “No, don’t,” Peter quickly says, which makes me smile.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
When weight loss is conflated with veganism, it falls into dangerous area of body shaming and misogyny. Mainstream media loves to make women feel inferior when it comes to their bodies and unfortunately veganism has recently become another weapon and this sexist war on our society. Thin white women are used to sell veganism as a quick fix to a more desirable body at the expense of anyone who doesn't fit the cookie cutter idea of female perfection. In addition, these images and messages work to oppress women of colour and people living with disabilities. Selling veganism as anything other than caring for animals often leads to oppression, plain and simple. We need to resist this approach to promoting veganism by drawing the fight back to animals. Every single time.
Sean O'Callaghan (Fat, Gay Vegan - Eat, Drink and Live Like You Give a Sh!t)
Sleep, honey. We can play later.” And if she hadn't seen it with her own tired eyes, she never would've believed it. Like the snuffing of a candle, he was asleep in seconds. Burning red hot one moment, a ghost of dissipating smoke the next. Hope inventoried his unguarded face, softer and so much younger in sleep, his enviably long lashes hiding the ever present jadedness. Fatigue pulled at her and she fought it, forcing her eyes open when they drifted shut. “I'm not gonna fall in love with you, Beck. I'm gonna leave you in August.” She whispered the vow to a man in deep sleep. To a room cast in shadow. To a house steeped in tradition. To a woman mired in denial. Sleep took her quickly, quicker than she wanted, and with it came the mocking sound of her surely spoken promise, echoing in her dreams like a school yard taunt.
Jodi Watters (Wrong then Right (Love Happens, #2))
To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)
Many years ago while serving as a full-time missionary, I had the privilege of meeting Elder Bruce R. McConkie. He was a new General Authority and had come to tour our mission. My companion and I were assigned to drive him from Missoula to Butte, Montana. As we talked along the way, one of us asked him, "How can we know whom we should marry?" To our surprise, his response was quick and certain. He asked us to turn to the 88th section of the Doctrine and Covenants, 40th verse, which reads: "For intelligence cleaveth unto intelligence; wisdom receiveth wisdom; truth embraceth truth; virtue loveth virtue; light cleaveth unto light; mercy hath compassion on mercy and claimeth her own; justice continueth its course and claimeth its own; judgment goeth before the face of him who sitteth upon the throne and governeth and executeth all things." We showed some consternation. Elder McConkie explained to us that if we were men who loved the truth, we would be attracted to others who loved the truth. If we were men of virtue, we would attract others who were virtuous. If we loved light and justice and mercy, we would be attracted to a person who loved these qualities. He then said, "If you are men who love truth and virtue, go and find a young lady with these attributes, and then proceed to fall in love.
L. Aldin Porter
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
There were battles ahead, dangers she and Hanne would have to face. What they were attempting was audacious, maybe impossible, but somehow she knew they would manage it. Nina rested her cheek against Hanne’s. She’d honored Matthias, and this path, somewhere between revenge and redemption, was the right one. My place is with the wolves. Nina sat up straight. “Hanne, what do I call you now? Rasmus?” Hanne shuddered. “I can’t stand that. We’ll have to choose a new name. A Saint’s name. To honor the prince’s newfound faith in the Children of Djel.” “All Saints, you’re a quick learner. That’s a politician’s move.” “But we have to pick a good one.” “How about Demyan? Or Ilya? He was famous. And he changed the world.” Her prince smiled. “I don’t know the story.” “I’ll tell it to you,” Nina said. Outside, night was falling and the sky was full of stars. “I’ll tell you a thousand stories, my love. We’ll write the new endings, one by one.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
to know that the Universe is conspiring in our favor, even though we may not understand how. I ask myself: are defeats necessary? Well, necessary or not, they happen. When we first begin fighting for our dream, we have no experience and make many mistakes. The secret of life, though, is to fall seven times and to get up eight times. So, why is it so important to live our personal calling if we are only going to suffer more than other people? Because, once we have overcome the defeats—and we always do—we are filled by a greater sense of euphoria and confidence. In the silence of our hearts, we know that we are proving ourselves worthy of the miracle of life. Each day, each hour, is part of the good fight. We start to live with enthusiasm and pleasure. Intense, unexpected suffering passes more quickly than suffering that is apparently bearable; the latter goes on for years and, without our noticing, eats away at our soul, until, one day, we are no longer able to free ourselves from the bitterness and it stays with us for the rest of our lives. Having disinterred our dream, having used the power of love to nurture it and spent many years living with the scars, we suddenly notice that what we always wanted is there, waiting for us, perhaps the very next day. Then comes the fourth obstacle: the fear of realizing the dream for which we fought all our lives. Oscar Wilde said: “Each man kills the thing he loves.” And it’s true. The mere possibility of getting what we want fills the soul
Paulo Coelho (The Alchemist)
Connor dipped his head and kissed from her neck to her collarbone, and down her arm as he slipped the sark off her shoulder revealing the satiny skin beneath. When he got to her fingers, he nipped her ring finger and Mackenzie gasped as he drew it into his mouth and sucked. He raised his eyes back to hers and trapped her gaze in his own. Connor slid her sark down her body and Mackenzie was helpless to do anything but stare into the dark blue pools of molten desire his eyes had become. It was a heady feeling to know that she was the reason his eyes were so dark; she had never before felt so powerful. He wanted her and this time she knew what to do. Mackenzie unwrapped his plaid from the chieftain brooch and pushed it off his shoulder. Connor held perfectly still and let it fall to the floor with Mackenzie’s pile of clothes. Next Mackenzie dragged his shirt over his head; it too joined the growing pile of clothing. Mackenzie couldn’t help but marvel at his hard body with all its scars hinting at the power and danger this man carried. She let her fingers trail down from his chest to the patch of hair on his stomach, and lower still. She could feel his muscles clench and his breath stop as she wrapped her fingers around his erection. She quickly found his rhythm and knelt down to press her lips to his lower abs. Trailing her mouth down to where her hand was, she gently licked the tip. She felt a thrill of satisfaction as his hands gripped her shoulders and as her mouth took him in, his fingers tightened. She used both her hand and her mouth to pleasure Connor. He molded a hand to the nape of her neck, holding her in place. She was becoming bolder with her free hand, exploring what made his muscles quiver and his breath hitch, when Connor pulled her roughly up and to him, crushing her lips with his. He pressed her back against the cold wall and lifted one of her long legs, hitching it around his hip. She was tall enough that he didn’t have to lift her. He slipped inside her and Mackenzie reveled in the groan wrenched from him. This was how she liked Connor; out of control. He pushed into her again and again until they were both panting, and Mackenzie was moaning with every breath. She couldn’t wait any longer. “Oh God Connor, I’m so close.” “Just let go, love.” With her back pressed against the cold wall and the heat from Connor’s body warming her, Mackenzie shuddered with the force of her orgasm and she melted into Connor’s arms as he spent himself in her.
Laura Hunsaker (Highland Destiny (Magic of the Highlands, #1))
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things." "Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..." She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am." "I train your father's horses." "So what? My mother groomed them." "That's a different matter." "Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right." "Stop making me sound ridiculous." "I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?" He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back." "Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well. "You won't push me into a corner." Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me." The idea quite simply appalled him. "I never meant to hurt you." "No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves." "I'm not a snob, or a coward." "Put your arms around me.Kiss me. Tell me." "Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room." Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?" "I thought I'd get over it." "Get over it?" Her brow arched up. "Like a head cold?" "Maybe." He set her aside, paced away to stare out at the hills. Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
We come into contact with people only with our exteriors—physically and externally; yet each of us walks about with a great wealth of interior life, a private and secret self. We are, in reality, somewhat split in two, the self and the body; the one hidden, the other open. The child learns very quickly to cultivate this private self because it puts a barrier between him and the demands of the world. He learns he can keep secrets—at first an excruciating, intolerable burden: it seems that the outer world has every right to penetrate into his self and that the parents could automatically do so if they wished—they always seem to know just what he is thinking and feeling. But then he discovers that he can lie and not be found out: it is a great and liberating moment, this anxious first lie—it represents the staking out of his claim to an integral inner self, free from the prying eyes of the world. By the time we grow up we become masters at dissimulation, at cultivating a self that the world cannot probe. But we pay a price. After years of turning people away, of protecting our inner self, of cultivating it by living in a different world, of furnishing this world with our fantasies and dreams—we find that we are hopelessly separated from everyone else. We have become victims of our own art. We touch people on the outsides of their bodies, and they us, but we cannot get at their insides and cannot reveal our insides to them. This is one of the great tragedies of our interiority—it is utterly personal and unrevealable. Often we want to say something unusually intimate to a spouse, a parent, a friend, communicate something of how we are really feeling about a sunset, who we really feel we are—only to fall strangely and miserably flat. Once in a great while we succeed, sometimes more with one person, less or never with others. But the occasional breakthrough only proves the rule. You reach out with a disclosure, fail, and fall back bitterly into yourself. We emit huge globs of love to our parents and spouses, and the glob slithers away in exchanges of words that are somehow beside the point of what we are trying to say. People seem to keep bumping up against each other with their exteriors and falling away from each other. The cartoonist Jules Feiffer is the modern master of this aspect of the human tragedy. Take even the sexual act—the most intimate merger given to organisms. For most people, even for their entire lives, it is simply a joining of exteriors. The insides melt only in the moment of orgasm, but even this is brief, and a melting is not a communication. It is a physical overcoming of separateness, not a symbolic revelation and justification of one’s interior. Many people pursue sex precisely because it is a mystique of the overcoming of the separateness of the inner world; and they go from one partner to another because they can never quite achieve “it.” So the endless interrogations: “What are you thinking about right now—me? Do you feel what I feel? Do you love me?
Ernest Becker (The Birth and Death of Meaning: An Interdisciplinary Perspective on the Problem of Man)
Nicolas sat very still just watching her. What he wanted to do was yank her back into the boat and weld their mouths together. Their bodies. He craved her like he would a drug. He made himself breath. In and out. He could read the desperation in her eyes, the fear. Not of him, for him. The tight coil in his belly began to relax. Not giving her time to argue or think, he simply caught her small wrists and lifted her into the boat. “We’re adults, remember? Now that we know it can happen, we’ll be more careful.” He managed a quick, teasing grin. “Until we don’t want to be careful.” Dahlia swallowed hard. She had courage, he had to give her that. Respect for her grew with every moment in her company. She didn’t back away from him, but held her ground. They were both standing up, and she had a long way to look up. “It could happen, Nicolas. You’ve never seen what pure energy can do, but I have. I generate heat when it happens and fires start. People get hurt.” “Have you ever made love to someone, Dahlia?” His voice was so low she had to strain to hear him. She felt the surge of darkness, of danger, something lethal and deadly emanating from him. “No, I’ve never wanted to get that close to anyone.” “Until now.” He wanted to hear her say it. At least give him that much. He needed that much. “Until now,” she agreed. Nicolas stepped away from her, sank back into position. “Thanks for not pushing me into the water. You must have thought about it.” “Don’t give me too much credit.” She made her way to the motor. “I wasn’t certain if I shoved, you’d fall.
Christine Feehan (Mind Game (GhostWalkers, #2))
Duroy, who felt light hearted that evening, said with a smile: "You are gloomy to-day, dear master." The poet replied: "I am always so, young man, so will you be in a few years. Life is a hill. As long as one is climbing up one looks towards the summit and is happy, but when one reaches the top one suddenly perceives the descent before one, and its bottom, which is death. One climbs up slowly, but one goes down quickly. At your age a man is happy. He hopes for many things, which, by the way, never come to pass. At mine, one no longer expects anything - but death." Duroy began to laugh: "You make me shudder all over." Norbert de Varenne went on: "No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself - of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every movemebt, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. Oh, you will realize this. If you stop and think for a moment you will understand. What do you expect? Love? A few more kisses and you will be impotent. Then money? For what? Women? Much fun that will be! In order to eat a lot and grow fat and lie awake at night suffering from gout? And after that? Glory? What use is that when it does not take the form of love? And after that? Death is always the end. I now see death so near that I often want to stretch my arms to push it back. It covers the earth and fills the universe. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, 'Behold it!' It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breath." He walked on slowly, dreaming aloud, almost forgetting that he had a listener: "And no one ever returns - never. The model of a statue may be preserved, but my body, my face, my thoughts, my desires will never reappear again. And yet millions of beings will be born with a nose, eyes, forehead, cheeks, and mouth like me, and also a soul like me, without my ever returning, without even anything recognizable of me appearing in these countless different beings. What can we cling to? What can we believe in? All religions are stupid, with their puerile morality and their egotistical promises, monstrously absurd. Death alone is certain." "Think of that, young man. Think of it for days, and months and years, and life will seem different to you. Try to get away from all the things that shut you in. Make a superhuman effort to emerge alive from your own body, from your own interests, from your thoughts, from humanity in general, so that your eyes may be turned in the opposite direction. Then you understand how unimportant is the quarrel between Romanticism and Realism, or the Budget debates.
Guy de Maupassant
Aelfric once told me that strong passionate loves always destroy themselves. They are kindled of a fire that burns so hot that no amount of fuel can sustain it. Those loves, Aelfric said, either dwindle with contact—unable to burn bright through the dreary intercourse of daily life—or suffocate with distance. Only a small and steady flame, he said, can last a lifetime. Though I haven’t loved before now, I’ve found it to be true of other passions. Those who fall headlong into obsessions do so often, and always quickly move on to new obsessions.
Scott Davis Howard (Three Days and Two Knights)
So,” Will begins, “do you play ball as well as you run?” I laugh a little. I can’t help it. He’s sweet and disarming and my nerves are racing. “Not even close.” The conversation goes no further as we move up in our lines. Catherine looks over her shoulder at me, her wide sea eyes assessing. Like she can’t quite figure me out. My smile fades and I look away. She can never figure me out. I can never let her. Never let anyone here. She faces me with her arms crossed. “You make friends fast. Since freshman year, I’ve spoken to like . . .” She paused and looks upward as though mentally counting. “Three, no—four people. And you’re number four.” I shrug. “He’s just a guy.” Catherine squares up at the free-throw line, dribbles a few times, and shoots. The ball swished cleanly through the net. She catches it and tosses it back to me. I try copying her moves, but my ball flies low, glides beneath the backboard. I head to the end of the line again. Will’s already waiting it half-court, letting others go before him. My face warms at his obvious stall. “You weren’t kidding,” he teases over the thunder of basketballs. “Did you make it?” I ask, wishing I had looked while he shot. “Yeah.” “Of course,” I mock. He lets another kid go before him. I do the same. Catherine is several ahead of me now. His gaze scans me, sweeping over my face and hair with deep intensity, like he’s memorizing my features. “Yeah, well. I can’t run like you.” I move up in line, but when I sneak a look behind me, he’s looking back, too. “Wow,” Catherine murmurs in her smoky low voice as she falls into line beside me. “I never knew it happened like that.” I snap my gaze to her. “What?” “You know. Romeo and Juliet stuff. Love at first sight and all that.” “It’s not like that,” I say quickly. “You could have fooled me.” We’re up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will’s there, fighting laughter. “Nice,” he says. “Glad I’m downcourt of you.” I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. “Happy to amuse you.” His smile slips then, and he’s looking at me with that strange intensity again. Only I understand. I know why. He must remember . . . must recognize me on some level even though he can’t understand it. “You want to go out?” he asks suddenly. I blink. “As in a date?” “Yes. That’s what a guy usually means when he asks that question.
Sophie Jordan (Firelight (Firelight, #1))
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.” My throat began to close at the pain in her voice. She looked up at me. “Because nothing so perfect can last an eternity, can it? Like shooting stars. We see the usual stars above us every single night. Most people take them for granted, even forget they are there. But if a person sees a shooting star, they remember that moment forever, they even make a wish at its presence.” She took in a deep breath. “It shoots by so quickly that people savor the short time they have with it.” I felt a teardrop fall on our joined hands. I was confused, unsure why she was talking about such sad things. “Because something so completely perfect and special is destined to fade. Eventually, it has to blow away into the wind.” Poppy held up the cherry blossom that was still in her hand. “Like this flower.” She threw it into the air, just as a gust of wind came. The strong bluster carried the petals into the sky and away above the trees. It disappeared from our sight. “Poppy—” I went to speak, but she cut me off. “Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.
Tillie Cole (A Thousand Boy Kisses)
Nothing, again, could be more prosaic and impenetrable than the domestic energies of Miss Diana Duke. But Innocent had somehow blundered on the discovery that her thrifty dressmaking went with a considerable feminine care for dress--the one feminine thing that had never failed her solitary self-respect. In consequence Smith pestered her with a theory (which he really seemed to take seriously) that ladies might combine economy with magnificence if they would draw light chalk patterns on a plain dress and then dust them off again. He set up "Smith's Lightning Dressmaking Company," with two screens, a cardboard placard, and box of bright soft crayons; and Miss Diana actually threw him an abandoned black overall or working dress on which to exercise the talents of a modiste. He promptly produced for her a garment aflame with red and gold sunflowers; she held it up an instant to her shoulders, and looked like an empress. And Arthur Inglewood, some hours afterwards cleaning his bicycle (with his usual air of being inextricably hidden in it), glanced up; and his hot face grew hotter, for Diana stood laughing for one flash in the doorway, and her dark robe was rich with the green and purple of great decorative peacocks, like a secret garden in the "Arabian Nights." A pang too swift to be named pain or pleasure went through his heart like an old-world rapier. He remembered how pretty he thought her years ago, when he was ready to fall in love with anybody; but it was like remembering a worship of some Babylonian princess in some previous existence. At his next glimpse of her (and he caught himself awaiting it) the purple and green chalk was dusted off, and she went by quickly in her working clothes.
G.K. Chesterton (Manalive)
To the enormous majority of persons who risk themselves in literature, not even the smallest measure of success can fall. They had better take to some other profession as quickly as may be, they are only making a sure thing of disappointment, only crowding the narrow gates of fortune and fame. Yet there are others to whom success, though easily within their reach, does not seem a thing to be grasped at. Of two such, the pathetic story may be read, in the Memoir of A Scotch Probationer, Mr. Thomas Davidson, who died young, an unplaced Minister of the United Presbyterian Church, in 1869. He died young, unaccepted by the world, unheard of, uncomplaining, soon after writing his latest song on the first grey hairs of the lady whom he loved. And she, Miss Alison Dunlop, died also, a year ago, leaving a little work newly published, Anent Old Edinburgh, in which is briefly told the story of her life. There can hardly be a true tale more brave and honourable, for those two were eminently qualified to shine, with a clear and modest radiance, in letters. Both had a touch of poetry, Mr. Davidson left a few genuine poems, both had humour, knowledge, patience, industry, and literary conscientiousness. No success came to them, they did not even seek it, though it was easily within the reach of their powers. Yet none can call them failures, leaving, as they did, the fragrance of honourable and uncomplaining lives, and such brief records of these as to delight, and console and encourage us all. They bequeath to us the spectacle of a real triumph far beyond the petty gains of money or of applause, the spectacle of lives made happy by literature, unvexed by notoriety, unfretted by envy. What we call success could never have yielded them so much, for the ways of authorship are dusty and stony, and the stones are only too handy for throwing at the few that, deservedly or undeservedly, make a name, and therewith about one-tenth of the wealth which is ungrudged to physicians, or barristers, or stock-brokers, or dentists, or electricians. If literature and occupation with letters were not its own reward, truly they who seem to succeed might envy those who fail. It is not wealth that they win, as fortunate men in other professions count wealth; it is not rank nor fashion that come to their call nor come to call on them. Their success is to be let dwell with their own fancies, or with the imaginations of others far greater than themselves; their success is this living in fantasy, a little remote from the hubbub and the contests of the world. At the best they will be vexed by curious eyes and idle tongues, at the best they will die not rich in this world’s goods, yet not unconsoled by the friendships which they win among men and women whose faces they will never see. They may well be content, and thrice content, with their lot, yet it is not a lot which should provoke envy, nor be coveted by ambition.
Andrew Lang (How to Fail in Literature: A Lecture)
Quote from Father Tim during a sermon given after the former priest was found after a suicide attempt. "      'Father Talbot has charged me to tell you that he is deeply repentant for not serving you as God appointed him to do, and as you hoped and needed him to do.         'He wished very much to bring you this message himself, but he could not.  He bids you goodbye with a love he confesses he never felt toward you...until this day.  He asks--and I quote him--that you might find it in your hearts to forgive him his manifold sins against God and this parish.'         He felt the tears on his face before he knew he was weeping, and realized instinctively that he would have no control over the display.  He could not effectively carry on, no even turn his face away or flee the pulpit.  He was in the grip of a wild grief that paralyzed everything but itself.          He wept face forward, then, into the gale of those aghast at what was happening, wept for the wounds of any clergy gone out into a darkness of self-loathing and beguilement; for the loss and sorrow of those who could not believe, or who had once believed but lost all sense of shield and buckler and any notion of God's radical tenderness, for the ceaseless besettings of the flesh, for the worthless idols of his own and of others; for those sidetracked, stumped, frozen, flung away, for those both false and true, the just and the unjust, the quick and the dead.           He wept for himself, for the pain of the long years and the exquisite satisfactions of the faith, for the holiness of the mundane, for the thrashing exhaustions and the endless dyings and resurrectings that malign the soul incarnate.           It had come to this, a thing he had subtly feared for more than forty years--that he would weep before the many--and he saw that his wife would not try to talk him down from this precipice, she would trust him to come down himself without falling or leaping.         And people wept with him, most of them.  Some turned away, and a few got up and left in a hurry, fearful of the swift and astounding movement of the Holy Spirit among them, and he, too, was afraid--of crying aloud in a kind of ancient howl and humiliating himself still further.  But the cry burned out somewhere inside and he swallowed down what remained and the organ began to play, softly, piously.  He wished it to be loud and gregarious, at the top of its lungs--Bach or Beethoven, and not the saccharine pipe that summoned the vagabond sins of thought, word, and deed to the altar, though come to think of it, the rail was the very place to be right now, at once, as he, they, all were desperate for the salve of the cup, the Bread of Heaven.             And then it was over.  He reached into the pocket of his alb and wondered again how so many manage to make in this world without carrying a handkerchief.  And he drew it out and wiped his eyes and blew his nose as he might at home, and said, 'Amen.'                 And the people said, 'Amen.
Jan Karon
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
P.C. Cast (Revealed (House of Night #11))
Marry, if you would put me to verses or to dance for your sake, Kate, why you undid me: for the one, I have neither words nor measure, and for the other, I have no strength in measure, yet a reasonable measure in strength. If I could win a lady at leap-frog, or by vaulting into my saddle with my armour on my back, under the correction of bragging be it spoken. I should quickly leap into a wife. Or if I might buffet for my love, or bound my horse for her favours, I could lay on like a butcher and sit like a jack-an-apes, never off. But, before God, Kate, I cannot look greenly nor gasp out my eloquence, nor I have no cunning in protestation; only downright oaths, which I never use till urged, nor never break for urging. If thou canst love a fellow of this temper, Kate, whose face is not worth sun-burning, that never looks in his glass for love of any thing he sees there, let thine eye be thy cook. I speak to thee plain soldier: If thou canst love me for this, take me: if not, to say to thee that I shall die, is true; but for thy love, by the Lord, no; yet I love thee too. And while thou livest, dear Kate, take a fellow of plain and uncoined constancy; for he perforce must do thee right, because he hath not the gift to woo in other places: for these fellows of infinite tongue, that can rhyme themselves into ladies’ favours, they do always reason themselves out again. What! a speaker is but a prater; a rhyme is but a ballad. A good leg will fall; a straight back will stoop; a black beard will turn white; a curled pate will grow bald; a fair face will wither; a full eye will wax hollow: but a good heart, Kate, is the sun and the moon; or, rather, the sun, and not the moon; for it shines bright and never changes, but keeps his course truly. If thou would have such a one, take me; and take me, take a soldier; take a soldier, take a king. And what sayest thou then to my love? speak, my fair, and fairly, I pray thee.
William Shakespeare (Henry V)
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
No, when the stresses are too great for the tired metal, when the ground mechanic who checks the de-icing equipment is crossed in love and skimps his job, way back in London, Idlewild, Gander, Montreal; when those or many things happen, then the little warm room with propellers in front falls straight down out of the sky into the sea or on to the land, heavier than air, fallible, vain. And the forty little heavier-than-air people, fallible within the plane's fallibility, vain within its larger vanity, fall down with it and make little holes in the land or little splashes in the sea. Which is anyway their destiny, so why worry? You are linked to the ground mechanic's careless fingers in Nassau just as you are linked to the weak head of the little man in the family saloon who mistakes the red light for the green and meets you head-on, for the first and last time, as you are motoring quietly home from some private sin. There's nothing to do about it. You start to die the moment you are born. The whole of life is cutting through the pack with death. So take it easy. Light a cigarette and be grateful you are still alive as you suck the smoke deep into your lungs. Your stars have already let you come quite a long way since you left your mother's womb and whimpered at the cold air of the world. Perhaps they'll even let you go to Jamaica tonight. Can't you hear those cheerful voices in the control tower that have said quietly all day long, 'Come in BOAC. Come in Panam. Come in KLM'? Can't you hear them calling you down too: 'Come in Transcarib. Come in Transcarib'? Don't lose faith in your stars. Remember that hot stitch of time when you faced death from the Robber's gun last night. You're still alive, aren't you? There, we're out of it already. It was just to remind you that being quick with a gun doesn't mean you're really tough. Just don't forget it. This happy landing at Palisadoes Airport comes to you courtesy of your stars. Better thank them.
Ian Fleming (Live and Let Die (James Bond, #2))
Chivalry looks good on you, ma'alor," he said, brushing a dark curl out of Robb's face. "And I hate that I like it." "Your flattery will only get you so far," Robb joked, trying to grin, but it turned sour and bitter. "I like you, but I have no right to say that. For what my mother did--for what I did. But...if there was a way for you to forgive me, no matter how long it takes, would you let me? Will you let me try to be worthy of you?" The question took Jax by surprise. He sat back, quite unable to find a response. I've seen you stars, he wanted to say, and this is impossible. All his life he'd thought that all fates flowed in a continuous, never-ending river, but now the current was disrupted, the path unsettled. They had changed the stars, and he was falling in love with a boy who should have died. Robb shifted, uncomfortable. "Or--or if you don't feel the same way--" "I'm sorry," Jax began, but when he looked into Robb's eyes, there were tears there. Alarmed, he quickly added, "No, no! That's not what I meant! I don't mean--" "I knew you wouldn't. I'm sorry, I'm so sorry." Tears curved down Robb's cheeks, and almost exasperated, Jax wiped them away. "I can't LIE, you insufferable Ironblood," he chided. "I'm apologizing because I can't forgive you right now, but that doesn't mean I don't want to kiss you, ma'alor. And it doesn't mean I don't like you. I do. I like you, but do you really want ME? Someone who can't touch other people? That's my reality. I'll never kiss you without seeing your fate. I'll never touch you without seeing how you'll die. Am I someone you could be happy with?" Robb's brow furrowed. "Screw fate. I'll tear down the stars for you." For HIM? Even though Jax had to wear gloves, and could never brush his lips against Robb's jawline without seeing the stars, never kiss Robb's ears, or traced the lines of his body, or feel the heat that pulsed just beneath his skin, hot and red and wanting. Jax felt his throat tighten as tears pooled at the edges of his eyes. He didn't cry. He never cried. Robb took Jax's hand, and kissed his gloved knuckles. "And lucky for you," Robb added, "I'm not planning to ever die, so you don't have to worry about my stars." He laughed. "You make being mad at you hard, ma'alor." "I plan on making it impossible," replied Robb, and raised an eyebrow. "What does ma'alor mean?" Jax chewed on his bottom lip. 'It means..." But he couldn't bear that sort of embarrassment, so he simply leaned into the Ironblood and kissed him. Savoring the moment, the unknowingness of it all. Until new images came flooding across his senses like a wave of darkness across the stars.
Ashley Poston (Heart of Iron (Heart of Iron, #1))
[Jean-Christophe’s father] was not a bad man, but a half-good man, which is perhaps worse—weak, without spring, without moral strength, but for the rest, in his own opinion, a good father, a good son, a good husband, a good man—and perhaps he was good, if to be so it is enough to possess an easy kindness, which is quickly touched, and that animal affection by which a man loves his kin as a part of himself. It cannot even be said that he was very egoistic; he had not personality enough for that. He was nothing. They are a terrible thing in life, these people who are nothing. Like a dead weight thrown into the air, they fall, and must fall; and in their fall they drag with them everything that they have.
Romain Rolland (Jean Christophe)
What about you, Mr. Shaw?" she asked. "Are your affections engaged by someone back home?" He shook his head at once. "I'm afraid that I share McKenna's rather skeptical view of the benefits of marriage." "I think you will fall in love someday." "Doubtful. I'm afraid that particular emotion is unknown to me..." Suddenly his voice faded into silence. He set his cup down as he stared off into the distance with sudden alertness. "Mr. Shaw?" As Aline followed his gaze, she realized what he had seen- Livia, wearing a pastel flower-printed walking dress as she headed to one of the forest trails leading away from the manor. A straw bonnet adorned with a sprig of fresh daisies swung from her fingers as she held it by the ribbons. Gideon Shaw stood so quickly that his chair threatened to topple backward. "Pardon," he said to Aline, tossing his napkin to the table. "The figment of my imagination has reappeared- and I'm going to catch her." "Of course," Aline said, struggling not to laugh. "Good luck, Mr. Shaw." "Thanks." He was gone in a flash, descending one side of the U-shaped stone staircase with the ease of a cat. Once he reached the terraced gardens, he cut across the lawn with long, ground-eating strides, just short of breaking into a run. Standing to better her view of his progress, Aline couldn't suppress a mocking grin. "Why, Mr. Shaw... I thought there was nothing in life you wanted badly enough to chase after it.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
I did once feel a tendre, but that was when I was young, and I recovered from it so quickly that I shouldn't think I was truly in love. In fact, I am much disposed to think that if I hadn't met him at a ball, when he was wearing regimentals, I shouldn't have looked twice at him." She added earnestly: "Do you know, cousin, I am strongly of the opinion that gentlemen should not be permitted to attend balls and assemblies rigged out in smart dress-uniforms? There is something about regimentals which is very deceiving. Fortunately, since I believe he was quite ineligible, I chanced to meet him the very next week, when he was not wearing regimentals, so I never had time to fall in love with him. It was the most disillusioning thing imaginable!
Georgette Heyer (Frederica)
At the edge of Saint-Michel is the Wildwood. The wolves who live there come out at night. They prowl fields and farms, hungry for hens and tender young lambs. But there is another sort of wolf, one that's far more treacherous. This is the wolf the old ones speak of. "Run if you see him," they tell their granddaughters. "His tongue is silver, but his teeth are sharp. If he gets hold of you, he'll eat you alive." Most of the village girls do what they're told, but occasionally one does not. She stands her ground, looks the wolf in the eye, and falls in love with him. People see her run to the woods at night. They see her the next morning with leaves in her hair and blood on her lips. This is not proper, they say. A girl should not love a wolf. So they decide to intervene. They come after the wolf with guns and swords. They hunt him down in the Wildwood. But the girl is with him and sees them coming. The people raise their rifles and take aim. The girl opens her mouth to scream, and as she does, the wolf jumps inside it. Quickly the girl swallows him whole, teeth and claws and fur. He curls up under her heart. The villagers lower their weapons and go home. The girl heaves a sigh of relief. She believes this arrangement will work. She thinks she can be satisfied with memories of the wolf’s golden eyes. She thinks the wolf will be happy with a warm place to sleep. But the girl soon realized she’s made a terrible mistake, for the wolf is a wild thing and wild things cannot be caged. He wants to get out, but the girl is all darkness inside and he cannot find his way. So he howls in her blood. He tears at her heart. The howling and gnawing –it drives the girl mad. She tries to cut him out, slicing lines in her flesh with a razor. She tries to burn him out, holding a candle flame to her skin. She tries to starve him out, refusing to eat until she’s nothing but skin over bones. Before long, the grave takes them both. A wolf lives in Isabelle. She tries hard to keep him down, but his hunger grows. He cracks her spine and devours her heart. Run home. Slam the door. Throw the bolt. It won’t help. The wolves in the woods have sharp teeth and long claws, but it’s the wolf inside who will tear you apart.
Jennifer Donnelly
Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.” He pulled her against him, until they were lying face-to-face, stretched across the length of the couch. It wasn’t long before she was restless, her hands moving impatiently, exploring him. She shuddered when she felt his fingers slip beneath her shirt and brush over her bare skin. He stroked her belly and higher, the skin of his hands rough against her soft flesh. His thumb brushed the base of her rib cage, making her breath catch. And then, like so many times before, he stopped, abruptly drawing back. He shifted only inches, but those inches felt like miles, and Violet felt the familiar surge of frustration. He didn’t say a word; he didn’t have to. Violet understood perfectly. They’d gone too far. Again. But Violet was frustrated, and it was getting harder and harder to ignore her disappointment. She knew they couldn’t play this unsatisfying game forever. “So you’re going to Seattle tomorrow?” He used the question to fill the rift between them, but his voice shook and Violet was glad he wasn’t totally unaffected. She wasn’t as quick to pretend that everything was okay, especially when what she really wanted to do was to rip his shirt off and unbutton his jeans. But they’d talked about this. And, time and time again, they’d decided that they needed to be sure. One hundred percent. Because once they crossed that line… She and Jay had been best friends since the first grade, and up until last fall that’s all they’d ever been. Now that she was in love with him, she couldn’t imagine losing him because they made the wrong decision. Or made it too soon. She decided to let Jay have his small talk. For now. “Yeah, Chelsea wants to go down to the waterfront and maybe do some shopping. It’s easier to be around her when it’s just the two of us. You know, when she’s not always…on.” “You mean when she’s not picking on someone?” “Exactly.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
In the Thriving Season In memory of my mother Now as she catches fistfuls of sun riding down dust and air to her crib, my first child in her first spring stretches bare hands back to your darkness and heals your silence, the vast hurt of your deaf ear and mute tongue with doves hatched in her young throat. Now ghost-begotten infancies are the marrow of trees and pools and blue uprisings in the woods spread revolution to the mind, I can believe birth is fathered by death, believe that she was quick when you forgave pain and terror and shook the fever from your blood Now in the thriving season of love when the bud relents into flower, your love turned absence has turned once more, and if my comforts fall soft as rain on her flutters, it is because love grows by what it remembers of love.
Lisel Mueller (Alive Together)
God caught Day’s falling body before he was able to hit the floor. He dropped to his knees with his lover in his arms and held him close. “Breathe, Leo.” God coaxed while rubbing Day’s cheek. He felt Day take in a few quick breaths before he opened his eyes and stared up at him. God closed his eyes and pressed their foreheads together, not wanting to see what Day was saying. “If he had killed you, I would’ve swallowed my own gun. There’s no life without you,” God whispered just for Day to hear. He felt Day grab onto his neck, holding him close. “Let the paramedics take a look at him, Detective Godfrey.” God raised his head at his captain’s order and slowly lowered Day’s head while he moved back to let them tend to his partner. God watched them closely while they took a few quick vitals before placing him on the stretcher. One of them turned to look at God and his captain. God stepped forward. “His blood pressure’s high and pulse is erratic, so we're going to take him to the hospital to be monitored. He’ll be at St. Mary’s.” “I’m riding with him,” God demanded. “I’m sorry sir, but regulations don’t allow that.” The thin guy answered him as the other paramedic wheeled his man away. God bared his teeth right before he felt a hand come down hard on his shoulder. “Let them do their jobs, because you still have one to do too, Detective. Is that going to be a problem?” His captain leveled a hard stare on him. God paused for a second, then gave a quick jerk of his head and turned in the opposite direction that his love had gone. God walked through the hangar aware of the many eyes that were on him. He just wanted to finish his job so he could go home.    
A.E. Via (Nothing Special)
Where the Moment Is” I forget whether I ever loved you in the past - when you enter the room your climate is the mood of living, the hinge of now, in time the present tense. Certainly you are the world I am not done with until I dispense with words - Neutral as nature: something I say will flash back like light or shadow: you wait and become a stranger I've not met or hated or slept with. The action begins quickly word, inflection, reaction fall into his place the moment is; sometimes I can pre-determine you, and taste you becoming in my mouth, a blank map to explore in silence, a thought gone out of me to make you be or say - Eventually you back against a wall and I or we may suddenly find our mouths screaming in anger or laughter without meaning - and wince. But the damned trouble and after my existence - in my absence you expect or mourn without a sound.
Al Purdy (Beyond Remembering: The Collected Poems of Al Purdy)
I’m going to have to start booking you guys a month in advance.” “Or you could invite Ms. Rothschild over,” Kitty suggests. “Her weekends are pretty lonely too.” He gives her a funny look. “I’m sure she has plenty she’d rather do than watch The Sound of Music with her neighbor.” Brightly I say, “Don’t forget the tacos al pastor! Those are a draw, too. And you, of course. You’re a draw.” “You’re definitely a draw,” Kitty pipes up. “Guys,” Daddy begins. “Wait,” I say. “Let me just say one thing. You should be going on some dates, Daddy.” “I go on dates!” “You’ve gone on, like, two dates ever,” I say, and he falls silent. “Why not ask Ms. Rothschild out? She’s cute, she has a good job, Kitty loves her. And she lives really close by.” “See, that’s exactly why I shouldn’t ask her out,” Daddy says. “You should never date a neighbor or a coworker, because then you’ll have to keep seeing them if things don’t work out.” Kitty asks, “You mean like that quote ‘Don’t shit where you eat’?” When Daddy frowns, Kitty quickly corrects herself. “I mean ‘Don’t poop where you eat.’ That’s what you mean, right, Daddy?” “Yes, I suppose that’s what I mean, but Kitty, I don’t like you using cuss words.” Contritely she says, “I’m sorry. But I still think you should give Ms. Rothschild a chance. If it doesn’t work out, it doesn’t work out.” “Well, I’d hate to see you get your hopes up,” Daddy says. “That’s life,” Kitty says. “Things don’t always work out. Look at Lara Jean and Peter.” I give her a dirty look. “Gee, thanks a lot.” “I’m just trying to make a point,” she says. Kitty goes over to Daddy and puts her arms around his waist. This kid is really pulling out all the stops. “Just think about it, Daddy. Tacos. Nuns. Nazis. And Ms. Rothschild.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
If you could have frozen that moment in time, like we so often do in our photos, you would have seen my father about to reach into the throat of Jacques Landry and pull out his bullying heart. You would also see genuine fear in Mr. Landry’s broad face. More important, though, what I am trying to tell you is that within this quick exchange I understood that it is inside all of us men to be both menacing and cowardly. It is in all of us to have virtue and value and yet it is also in our power to fall into irrelevant novelty or, even worse, elicit indifference from the people we’ve loved. This is the challenge, I suppose, of fatherhood. And so I knew that, despite my father’s errors, he loved me. He loved us. I also knew that big and important parts of him were sorry because I knew that he was willing to fight. What more could I ask for? I will never apologize for loving him back.
M.O. Walsh (My Sunshine Away)
You should give him a picture of you to keep him company, if you know what I mean.” She frowns at me. “Do you know what I mean?” “Like, a sexy picture? No way!” I start backing away from her. “Look, I’ve gotta go to class.” The last thing I want to do is think about Peter and random girls. I’m still trying to get used to the idea that we won’t be together at UVA this fall. Chris rolls her eyes. “Calm down. I’m not talking about a nudie. I would never suggest that for you of all people. What I’m talking about is a pinup-girl shot, but not, like, cheesy. Sexy. Something Kavinsky can hang up in his dorm room.” “Why would I want him to hang up a sexy picture of me in his dorm room for all the world to see?” Chris reaches out and flicks me on the forehead. “Ow!” I shove her away from me and rub the spot where she flicked me. “That hurt!” “You deserved it for asking such a dumb question.” She sighs. “I’m talking about preventative measures. A picture of you on his wall is a way for you to mark your territory. Kavinsky’s hot. And he’s an athlete. Do you think other girls will respect the fact that he’s in a long-distance relationship?” She lowers her voice and adds, “With a Virgin Mary girlfriend?” I gasp and then look around to see if anyone heard. “Chris!” I hiss. “Can you please not?” “I’m just trying to help you! You have to protect what’s yours, Lara Jean. If I met some hot guy in Costa Rica with a long-distance gf who he wasn’t even sleeping with? I don’t think I’d take it very seriously.” She gives me a shrug and a sorry-not-sorry look. “You should definitely frame the picture too, so people know you’re not someone to mess with. A frame says permanence. A picture taped on a wall says here today, gone tomorrow.” I chew on my bottom lip thoughtfully. “So maybe a picture of me baking, in an apron--” “With nothing underneath?” Chris cackles, and I flick her forehead lightning quick. “Ow!” “Get serious then!
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Quickly I find another surprise. The boys are wilder writers — less careful of convention, more willing to leap into the new. I start watching the dozens of vaguely familiar girls, who seem to have shaved off all distinguishing characteristics. They are so careful. Careful about their appearance, what they say and how they say it, how they sit, what they write. Even in the five-minute free writes, they are less willing to go out from where they are — to go out there, where you have to go, to write. They are reluctant to show me rough work, imperfect work, anything I might criticize; they are very careful to write down my instructions word by word. They’re all trying themselves on day by day, hour by hour, I know — already making choices that will last too unfairly long. I’m surprised to find, after a few days, how invigorating it all is. I pace and plead for reaction, for ideas, for words, and gradually we all relax a little and we make progress. The boys crouch in their too-small desks, giant feet sticking out, and the girls perch on the edge, alert like little groundhogs listening for the patter of coyote feet. I begin to like them a lot. Then the outlines come in. I am startled at the preoccupation with romance and family in many of these imaginary futures. But the distinction between boys and girls is perfectly, painfully stereotypical. The boys also imagine adventure, crime, inventions, drama. One expects war with China, several get rich and lose it all, one invents a time warp, another resurrects Jesus, another is shot by a robber. Their outlines are heavy on action, light on response. A freshman: “I grow populerity and for the rest of my life I’m a million air.” [sic] A sophomore boy in his middle age: “Amazingly, my first attempt at movie-making won all the year’s Oscars. So did the next two. And my band was a HUGE success. It only followed that I run the country.” Among the girls, in all the dozens and dozens of girls, the preoccupation with marriage and children is almost everything. They are entirely reaction, marked by caution. One after the other writes of falling in love, getting married, having children and giving up — giving up careers, travel, college, sports, private hopes, to save the marriage, take care of the children. The outlines seem to describe with remarkable precision the quietly desperate and disappointed lives many women live today.
Sallie Tisdale (Violation: Collected Essays by Sallie Tisdale)
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
Bram Stoker (Dracula)
In Favor Of One's Time" The spent purpose of a perfectly marvellous life suddenly glimmers and leaps into flame it's more difficult than you think to make charcoal it's also pretty hard to remember life's marvellous but there it is guttering choking then soaring in the mirrored room of this consciousness it's practically a blaze of pure sensibility and however exaggerated at least somethings going on and the quick oxygen in the air will not go neglected will not sulk or fall into blackness and peat an angel flying slowly, curiously singes its wings and you diminish for a moment out of respect for beauty then flare up after all that's the angel that wrestled with Jacob and loves conflict as an athlete loves the tape, and we're off into an immortal contest of actuality and pride which is love assuming the consciousness of itself as sky over all, medium of finding and founding not just resemblance but the magnetic otherness that that that stands erect in the the spirit's glare and waits for the joining of an opposite force's breath so come the winds into our lives and last longer than despair's sharp snake, crushed before it conquered so marvellous is not just a poet's greenish namesake and we live outside his garden in pure tempestuous rights
Frank O'Hara (The Collected Poems of Frank O'Hara)
4Paul Gaydos My Books Browse ▾ Community ▾ The Way of the Superior Man Quotes The Way of the Superior Man by David Deida The Way of the Superior Man: A Spiritual Guide to... by David Deida Read Austerity means to eliminate the comforts and cushions in your life that you have learned to snuggle into and lose wakefulness. Take away anything that dulls your edge. No newspapers or magazines. No TV. No candy, cookies, or sweets. No sex. No cuddling. No reading of anything at all while you eat or sit on the toilet. Reduce working time to a necessary minimum. No movies. No conversation that isn't about truth, love, or the divine. If you take on these disciplines for a few weeks, as well as any other disciplines that may particularly cut through your unique habits of dullness, then your life will be stripped of routine distraction. All that will be left is the edge you have been avoiding by means of your daily routine. You will have to face the basic discomfort and dissatisfaction that is the hidden texture of your life. You will be alive with the challenge of living your truth, rather than hiding form it. Unadorned suffering is the bedmate of masculine growth. Only by staying intimate with your personal suffering can you feel through it to its source. By putting all your attention into work, TV, sex, and reading, your suffering remains unpenetrated, and the source remains hidden. Your life becomes structured entirely by your favorite means of sidestepping the suffering you rarely allow yourself to feel. And when you do touch the surface of your suffering, perhaps in the form of boredom, you quickly pick up a magazine or the remote control. Instead, feel your suffering, rest with it, embrace it, make love with it. Feel your suffering so deeply and thoroughly that you penetrate it, and realize its fearful foundation. Almost everything you do, you do because you are afraid to die. And yet dying is exactly what you are doing, from the moment you are born. Two hours of absorption in a good Super Bowl telecast may distract you temporarily, but the fact remains. You were born as a sacrifice. And you can either participate in the sacrifice, dissolving in the giving of your gift, or you can resist it, which is your suffering. By eliminating the safety net of comforts in your life, you have the opportunity to free fall in this moment between birth and death, right through the hole of your fear, into the unthreatenable openness which is the source of your gifts. The superior man lives as this spontaneous sacrifice of love.
David Deida
Ree is his. Is his, is devoted to him, is aggravatingly tender and possessively passionate and wrapped up in him in a thousand ways, loves him in a way that is very useful. It seems a law of nature, at this point. Even if the events of this startling evening have served to give him pause, a little. But Ree is still his. He's fairly sure. Such complex knots can't be untied so quickly, can they? Still, it's not the only thing disturbing him, about the Dam's account of early events. She laughs when she sees his face, his sidewise look at her description, and there's definitely a mean note to it. “Oh, it was darling,” she says, and he gets the feeling of a caged animal stuck behind bars, while a cruel child pokes at it. “You were enchanted by his wolf, would follow it anywhere, welcome or not, though mostly he tolerated it. But you couldn't manage his name – and a nickname hadn't stuck at that point – so instead you imitated the sound he made. Rather insultingly, too, if not intentionally – Ruff. Or Woof, or whatever it was that you intended to say, except that it actually came out as Wuff. Or Wuffy, depending, and at varying pitches and volume as you ran after him, falling down and rolling about half the time.” Penn is transfixed. It's outrageous, it's an outrage. It can't possibly be true. It was nothing like that.
Alex Ankarr (Wolf Runaway (Wolf Wars #2))
...you're not the first I've interrupted by mistake. You've not shocked me, and you've not surprised me either." I look up at him too quickly, and my vision swims. He puts a steadying hand on my shoulder. "If you thought I was ignorant as to the nature of your relationship with Mr. Newton, you may need to reexamine your concept of appropriate of physical fondness between friends." I nod, trying to pretend its fine when really my muscles are clenched, and I'm fighting the urge to run. I don't want to have this conversation. I don't know where it's going, but my instincts tell me to scoot away from it. I can feel my shoulders rise, and perhaps he notices for he lets his his hands fall away, and instead, folds them in his lap. Perhaps its only in my own mind, but it feels like a deliberate gesture, as though he's putting his hands away to show he won't raise them against me. "We aren't that obvious," I say, and when Scipio gives me a pointed look I add," I know plenty of lads who are fond without being unchaste. "But its clear you're not those lads." I'm not sure he hears the way my breath hitches for he quickly adds, "which is fine. Who gives a fig for chastity anyways." He laughs at his own joke, glancing over at me like he hoping I might join in. I wonder suddenly if this is what it's meant to be like with a father and a son and a first real love.
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
To the Highland Girl of Inversneyde SWEET Highland Girl, a very shower Of beauty is thy earthly dower! Twice seven consenting years have shed Their utmost bounty on thy head: And these gray rocks, this household lawn, These trees—a veil just half withdrawn, This fall of water that doth make A murmur near the silent lake, This little bay, a quiet road That holds in shelter thy abode; In truth together ye do seem Like something fashion’d in a dream; Such forms as from their covert peep When earthly cares are laid asleep! But O fair Creature! in the light Of common day, so heavenly bright I bless Thee, Vision as thou art, I bless thee with a human heart: God shield thee to thy latest years! I neither know thee nor thy peers: And yet my eyes are fill’d with tears. With earnest feeling I shall pray For thee when I am far away; For never saw I mien or face In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scatter’d, like a random seed, Remote from men, Thou dost not need The embarrass’d look of shy distress, And maidenly shamefacédness: Thou wear’st upon thy forehead clear The freedom of a mountaineer: A face with gladness overspread, Soft smiles, by human kindness bred; And seemliness complete, that sways Thy courtesies, about thee plays; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech: A bondage sweetly brook’d, a strife That gives thy gestures grace and life! So have I, not unmoved in mind, Seen birds of tempest-loving kind, Thus beating up against the wind. What hand but would a garland cull For thee who art so beautiful? O happy pleasure! here to dwell Beside thee in some heathy dell; Adopt your homely ways, and dress, A shepherd, thou a shepherdess! But I could frame a wish for thee More like a grave reality: Thou art to me but as a wave Of the wild sea: and I would have Some claim upon thee, if I could, Though but of common neighbourhood. What joy to hear thee, and to see! Thy elder brother I would be, Thy father, anything to thee. Now thanks to Heaven! that of its grace Hath led me to this lonely place: Joy have I had; and going hence I bear away my recompense. In spots like these it is we prize Our memory, feel that she hath eyes: Then why should I be loth to stir? I feel this place was made for her; To give new pleasure like the past, Continued long as life shall last. Nor am I loth, though pleased at heart, Sweet Highland Girl! from thee to part; For I, methinks, till I grow old As fair before me shall behold As I do now, the cabin small, The lake, the bay, the waterfall; And Thee, the spirit of them all
William Wordsworth
O, Mary, conceived without sin, pray for us who turn to you. Amen. . When we meet someone and fall in love, we have a sense that the whole universe is on our side. I saw this happen today as the sun went down. And yet if something goes wrong, there is nothing left! No herons, no distant music, not even the taste of his lips. How is it possible for the beauty that was there only minutes before to vanish so quickly? . Life moves very fast. It rushes us from heaven to hell in a matter of seconds. . I smile and say nothing, . If I must be faithful to someone or something, then I have, first of all, to be faithful to myself. . Everything is an illusion - and that applies to material as well as spiritual things. . She had spent a lot of her life saying 'no' to things to which she would have liked to say 'yes', . My dear, it's better to be unhappy with a rich man than happy with a poor man, and over there you'll have far more chance of becoming an unhappy rich woman. . Love isn't that important. I didn't love your father at first, but money buys everything, even true love. . Hail Mary conceived without sin, pray for us who turn to you. Amen. . She would never find what she was looking for if she couldn't express herself. . At the moment, I'm far too lonely to think about love, but I have to believe that it will happen, that I will find a job and that I am here because I chose this fate. . Life always waits for some crisis to occur before revealing itself at its most brilliant. . A writer once said that it is not time that changes man, nor knowledge; the only thing that can change someone's mind is love. What nonsense! The person who wrote that clearly knew only one side of the coin. Love was undoubtedly one of the things capable of changing a person's whole life, from one moment to the next. . Again, she seemed like a stranger to herself. . I let fate choose which route I should take. . Some people were born to face life alone, and this is neither good nor bad, it is simply life. . I'm not a body with a soul, I'm a soul that has a visible part called the body. . She was doing it because she had nothing to lose, because her life was one of constant, day-to-day frustration. . Human beings can withstand a week without water, two weeks without food, many years of homelessness, but not loneliness. It is the worst of all tortures, the worst of all sufferings. . We are each of us responsible for our own feelings and cannot blame someone else for what we feel. . No one loses anyone, because no one owns anyone. . However tempted she was to continue, however prepared she was for the challenges she had met on her path, all these months living alone with herself had taught her that there is always a right moment to stop something. . He knew everything about her, although she knew nothing about him. . She had opened a door which she didn't know how to close. . Our experiences have been entirely different, but we are both desperate people. . Free yourself from something that cost your heart even more. . One moment, you have nothing, the next, you have more than you can cope with. . Does a soldier go to war in order to kill the enemy? No, he goes in order to die for his country. . What the eyes don't see, the heart doesn't grieve over. . Because we don't want to forget who we are - nor can we. . This was simply a place where people gathered to worship something they could not understand.
Paulo Coelho (Eleven Minutes)
The cotton swab softly moved across my face, leaving a pleasant coolness behind. It swept over my forehead, down my nose, on the sides of my cheeks, and across my chin. It relaxed me and I melted. And slowly, I began to fall asleep. I considered reupping for another hour. But then I felt the burning. “Oooh,” I said, opening my eyes. “Cindy, this doesn’t feel right.” “Oh, good,” Cindy said, sounding unconcerned. “You’re starting to feel it now?” Seconds later, I was in severe pain. “Oh, I’m more feeling it,” I answered, gripping the arms of the chair until my knuckles turned white. “Well, it should stop here in a second…,” she insisted. “It’s just working its magic--” My face was melting off. “Ouch! Ow! Seriously, Cindy! Take this stuff off my face! It’s killing me!” “Oh, dear…okay, okay,” Cindy answered, quickly grabbing a soaked washcloth and quickly wiping the nuclear solution from my skin. Finally, the intense burning began to subside. “Gosh,” I said, trying to be nice. “I don’t think that’s something I want to try again.” I swallowed hard, trying to will the pain receptors to stop firing. “Hmmm,” Cindy said, perplexed. “I’m sorry it stung a little. But you’ll love it tomorrow morning when you wake up! Your skin will look so fresh and dewy.” It better, I thought as I paid Cindy for the torture and left the tiny salon. My face tingled, and not at all in a good way. And as I walked to my car, the floodgates of wedding worry opened once again: What if my dress doesn’t zip? What if the band doesn’t show up? What if the shrimp taste fishy? I don’t know how to two-step. How long is the flight to Australia? Are there tarantulas in the country? What if there are scorpions in the bed? The facial had done little to decompress me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Mondays are for baklava, which she learned to make by watching her parents. Her mother said that a baklava-maker should have sensitive, supple hands, so she was in charge of opening and unpeeling the paper-thin layers of dough and placing them in a stack in the tray. Her father was in charge of pastry-brushing each layer of dough with a coat of drawn butter. It was systematic yet graceful: her mother carefully unpeeling each layer and placing them in the tray where Sirine's father painted them. It was important to move quickly so that the unbuttered layers didn't dry out and start to fall apart. This was one of the ways that Sirine learned how her parents loved each other- their concerted movements like a dance; they swam together through the round arcs of her mother's arms and her father's tender strokes. Sirine was proud when they let her paint a layer, prouder when she was able to pick up one of the translucent sheets and transport it to the tray- light as raw silk, fragile as a veil. On Tuesday morning, however, Sirine has overslept. She's late to work and won't have enough time to finish preparing the baklava before starting breakfast. She could skip a day of the desserts and serve the customers ice cream and figs or coconut cookies and butter cake from the Iranian Shusha Bakery two doors down. But the baklava is important- it cheers the students up. They close their eyes when they bite into its crackling layers, all lightness and scent of orange blossoms. And Sirine feels unsettled when she tries to begin breakfast without preparing the baklava first; she can't find her place in things. So finally she shoves the breakfast ingredients aside and pulls out the baklava tray with no idea of how she'll find the time to finish it, just thinking: sugar, cinnamon, chopped walnuts, clarified butter, filo dough....
Diana Abu-Jaber (Crescent)
Falstaff: [...] Good faith, this same young sober-blooded boy doth not love me; nor a man cannot make him laugh—but that's no marvel; he drinks no wine. There's never none of these demure boys come to any proof; for thin drink doth so over-cool their blood, and making many fish-meals, that they fall into a kind of male green-sickness; and then, when they marry, they get wenches. They are generally fools and cowards-which some of us should be too, but for inflammation. A good sherris-sack hath a two-fold operation in it. It ascends me into the brain; dries me there all the foolish and dull and crudy vapours which environ it; makes it apprehensive, quick, forgetive, full of nimble, fiery, and delectable shapes; which delivered o'er to the voice, the tongue, which is the birth, becomes excellent wit. The second property of your excellent sherris is the warming of the blood; which before, cold and settled, left the liver white and pale, which is the badge of pusillanimity and cowardice; but the sherris warms it, and makes it course from the inwards to the parts extremes. It illumineth the face, which, as a beacon, gives warning to all the rest of this little kingdom, man, to arm; and then the vital commoners and inland petty spirits muster me all to their captain, the heart, who, great and puff'd up with this retinue, doth any deed of courage—and this valour comes of sherris. So that skill in the weapon is nothing without sack, for that sets it a-work; and learning, a mere hoard of gold kept by a devil till sack commences it and sets it in act and use. Hereof comes it that Prince Harry is valiant; for the cold blood he did naturally inherit of his father, he hath, like lean, sterile, and bare land, manured, husbanded, and till'd, with excellent endeavour of drinking good and good store of fertile sherris, that he is become very hot and valiant. If I had a thousand sons, the first humane principle I would teach them should be to forswear thin potations and to addict themselves to sack.
William Shakespeare (Henry IV, Part 2)
He caught my hand and drew me closer to his side. “Well, should I begin to list them one by one, and by name? If I did it would take several hours. If there had been someone special, all I would do is name one—and I can’t do that. I liked them all . . . but I didn’t like any well enough to love, if that’s what you want to know.” Yes, that was exactly what I wanted to know. “I’m sure you didn’t live a celibate life, even though you didn’t fall in love . . . ?” “That’s none of your business,” he said lightly. “I think it is. It would give me peace to know you had a girl you loved.” “I do have a girl I love,” he answered. “I’ve known her all my life. When I go to sleep at night, I dream of her, dancing overhead, calling my name, kissing my cheek, screaming when she has nightmares, and I wake up to take the tar from her hair. There are times when I wake up to ache all over, as she aches all over, and I dream I kiss the marks the whip made . . . and I dream of a certain night when she and I went out on the cold slate roof and stared up at the sky, and she said the moon was the eye of God looking down and condemning us for what we were. So there, Cathy, is the girl who haunts me and rules me, and fills me with frustrations, and darkens all the hours I spend with other girls who just can’t live up to the standards she set. And I hope to God you’re satisfied.” I turned to move as in a dream, and in that dream I put my arms about him and stared up into his face, his beautiful face that haunted me too. “Don’t love me, Chris. Forget about me. Do as I do, take whomever knocks first on your door, and let her in.” He smiled ironically and put me quickly from him. “I did exactly what you did, Catherine Doll, the first who knocked on my door was let in—and now I can’t drive her out. But that’s my problem—not yours.” “I don’t deserve to be there. I’m not an angel, not a saint . . . you should know that.” “Angel, saint, Devil’s spawn, good or evil, you’ve got me pinned to the wall and labeled as yours until the day I die. And if you die first, then it won’t be long before I follow.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
We ran back, he first and I following him, between the beds and downstairs, and we picked up an armful of wood from the pile by the wall and the knife for whittling and ran up again, we couldn’t be quick enough. He knelt down in front of the stove, and it wasn’t long before he had done the trick again. Outside the window it was night now, and the wind blew vaporous white milk against the panes, milk over the forest and the fjord, but in here there were just the two of us and the stoves and the sound of wood burning behind the black iron and sending waves of heat out into the rooms and into the walls and timbers that sucked it in. I smelt the scent of wood growing warm, and it made me as white in my head as the whirling night outside, and hungry. We stood in the kitchen with our coats on eating the contents of two tins with one spoon we took it in turns to use, and we laughed, I didn’t even notice what I was eating. Soon it was warm enough for us to take off some clothes, his overcoat and my coat, and while he hung his on a hook, I let mine fall to the floor. I took off the sweater I wore underneath and dropped that on the floor too, I unbuttoned my blouse and still felt the cold against my neck. But the heat rose to the ceiling and up to the first floor and there was another stove there. Then I calmly walked across the room and upstairs with his eyes on my back, and at first he stood still, and then he followed, and when he got to the top my blouse was off and my stockings on the floor. I slowly turned round and stood there, me inside my skin, while he was fully clothed, and I cleared my head of every thought I had ever had and let them sink out into my skin till it was painfully taut and shinning all over my body, and he saw it and did not know what it was he saw. I put my arms round my back and unfastened my bra and slid the straps over my shoulders, and I thought he might be going to weep, but his voice sounded hoarse as he whispered: “You’re lovely,” and I answered “Yes”, and didn’t know if that was true. But it did not matter, for I knew what I wanted and what to say, and his hands were as I’d thought they would be, his skins as soft and his body as hard, and it was so warm around us, and the whole time I smelt the dampness of the bedclothes like the ones at Vrangbæk, and then I just shut my eyes and floated away.
Per Petterson (To Siberia)
Hey Princess.” Good God I missed hearing his voice. “Chase,” I had to clear my throat to continue, “I didn’t think you were going to be here.” “I asked if you were coming to the house.” He replied hesitantly. “Right, I just figured you meant your house.” The room was thick with the tension that always followed us around. My heart started racing from his nearness and I silently cursed myself. I really didn’t want any kind of feelings for this guy, and here I was wishing he would try to kiss me again. We sat there watching each other for who knows how long before he walked over and sank down on the floor next to me, handing me a small wrapped box. “Merry Christmas Harper.” I picked it up and just stared at it, all I could say was “Why?” “Because you’re my favorite, remember?” he huffed and his lips tilted up a little, “When I saw it, there was no way I couldn’t get it for you. Please open it.” So slowly I probably drove him crazy, I took off the wrapping and opened the little leather box. I gasped when I saw the ring inside there. It was a silver band that wrapped into the trinity symbol on top. I’d always wanted that symbol as a tattoo. I looked up at Chase and shook my head in wonder. “How did you know?” “You doodle it on everything put in front of you.” He was right of course, if I had a pen and paper or napkin, it always ended up on there at some point. I just hadn’t realized anyone other than Brandon noticed that, especially him. “Chase …” I couldn’t hold them back any longer, tears started falling down my cheeks and I quickly dropped my head hoping he wouldn’t notice. He did. “Don’t cry Harper. If you don’t like it, or you don’t like that it’s from me I’ll take it back.” My laugh sounded more like a sob than anything else. “I love it, please don’t take it.” “Then what’s wrong?” He tilted my head up and brushed away a few tears with his thumbs. I had to force myself to not lean into his hands, it was the first time we’d had any type of physical contact in over a month. He was a whole new kind of Chase on Sundays, but I’d never seen him like this. So gentle and kind. It made my entire being crave him. “I’ve never had this before. Not just the presents … the love that your family has for me. I’ve never had it until now, and it’s so overwhelming. I don’t know what I did to deserve it and I don’t know if I show them that too.” “You do. Trust me.” He searched my face for a long time and wiped the remaining tears from my cheeks. “You’re special Harper, it’s not hard to love you.
Molly McAdams (Taking Chances (Taking Chances, #1))
What the devil was Davy doing up there with a marlinespike? That’s what I’d like to know. It’s a sailors duty.” She put her head in her hands. “I’m afraid that’s my fault, too. I’d been talking to him about moving up to the forecastle, and I…I think he wanted to impress me.” Gray choked on a laugh. “Well, of course he did. You ought to take care how you bat those eyelashes, sweetheart. One of these days, you’re likely to knock a man overboard.” The legs of her chair scraped the floor as she stood. The color returned to her cheeks. “If Davy was trying to impress me, it’s as much your fault as mine.” “How is that my fault?” Gray’s frustration came right back to a boil. He hated himself for growling at her, but he couldn’t seem to help it. “You’re the one who humiliated him in front of the crew, with all those questions. You goaded him into saying he…well, you know what he said.” “Yes, I know what he said.” Gray stepped toward her until only the table separated them. “I know what he said. And don’t pretend you didn’t enjoy it. Don’t pretend you don’t use those men to feed your vanity.” “My vanity? What would you know about feeding my vanity? You don’t so much as breathe in my direction. At least the sailors speak to me. And if that entire ‘Kind of the Sea’ display wasn’t one long exercise in feeding your own vanity, I’m sure I don’t know what is.” She jabbed one finger on the tabletop and lowered her voice. “Those men may flirt with me, but they worship you. You know it. You wanted to feel it. Bask in it. And you did so at Davy’s expense.” “At least I only teased the boy. I’m not the one poised to break his heart.” She blinked. “It’s only infatuation. He’s not really in love with me.” He pounded the table. “Of course the boy’s in love with you! They all are. You talk to them, you listen to their stories-even Wiggins’s prattling, God only knows why. You draw them little sketches, you make them paintings for Christmas. You remind them of everything they’ve left behind, everything they pray they’ll one day hold again. And you do it all looking like some sort of Botticelli goddess, surely the most beautiful thing they’ve ever laid eyes on. Damn it, how’s a man to keep from falling in love with you?” Silence. She stared at him. She blinked. Her lips parted, and she drew a quick breath. Say something, Gray silently pleaded. Anything. But she only stared at him. What the hell had he just said? Was it truly that bad? He frowned, reliving the past minute in his mind. Oh, God. Gray rubbed his face with one hand, then gave a sharp tug on his hair. It was that bad. Damn it to hell. If Joss were here, he’d have a good laugh at his expense.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity. Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run. Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week. Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk. “Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.” “And let’s not forget our important morning ritual.” Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.” “C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.” Jon smiled. “Can we get back to work?” Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.” Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.” Jessie looked at Jon with a quizzical smile. “Not to blow my own horn but I have a new and brilliant thought my young apprentice.” Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off. “Stop it.” Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.
Matthew Alan
I crossed the garden, staying near the hedgerow borders until the pathway debouched onto one of the lovely brick streets. A quick glance down the street revealed scarcely any traffic--but way up at the other end were two tall, armed individuals wearing blue and black-and-white livery. Which meant the Marquis was somewhere around. For a moment I indulged in a brief but satisfying daydream of scoring him off as I had off the Baron the night before. But amusing as the daydream was, I was not about to go searching him out. First of all, while I didn’t look like I had before, the dress wasn’t much of a disguise; and second…I frowned. Despite his reputation as a fop and a gamester, I wasn’t all that certain he would react as slowly as Debegri had. I retreated back to the garden to think out my next step. Mist was falling, boding ill weather for the remainder of the day. And my stomach felt as if it had been permanently pressed against the back of my spine. I pulled the laces of the bodice tighter, hoping that would help, then sat on a rock and propped my elbows on my knees. “Are you lost?” The voice, a quiet one, made me start violently. My shoulders came up defensively as I turned to face an elderly man. He was elegantly dressed, wearing a fine hat in the latest fashion, and carried no weapons. “Oh no. I was supposed to meet someone here, and…” I shrugged, thinking wildly. “A-a flirt,” I added, I don’t know why. “I guess he changed his mind.” I got to my feet again. The man smiled a little. “It happens more frequently than not when one is young, if you’ll forgive my saying so.” “Oh, I know.” I waved my hands as I backed up one step, then another. “They smile, and dance, and then go off with someone else. But I’ll just find someone better. So I’ll be on my way,” I babbled. He nodded politely, almost a bow, and I whirled around and scurried down the path. Even more intensely than before, I felt that crawling sensation down my spine, so I dropped off the path and circled back. I was slightly reassured when I saw the old man making his way slowly along the path as though nothing out of the ordinary had happened; but my relief was very short lived. As I watched, two equerries in Renselaeus livery strode along the path, overtook the man, and addressed him. I watched with my heart thumping like a drum as the man spoke at some length, brushed his fingers against his face--the scratches from the trees!--and then gestured in the direction I had gone. Expecting the two equerries to immediately take off after me, I braced for a run. Why had I babbled so much? I thought, annoyed with myself. Why didn’t I just say “No” and leave? But the equerries both turned and walked swiftly back in the direction they’d come, and the old man continued on his way. What does that mean? And the answer was not long in coming: They were going back to report. Which meant a whole lot of them searching. And soon.
Sherwood Smith (Crown Duel (Crown & Court, #1))
8:00am The sun is shining, the cows are mooing, and I am ready for the mines. I hope I find something awesome today. Steve has told me about some pretty crazy things I had no idea existed. According to him, I must find empty tombs in the desert. That’s where the real treasures are. For today, I will stick to regular mining. Who knows, maybe I will come across an abandoned mine shaft; could be my lucky day.   12:30pm I was forced to come home for lunch today because I had too much stuff to carry. I was getting low on my iron ore, gold, and lapis lazuli stocks before this mine trip. It’s amazing how quick lapis goes when you are busy enchanting everything but the kitchen sink. I’d enchant that too if I had one. I wonder what an enchanted kitchen sink would do. Would it do my dishes for me? That would be so cool.   I have plenty of both now. I can make some new armor and enchant it! I love mining.   Steve decided to join me for lunch and we ate a couple of pork chops and some cake. I love cake! We ate until no more food could fill us up. Then, Steve had the guts to brag about how, when he mines, he takes a horse with extra storage so he can stay down there all day long. Well fancy you, Steve.   He also went on to tell me about how well the crops are doing these days. He thinks it’s because he is looking after them half of the time. What he doesn’t know is I throw bone marrow on them when I am working. Makes my job faster and gives me more free time so whatever you need to tell yourself, Steve.   Life may be easier switching every day between mines and farming, but it still doesn’t make me his biggest fan. I just don’t think he needs to fall in a hole, either. At least… Not right now. I would consider us to be frienemies; Friendly enemies. Yes. At times we pretend to get along, but most of the time, we are happiest doing our own thing.   6:00pm Mining this afternoon was super fun… Not! I got attacked by a partially hidden skeleton guy. I couldn’t see him enough to strike back until half of my life hearts were gone. I must not have made the space bright enough. Those guys are nasty. They are hard to kill too. If you don’t have a bow and arrow you might as well surrender. Plus, they kind of smell like death. Yuck.   Note to self: Bring more torches on the next mining day.   On the other hand, I came back with an overshare of Redstone, too much iron for my own good, and oddly, quite a few diamonds. I won’t be sharing the diamonds with anyone. They are far too precious. They will go to some new diamond pickaxes, and maybe some armor. Hmm, I could enchant those too! The iron and Redstone though, I am thinking a trip to the village may be in order. See what those up-tight weirdos are willing to trade me.   For now, it’s bedtime.   6:10pm You can only sleep at night. You can only sleep at night. You can only sleep at night.   6:11pm That stupid rule gets me every time. Why can’t I decide when it’s bed time?   First, I will go eat a cookie, then I will go to sleep. Day Thirty-Three   3:00am I just dreamt that our world was made of cookies.
Crafty Nichole (Diary of an Angry Alex: Book 3 (an Unofficial Minecraft Book))
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
Charles Bean, the official historian of Australia’s part in World War I, was unusual in dealing closely with the deeds of the soldiers on the front line, and not just the plans and orders of their leaders. At the end of his account of the Gallipoli landing in the Official History, he asked what made the soldiers fight on. What motive sustained them? At the end of the second or third day of the Landing, when they had fought without sleep until the whole world seemed a dream, and they scarcely knew whether it was a world of reality or of delirium – and often, no doubt, it held something of both; when half of each battalion had been annihilated, and there seemed no prospect before any man except that of wounds or death in the most vile surroundings; when the dead lay three deep in the rifle-pits under the blue sky and the place was filled with stench and sickness, and reason had almost vanished – what was it then that carried each man on? It was not love of a fight. The Australian loved fighting better than most, but it is an occupation from which the glamour quickly wears. It was not hatred of the Turk. It is true that the men at this time hated their enemy for his supposed ill-treatment of the wounded – and the fact that, of the hundreds who lay out, only one wounded man survived in Turkish hands has justified their suspicions. But hatred was not the motive which inspired them. Nor was it purely patriotism, as it would have been had they fought on Australian soil. The love of country in Australians and New Zealanders was intense – how strong, they did not realise until they were far away from their home. Nor, in most cases was the motive their loyalty to the tie between Australia and Great Britain. Although, singly or combined, all these were powerful influences, they were not the chief. Nor was it the desire for fame that made them steer their course so straight in the hour of crucial trial. They knew too well the chance that their families, possibly even the men beside them, would never know how they died. Doubtless the weaker were swept on by the stronger. In every army which enters into battle there is a part which is dependent for its resolution upon the nearest strong man. If he endures, those around him will endure; if he turns, they turn; if he falls, they may become confused. But the Australian force contained more than its share of men who were masters of their own minds and decisions. What was the dominant motive that impelled them? It lay in the mettle of the men themselves. To be the sort of man who would give way when his mates were trusting to his firmness; to be the sort of man who would fail when the line, the whole force, and the allied cause required his endurance; to have made it necessary for another unit to do his own unit’s work; to live the rest of his life haunted by the knowledge that he had set his hand to a soldier’s task and had lacked the grit to carry it through – that was the prospect which these men could not face. Life was very dear, but life was not worth living unless they could be true to their idea of Australian manhood.
John Hirst (The Australians: Insiders and Outsiders on the National Character since 1770)
I hadn’t noticed, through all my inner torture and turmoil, that Marlboro Man and the horses had been walking closer to me. Before I knew it, Marlboro Man’s right arm was wrapped around my waist while his other hand held the reins of the two horses. In another instant, he pulled me toward him in a tight grip and leaned in for a sweet, tender kiss--a kiss he seemed to savor even after our lips parted. “Good morning,” he said sweetly, grinning that magical grin. My knees went weak. I wasn’t sure if it was the kiss itself…or the dread of riding. We mounted our horses and began walking slowly up the hillside. When we reached the top, Marlboro Man pointed across a vast prairie. “See that thicket of trees over there?” he said. “That’s where we’re headed.” Almost immediately, he gave his horse a kick and began to trot across the flat plain. With no prompting from me at all, my horse followed suit. I braced myself, becoming stiff and rigid and resigning myself to looking like a freak in front of my love and also to at least a week of being too sore to move. I held on to the saddle, the reins, and my life as my horse took off in the same direction as Marlboro Man’s. Not two minutes into our ride, my horse slightly faltered after stepping in a shallow hole. Having no experience with this kind of thing, I reacted, shrieking loudly and pulling wildly on my reins, simultaneously stiffening my body further. The combination didn’t suit my horse, who decided, understandably, that he pretty much didn’t want me on his back anymore. He began to buck, and my life flashed before my eyes--for the first time, I was deathly afraid of horses. I held on for dear life as the huge creature underneath me bounced and reared, but my body caught air, and I knew it was only a matter of time before I’d go flying. In the distance, I heard Marlboro Man’s voice. “Pull up on the reins! Pull up! Pull up!” My body acted immediately--it was used to responding instantly to that voice, after all--and I pulled up tightly on the horse’s reins. This forced its head to an upright position, which made bucking virtually impossible for the horse. Problem was, I pulled up too tightly and quickly, and the horse reared up. I leaned forward and hugged the saddle, praying I wouldn’t fall off backward and sustain a massive head injury. I liked my head. I wasn’t ready to say good-bye to it. By the time the horse’s front legs hit the ground, my left leg was dangling out of its stirrup, even as all my dignity was dangling by a thread. Using my balletic agility, I quickly hopped off the horse, tripping and stumbling away the second my feet hit the ground. Instinctively, I began hurriedly walking away--from the horse, from the ranch, from the burning. I didn’t know where I was going--back to L.A., I figured, or maybe I’d go through with Chicago after all. I didn’t care; I just knew I had to keep walking. In the meantime, Marlboro Man had arrived at the scene and quickly calmed my horse, who by now was eating a leisurely morning snack of dead winter grass that had yet to be burned. The nag. “You okay?” Marlboro Man called out. I didn’t answer. I just kept on walking, determined to get the hell out of Dodge. It took him about five seconds to catch up with me; I wasn’t a very fast walker. “Hey,” he said, grabbing me around the waist and whipping me around so I was facing him. “Aww, it’s okay. It happens.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Dear, What’s the Point of it All? What is the point of being nice? When you do not know what you are going to get from it? Knowing eventually sooner rather than later someone and maybe that person you are being nice to will turn their back on you. I always have to stay grounded and focused. When I am there for people, I feel like I am always punished for it. I am always treated as if I committed a crime. I was there for my mom; however, she was killing me slowly but surely. Like my mom, I noticed that when people get themselves in some shit, they get stuck in their own mess. They are confident that they do not have to deal with the consequences—because they know the ‘kind’ person will bail them out. What’s the point of being kind? Like my mom and the officer, there are so many people in the world who are judgmental and tainted because of their selfish needs. What’s the point of my life? Here I am in a library filled with many books. I can read them and go anywhere I want to in my mind, but after I close the book, I will have to snap out of my fantasy world and welcome the cruel cold world, which is reality. If I was a book, I would be better off left on the shelf. There is no excitement in my life—only struggles. What’s the point of living and loving life when the only thing I do is read between the lines and tread carefully? Come to think about it, I am a book that nobody can understand or read. They think they know what is best for me, but if they only take the time to listen, I would be so happy to tell them about me and my needs and wants. My actions scream for attention, but time after time, I am ignored. Sadly, without a care, they were quick to rip out the pages. Yet, once again, nobody noticed me. What’s the point of it all when I never had an opportunity to make a mistake? If I did one thing wrong, they would give up on me and send me to one home after another. I’ve always been fully exposed and had to walk in a line filled with sharp curves from disappointment to disappointment. Sorrow is my aura, and sadness hugs me tightly. It is hard to cry when my eyes are closed shut by the barbed wire fence of my eyelashes as they prohibit tears from falling. What’s the point of complicating my life? I am always back to where I started, and then ... I relive the same patterns, but on a more difficult journey. I believe when you put yourself in your own mess that you should clean it up and start over. What’s wrong with that? Nothing. However, when someone else puts you in their mess, you do not know how to clean up the mess they’ve made. You do not know how to start over because you do not know where to begin. I look at it this way; it is like telling a dead person he/she can start over. How so, when that person’s life no longer exists? I know my life isn’t over. However, I am lost in a maze my mom set up for herself—and she too is lost in her own maze. When a person gets lost in their own maze, they are really fucked up. However, this maze shouldn’t be left for me to figure out. Unfortunately, I am in it, and I have to find my way out one way or another. What’s the point of taking Kace from me? He was safe and in good hands. Now he is worse off with people who are abusing him. He didn’t ask for this—I didn’t either. He deserves so much better. Again, what is the point of it all? What’s the point of making me suffer? Do you get a kick out of it? What are you trying to accomplish? I am trying to understand; what is the point of it all? What is the point? I don’t know why I am here.
Charlena E. Jackson (Pinwheels and Dandelions)
Are-are you leaving?” She saw his shoulders stiffen at the sound of her voice, and when he turned and looked at her, she could almost feel the effort he was exerting to keep his rage under control. “You’re leaving,” he bit out. In silent, helpless protest Elizabeth shook her head and started slowly across the carpet, dimly aware that this was worse, much worse than merely standing up in front of several hundred lords in the House. “I wouldn’t do that, if I were you,” he warned softly. “Do-do what?” Elizabeth said shakily. “Get any nearer to me.” She stopped cold, her mind registering the physical threat in his voice, refusing to believe it, her gaze searching his granite features. “Ian,” she began, stretching her hand out in a gesture of mute appeal, then letting it fall to her side when her beseeching move got nothing from him but a blast of contempt from his eyes. “I realize,” she began again, her voice trembling with emotion while she tried to think how to begin to diffuse his wrath, “that you must despise me for what I’ve done.” “You’re right.” “But,” Elizabeth continued bravely, “I am prepared to do anything, anything to try to atone for it. No matter how it must seem to you now, I never stopped loving-“ His voice cracked like a whiplash. “Shut up!” “No, you have to listen to me,” she said, speaking more quickly now, driven by panic and an awful sense of foreboding that nothing she could do or say would ever make him soften. “I never stopped loving you, even when I-“ “I’m warning you, Elizabeth,” he said in a murderous voice, “shut up and get out! Get out of my house and out of my life!” “Is-is it Robert? I mean, do you not believe Robert was the man I was with?” “I don’t give a damn who the son of a bitch was.” Elizabeth began to quake in genuine terror, because he meant that-she could see that he did. “It was Robert, exactly as I said,” she continued haltingly. “I can prove it to you beyond any doubt, if you’ll let me.” He laughed at that, a short, strangled laugh that was more deadly and final than his anger had been. “Elizabeth, I wouldn’t believe you if I’d seen you with him. Am I making myself clear? You are a consummate liar and a magnificent actress.” “If you’re saying that be-because of the foolish things I said in the witness box, you s-surely must know why I did it.” His contemptuous gaze raked her. “Of course I know why you did it! It was a means to an end-the same reason you’ve had for everything you do. You’d sleep with a snake if it gave you a means to an end.” “Why are you saying this?” she cried. “Because on the same day your investigator told you I was responsible for your brother’s disappearance, you stood beside me in a goddamned church and vowed to love me unto death! You were willing to marry a man you believed could be a murderer, to sleep with a murderer.” “You don’t believe that! I can prove it somehow-I know I can, if you’ll just give me a chance-“ “No.” “Ian-“ “I don’t want proof.” “I love you,” she said brokenly. “I don’t want your ‘love,’ and I don’t want you. Now-“ He glanced up when Dolton knocked on the door. “Mr. Larimore is here, my lord.” “Tell him I’ll be with him directly,” Ian announced, and Elizabeth gaped at him. “You-you’re going to have a business meeting now?” “Not exactly, my love. I’ve sent for Larimore for a different reason this time.” Nameless fright quaked down Elizabeth’s spine at his tone. “What-what other reason would you have for summoning a solicitor at a time like this?” “I’m starting divorce proceedings, Elizabeth.” “You’re what?” she breathed, and she felt the room whirl. “On what grounds-my stupidity?” “Desertion,” he bit out.
Judith McNaught (Almost Heaven (Sequels, #3))
I don’t know how many years had passed that I hadn’t thought about her. It was a few months after the death of my mother that her name came to me again. I was cleaning out her closet and dresser to donate some of her clothes to the Church. They always had clothes drives to give to some of the poorer people in the area. Better for someone else to have them than just hanging in a closet or in a drawer. At the bottom of one of her drawers, my eyes saw an envelope with my name on. Immediately, I recognized the handwriting on the envelope and for the first time in a long time, I could feel the tears flowing out of my eyes. This wasn’t no single tear drop cry. This was the big, fat, messy tears that come from memories flashing through your mind. Tiffany did write something to me and it was kept from me. I almost unintentionally crumpled the letter in my hand as the combination of hurt and rage took over me for a few moments. I went back to my bedroom and sat down on the edge of my bed. The letter had her North Carolina address on it. That letter would have been a way for us to stay in touch. For almost eight years, I had believed that she didn’t want to stay in contact with me. In that moment, I realized that the hurt I felt for being disregarded was unfounded and she was the one who had the right to feel forgotten. She must have believed that she meant little to me, like I thought she did of me. It’s weird how quickly your perspective can change when given new information. I held that letter in my shaking hands for a few minutes. I didn’t know what to do. Opening it seemed pointless to me. All it would do was rekindle feelings that I once had and couldn’t do anything about. After all those years, I couldn’t try and reconnect to her life. We both moved past each other and it wouldn’t be fair to her to come back. It wouldn’t make her feel good about herself to know that my parents hid that letter from me, like she was some horrible person that I needed to avoid. She may not even live at that address anymore. She undoubtedly moved away for college. I wasn’t in love with her anymore and I don’t know if she ever loved me, but if she did, I’m sure she didn’t anymore. I did the only thing that I felt was right. I went outside and lit a cigarette in the backyard. I took a deep inhale from my Camel full flavored filtered cigarette. I hadn’t converted to menthols, yet. I re-lit my lighter and put a corner of the letter into the flame until I was certain that it had caught fire. I held it in my hand watching the white of the envelope turn black under the blue and yellow flame. Once the envelope was about three quarters burned, I let it fall out of my hand and watched it float for a few moments before it hit the bottom concrete step where it continued to burn. It had all turned black and the carbonized paper started to break away from each other as I stamped out the embers with my sneaker. The wind carried away the pieces of carbon and the memory of her floated away from me. Watching those small burned pieces of paper scatter across my backyard made me realize that my childhood was over. I had nothing to show for it. All I had was myself. I didn’t even know why I was still living in my parent’s house after my mother died. There was nothing there for me. Life would only begin for me once I found something that mattered to me. Unfortunately for me, the only thing that mattered to me was words.
Paul S. Anderson
You look different, Paige. Are you falling in love with Jake Donovan?” “Don’t even say it.” “Why not?” Dana looked into her friend’s eyes. “Would that be so bad?” Dana’s piercing look made her uncomfortable. “It’s just that everything has happened so quickly. It doesn’t happen that way in real life.” “Says who?” Dana gave her another quick hug. “It’s been my experience that love has the strangest way of creeping up on us when we least expect it. Remember that.
Mona Ingram (The Party (Dear Santa, #1))
In the church we must have a pure motive and grow properly. We should never become old quickly or wither away early. We must make sure that we do not have any impure motives. If we have an impure motive, we will wither early, decay early, and fall off early. This is to give up on ourselves. If we grow properly, we will age slowly. Furthermore, we will spontaneously become a proper older saint who nourishes and takes care of the younger saints in the church. We should not be discouraged if the church “fails,” because the church on earth is bound to have difficulties within and enemies without, like any nation. For this reason the church must have a national defense and also law and order. This is the proper way that is of the Lord. The Lord is taking this way, and many who love Him are also on this way. This is the line of life, the hidden flow of life. This is where the Lord Himself does everything.
Witness Lee (Ministry Digest, Vol. 01, No. 04)
That day, Alex’s emotional saturation reached its peak. His pain was so intense, and he was so young, that neither his amazing self-restraint nor his self-confidence were able to hold back the flood of feelings and emotions overwhelming him. It is the only time I ever see him like that.As for me, I found out early on, through personal experience, that falling in love passes quickly, as do strong feelings. I feel bad for him, but I know he’ll soon get over it. Give it a couple of months and he’ll find himself attracted to someone else.
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
Quick, must say something mind-blowing. Something so hilarious and brilliant that he’ll immediately fall in love with me. I open my mouth. “Bwuh?
Jesse Q. Sutanto (The New Girl)
In communicating love, words are powerful. Words of affection and endearment, words of praise and encouragement, words that give positive guidance all say, “I care about you.” Such words are like a gentle, warm rain falling on the soul; they nurture the child’s inner sense of worth and security. Even though such words are quickly said, they are not soon forgotten. A child reaps the benefits of affirming words for a lifetime.
Gary Chapman (The 5 Love Languages of Children: The Secret to Loving Children Effectively)
Sometimes I scare myself with how quickly I can come up with lies.
Anna Bell (The Bucket List to Mend a Broken Heart)
The dream flew through thousands of years and left in me just a sense of the whole. I know only that the cause of the fall was I. Like a foul trichina, like an atom of plague infecting whole countries, so I infected that whole happy and previously sinless earth with myself. They learned to lie and began to love the lie and knew the beauty of the lie. Oh, maybe it started innocently,with a joke, with coquetry, with amorous play, maybe, indeed, with an atom, but this atom of lie penetrated their hearts, and they liked it. Then sensuality was quickly born, sensuality generated jealousy, and jealousy - cruelty. . . Oh, I don’t know, I don’t remember, but soon, very soon, the first blood was shed; they were astonished and horrified, and began to part, to separate. Alliances appeared, but against each other now. Rebukes, reproaches began. They knew shame, and shame was made into a virtue. The notion of honor was born, and each alliance raised its own banner. They began tormenting animals, and the animals withdrew from them into the forests and became their enemies. There began the struggle for separation,for isolation, for the personal, for mine and yours. They started speaking different languages. They knew sorrow and came to love sorrow, they thirsted for suffering and said that truth is attained only through suffering. Then science appeared among them. When they became wicked, they began to talk of brotherhood and humaneness and understood these ideas. When they became criminal, they invented justice and prescribed whole codices for themselves in order to maintain it, and to ensure the codices they set up the guillotine. They just barely remembered what they had lost, and did not even want to believe that they had once been innocent and happy. They even laughed at the possibility of the former happiness and called it a dream. They couldn’t even imagine it in forms and images, but - strange and wonderful thing - having lost all belief in their former happiness, having called it a fairy tale, they wised so much to be innocent and happy again, once more, that they fell down before their hearts’ desires like children, they deified their desire,they built temples and started praying to their own idea, their own “desire,” all the while fully believing in its unrealizability and unfeasibility, but adoring it in tears and worshipping it. And yet, if it had so happened that they could have returned to that innocent and happy condition which they had lost, or if someone had suddenly shown it to them again and asked them: did they want to go back to it? - they would certainly have refused. They used to answer me: “Granted we’re deceitful,wicked and unjust, we know that and weep for it, and we torment ourselves over it,and torture and punish ourselves perhaps even more than that merciful judge who will judge us and whose name we do not know. But we have science, and through it we shall again find the truth, but we shall now accept it consciously, knowledge is higher than feelings, the consciousness of life is higher than life. Science will give us wisdom, wisdom will discover laws, and knowledge of the laws of happiness is higher than happiness.” That’s what they used to say, and after such words each of them loved himself more than anyone else, and they couldn’t have done otherwise. Each of them became so jealous of his own person that he tried as hard as he could to humiliate and belittle it in others, and gave his life to that. Slavery appeared, even voluntary slavery: the weak willingly submitted to the strong, only so as to help them crush those still weaker than themselves. Righteous men appeared, who came to these people in tears and spoke to them of their pride, their lack of measure and harmony, their loss of shame. They were derided or stoned. Holy blood was spilled on the thresholds of temples.
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
Kulinski's fans in the audience represent the id of some of the most vocal people on the progressive left; in many ways, they're the id of the Bernie Sanders supporter: white, male, Millennial, and uncompromising. Typically, these young white men, who love Bernie more than sliced bread, are also raucous, rowdy, and quick to heckle anyone deemed insufficiently progressive, the problem her being that anyone not named Bernie falls into this category for them.
Zerlina Maxwell (The End of White Politics: How to Heal Our Liberal Divide)
I wonder briefly if anyone considers the other. The one who quickly falls in love with both children and father. What happens to her when her heart bursts with feelings for more than one Weller boy?
L.B. Dunbar (Learning at 40 (Lakeside Cottage, #2))
Papina had grey hair and a purple face. She was like a trained mouse, one of those small white ones that sit up on their tails and then fall flat, their stomachs slapping the ground. She got up on her tail and stayed there through some miracle of balance, to the confusion of all who saw her walking around on her little bow legs and funny round feet. Yet her hands were so quick and lively that one couldn’t even feel her buttoning up a dress, lacing a belt or pulling a skirt round the hips to adjust it. As she took the blue trousers and yellow sash from the wardrobe for Irma, she walked behind Gioia and shook the girl’s shoulders. “Quickly, my lovely! If you sit there under a spell, the prince can’t carry you off to the wedding…” She’d read all the fairy stories and took delight in being irresistibly droll, so instead of wedding she’d said werewolf; she was imitating Macario, whom she’d seen at the cinema.
Augusto De Angelis (The Mystery of the Three Orchids)
Women are naturally created to be alluring, beautiful, influential, sensual, and persuasive. We have maternal instincts which help intuitively identify and avoid dangerous situations and individuals. We are psychologically superior at communication and processing words. We have better cognitive skills. And the female body even produces pheromones specifically designed to attract men. So why do women chase men and allow men to use them for amusement and sex? Why do women tend to fall so quickly for sweet talkers and bad boys? ”Why do they turn a blind eye when men cheat and settle for men who don’t make them happy? I’ll tell you why. It's because few women understand the power they have.
Leandra De Andrade (This Girl's Got Game: A Smart Girls Guide to Having the Upper Hand over Men in This Game Called Love)
People spoke of love as if it were an arrow. A thing that flew quick and always found its mark. They spoke of it as if it were a pleasant thing. But Maxim has taken an arrow once and knew it for what it was - excruciating. He had never wanted to fall in love.
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
There was a lot of gossip around town about Jacob and me falling for the Wells brothers so quickly. More than one rude person said we wouldn’t last a year. But every time I look at Reese, or Jacob looks at Owen, I know those people don’t know what they’re talking about. We’ve found our forever, our homes. I know our parents are looking down smiling, happy to see that their sons found the same true love they did. I know they’d be proud.
Candi Kay (Christmas in Holly Pines)
Our minds are generally lazy and like to get rid of problems as quickly as possible, so they surround first ideas with a lot of positive chemicals to make us “fall in love” with them. Do not fall in love with your first idea. This relationship almost never works out. Most often, our first solutions are pretty average and not very creative. Humans have a tendency to suggest the obvious first. Learning to use great ideation tools helps you overcome this bias toward the obvious and helps you regain a sense of creative confidence.
Bill Burnett, Dave Evans
He would be forty-five now, a grown man, if he had not died that fall. His final pneumonia took him quickly: a fever that rocketed skyward, the tiny, bottlelike lungs filling, coma, death within hours. After all he’d been through, it seemed a mercy, though of course that was an illusion, something to say to fill the silence of his missing life: the bicycle he would not ride, the books he would not read, the friends he would not have and the girl he would not kiss. The thousand pains and pleasures of his life, shelved in a tomb that the door of early death had sealed. No, there was no mercy in what happened to my boy at all. When he died, he weighed just eleven pounds. It’s said that many marriages do not survive the loss of a child, that such grief is a room parents enter together but depart alone. I have no cause to argue the point, having sat in just that room. From that day forward we loved each other, Meredith and I, but we loved with broken hearts. And when, on a morning not long after we had buried Sam, I came into the kitchen to find Meredith standing at the window, cupping the curve of her stomach in a secret way that I alone understood, I knew we would go on.
Justin Cronin (The Summer Guest)
She did not answer. Or, rather, she answered by sliding long fingers across Kassad’s chest, ripping away the leather thongs which bound the rough vest. Her hands found his shirt. It was soaked with blood and ripped halfway down the front. The woman ripped it open the rest of the way. She moved against him now, her fingers and lips on his chest, hips already beginning to move. Her right hand found the cords to his trouser front, ripped them free. Kassad helped her pull off the rest of his clothes, removed hers with three fluid movements. She wore nothing under her shirt and coarse-cloth trousers. Kassad’s hand slid between her thighs, behind her, cupped her moving buttocks, pulled her closer, and slid to the moist roughness in front. She opened to him, her mouth closing on his. Somehow, with all of their motion and disrobing, their skin never lost contact. Kassad felt his own excitement rubbing against the cusp of her belly. She rolled above him then, her thighs astride his hips, her gaze still locked with his. Kassad had never been so excited. He gasped as her right hand went behind her, found him, guided him into her. When he opened his eyes again she was moving slowly, her head back, eyes closed. Kassad’s hands moved up her sides to cup her perfect breasts. Nipples hardened against his palms. They made love then. Kassad, at twenty-three standard years, had been in love once and had enjoyed sex many times. He thought he knew the way and the why of it. There was nothing in his experience to that moment which he could not have described with a phrase and a laugh to his squadmates in the hold of a troop transport With the calm, sure cynicism of a twenty-three-year-old veteran he was sure that he would never experience anything that could not be so described, so dismissed. He was wrong. He could never adequately share the sense of the next few minutes with anyone else. He would never try. They made love in a sudden shaft of late October light with a carpet of leaves and clothes beneath them and a film of blood and sweat oiling the sweet friction between them. Her green eyes stared down at Kassad, widening slightly when he began moving quickly, closing at the same second he closed his. They moved together then in the sudden tide of sensation as old and inevitable as the movement of worlds: pulses racing, flesh quickening with its own moist purposes, a further, final rising together, the world receding to nothing at all—and then, still joined by touch and heartbeat and the fading thrill of passion, allowing consciousness to slide back to separate flesh while the world flowed in through forgotten senses. They lay next to each other.
Dan Simmons (The Hyperion Cantos 4-Book Bundle: Hyperion, The Fall of Hyperion, Endymion, The Rise of Endymion)
Because I never realized you could fall in love with humans the same way you fall in love with songs. How the tune of them could mean nothing at first, and unfamiliar melody, but quickly turn into a symphony carved across your skin; a hymn in the web of your veins; a harmony stitched into the lining of your soul
Krystal Sutherland (Our Chemical Hearts)
O spirit of love, how quick and fresh art thou / That, notwithstanding thy capacity / Receiveth as the sea, naught enters there, / Of what validity and pitch so e'er, / But falls into abatement and low price / Even in a minute! So full of shapes is fancy / That it alone is high fantastical.
William Shakespeare (Twelfth Night)
I believe that vulnerability—the willingness to show up and be seen with no guarantee of outcome—is the only path to more love, belonging, and joy. He quickly followed up with, “And the downside?” This time I was the one laughing. “You’re going to stumble, fall, and get your ass kicked.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
His eyes, a vivid gold as they tears spill over to streak his face, finally meet mine and everything I thought I knew about love starts to splinter. My heart drops to my stomach before they both quickly rise to my throat, forming a blockage so large I can’t fucking breathe. Breathe, Roman. He needs you.
C.E. Ricci (After Rain Falls (River of Rain #2))
Love is what I had (I was ten) Holy, mother of god, we are in the shower together he bubbled up yet not covered up, and back down will it around until I would come, I got some just call me, he was just enjoying me being cute, he washed my hair and played with my body, like my boobs feeling the and rubbing, suck, and kissing them, flicking with his fingers and others, HOT steamy water pouring on our head, as we were hugging it out, and do it all. Rubbing my legs and crap- I say freak, yeah, but I don’t swear like that! I fasten the garter around his hip's legs side to side around his hips, and as I am arching my back to slip the silk stocking off my toes, I unclasped my bar for him to see them fall, as we go to bed for the night, we were body unstop of body, and we even had our toes laced, together on one foot, like our hands. I have to bite my lip to stop my impatient moan from escaping, yet it all comes out of me. Scorching flush rivalries over my skin, my face hot and red that down there pink feeling has a handprint on my body. My figure is shaking with shock at the news of us doing this tonight at this age. A baby they say I show them? No freaking way, no way should I be doing this yet they will never- ever no, NO WAY!!! Unserviceable my awareness is tiresome to grasp this staggering bit of data. Of why… Like a small child gets out and the woman is here to say, I’m downhearted, helplessly trying to fit everything together in my mind, like I should some time you have to say what the hell and go with it and piss on them. My inner goddess is quickly losing my virginity, the light in the room fading recklessly as I see it all there looking at it deeply, but I can’t settle on that now. I am not sure we're ready for all of this just yet. Gritty again I feel as I work my way in, I scan the room for anything I might have elapsed to say when my eyes fall on my ribbons on the wall. I would say anything to make him think about not going in so fast, yet I want it all. The blinking to every downward moment, seeing it all so fast, what to do, it was hard, not slow and good, I don’t remember it all.
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
More important, though, and what I am trying to tell you is that within this quick exchange I understood that it is inside all of us men to be both menacing and cowardly. It is in all of us to have virtue and value and yet it is also in our power to fall into irrelevant novelty or, even worse, elicit indifference from the people we’ve loved. This is the challenge, I suppose, of fatherhood.
M.O. Walsh (My Sunshine Away)
To that end, NLP has distilled the entire state management process into two core elements, both of which are under a person’s conscious control. The first of these two elements is: What you choose to focus on. In essence, at any particular moment, you have the ability to choose the precise direction of your focus; and based on that choice, you’ll fall into a state that’s congruent with what you’ve chosen to focus on. For example, if you spend the next few minutes focusing on everything that’s great in your life—a recent business success, being in a loving relationship, the health of your children, a recent goal you achieved, a family getaway—then you’ll quickly pop into a positive,
Jordan Belfort (Way of the Wolf: Straight line selling: Master the art of persuasion, influence, and success)
Horizontal comparisons tend to stimulate self-righteousness. Think of the contrast between the words of the Pharisee and the tax collector in Jesus’s parable in Luke 18. He also told this parable to some who trusted in themselves that they were righteous, and treated others with contempt: “Two men went up into the temple to pray, one a Pharisee and the other a tax collector. The Pharisee, standing by himself, prayed thus: ‘God, I thank you that I am not like other men, extortioners, unjust, adulterers, or even like this tax collector. I fast twice a week; I give tithes of all that I get.’ But the tax collector, standing far off, would not even lift up his eyes to heaven, but beat his breast, saying, ‘God, be merciful to me, a sinner!’ I tell you, this man went down to his house justified, rather than the other. For everyone who exalts himself will be humbled, but the one who humbles himself will be exalted.” (Luke 18:9–14) In comparing himself to other people who are obviously more sinful than he is, the Pharisee essentially tells God that he doesn’t need him, and he surely doesn’t need his forgiveness. How ironic it is to tell the One to whom you are praying that you don’t need him. How strange is it to turn prayer into an argument for your independence rather than a humble confession of personal need. The argument of the Pharisee has two parts. First, he compares himself to others, and then he offers evidence that he is really quite righteous. Sadly, in this man’s prayer, he is participating in his own deception—​​​a deception that will be his doom. The tax collector does just the opposite. Why is he so quick to cry out for God’s mercy? He’s quick to do so because he’s looked into the mirror of God’s Word. You cannot read God’s Word without becoming deeply aware that you are a person in desperate need. You cannot read God’s Word without being confronted with the sin that lives in your heart. You cannot read your Bible without facing the fact that you constantly fall beneath God’s wise and holy standard. You cannot properly celebrate the Christmas story without also being willing to receive its clear and loving rebuke.
Paul David Tripp (Come, Let Us Adore Him: A Daily Advent Devotional)
A recording plays from somewhere high, or low, floating up or down through the falling dust-light. It is a voice out of time, voice of quickness, voice of glass—or wind. A melody, almost—of mud. How it takes a deep blue to tumble wet stones into a songline. The music any earth makes when touched and shaped by the original green energy. The song, if translated, might feel like this: You have been made in my likeness. I am inside you—I am you / or you are me. Let us say to one another: I am yours— and know finally that we will only ever be as much as we are willing to save of one another.
Natalie Díaz (Postcolonial Love Poem)
Do you think Bubbles wants Chinese food because it's made out of cats?" Genevieve questioned, shoveling a big bite into her mouth. "Genevieve, that's just gross and wrong. Don't say things like that. Bubbles is a dog, and their stomachs are bottomless pits. They'll eat anything and everything in sight." Genevieve quickly swallowed. "Well, Bobby said in China they eat cats." "Gen, I assure you, we.are.not eating cats," I responded slowly trying to make sure another food wasn't crossed off her 'will eat' list. It was ever growing shorter. "All lies!" Genevieve proclaimed, sticking her fork high in the air with a piece of chicken, only to have it fall, never touching the floor. "See? Cat!
Ottilie Weber (Beneath the Scars (Beneath the Scars #1))
Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.
Bob Thurber (Nothing But Trouble)
quick kiss on the side of the head, stepped beside her, and grabbed the tongs to put the steaks on the grill. They sizzled when they hit the hot metal rack, and he closed the lid to let them cook. “I love it back here,” Claire said, a touch of nervousness in her voice he hoped to erase tonight. He wanted her to be comfortable with him all the time. “While the house and barn are
Jennifer Ryan (Falling for Owen)