Fairies Love Quotes

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In fairy tales, the princesses kiss the frogs, and the frogs become princes. In real life, the pricesses kiss princes, and the princes turn into frogs.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
This is true happiness: to have no ambition and to work like a horse as if you had every ambition. To live far from men, not to need them and yet to love them. To have the stars above, the land to your left and the sea to your right and to realize of a sudden that in your heart, life has accomplished its final miracle: it has become a fairy tale.
Nikos Kazantzakis (Zorba the Greek)
There are many kinds of joy, but they all lead to one: the joy to be loved.
Michael Ende (The Neverending Story)
Happiness, you see, its just an illusion of Fate, a heavenly sleight of hand designed to make you believe in fairy tales. But there's no happily ever after. You'll only find happy endings in books. Some books.
Ellen Hopkins
Do you think we can be friends?” I asked. He stared up at the ceiling. “Probably not, but we can pretend.
Priya Ardis (Ever My Merlin (My Merlin, #3))
So," he called to her back, "Just out of curiosity, you know, purely conversation and all, at what age will you be entertaining offers of marriage?" "You think it'll be so easy?" she called back over her shoulder. "No way. There will be tasks. Like in a fairy tale." "Sounds dangerous." "Very, so think twice." "No need," he said. "You're worth it.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
Yet what keeps me from dissolving right now into a complete fairy-tale shimmer is this solid truth, a truth which has veritably built my bones over the last few years--I was not rescued by a prince; I was the administrator of my own rescue.
Elizabeth Gilbert (Eat, Pray, Love)
You, of all people, deserve a happy ending. Despite everything that happened to you, you aren't bitter. You aren't cold. You've just retreated a little and been shy, and that's okay. If I were a fairy godmother, I would give you your heart's desire in an istant. And I would wipe away your tears and tell you not to cry. -Rachel to Julia
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
Vane grabbed me. “DuLac, let’s chat.” Chat. British-speak for “Stand still while I yell at you.
Priya Ardis (My Merlin Awakening (My Merlin, #2))
It's funny because when you're a child, you believe you can be anything you want to be, go wherever you want to go. There's no limit to what you can dream. You expect the unexpected, you believe in magic, in fairy tales, and in possibilities. Then you grow older and that innocence is shattered and somewhere along the way the reality of life gets in the way and you're hit by the realization that you can't be all you wanted to be, you just might have to settle for a little bit less. Or perhaps a variation of what you once wanted. Why do we stop believing in ourselves? Why do we let facts and figures and anything but dreams rule our lives?
Cecelia Ahern (Love, Rosie)
I loved him, but love isn't enough. All the fairy tales, the romance novels, the soap operas; they're all lies. Love does not conquer all.
Laurell K. Hamilton (The Lunatic Cafe (Anita Blake, Vampire Hunter, #4))
There's no limit to what you can dream. You expect the unexpected, you believe in magic, in fairy tales, and in possibilities. Then you grow older and that innocence is shattered and somewhere along the way the reality of life gets in the way and you're hit by the realization that you can't be all you wanted to be, you just might have to settle for a little bit less.
Cecelia Ahern
It is frightfully difficult to know much about the fairies, and almost the only thing for certain is that there are fairies wherever there are children.
J.M. Barrie (Peter Pan in Kensington Gardens)
You must learn to know the difference between tales and the truth, my Liza, she would say. Fairy tales have a habit of ending too soon. They never show what happens afterwards when the prince and princess ride off the page.
Kate Morton (The Forgotten Garden)
My point is that when you fall in love it's with a real person with flaws. Not with a perfect character from a fairy tale.
Mette Ivie Harrison (Tris & Izzie)
They kissed for the first time then in the cold spring rain, though neither one of them now knew that it was raining. Tristran's heart pounded in his chest as if it was not big enough to contain all the joy that it held. He opened his eyes as he kissed the star. Her sky-blue eyes stared back into his, and in her eyes he could see no parting from her.
Neil Gaiman (Stardust)
Kami'd always retold her fairy tales to make the fair maidens braver and more self-sufficient, but she had never had any real objection to the handsome prince.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
His hands lay flat on either side of him, his arms at his sides. He seemed barely to be breathing; she wasn't sure she was breathing herself. She slid her own hand across the bedsheet, just far enough that their fingers touched-so lightly that she would have probably hardly been aware of it had she been touching anyone but Jace; as it was, the nerve endings in her fingertips pricked softly, as if she were holding them over a low flame. She felt him tense beside her and then relax. He had shut his eyes, and his lashes cast fine shadows against the curve of his cheekbones. His mouth curled into a smile as if he sensed her watching him, and she wondered how he would look in the morning, with his hair messed and sleep circles under his eyes. Despite everything, the thought gave her a jolt of happiness. She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Thy loving smile will surely hail The love-gift of a fairy tale.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
Oh yeah. That's why. Like a fairy tale. I was marrying the Prince. I just happened to be in love with the pauper.
Amanda Hocking (Torn (Trylle, #2))
I never claimed to be Prince Charming, and my love isn’t a fairy tale type of love. I’m a fucked-up person with fucked-up morals. I won’t write you poems or serenade you beneath the moonlight. But you are the only woman I have eyes for. Your enemies are my enemies, your friends are my friends, and if you wanted, I would burn down the world for you.
Ana Huang (Twisted Love (Twisted, #1))
There is no law stronger than that of magic. - Kian
Kailin Gow (Bitter Frost (Frost, #1))
When does real love begin? At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity. At what moment does the knife wound sink so deep that the flesh begins to weep with love? At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.
Anaïs Nin (Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin (1934-1937))
Vane’s lips tightened to suppress a smile. “Why so hostile, love?” “You whacked me on the head with a ball!” “You deserved it.
Priya Ardis (My Merlin Awakening (My Merlin, #2))
‎The simple truth is that you can understand a town. You can know and love and hate it. You can blame it, resent it, and nothing changes. In the end, you're just another part of it.
Brenna Yovanoff
Do I look like I want to be involved in your teen love saga? Ask someone who cares.
Priya Ardis (My Boyfriend Merlin (My Merlin, #1))
I didn’t need grand gestures or fairy tales; a normal life with the boy I loved would have always been enough.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
If the Beast gave me a library like he gave to Belle, I’d marry him too.
Aya Ling (The Ugly Stepsister (Unfinished Fairy Tales, #1))
Yes, I need you, my fairy-tale. Because you are the only person I can talk with about the shade of a cloud, about the song of a thought — and about how, when I went out to work today and looked a tall sunflower in the face, it smiled at me with all of its seeds.
Vladimir Nabokov (Letters to Vera)
I caught his hand. “What do you want me to do?” Leaning down, he kissed the pulse beating on my neck just above the damaged skin. “Tomorrow, I need you to die.
Priya Ardis (My Merlin Awakening (My Merlin, #2))
To many, I was myth incarnate, the embodiment of a most superb legend, a fairy tale. Some considered me a monster, a mutation. To my great misfortune, I was once mistaken for an angel. To my mother, I was everything. To my father, nothing at all. To my grandmother, I was a daily reminder of loves long lost. But I knew the truth—deep down, I always did. I was just a girl.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
You want the fairy tale." "I want a chance at it.
Rachel Gibson (I'm In No Mood For Love (Writer Friends, #2))
He used to talk to me about Russia all the time and had sworn up and down that I'd love it here. "To you, it'd be like a fairy tale," he'd told me. "Sorry, comrade. Borg and out-of-date music aren't part of any happy ending I've ever imagined." "Borscht, not borg. And I've seen your appetite. If you were hungry enough, you'd eat it." "So starvation's necessary for this fairy tale to work out?
Richelle Mead (Blood Promise (Vampire Academy, #4))
And Sophie and Agatha lived happily ever after, for girls don't need princes for love to call... No, they don't need princes in their fairy tales at all
Soman Chainani (A World Without Princes (The School for Good and Evil, #2))
You said you were a fairy princess You said you were a shooting star You said we'd go to Bora Bora Now look at where the fuck we are
Jennifer Egan (A Visit from the Goon Squad)
Give me your skin as sheer as a cobweb, let me open it up and listen in and scoop out the dark.
Anne Sexton (Transformations)
We have a long way to go to being the perfect couple, we certainly don’t live the fairy tale marriage, he doesn’t shower me with rose petals and fly me to Paris on weekends but when I get my hair cut, he notices. When I dress up to go out at night, he compliments me. When I cry, he wipes my tears. When I feel lonely, he makes me feel loved. And who needs Paris, when you can get a hug?
Cecelia Ahern (Love, Rosie)
the one who will jolt awake all the unwritten the unsung and the unlived in me. i am waiting for him.
Sanober Khan
That means life itself is a fairy tale. Like the characters, we all live and love and search for a happily-ever-after.
Gena Showalter (The Darkest Night (Lords of the Underworld, #1))
There's nothing deeper than love. In fairy tales, the princesses kiss the frogs, and the frogs become princes. In real life,the princesses kiss princes, and the princes turn into frogs.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
You don’t need princes to save you. I don’t have a lot of patience for stories in which women are rescued by men.
Neil Gaiman (The Sleeper and the Spindle)
I found out the hard way that fairy tales and true love don't exist
Elizabeth Eulberg (The Lonely Hearts Club (The Lonely Hearts Club, #1))
Fairy tales are such evil little stories for young children.
Cecelia Ahern (Love, Rosie)
I love you," he said, his voice catching. "When I thought you were going to die, I wanted to die.
Eloisa James (When Beauty Tamed the Beast (Fairy Tales, #2))
I want you to tell me about every person you’ve ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn’t think you’d live through. Tell me what the word home means to you and tell me in a way that I’ll know your mother’s name just by the way you describe your bedroom when you were eight. See, I want to know the first time you felt the weight of hate, and if that day still trembles beneath your bones. Do you prefer to play in puddles of rain or bounce in the bellies of snow? And if you were to build a snowman, would you rip two branches from a tree to build your snowman arms or would leave your snowman armless for the sake of being harmless to the tree? And if you would, would you notice how that tree weeps for you because your snowman has no arms to hug you every time you kiss him on the cheek? Do you kiss your friends on the cheek? Do you sleep beside them when they’re sad even if it makes your lover mad? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name, and if you often lie awake at night and imagine your mother’s joy when she spoke it for the very first time. I want you to tell me all the ways you’ve been unkind. Tell me all the ways you’ve been cruel. Tell me, knowing I often picture Gandhi at ten years old beating up little boys at school. If you were walking by a chemical plant where smokestacks were filling the sky with dark black clouds would you holler “Poison! Poison! Poison!” really loud or would you whisper “That cloud looks like a fish, and that cloud looks like a fairy!” Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me — how would you explain the miracle of my life to me? See, I wanna know if you believe in any god or if you believe in many gods or better yet what gods believe in you. And for all the times that you’ve knelt before the temple of yourself, have the prayers you asked come true? And if they didn’t, did you feel denied? And if you felt denied, denied by who? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see when you look in the mirror on a day you’re feeling bad. I wanna know the first person who taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment will you remember how to laugh? Have you ever been a song? Would you think less of me if I told you I’ve lived my entire life a little off-key? And I’m not nearly as smart as my poetry I just plagiarize the thoughts of the people around me who have learned the wisdom of silence. Do you believe that concrete perpetuates violence? And if you do — I want you to tell me of a meadow where my skateboard will soar. See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving, and if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes from other people’s wounds, and if you dream sometimes that this life is just a balloon — that if you wanted to, you could pop, but you never would ‘cause you’d never want it to stop. If a tree fell in the forest and you were the only one there to hear — if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness? And lastly, let me ask you this: If you and I went for a walk and the entire walk, we didn’t talk — do you think eventually, we’d… kiss? No, wait. That’s asking too much — after all, this is only our first date.
Andrea Gibson
People who have a creative side and do not live it out are most disagreeable clients. They make a mountain out of a molehill, fuss about unnecessary things, are too passionately in love with somebody who is not worth so much attention, and so on. There is a kind of floating charge of energy in them which is not attached to its right object and therefore tends to apply exaggerated dynamism to the wrong situation.
Marie-Louise von Franz (Shadow and Evil in Fairy Tales)
He’d used the amulet to read my thoughts again. I pictured smacking him in the face.
Priya Ardis (Ever My Merlin (My Merlin, #3))
Words are not enough. Not mine, cut off at the throat before they breathe. Never forming, broken and swallowed, tossed into the void before they are heard. It would be easy to follow, fall to my knees, prostrate before the deli counter. Sweep the shelves clear, scatter the tins, pound the cakes to powder. Supermarket isles stretching out in macabre displays. Christmas madness, sad songs and mistletoe, packed car parks, rotten leaves banked up in corners. Forgotten reminders of summer before the storm. Never trust a promise, they take prisoners and wishes never come true. Fairy stories can have grim endings and I don’t know how I will face the world without you.
Peter B. Forster (More Than Love, A Husband's Tale)
Just those three words, said and meant. I love you. They were quite hopeless. He said it as he might have said, I have cancer. His fairy story.
John Fowles (The Collector)
Love is not fashionable anymore; the poets have killed it.
Oscar Wilde (The Complete Fairy Tales)
Crazy loves company, Sir Clay.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
We need not be afraid of expecting the unexpected, but let us wheedle each instant we enjoy and endear each happy moment we encounter; let us watch each step we take and each move we make, ever since happiness is a loving and appealing fairy, but utterly frail and vulnerable. ("Happy days are back again")
Erik Pevernagie
That's the fairy tale. You meet, you fall in love, you kiss, and neither of you is revolted by it. You get married and have kids and live happily ever after.
Sarah Addison Allen (The Peach Keeper)
In the fairy tale, an incomprehensible happiness rests upon an incomprehensible condition. A box is opened and all evils fly out. A word is forgotten and cities perish. A lamp is lit and love flies away. An apple is eaten and the hope of God is gone.
G.K. Chesterton (Orthodoxy)
What is love but friendship set on fire?
K.M. Shea (Beauty and the Beast (Timeless Fairy Tales, #1))
Only those who truly love and who are truly strong can sustain their lives as a dream. You dwell in your own enchantment. Life throws stones at you, but your love and your dream change those stones into the flowers of discovery. Even if you lose, or are defeated by things, your triumph will always be exemplary. And if no one knows it, then there are places that do. People like you enrich the dreams of the worlds, and it is dreams that create history. People like you are unknowing transformers of things, protected by your own fairy-tale, by love.
Ben Okri
The fairies, as their custom, clapped their hands with delight over their cleverness, and they were so madly in love with the little house that they could not bear to think they had finished it.
J.M. Barrie (Peter Pan in Kensington Gardens)
Nobody loves only once.
Cornelia Funke (Reckless (Mirrorworld, #1))
She always did like tales of adventure-stories full of brightness and darkness. She could tell you the names of all King Arthur's knights, and she knew everything about Beowulf and Grendel, the ancient gods and the not-quite-so-ancient heroes. She liked pirate stories, too, but most of all she loved books that had at least a knight or a dragon or a fairy in them. She was always on the dragon's side by the way.
Cornelia Funke (Inkheart (Inkworld, #1))
There are two kinds of women: those who marry princes and those who marry frogs. The frogs never become princes, but it is an acknowledged fact that a prince may very well, in the course of an ordinary marrige, gradually, at first almost imperceptibly, turn into a frog. Happy the woman who after twenty-five years still wakes up beside the prince she fell in love with.
Stephen Mitchell (The Frog Prince: A Fairy Tale for Consenting Adults)
Sometimes you fall, spinning through space, grasping for the things that keep you on this earth. Sometimes you catch them. They can be the hands of the people you love. They can be your pets- pups with funny names, cats with ferocious old souls. The thing that keeps you here can be your art. It can be things you have collected and invested with a certain sense of meaning. A flowered, buckled treasure chest of secrets. Shoes that make you taller and, therefore, closer to the heavens. A suit that belonged to your fairy godmother. A dress that makes you feel a little like the Goddess herself. Sometimes you keep falling; you don't catch anything. Sometimes you fall, spinning through space, grasping for the things that keep you here. Sometimes you catch them. Sometimes you don't. Sometimes they catch you.
Francesca Lia Block (Necklace of Kisses (Weetzie Bat, #6))
You think fairy tales are only for girls? Here’s a hint—ask yourself who wrote them. I assure you, it wasn’t just the women. It’s the great male fantasy—all it takes is one dance to know that she’s the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know—this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don’t want a very long courtship. They want to know immediately.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Do you know when they say soul-mates? Everybody uses it in personal ads. "Soul-mate wanted". It doesn't mean too much now. But soul mates- think about it. When your soul-whatever that is anyway-something so alive when you make music or love and so mysteriously hidden most of the rest of the time, so colorful and big but without color or shape-when your soul finds another soul it can recognize even before the rest of you knows about it. The rest of you just feels sweaty and jumpy at first. And your souls get married without even meaning to-even if you can't be together for some reason in real life, your souls just go ahead and make the wedding plans. A soul's wedding must be too beautiful to even look at. It must be blinding. In must be like all the weddings in the world-gondolas with canopies of doves, champagne glasses shattering, wings of veils, drums beating, flutes and trumpets,showers of roses. And after that happens-that's it, this is it. But sometimes you have to let that person go. When you are little, people , movie and fairy tales all tell you that one day you're going to meet this person. So you keep waiting and it's a lot harder than they make it sound. Then you meet and you think, okay, now we can just get on with it but you find out that sometimes your sould brother partner lover has other ideas about that.
Francesca Lia Block (Dangerous Angels (Weetzie Bat, #1-5))
When Alex was a kid, before anyone knew his name, he dreamed of love like it was a fairy tale, as if it would come sweeping into his life on the back of a dragon one day. When he got older, he learned about love as a strange thing that could fall apart no matter how badly you wanted it, a choice you make anyway. He never imagined it’d turn out he was right both times.
Casey McQuiston (Red, White & Royal Blue)
I don't believe in things like that - fairies or brownies or magic or anything. It's old-fashioned.' 'Well, we must be jolly old-fashioned then,' said Bessie. 'Because we not only believe in the Faraway Tree and love our funny friends there, but we go to see them too - and we visit the lands at the top of the Tree as well!
Enid Blyton (The Folk of the Faraway Tree (The Faraway Tree, #3))
The Resurrection was the greatest ‘eucatastrophe’ possible in the greatest Fairy Story — and produces that essential emotion: Christian joy which produces tears because it is qualitatively so like sorrow, because it comes from those places where Joy and Sorrow are at one, reconciled, as selfishness and altruism are lost in Love.
J.R.R. Tolkien (The Letters of J.R.R. Tolkien)
She wanted to return to her dream. Perhaps it was still somewhere there behind her closed eyelids. Perhaps a little of its happiness still clung like gold dust to her lashes. Don't dreams in fairy tales sometimes leave a token behind?
Cornelia Funke (Inkheart (Inkworld, #1))
Do you mean to say," asked Caspian, "that you three come from a round world (round like a ball) and you've never told me! It's really too bad for you. Because we have fairy-tales in which there are round worlds and I have always loved them … Have you ever been to the parts where people walk about upside-down?" Edmund shook his head. "And it isn't like that," he added. "There's nothing particularly exciting about a round world when you're there.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
What I mean is, all the terrible things that happen in fairy tales seem real. Or not real, but genuine. Life is unfair, and the bad guys keep winning and good people die. But I like how that's not always the end of it...Evil is real, but so is good. They always say fairy tales are simplistic, black and white, but I don't think so. I think they're complicated. That's what I love about them.
Polly Shulman (The Grimm Legacy (The Grimm Legacy, #1))
We are meant to be.” He pressed his lips to mine again; against myself, against my worry, I once again succumbed to the power of his kiss. “I know that now. Our love is stronger than magic, stronger than the laws of all Feyland. It will survive this...whatever the future brings.” - Prince Kian, Silver Frost.
Kailin Gow (Silver Frost (Frost, #3))
Thank you, Adam,” I told him. “Thank you for tearing Tim into small Tim bits. Thank you for forcing me to drink one last cup of fairy bug-juice so I could have use of both of my arms. Thank you for being there, for putting up with me.” By that point I wasn’t laughing anymore. “Thank you for keeping me from being another of Stefan’s sheep—I’ll take pack over that any day. Thank you for making the tough calls, for giving me time.” I stood up and walked to him, leaning against him and pressing my face against his shoulder. “Thank you for loving me.” His arms closed around me, pressing flesh painfully hard against bone. Love hurts like that sometimes.
Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
People who’ve never read fairy tales, the professor said, have a harder time coping in life than the people who have. They don’t have access to all the lessons that can be learned from the journeys through the dark woods and the kindness of strangers treated decently, the knowledge that can be gained from the company and example of Donkeyskins and cats wearing boots and steadfast tin soldiers. I’m not talking about in-your-face lessons, but more subtle ones. The kind that seep up from your sub¬conscious and give you moral and humane structures for your life. That teach you how to prevail, and trust. And maybe even love.
Charles de Lint (The Onion Girl (Newford, #8))
Being in love is a good thing, but it is not the best thing. There are many things below it, but there are also things above it. You cannot make it the basis of a whole life. It is a noble feeling, but it is still a feeling. Now no feeling can be relied on to last in its full intensity, or even to last at all. Knowledge can last, principles can last, habits can last but feelings come and go. And in fact, whatever people say, the state called ‘being in love’ usually does not last. If the old fairy-tale ending ‘They lived happily ever after’ is taken to mean ‘They felt for the next fifty years exactly as they felt the day before they were married,’ then it says what probably never was nor ever would be true, and would be highly undesirable if it were. Who could bear to live in that excitement for even five years? What would become of your work, your appetite, your sleep, your friendships? But, of course, ceasing to be ‘in love’ need not mean ceasing to love. Love in this second sense — love as distinct from ‘being in love’ — is not merely a feeling. It is a deep unity, maintained by the will and deliberately strengthened by habit; reinforced by (in Christian marriages) the grace which both partners ask, and receive, from God. They can have this love for each other even at those moments when they do not like each other; as you love yourself even when you do not like yourself. They can retain this love even when each would easily, if they allowed themselves, be ‘in love’ with someone else. ‘Being in love’ first moved them to promise fidelity: this quieter love enables them to keep the promise. it is on this love that the engine of marriage is run: being in love was the explosion that started it.
C.S. Lewis
There is no list of rules. There is one rule. The rule is: there are no rules. Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you are supposed to be. Being traditional is not traditional anymore. It’s funny that we still think of it that way. Normalize your lives, people. You don’t want a baby? Don’t have one. I don’t want to get married? I won’t. You want to live alone? Enjoy it. You want to love someone? Love someone. Don’t apologize. Don’t explain. Don’t ever feel less than. When you feel the need to apologize or explain who you are, it means the voice in your head is telling you the wrong story. Wipe the slate clean. And rewrite it. No fairy tales. Be your own narrator. And go for a happy ending. One foot in front of the other. You will make it.
Shonda Rhimes (Year of Yes)
But for now, the only thing I wanted was standing right here, looking at me with an expression so open and unguarded that I thought my heart would burst out of my chest. "Don't leave," I whispered, tightening my hold. "Never leave me again. Stay with me. Forever." The Winter prince smiled, a small, easy smile, and lowered his lips to mine."I promise.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
It's because you're letting the fairy tales you grew up hearing in storybooks and the baseless ideas of love cloud your mind. Love isn't easy. Especially the really good kind. It's difficult, and you'll want to rip your hair out just as many days you'll feel the wind at your back." She paused smiling to herself. "But it's worth it. It's worth fighting for
Nicole Williams (Clash (Crash, #2))
Have you ever heard of Blue Streak?" I blink at him. "That's the name of a movie?" "Romeo Must Die? Bad Boys? Rush Hour? Rush Hour 2? Rush Hour 3? Actually, Rush Hour 3 wasn't that great. Tangled? "That last one, I believe, is a cartoon about a girl with very long hair, inspired by the German fairy tale Rapunzel." Kenji looks like he might be choking. "A cartoon?" he says, outraged. "Tangled is not a cartoon. Tangled is one of the greatest movies of all time. It's about fighting for freedom and true love.
Tahereh Mafi (Defy Me (Shatter Me, #5))
Tell me the story, Pew. . . . It was a woman. You always say that. There's always a woman somewhere, child; a princess, a witch, a stepmother, a mermaid, a fairy godmother, or one as wicked as she is beautiful, or as beautiful as she is good. Is that the complete list? Then there is the woman you love. Who's she? That's another story.
Jeanette Winterson
My phone buzzes. It’s from Karou: a list of conversation openers that I won’t be needing. —a) Hi. I’m Zuzana. I’m actually a marionette brought to life by the Blue Fairy, and the only way I can gain a soul is if a human falls in love with me. Help a puppet out? —b) Hi. I’m Zuzana. The touch of my lips imparts immortality. Just sayin’. —c) Hi. I’m Zuzana. I think I might like you.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
young maidens now days get misty eyed thinking about true love and the fathomless adoration you will share. It’s not like that. Real love is looking at someone and knowing that you wouldn’t mind waking up to their bad breath for the next century, and you are fine with them seeing you before you brush your hair and fix your face for the day.
K.M. Shea (Beauty and the Beast (Timeless Fairy Tales, #1))
How much more of the mosque, of prayer and fasting? Better go drunk and begging round the taverns. Khayyam, drink wine, for soon this clay of yours Will make a cup, bowl, one day a jar. When once you hear the roses are in bloom, Then is the time, my love, to pour the wine; Houris and palaces and Heaven and Hell- These are but fairy-tales, forget them all.
Omar Khayyám
SHE is neither pink nor pale, And she never will be all mine; She learned her hands in a fairy-tale, And her mouth on a valentine. She has more hair than she needs; In the sun ’tis a woe to me! And her voice is a string of colored beads, Or steps leading into the sea. She loves me all that she can, And her ways to my ways resign; But she was not made for any man, And she never will be all mine.
Edna St. Vincent Millay (Renascence and Other Poems (Dover Thrift Editions))
If I'm away from you for more than an hour, I can't stop thinking about you. I carry you in my spirit. I pray for you more than I pray for myself...I know you don't believe in fairy tales. But, if you did, I'd want to be your knight in shining armor. You've been through so much. I don't want to see you hurt anymore. Now I may not be able to give you all that your used to. But I do know I can love you past your pain. I don't want you to worry about anything. You just wake up in the morning, that's all you have to do and I'll take it from there...There's one condition...You have to be my wife
Tyler Perry
I regretted that I hadn't turned myself into the kind of man that you could be with. That it wouldn't be just for me to be with you, even if you wanted me. Our lives started in the same shit hole, Elene, but somehow you've turned into you, and I've turned into this. I don't like what I've done. I don't like who I've become. You don't deserve a fairy tale? I don't deserve another chance, but I'm asking you for one. You're afraid that love is too risky? I've seen what happens when you don't risk it. [...] I'm willing to risk it to see the world through your eyes.
Brent Weeks (The Way of Shadows (Night Angel, #1))
It is a world of magic and mystery, of deep darkness and flickering starlight. It is a world where terrible things happen and wonderful things too. It is a world where goodness is pitted against evil, love against hate, order against chaos, in a great struggle where often it is hard to be sure who belongs to which side because appearances are endlessly deceptive. Yet for all its confusion and wildness, it is a world where the battle goes ultimately to the good, who live happily ever after, and where in the long run everybody, good and evil alike, becomes known by his true name....That is the fairy tale of the Gospel with, of course, one crucial difference from all other fairy tales, which is that the claim made for it is that it is true, that it not only happened once upon a time but has kept on happening ever since and is happening still.
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
I noticed him right away. No, it wasn’t his lean, rugged face. Or the dark waves of shiny hair that hung just a little too long on his forehead. It wasn’t the slim, collarless biker jacket he wore, hugging his lean shoulders. It was the way he stood. The confident way he waited in the cafeteria line to get a slice of pizza. He didn’t saunter. He didn’t amble. He stood at the center, and let the other people buzz around him. His stance was straight and sure.
Priya Ardis (Ever My Merlin (My Merlin, #3))
And I realized that some things just don't work that way. Life isn't a fairy tail. And the person you fall in love with doesn't always love you back. But that's ok, because at the very least it makes you stronger. And brings you to a place where you can fall in love with yourself. And that to me is more important than finding someone that only makes you complete when they are around, It's really about Finding the person that will teach you ALL the lessons you need to know ...so that you feel complete all by yourself. 
Bethany Brookbank (Write like no one is reading)
I love the stillness of the wood; I love the music of the rill: I love the couch in pensive mood Upon some silent hill. Scarce heard, beneath yon arching trees, The silver-crested ripples pass; and, like a mimic brook, the breeze Whispers among the grass. Here from the world I win release, Nor scorn of men, nor footstep rude, Break into mar the holy peace Of this great solitude. Here may the silent tears I weep Lull the vested spirit into rest, As infants sob themselves to sleep Upon a mothers breast. But when the bitter hour is gone, And the keen throbbing pangs are still, Oh, sweetest then to couch alone Upon some silent hill! To live in joys that once have been, To put the cold world out of sight, And deck life's drear and barren scene With hues of rainbow-light. For what to man the gift of breath, If sorrow be his lot below; If all the day that ends in death Be dark with clouds of woe? Shall the poor transport of an hour Repay long years of sore distress— The fragrance of a lonely flower Make glad the wilderness? Ye golden house of life's young spring, Of innocence, of love and truth! Bright, beyond all imagining, Thou fairy-dream of youth! I'd give all wealth that years have piled, The slow result of Life's decay, To be once more a little child For one bright summer's day.
Lewis Carroll
Tell me now, fairy as you are - can't you give me a charm, or a philter, or something of that sort, to make me a handsome man?" "It would be past the power of magic, sir;" and, in thought, I added, "A loving eye is all the charm needed: to such you are handsome enough; or rather, your sternness has a power beyond beauty." Mr. Rochester had sometimes read my unspoken thoughts with an acumen to me incomprehensible: in the present instance he took no notice of my abrupt vocal response; but he smiled at me with a certain smile he had of his own, and which he used but on rare occasions. He seemed to think too good for common purpose: it was the real sunshine of feeling - he shed it over me now.
Charlotte Brontë (Jane Eyre)
ROXANE: Live, for I love you! CYRANO: No, In fairy tales When to the ill-starred Prince the lady says 'I love you!' all his ugliness fades fast-- But I remain the same, up to the last! ROXANE: I have marred your life--I, I! CYRANO: You blessed my life! Never on me had rested woman's love. My mother even could not find me fair: I had no sister; and, when grown a man, I feared the mistress who would mock at me. But I have had your friendship--grace to you A woman's charm has passed across my path.
Edmond Rostand (Cyrano de Bergerac)
Tomber amoureux. To fall in love. Does it occur suddenly or gradually? If gradually, when is the moment “already”? I would fall in love with a monkey made of rags. With a plywood squirrel. With a botanical atlas. With an oriole. With a ferret. With a marten in a picture. With the forest one sees to the right when riding in a cart to Jaszuny. With a poem by a little-known poet. With human beings whose names still move me. And always the object of love was enveloped in erotic fantasy or was submitted, as in Stendhal, to a “cristallisation,” so it is frightful to think of that object as it was, naked among the naked things, and of the fairy tales about it one invents. Yes, I was often in love with something or someone. Yet falling in love is not the same as being able to love. That is something different.
Czesław Miłosz
How many times have you said, 'This is it. I've finally found my one true love'? And how many times has the reality turned out differently? Paperback romances and fairy tales promote an ideal of a first and only love, but few of us can claim to have had such uncomplicated good fortune. For most people, the process of finding the perfect partner is one trial and error: breakups, makeups, missed opportunities and misunderstandings. Human love is a fragile creation, and sometimes the smallest thing - the wrong choice of words or a single clumsy gesture - can make love shatter, stall or fade away.
Haruki Murakami (1Q84 (1Q84, #2))
The tinkle of wind chimes announcing the return of our fairy guests made us both look up. Our chance to be alone was going to be shorter than either of us had hoped. I sighed and brushed an errant dragon scale from Eadric’s tunic. “Someday when we have lots of time, remind me to tell you what you mean to me.” Eadric tilted my head back so he could gaze into my eyes. “I can tell you what you mean to me with just one word.” Let me guess,” I said, smiling up at him. “Maybe I make you happy because you no longer have to enter kissing contests to find the best kisser? Do I bring excitement into your life because I can wisk you away to exotic lands on my magic carpet? Or do you find me delightful because I can conjure food whenever you’re hungry?” No, that’s not. . . Wait, what was that last one?” I laughed and shook my head. “Never mind. So tell me in one word, what do I mean to you?” That’s easy,” said Eadric. “Everything!
E.D. Baker (No Place for Magic (The Tales of the Frog Princess, #4))
I was wrong to tell you that this is a story about the failures of love. No, it is about real love, true love. Imperfect, wretched, weak love. No fairy tales, no poetry. It is about the negotiations we undertake with ourselves in the name of love. Every day we struggle to decide what to give away and what to keep, but every day we make that calculation and we live with the results. This then is the true lesson: there is nothing romantic about love. Only the most naive believe it will save them. Only the hardiest of us will survive it. And yet, And yet! We believe in love because we want to believe in it. Because really what else is there, amid all our glorious follies and urges and weaknesses and stumbles? The magic, the hope, the gorgeous idea of it. Because when the lights go out and we sit waiting in the dark, what do our fingers seek? Who do we teach for?
Tara Conklin (The Last Romantics)
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
I do not think there is a demonstrative proof (like Euclid) of Christianity, nor of the existence of matter, nor of the good will and honesty of my best and oldest friends. I think all three are (except perhaps the second) far more probable than the alternatives. The case for Christianity in general is well given by Chesterton…As to why God doesn't make it demonstratively clear; are we sure that He is even interested in the kind of Theism which would be a compelled logical assent to a conclusive argument? Are we interested in it in personal matters? I demand from my friend trust in my good faith which is certain without demonstrative proof. It wouldn't be confidence at all if he waited for rigorous proof. Hang it all, the very fairy-tales embody the truth. Othello believed in Desdemona's innocence when it was proved: but that was too late. Lear believed in Cordelia's love when it was proved: but that was too late. 'His praise is lost who stays till all commend.' The magnanimity, the generosity which will trust on a reasonable probability, is required of us. But supposing one believed and was wrong after all? Why, then you would have paid the universe a compliment it doesn't deserve. Your error would even so be more interesting and important than the reality. And yet how could that be? How could an idiotic universe have produced creatures whose mere dreams are so much stronger, better, subtler than itself?
C.S. Lewis
Possibilities I prefer movies. I prefer cats. I prefer the oaks along the Warta. I prefer Dickens to Dostoyevsky. I prefer myself liking people to myself loving mankind. I prefer keeping a needle and thread on hand, just in case. I prefer the color green. I prefer not to maintain that reason is to blame for everything. I prefer exceptions. I prefer to leave early. I prefer talking to doctors about something else. I prefer the old fine-lined illustrations. I prefer the absurdity of writing poems to the absurdity of not writing poems. I prefer, where love's concerned, nonspecific anniversaries that can be celebrated every day. I prefer moralists who promise me nothing. I prefer cunning kindness to the over-trustful kind. I prefer the earth in civvies. I prefer conquered to conquering countries. I prefer having some reservations. I prefer the hell of chaos to the hell of order. I prefer Grimms' fairy tales to the newspapers' front pages. I prefer leaves without flowers to flowers without leaves. I prefer dogs with uncropped tails. I prefer light eyes, since mine are dark. I prefer desk drawers. I prefer many things that I haven't mentioned here to many things I've also left unsaid. I prefer zeroes on the loose to those lined up behind a cipher. I prefer the time of insects to the time of stars. I prefer to knock on wood. I prefer not to ask how much longer and when. I prefer keeping in mind even the possibility that existence has its own reason for being.
Wisława Szymborska
You’re thinking, maybe it would be easier to let it slip let it go say ”I give up” one last time and give him a sad smile. You’re thinking it shouldn’t be this hard, shouldn’t be this dark, thinking love could flow easily with no holding back and you’ve seen others find their match and build something great together, of each other, like two halves fitting perfectly and now they achieve great things one by one, always together, and it seems grand. But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle. You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden but that’s not yours. This is yours. The cracks and the faults, the ugly words in the winter walking home alone and angry but falling asleep thinking you love him. This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you like you need me and maybe it’s not a Jane Austen novel but this is your novel and your castle and you can run from it your whole life but this is here in front of you. Maybe nurture it? Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him. That’s your fairy tale. This is your castle. Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so. Welcome home, sweet girl, it will be all be fine.
Charlotte Eriksson
I used to think love was two people sucking on the same straw to see whose thirst was stronger, but then I whiffed the crushed walnuts of your nape, traced jackals in the snow-covered tombstones of your teeth. I used to think love was a non-stop saxophone solo in the lungs, till I hung with you like a pair of sneakers from a phone line, and you promised to always smell the rose in my kerosene. I used to think love was terminal pelvic ballet, till you let me jog beside while you pedaled all over hell on the menstrual bicycle, your tongue ripping through my prairie like a tornado of paper cuts. I used to think love was an old man smashing a mirror over his knee, till you helped me carry the barbell of my spirit back up the stairs after my car pirouetted in the desert. You are my history book. I used to not believe in fairy tales till I played the dunce in sheep’s clothing and felt how perfectly your foot fit in the glass slipper of my ass. But then duty wrapped its phone cord around my ankle and yanked me across the continent. And now there are three thousand miles between the u and s in esophagus. And being without you is like standing at a cement-filled wall with a roll of Yugoslavian nickels and making a wish. Some days I miss you so much I’d jump off the roof of your office building just to catch a glimpse of you on the way down. I wish we could trade left eyeballs, so we could always see what the other sees. But you’re here, I’m there, and we have only words, a nightly phone call - one chance to mix feelings into syllables and pour into the receiver, hope they don’t disassemble in that calculus of wire. And lately - with this whole war thing - the language machine supporting it - I feel betrayed by the alphabet, like they’re injecting strychnine into my vowels, infecting my consonants, naming attack helicopters after shattered Indian tribes: Apache, Blackhawk; and West Bank colonizers are settlers, so Sharon is Davey Crockett, and Arafat: Geronimo, and it’s the Wild West all over again. And I imagine Picasso looking in a mirror, decorating his face in war paint, washing his brushes in venom. And I think of Jenin in all that rubble, and I feel like a Cyclops with two eyes, like an anorexic with three mouths, like a scuba diver in quicksand, like a shark with plastic vampire teeth, like I’m the executioner’s fingernail trying to reason with the hand. And I don’t know how to speak love when the heart is a busted cup filling with spit and paste, and the only sexual fantasy I have is busting into the Pentagon with a bazooka-sized pen and blowing open the minds of generals. And I comfort myself with the thought that we’ll name our first child Jenin, and her middle name will be Terezin, and we’ll teach her how to glow in the dark, and how to swallow firecrackers, and to never neglect the first straw; because no one ever talks about the first straw, it’s always the last straw that gets all the attention, but by then it’s way too late.
Jeffrey McDaniel
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling" It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face. The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith) Being alone has nothing to do with how many people are around. (J.R. Moehringer) You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way. At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words. The dream was obviously a sign: he was too enticing to resist. Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it. I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night. Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened. Because I'm So uncool and so afraid. If there was a clue, that meant the mystery was still intact I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding. This was not a haystack. We were people, and people had ways of finding eachother. It was one of those moments when you feel the future so much that is humbles the present. Don't worry. It's your embarrassment at not having the thought that counts. You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately. Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head You should never wish for wishful thinking
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))