Failed Husband Quotes

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I wasn’t a fabulous cook. I didn’t have a boyfriend, much less a husband. And I wasn’t a big financial success. I could live with all those failings as long as I knew that once in a while I looked really hot.
Janet Evanovich (High Five (Stephanie Plum, #5))
If you are heartbroken right now, then I feel for you deeply, Evelyn says. That I have the utmost respect for. Thats the sort of thing that can split a person in two. But I wasnt heartbroken when Don left me. I simply felt like my marriage had failed. And those are very different things.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I only hope that one day I can frighten my daughter this much. Right now, she's not scared of my husband or me at all. I think it's a problem. I was a freshman home from college the first time my dad said, "You're going out at ten p.m.? I don't think so," and I just laughed and said, "It's fine." I feel like my daughter will be doing that to me by age six. How can I give her what Don Fey gave me? The gift of anxiety. The fear of getting in trouble. The knowledge that while you are loved, you are not above the law. The Worldwide Parental Anxiety System is failing if this many of us have made sex tapes.
Tina Fey (Bossypants)
Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect the shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be "healing." A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to "get through it," rise to the occasion, exhibit the "strength" that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves the for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief was we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.
Joan Didion (The Year of Magical Thinking)
First she would try to kill him, but failing this give him food and her body, breast-feed him back to a state of childishness and even, perhaps, feel affection for him. Then, the moment he was asleep, cut his throat. The synopsis of the ideal marriage.
J.G. Ballard (High-Rise)
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
For two weeks, I lay awake at night and said Hail Marys over and over to stop my heart from beating too fast. I suddenly realized how much being a husband was about fear: fear of not being able to keep somebody safe, of not being able to protect somebody from all the bad stuff you want to protect them from. Knowing they have more tears in them than you will be able to keep them from crying. I realized that Renee had seen me fail, and that she was the person I was going to be failing in front for the rest of my life. It was just a little failure, but it promised bigger failures to come. Additional ones, anyway. But that's who your wife is, the person you fail in front of. Love it so confusing; there's no peace of mind.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
Dear Bryony, There are many things I wish I had time to tell you, so I will say just this: These past few days have been some of the best days of my life. Because of you. My fervent hope is that you are safe and well as you read this letter. That you will have all the happiness I wish I could have shared with you. And that you will remember me not as a failed husband, but one who was still trying, til the very end. Yours always, Leo
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
He’d gone into their marriage determined that she would never be alone again. In the end, she’d made him as alone in the world as she.
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
Because you didn’t come here and tell me how much you miss me. Or how hard it has been to live without me. You said you didn’t want to give up. And look, I don’t want to give up, either. I don’t want to fail at this. But that’s not actually a great reason to stay together. We should have reasons why we don’t want to give up. It shouldn’t just be that we don’t want to give up. And I don’t . . . I don’t have any.” I’m unsure how to say what I want to say gently. So I just say it. “You have never felt like my other half.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Love is dirty-sloppy-stupid. The problem has always been: How do we contain such a dangerous substance (love) in the confines of holy matrimony without hurting or killing someone? pg ii
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
You see, Islam is the only religion that gives both husband and wife a true understanding of what love is. The Western “love” concept, you take it apart, it really is lust. But love transcends just the physical. Love is disposition, behaviour, attitude, thoughts, likes, dislikes - these things make a beautiful woman, a beautiful wife. This is the beauty that never fades. You find in your Western civilisation that when a man’s wife’s physical beauty fails, she loses her attraction. But Islam teaches us to look into the woman, and teaches her to look into us.
Malcolm X (The Autobiography of Malcolm X)
No one ever calls her husband "unnatural" for abandonning his children; no, instead they whisper that Lorelai must have failed to satisfy him".
Louise O'Neill (The Surface Breaks)
Everyone believed in the Factory. Everyone was brainwashed by the Factory and did as they were told. They all used their reproductive organs for the Factory and did their jobs for the sake of the Factory. My husband and I were people they’d failed to brainwash, and anyone who remained unbrainwashed had to keep up an act in order to avoid being eliminated by the Factory.
Sayaka Murata (Earthlings)
I tried to make my husband make his daughter like me. After ten years of failed attempts, I decided to make myself change.
Valerie J. Lewis Coleman (Blended Families An Anthology)
And so she went on, galloping through thickets of diphthongs, searching—I was sure—for the sound that would not disgrace her husband, and failing at every turn.
Thomas Keneally (The Dickens Boy: A Novel)
Like a pair of old slippers, I feel comfort and warmth as I slip into you. No, that is too crude. Like the match to the wick, I ignite when we touch. My counterpart and life's purpose. Yes, as though I've known you my whole life. Every scar, every failure has become an affirmation of what should be: You. Yes, as though I've loved you my whole life.
Kamand Kojouri
And she had gone off from her husband to live by herself with the priests, had she not? Does a man, seeing a trinket lying before him in the grass, fail to pick it up?
Jane Smiley (The Greenlanders)
Every one of them has a story, and every story begins with a man who failed her. A husband who came home from the war, good for nothin' but drink. A father who didn't come home at all, or a stepfather who did. A brother who should have protected her. A beau who promised marriage and left when he got what he wanted, because he wouldn't marry a slut. If a girl like that has lost her way, it's-because some worthless no-account-sonofabitch left her in the wilderness alone!
Mary Doria Russell (Doc)
Once upon a time there was a mother who, in order to become a mother, had agreed to change her name; who set herself the task of falling in love with her husband bit-by-bit, but who could n ever manage to love one part, the part, curiously enough, which made possible her motherhood; whose feet were hobbled by verrucas and whose shoulders were stooped beneath the accumulating guilts of the world; whose husband's unlovable organ failed to recover from the effects of a freeze; and who, like her husband, finally succumbed to the mysteries of telephones, spending long minutes listening to the words of wrong-number callers . . . shortly after my tenth birthday (when I had recovered from the fever which has recently returned to plague me after an interval of nearly twenty-one years), Amina Sinai resumed her recent practice of leaving suddenly, and always immediately after a wrong number, on urgent shopping trips.
Salman Rushdie (Midnight’s Children)
Mom also hinted a couple of times that it was good I was going to college, since with one failed marriage behind me, I 'd have trouble landing a good husband and would need something to fall back on. "A package that's been opened once doesn't have the same appeal".
Jeannette Walls (Half Broke Horses)
Long before it was known to me as a place where my ancestry was even remotely involved, the idea of a state for Jews (or a Jewish state; not quite the same thing, as I failed at first to see) had been 'sold' to me as an essentially secular and democratic one. The idea was a haven for the persecuted and the survivors, a democracy in a region where the idea was poorly understood, and a place where—as Philip Roth had put it in a one-handed novel that I read when I was about nineteen—even the traffic cops and soldiers were Jews. This, like the other emphases of that novel, I could grasp. Indeed, my first visit was sponsored by a group in London called the Friends of Israel. They offered to pay my expenses, that is, if on my return I would come and speak to one of their meetings. I still haven't submitted that expenses claim. The misgivings I had were of two types, both of them ineradicable. The first and the simplest was the encounter with everyday injustice: by all means the traffic cops were Jews but so, it turned out, were the colonists and ethnic cleansers and even the torturers. It was Jewish leftist friends who insisted that I go and see towns and villages under occupation, and sit down with Palestinian Arabs who were living under house arrest—if they were lucky—or who were squatting in the ruins of their demolished homes if they were less fortunate. In Ramallah I spent the day with the beguiling Raimonda Tawil, confined to her home for committing no known crime save that of expressing her opinions. (For some reason, what I most remember is a sudden exclamation from her very restrained and respectable husband, a manager of the local bank: 'I would prefer living under a Bedouin muktar to another day of Israeli rule!' He had obviously spent some time thinking about the most revolting possible Arab alternative.) In Jerusalem I visited the Tutungi family, who could produce title deeds going back generations but who were being evicted from their apartment in the old city to make way for an expansion of the Jewish quarter. Jerusalem: that place of blood since remote antiquity. Jerusalem, over which the British and French and Russians had fought a foul war in the Crimea, and in the mid-nineteenth century, on the matter of which Christian Church could command the keys to some 'holy sepulcher.' Jerusalem, where the anti-Semite Balfour had tried to bribe the Jews with the territory of another people in order to seduce them from Bolshevism and continue the diplomacy of the Great War. Jerusalem: that pest-house in whose environs all zealots hope that an even greater and final war can be provoked. It certainly made a warped appeal to my sense of history.
Christopher Hitchens (Hitch 22: A Memoir)
If you are heartbroken right now, then I feel for you deeply,” Evelyn says. “That I have the utmost respect for. That’s the sort of thing that can split a person in two. But I wasn’t heartbroken when Don left me. I simply felt like my marriage had failed. And those are very different things.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Who had he been? A failed father, a runaway husband. A son. A packet of unopened letters. He was dead; he was dead.
Anthony Doerr (About Grace)
And now, as she died for the second time, she never complained that her husband had failed her - what could she complain of, except that he'd loved her?
Ovid
So many of us fail: we divorce our wives and husbands, we leave the roofs of our lovers, go once again into the lonely march, mustering our courage with work, friends, half pleasures which are not whole because they are not shared. Yet still I believe in love's possibility, in its presence on the earth; as I believe I can approach the altar on any morning of any day which may be the last and receive the touch that does not, for me, say: There is no death; but does say: In this instant I recognize, with you, that you must die. And I believe I can do this in an ordinary kitchen with an ordinary woman and five eggs. The woman sets the table She watches me beat the eggs. I scramble them in a saucepan, as my now-dead friend taught me; they stand deeper and cook softer, he said. I take our plates, spoon eggs on them, we sit and eat. She and I and the kitchen have become extraordinary; we are not simply eating; we are pausing in the march to perform an act together, we are in love; and the meal offered and received is a sacrament which says: I know you will die; I am sharing food with you; it is all I can do, and it is everything.
Andre Dubus (Broken Vessels: Essays)
Wandering back into the bedroom, my gaze immediately strayed to the large bed along the wall and the lump beneath the covers. Pale light streamed through the half-open curtains, settling around the still-sleeping form of a Winter sidhe. Or a former Winter sidhe. Pausing in the doorframe, I took advantage of the serene moment just to watch him, a tiny flutter going through my stomach. Sometimes, it was still hard to believe that he was here, that this wasn’t a dream or a mirage or a figment of my imagination. That he was mine forever: my husband, my knight. My faery with a soul. He lay on his stomach, arms beneath the pillow, breathing peacefully, his dark hair falling over his eyes. The covers had slipped off his lean, muscular shoulders, and the early morning rays caressed his pale skin. Normally, I didn’t get to watch him sleep; he was usually up before me, in the courtyard sparring with Glitch or just prowling the halls of the castle. In the early days of our marriage, especially, I’d wake up in the middle of the night to find him gone, the hyper-awareness of his warrior days making it impossible for him to stay in one place, even to sleep. He’d grown up in the Unseelie Court, where you had to watch your back every second of every day, and centuries of fey survival could not be forgotten so easily. That paranoia would never really fade, but he was gradually starting to relax now, to the point where sometimes, though not often, I would wake with him still beside me, his arm curled around my waist. And given how rare it was, to see him truly unguarded and at ease, I hated to disturb him. But I walked across the room to the side of the bed and gently touched his shoulder. He was awake in an instant, silver eyes cracking open to meet mine, never failing to take my breath away. “Hey,” I greeted, smiling. “Sorry to wake you, but we have to be somewhere soon, remember?
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
Lady Selyse was as tall as her husband, thin of body and thin of face, with prominent ears, a sharp nose, and the faintest hint of a mustache on her upper lip. She plucked it daily and cursed it regularly, yet it never failed to return. Her eyes were pale, her mouth stern, her voice a whip. She cracked it now.
George R.R. Martin
But thinking of Mattie's marriage, I saw too how a marriage, in bringing two people into each other's presence, must include loneliness and error. I imagined a moment when the husband and wife realize that their marriage includes their faults, that they do not perfect each other, and that in making their marriage they also fail it and must carry to the grave things they cannot give away.
Wendell Berry (Jayber Crow)
There was a scrape and crunch of shoes, then a small, smooth hand slid toward her. But it was not Chaol or Sam or Nehemia who lay across from her, watching her with those sad turquoise eyes. Her cheek against the moss, the young princess she had been—Aelin Galathynius—reached a hand for her. “Get up,” she said softly. Celaena shook her head. Aelin strained for her, bridging that rift in the foundation of the world. “Get up.” A promise—a promise for a better life, a better world. The Valg princes paused. She had wasted her life, wasted Marion’s sacrifice. Those slaves had been butchered because she had failed—because she had not been there in time. “Get up,” someone said beyond the young princess. Sam. Sam, standing just beyond where she could see, smiling faintly. “Get up,” said another voice—a woman’s. Nehemia. “Get up.” Two voices together—her mother and father, faces grave but eyes bright. Her uncle was beside them, the crown of Terrasen on his silver hair. “Get up,” he told her gently. One by one, like shadows emerging from the mist, they appeared. The faces of the people she had loved with her heart of wildfire. And then there was Lady Marion, smiling beside her husband. “Get up,” she whispered, her voice full of that hope for the world, and for the daughter she would never seen again.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Their love was equal; on the hills they roamed together, and together they would go back to their cave; and this time too they went into the Lapith's palace side by side and side by side were fighting in the fray. A javelin (no knowing from whose hand) came from the left and wounded Cyllarus, landing below the place where the chest joins neck--slight wound, but when the point was pulled away, cold grew his damaged heart and cold his limbs. Hylonome embraced him as he died, caressed the wound and, putting lips to lips, she tried to stay his spirit as it fled. And when she saw him lifeless, she moaned words that in that uproar failed to reach my ears; and fell upon the spear that pierced her love, and, dying, held her husband in her arms.
Ovid (Metamorphoses)
In the festival which concludes the period, before they go to the temple, both wives and children fall on their knees before their husbands or parents and confess everything in which they have either erred or failed in their duty, and beg pardon for it. 
Thomas More (Utopia)
Your core value does not rest on the words of your husband or your mother or your father or your children or even your best friend. It rests on God’s words because he’s the only one who will always tell you the truth all the time. People change. They fail. They lie. Their knowledge is limited, their thinking distorted, and their hearts are not always pure or good. Therefore it’s dangerous to allow them to determine your worth.
Leslie Vernick (The Emotionally Destructive Marriage: How to Find Your Voice and Reclaim Your Hope)
Live for the gifts the fragrant-breasted Muses send, for the clear, the singing, lyre, my children. Old age freezes my body, once so lithe, rinses the darkness from my hair, now white. My heart’s heavy, my knees no longer keep me up through the dance they used to prance like fawns in. Oh, I grumble about it, but for what? Nothing can stop a person’s growing old. They say that Tithonus was swept away in Dawn’s passionate, rose-flushed arms to live forever, but he lost his looks, his youth, failing husband of an immortal bride.
Sappho
I knew that my husband was a song that I had forgotten the words to and I was a fuzzy photograph of someone he used to love.
Catherine Lacey (Nobody Is Ever Missing)
One of the greatest causes of frustration in marriage is when our husbands fail to meet our expectations.
Sally Poyzer (That Book for Wives: Four ways to transform your marriage)
But I wasn’t heartbroken when Don left me. I simply felt like my marriage had failed. And those are very different things.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Don't put too much trust on your education level, girlfriend, boyfriend, wife, husband, bank account, because they will fail you. Only put your 100% trust on God, you will succeed !
Werley Nortreus
Hey, sweetheart. All alone in this palace?" She arched a brow when she felt the hand on her bottom and turned her head slowly to stare at McNab. He went red, then white, then red again. "Christ! Lieutenant. Sir." "Your hand's on my ass, McNab. I don't think you want it to be there." He snatched it away as if scorched. "God. Man. Shit. Beg your pardon. I didn't recognize you. I mean..." He jammed the hand he sincerely hoped she'd allow him to keep in his pocket. "I didn't know it was you. I thought... You look..." Words failed him. "I believe Detective McNab is trying to compliment you, Eve." Roarke slipped up beside them and, because it was too much to resist, stared hard into McNab's panicked eyes. "Weren't you, Ian?" "Yeah. That is..." "And if I believed he'd realized it was your ass he was fondling, I'd just have to kill him. Right here." Roarke reached out and flicked at the strings of McNab's snazzy red tie. "Right now." "Oh, I'd have already taken care of that myself," Eve said dryly. "You look like you could use a drink,Detective." "Yes, sir. I could." "Roarke, why don't you take care of him? Mira just came in. I want to talk to her." "Delighted." Roarke draped an arm around McNab's shoulder and squeezed just a little harder than comfort allowed.
J.D. Robb (Holiday in Death (In Death, #7))
The fear of displeasing God and failing our religious responsibilities is so great that it pushes most members to do anything for the priesthood. For many women, this means they must sacrifice their own desires, needs, and feelings to conform to those of their husband and their religious beliefs.
Lisa Pulitzer (Stolen Innocence)
Dean coughed helpfully. Somewhere in the cough was the word “persuasion.” He was throwing Mo a lifeline. Mo preferred to go down. “I haven’t actually read any Austen. I’m more into mysteries, crime fiction, courtroom stuff.” This was disappointing, but not damning. On the other hand it was a failing; on the other, manfully owned up to. If only Mo had stopped there. “I don’t read much women’s stuff. I like a good plot,” he said. Prudie finished her drink and set her glass down so hard you could hear it hit. “Austen can plot like a son of a bitch,” she said. “Bernadette, I believe you were telling us about your first husband.” “I could start with my second. Or the one after that,” Bernadette offered. Down with plot! Down with Mo!
Karen Joy Fowler (The Jane Austen Book Club)
We don't have to give up on this." It isn't rejection. And it isn't heartbreak. It is defeat. I wasn't heartbroken when Don left me. I simply felt like my marriage had failed. And those are very different things.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
The rest of the story, to Grand's thinking, was very simple. The common lot of married couples. You get married, you go on loving a bit longer, you work. And you work so hard that it makes you forget to love. As the head of the office where Grand was employed hadn't kept his promise, Jeanne, too, had to work outside. At this point a little imagination was needed to grasp what Grand was trying to convey. Owing largely to fatigue, he gradually lost grip of himself, had less and less to say, and failed to keep alive the feeling in his wife that she was loved. An overworked husband, poverty, the gradual loss of hope in a better future, silent evenings at home, what chance had any passion of surviving such conditions? Probably Jeanne had suffered. And yet she'd stayed; of course one may often suffer a long time without knowing it. Thus years went by. Then, one day, she left him. Naturally she hadn't gone alone. "I was very fond of you, but now I'm so tired. I'm not happy to go, but one needn't be happy to make another start." That, more or less, was what she'd said in her letter. Grand, too, had suffered. And he, too, might, as Rieux pointed out, have made a fresh start. But no, he had lost faith. Only, he couldn't stop thinking about her. What he'd have liked to do was to write her a letter justifying himself. "But it's not easy," he told Rieux. "I've been thinking it over for years. While we loved each other we didn't need words to make ourselves understood. But people don't love forever. A time came when I should have found the words to keep her with me, only I couldn't.
Albert Camus (The Plague)
We're all creatures of complex needs and desires. The only certain thing in a romantic relationship is that you will both change, and one morning you will wake up, go the mirror, and see a stranger. You will have what you wanted, and discover you want something different. You think you know who you are, and then you'll surprise yourself. In all the choices in front of you, Restless, one thing is clear: love is not something to be thrown away lightly. There was something about this man, beyond coincidences of timing and opportunity, that drew you to him. Before you give up on the marriage . . . give him a chance. Be honest with him about the needs that aren't being met, the dreams you want to pursue. Let him find out who you really are. Let him help you in the work of opening that door, so the two of you can finally meet after all these years. How do you know he can't satisfy your emotional needs? How can you be sure he doesn't long for magic and passion just as you do? Can you state with absolute certainty that you know everything there is to know about him? There are rewards to be gained from the effort, even if it fails. And it will take courage as well as patience, Restless. Try everything you can . . . fight to stay with a man who loves you. Just for now, put aside the question of what you might have had with someone else, and focus on what you can have, what you do have, at this very moment. I hope you'll find new questions, and that your husband might be the answer.
Lisa Kleypas
Genuine forgiveness and reconciliation are two-person transactions that are enabled by apologies. Some, particularly within the Christian worldview, have taught forgiveness without an apology. They often quote the words of Jesus, “If you do not forgive men their trespasses neither will your Father forgive your trespasses.” Thus, they say to the wife whose husband has been unfaithful and continues in his adulterous affair, “You must forgive him, or God will not forgive you.” Such an interpretation of Jesus’ teachings fails to reckon with the rest of the scriptural teachings on forgiveness. The Christian is instructed to forgive others in the same manner that God forgives us. How does God forgive us? The Scriptures say that if we confess our sins, God will forgive our sins. Nothing in the Old or New Testaments indicates that God forgives the sins of people who do not confess and repent of their sins. While a pastor encourages a wife to forgive her erring husband while he still continues in his wrongdoing, the minister is requiring of the wife something that God Himself does not do. Jesus’ teaching is that we are to be always willing to forgive, as God is always willing to forgive, those who repent… While a pastor encourages a wife to forgive her erring husband while he still continues in his wrongdoing, the minister is requiring of the wife something that God Himself does not do. Jesus’ teaching is that we are to be always willing to forgive, as God is always willing to forgive, those who repent…
Gary Chapman (The Five Languages of Apology: How to Experience Healing in All Your Relationships)
Ciro had made a bet in proposing to her, and on that same day, Enza made a bet of her own. She was putting all her money, effort and future into a partnership that she believed could not fail. She was going to pour all of herself into her marriage: love would sustain them, and trust would see them through. That was her belief, and that's how she was raised. When she spun the gold ring on her finger, it was as though it was made for her, but it meant even more that her husband had worn it since he was a boy. She was a part of his history now.
Adriana Trigiani (The Shoemaker's Wife)
She’s chosen her husband. She hasn’t met him, but she’s chosen him. And if he’s not right, she’ll get out of it the old-fashioned way: an immense pile of onerous legal chores that wear her down over the course of many months, and a determination to keep it cordial that ultimately collapses over a missing vase that they both fixate on as a metaphor for their mutual failings.
Holly Gramazio (The Husbands)
... Don't get married weak and needy, looking to your husband to make your world the one you dream of. What a burden for him! What high expectations. How on earth will he ever be able to fulfill all your needs? He's still learning himself. And what happens when he fails this huge task you've set him without his knowledge? You become bitter and disappointed. And that's no way to be, trust me.
Na'ima B. Robert
As far as he could discover, there were no signs of spring. The decay that covered the surface of the mottled ground was not the kind in which life generates. Last year, he remembered, May had failed to quicken these soiled fields. It had taken all the brutality of July to torture a few green spikes through the exhausted dirt. What the little park needed, even more than he did, was a drink. Neither alcohol nor rain would do. Tomorrow, in his column, he would ask Broken-hearted, Sick-of-it-all, Desperate, Disillusioned-with-tubercular-husband and the rest of his correspondents to come here and water the soil with their tears. Flowers would then spring up, flowers that smelled of feet. "Ah, humanity..." But he was heavy with shadow and the joke went into a dying fall. He trist to break its fall by laughing at himself.
Nathanael West (Miss Lonelyhearts)
   'Not all women have the failings that I must have had, given that I have not succeeded in tying you to me,' she said, and added, with a sigh, 'or else not all husbands are like you.'    'Wives...false, jealous, domineering, flirtatious, or devout...husbands, wicked, inconstant, cruel or despotic: that in a nutshell is how all individuals on earth are, Madame; do not expect to find any paragons of virtue.'   
Marquis de Sade (Incest)
You have a backbone of steel. You went through months of hell looking after a small child, a dying husband and an entire household, with unholy patience. You missed meals and went without sleep, but you never forgot to read Justin a bedtime story and tuck him in at night. When you let yourself cry and fall apart, it was only in private, for a few minutes, and then you washed your face, put your broken heart back together, and went out with a cheerful expression and a half-dozen handkerchiefs in your pockets. And you did all of it while feeling queasy most of the time because you were expecting another child. You never failed the people who needed you. You're not going to fail them now." Shocked down to her soul, Phoebe could only manage a whisper. "Who told you all that?" "No one." The smile at the corners of his eyes deepened. "Phoebe... anyone who knows you, even a little, would know these things about you.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
If you're heartbroken right now, then I feel for you deeply, Evelyn said. That I have the utmost respect for. That's the sort of thing that can split a person in two. But I wasn't heartbroken when Don left me. I simply felt liky my marriage failed. And those are very different things. Heartbreak is a loss. Divorce is a piece of paper
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
A common and traditionally masculine marital problem is created by the husband who, once he is married, devotes all his energies to climbing mountains and none to tending to his marriage, or base camp, expecting it to be there in perfect order whenever he chooses to return to it for rest and recreation without his assuming any responsibility for its maintenance. Sooner or later this “capitalist” approach to the problem fails and he returns to find his untended base camp a shambles, his neglected wife having been hospitalized for a nervous breakdown, having run off with another man, or in some other way having renounced her job as camp caretaker. An equally common and traditionally feminine marital problem is created by the wife who, once she is married, feels that the goal of her life has been achieved. To her the base camp is the peak. She cannot understand or empathize with her husband’s need for achievements and experiences beyond the marriage and reacts to them with jealousy and never-ending demands that he devote increasingly more energy to the home. Like other “communist” resolutions of the problem, this one creates a relationship that is suffocating and stultifying, from which the husband, feeling trapped and limited, may likely flee in a moment of “mid-life crisis.” The women’s liberation movement has been helpful in pointing the way to what is obviously the only ideal resolution: marriage as a truly cooperative institution, requiring great mutual contributions and care, time and energy, but existing for the primary purpose of nurturing each of the participants for individual journeys toward his or her own individual peaks of spiritual growth. Male and female both must tend the hearth and both must venture forth. As an adolescent I used to thrill to the words of love the early American poet Ann Bradstreet spoke to her husband: “If ever two were one, then we.”20 As I have grown, however, I have come to realize that it is the separateness of the partners that enriches the union. Great marriages cannot be constructed by individuals
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
She thought, sometimes, that, after all, this was the happiest time of her life—the honeymoon, as people called it. To taste the full sweetness of it, it would have been necessary doubtless to fly to those lands with sonorous names where the days after marriage are full of laziness most suave. In post chaises behind blue silken curtains to ride slowly up steep road, listening to the song of the postilion re-echoed by the mountains, along with the bells of goats and the muffled sound of a waterfall; at sunset on the shores of gulfs to breathe in the perfume of lemon trees; then in the evening on the villa-terraces above, hand in hand to look at the stars, making plans for the future. It seemed to her that certain places on earth must bring happiness, as a plant peculiar to the soil, and that cannot thrive elsewhere. Why could not she lean over balconies in Swiss chalets, or enshrine her melancholy in a Scotch cottage, with a husband dressed in a black velvet coat with long tails, and thin shoes, a pointed hat and frills? Perhaps she would have liked to confide all these things to someone. But how tell an undefinable uneasiness, variable as the clouds, unstable as the winds? Words failed her—the opportunity, the courage.
Gustave Flaubert (Madame Bovary)
The final crushing failure. He has failed as a teacher, a writer, a husband and a father. He had even failed as a drunk.
Stephen King (The Shining (The Shining, #1))
The final crushing failure. He had failed as a teacher, a writer, a husband and a father. He had even failed as a drunk.
Stephen King (The Shining (The Shining, #1))
There is something I want to do. But it's something to work towards, not something that should be handed to me on a plate. What's the point of doing something if you know you've got someone to rescue you if you fail? I like to work hard at something and then to reap the rewards. I take pride in what I do. What's the point if I know my rich husband will bail me out if I mess up?
Dorothy Koomson (The Woman He Loved Before)
You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.
Alexander Pushkin (Eugene Onegin)
Even those with less-severe Other-blaming traits end up damaging relationships because they lack an ability to attend or respond to their partner’s emotions with kindness and caring. The resulting lack of emotional connection is a major reason relationships fail. In couples’ therapy, it is difficult to get an Other-blamer to pay attention to his effect on his partner. Even if his wife is crying, the Other-blaming husband may sit there unmoved or, worse yet, argumentative and defensive. He is so busy protecting himself from experiencing shame and blame that he has little capacity to be warmly responsive.
Bandy X. Lee (The Dangerous Case of Donald Trump: 27 Psychiatrists and Mental Health Experts Assess a President)
Everyone fails, Lyudmila. I’ve failed. My husband has failed—you think all his New Deal proposals were dazzling successes? He has proposed initiatives that have fallen flat; he has espoused positions for which he has rightly been condemned; he has hosts of enemies who would happily see him dead.” A shadow crossed her face at that. “He has failed at more than most men ever try … but better that than not to try at all.
Kate Quinn (The Diamond Eye)
Few had much room to cast stones, but hypocrisy has never failed the English middle class in any latitude, and they flung them in plenty with delighted, shocked abandon – rocks, boulders, limited in size only by fear for their husband’s advancement. Conciliating discretion had never been among Mrs Villiers’s qualities, and if subjects for malignant gossip had been wanting she would have provided them by the elephant-load.
Patrick O'Brian (HMS Surprise (Aubrey & Maturin, #3))
The company failed because its managers were unable to recognize that there is something fundamentally different between a sale to an early adopter and a sale to the early majority, even when the company name on the check reads the same. Thus, at a time of greatest peril, when the company was just entering the chasm, its leaders held high expectations rather than modest ones, and spent heavily in expansion projects rather than husbanding resources.
Geoffrey A. Moore (Crossing the Chasm: Marketing and Selling Disruptive Products to Mainstream Customers)
Then the voice - which identified itself as the prince of this world, the only being who really knows what happens on Earth - began to show him the people around him on the beach. The wonderful father who was busy packing things up and helping his children put on some warm clothes and who would love to have an affair with his secretary, but was terrified on his wife's response. His wife who would like to work and have her independence, but who was terrified of her husband's response. The children who behave themselves because they were terrified of being punished. The girl who was reading a book all on her own beneath the sunshade, pretending she didn't care, but inside was terrified of spending the rest of her life alone. The boy running around with a tennis racuqet , terrified of having to live up to his parents' expectations. The waiter serving tropical drinks to the rich customers and terrified that he could be sacket at any moment. The young girl who wanted to be a dance, but who was studying law instead because she was terrified of what the neighbours might say. The old man who didn't smoke or drink and said he felt much better for it, when in truth it was the terror of death what whispered in his ears like the wind. The married couple who ran by, splashing through the surf, with a smile on their face but with a terror in their hearts telling them that they would soon be old, boring and useless. The man with the suntan who swept up in his launch in front of everybody and waved and smiled, but was terrified because he could lose all his money from one moment to the next. The hotel owner, watching the whole idyllic scene from his office, trying to keep everyone happy and cheerful, urging his accountants to ever greater vigilance, and terrified because he knew that however honest he was government officials would still find mistakes in his accounts if they wanted to. There was terror in each and every one of the people on that beautiful beach and on that breathtakingly beautiful evening. Terror of being alone, terror of the darkness filling their imaginations with devils, terror of doing anything not in the manuals of good behaviour, terror of God's punishing any mistake, terror of trying and failing, terror of succeeding and having to live with the envy of other people, terror of loving and being rejected, terror of asking for a rise in salary, of accepting an invitation, of going somewhere new, of not being able to speak a foreign language, of not making the right impression, of growing old, of dying, of being pointed out because of one's defects, of not being pointed out because of one's merits, of not being noticed either for one's defects of one's merits.
Paulo Coelho (The Devil and Miss Prym)
One thing she did know was the greatest book on human psychology is the Bible. If you were lazy and did not wish to work, or if you had failed to make your way in society, you could always say, 'My kingdom is not of this world.' If you were a jet-set woman who believed in sleeping around, VD or no VD, you could always say Mary Magdalene had no husband, but didn't she wash the feet of Our Lord? Wasn't she the first person to see our risen saviour? If, in the other hand, you believed in the inferiority of the blacks, you could always say, 'Slaves, obey your masters.' It is a mysterious book, one of the greatest of all books, if not the greatest. Hasn't it got all the answers?
Buchi Emecheta (Second Class Citizen)
I learned to trust my husband again by placing my full trust in God. You see, I knew that God called me to stay in my marriage and work it out. Because I knew that, I knew I could trust Him regardless of the future. God is the only constant in my life. People in my life will let me down and fail me. It’s a given. So expecting my husband to suddenly be trustworthy after spending years causing trust to dwindle in our marriage was ridiculous. So I trusted God instead.
Cindy Beall (Healing Your Marriage When Trust Is Broken: Finding Forgiveness and Restoration)
Every one of them [prostitutes] has a story, and every story begins with a man who failed her. A husband who came home from the war, good for nothin' but drink. A father who didn't come home at all, or a stepfather who did. A brother who should have protected her. A beau who promised marriage and left when he got what he wanted, because he wouldn't marry a slut. If a girl like that has lost her way, it's because some worthless no-account sonofabitch left her in the wilderness alone.
Mary Doria Russell (Doc)
But Jane had tried that with Mothers Group and failed. She just couldn’t relate to those bright, chatty women and their bubbly conversations about husbands who weren’t “stepping up” and renovations that weren’t finished before the baby was born and that hilarious time they were so busy and tired they left the house without putting on any makeup! (Jane, who was wearing no makeup at the time, and never wore makeup, had kept her face blank and benign, while she inwardly shouted: What the fuck?)
Liane Moriarty (Big Little Lies)
Please note that I know the hazards. I want to do it. Because I want to try. As men have tried. Women must too. And when they fail, their failure must be of a challenge to others. – Amelia Earhart’s letter to her husband on the eve of her last flight.
Christopher Cartwright (The Phoenix Sanction (Sam Reilly #14))
It is interesting to note that the people who had a good relationship with the person who died often heal their grief much more easily than those whose relationship with the deceased was filled with turmoil, bitterness, or disappointment. The reason is that a positive relationship is associated with good memories, and remembering and reprocessing these memories helps in the healing process. When people who had a bad relationship think back on it, they have to relive the pain. In their mind, they are still trying to fix what was wrong, to heal the wound, but they can’t. In addition, the guilt they carry with them impairs the healing process. Donna is a case in point. Donna and her mother had had a stormy relationship, fighting constantly over things that seemed insignificant in and of themselves. Yet in spite of their problems, the year after her mother’s death was the hardest of Donna’s life. Her husband could not understand the force of her grief; all he had ever heard her do was complain that her mother was selfish and uninterested in her. What he failed to understand was that Donna had to grieve not only over her mother’s death, but also over the fact that now she would never have the mother-daughter bond she had always wanted. Death had ended all her hopes.
Daniel G. Amen (Change Your Brain, Change Your Life: The Breakthrough Program for Conquering Anxiety, Depression, Obsessiveness, Anger, and Impulsiveness)
I thank You, God, for giving my husband/wife supernatural confidence and fearlessness in his/her pursuit of fulfilling his/ her divine purpose and destiny and becoming his/her best in every aspect of his/her existence (1 Chronicles 28:20 And David said to Solomon his son, Be strong and of good courage, and do it: fear not, nor be dismayed: for the Lord God, even my God, will be with thee; he will not fail thee, nor forsake thee, until thou hast finished all the work for the service of the house of the Lord).
Tina Campbell (I Need A Day to Pray)
Grief turns out to be a place none of us know until we reach it...We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be 'healing.' A Certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to 'get through it,' rise to the occasion, exhibit the 'strength' that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.
Joan Didion
I have been reeling because I failed. Because I picked the wrong guy for me. Because I entered the wrong marriage. Because the truth is that at the age of thirty-five, I have yet to love someone enough to sacrifice for them. I’ve yet to open my heart enough to let someone in that much. Some marriages aren’t really that great. Some loves aren’t all-encompassing. Sometimes you separate because you weren’t that good together to begin with. Sometimes divorce isn’t an earth-shattering loss. Sometimes it’s just two people waking up out of a fog.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
While altering the saga of Odysseus’s Return to make my Elyman suitors serve as Penelope’s lovers, I had to protect myself against scandal. What if someone recognized the story and supposed that I, Nausicaa the irreproachable, had played the promiscuous harlot in my father’s absence? So, according to my poem, Penelope must have remained faithful to Odysseus throughout those twenty years. And because this change meant that Aphrodite had failed to take her traditional revenge, I must make Poseidon, not her, the enemy who delayed him on his homeward voyage after the Fall of Troy. I should therefore have to omit the stories of Penelope’s banishment and the oar mistaken for a flail, and Odysseus’s death from Telemachus’s sting-ray spear. When I told Phemius of these decisions, he pointed out, rather nastily, that since Poseidon had fought for the Greeks against the Trojans, and since Odysseus had never failed to honour him, I must justify this enmity by some anecdote. “Very well,” I answered. “Odysseus blinded a Cyclops who, happening to be Poseidon’s son, prayed to him for vengeance.” “My dear Princess, every Cyclops in the smithies of Etna was born to Uranus, Poseidon’s grandfather, by Mother Earth.” “Mine was an exceptional Cyclops,” I snapped. “He claimed Poseidon as his father and kept sheep in a Sican cave, like Conturanus. I shall call him Polyphemus—that is, ‘famous’—to make my hearers think him a more important character than he really was.” “Such deceptions tangle the web of poetry.” “But if I offer Penelope as a shining example for wives to follow when their husbands are absent on long journeys, that will excuse the deception.
Robert Graves (Homer's Daughter)
To imagine I wasted time clinging to superficial ideals with a desperate want, because I was terrified of losing things, afraid of the outcome, afraid of upsetting my husband, my family or my associates. Afraid of being alone, a single unmarried woman afraid of being a failed business owner, trusting the love of a man I'm having an affair with, and believing in myself. Afraid of taking the next step, because "What will people think?" as if it were death. Here I am having lost everything, having died, yet I am still alive, still burning with existence.
Tlotlo Tsamaase (Womb City)
Why Lenin triumphed, why Nicholas failed, why Alexandra placed the fate of her son, her husband and his empire in the hands of a wandering holy man, why Alexis suffered from hemophilia—these are the true riddles of this historical tale. All of them have answers except, perhaps, the last.
Robert K. Massie (Nicholas and Alexandra)
The Yogis say that the man who has discriminating powers, the man of good sense, sees through all that are called pleasure and pain, and knows that they come to all, and that one follows and melts into the other; he sees that men follow an ignis fatuus all their lives, and never succeed in fulfilling their desires. The great King Yudhishthira once said that the most wonderful thing in life is that evry moment we see people dying around us, and yet we think we shall never die. Surrounded by fools on every side, we think we are the only exceptions, the only learned men. Surrounded by all sorts of experiences of fickleness, we think our love is the only lasting love. How can that be? Even love is selfish, and the Yogi says that in the end we shall find that even the love of husbands and wives, children and friends, slowly decays. Decadence seizes everything in this life. It is only when everything, even love, fails, that, with a flash, man finds out how vain, how dreamlike is this world. Then he catches a glimpse of Vairagya, catches a glimpse of the beyond. It is only by giving up this world that the other comes; never through holding on to this one.
Vivekananda (The Yoga Sutras of Patanjali (Sacred Teachings))
I wish I didn’t feel that way. But I suspect, deep down, you think it, too. Because you didn’t come here and tell me how much you miss me. Or how hard it has been to live without me. You said you didn’t want to give up. And look, I don’t want to give up, either. I don’t want to fail at this. But that’s not actually a great reason to stay together. We should have reasons why we don’t want to give up. It shouldn’t just be that we don’t want to give up. And I don’t… I don’t have any.” I’m unsure how to say what I want to say gently. So I just say it. “You have never felt like my other half.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
A man must think well before he marries. He must be a tender and considerate husband and realize that there is no other human being to whom he owes so much of love and regard and consideration as he does to the woman who with pain bears and with labor rears the children that are his. No words can paint the scorn and contempt which must be felt by all right-thinking men, not only for the brutal husband, but for the husband who fails to show full loyalty and consideration to his wife. Moreover, he must work, he must do his part in the world. On the other hand, the woman must realize that she has no more right to shirk the business of wifehood and motherhood than the man has to shirk his business as breadwinner for the household. Women should have free access to every field of labor which they care to enter, and when their work is as valuable as that of a man it should be paid as highly. Yet normally for the man and the woman whose welfare is more important than the welfare of any other human beings, the woman must remain the housemother, the homekeeper, and the man must remain the breadwinner, the provider for the wife who bears his children and for the children she brings into the world. No other work is as valuable or as exacting for either man or woman; it must always, in every healthy society, be for both man and woman the prime work, the most important work; normally all other work is of secondary importance, and must come as an addition to, not a substitute for, this primary work. The partnership should be one of equal rights, one of love, of self-respect, and unselfishness, above all a partnership for the performance of the most vitally important of all duties. The performance of duty, and not an indulgence in vapid ease and vapid pleasure, is all that makes life worth while.
Theodore Roosevelt (Theodore Roosevelt: An Autobiography)
Christianity is a masculine religion. Men have authority, and as go the men, so go the women and children. Yet we are facing a crisis of masculinity in the church. Men have failed to lead, including our pastors, and now our women are acting like men and our men like women. To recover from this crisis of masculinity, we must start with God the Father. We must start with worship. Christianity has a masculine message of a husband who laid down His life for His bride. But we have an effeminate church preaching an effeminate gospel, proclaiming Jesus as Savior while ignoring His command for male rule in His kingdom.
Zachary M. Garris (Masculine Christianity)
But oh, my dear one," he pleaded, "death is afar off from you." "Nay," she said, holding up a warning hand. "I am deeper in death at this moment than if the weight of an earthly grave lay heavy upon me!" "Oh, my wife, must I read it?" he said, before he began. "It would comfort me, my husband!" was all she said, and he began to read when she had got the book ready. How can I, how could anyone, tell of that strange scene, its solemnity, its gloom, its sadness, its horror, and withal, its sweetness. Even a sceptic, who can see nothing but a travesty of bitter truth in anything holy or emotional, would have been melted to the heart had he seen that little group of loving and devoted friends kneeling round that stricken and sorrowing lady; or heard the tender passion of her husband's voice, as in tones so broken and emotional that often he had to pause, he read the simple and beautiful service from the Burial of the Dead. I cannot go on… words… and v-voices… f-fail m-me! She was right in her instinct. Strange as it was, bizarre as it may hereafter seem even to us who felt its potent influence at the time, it comforted us much. And the silence, which showed Mrs. Harker's coming relapse from her freedom of soul, did not seem so full of despair to any of us as we had dreaded.
Bram Stoker (Dracula)
What makes a successful relationship? . . . Research shows that when a partner dominates another through the abuse of power, it is a prime deterrent to a successful relationship (Greenberg and Goldman 2008). When a controlling partner uses coercive tactics to overpower you, it is a setup for the relationship to fail - without exception. Research about marital relationships in general reveals that husbands are likely to receive more support from their spouse and this fair far better, while women tend to receive less support and experience greater stress from giving support. These are among the conditions that contribute to the higher rates of depression in women.
Carol A. Lambert (Women with Controlling Partners: Taking Back Your Life from a Manipulative or Abusive Partner)
But there was no way I could find my former girlfriend's husband. I don't know his name, or the place where he lives. Perhaps he had already lost his name and place. He was, after all, the world's loneliest man. When I go on walks I like to sit in front of the statue of a unicorn, and as I gaze at the cold water in the fountain, I think about this man. And I imagine what it means to be the loneliest man on earth. I already know what it is to be the second loneliest man on earth. But I still don't know what it is to be the loneliest. A deep gulf separates the second and the first loneliest on earth. Most likely. Deep, and wide, too. The bottom is heaped high with the corpses of birds who have tried, and failed, to traverse it. Suddenly one day you become Men Without Women.
Haruki Murakami (Men Without Women)
I have just reread The Age of Innocence. Poor Countess Olenska, so much more alive than everyone in New York. She was better than Newland Archer, to whom she couldn’t give herself because she was married. It didn’t matter to society that she had been wronged by her husband. They felt her life was over. Thanks to the modern age of divorce, my life is not. I am coming to see that as a blessing and not something to be ashamed of. I am starting to think that my life is a good thing to have. I do not believe that there were more happy marriages before divorce became socially acceptable, that people tried harder, got through their rough times, and were better off. I believe that more people suffered. Divorce is in the machine now, like love and birth and death. Its possibility informs us, even when it goes untouched. And if we fail at marriage, we are lucky we don’t have to fail with the force of our whole life. I would like there to be an eighth sacrament: the sacrament of divorce. Like Communion, it is a slim white wafer on the tongue. Like confession, it is forgiveness. Forgiveness is important not so much because we’ve done wrong as because we feel we need to be forgiven. Family, friends, God, whoever loves us forgives us, takes us in again. They are thrilled by our life, our possibilities, our second chances. They weep with gladness that we did not have to die.
Ann Patchett (This Is the Story of a Happy Marriage)
When we want to give expression to a dramatic situation in our lives, we tend to use metaphors of heaviness. We say that something has become a great burden to us. We either bear the burden or fail and go down with it, we struggle with it, win or lose. And Sabina - what had come over her? Nothing. She had left a man because she felt like leaving him. Had he persecuted her? Had he tried to take revenge on her? No. Her drama was a drama not of heaviness but of lightness. What fell to her lot was not the burden but the unbearable lightness of being. Until that time, her betrayals had filled her with excitement and joy, because they opened up new paths to new adventures of betrayal. But what if the paths came to an end? One could betray one's parents, husband, country, love, but when parents, husband, country, and love were gone - what was left to betray? Sabina felt emptiness all around her. What if that emptiness was the goal of all her betrayals? Naturally she had not realized it until now. How could she have? The goals we pursue are always veiled. A girl who longs for marriage longs for something she knows nothing about. The boy who hankers after fame has no idea what fame is. The thing that gives our every move its meaning is always totally unknown to us. Sabina was unaware of the goal that lay behind her longing to betray. The unbearable lightness of being - was that the goal?
Milan Kundera (The Unbearable Lightness of Being)
The women in that ward were simple, ordinary refugee women. They came from villages or very small towns. Even before becoming refugees, they had been poor. They had no education. They had no notion of an outside world where life might be different. They were being treated for various ailments, but in the end, their gender was their ailment. In the first bed, a skinny fourteen-year-old girl lay rolled into her sheets in a state of almost catatonic unresponsiveness, eyes closed, not speaking even in reply to the doctor’s gentle greeting. Her family had brought her to be treated for mental illness, the doctor explained with regret. They had recently married her to a man in his seventies, a wealthy and influential personage by their standards. In their version of things, something had started mysteriously to go wrong with her mind as soon as the marriage was agreed upon – a case of demon possession, her family supposed. When, after repeated beatings, she still failed to cooperate gracefully with her new husband’s sexual demands, he had angrily returned her to her family and ordered them to fix this problem. They had taken the girl to a mullah, who had tried to expel the demon through prayers and by writing Quranic passages on little pieces of paper that had to be dissolved in water and then drunk, but this had brought no improvement, so the mullah had abandoned his diagnosis of demon possession and decided that the girl was sick. The family had brought her to the clinic, to be treated for insanity.
Cheryl Benard (Veiled Courage: Inside the Afghan Women's Resistance)
lure of reinvention. Lately, though, I find myself thinking about the war and my past, about the people I lost. Lost. It makes it sound as if I misplaced my loved ones; perhaps I left them where they don’t belong and then turned away, too confused to retrace my steps. They are not lost. Nor are they in a better place. They are gone. As I approach the end of my years, I know that grief, like regret, settles into our DNA and remains forever a part of us. I have aged in the months since my husband’s death and my diagnosis. My skin has the crinkled appearance of wax paper that someone has tried to flatten and reuse. My eyes fail me often—in the darkness, when headlights flash, when rain falls. It is unnerving, this new unreliability in my vision. Perhaps that’s why I find myself looking backward. The past has a clarity I can no longer see in the present. I want to imagine there will be peace when I am gone, that I will see all of the people I have loved and lost. At least that I will be forgiven. I know better, though, don’t I? *   *   * My house, named The Peaks by the lumber baron who built it more than a hundred years ago, is for sale, and I am preparing to move because my son thinks I should. He is trying to take care of
Kristin Hannah (The Nightingale)
I will have you for husband tonight,” she said in fierce, low tones, “or I will not go until I do!” “If there was any way, I would,” he protested. “Daise Congar would crack my head if I wanted to go against custom. For the love of the Light, Faile, just carry the message, and I’ll wed you the very first day I can.” He would. If that day ever came. Suddenly she was very intent on his beard, smoothing it and not meeting his eyes. She started speaking slowly but picked up speed like a runaway horse. “I … just happened to mention … in passing … I just mentioned to Mistress al’Vere how we had been traveling together—I don’t know how it came up—and she said—and Mistress Congar agreed with her—not that I talked to everybody!—she said that we probably—certainly—could be considered betrothed already under your customs, and the year is just to make sure you really do get on well together—which we do, as anyone can see—and here I am being as forward as some Domani hussy or one of those Tairen galls—if you ever even think of Berelain—oh, Light, I’m babbling, and you won’t even—” He cut her off by kissing her as thoroughly as he knew how. “Will you marry me?” he said breathlessly when he was done. “Tonight?” He must have done ever better with the kiss than he thought; he had to repeat himself six times, with her giggling against his throat and demanding he say it again, before she seemed to understand. Which was how he found himself not half an hour later kneeling opposite her in the common room, in front of Daise Congar and Marin al’Vere, Alsbet Luhhan and Neysa Ayellin and all the Women’s Circle. Loial had been roused to stand for him with Aram, and Bain and Chiad stood for Faile. There were no flowers to put in her hair or his, but Bain, guided by Marin, tucked a long red wedding ribbon around his neck, and Loial threaded another through Faile’s dark hair, his thick fingers surprisingly deft and gentle. Perrin’s hands trembled as he cupped hers. “I, Perrin Aybara, do pledge you my love, Faile Bashere, for as long as I live.” For as long as I live and after. “What I possess in this world I give to you.” A horse, an axe, a bow. A hammer. Not much to gift a bride. I give you life, my love. It’s all I have. “I will keep and hold you, succor and tend you, protect and shelter you, for all the days of my life.” I can’t keep you; the only way I can protect you is to send you away. “I am yours, always and forever.” By the time he finished, his hands were shaking visibly. Faile moved her hands to hold his. “I, Zarine Bashere …” That was a surprise; she hated that name. “ … do pledge you my love, Perrin Aybara … .” Her hands never trembled at all.
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
She merely wiped the floor with paper towels and said nothing, brushing her free hand against my shoulder blade—my shoulder blade!—as she carried the soaked paper to the trash can, never holding me fast, refraining not out of lack of humanity but out of fear of being drawn into a request for further tenderness, a request that could only bring her face-to-face with some central revulsion, a revulsion of her husband or herself or both, a revulsion that had come from nowhere, or from her, or perhaps from something I’d done or failed to do, who knew, she didn’t want to know, it was too great a disappointment, far better to get on with the chores, with the baby, with the work, far better to leave me to my own devices, as they say, to leave me to resign myself to certain motifs, to leave me to disappear guiltily into a hole of my own digging. When the time came to stop her from leaving, I did not know what to think or wish for, her husband who was now an abandoner, a hole-dweller, a leaver who had left her to fend for herself, as she said, who’d failed to provide her with the support and intimacy she needed, she complained, who was lacking some fundamental wherewithal, who no longer wanted her, who beneath his scrupulous marital motions was angry, whose sentiments had decayed into a mere sense of responsibility, a husband who, when she shouted, “I don’t need to be provided for! I’m a lawyer! I make two hundred and fifty thousand dollars a year! I need to be loved!” had silently picked up the baby and smelled the baby’s sweet hair, and had taken the baby for a crawl in the hotel corridor, and afterward washed the baby’s filthy hands and soft filthy knees, and thought about what his wife had said, and saw the truth in her words and an opening, and decided to make another attempt at kindness, and at nine o’clock, with the baby finally drowsy in his cot, came with a full heart back to his wife to find her asleep, as usual, and beyond waking. In short, I fought off the impulse to tell Rachel to go fuck herself.
Joseph O'Neill (Netherland)
About his madmen Mr. Lecky was no more certain. He knew less than the little to be learned of the causes or even of the results of madness. Yet for practical purposes one can imagine all that is necessary. As long as maniacs walk like men, you must come close to them to penetrate so excellent a disguise. Once close, you have joined the true werewolf. Pick for your companion a manic-depressive, afflicted by any of the various degrees of mania - chronic, acute, delirious. Usually more man than wolf, he will be instructive. His disorder lies in the very process of his thinking, rather than in the content of his thought. He cannot wait a minute for the satisfaction of his fleeting desires or the fulfillment of his innumerable schemes. Nor can he, for two minutes, be certain of his intention or constant in any plan or agreement. Presently you may hear his failing made manifest in the crazy concatenation of his thinking aloud, which psychiatrists call "flight of ideas." Exhausted suddenly by this riotous expense of speech and spirit, he may subside in an apathy dangerous and morose, which you will be well advised not to disturb. Let the man you meet be, instead, a paretic. He has taken a secret departure from your world. He dwells amidst choicest, most dispendious superlatives. In his arm he has the strength to lift ten elephants. He is already two hundred years old. He is more than nine feet high; his chest is of iron, his right leg is silver, his incomparable head is one whole ruby. Husband of a thousand wives, he has begotten on them ten thousand children. Nothing is mean about him; his urine is white wine; his faeces are always soft gold. However, despite his splendor and his extraordinary attainments, he cannot successfully pronounce the words: electricity, Methodist Episcopal, organization, third cavalry brigade. Avoid them. Infuriated by your demonstration of any accomplishment not his, he may suddenly kill you. Now choose for your friend a paranoiac, and beware of the wolf! His back is to the wall, his implacable enemies are crowding on him. He gets no rest. He finds no starting hole to hide him. Ten times oftener than the Apostle, he has been, through the violence of the unswerving malice which pursues him, in perils of waters, in perils of robbers, in perils of his own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren, in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Now that, face to face with him, you simulate innocence and come within his reach, what pity can you expect? You showed him none; he will certainly not show you any. Lighten our darkness, we beseech thee, 0 Lord; and by thy great mercy defend us from all the perils and dangers of this night; for the love of thy only Son, our Saviour, Jesus Christ. Amen. Mr. Lecky's maniacs lay in wait to slash a man's head half off, to perform some erotic atrocity of disembowelment on a woman. Here, they fed thoughtlessly on human flesh; there, wishing to play with him, they plucked the mangled Tybalt from his shroud. The beastly cunning of their approach, the fantastic capriciousness of their intention could not be very well met or provided for. In his makeshift fort everywhere encircled by darkness, Mr. Lecky did not care to meditate further on the subject.
James Gould Cozzens (Castaway)
Amy found out she had cancer not long after finishing Textbook, and she called me. She knew that in the years after my book The Fault in Our Stars was published, I’d come to know many young people who were gravely ill, and she wanted to know if I had advice for her. I told her what I think is true—that love survives death. But she wanted to know how young people react to death. How her kids would. She wanted to know if her kids and her husband would be okay, and that ripped me up. Although I’m usually quite comfortable talking with sick people, with my friend I found myself stumbling over words, overwhelmed by my own sadness and worry. They won’t be okay, of course, but they will go on, and the love you poured into them will go on. That’s what I should’ve said. But what I actually said, while crying, was, “How can this be happening? You do so much yoga.” In my experience, dying people often have wonderful stories of the horrible things healthy people say to them, but I’ve never heard of anybody saying something as stupid as, “You do so much yoga.” I hope that Amy at least got some narrative mileage out of it. But I also know I failed her, after she was there for me so many times. I know she forgives me—present tense—but still, I desperately wish I could’ve said something useful. Or perhaps not said anything at all. When people we love are suffering, we want to make it better. But sometimes—often, in fact—you can’t make it better. I’m reminded of something my supervisor said to me when I was a student chaplain: “Don’t just do something. Stand there.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect this shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be “healing.” A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to “get through it,” rise to the occasion, exhibit the “strength” that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief as we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.           A
Joan Didion (The Year of Magical Thinking)
. Karl was born in Meridian, Mississippi, in 1947. His parents stayed married, as did the parents of his friends. His mother still lives in the house they moved to the year Karl turned one. He walked down the street to school. I was born in Los Angeles in 1963. By the time I started college I had moved fifteen times. We saw different movies, read different books. I never had a single date in high school, but when I went with Karl to his high school reunion women lined up all night to tell me how they had been in love with my husband. All I felt was the wondrous luck that he had found me. “Just think,” I say to Karl, “every night we come home to the same house and we sleep in the same bed with the same dog, and of all the houses and beds and dogs in the world we hit on this combination.” The fact that we came so close to missing out, missing out because of my own fear of failing, makes me think I avoided a mortal accident by the thickness of a coat of paint. We
Ann Patchett (This Is the Story of a Happy Marriage)
The day wore on.While yet Rycca slept, Dragon did all the things she had said he would do-paced back and forth, contemplated mayhem,and even honed his blade on the whetstone from the stable.All except being oblivious to her,for that he could never manage. But when she awoke,sitting up heavy-lidded, her mouth so full and soft it was all he could do not to crawl back into bed with her,he put aside such pursuits and controlled himself admirably well,so he thought. Yet in the midst of preparing a meal for them from the provisions in the pantry of the lodge,he was stopped by Rycca's hand settling upon his. "Dragon," she said softly, "if you add any more salt to that stew, we will need a barrel of water and more to drink with it." He looked down, saw that she was right, and cursed under his breath. Dumping out the spoiled stew, he started over. They ate late but they did eat.He was quite determined she would do so,and for once she seemed to have a decent appetite. "I'm glad to see your stomach is better," he said as she was finishing. She looked up,startled. "What makes you say that?" "You haven't seemed able to eat regularly of late." "Oh,well,you know...so many changes...travel...all that." He nodded,reached for his goblet, and damn near knocked it over as a sudden thought roared through him. "Rycca?" She rose quickly,gathering up the dishes. His hand lashed out, closing on her wrist. Gently but inexorably, he returned her to her seat. Without taking his eyes from her,he asked, "Is there something you should tell me?" "Something...?" "I ask myself what sort of changes may cause a woman to be afflicted with an uneasy stomach and it occurs to me I've been a damned idiot." "Not so! You could never be that." "Oh,really? How otherwise would I fail to notice that your courses have not come of late? Or is that also due to travel,wife?" "Some women are not all that regular." "Some women do not concern me.You do,Rycca. I swear,if you are with child and have not told me, I will-" She squared her shoulders,lifted her head,and met his eyes hard on. "Will what?" "What? Will what? Does that mean-" "I'm sorry,Dragon." Truly repentant, Rycca sighed deeply. "I was going to tell you.I was just waiting for a calmer time.I didn't want you to worry more." Still grappling with what she had just revealed,he stared at her in astonishment. "You mean worry that my wife and our child are bait for a murderous traitor?" "I know you're angry and you have a right to be.But if I had told you, we wouldn't be here now." "Damn right we wouldn't be!" He got up from the table so abruptly that his chair toppled over and crashed to the floor.Ignoring it,Dragon paced back and forth,glaring at her. Rycca waited,trusting the storm to pass. As she did,she counted silently, curious to see just how long it would take her husband to grasp fully what he had discovered. Nine...ten... "We're going to have a baby." Not long at all. She nodded happily. "Yes,we are, and you're going to be a wonderful father." He walked back to the table,picked her up out of her chair,held her high against his chest,and stared at her. "My God-" Rycca laughed. "You can't possibly be surprised.It's not as though we haven't been doing our best to make this happen." "True,but still it's absolutely incredible." Very gently,she touched his face. "Perhaps we think of miracles wrongly. They're supposed to be extraordinarily rare but in fact they're as commonplace as a bouquet of wildflowers plucked by a warrior...or a woman having a baby." Dragon sat down with her still in his arms and held her very close.He swallowed several times and said nothing. Both could have remained contentedly like that for a long while, but only a few minutes passed before they were interrupted. The raven lit on the sill of the open window just long enough to catch their attention,then she was gone into the bloodred glare of the dying day.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed. “What do you mean?” she asked in a trembling voice. “I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!” “I’ve sent word to you both nights.” “You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!” He has men beaten like animals, she reminded herself. “Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him. His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her. “Don’t touch me!” she cried. Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian. “Get out of here and close that damned door behind you!” Ian snapped furiously. “Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said. In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was. Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him. “Are you ill?” he asked, frowning and minutely studying her face. Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.” “Is that why you went to London? To see a physician?” She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe. “No! He-the doctor said it is just-just-nerves.” “You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.” Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?
Judith McNaught (Almost Heaven (Sequels, #3))
. Karl was born in Meridian, Mississippi, in 1947. His parents stayed married, as did the parents of his friends. His mother still lives in the house they moved to the year Karl turned one. He walked down the street to school. I was born in Los Angeles in 1963. By the time I started college I had moved fifteen times. We saw different movies, read different books. I never had a single date in high school, but when I went with Karl to his high school reunion women lined up all night to tell me how they had been in love with my husband. All I felt was the wondrous luck that he had found me. “Just think,” I say to Karl, “every night we come home to the same house and we sleep in the same bed with the same dog, and of all the houses and beds and dogs in the world we hit on this combination.” The fact that we came so close to missing out, missing out because of my own fear of failing, makes me think I avoided a mortal accident by the thickness of a coat of paint. We are, on this earth, so incredibly small, in the history of time, in the crowd of the world, we are practically invisible, not even a dot, and yet we have each other to hold on to.
Ann Patchett (This Is the Story of a Happy Marriage)
Mesmerized by the gilt ghastliness of it all, Elizabeth slowly turned in a full circle. Above the fireplace there was a gilt-framed painting of a lady attired in nothing whatsoever but a scrap of nearly-transparent red silk that had been draped across her hips. Elizabeth jerked her eyes away from that shocking display of nudity and found herself confronted by a veritable army of cavorting cupids. They reposed in chubby, gilt splendor atop the mantel and the bed tables; a cluster of them formed the tall candelabra beside the bed, which held twelve candles-one of which the footman had lit-and more cupids surrounded an enormous mirror. “It’s…” Berta uttered as she gazed through eyes the size of saucers, “it’s…I can’t find words,” she breathed, but Elizabeth had passed through her own state of shock and was perilously close to hilarity. “Unspeakable?” Elizabeth suggested helpfully, and a giggle bubbled up from her throat. “U-Unbelievable?” she volunteered, her shoulders beginning to shake with mirth. Berta made a nervous, strangled sound, and suddenly it was too much for both of them. Days of relentless tension erupted into gales of hilarity, and they gave in to it with shared abandon. Great gusty shouts of laughter erupted from them, sending tears trickling down their cheeks. Berta snatched for her missing apron, then remembered her new, elevated station in life and instead withdrew a handkerchief from her sleeve, dabbing at the corners of her eyes; Elizabeth simply clutched the forgotten bust to her chest, perched her chin upon its smooth head, and laughed until she ached. So complete was their absorption that neither of them realized their host was entering the bedchamber until Sir Francis boomed enthusiastically, “Lady Elizabeth and Lady Berta!” Berta let out a muffled scream of surprised alarm and quickly shifted her handkerchief from the corners of her eyes to her mouth. Elizabeth took one look at the satin-clad figure who rather resembled the cupids he obviously admired, and the dire reality of her predicament hit her like a bucket of icy water, banishing all thoughts of laughter. She dropped her gaze to the floor, trying wildly to remember her plan and to believe she could make it work. She had to make it work, for if she failed, this aging roué with the penchant for gilded cupids could very likely become her husband.
Judith McNaught (Almost Heaven (Sequels, #3))
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.” Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?” Elizabeth shook her head. “He wants me, he says, and he wants children.” Alex swallowed embarrassed laughter. “He what?” “He wants me, and he wants children.” A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks. “I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex. “Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?” “Yes, of course,” Elizabeth said without hesitation. “Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.” “I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly. As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room. Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
Judith McNaught (Almost Heaven (Sequels, #3))
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.
Margaret Mitchell (Gone with the Wind)
THE INSTRUCTION OF PTAHHOTEP Part III Report your commission without faltering, Give your advice in your master’s council. If he is fluent in his speech, It will not be hard for the envoy to report, Nor will he be answered, "Who is he to know it ?” As to the master, his affairs will fail If he plans to punish him for it. He should be silent upon (hearing): "I have told.” If you are a man who leads. Whose authority reaches wide, You should do outstanding things, Remember the day that comes after. No strife will occur in the midst of honors, But where the crocodile enters hatred arises. If you are a man who leads. Listen calmly to the speech of one who pleads; Don’t stop him from purging his body Of that which he planned to tell. A man in distress wants to pour out his heart More than that his case be won. About him who stops a plea One says: “Why does he reject it ?” Not all one pleads for can be granted, But a good hearing soothes the heart. If you want friendship to endure In the house you enter As master, brother, or friend, In whatever place you enter, Beware of approaching the women! Unhappy is the place where it is done. Unwelcome is he who intrudes on them. A thousand men are turned away from their good: A short moment like a dream, Then death comes for having known them. Poor advice is “shoot the opponent,” When one goes to do it the heart rejects it. He who fails through lust of them, No affair of his can prosper. If you want a perfect conduct, To be free from every evil, Guard against the vice of greed: A grievous sickness without cure, There is no treatment for it. It embroils fathers, mothers, And the brothers of the mother, It parts wife from husband; It is a compound of all evils, A bundle of all hateful things. That man endures whose rule is rightness, Who walks a straight line; He will make a will by it, The greedy has no tomb. Do not be greedy in the division. Do not covet more than your share; Do not be greedy toward your kin. The mild has a greater claim than the harsh. Poor is he who shuns his kin, He is deprived of 'interchange' Even a little of what is craved Turns a quarreler into an amiable man. When you prosper and found your house, And love your wife with ardor, Fill her belly, clothe her back, Ointment soothes her body. Gladden her heart as long as you live, She is a fertile held for her lord. Do not contend with her in court, Keep her from power, restrain her — Her eye is her storm when she gazes — Thus will you make her stay in your house. Sustain your friends with what you have, You have it by the grace of god; Of him who fails to sustain his friends One says, “a selfish ka". One plans the morrow but knows not what will be, The ( right) ka is the ka by which one is sustained. If praiseworthy deeds are done, Friends will say, “welcome!” One does not bring supplies to town, One brings friends when there is need. Do not repeat calumny. Nor should you listen to it, It is the spouting of the hot-bellied. Report a thing observed, not heard, If it is negligible, don’t say anything. He who is before you recognizes worth. lf a seizure is ordered and carried out, Hatred will arise against him who seizes; Calumny is like a dream against which one covers the face. If you are a man of worth, Who sits in his master’s council. Concentrate on excellence, Your silence is better than chatter. Speak when you know you have a solution, It is the skilled who should speak in council; Speaking is harder than all other work. He who understands it makes it serve.
Miriam Lichtheim (Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms)