Falling Flower Petals Quotes

Sometimes I wake up and lie still enough to hear a petal drop from the vase of flowers. Sometimes I lie awake and wish there was someone to hear my falling.

Words. Borne on the ever swelling current of hatred, like flowers opening in the current, petals peeling back, then falling apart.

With a chaste heart With pure eyes I celebrate your beauty Holding the leash of blood So that it might leap out and trace your outline Where you lie down in my Ode As in a land of forests or in surf In aromatic loam, or in sea music Beautiful nude Equally beautiful your feet Arched by primeval tap of wind or sound Your ears, small shells Of the splendid American sea Your breasts of level plentitude Fulfilled by living light Your flying eyelids of wheat Revealing or enclosing The two deep countries of your eyes The line your shoulders have divided into pale regions Loses itself and blends into the compact halves of an apple Continues separating your beauty down into two columns of Burnished gold Fine alabaster To sink into the two grapes of your feet Where your twin symmetrical tree burns again and rises Flowering fire Open chandelier A swelling fruit Over the pact of sea and earth From what materials Agate? Quartz? Wheat? Did your body come together? Swelling like baking bread to signal silvered hills The cleavage of one petal Sweet fruits of a deep velvet Until alone remained Astonished The fine and firm feminine form It is not only light that falls over the world spreading inside your body Yet suffocate itself So much is clarity Taking its leave of you As if you were on fire within The moon lives in the lining of your skin.

Advice for a human. 90. But know this. Men are not from Mars. Women are not from Venus. Do not fall for categories. Everyone is everything. Every ingredient inside a star is inside you, and every personality that ever existed competes in the theatre of your mind for the main role. 91. You are lucky to be alive. Inhale and take in life's wonders. Never take so much as a single petal of a flower for granted.

There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tir'd eyelids upon tir'd eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, And from the craggy ledge the poppy hangs in sleep.

Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.

The breath of wind that moved them was still chilly on this day in May; the flowers gently resisted, curling up with a kind of trembling grace and turning their pale stamens towards the ground. The sun shone through them, revealing a pattern of interlacing, delicate blue veins, visible through the opaque petals; this added something alive to the flower's fragility, to it's ethereal quality, something almost human ,in the way that human can mean frailty and endurance both at the same time. The wind could ruffle these ravishing creations but it couldn't destroy them, or even crush them; they swayed there, dreamily; they seemed ready to fall but held fast to their slim strong branches-...

Soft sun shone down on a misty cathedral at the opposite end of a football-field length courtyard. The cathedral had a long pointed tower with beautiful rose and ivory stained glass windows. Pink-petal flowers and deep green ivy climbed the stones from the ground to it’s roof. A large fountain stood in the middle of the courtyard with water falling from several lion’s heads. Between the misty air and rolling slope of the earth, the grounds reminded me of a long lost fairy tale.

Greet the sky and live, blossom!... Yet even as the wind stirs your petals, flowers fall. My flowers are eternal, my songs live forever. I lift them in offering; I, a singer. I cast them to the wind, I spill them. The flowers become gold, they come to dwell inside the palace of eternity.

I think true love transcends tiem. The thunderbolt does not. Not if it strkes men the way you described." I start a sprint toward a glade where my favorite orange flowers grow. He catches up with me easily. "Most girls prefer flowers over trees." I brush my fingers on the petals."These flowers blossom quickly. They speak of passion, of beauty." I take a witheting flower that had dropped to the ground and fondle it between my fingers. "But flowers don't last. They wither easily and have limited growth. A tree might not speak of passion but sturdiness. Yet, it grows higher and lasts longer. Some of these trees were here before I was born and they'll be here once I'm gone." My heads falls back as I look at the highest tree. "Real love ought to be more like a tree and less like a flower. That's the kind of love my parents had. It wasn't as consuming as it was everlasting. And you see that tree over there? Now it's showing only green leaves, but in spring it's covered in flowers. Because as reliable as trees are, they can also speak of beauty and passion.

my brain is many colors, vague, like massed flowers: total spectrum of petals beginning with black. I wear my costume inside like blood and bones, keep graphs of my ups and downs, discover people laugh more at my falls than at my flying. The moral of this story is: sad eyes need also tears.

Oh what a morning it was, that first morning of Mrs. Sweet awaking before the baby Heracles with his angry cries, declaring his hunger, the discomfort of his wet diaper, the very aggravation of being new and in the world; the rays of sun were falling on the just and unjust, the beautiful and the ugly, causing the innocent dew to evaporate; the sun, the dew, the little waterfall right next to the village's firehouse, making a roar, though really it was an imitation of the roar of a real waterfall; the smell of some flower, faint, as it unfurled its petals for the first time: oh what a morning!

in winter, it's the snowflakes. in spring, it's the raindrops. in summer, it's the flower petals. in autumn, it's the leaves. all these things will eventually fall, but not one of them will fall as hard as i do for you when i wake up every morning. -all the cliches were written with us in mind.

The Devil's Rose You would never take a rose from a beast. If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do. But the cunning beast will have his beauty. He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow. The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume. As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch. Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence. Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.

and when a leaf falls from the climbing vines, you know, my love, what name is written on that leaf, a name that is yours and mine, our love name, a single being, the arrow that pierced winter, the invincible love, the fire of the days, a leaf that dropped upon my breast, a leaf from the tree of life that made a nest and sang, that put out roots, that gave flowers and fruits. And so you see, my love, how I move around the island, around the world, safe in the midst of spring, crazy with light in the cold, walking tranquil in the fire, lifting your petal weight in my arms as if I had never walked except with you, my heart, as if I could not walk except with you, as if I could not sing except when you sing.

The flowers were opulent, full-blown, topple shower petals at a touch. He thought that she might topple that way, falling all at once into his hand, a soft drift of blossom between his fingers. The roses bowed their extravagant heads, nodding, but she was all stiff prim and black, back in her bonnet, so that he could not see her face unless she looked directly at him.

As if in answer to her question, an odor of decay seeped through thee doorway from the darkened shop. Senescence, she thought. A beautiful word for what happened to all living things as they progressed toward death. Petals fading, leaves falling, stems beginning to rot.

If with the water’s rosy hue comparison be made, Carmine tears and dewy flowers seem of the self-same shade. Yet lady’s tears and flowers in this unalike I find, That the flowers are still and smiling, but the tears flow unallayed. As she gazes on the smiling flowers, her tears at last grow dry; But as they dry, the springtime ends and the flowers fade. The flowers fade, and an equal blight the lady’s fair cheek palls. The petals drift; she is weary; and soon the darkness falls. A nightingale is singing a dirge for the death of spring, And moonlight steals through the casement and dapples the silent walls.

A Tear And A Smile - I would not exchange the sorrows of my heart For the joys of the multitude. And I would not have the tears that sadness makes To flow from my every part turn into laughter. I would that my life remain a tear and a smile. A tear to purify my heart and give me understanding Of life's secrets and hidden things. A smile to draw me nigh to the sons of my kind and To be a symbol of my glorification of the gods. A tear to unite me with those of broken heart; A smile to be a sign of my joy in existence. I would rather that I died in yearning and longing than that I live Weary and despairing. I want the hunger for love and beauty to be in the Depths of my spirit,for I have seen those who are Satisfied the most wretched of people. I have heard the sigh of those in yearning and Longing, and it is sweeter than the sweetest melody. With evening's coming the flower folds her petals And sleeps, embracingher longing. At morning's approach she opens her lips to meet The sun's kiss. The life of a flower is longing and fulfilment. A tear and a smile. The waters of the sea become vapor and rise and come Together and area cloud. And the cloud floats above the hills and valleys Until it meets the gentle breeze, then falls weeping To the fields and joins with brooks and rivers to Return to the sea, its home. The life of clouds is a parting and a meeting. A tear and a smile. And so does the spirit become separated from The greater spirit to move in the world of matter And pass as a cloud over the mountain of sorrow And the plains of joy to meet the breeze of death And return whence it came. To the ocean of Love and Beauty----to God.

As new flowers grow, the old petals fall off. As you move forward in life, you begin to lose some friends.

What use is a defenseless flower except to shove in a vase and let wither until its once-beautiful petals fall off?

The Geranium When I put her out, once, by the garbage pail, She looked so limp and bedraggled, So foolish and trusting, like a sick poodle, Or a wizened aster in late September, I brought her back in again For a new routine - Vitamins, water, and whatever Sustenance seemed sensible At the time: she'd lived So long on gin, bobbie pins, half-smoked cigars, dead beer, Her shriveled petals falling On the faded carpet, the stale Steak grease stuck to her fuzzy leaves. (Dried-out, she creaked like a tulip.) The things she endured!- The dumb dames shrieking half the night Or the two of us, alone, both seedy, Me breathing booze at her, She leaning out of her pot toward the window. Near the end, she seemed almost to hear me- And that was scary- So when that snuffling cretin of a maid Threw her, pot and all, into the trash-can, I said nothing. But I sacked the presumptuous hag the next week, I was that lonely.

Sometimes I look up and imagine the falling of stars, Lotus flowers and blue five branched bars, Towers that crumble under the weight of the sky, Pillars way up high that come apart, Just a glance and one wish for a restart, Sand swirling around the world, the underside, The deep blue abyss from afar, The bubble that encapsulates the solar heart, A landscape filled with craters, undermined, The slow descent to a tectonic mars, One of soft piano, and a bright just as blue life-giving scar, The wide eyes of every lavender petal, frozen in time, Every name is forgotten, even those once heard before, The sound of the distant past trusting the future, A world where everything was paused, limelight, A time where it was you, yourself, and the dark, When the silence was dead and so is everything in the floor.

The summer I was ten years old, there was a group of kids in my neighborhood who played together every night after dinner. I often watched them from my window…Every night around nine-thirty or ten, those kids would get called in one by one…I knew the first ones called were full of resentment. But they needn’t have been. Nothing ever happened after they left anyway. Things just sort of ended in a slow motion way, like petals falling off a flower. You couldn’t have people leave like that and have anything good happen afterward. Whoever was left couldn’t pay much attention to anything other than waiting for their turn to get called in. So, it wasn’t so bad to go first, to head back toward those deep yellow lights and beds made up with summer linens. It was much better than being last, when you would be left standing there alone, finally going in without anybody calling you.

Not like that," Na'imah instructs, shaking her head so hard that a shower of orange flower petals fall from her curls. Dragonflies orbit her head as she repositions a maji's hands around her cheetanaire's temples. "Feel the connection.

When the final moment came, signalled to him by the dramatic stoppage of her loud, rasping breathing (whereas their son had departed so quietly, like the petals of a flower falling off), he felt like a sheet of ice being rushed along a river.

Back in his room, Lale carefully places the precious flower beside his bed before falling into a dreamless sleep, but the next morning when he wakes, the petals from his flower have separated and lie curled up beside the black center. Death alone persists in this place.

One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light

If you fall for a dark-eyed beauty, pretty as a picture, with lips as sweet as a luscious rasberry, and a gentle face, unrumpled by kisses, like an apple-blossom petal in May, and she becomes your love—then do not say that love is yours: even though you cannot tire of her rounded breasts, of her slender frame that melts in your embrace like wax before a flame. . . . The day will come, that cruel hour will come, the fatal moment will come, when he face will fade, rumpled by kisses, her breasts will no longer quiver at your touch: all this will come to pass; and you will be alone with your own shadow amidst the sunscorched deserts and the dried up springs, where flowers do not bloom and the sunlight plays on the dry skin of a lizard; and you might even see the hairy black tarantula’s lair, all enmeshed in the threads of its web . . . And then your thirsting voice will be raised from the sands, calling longingly to your homeland. --- But if your love is otherwise, if her browless face has once been touched by the black blemish of the pox, if her hair is red, her breasts sagging, her bare feet dirty, and to any extent at all her stomach protrudes, and still she is your love—then that which you have sought and found in her is the sacred homeland of your soul.

Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.” My throat began to close at the pain in her voice. She looked up at me. “Because nothing so perfect can last an eternity, can it? Like shooting stars. We see the usual stars above us every single night. Most people take them for granted, even forget they are there. But if a person sees a shooting star, they remember that moment forever, they even make a wish at its presence.” She took in a deep breath. “It shoots by so quickly that people savor the short time they have with it.” I felt a teardrop fall on our joined hands. I was confused, unsure why she was talking about such sad things. “Because something so completely perfect and special is destined to fade. Eventually, it has to blow away into the wind.” Poppy held up the cherry blossom that was still in her hand. “Like this flower.” She threw it into the air, just as a gust of wind came. The strong bluster carried the petals into the sky and away above the trees. It disappeared from our sight. “Poppy—” I went to speak, but she cut me off. “Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.

Tomino’s Hell Elder sister vomits blood, younger sister’s breathing fire while sweet little Tomino just spits up the jewels. All alone does Tomino go falling into that hell, a hell of utter darkness, without even flowers. Is Tomino’s big sister the one who whips him? The purpose of the scourging hangs dark in his mind. Lashing and thrashing him, ah! But never quite shattering. One sure path to Avici, the eternal hell. Into that blackest of hells guide him now, I pray— to the golden sheep, to the nightingale. How much did he put in that leather pouch to prepare for his trek to the eternal hell? Spring is coming to the valley, to the wood, to the spiraling chasms of the blackest hell. The nightingale in her cage, the sheep aboard the wagon, and tears well up in the eyes of sweet little Tomino. Sing, o nightingale, in the vast, misty forest— he screams he only misses his little sister. His wailing desperation echoes throughout hell— a fox peony opens its golden petals. Down past the seven mountains and seven rivers of hell— the solitary journey of sweet little Tomino. If in this hell they be found, may they then come to me, please, those sharp spikes of punishment from Needle Mountain. Not just on some empty whim Is flesh pierced with blood-red pins: they serve as hellish signposts for sweet little Tomino. —translated by David Bowles June 29, 2014

Stronger Than Time Since I have set my lips to your full cup, my sweet, Since I my pallid face between your hands have laid, Since I have known your soul, and all the bloom of it, And all the perfume rare, now buried in the shade; Since it was given to me to hear on happy while, The words wherein your heart spoke all its mysteries, Since I have seen you weep, and since I have seen you smile, Your lips upon my lips, and your eyes upon my eyes; Since I have known above my forehead glance and gleam, A ray, a single ray, of your star, veiled always, Since I have felt the fall, upon my lifetime's stream, Of one rose petal plucked from the roses of your days; I now am bold to say to the swift changing hours, Pass, pass upon your way, for I grow never old, Fleet to the dark abysm with all your fading flowers, One rose that none may pluck, within my heart I hold. Your flying wings may smite, but they can never spill The cup fulfilled of love, from which my lips are wet; My heart has far more fire than you can frost to chill, My soul more love than you can make my soul forget

Is it always this awkward?" Sara asked. Her voice was hushed. Derek turned to look at her, his gaze falling to the white rose in her hands. She had taken it from the arrangement of hothouse flowers. Nervously her fingers ruffled the fragile petals. Self-consciously Sara sniffed the pale blossom and began to insert it back into the huge vase. "It's nice to have roses in January," she murmured. "Nothing in the world has such a lovely scent." She was so innocently beautiful, with the disordered waves of her hair falling around her face. His muscles tightened in response. He would like to have her painted this way, standing by the table with her head turned toward him, the white flower caught in her fingers. "Bring it here," he said. She obeyed, coming to him and handing him the rose. He closed his fingers around the plump head of the flower and pulled gently, freeing the petals from their tenuous moorings. Tossing aside the desecrated stem, he opened his hand over the bed. The petals scattered in a fragrant shower. Sara drew in a quick breath, staring at him as if mesmerized.

I knew that life couldn’t be like a romance novel, where someone could fall hopelessly in love with her soul mate the moment they met eyes across a crowded room. Preposterous. Or that you could be whisked off into a world of fantasy and excitement by a handsome stranger, instantly connect, and be in perfect sexual sync from the second his mammoth male member teased your delicate flower petals.

Gusts of fiery winds blow, blasting a furnace of heat. The air rings with the shrill screams of my beloved carnations. Rising and falling, they shed their flower heads upon the worn, foot trodden dirt. Staring up, their heads smile sadly, their petals shedding tears. Rolling across the planks, they reach out for me. The carnation flower's scent is fragrant in the breeze. It wakes me so I escape the dark world of dreams.

She had drawn intricate patterns around the edges of the paper. Heart-shaped petals formed into flowers, and paisley curlicues formed into leaves, all of which connected to look like lace. It was similar to the designs he'd seen decorating Charlotte's skin over the years. He opened the box and lifted out a glass ball. He held it up and saw tiny glass threads inside that reminded him of strings of batter falling from a spoon.

Descending the stairs from her room, I was tempted to go outside and find out if the shivering gut-wrench I’d felt as I came in really meant what I thought it did. But I stayed in the warmth of the house. I felt like I knew something about myself that I hadn’t before, a bit of knowledge so new that if I became a wolf now, I might lose it and not remember it whenever I became Cole again. I wandered down the main stairs, mindful that her father was somewhere in the house’s depths while Isabel stayed up in her tower alone. What would it be like, growing up in a house that looked like this? If I breathed too hard it would knock some decorative bowl off the wall or cause the perfectly arranged dried flowers to weep petals. Sure, my family had been affluent growing up—successful mad scientists generally are—but it never looked like this. Our lives had looked…lived in.

When an ice wind comes to the city, indi flowers freeze along the white walls. Purple enameled petals chatter in the wind. Then the cold snap passes. Petals melt and fall from their stems. New flowers grow, fluffy and thick. I love the flowers. They are so strong. Really, they are a weed, and destructive. The vines cannot easily be ripped out. They must be chopped. Over time, they can crack and crumble a wall. But I love them for that, too.

Beside Thane—who watched the setting sun with such peace, with such light in his eyes—the “woman” seemed imaginary. Because she is, Ceony realized, a second breeze tickling her skirt and blowing loose flower petals across her vision. These are the things Thane—Emery—hopes for. She studied him, his peace and his contentment, the eyes that seemed to radiate life. She studied the shadowy woman beside him from head to foot. He wants to fall in love again.

Flower Herding On Mount Monadnock In the forest I discover a flower. The invisible life of the thing Goes up in flames that are invisible, Like cellophane burning in the sunlight. It burns up. Its drift is to be nothing. In its covertness it has a way Of uttering itself in place of itself, Its blossoms claim to float in the Empyrean, A wrathful presence on the blur of the ground. The appeal to heaven breaks off. The petals begin to fall, in self-forgiveness. It is a flower. On this mountainside it is dying.

And now it is said of me That my love is nothing because I have borne no children, Or because I have fathered none; That I twisted the twig in my hands And cut the blossom free too soon from the seed; That I lay across the fire, And snuffed it dead sooner than draft or rain. But I have turned away, and drawn myself Upright to walk along the room alone. Across the dark the spines of cactus plants Remind me how I go—aloof, obscure, Indifferent to the words the children chalk Against my house and down the garden walls. They cannot tear the garden out of me, Nor smear my love with names. Love is a cliff, A clear, cold curve of stone, mottled by stars, smirched by the morning, carved by the dark sea Till stars and dawn and waves can slash no more, Till the rock’s heart is found and shaped again. I keep the house and say no words, the evening Falls like a petal down the shawl of trees. I light the fire and see the blossom dance On air alone; I will not douse that flame, That searing flower; I will burn in it. I will not banish love to empty rain. For I know that I am asked to hate myself For their sweet sake Who sow the world with child. I am given to burn on the dark fire they make With their sly voices. But I have burned already down to bone. There is a fire that burns beyond the names Of sludge and filth of which this world is made. Agony sears the dark flesh of the body, And lifts me higher than the smoke, to rise Above the earth, above the sacrifice; Until my soul flares outward like a blue Blossom of gas fire dancing in mid-air: Free of the body’s work of twisted iron.

Perverse? Because they obey the only law of life; because they are satisfied with the only need of life, which is love? But consider, milady, the flower is only a reproductive organ. Is there anything healthier, stronger, or more beautiful than that? These marvelous petals, these silks, these velvets... these soft, supple, and caressing materials are the curtains of the alcove, the draperies of the bridal chamber, the perfumed bed where they unite, where they pass their ephemeral and immortal life, swooning with love. What an admirable example for us!” he spread the petals of the flower, counted the stamens laden with pollen, and he spoke again, his eyes swimming in a comical ecstasy: “See, milady; one, two, five, ten, twenty. See how they quiver! Look! Sometimes twenty males are required for the delight of a single female! he! he! he! Sometimes it’s the opposite.” one by one he tore off the petals of the flower: “And when they are gorged with love, then the curtains of the bed are torn away, the draperies of the chamber wither and fall; and the flowers die, because they know well they have nothing more to do. They die, to be reborn later, and once again, to love!

A butterfly fluttered from flower to flower in the old garden, gracing the silvery-blue tips of the crocuses and what remained of the icy-white petals of the lady's prized tulips. The yellow strands on the butterfly's wings shimmered in the fading light, and Libby watched the creature in its journey, mesmerized by the graceful rise and fall of its dance. Her arms outstretched, Libby twirled around like she had as a girl, embracing the last rays of sunlight. Here in this garden, she was as free as the butterfly. Here she didn't have to hide. The butterfly climbed above the flowers and soared toward the lily pond. Beyond the pond were more flowers, hundreds of them, and then the trees. Soon the butterfly would curl up under a rock or leaf and rest for the night, hiding in the darkness, alone and vulnerable until the sun powered her wings again at dawn. Libby trailed the creature around the pond to see where it would land. If the night stayed warm, she might curl up beside the butterfly to rest, but not now. She no longer had to hide in these gardens. Soon the moonlight would glaze the paths with gold, and she would explore for hours, enveloped in the shadows and the light.

The age was the Elizabethan; their morals were not ours; nor their poets; nor their climate; nor their vegetables even. Everything was different. The weather itself, the heat and cold of summer and winter, was, we may believe, of another temper altogether. The brilliant amorous day was divided as sheerly from the night as land from water. Sunsets were redder and more intense; dawns were whiter and more auroral. Of our crepuscular half-lights and lingering twilights they knew nothing. The rain fell vehemently, or not at all. The sun blazed or there was darkness. Translating this to the spiritual regions as their wont is, the poets sang beautifully how roses fade and petals fall. The moment is brief they sang; the moment is over; one long night is then to be slept by all. As for using the artifices of the greenhouse or conservatory to prolong or preserve these fresh pinks and roses, that was not their way. The withered intricacies and ambiguities of our more gradual and doubtful age were unknown to them. Violence was all. The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice. Girls were roses, and their seasons were short as the flowers. Plucked they must be before nightfall; for the day was brief and the day was all.

Sitting under a tree, I studied my options. The fall flowers were in full bloom: verbena, goldenrod, chrysanthemum, and a late-blooming rose. The carefully tended city beds around the park held layers of textured evergreen but little color. I set to work, considering height, density, texture, and layers of scent, removing touch-damaged petals with careful pinches. When I had finished, spiraling white mums emerged from a cushion of snow-colored verbena, and clusters of pale climbing roses circled and dripped over the edge of a tightly wrapped nosegay. I removed every thorn. The bouquet was white as a wedding and spoke of prayers, truth, and an unacquainted heart.

I want to die young, neither loving nor grieving for anyone; to burst like a golden falling star, to shed my petals while still an unfaded flower. I want those wearied by hostility to find bliss twofold at my gravestone. I want to die young. Bury me to the side, away from the irritating and noisy road, there, where the pussy willow inclines to the waves, where the overgrown bushes grow yellow. So that the dreamy poppies may grow, so that the wind may breathe the fragrances of the distant earth over me. I want to die young. I don't look at the path I've travelled, at the madness of wasted years. I can doze untroubled, once I've sung my final hymn. Let the fire not completely fade; let there remain a memory of what aroused the heart's thirst for life. I want to die young.

As I walked, I became aware of the strong odor of peonies and jasmine. I inhaled deeply to draw in the lovely bouquet. The scent was from the fresh flowers of a lush garden. The path opened into a courtyard, a tangle of peonies and jasmine framing the entrance, blooming in spectacular fashion. Silky petals brushed against my skin. The tension building in my neck and shoulders melted away as I entered a fairyland. The rustle of the night breeze joined the familiar voice of Teresa Teng echoing from invisible speakers. Beneath my feet, a path of moss-covered stones led to a circular platform surrounded by a large, shallow pond. The night garden was bursting with a palette of muted greens, starlit ivories, and sparkling golds: the verdant lichen and waxy lily pads in the pond, the snowy white peonies and jasmine flowers, and the metallic tones of the fireflies suspended in the air, the square-holed coins lining the floor of the pond, and the special golden three-legged creatures resting on the floating fronds. I knew these creatures from my childhood. The feng shui symbol of prosperity, Jin Chan was transformed into a golden toad for stealing the peaches of immortality. Jin Chan's three legs represented heave, earth, and humanity. Statues of him graced every Chinese home I had ever been in, for fortune was a visitor always in demand. Ma-ma had placed one near the stairs leading to the front door. The pond before me held eight fabled toads, each biting on a coin. If not for the subtle rise and fall of their vocal sacs, I would have thought them statues.

I walked through the cemetery holding a bouquet of yellow and red flowers with brown combat boots, feeling grateful and bitter the sun was shining so brightly. I felt an urge to run, as well as a magnet to reach the group of people surrounding you. I wanted to be wearing white. I wanted to be walking down an isle with flowers and for this to be a different ceremony. I wanted to curl up beside the earth that held you, the pink and yellow petals, strings of ground hanging loosely in the wind and be beside you. I was angry you were buried, I resented the earth falling upon you. Each scoop felt heavy and indefinite. I'm not ready to know this is definite. I watched your chest, in a white linen shirt last night wishing for your chest to rise. But when I kissed your forehead it was cold. And when I held your hands it wasn't you. It was a shell. It was a vessel. It was empty. The first time I heard your new music it was by accident and your voice drove me from your home into hysterics. But when I entered your home and it played with your casket it was welcome. I read your letter with your mom and dad out loud beside you, and halfway through "spelunking in your soul" started to play. That was a gift, thank you. Today walking back from the funeral a green and black beetle landed in my hair and crawled onto my finger. I just had a bad moment with a woman in your life and I felt you in the little beetle. I'm writing something to be read at your celebration of life. It's not going to be read by me. I have a wedding in Joshua tree. But I will celebrate you in the desert there. I wanted to read the poem "sex and wine for breakfast" I wrote about you but figured I would go less steamy. I love you.

Each new human life retraces this ancient story. Young children are the very essence of human innocence. They run, play, and feel—and, as in Genesis, when they are naked they are not ashamed. Children provide a model for the assumption of healthy normality, and their innocence and vitality are part of why the assumption seems so obviously true. But that vision begins to fade as children acquire language and become more and more like the creatures adults see reflected every day in their mirrors. Adults unavoidably drag their children from the Garden with each word, conversation, or story they relate to them. We teach children to talk, think, compare, plan, and analyze. And as we do, their innocence falls away like petals from a flower, to be replaced by the thorns and stiff branches of fear, self-criticism, and pretense. We cannot prevent this gradual transformation, nor can we fully soften it. Our children must enter into the terrifying world of verbal knowledge. They must become like us.

The intensity of my sensations has always been less than the intensity of my awareness of them. I've always suffered more from my consciousness that I was suffering than from the suffering of which I was conscious. The life of my emotions moved early on to the chambers of thought, and that's where I've most fully lived my emotional experience of life. And since thought, when it shelters emotion, is more demanding than emotion by itself, the regime of consciousness in which I began to live what I felt made how I felt more down-to earth, more physical, more titillating. By thinking so much, I became echo and abyss. By delving within, I made myself into many. The slightest incident — a change in the light, the tumbling of a dry leaf, the faded petal that falls from a flower, the voice speaking on the other side of the stone wall, the steps of the speaker next to those of the listener, the half-open gate of the old country estate, the courtyard with an arch and houses clustered around it in the moonlight — all these things, although not mine, grab hold of my sensory attention with the chains of longing and emotional resonance. In each of these sensations I am someone else, painfully renewed in each indefinite impression. I live off impressions that aren't mine. I'm a squanderer of renunciations, someone else in the way I'm I.

Like drops of water that fall on the rocks of the jungle, the silence is full of tenderness. Whisper softly my poetry unraveling your admiration. In the name of night. Everything I see is simplicity in your beautiful body Like an incandescent light that dispels the darkness Then it bounced on the rose petals in the dim moonlight. Blushing reconciles the anxiety of the soul Comforting a sore heart Your beauty is a flower that unites to dazzle the majesty of the universe. Ahhh love... Your beauty is like a waterfall from the height of a cliff that is so sensual, showing the magic of a perfect panorama. How seductive and alluring is your soft skin..... As gentle as the twilight wind blew the dandelions scattered under the night sky. As soft as a lump of cotton that lay white on the heart rug. As gentle as the caress of the night breeze, flaking your shiny black hair. Ahhh. Let my breath rest for a moment Here, Between two seas of wine flowing red I find on your lips. How beautiful is love When the stalks of a kiss fall lying down Tickling spoiled and whispering intimately about the love that is heaven behind your ear with a warm whisper blowing slowly And Slowly... caressing your face in a long soft moan Lull a thousand touches and then cast your body into a pleasure that you have not found. In the name of my chest. Let our restless tantrums grapple in the flames of burning love. Until our passion quells the passion, Wet and subside. ️

I love the commanding tone of your voice and how it falls in gentle rhythms. I love how you dance like the waves and pull me in with your tide. You're every ounce as beautiful as the sea and every bit as wild. You have no idea the extent how vibrantly you glow, but perhaps you're learning. And I love that. I love you." A flutter in my chest multiplies, blooming and blooming and blooming, like the kaleidoscope in my dream. Only this time, it doesn't shatter. It holds me there in that rose-gold glow. I burst, but in a way that's expansive, not destructive. I leap forward, pressing my lips to his, obliterated by the dew-damp softness. His eyes widen as he pulls away. I gape at him, flushed. "I---I'm sorry." He hesitates, but then he pounces, drawing me towards his embrace and crushing my open mouth. It happens so fast. He grabs me by the thighs, welling up my skirt as he carries me out of the water. My fingers curl through his hair, and novas explode as he slips his tongue onto mine. He holds me tighter, kissing me over and over again like repeating a melody. It's as natural as language, as wild as the roaring sea. We fall to the ground, and a bed of flowers blossoms beneath us, pale pink and soft. The velvet petals tangle in my hair as he presses into me--- skin on skin, blooming with wild heat. We fold into each other, our arms coiling like serpents, my fingers tracing his body. He pulls away for just a moment, but only to study me like the rarest opal, admiring my every color and curve before kissing my lips--- sweet and soft and slow. We repeat the motions in a ritual that's only our own. I try to catch my thoughts, but they're all tangled up . Though, there's one thing I know for sure. Through my unsteady breathing, I whisper, "I love you, too." Despite what the Devil thinks, I am capable of love, and I won't let him win, not now. Damien and I collapse into the damp petals, surrendering to the night.

Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.

Mr Casaubon’s behaviour about settlements was highly satisfactory to Mr Brooke, and the preliminaries of marriage rolled smoothly along, shortening the weeks of courtship. The betrothed bride must see her future home, and dictate any changes that she would like to have made there. A woman dictates before marriage in order that she may have an appetite for submission afterwards. And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it. On a grey but dry November morning Dorothea drove to Lowick in company with her uncle and Celia. Mr Casaubon’s home was the manor-house. Close by, visible from some parts of the garden, was the little church, with the old parsonage opposite. In the beginning of his career, Mr Casaubon had only held the living, but the death of his brother had put him in possession of the manor also. It had a small park, with a fine old oak here and there, and an avenue of limes towards the south-west front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun. This was the happy side of the house, for the south and east looked rather melancholy even under the brightest morning. The grounds here were more confined, the flower-beds showed no very careful tendance, and large clumps of trees, chiefly of sombre yews, had risen high, not ten yards from the windows. The building, of greenish stone, was in the old English style, not ugly, but small-windowed and melancholy-looking: the sort of house that must have children, many flowers, open windows, and little vistas of bright things, to make it seem a joyous home. In this latter end of autumn, with a sparse remnant of yellow leaves falling slowly athwart the dark evergreens in a stillness without sunshine, the house too had an air of autumnal decline, and Mr Casaubon, when he presented himself, had no bloom that could be thrown into relief by that background. ‘Oh dear!’ Celia said to herself, ‘I am sure Freshitt Hall would have been pleasanter than this.’ She thought of the white freestone, the pillared portico, and the terrace full of flowers, Sir James smiling above them like a prince issuing from his enchantment in a rosebush, with a handkerchief swiftly metamorphosed from the most delicately-odorous petals—Sir James, who talked so agreeably, always about things which had common-sense in them, and not about learning! Celia had those light young feminine tastes which grave and weather-worn gentlemen sometimes prefer in a wife; but happily Mr Casaubon’s bias had been different, for he would have had no chance with Celia.

Not liking to think of him so, and wondering if they had guessed at dinner why he suddenly became irritable when they talked about fame and books lasting, wondering if the children were laughing at that, she twitched the stockings out, and all the fine gravings came drawn with steel instruments about her lips and forehead, and she grew still like a tree which has been tossing and quivering and now, when the breeze falls, settles, leaf by leaf, into quiet. It didn't matter, any of it, she thought. A great man, a great book, fame—who could tell? She knew nothing about it. But it was his way with him, his truthfulness—for instance at dinner she had been thinking quite instinctively, If only he would speak! She had complete trust in him. And dismissing all this, as one passes in diving now a weed, now a straw, now a bubble, she felt again, sinking deeper, as she had felt in the hall when the others were talking, There is something I want—something I have come to get, and she fell deeper and deeper without knowing quite what it was, with her eyes closed. And she waited a little, knitting, wondering, and slowly rose those words they had said at dinner, "the China rose is all abloom and buzzing with the honey bee," began washing from side to side of her mind rhythmically, and as they washed, words, like little shaded lights, one red, one blue, one yellow, lit up in the dark of her mind, and seemed leaving their perches up there to fly across and across, or to cry out and to be echoed; so she turned and felt on the table beside her for a book. And all the lives we ever lived And all the lives to be, Are full of trees and changing leaves, she murmured, sticking her needles into the stocking. And she opened the book and began reading here and there at random, and as she did so, she felt that she was climbing backwards, upwards, shoving her way up under petals that curved over her, so that she only knew this is white, or this is red. She did not know at first what the words meant at all. Steer, hither steer your winged pines, all beaten Mariners she read and turned the page, swinging herself, zigzagging this way and that, from one line to another as from one branch to another, from one red and white flower to another, until a little sound roused her—her husband slapping his thighs. Their eyes met for a second; but they did not want to speak to each other. They had nothing to say, but something seemed, nevertheless, to go from him to her. It was the life, it was the power of it, it was the tremendous humour, she knew, that made him slap his thighs. Don't interrupt me, he seemed to be saying, don't say anything; just sit there. And he went on reading. His lips twitched. It filled him. It fortified him. He clean forgot all the little rubs and digs of the evening, and how it bored him unutterably to sit still while people ate and drank interminably, and his being so irritable with his wife and so touchy and minding when they passed his books over as if they didn't exist at all. But now, he felt, it didn't matter a damn who reached Z (if thought ran like an alphabet from A to Z). Somebody would reach it—if not he, then another. This man's strength and sanity, his feeling for straight forward simple things, these fishermen, the poor old crazed creature in Mucklebackit's cottage made him feel so vigorous, so relieved of something that he felt roused and triumphant and could not choke back his tears. Raising the book a little to hide his face, he let them fall and shook his head from side to side and forgot himself completely (but not one or two reflections about morality and French novels and English novels and Scott's hands being tied but his view perhaps being as true as the other view), forgot his own bothers and failures completely in poor Steenie's drowning and Mucklebackit's sorrow (that was Scott at his best) and the astonishing delight and feeling of vigour that it gave him.

Pick up a flower-- a beautiful, living, fresh rose. It smells wonderful. It reveals a lovely rhythm in the swirl of its petals, a rich yet dazzling color, a soft velvety texture. It moves and delights us. The problem with the rose is that it dies. Its petals fall; it shrivels up; it turns brown and returns to the earth. One solution to this problem is to ignore the real rose and substitute a plastic one, one that never dies (and never lives). But is a plastic rose what we want? No, of course not. We want the real rose. We want the one that dies. We want it because it dies, because it's fleeting, because it fades. It's this very quality that makes it precious. This is what we want, what each of us is: a living thing that dies.

The night seemed like a dream. Had she really found a mysterious dead body? And Falco: he could not be any more infuriating. And offensive. And exciting. Cass’s eyelids fluttered shut and she was with Falco again, walking across a field of flowers. The boy plucked one and tucked it behind her left ear. A white lily. Cass breathed in the aromatic scent. Almost overpowering. Intoxicating. His lips fell on hers, soft, then harder. So hard she was having trouble finding her breath. Falco laid her on the ground, and Cass realized that all the flowers were white lilies. White lilies piled on top of a coffin. Drops of red splashed on the petals. Cass gasped, but then saw it was paint, not blood. Scarlet teardrops falling from a brush Falco held poised above her. Two quick brushstrokes left a red X, emblazoned across her chest. And then Cass couldn’t breathe at all.

She sang the songs that Gu Shan must have been singing in her long years of imprisonment. The flowers of May bloom on the prairie, and the red petals fall and cover the martyrs’ blood. She had never felt this close to the people in her songs—the man and the woman who wedded themselves minutes before their execution, a jailed daughter asking her mother to bury her with her tombstone facing east so she would see the sunrise, a mother’s lullaby to her child who had been tortured to death by the secret police in front of her eyes. They had been alive once before legend had claimed them, and they lived in her singing now, sharing their secrets with her and holding her hands, waiting with her.

There was a dress we always kept in the family---a little girl's dress that once belonged to my great-grandmother. Ashley." Millie hesitated, as though to emphasize the name. "Ashley was just a child when she was sold, and her mother sewed the dress and embroidered a rose like that one on it." "Kind of reminds me of the color of that huge rosebush at Eliza's old estate in Charleston," Sullivan said, and Peter agreed. "I mean, I know it's comparing a real bush to an embroidered one... but isn't it strange. Eliza would have a bush with that color rose in her yards both here and in Charleston, and a collection of needlework displays with it in her attic?" Alice shrugged. "Maybe, maybe not. Roses are very popular flowers and were especially popular during that time period. It certainly could mean something, but I'm more interested in the sequence of the flowers this person chose to embroider and the connection Millie mentioned to that dress." Alice leaned closer. "Millie, are you sure the stitching is the same?" As a renowned seamstress, Millie's eye could be trusted. Millie nodded emphatically. "I have no doubt about it," she said. "The gentle curve of the petals. Shows remarkable craftsmanship. I remember admiring it when I was a little girl myself. It's one of the first memories I have of falling in love with textiles.

Lale carefully places the precious flower beside his bed before falling into a dreamless sleep, but the next morning when he wakes, the petals from his flower have separated and lie curled up beside the black center.

There is a moment for women – no more cacophonous than a petal falling from a dying flower – when politeness has cost them their life, and they know it. That moment, so brief it would barely register on any clock, stretches long into the coming void. Chloe Martin, stuck in her moment of eternal regret, stared at the foot separating her door from its frame as time stood still. You never knew when it was your turn, she thought. How could her day, her boring, run-of-the-mill day, have come to this? Where were the signs from the universe? Where was the sense of impending doom? It didn’t matter, now, that she always carried a rape alarm in her handbag, and it didn’t matter that she never walked home alone in the dark. It didn’t matter that she always put a lid over her drinks to prevent spiking, or that she never engaged in online dating. Because now she was in the thick of it, facing a shadowy figure at her door who had knocked and cried out for help, and she had rushed there so fast, so worried for the safety of a stranger, that she had failed to engage the chain.

Weakness—the very word seems to be condemnatory. But what is weakness? A flower is weak. A rock by the side of the flower is very strong. Would you like to be like a rock, or would you like to be like a flower? A flower is weak, remember, very weak—just a small wind and the flower will be gone. The petals will fall to the earth. A flower is a miracle; it is a miracle how the flower exists. So weak, so soft! Seems to be impossible—how is it possible? Rocks seem to be okay; they exist, they have their arithmetic to exist. But the flower? It seems to be completely unsupported—but still a flower exists; that’s the miracle. Would you like to be like a flower? If you ask, deep down your ego will say, “Be like a rock.” And even if you insist, because a rock looks ugly, then the ego will say, “If you want to be a flower, be at least a plastic flower. Be at least strong! Winds won’t disturb you, rains won’t destroy you, and you can remain forever and ever.” A real flower comes in the morning, laughs for a moment, spreads its fragrance, and is gone. An unreal flower, a plastic flower, can remain forever and ever. But it is unreal, and it is strong because it is unreal. Reality is soft and weak. And the higher the reality is, the softer.

A second later, the tree was bathed in white blossoms like a sudden snowfall. She breathed in the fresh, heady scent of apple blossoms and watched as the petals peeled back and the heart of the flower swelled into a green orb the size of a baby's fist. Leaves cloaked the tree, and the roots stretched, causing the earth around it to buckle. Half a minute later, it was finished: a perfectly healthy tree, with fruit ready to ripen in the fall. The light and heady scent of apple blossoms filled the breeze.

Yet even as the wind stirs your petals, flowers fall. My flowers are eternal, my songs live forever. I lift them in offering; I, a singer. I cast them to the wind, I spill them. The flowers become gold, they come to dwell inside the palace of eternity.

It has been said that if you have Zen in your life,you have no fear, no doubt, no unnecessary craving, no extreme emotions. Neither illiberal attitudes nor egotistical actions trouble you. You serve humanity humbly, fulfilling your presence in this world with loving-kindness and observing your passing as a petal falling from a flower. Serene, you enjoy life in blissful tranquility. Such is the spirit of Zen.---Zen flesh, Zen bones.

Sang had got down on all fours and crawled into Farouk’s coat closet, weeping uncontrollably, at one point hitting herself with a shoe. She’d refused to emerge from the closet until the policeman lifted her by the armpits and dragged her forcefully from the apartment, telling Paul to see her home. Tiny pieces of flower petals and leaves were still stuck in her hair. She had taken Paul’s hand in the elevator, and all the way back to the house. In the car, she had cried continuously with her head between her knees, not letting go of Paul’s hand, gripping it even as he shifted gears. He had put the seatbelt on her; her body had been stiff, unyielding. She seemed to know, without looking up, when they turned in to their road. By then, she had stopped crying. Her nose was running. She wiped it with the back of her hand. A light rain had begun to fall, and within seconds the windows and the windshield seemed covered with scratches, similar to the ones she’d inflicted on herself, the drops beading up in small diagonal lines.

Sometimes people just can't take how real the world can be. Even if they're your friend they’ll drop away from you like petals from a dying flower to keep their own sanity.

He loved us all, then let us fall from his fingers, desiccated as the rose petals on the flowers he made.

A pas de deux is more than just a partnered dance. Two souls. One body. Entwining together and weaving a story--- evoking a sensation, a memory, a thought. I shut my eyes, remembering how Damien laid me upon the petals and joined his soul with mine. In the heat of summer, he vowed to love me, and we became a part of each other. We separate, taking our places across the sea. The tension pent up inside my body slips away as the darkness spills into the water. My dance was always powerful, even when I'm imperfect and fragile and completely surrendered. I know that now. I fall into my adagio, weightless. Technique no longer matters. Instead, I'm passive to the waves, allowing the current to spin me in pirouettes. The darkness fans out, blooming like a flower. As I lunge into an arabesque, my fingertips release a nebula. Stars explode across the darkness and create my own galaxy. I fall into a piqué manège, birthing stardust strokes. With quick bourrée steps, constellations sprout across the sea. The water illuminates as I leap into a grand jeté, sending shooting stars as I fly. The sirens coo, and I welcome them to join me. They spin tendrils of gold into the darkness, using their fish tails like paintbrushes. As they circle me, the ragged dress I wear transforms into a glittering gown, reflecting rainbows when hit by the light. Finally, I embrace the angel I always was. Filling the distance between me and Damien, I leap into his arms. When he catches me, his darkness feathers into the sea. We entwine, twirling in a whirlpool as the sirens hold us in a glittering lattice.

Angels waltz around like in one of my daydreams, glitter-dusted as the faeries I was warned about as a child. They're mystic, with spindly limbs and gossamer hair and skin that glows. Their wings unfurl behind them, some gilded and others adorned with pale pink shimmer. They flutter across the flower-filled glade, twirling like falling feathers. A few of the angels thread starlight into garlands or coax the flowers to bloom. A train of them braid baby's breath into one another's hair. Others lay fruit in front of what looks like shrines--- seashells brimming with water and floating petals that gleam with reflections of the moon. It's like something out of a storybook. Lanterns are strung between the evergreens, casting their light over a long table. On top of a silk tablecloth, candelabras drip with wax and flowers are strewn about--- cerise roses, vibrant marigolds, velvet violets, and pale bluebells. Fresh fruit spills out of a giant shell like a cornucopia--- mangoes, peaches, guavas, champagne grapes and deep red cherries. Dark wine fills crystal cups. Rose-jam tarts with wild raspberries and hibiscus petals pile alongside tea cakes piped with custard and sugared primroses. In the center of the feast is a roasted duck glazed with honey and decorated with slices of pineapple. The smell of buttered potatoes lingers in the air, fragrant with hints of rosemary and garlic.

And then, seconds later, she collapsed—as my father buried his sword through her delicate form in his final burst of strength. I let out a strangled sound, stumbling forward. Caduan caught my arm. It was the only thing that kept me from falling through a crack in the floor. In the past, Caduan broke free from the stunned Blades who held him and ran to Orscheid’s side. My father died without a final word, hatred on his face. How easily he discarded his love even for his favorite, perfect daughter. Orscheid was such a delicate creature. She fell like a handful of flower petals. My mother wept. Caduan tried to stop her bleeding, tried to mend the wound, silent in utter concentration. Her blood and my father’s ran down the stairs together. The image froze. Wavered. Faded. “I tried to save her,” Caduan murmured. His voice felt too real, too close, compared to the memory. “Her life was worth too much to die alongside him.” Why was my voice so strange? It cracked over the words. “Why would she—how could she—

As we grow, our physical bodies literally begin to change—as a flower grows and its petals fall off, a snake sheds its skin, or a baby chick hatches out of an egg. This is all a part of the process, so honor it.

Meditation has nothing to do with contemplation of eternal questions, or of one’s own folly, or even of one’s navel, although a clearer view on all of these enigmas may result. It has nothing to do with thought of any kind—with anything at all, in fact, but intuiting the true nature of existence, which is why it has appeared, in one form or another, in almost every culture known to man. The entranced Bushman staring into fire, the Eskimo using a sharp rock to draw an ever-deepening circle into the flat surface of a stone achieves the same obliteration of the ego (and the same power) as the dervish or the Pueblo sacred dancer. Among Hindus and Buddhists, realization is attained through inner stillness, usually achieved through the samadhi state of sitting yoga.4 In Tantric practice, the student may displace the ego by filling his whole being with the real or imagined object of his concentration; in Zen, one seeks to empty out the mind, to return it to the clear, pure stillness of a seashell or a flower petal. When body and mind are one, then the whole thing, scoured clean of intellect, emotions, and the senses, may be laid open to the experience that individual existence, ego, the “reality” of matter and phenomena are no more than fleeting and illusory arrangements of molecules. The weary self of masks and screens, defences, preconceptions, and opinions that, propped up by ideas and words, imagines itself to be some sort of entity (in a society of like entities) may suddenly fall away, dissolve into formless flux where concepts such as “death” and “life”, “time” and “space”, “past” and “future” have no meaning. There is only a pearly radiance of Emptiness, the Uncreated, without beginning, therefore without end.5 Like the round bottomed Bodhidharma doll, returning to its centre, meditation represents the foundation of the universe to which all returns, as in the stillness of the dead of night, the stillness between tides and winds, the stillness of the instant before Creation. In this “void”, this dynamic state of rest, without impediments, lies ultimate reality, and here one’s own true nature is reborn, in a return from what Buddhists speak of as “great death”. This is the Truth of which Milarepa speaks.

As he began to strum his harp, he filled his mind with images of earth. Old crumbling stones and tangled grasses and wildflowers and weeds and saplings that put down deep roots, growing into mighty trees. The color of dirt, the scent of it. How it felt clutched in the hollow of one’s palm. The voice of branches swaying in the breeze, and the slope of the earth as it rose and fell, faithful and steady. Jack closed his eyes and began to sing. He didn’t want to see the spirits manifest, but he heard the grass hissing near his knees, and he heard the tree boughs groaning above him, and he heard the scratch of stone, as if two were being rubbed together. When he heard Adaira’s soft gasp, Jack opened his eyes. The spirits were forming themselves, gathering around him to listen. He played and sang and watched as the trees became maidens with long arms and hair made of leaves. The grass and pennywort knotted themselves into what looked to be mortal lads, small and green. The stones found their faces like old men waking from a long dream. The wildflowers broke their stems and gathered into the shape of a woman with long dark hair and eyes the color of honeysuckle, her skin purple as the heather that bloomed on the hills. Yellow gorse crowned her, and she waited beside the Earie Stone, whose face was still forming, craggy and ancient. As Jack played Lorna’s ballad he felt as if he was slowly sinking into the earth. His limbs were becoming heavy, and he drooped like a flower wilting beneath a fierce sun. It was like the sensation of falling asleep. He swore he saw daisies blooming from his fingertips, and every time he plucked his strings the petals broke away but regrew just as swiftly. And his ankles…he couldn’t move them, the tree roots had begun to take hold of him. His hair was turning into grass, green and long and tangled, and as the song ended he struggled to remember who he was, that he was mortal, a man. Someone was coming to him, bright as a fallen star, and he felt her hands on his face, blissfully cold. “Please,” the woman said, but not to him. She beseeched the wildflower spirit with her long dark hair and crown of vibrant gorse. “Please, this man belongs to me. You cannot claim him.” “Why, mortal woman,” one of the pennywort lads said from the ground, his words raspy as summer hay falling to a scythe. “Why did you sit so far away from him? We thought he sang to be taken by us.” Jack snapped out of the haze. Adaira was kneeling beside him, her hand shifting to his arm. He was stricken to see that he had truly been turning into the earth—grass, flowers, and roots. His harp clattered from his tingling hands; he struggled to breathe as he watched his body return to him. “He is mine, and he played to bring you forth by my command,” Adaira said calmly. “I long to speak to you, spirits of the earth.

in winter, it’s the snowflakes. in spring, it’s the raindrops. in summer, it’s the flower petals. in autumn, it’s the leaves. all these things will eventually fall, but not one of them will fall as hard as i do for you when i wake up every morning. - all the clichés were written with us in mind.

Cosmos are my favourite flowers." His eyes flashed with surprise. "I had no clue. They just make me think of you." "Really?" "Really." He smiled, allowing dimples to adorn his face whilst his cheekbones were coated with a rosy tinge. "The name makes me think of the galaxy, so the moon; you. Their petals are evenly placed, perfectly ordered, just like you are when you do something – always calculated, organised. But above all, they are strong, resilient flowers.

The great force! Few of us relate it with the dark, Many with the world unknown, A realm that erases every mark, Of every seed that in the farm of life was sown, Life fears it and hides at a place called nowhere, Yet it chases it and seeks it, Because its domain is everywhere, And life ultimately before it does submit, It rules over priests, emperors and paupers alike, A force that expects complete submission, It is not a feeling visceral that you may like, Because it enters every domain without any permission, Some say it even rules over time and its every moment, And it is not vindictive at all, Because even without the Sun its shadow is permanent, It has existed since the world witnessed the great fall, Its appearance is not due to serendipity, Because it is the final destiny of everything, It is an experience, felt just for a brevity, It appears from nothing and disappears into nothing, A force before which all kneel, Many incriminate it because it robs them entirely, Throughout one's life it seems unreal and in a moment becomes real, It leaves all sentimental and teary, It is death, the force all living shall experience one day, I wonder why flowers and butterflies do not dread it, I saw it capture and wilt a beautiful flower today, Yet the drooping and dead flower smiled as the hope of next Summer in its fading petals lit, Because death can wilt a summer flower, but it can't keep the Summer from returning again, It can kill a man and a woman, but it can never kill life’s spirit, Without life what shall it kill again and again, So you may despise it, but without it who shall renew life, if not it? There maybe no foreboding feeling about its arrival, But then it is the same about Summer’s advent too, Maybe life and death travel together for life’s continuous revival, And whose act is it who knows, because when a newly married couple says “We do!” We shower them with dead flowers, beautiful flowers, Who killed them, who hurled them, who ended their lives? Just for the sake of prolonging the romance of two lovers, I guess that is how death in mysterious ways strives, Killing all eventually but never taking the blame, So let me too pluck a beautiful rose and gift it to my beautiful lady, All for the sake of love and in the love’s name, Let me love her today and love her everyday, Because who knows when the dark force might strike, A rose too feels happier in her hands, Because it knows it makes her smile and in this act they are alike, Spreading happiness even in death forsaken lands, That is where all beautiful flowers go when they wilt here, To the land where there is everlasting Summer, And every form of beauty always looks the same everywhere, They go there to impart it colours and shades warmer, So when the flower fades and falls, Let us not blame death and curse it, Because it is the only way to climb and cross few walls, For it too ultimately before the mighty will of the Universe does submit!

Flower killers ( PART 1 ) Flower killers There is a war going on out there, Wherever you turn to see, it is everywhere, Guns firing bullets that bear one address: kill, Who? Just anyone do it at your free will, And the guns spray death in all directions, Giving rise to endless predilections, That of a father, a mother and a lover, Whoever the bullet may hit, is lost forever, And when bullets turn stray, They hit anything that comes in their way, It does not matter whether you are a foe or a friend, That time the bullet, only its purpose does defend, That to kill and shoot anyhow and anyone, It can be a father, a mother, a daughter, a lover, or just a human someone, And as the victim falls and collapses on the ground, The bullet pierces deeper like the canines of a hungry hound, And no matter how hard you tried it cannot be bound, Because the war is everywhere and so is its echoing and deathly sound, That tempts the bullet to travel and shoot someone, somewhere, And it couldn't be happier than now, because the war is everywhere, Yesterday a stray bullet whizzed through the air, And it hit a flower that had just bloomed and looked fair, Its petals got shredded into countless pieces, The pollen grains flew in the air and fell in different places, And as they fell, they all cried, “murder!” But the bullet had no intention to surrender, The tattered flower petals fell on the ground, I realised there is a new gang called, “flower killers” and they abound, The bee and the butterfly desperately searched for their missing flower, And ah the pain they felt as a dismayed lover, Their wings dropped and they fell to ground like dead autumn leaves, Where except the bullet, even death grieves, The other flowers looked helplessly at the fallen youth and it's still falling memories, And in honour of the killed flower, they named their garden, the garden of tragedies, And to pay their homages, they all wilted on the same day, The garden looked barren even on a new Summer day, The bullet that killed the flower lies embedded in the fence, Same bullet that killed someone who possessed nothing in self defence, Continued in part 2...

Her bronze hair was whipped by the wind, blown like petals around her face. She was the only splash of color in the bone gray of the shore, and later he would think that he was like an infant in that instant, his eyes just beginning to see in something more than black and white, beginning to see in primary colors. Anyway, he was drawn to her, as a child reaches for the first flower he sees as being yellow. And he was surprised by this stirring towards her, surprised as if by seeing yellow for the first time.

The wind is blowing. A flower loses its scent. Silence is blowing. The wind is blowing. A flower loses petals. Silence is falling. Silence is blowing. A new flower is blooming. Wind loses silence. Wind is flowering. Silence loses its silence. Petals are silent. The wind is falling. Silence loses a petal. The wind is silenced. Flowers are blowing. The scent is never silent. Silence is a scent. Silence is falling. Silence loses its petals. I am the still wind. — Ariel Banayan, from “7 Variations of the Same Haiku,” Guesthouse (no. 6, Winter 2020)

HOW DOES SHE KEEP HOPE ALIVE WHEN THIS SOLITARY EXISTENCE IS STUNTING HER AS SURELY AS THE RUBBER TREES STUNT THE FLOWERS WRIGGLING UP THROUGH THE DIRT, ONLY TO FIND THEMSELVES IN SHADE, THEIR PETALS CURLING, BROWNING, FALLING AWAY. DEATH COMES EARLY TO FLOWERS, TO MOST LIVING THINGS, WHEN THERE IS NO SUNLIGHT. IT’S NOT HARD FOR HER TO IMAGINE A SIMILAR OUTCOME FOR HERSELF IF LOVE AND MOTHERHOOD ESCAPE HER FOREVER.

As far as her parents could tell from their vantage point behind the spire, Psyche plummeted to her death. They never found her body, but that didn’t mean anything. It was a windy day, and they were too upset to launch a full-scale search. Besides, if Psyche hadn’t died, that meant the monster of the prophecy had taken her, which was even worse. The king and queen returned home, brokenhearted, convinced they would never see their beloved daughter and favorite tourism magnet again. The end. Not really. In the long run, Psyche would’ve suffered less if she had died, but she didn’t. As she fell from the rock, the winds swirled around her. Forty feet from the valley floor, they slowed her fall and lifted her up. “Hi,” said a disembodied voice. “I’m Zephyrus, god of the west wind. How ya doing today?” “Um…terrified?” said Psyche. “Great,” said Zephyrus. “So we have a short flight this morning, heading over to my master’s palace. Weather looks good. Maybe a little turbulence on our initial ascent.” “Your master’s palace?” “Please remember to keep your seat belt fastened, and don’t disable the smoke detectors in the lavatory.” “What language are you speaking?” Psyche demanded. “What are you talking—AHHH!” The west wind swept her away at a thousand miles an hour, leaving behind Psyche’s stomach and a trail of black flower petals. They touched down in a grassy valley blanketed with wildflowers. Butterflies flitted through the sunlight. Rising in the distance was the most beautiful palace Psyche had ever seen. “Thanks for flying with us today,” Zephyrus said. “We know you have a lot of options when choosing a directional wind, and we appreciate your business. Now, you’d better get going. He’ll be waiting.” “Who—?” But the air turned still. Psyche sensed that the wind god was gone.

Because just like every flower, they blossom. And every petal that falls grows back stronger.

Spring sleep not wake dawn Everywhere hear cry bird Night come wind rain sound Flower fall know how many I slumbered this spring morning, and missed the dawn, From everywhere I heard the cry of birds. That night the sound of wind and rain had come, Who knows how many petals then had fallen?

He bends and gently picks the short stem. He will find a way to give it to Gita tomorrow. Back in his room, Lale carefully places the precious flower beside his bed before falling into a dreamless sleep, but the next morning when he wakes, the petals from his flower have separated and lie curled up beside the black center. Death alone persists in this place.

- I picked these last night. I want you to have them. - Th-thanks. What kind of flowers are these? They're pretty. - The flowers themselves aren't important. It would be better if the blossoms fell off right away. - What!? - They're poppies. When the petals fall off, you can cut the seed pods to make opium. Basically, these are the raw materials for heroin. If you sell that in the city, you should bring in an impressive amount of money.

Many of the leading themes of Romantic literature express sensibilities close to a consumptive vision of the world: a deep awareness of the transience of youth; a pervasive sense of sorrow; nostalgic longing for the past and what has been lost; the search for the sublime and the transcendent; the cult of genius and the heroic individual; and a preoccupation with the inner self and its spiritual state—Laënnec’s “essence”—cleansed of what is material, gross, and corrupt. Autumn is a recurring and revealing trope—autumn, that is, no longer as a time of harvest and bounty but as the season of falling leaves and flowers wilting as early death sets in. In his elegy “Adonais,” Shelley therefore mourned Keats as a “pale flower”—“the bloom whose petals, nipp’d before they blew / Died on the promise of the fruit.

She was like the cherry tree. When she smiled, she was like the blossoming of the pale pink flowers. Everything around her grew brighter.

It was like the universe had dipped a snow globe. Only the petals didn't fall. They floated like dust motes. Flower fairies, twinkling in the moonlight.