Fake History Quotes

Insecure people often falsify the past, in order to make the future pure.

We shall go down in history as the greatest statesmen of all time,or as the greatest criminals

What I'm sure of is that you can't be happy without money. That's all. I don't like superficiality and I don't like romanticism. I like to be conscious. And what I've noticed is that there's a kind of spiritual snobbism in certain 'superior beings' who think that money isn't necessary for happiness. Which is stupid, which is false, and to a certain degree cowardly.... For a man who is well born, being happy is never complicated. It's enough to take up the general fate, only not with the will for renunciation like so many fake great men, but with the will for happiness. Only it takes time to be happy. A lot of time. Happiness, too, is a long patience. And in almost every case, we use up our lives making money, when we should be using our money to gain time. That's the only problem that's ever interested me.... To have money is to have time. That's my main point. Time can be bought. Everything can be bought. To be or to become rich is to have time to be happy, if you deserve it.... Everything for happiness, against the world which surrounds us with its violence and its stupidity.... All the cruelty of our civilization can be measured by this one axiom: happy nations have no history.

Though Julian could be marvelously kind in difficult circumstances of all sorts, I sometimes got the feeling that he was less pleased by kindness itself than by the elegance of the gesture.

In itself, every idea is neutral, or should be; but man animates ideas, projects his flames and flaws into them; impure, transformed into beliefs, ideas take their place in time, take shape as events: the trajectory is complete, from logic to epilepsy . . . whence the birth of ideologies, doctrines, deadly games. Idolaters by instinct, we convert the objects of our dreams and our interests into the Unconditional. History is nothing but a procession of false Absolutes, a series of temples raised to pretexts, a degradation of the mind before the Improbable. Even when he turns from religion, man remains subject to it; depleting himself to create fake gods, he feverishly adopts them: his need for fiction, for mythology triumphs over evidence and absurdity alike.

I can feel like a hag some days if I want! And I can tell everybody how insecure I am if I want! Or I can be pretty and pretend to think I'm a hag out of fake modesty –- I can do that if I want, too. Because you, Livingston, are not the boss of me and what kind of girl I become.

Either peace or happiness, let it enfold you when I was a young man I felt these things were dumb, unsophisticated. I had bad blood, a twisted mind, a precarious upbringing. I was hard as granite, I leered at the sun. I trusted no man and especially no woman. I changed jobs and cities, I hated holidays, babies, history, newspapers, museums, grandmothers, marriage, movies, spiders, garbagemen, english accents,spain, france,italy,walnuts and the color orange. algebra angred me, opera sickened me, charlie chaplin was a fake and flowers were for pansies.

I read the first chapter of A Brief History of Time when Dad was still alive, and I got incredibly heavy boots about how relatively insignificant life is, and how compared to the universe and compared to time, it didn't even matter if I existed at all. When Dad was tucking me in that night and we were talking about the book, I asked if he could think of a solution to that problem. "Which problem?" "The problem of how relatively insignificant we are." He said, "Well, what would happen if a plane dropped you in the middle of the Sahara Desert and you picked up a single grain of sand with tweezers and moved it one millimeter?" I said, "I'd probably die of dehydration." He said, "I just mean right then, when you moved that single grain of sand. What would that mean?" I said, "I dunno, what?" He said, "Think about it." I thought about it. "I guess I would have moved one grain of sand." "Which would mean?" "Which would mean I moved a grain of sand?" "Which would mean you changed the Sahara." "So?" "So? So the Sahara is a vast desert. And it has existed for millions of years. And you changed it!" "That's true!" I said, sitting up. "I changed the Sahara!" "Which means?" he said. "What? Tell me." "Well I'm not talking about painting the Mona Lisa or curing cancer. I'm just talking about moving that one grain of sand one millimeter." "Yeah? If you hadn't done it, human history would have been one way..." "Uh-huh?" "But you did do it, so...?" I stood on the bed, pointing one of my fingers at the fake stars, and screamed: "I changed the course of human history!" "That's right." "I changed the universe!" "You did." "I'm God!" "You're an atheist." "I don't exist!" I fell back onto the bed, into his arms, and we cracked up together.

Well, the ancients might not have been very heroic. Most of them were probably like Mother, crouched somewhere trying to work out how to make fake jawbone jewelry that would look like the real thing.

Believe it or not, many people are so fearful of Jewish people – whether they be Jews in Israel, the United States, the United Kingdom, Australia or wherever – they are convinced this tiny minority of 13 million people is secretly ruling the world’s 7.5 billion people AND can effortlessly revise any episode of history AND can fake such well-documented and scientifically-proven historical events as the Holocaust.

Well, is true. I did know. Because if possible to paint fakes that look like that? Las Vegas would be the most beautiful city in the history of earth!

Anthropologists have invented the ingenious, convenient, fictional notion of the “true Negro,” which allows them to consider, if need be, all the real Negroes on earth as fake Negroes, more or less approaching a kind of Platonic archetype, without ever attaining it. Thus, African history is full of “Negroids,” Hamites, semi-Hamites, Nilo-Hamitics, Ethiopoids, Sabaeans, even Caucasoids! Yet, if one stuck strictly to scientific data and archeological facts, the prototype of the White race would be sought in vain throughout the earliest years of present-day humanity.

They way one does research into nonexistent history is to tell the story and find out what happened. I believe this isn't very different from what historians of the so-called real world do. Even if we are present at some historic event, so we comprehend it - can we even remember it - until we can tell it as a story? And for events in times or places outside our own experience, we have nothing to go on but the stories other people tell us. Past events exist, after all, only in memory, which is a form of imagination. The event is real now, but once it's then, its continuing reality is entirely up to us, dependent on our energy and honesty. If we let it drop from memory, only imagination can restore the least glimmer of it. If we lie about the past, forcing it to tell a story we want it to tell, to mean what we want it to mean, it loses its reality, becomes a fake. To bring the past along with us through time in the hold-alls of myth and history is a heavy undertaking; but as Lao Tzu says, wise people march along with the baggage wagons.

A People’s History of the United States is intended to inspire anger of such magnitude that its readers want to overthrow the American Republic.

Who after all would be stupid enough to believe in Merlin and his magical erection at Stonehenge?

Churchill was a product of an Empire that believed itself culturally and morally superior to everyone else on Earth.

Human beings can do astonishing things when we rid ourselves of the menace of illusory superiority and embrace knowledge instead.

She was big on patination. That was how quality wore in, she said, as opposed to out. Distressing, on the other hand, was the faking of patination, and was actually a way of concealing a lack of quality.

When it happens and it hits hard, we decide certain things, and realize there's truth in all those dark, lonely days" He had an instantaneous look about him, a glimmer and a glint over those eyes, he knew how the world worked, and took pleasure in its wickedness. He would give a dime or two to those sitting on the street, he would tell them things like: "It won't get any better," and "Might as well use this to buy your next fix," and finally "It's better to die high than to live sober," His suit was pressed nicely, with care and respect, like the kind a corpse wears, he'd say that was his way of honoring the dead, of always being ready for the oncoming train, I liked him, he never wore a fake smile and he was always ready to tell a story about how and when "We all wake up alone," he said once, "Oftentimes even when sleeping next to someone, we wake up before them and they are still asleep and suddenly we are awake, and alone." I didn't see him for a few days, a few days later it felt like it'd been weeks, those weeks drifted apart from one another, like leaves on a pond's surface, and became like months. And then I saw him and I asked him where he'd been, he said, "I woke up alone one day, just like any other, and I decided I didn't like it anymore.

But is it fake if people believe in it? You assume that it is truth that makes a story valuable, because the tales that come from the Storian are true. The Storian writes history. But man is capable of writing stories too and man has no obligation to truth or to history.

This time of contrast shall separate the wheat from the chaff. The wise will strive to manifest a brave new world, while the foolish and unkind will suffer for their lack of common sense. And when the storm finally subsides, many will wake up on the wrong side of history.

Instead of Earth’s history, they had raided the data from multiple fake histories including George R. R. Martin’s Game of Thrones universe for European History and Second Life for what day-to-day life had been like when TQB left the world. Then, for shits and giggles, Bobcat and William had decided to add in midi-chlorians as a description of how some humans were able to exhibit amazing “Jedi powers.” By the end of the night, just a little inebriated, Marcus had added some data from Laurence E. Dahners’ Ell Donsaii series on traveling through the nth dimension by entrapping and using entanglement.

The science that we are doing is a threat to the world’s most powerful and wealthiest special interests. The most powerful and wealthiest special interest that has ever existed: the fossil fuel industry. They have used their immense resources to create fake scandals and to fund a global disinformation campaign aimed at vilifying the scientists, discrediting the science, and misleading the public and policymakers. Arguably, it is the most villainous act in the history of human civilisation, because it is about the short-term interests of a small number of plutocrats over the long-term welfare of this planet and the people who live on it.

Studies suggest How may I help you officer? is the single most disarming thing to say and not What’s the problem? Studies suggest it’s best the help reply My pleasure and not No problem. Studies suggest it’s best not to mention problem in front of power even to say there is none. Gloria Steinem says women lose power as they age and yet the loudest voice in my head is my mother. Studies show the mother we have in mind isn’t the mother that exists. Mine says: What the fuck are you crying for? Studies show the baby monkey will pick the fake monkey with fake fur over the furless wire monkey with milk, without contest. Studies show to negate something is to think it anyway. I’m not sad. I’m not sad. Studies recommend regular expressions of gratitude and internal check-ins. Studies define assertiveness as self-respect cut with deference. Enough, the wire mother says. History is a kind of study. History says we forgave the executioner. Before we mopped the blood we asked: Lord Judge, have I executed well? Studies suggest yes. What the fuck are you crying for, officer? the wire mother teaches me to say, while America suggest Solmaz, have you thanked your executioner today?

A cursory look at history reveals that propaganda and disinformation are nothing new, and even the habit of denying entire nations and creating fake countries has a long pedigree. In 1931 the Japanese army staged mock attacks on itself to justify its invasion of China, and then created the fake country of Manchukuo to legitimise its conquests. China itself has long denied that Tibet ever existed as an independent country. British settlement in Australia was justified by the legal doctrine of terra nullius (‘nobody’s land’), which effectively erased 50,000 years of Aboriginal history. In the early twentieth century a favourite Zionist slogan spoke of the return of ‘a people without a land [the Jews] to a land without a people [Palestine]’. The existence of the local Arab population was conveniently ignored. In 1969 Israeli prime minister Golda Meir famously said that there is no Palestinian people and never was. Such views are very common in Israel even today, despite decades of armed conflicts against something that doesn’t exist. For example, in February 2016 MP Anat Berko gave a speech in the Israeli Parliament in which she doubted the reality and history of the Palestinian people. Her proof? The letter ‘p’ does not even exist in Arabic, so how can there be a Palestinian people? (In Arabic, ‘f’ stands for ‘p’, and the Arabic name for Palestine is Falastin.)

In the mid-eighteenth century, Babel scholars were briefly seized by an astrology fad, and several state-of-the-art telescopes were ordered for the roof on behalf of scholars who thought they could derive useful match-pairs from the names of star signs. These efforts never yielded anything interesting, as astrology is fake, but the stargazing was pleasant.

You're wrong.

conspiracy theorist: (n.) marginalized thinker with a better than average chance of being right on the money.

Sometimes grasping so tightly to history makes you miss the future.

When we organize our society around fake meritocracy, we erase the history of exploitation and the ways the game is rigged to prevent economic and social mobility.

Y si todos los demás aceptaban la mentira que impuso el partido, si todos los testimonios decían lo mismo, entonces la mentira pasaba a la Historia y se convertía en verdad.

Now more than ever, journalists have a crucial role to perform in the society. You may say, haven't they been playing that role from the very beginning! Yes, they have been doing it for a long time, since the birth of printing press, but never in history, could their failure mean devastation in their community caused by their false and illegitimate counterparts.

And then there was me, sitting across from them, with my fake name and life built inside my organization. I was an uneducated preacher posing as an English teacher, my presence here not what I claimed it was. I was out to change the course of other people’s lives, and their children’s lives, and their children’s children’s lives. I somehow had the effrontery to try to alter the course of their history, to urge these people to make over their lives into the shape of mine, when I had never even considered how my own life had come to look as it did.

Even when the couple disabled “location history” or “location services” in an app, their wishes were ignored. The couple was more closely monitored than a paroled child molester with a tamperproof GPS tracker around his ankle.

The anti-clericalism of some Belgians falsified history by attributing the low level of education to "the racism of the missionaries", while it was they who provided education and educated the African elite with the first university priest Stefano Kaoze in 1917

Zinn contrasts the very real and very effective American Revolution with an imaginary egalitarian paradise in order to lure the young and ignorant to support the Marxist nightmare from which millions have fled—and by which millions who were unable to escape have been killed.

Hand taste, however, involves something greater than mere flavor. It is the infinitely more complex experience of a food that bears the unmistakable signature of the individual who made it—the care and thought and idiosyncrasy that that person has put into the work of preparing it. Hand taste cannot be faked, Hyeon Hee insisted, and hand taste is the reason we go to all this trouble, massaging the individual leaves of each cabbage and then folding them and packing them in the urn just so. What hand taste is, I understood all at once, is the taste of love.

They use metaverse, virtual reality, video game technology to connect remotely to one's brain and body. To create a fake possibility of imitated life for a biased interpretation in favor of it by the inadequate ai detection system of "truth". For fake news and fake justice purposes.

I changed jobs and cities, I hated holidays, babies, history, newspapers, museums, grandmothers, marriage, movies, spiders, garbagemen, english accents,spain, france,italy,walnuts and the color orange. algebra angred me, opera sickened me, charlie chaplin was a fake and flowers were for pansies.

Howard Zinn was a far-left political activist—very possibly a member of the Communist Party USA. The stories he put into A People’s History of the United States weren’t balanced factual history, but crude morality tales designed to destroy Americans’ patriotism and turn them into radical leftists.

You'll be interested to know that the rewriting of history is still being attempted, especially in the United States. I'm not surprised. The way they tried to paper over slavery, and then the Jim Crow laws... you can't have those kinds of inequities in a democracy. If indeed that country is one, or ever was.

I got incerdibly heavy boots about how relatively insignificant life is, and how, compared to the universe and compared to time, it didn't even matter if I exsited at all... "Well I'm not talking about painting the Mona LIsa or curing limeter." "Yeah?" "If you hadn't done it, human history would have been one way..." "Uh-huh?" "But you did do it, so...?" I stood on the bed, pointed my fingers at the fake stars, and screamed: "I changed the course of human history!" "That's right." "I changed the universe!" "You did." "I'm God!" "You're an atheist." "I don't exist!" I fell back onto the bed, into his arms, and we cracked up together.

The true, Communist-style revolution that Zinn wishes had happened in America actually did happen during the French Revolution just a few years later—with disastrous results: “Before his fellow French revolutionaries carted him off to be guillotined in 1794, Georges Danton had described his purpose: ‘to put on top what was below.’ 

But the country’s grim history also helps explain why they are so determined not to give ground to the demonstrators in Hong Kong who want to replace the territory’s fake democracy with the real thing. Xi Jinping, China’s president, and his colleagues believe that the party’s control over the country is the only way of guaranteeing its stability.

Bruno Bettelheim, who might have had more influence if he weren’t, as Dr. Spock himself noted, a “[v]ery frightening” figure who “scared the hell out of people.” A Holocaust survivor with a heavy accent, a stern manner, and some outlandish ideas, Bettelheim gave people the creeps, and after his suicide in 1990, we’d learn there was good reason: his credentials were faked,

The boys turn quiet and they drink even more - cheap beer bought with fake IDs. They keep their hands in their pockets those first few days and just try to stay out of the way of the girls. It is as if the boys can sense it, even in those girls, in their easy closeness and their interlocking arms: the whole history of women and suffering, the generations of practice at grief.

different sets of facial muscles—and therefore produce different-looking smiles. This divergence explains the difference between genuine smiles and fakey, say-cheese smiles in photographs. People have trouble faking other genuine expressions, too, like fear, surprise, or an interest in someone’s pet stories. To overcome this limitation actors either drill with a mirror and practice conjuring up facial expressions à la Laurence Olivier, or, à la Constantin Stanislavsky, they inhabit the role and replicate the character’s internal feelings so closely that the right expressions emerge naturally.) The limbic system, and the temporal lobes generally, are also closely tied up with sex. Scientists discovered this connection in a roundabout way. In the mid-1930s a rogue biologist named Heinrich Klüver started some

What happens when the past - or more specifically heritage - is fabricated? Authenticity and truth are lost. The thread of history is broken and the lessons it can teach us become meaningless, or worse, twisted to tell a different story - a lie. It is crucial to be able to discern the difference, especially now, when the increase in our ability to communicate is counterbalanced by the equally exponential growth in the likelihood of being deceived.

The thing that's hard about it—the thing that makes it so hard when the person you love has been taken from you, not by something evil you could have seen coming but by random, pure chance—is that you find yourself suddenly living through a history other than the one you expected to live, through no fault of your own. I feel . . . it's hard to describe, but I feel weirdly outside of time. Ever since the accident I've had these moments when I felt like a visiting guest in this world, not a permanent resident. Like sometimes I look in a mirror and I feel like I can almost see through the version of me on the other side of the glass. And sometimes I feel like I can see the history I used to be in more clearly than the history I'm in now—the real history is one where Philip and Sean and I are all together, being a family and doing whatever family things people do, and this one's like . . . like a fake version of events that I've been yanked into, where everything's gone wrong.

To that end, this book sees the role it has to play in such a cause as arming you, the reader, with the most devastating weapon of our current technological age—information. Some of this information is so important, and will be so foreign to the Fake News narrative/panic porn you’ve been bombarded with, that it will need to be repeated. Just as the COVID vaccines emerging at the time this book was written require more than one dose, so will some of the truths you’ll come to learn in this book.

When the study was over, Milgram sent participants a questionnaire. One question was: how believable did you find the situation? Not until ten years later did he finally publish their answers, in the very last chapter of his book about the experiments. This is where we discover that only 56 per cent of his subjects believed they were actually inflicting pain on the learner. And that’s not all. A never-published analysis by one of Milgram’s assistants reveals that the majority of people called it quits if they did believe the shocks were real.15 So if nearly half the participants thought the setup was fake, where does that leave Milgram’s research? Publicly, Milgram described his discoveries as revealing ‘profound and disturbing truths of human nature’. Privately, he had his doubts. ‘Whether all of this ballyhoo points to significant science or merely effective theater is an open question,’ he wrote in his personal journal in June 1962. ‘I am inclined to accept the latter interpretation.’16

Fascist politicians justify their ideas by breaking down a common sense of history in creating a mythic past to support their vision for the present. They rewrite the population’s shared understanding of reality by twisting the language of ideals through propaganda and promoting anti-intellectualism, attacking universities and educational systems that might challenge their ideas. Eventually, with these techniques, fascist politics creates a state of unreality, in which conspiracy theories and fake news replace reasoned debate.

I learned later on that sometimes the body reacts to high doses of radiation by blocking the function of certain organs. At the time I thought of my mother, who’s seventy-four and can’t smell, and I figured this had happened to me too. I asked the others, there were three of us: “How do the apple trees smell?” “They don’t smell like anything.” Something was happening to us. The lilacs didn’t smell—lilacs! And I got this sense that everything around me was fake. That I was on a film set. And that I couldn’t understand it. I’d never even read about anything like it.

Rather than defeat the reader with a family tree which would look like an illustration of the veins and arteries of the human body drawn by a poorly informed maniac, I thought it better to start with this summary of just the heads of the family, so the sequence is clear. I give the year each ruler became Emperor and the year the ruler died. It all looks very straightforward and natural, but of course the list hides away all kinds of back-stabbing, reckless subdivision, hatred, fake piety and general failure, which can readily be relegated to the main text. To save everyone’s brains I have simplified all titles. Some fuss in this area is inevitable but I will cling under almost all circumstances to a single title for each character. To give you a little glimpse of the chaos, the unattractive Philip ‘the Handsome’ was Philip I of Castile, Philip II of Luxemburg, Philip III of Brabant, Philip IV of Burgundy, Philip V of Namur, Philip VI of Artois as well as assorted Is, IIs, IIIs and so on for other places. So when I just refer to Philip ‘the Handsome’ you should feel grateful and briefly ponder the pedantic horror-show you are spared.

All around the world, people have an overwhelming sense that something is broken. This is leading to record levels of populism in the United States and Europe, resurgent intolerance, and a desire to upend the existing order. The left and right cannot agree on what is wrong, but they both know that something is rotten. Capitalism has been the greatest system in history to lift people out of poverty and create wealth, but the “capitalism” we see today in the United States is a far cry from competitive markets. What we have today is a grotesque, deformed version of capitalism. Economists such as Joseph Stiglitz have referred to it as “ersatz capitalism,” where the distorted representation we see is as far away from the real thing as Disney's Pirates of the Caribbean are from real pirates. If what we have is a fake version of capitalism, what does the real thing look like? What should we have? According to the dictionary, the idealized state of capitalism is “an economic system based on the private ownership of the means of production, distribution, and exchange, characterized by the freedom of capitalists to operate or manage their property for profit in competitive conditions.

The macrohistorical log is largely siloed across different corporate servers, on the premises of Twitter and Facebook and Google. The posts are typically not digitally signed or cryptographically timestamped, so much of the content is (or could be) from bots rather than humans. Inconvenient digital history can be deleted by putting sufficient pressure on centralized social media companies or academic publishers, censoring true information in the name of taking down “disinformation,” as we’ve already seen. And the advent of AI allows highly realistic fakes of the past and present to be generated.

Stepfather—January 6, 1980 In addition to imitation mayonnaise, fake fur, sugar substitutes and plastic that wears like iron, the nuclear family has added another synthetic to its life: step-people. There are stepmothers, stepfathers, stepsons and stepdaughters. The reception they get is varied. Some are looked upon as relief pitchers who are brought in late but are optimistic enough to try to win the game. Some are regarded as double agents, who in the end will pay for their crimes. There are few generalizations you can make about step-people, except they’re all locked into an awkward family unit none of them are too crazy about. I know. I’ve been there. Perhaps you’ve heard of me. I became a hyphenated child a few years after my “real” father died. I was the only stepchild in North America to have a stepfather who had the gall to make me go to bed when I was sleepy, do homework before I went to school, and who yelled at me for wearing bedroom slippers in the snow. My real father wouldn’t have said that. My stepfather punished me for sassing my mother, wouldn’t allow me to waste food and wouldn’t let me spend money I didn’t have. My real father wouldn’t have done that. My stepfather remained silent when I slammed doors in his face, patient when I insisted my mother take “my side” and emotionless when I informed him he had no rights. My real father wouldn’t have taken that. My stepfather paid for my needs and my whims, was there through all my pain of growing up...and checked himself out of the VA hospital to give me away at my wedding. My real father...was there all the time, and I didn’t know it. What is a “real” mother, father, son or daughter? “Real” translates to something authentic, genuine, permanent. Something that exists. It has nothing to do with labor pains, history, memories or beginnings. All love begins with one day and builds. “Step” in the dictionary translates to “a short distance.” It’s shorter than you think.

Meanwhile, real African American heroes—blacks who fought and won the battles for civil rights—don’t figure largely in Zinn’s account. The significant achievements of black labor and civil rights activist A. Philip Randolph, for example, are obscured by Zinn—perhaps because Randolph was an anti-communist who quit the National Negro Congress in 1940 because it “had fallen under the control” of Communist Party allies.32 There are only three mentions of Randolph in A People’s History—two of them quotations that have no bearing on what Randolph accomplished and are adduced simply to support Zinn’s picture of the black population “in the streets” and spoiling for a socialist revolution.

In a June 25, 2010, Washington Post article, the CIA acknowledged officially discussing the creation of a video of a fake Saddam Hussein having sex with a teenage boy in order to discredit him in the eyes of the Iraqi people. Evidently, the Agency did create a video of a fake Osama Bin Laden drinking liquor around a campfire with his cronies, bragging about their conquests of young boys. The article quoted an anonymous former CIA officer “chuckling” at the memory, and declaring that the actors used in the video were drawn from “some of us darker-skinned employees.” These ridiculous clandestine ideas brought to mind the childish efforts to assassinate Fidel Castro forty years earlier.

Well-kept lawns demanded land and a lot of work, particularly in the days before lawnmowers and automatic water sprinklers. In exchange, they produce nothing of value. You can’t even graze animals on them, because they would eat and trample the grass. Poor peasants could not afford wasting precious land or time on lawns. The neat turf at the entrance to chateaux was accordingly a status symbol nobody could fake. It boldly proclaimed to every passerby: ‘I am so rich and powerful, and I have so many acres and serfs, that I can afford this green extravaganza.’ The bigger and neater the lawn, the more powerful the dynasty. If you came to visit a duke and saw that his lawn was in bad shape, you knew he was in trouble.

In 2000 the Israeli singer Shlomi Shavan conquered the local playlists with his hit song ‘Arik’. It’s about a guy who is obsessed with his girlfriend’s ex, Arik. He demands to know who is better in bed – he, or Arik? The girlfriend dodges the question, saying that it was different with each of them. The guy is not satisfied and demands: ‘Talk numbers, lady.’ Well, precisely for such guys, a company called Bedpost sells biometric armbands that you can wear while having sex. The armband collects data such as heart rate, sweat level, duration of sexual intercourse, duration of orgasm and the number of calories you burned. The data is fed into a computer that analyses the information and ranks your performance with precise numbers. No more fake orgasms and ‘How was it for you?

You have War of the Worlds?" I asked the knu. It returned twenty different films, sixteen editions of a text, but no radio play. Radio drama. That's the word Tanaka had used. One text said it was history, and included a transcript. "Read it to me," I said, and the knu picked up the soothing default voice I had programmed into my heads-up, and told me a story about how little towns went crazy thinking the Martians were invading, back during the days of peak capitalism. What makes people believe this shit? I thought as I lay there listening. But it was easy, wasn't it, when people were isolated. When information was scarce or siloed. People would believe whatever you put in front of them, if it fit their understanding of the world. Bad Martians. Logical, well-meaning corporations.

The non-event is not when nothing happens. It is, rather, the realm of perpetual change, of a ceaseless updating, of an incessant succession in real time, which produces this general equivalence, this indifference, this banality that characterizes the zero degree of the event. A perpetual escalation that is also the escalation of growth - or of fashion, which is pre-eminently the field of compulsive change and built-in obsolescence. The ascendancy of models gives rise to a culture of difference that puts an end to any historical continuity. Instead of unfolding as part of a history, things have begun to succeed each other in the void. A profusion of language and images before which we are defenceless, reduced to the same powerlessness, to the same paralysis as we might show on the approach of war. It isn't a question of disinformation or brainwashing. It was a naIve error on the part of the FBI to attempt to create a Disinformation Agency for purposes of managed manipulation - a wholly useless undertaking, since disinformation comes from the very profusion of information, from its incantation, its looped repetition, which creates an empty perceptual field, a space shattered as though by a neutron bomb or by one of those devices that sucks in all the oxygen from the area of impact. It's a space where everything is pre-neutralized, including war, by the precession of images and commentaries, but this is perhaps because there is at bottom nothing to say about something that unfolds, like this war, to a relentless scenario, without a glimmer of uncertainty regarding the final outcome.

For the first time ever, I was alone in a different country. I was nervous about how I was going to cope in this big bustling city and so I employed a technique which still serves me well today. I imagined myself as someone who relished new exciting opportunities, who was utterly unafraid and perpetually optimistic. It was a kind of reinvention. Everyone I met was new. These people didn't know me, there was no shared history, so I could be anything or anyone I wanted to be. My theory was that if I behaved like a confident, cheerful person, eventually I would buy it myself, and become that. I always had traces of strength somewhere inside me, it wasn't fake. It was just a way of summoning my courage to the fore and not letting any creeping self-doubt hinder my adventures. This method worked then, and it works now.

He’s having a laugh. We can’t let him have that sword.” “Is it true?” Harry asked Hermione. “Was the sword stolen by Gryffindor?” “I don’t know,” she said hopelessly. “Wizarding history often skates over what the wizards have done to other magical races, but there’s no account that I know of that days Gryffindor stole the sword.” “It’ll be one of those goblin stories,” said Ron, “about how the wizards are always trying to get one over on them. I suppose we should think ourselves lucky he hasn’t asked for one of our wands.” “Goblins have got good reason to dislike wizards, Ron,” said Hermione. “They’ve been treated brutally in the past.” “Goblins aren’t exactly fluffy little bunnies, though, are they?” said Ron. “They’ve killed plenty of us. They’ve fought dirty too.” “But arguing with Griphook about whose race is most underhanded and violent isn’t going to make him more likely to help us, is it?” There was a pause while they tried to think of a way around the problem. Harry looked out of the window at Dobby’s grave. Luna was arranging sea lavender in a jam jar beside the headstone. “Okay,” said Ron, and Harry turned back to face him, “how’s this? We well Griphook we need the sword until we get inside the vault, and then he can have it. There’s a fake in there, isn’t there? We switch them, and give him the fake.” “Ron, he’d know the difference better than we would!” said Hermione. “He’s the only one who realized there had been a swap!” “Yeah, but we could scarper before he realizes--” He quailed beneath the look Hermione was giving him. “That,” she said quietly, “is despicable. Ask for his help, then double-cross him? And you wonder why goblins don’t like wizards, Ron?” Ron’s ears had turned red. “All right, all right! It was the only thing I could think of! What’s your solution, then?” “We need to offer him something else, something just as valuable.” “Brilliant. I’ll go and get one of our other ancient goblin-made swords and you can gift wrap it.

You know what I don’t get?” “What?” Josh stares at me, his cheeks a dull red. “Why you never said anything. If all that time you felt like that about me, why didn’t you say anything?” My whole body goes stiff. I wasn’t expecting that. I’m not prepared. I swallow hard and say, “You were with Margot.” “I wasn’t always with Margot. The stuff you wrote--you liked me before I ever liked her. Why didn’t you just tell me?” I let out a breath. “What does that even matter now?” “It matters. You should have told me. You should have at least given me a chance.” “It wouldn’t have made a difference, Josh!” “And I’m telling you it would have!” He steps toward me. Jerkily I rise to my feet. Why is he bringing this up now, just when things are back to normal again? “You’re so full of it. You’ve never thought of me that way, not ever, so don’t go trying to reinvent history now when I have somebody.” “Don’t tell me what I think,” he snaps. “You don’t know my every thought, Lara Jean.” “Yes I do. I know you better than anyone. You know why? You’re predictable. Everything you do. It’s so predictable. The only reason you’re even saying this now is because you’re jealous. And it’s not even because of me. You don’t care about who I’m with. You’re just jealous that Peter took your spot. Kitty likes him better than you now too.” His face darkens. He glares at me and I glare back. “Fine!” he yells. “I’m jealous! Are you happy now?” And then he jerks his head toward mine, and he kisses me. On the lips. His eyes are closed, mine are wide open. And then mine close too, and for a second, just for a second, I kiss him back. Then I break away. I push him off. Triumphantly he says, “Did you predict that, Lara Jean?” My mouth opens and closes, but no words come out. I drop the broom and run up the stairs, as fast as I can. I run all the way to my room and lock my door behind me. Josh just kissed me. In my living room. My sister is coming back in a few weeks. And I have a fake boyfriend I just cheated on.

In under two weeks, and with no budget, thousands of college students protested the movie on their campuses nationwide, angry citizens vandalized our billboards in multiple neighborhoods, FoxNews.com ran a front-page story about the backlash, Page Six of the New York Post made their first of many mentions of Tucker, and the Chicago Transit Authority banned and stripped the movie’s advertisements from their buses. To cap it all off, two different editorials railing against the film ran in the Washington Post and Chicago Tribune the week it was released. The outrage about Tucker was great enough that a few years later, it was written into the popular television show Portlandia on IFC. I guess it is safe to admit now that the entire firestorm was, essentially, fake. I designed the advertisements, which I bought and placed around the country, and then promptly called and left anonymous complaints about them (and leaked copies of my complaints to blogs for support). I alerted college LGBT and women’s rights groups to screenings in their area and baited them to protest our offensive movie at the theater, knowing that the nightly news would cover it. I started a boycott group on Facebook. I orchestrated fake tweets and posted fake comments to articles online. I even won a contest for being the first one to send in a picture of a defaced ad in Chicago (thanks for the free T-shirt, Chicago RedEye. Oh, also, that photo was from New York). I manufactured preposterous stories about Tucker’s behavior on and off the movie set and reported them to gossip websites, which gleefully repeated them. I paid for anti-woman ads on feminist websites and anti-religion ads on Christian websites, knowing each would write about it. Sometimes I just Photoshopped ads onto screenshots of websites and got coverage for controversial ads that never actually ran. The loop became final when, for the first time in history, I put out a press release to answer my own manufactured criticism: TUCKER MAX RESPONDS TO CTA DECISION: “BLOW ME,” the headline read.

In “Internet of Stings,” Jennifer Howard began one of the more disconcerting essays about some of these issues that came up in interviews with one of the purveyors of false news: As one master of the fake-news genre told the Washington Post55: “Honestly, people are definitely dumber. They just keep passing stuff around. Nobody fact-checks anything anymore.” Separating truth from fiction takes time, information literacy, and an open mind, all of which seem in short supply in a distracted, polarized culture. We love to share instantly—and that makes us easy to manipulate. There are many tough issues here for students, teachers, parents, and the members of our republic. How our citizens think, decide, and vote depends on their collective ability to navigate the complex realities of a digital milieu with intellects not just capable of, but accustomed to higher-level understanding and analysis. It is no longer only a matter of which medium is better for what; it is a question of how the optimal mode of thought in our children and our young adults and ourselves can be fostered in this moment of history. These are hardly new thoughts either for

Emma, calm down. I had to know-" I point my finger in his face, almost touching his eyeball. "It's one thing for me to give your permission to look into it. But I'm pretty sure looking into it without my consent is illegal. In fact, I'm pretty sure everything that woman does is illegal. Do you even know what the Mafia is, Galen?" His eyebrows lift in surprise. "She told you who she is? I mean, who she used to be?" I nod. "While you were checking in with Grom. Once in the Mob, always in the Mob, if you ask me. How else would she get all her money? But I guess you wouldn't care about that, since she buys you houses and cars and fake IDs." I snatch my wrist away and turn back toward our hotel. At least, I hope it's our hotel. Galen laughs. "Emma, it's not Rachel's money; it's mine." I whirl on him. "You are a fish. You don't have a job. And I don't think Syrena currency has any of our presidents on it." Now "our" means I'm human again. I wish I could make up my mind. He crosses his arms. "I earn it another way. Walk to the Gulfarium with me, and I'll tell you how." The temptation divides me like a cleaver. I'm one part hissy fit and one part swoon. I have a right to be mad, to press charges, to cut Rachel's hair while she's sleeping. But do I really want to risk the chance that she keeps a gun under her pillow? Do I want to miss the opportunity to scrunch my toes in the sand and listen to Galen's rich voice tell me how a fish came to be wealthy? Nope, I don't. Taking care to ram my shoulder into him, I march past him and hopefully in the right direction. When he catches up to me, his grin threatens the rest of my hissy fit side, so I turn away, fixing my glare on the waves. "I sell stuff to humans," he says. I glance at him. He's looking at me, his expression every bit as expectant as I feel. I hate this little game of ours. Maybe because I'm no good at it. He won't tell me more unless I ask. Curiosity is one of my most incurable flaws-and Galen knows it. Still, I already gave up a perfectly good tantrum for him, so I feel like he owes me. Never mind that he saved my life today. That was so two hours ago. I lift my chin. "Rachel says I'm a millionaire," he says, his little knowing smirk scrubbing my nerves like a Brillo pad. "But for me, it's not about the money. Like you, I have a soft spot for history." Crap, crap, crap. How can he already know me this well? I must be as readable as the alphabet. What's the use? He's going to win, every time.

There was something insecure about that chimera too, about whoever had engineered it. To construct what amounts to a wall of devouring, you must be really afraid of something. Maybe that’s what happens when annihilation is no longer speculative but a fact of national and personal history. That’s the easy answer. The more disturbing one is that this wall represented nothing new, that it was no more spectacular than the rituals of lynching, that the mob too was insecure, that its rituals too spoke to white men’s violent impotence. And oddly enough, I had the same feeling as I left the City of David—that I was in the presence of a violent impotence. It all felt so fake. And beholding the redemption of Eretz Israel, the ostensible homecoming of an ancient people, announced in 3D projection and accessed via zip line, I could not escape the feeling of being in the presence of a poorly wrought fairy tale and an enormous con. I was in the land that Uris so adored, where the New Jew “spits in the eye of the Arab hordes.” But the very violence and force that emanated even from the City of David spoke to the disquiet and fear that resided somewhere deep inside Israel. The state doth protest too much. It occurred to me that if Jewish national honor had indeed been redeemed, the Israelis themselves did not quite believe it.

Fascist politicians justify their ideas by breaking down a common sense of history in creating a mythic past to support their vision for the present. They rewrite the population’s shared understanding of reality by twisting the language of ideals through propaganda and promoting anti-intellectualism, attacking universities and educational systems that might challenge their ideas. Eventually, with these techniques, fascist politics creates a state of unreality, in which conspiracy theories and fake news replace reasoned debate. As the common understanding of reality crumbles, fascist politics makes room for dangerous and false beliefs to take root. First, fascist ideology seeks to naturalize group difference, thereby giving the appearance of natural, scientific support for a hierarchy of human worth. When social rankings and divisions solidify, fear fills in for understanding between groups. Any progress for a minority group stokes feelings of victimhood among the dominant population. Law and order politics has mass appeal, casting “us” as lawful citizens and “them,” by contrast, as lawless criminals whose behavior poses an existential threat to the manhood of the nation. Sexual anxiety is also typical of fascist politics as the patriarchal hierarchy is threatened by growing gender equity. As the fear of “them” grows, “we” come to represent everything virtuous.

Gone are those days when media platforms were available to few individuals like politicians, movie stars, artists,sports sensations, civil right activists, and religious scholars. =Today social media gives people an easy way to almost everything =It is very easy to learn from others who are experts and professionals,Regardless of your location and education background you can educate yourself, without paying for it. =It even reveals good and Mabošaedi of the most respected people who are role models to others = You can share your issues with the community and get help within an hour . = The main advantage of the social media is that you update yourself from the latest happenings around in the world. = you can promote your business to the largest audience and even employ people But it can also damage your life for good = Since anyone can create a fake account and do anything without being traced, it has become quite easy for people to frustrate others and do a damage to their names or life. = Personal data and privacy can easily be hacked and shared on the Internet. Which can make financial losses and loss to personal life. Similarly, identity theft is another issue that can give financial losses to anyone by hacking their personal accounts. This is one of the dangerous disadvantages of the social media and it even made people kill them selfs. = Addiction destroyed many families and employments.

5. Move toward resistance and pain A. Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.

Think for a moment of the things you try hardest to conceal. For me, it was my family history—my experience of being unwanted, abused, abandoned, not chosen. Your laments are never wasted. As we lament and receive comfort within safe community, we cannot help but extend to others the comfort we have received. Paul writes, “Praise be to the God and Father of our Lord Jesus Christ, the Father of compassion and the God of all comfort, who comforts us in all our troubles, so that we can comfort those in any trouble with the comfort we ourselves receive from God” (2 Corinthians 1:3–4, emphasis mine). There is not a single trial you will face that God—the Father of compassion, the God of all comfort—does not want to comfort you in. No matter your heartache, no matter your struggle or sin, the Father’s nature and desperate desire is to comfort you! This verse holds such a beautiful promise! And it doesn’t stop there. God offers you comfort in all your troubles so you can offer that same comfort to others in any of their troubles. I take this to mean that, regardless of our experience with suffering, we are always qualified to love and comfort others in whatever struggle they are facing. “The Father of compassion and the God of all comfort” equips us to minister to one another, regardless of our experience of the same sufferings. This means you don’t have to have lost a child to offer comfort to a grieving parent. You don’t have to have struggled with infertility to offer comfort to another family. I didn’t need to have experienced the loss of a spouse to offer comfort, care, and concern to my friend Bemni. You are qualified to comfort because God has comforted you Himself. It is He who works through us.

A new form of lying has emerged in recent times. This is what Arendt calls “image-making,” where factual truth is dismissed if it doesn’t fit the image. The image becomes a substitute for reality. All such lies harbor an element of violence: organized lying always tends to destroy whatever it has decided to negate. The difference between the traditional political lie and the modern lie is the difference between hiding something and destroying it. We have recently seen how fabricated images can become a reality for millions of people, including the image-maker himself. We have witnessed this in the 2016 American presidential election. Despite the obvious falsity of his claims, the president insists that the crowd at his inauguration was the largest in history; despite the fact that he did not receive a majority of votes, he insists that this was because millions of fraudulent votes were cast; and despite the evidence that Russians interfered with the presidential election, the president claims that the “suggestion” that there was Russian interference is just a devious way of calling his legitimacy into question. The real danger here is that an image is created that loyal followers want to believe regardless of what is factually true. They are encouraged to dismiss anything that conflicts with the image as “fake news” or the conspiracy of elites who want to fool them. What Arendt wrote more than a half a century ago might have been written yesterday. “Contemporary history is full of instances in which tellers of factual truth were felt to be more dangerous, and even more hostile, than the real opponents” (Arendt 1977: 255). Arendt was not sanguine that tellers of factual truth would triumph over image-makers. Factual truth-telling is frequently powerless against image-making and can be defeated in a head-on clash with the powers that be. Nevertheless, she did think that ultimately factual truth has a stubborn power of its own. Image-makers know this, and that is why they seek to discredit a free press and institutions where there is a pursuit of impartial truth.

Anna Chapman was born Anna Vasil’yevna Kushchyenko, in Volgograd, formally Stalingrad, Russia, an important Russian industrial city. During the Battle of Stalingrad in World War II, the city became famous for its resistance against the German Army. As a matter of personal history, I had an uncle, by marriage that was killed in this battle. Many historians consider the battle of Stalingrad the largest and bloodiest battle in the history of warfare. Anna earned her master's degree in economics in Moscow. Her father at the time was employed by the Soviet embassy in Nairobi, Kenya, where he allegedly was a senior KGB agent. After her marriage to Alex Chapman, Anna became a British subject and held a British passport. For a time Alex and Anna lived in London where among other places, she worked for Barclays Bank. In 2009 Anna Chapman left her husband and London, and moved to New York City, living at 20 Exchange Place, in the Wall Street area of downtown Manhattan. In 2009, after a slow start, she enlarged her real-estate business, having as many as 50 employees. Chapman, using her real name worked in the Russian “Illegals Program,” a group of sleeper agents, when an undercover FBI agent, in a New York coffee shop, offered to get her a fake passport, which she accepted. On her father’s advice she handed the passport over to the NYPD, however it still led to her arrest. Ten Russian agents including Anna Chapman were arrested, after having been observed for years, on charges which included money laundering and suspicion of spying for Russia. This led to the largest prisoner swap between the United States and Russia since 1986. On July 8, 2010 the swap was completed at the Vienna International Airport. Five days later the British Home Office revoked Anna’s citizenship preventing her return to England. In December of 2010 Anna Chapman reappeared when she was appointed to the public council of the Young Guard of United Russia, where she was involved in the education of young people. The following month Chapman began hosting a weekly TV show in Russia called Secrets of the World and in June of 2011 she was appointed as editor of Venture Business News magazine. In 2012, the FBI released information that Anna Chapman attempted to snare a senior member of President Barack Obama's cabinet, in what was termed a “Honey Trap.” After the 2008 financial meltdown, sources suggest that Anna may have targeted the dapper Peter Orzag, who was divorced in 2006 and served as Special Assistant to the President, for Economic Policy. Between 2007 and 2010 he was involved in the drafting of the federal budget for the Obama Administration and may have been an appealing target to the FSB, the Russian Intelligence Agency. During Orzag’s time as a federal employee, he frequently came to New York City, where associating with Anna could have been a natural fit, considering her financial and economics background. Coincidently, Orzag resigned from his federal position the same month that Chapman was arrested. Following this, Orzag took a job at Citigroup as Vice President of Global Banking. In 2009, he fathered a child with his former girlfriend, Claire Milonas, the daughter of Greek shipping executive, Spiros Milonas, chairman and President of Ionian Management Inc. In September of 2010, Orzag married Bianna Golodryga, the popular news and finance anchor at Yahoo and a contributor to MSNBC's Morning Joe. She also had co-anchored the weekend edition of ABC's Good Morning America. Not surprisingly Bianna was born in in Moldova, Soviet Union, and in 1980, her family moved to Houston, Texas. She graduated from the University of Texas at Austin, with a degree in Russian/East European & Eurasian studies and has a minor in economics. They have two children. Yes, she is fluent in Russian! Presently Orszag is a banker and economist, and a Vice Chairman of investment banking and Managing Director at Lazard.

With the decline of the United States as the world’s leader, I find it important to look around our globe for intelligent people who have the depth of understanding that could perhaps chart a way to the future. One such person is Bernard-Henri Lévy a French philosopher who was born in Béni Saf, French Algeria on November 5, 1948. . The Boston Globe has said that he is "perhaps the most prominent intellectual in France today." Although his published work and political activism has fueled controversies, he invokes thought provoking insight into today’s controversial world and national views. As a young man and Zionist he was a war correspondent for “Combat” newspaper for the French Underground. Following the war Bernard attended Lycée Louis-le-Grand in Paris and in 1968; he graduated with a degree in philosophy from the famous École Normale Supérieure. This was followed by him traveling to India where he joined the International Brigade to aid Bangladeshi freedom fighters. Returning to Paris, Bernard founded the ‘New Philosophers School.’ At that time he wrote books bringing to light the dark side of French history. Although some of his books were criticized for their journalistic character and unbalanced approach to French history, but most respected French academics took a serious look at his position that Marxism was inherently corrupt. Some of his musings include the predicament of the Kurds and the Shame of Aleppo, referring to the plight of the children in Aleppo during the bloody Syrian civil war. Not everyone agrees with Bernard, as pointed out by an article “Why Does Everyone Hate Bernard-Henri Lévy?” However he is credited with nearly single handedly toppling Muammar Gaddafi. His reward was that in 2008 he was targeted for assassination by a Belgium-based Islamist militant group. Looking like a rock star and ladies man, with his signature dark suits and unbuttoned white shirt, he said that “democracies are not run by the truth,” and notes that the American president is not the author of the anti-intellectual movement it, but rather its product. He added that the anti-intellectualism movement that has swept the United States and Europe in the last 12 months has been a long time coming. The responsibility to support verified information and not publicize fake news as equal has been ignored. He said that the president may be the heart of the anti-intellectual movement, but social media is the mechanism! Not everyone agrees with Bernard; however his views require our attention. If we are to preserve our democracy we have to look at the big picture and let go of some of our partisan thinking. We can still save our democracy, but only if we become patriots instead of partisans!

Traditional rock music favors a working-class body with callused hands and a whisky-rough voice, and by denying this particular brand of physicality the body of electronic music was easily heard as lazy, weak, undisciplined, and effete. The criticism in the 1980s and 1990s that electronic musicians were fake or talentless, then, is a response to a perceived threat against a specific bodily identity as encoded in sound—an identity within a narrow range of class, gender, sexual orientation, and race. As

The kingdom of poetry" This is like light. This is light, Useful as light, as charming And enchanting… …Poetry is certainly More interesting, more valuable, and certainly more charming Than Niagara Falls, the Grand Canyon, the Atlantic Ocean And other much admired natural phenomena. It is useful as light, and as beautiful It is preposterous Precisely, making it possible to say One cannot carry a mountain, but a poem can be carried all over. It is monstrous. Pleasantly, for poetry can say, seriously or in play: “Poetry is better than hope, “For poetry is patience of hope, and all hope’s vivid pictures, “Poetry is better than excitement, it is far more delightful, “Poetry is superior to success, and victory, it endures in serene blessedness “Long after the most fabulous feat like fireworks has mounted and fallen. “Poetry is far more powerful and far more enchanting animal “Than any wood, jungle, ark, circus or zoo possesses.” For poetry magnifies and heighten reality: Poetry says of reality that if it is magnificent, it is also stupid: For poetry is, in a way, omnipotent; For reality is various and rich, powerful and vivid, but it is not enough Because it is disorderly and stupid or only at times, and erratically, intelligent: For without poetry, reality is speechless or incoherent: It is inchoate, like the pomp and the bombast of thunder: Its peroration verge upon the ceaseless oration of the ocean: For reality glows and glory, without poetry, Fake, like the red operas of sunset The blue rivers and the windows of morning. The arts of poetry makes it possible to say: Pandemonium. For poetry is gay and exact. It says: “The sunset resembles a bull-fight. “A sleeping arm feels like soda, fizzing.” Poetry resurrect the past from the sepulchre, like Lazarus. It transforms a lion into a sphinx and a girl. It gives a girl the splendor of Latin. It transforms the water into wine at each marriage in Cana of Galilee. For it is true that poetry invented the unicorn, the centaur and the phoenix. Hence it is true that poetry is an everlasting Ark. An omnibus containing, bearing and begetting all the mind’s animals. Whence it is that poetry gave and gives tongue to forgiveness Therefore a history of poetry would be a history of joy, and a history of the mystery of love For poetry provides spontaneously, abundantly and freely The petnames and the diminutives which love requires and without which the mystery of love cannot be mastered. For poetry is like light, and it is light. It shines over all, like the blue sky, with the same blue justice. For poetry is the sunlight of consciousness: It is also the soil of the fruits of knowledge In the orchards of being: It shows us the pleasures of the city. It lights up the structures of reality. It is a cause of knowledge and laughter: It sharpens the whistles of the witty: It is like morning and the flutes of morning, chanting and enchanted. It is the birth and the rebirth of the first morning forever. Poetry is quick as tigers, clever as cats, vivid as oranges, Nevertheless, it is deathless: it is evergreen and in blossom; long after the Pharaohs and the Caesars have fallen, It shines and endures more than diamonds, It is because poetry is the actuality of possibility, it is The reality of the imagination, The throat of exaltation, The processions of possessions, The motion of meaning and The meaning of morning and The mastery of meaning. The praise of poetry is like the clarity of the heights of the mountains. The heights of poetry are like the exaltation of the mountains. It is the consummation of consciousness in the country of the morning!

Stewart Brand: It had great continuity and those people stayed in touch online for decades and all that. But it ossified… Fabrice Florin: And a lot of the intellectuals that were sharing ideas on The Well went on to branch out into different areas. But you can really trace back a lot of the origins of this new movement to The Well. A lot of the folks were there. Howard Rheingold: I remember I got a friend request on Facebook early from Steve Case and I said, “I know who you are. But why do you want to friend me?” And he said, “Oh, I lurked on The Well from the beginning.” So I think, yes, it did influence things. Larry Brilliant: Steve Jobs was on it—Steve had a fake name and he lurked. Howard Rheingold: Steve Jobs, Steve Case, Craig Newmark: They would all say that they were informed by their experiences on The Well. Fabrice Florin: The Well was the birthplace of the online community. Larry Brilliant: All that goes back to Steve giving me the computer, letting me use it in Nepal, the experience I had with his software to access the satellite, and then coming back and Steve seeing what Seva-Talk could be. We showed it to hundreds of people and nobody saw anything in it. Steve got it immediately. Fabrice Florin: And Stewart basically gave the technology a set of values and ethics that all the developers could share. They already had their own hacker ethic, but he helped to amplify it and bring people together. And then it became big business, and it was hard for intellectuals to be the primary driving force anymore. It became the businesspeople who started driving it. Which is understandable given the scale and scope of what happened. It just became too large for intellectuals to hold.

And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing. It is my job to create universes…. I consider that the matter of defining what is real—that is a serious topic, even a vital topic. And in there somewhere is the other topic, the definition of the authentic human. Because the bombardment of pseudo-realities begins to produce inauthentic humans very quickly, spurious humans—as fake as the data pressing at them from all sides….Fake realities will create fake humans. Or, fake humans will generate fake realities and then sell them to other humans, turning them, eventually, into forgeries of themselves. So we wind up with fake humans inventing fake realities and then peddling them to other fake humans. It is just a very large version of Disneyland.

Lara Jean?” I open my eyes. I’m not dreaming, and this is real. This is a nightmare. Peter Kavinsky is holding my letter in his hand. It’s my handwriting, my envelope, my everything. “How--how did you get that?” “It came in the mail yesterday.” Peter sighs. Gruffly he says, “Listen, it’s no big deal; I just hope you’re not going around telling people--” “It came in the mail? To your house?” “Yeah.” I feel faint. I actually feel faint. Please let me faint right now, because if I faint I will no longer be here, in this moment. It will be like in movies when a girl passes out from the horror of it all and the fighting happens while she is asleep and she wakes up in a hospital bed with a bruise or two, but she’s missed all the bad stuff. I wish that was my life instead of this. I can feel myself start to sweat. Rapidly I say, “You should know that I wrote that letter a really long time ago.” “Okay.” “Like, years ago. Years and years ago. I don’t even remember what I said.” Up close, your face wasn’t so much handsome as beautiful. “Seriously, that letter’s from middle school. I don’t even know who would have sent it. Can I see it?” I reach for the letter, trying to stay calm and not sound desperate. Just casual cool. He hesitates and then grins his perfect Peter grin. “Nah, I want to keep it. I never got a letter like this before.” I leap forward, and quick like a cat I snatch it out of his hand. Peter laughs and throws up his hands in surrender. “All right, fine, have it. Geez.” “Thanks.” I start to back away from him. The paper is shaking in my hand. “Wait.” He hesitates. “Listen, I didn’t mean to steal your first kiss or whatever. I mean, that wasn’t my intention--” I laugh, a forced and fake laugh that sounds crazy even to my own ears. People turn around and look at us. “Apology accepted! Ancient history!” And then I bolt. I run faster than I’ve ever run. All the way to the girls’ locker room. How did this even happen? I sink to the floor. I’ve had the going-to-school-naked dream before. I’ve had the going-to-school-naked-forgot-to-study-for-an-exam-in-a-class-I-never-signed-up-for combo, the naked-exam-somebody-trying-to-kill-me combo. This is all that times infinity. And then, because there’s nothing left for me to do, I take the letter out of the envelope and I read it.

Ellis had a history of creating fake movements in support of unpopular corporations and causes. In the 1990s, he had headed a company called Ramhurst, which documents revealed to be a covert public relations arm of R. J. Reynolds, the giant tobacco company. Under his guidance, Ramhurst organized deceptively homegrown-looking “smokers’ rights” protests against proposed regulations and taxes on tobacco.

Center for Public Integrity, however, it was in fact a new kind of weapon in the arsenal of several of America’s biggest businesses—a fake populist movement secretly manufactured by corporate sponsors—

reducing public education to a consumer experience for parents that allows them to “choose” to funnel taxpayer money into schools that discriminate, teach pseudoscience and fake history, and promote contempt for those who are different isn’t a way to improve our system of education.

In May “Rock Around the Clock” hit the charts, and it rose to Number One. In June it crossed over to the R&B charts, where it hit Number Four. “Rock Around the Clock” became the best-selling rock record in history, with sales of almost seventeen million to date. But what I find more fascinating, more important about the record, and about Bill Haley, is this: “Rock Around the Clock” was recorded three months before Elvis made his first record, and it was a hit nine months before Elvis appeared on the pop charts. Viewing Haley’s earlier records, such as “Rock the Joint,” as the first white rock-and-roll, and “Rock Around the Clock” as not only the first Number One rock hit, but also the first clear example of rock gone wholly astray, of fake Tin Pan Alley rock, one can plainly see that in the brief span from 1952 to 1955 rock-and-roll had already risen and fallen.

Statues are not harmless artifacts. They deliberately contrive to shore up narratives that attribute all of history and its deeds to a carefully selected group of mostly male individuals.

In short, the “dominant narrative” of history has, for the last thousand years at least, been dictated by “the dominant people” and that means that it has been written by white males, about white males, for white males.

Churchill was not a defender of democracy – he was a defender of the British Empire. And the two are not analogous.

history has been footballified – if I can use such a term. It’s been turned into a game, with sides and jeering supporters.

The most important tool in the armoury of any archaeologist is a bullshit detector. The mental capacity to question evidence and to ask: “Is this what it seems to be? Does this support what I believe to be true, or do I simply want it to fit into my argument?

The characters might change but human nature and human folly do not.

missed drinking. I missed talking with friends, the late nights, snorting things, fucking people. Then as if a slide in the darkened room of art history class, the bright-red image of Hailey’s body in a room of fake blood flashed.

Ironically, I would lose my faith by taking a class in theology in a Catholic college that was also a required academic course. So, I started reading theologians and scholars of Bible history. I found, to my amazement, confirmation of my suspicions that the entire Bible was nothing more than mythology, no less fake than the Greek and Roman gods.

You've done a lot of work on the revolution, obviously. And you tend to focus on women's rights and free speech. What other issues are you drawn to? Eladl: All the issues that concern Egyptian citizen. I deal a lot with women's issues, gender rights, but I think I focus a lot of my work on Egyptian citizens and, because I think any reform should start with the Egyptian citizen, trying to get them to participate in this process. The purpose of editorial cartooning is to awaken people. Some media outlets, whether in the United States or Egypt, distort the facts. And normally the media is controlled either by government, by investors, by the people who have the money. So cartoons, they should look into issues and make it clear whether it is black or white, or whether there is a grey area. People can look and distinguish between sincere and honest cartoonists and from other kinds that are not. Even an historian can be under pressure and to fake the writing of history. But cartoonists, we have the freedom to say what we want. (2011 interview with Cartoon Movement)

We have reached a point in history where intellectual incapacitation feels like wholeness, and where forgetting trumps remembering.

Why challenge the bedrock of our collective national consciousness when it comforts us to indulge in fairy tales instead?

They control the brain and make it think certain thoughts they force it to think that may or not have existed. Then they create clone recordings that essentially are fake but may sound realistic.

Their primary customers are upper-income women between thirty and fifty years sold. The average markup on a handbag is ten to twelve times production cost. Perfume has, for more than seventy years, served as an introduction to a luxury brand. The message was clear: buy our brand and you too, will live a luxury life. The contradiction between personal indulgence and conspicuous consumption is the crux of the luxury business today: the convergence of its history with its current reality. Today, luxury brand items are collected like baseball cards, displayed like artwork, brandished like iconography. The tycoons have shifted the focus from what the product is to what is represents. Perfume has a mystical, magical quality. It catches your attention, enchants you. It complements and enhances your personality. it stirs emotion, within you and others around you. Perfume was a link between gods and mortals. It was a way to contact the gods, Hermes's Jean-Claude Ellena told me. Now it is a profane link: it's between you and me. Contentment is natural wealth. Luxury is artificial poverty. Socrates More than anything else today, the handbag tells the story of a woman: her reality, her dreams. Oscar Wilde said elegance is power. If it would abolish avarice, you must abolish its mother, luxury. Cicero People don't believe there is a difference between real and fake anymore. Bernard Arnault's marketing plan had worked: consumers don't buy luxury branded items for what they are, but for what they represent. Luxury is the ease of a T-shirt in a very expensive dress. If you don't have it, you are not a person used to luxury. You are just a rich person who can buy staff. Karl Lagerfeld Luxury is exclusivity, it is made for you and no one else has it. At a minimum, it must be impeccable. Maximum, unique. If you do luxury, Louboutin explained, you have to treat people in a human way and you have to be elegant. You can't ask poor people in bad conditions to make beautiful things.

One possibility is that the king and his companions were cracking down on ‘fake monasteries