Faerie Realm Quotes

Some people are just sad when there aren't talking squirrels.” —Lily Winter

Faerie is a perilous land, and in it are pitfalls for the unwary and dungeons for the overbold...The realm of fairy-story is wide and deep and high and filled with many things: all manner of beasts and birds are found there; shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords. In that realm a man may, perhaps, count himself fortunate to have wandered, but its very richness and strangeness tie the tongue of a traveller who would report them. And while he is there it is dangerous for him to ask too many questions, lest the gates should be shut and the keys be lost.

She padded toward Han, barefoot, like a faerie startled out of a forest bower, bewitching mix of clan and flatland beauty.

Everything's possible when you're seven years old." She sighed. "But then you hit an age where you decide it's cooler not to believe in anything at all. [...] It's called being grown-up.

He watched her from the fading dark, unseen and invisible, just another shadow in the trees. He wondered if he had been right to come here, to see her one last time, though he knew resisting her was futile. He couldn't leave without seeing her again, hearing her voice and seeing her smile, even though it wasn't for him. He had no illusions about his addiction to her. She had her fingers sunk firmly into his heart, and could do with it what she wished. He watched her walk away with the Iron faery and the dog, watched them leave to return to her own realm, back to a place he couldn't follow. For now.

Tavin cupped his hands to his mouth. “Here, dragon-dragon-dragon!” he yelled. Lily stared in amazement. Well, that was bold, she thought, and stupid.

Leave it to a boy to make the Faerie Realms look like a dump.

No. As a matter of fact, the dragon oracle tells me the girl I'm supposed to marry, the one destined to someday become the queen of the faery realm, isn't a faery at all." "She isn't?" I said. "Then who is she?" "You," he said.

Odd names: Winter, Autumn—they almost sound as if someone just made them up.” —Dubb

You won't find the tales I bear in any books . . . My tales are from the Moon Realm.” —Ebb Autumn

Fantasy elevates ordinary and eternal problems of young people into stories via the language of myth. It turns “No one really knows me” into “I’ve got a secret identity.” It turns “I don’t understand why other people act the way they do” into “I’m trapped in a faerie realm.” It turns “my high school must have been built over the mouth of hell” into “my high school must have been built over the mouth of hell.” There are certain things in life that are glorious, and they are glorious for everyone. There are more that are hard, and they are hard for everyone. We like to see these things retold, but with dragons.

My wings," the faerie whispered. "You'll get them back." The Faerie struggled to open his eyes. "You swear?" "Yes," I breathed. The faerie managed a slight smile and closed his eyes again. My mouth trembled. I wished for something else to say, something more to offer him than my empty promises. The first false vow I'd ever sworn. But Tamlin began speaking, and I glanced up to see him take the faerie's other hand. "Cauldron save you," he said, reciting the words of a prayer that was probably older than the moral realm. "Mother hold you. Pass through the gates, and smell that immortal land of milk and honey. Fear no evil. Feel no pain." Tamlin's voice wavered, but he finished. "Go, and enter eternity.

You're in a fairy tale right now, Tania, but what happens on the morning after happy ever after?

He could still be her knight. But that was it. She would not love someone who had no faith in her.

You know when you're on the edge of wake and sleep,and the dream you're leaving feels more real to you than anythin the world has to offer? When you open your eyes,it's as though part of you stayed,and you know you'll nver feel things quite as deeply, experience them quite as truly as you had in that tiny space of awareness between darkness and light. We're going into that." I held my breath,and he snapped out of whatever state he was in.Winking, he opened a door. "Welcome to the Faerie Realms.

My wings," the faerie whispered. "You'll get them back." The Faerie struggled to open his eyes. "You swear?" "Yes," I breathed. The faerie managed a slight smile and closed his eyes again. My mouth trembled. I wished for something else to say, something more to offer him than my empty promises. The first false vow I'd ever sworn. But Tamlin began speaking, and I glanced up to see him take the faerie's other hand. "Cauldron save you," he said, reciting the words of a prayer that was probably older than the mortal realm. "Mother hold you. Pass through the gates, and smell that immortal land of milk and honey. Fear no evil. Feel no pain." Tamlin's voice wavered, but he finished. "Go, and enter eternity.

Is your future faery bride too ugly for you?” Rhys leaned back against the head rest and studied the seat back in front of him. “That’s not it.” “Too old or too young?” “No.” I rolled my eyes, but smiled. This was why he was upset. He hadn’t landed the perfect bride-to-be. “Her pretty faery wings aren’t the right shade of sparkly lavender and pink?” His eyes flashed with anger. “Actually, she doesn’t have faery wings.” “She doesn’t?” “No. As a matter of fact, the dragon oracle tells me the girl I’m supposed to marry, the one destined to someday become the queen of the faery realm, isn’t a faery at all.” Okay, that was surprising. Not a faery? “She isn’t?” I said. “Then who is she?” His expression was severe as he turned to look me right in the eye. “You,” he said

But—" yelped Twizbang, “Greydor will eat us!

The faerie queen's compassion was even more frightening than her anger.

We all accepted that this land was a gate to that other world, the realm of spirits and dreams and the Fair Folk, without any question. The place we grew up in was so full of magic that it was almost a part of everyday life - not to say you'd meet one of them every time you went out to pick berries, or draw water from your well, but everyone we knew had a friend of a friend who'd strayed too far into the forest, and disappeared; or ventured inside a ring of mushrooms, and gone away for a while, and come back subtly changed. Strange things could happen in those places. Gone for maybe fifty years you could be, and come back still a young girl; or away for no more than an instant by moral reckoning, and return wrinkled and bent with age. These tales fascinated us, but failed to make us careful. If it was going to happen to you, it would happen, whether you liked it or not.

For changelings, the not-quite-human-but-definitely-not-faerie in-betweens, walking among mortals is less of a novelty. We grow up with humans, hated for being almost like them but not enough. Most of us find our way back to the faerie realms by adulthood.

(...) Some fairy lore makes a clear division between good and wicked types of fairies — between those who are friendly to mankind, and those who seek to cause us harm. In Scottish tales, good fairies make up the Seelie Court, which means the Blessed Court, while bad fairies congregate in the Unseelie Court, ruled by the dark queen Nicnivin. In old Norse myth, the Liosálfar (Light Elves) are regal, compassionate creatures who live in the sky in the realm of Alfheim, while the Döckálfar (the Dark Elves) live underground and are greatly feared. Yet in other traditions, a fairy can be good or bad, depending on the circumstance or on the fairy's whim. They are often portrayed as amoral beings, rather than as immoral ones, who simply have little comprehension of human notions of right and wrong. The great English folklorist Katherine Briggs tended to avoid the "good" and "bad" division, preferring the categorizations of Solitary and Trooping Fairies instead. (...)

Annalise loves to take things out of wherever they've been put away and leave them in little mounds all over the house. Her father, my uncle Eric, says she is chaos incarnate, but actually she's very organized. She knows exactly where everything is.

Goosebumps on his skin coalesced into reptilian-like scales the color of rust. The scales rippled up his arms, in and out of existence, as the shimmer of the faerie realm faded, and her world was thrust into complete darkness. Chloe tried to swallow, but burning cinders coated her throat. “Oh God!” she choked. “You’re one of them!

She seemed exotic and strange, a mysterious siren with devilish companions and spell-caught whorls that gleamed alluringly all over her pearl skin.

I'll tear down your realm, starting with this castle.

Do you want to marry me?" "That's---that's beside the point." A nonsensical reply, but it came the closest to expressing how I felt. I had never even considered marrying Wendell---why on earth would I? Wendell Bambleby! Certainly I'd imagined being with him in other ways, particularly since I'd grown used to having him around---traveling with him across the continent, no doubt arguing half the time; conducting research; scouring woodland and heath for lost doors to the faerie realms. And yes, I liked the prospect of being with him often, or even all the time, and felt a sort of hollowness fill me when I thought about us parting ways. But I couldn't marry one of the Folk, particularly not a faerie king, even if he was Wendell.

(Humans, take note: You can refer to the Realm as “Faerie” without causing offense, but do not make the mistake of referring to its citizens as “fairies”—unless you want to be punched.) Elfhaeme

Jack put his hands on his hips, surveying the scene with a satisfied nod. "That turned out much better than I'd hoped." "Please,let's leave!" "What's your hurry? Let's take a moment to bask in the satisfaction of a job well done." "I didn't want to do that!" "No?" He cocked his head and raised his eyebrows. "I thought you hated the fey." "I do,but that doesn't mean I want to run around the Faerie Realms lighting everything on fire!" "What's the point in hating something if you aren't proactive?" He put his arm around my shoulders, steering me to look at the inferno with him. "You can't tell me that's not satisfying, not after what you saw.Faeries care about very few things,but they're quite fond of their little trinkets. That boat was a particular favorite of hers,not to mention the entire lake. All the centuries she spent crafting this landscape,then poof! One excellently thrown firebomb, and you've made her feel anger and pain more deeply than she's probably ever known. And far less than she deserves to know.

The doorknob twisted. “I’m coming with you.” I ran over and held it shut. “No, you are so not. We can’t carry your unconscious body around the Center. Besides, I need you here. If something goes wrong, I can’t handle you getting hurt.” “Wait, so it’s okay if I get hurt?” Jack asked. “Yes,” I snapped at the same time as Lend and Arianna. “As long as you’re sure, then,” Jack muttered. Lend jiggled the doorknob. “What about you getting hurt?” “I’ve already broken into the Faerie Realms and stabbed the Dark Queen. After that, a bunch of government suits? Not so intimidating.” “Please tell me stabbing does not factor into your strategy.” I laughed. “Of course it doesn’t. I left my knife in her neck, anyway. I think I’m just going to run around and punch people, see if I can’t find a teenage girl to tase me,” I knocked teasingly on the door.

The leprechaun, according to legend, can be forced to yield up its treasure if you can keep watching it without letting your attention wander for so much as a moment. This has so much in common with experiences in meditation that Zen masters in America use it as a metaphor for meditative practice. There’s an important lesson here: glamour is hardly limited to the realm of Faery. Most human beings live most of their lives under its spell, chasing after treasures that—like the golden coins in countless fairy tales—turn to dried leaves the moment one looks away.

Never, Never give up, no matter what is you age, magick always is there. Use it!

It was a nice voice, smooth and deep as double chocolate ice cream.

Wanting to be through with this quickly, I leaned forward and kissed him. Almost. I lost my nerve halfway there, somewhere around the moment I noticed he had a freckle next to his eye and wondered ridiculously if that was something he would remove if I asked it of him, and instead of a proper kiss, I merely brushed my lips against his. It was a shadow of a kiss, cool and insubstantial, and I almost wish I could be romantic and say it was somehow transformative, but in truth, I barely felt it. But then his eyes came open, and he smiled at me with such innocent happiness that my ridiculous heart gave a leap and would have answered him instantly, if it was the organ in charge of my decision-making. "Choose whenever you wish," he said. "No doubt you will first need to draw up a list of pros and cons, or perhaps a series of bar plots. If you like, I will help you organize them into categories." I cleared my throat. "It strikes me that this is all pointless speculation. You cannot marry me. I am not going to be left behind, pining for you, when you return to your kingdom. I have no time for pining." He gave me an astonished look. "Leave you behind! As if you would consent to that. I would expect to be burnt alive when next I returned to visit. No, Em, you will come with me, and we will rule my kingdom together. You will scheme and strategize until you have all my councillors eating out of your hand as easily as you do Poe, and I will show you everything---everything. We will travel to the darkest parts of my realm and back again, and you will find answers to questions you have never even thought to ask, and enough material to fill every journal and library with your discoveries.

The dawn is my Assyria; the sun-set and moon-rise my Paphos, and unimaginable realms of faerie; broad noon shall be my England of the senses and the understanding; the night shall be my Germany of mystic philosophy and dreams.

I jumped up, my hands in the air. “Yes!” Lend laughed. “Okay, looks like I need to make a run to the grocery store. Do faeries hate wheat or white bread more, you think?” “Get bread with raisins,” I said. “Everyone hates raisins.” Jack was bouncing, obviously excited. “That’s all we need, right?” “We need Reth.” “No,” Lend and Jack whined in unison. “Come on, you two. Reth knows the Faerie Realms better than you do. Jack, you didn’t see where the people were; it might take you a while to find them, and that’s time we can’t afford to lose. And Reth’s getting worse; being there might give him more time.” Lend scowled, grabbing the car keys off the counter. “Fine. But I’m really getting tired of his stupid smirk and prissy clothes.” Jack nodded. “And his voice that sounds like it’d even taste good. Really, it’s overkill. Best to have only a few absolutely perfect traits—for example, my hair and eyes and sparkling personality—so you don’t overwhelm them.” “Aww, are you guys jealous of how pretty Reth is? That’s kind of adorable.” “You know I could look exactly like him,” Lend said, frowning darkly. “Please for the love of all that is good and holy, never, ever wear Reth. That’s the stuff of nightmares.” That brightened his face a bit and he left me with a lingering kiss and a promise to be back with every loaf of bread we could carry. “Well, go find your stupid faerie boyfriend,” Jack said, lying down on top of the counter and drumming his fingers on his stomach. “I haven’t filled my quota for pissing off the Dark Court yet this week.” “We are going to blow your quote sky high.” He held up a hand and I high-fived him as I walked past and out of the house toward the trail. Yet again. I should have invested in a dirt bike or something given the amount of mileage I was getting out of the path between the house and the pond.

Tolkien, lucky man, had protected a realm of his own invention to which he could flee. Robert Graves, embittered by battle, writes: The child alone a poet is: Spring and Fairyland are his… Wisdom made him old and wary banishing his Lords of Faery

Can we switch rooms?” Lend called. “I’m king of starving.” “I’ll make you something!” Jack said, cheerfully skipping into the kitchen. “Can you even cook?” I asked, a valid question considering he didn’t eat normal food. He could only eat food in the Faerie Realms. Jack could help; he could get me to wherever Raquel was. And he knew the Center better than I did, even. “Never underestimate what I can do.” “Oh, believe me I don’t.” I sighed. “Lend, do you want me to go around back so you can come in here?” “Yeah. Man, this brings whole new levels of suck into my life.

The next time I took notice of you, you were sobbing all over the snow. Well, I thought, finally she's being sensible. Then I realized that you were sobbing because you'd stabbed yourself in the arm, and not out of concern for my imminent demise. I noticed that your tears were freezing as they hit the icy ground and collecting into the shape of a sword. Well, that almost killed me. I mean that---I froze for a full second, during which our yeti friend nearly skewered me through. I dodged, barely, my head whirling. One day I would like for you to explain to me how you heard of the story of Deirdre and her faerie husband, a long-ago king, which is one of the oldest tales in my realm. Do mortals tell it as we do? When the king's murderous sons schemed to steal his kingdom by starving it into torpor with endless winter, Deirdre collected the tears of his dying people and froze them into a sword, with which he was finally able to slay his children. It is a tale many of my own people have forgotten---I know it only because that poor, witless king is my ancestor. I felt the story in my blood and let my magic flow into the sword you were fashioning.

Faerie was divided into seasons that mirrored the mortal realm, except all four seasons coexisted here. This world wasn’t spherical like Earth. Faerie was more of a geographic map, and it was possible to fall off the edges. Though it was more likely you would be eaten before that happened.

I have never returned to the mortal realms. Those who make frequent trips do so at great personal sacrifice.” I looked at Reth, who still stood next to me, had been standing next to me this entire time, silent and watching. Reth who never needed to come back to Earth after I freed him from IPCA. Reth who was looking dimmer by the hour after taking the midnight faerie’s attack in my place. The Light Queen followed my gaze. “My golden son has given much because of his love for you and his devotion to me. He may yet give up all.” Well, bleep. It was so much simpler to hate him. “I know you hold depths of anger and bitterness toward the fey, child, but please understand our desperation. And please know my deep respect for humans and human life. Such beautiful, fragile animals, so fleeting and easily broken yet powerful beyond anything faeries can ever hope to be. We cannot create but live forever, unchanging. You change with every breath, dying even as you live, but your thread to eternity and immortality is reborn with every new generation.” I was bust avoiding Reth’s eyes, not wanting to think that, as someone who was nobly sacrificing to be around me and protect me. Not wanting to accept that he really loved me the way he was always saying he did.

The fox has a long history of magic and cunning associated with it. Because it is a creature of the night, it is often imbued with supernatural power. It is often most visible at the times of dawn and dusk, the “Between Times” when the magical world and the world in which we live intersect. It lives at the edges of forests and open land-the border areas. Because it is an animal of the “Between Times and Places,” it can be a guide to enter the Faerie Realm. Its appearance at such times can often signal that the Faerie Realm is about to open for the individual. In the Orient, it was believed that faxes were capable of assuming human form. In ancient Chinese lore, the fox acquires the faculty to become human at the age of 50, and on its hundredth birthday, it becomes either a wizard or a beautiful maiden who will ultimately destroy any man unlucky enough to fall in love with her. “There are several American Indian tribes that tell tales of hunters who accidentally discovered their wives were foxes.”52 This is very symbolic of the idea of magic being born within the feminine energies, and that unless a male can recognize the magic of the feminine-in himself or others-and learn to use it to shapeshift his own life, it will ultimately lead to destruction.

Which of the Irish kingdoms is yours?" "Oh---it's the one you scholars call Silva Lupi," he said. "In the southwest." "Wonderful," I murmured. Faerie realms are named for their dominant feature---statistically, the largest category is silva, woodland, followed by montibus, mountains---and an adjective chosen by the first documenting scholar. Ireland has seven realms, including the better-known Silva Rosis. But Silva Lupi---the forest of wolves---is a realm of shadow and monsters. It is the only one of the Irish realms to exist solely in story---not for lack of interest, of course, a number of scholars have disappeared into its depths.

Something wet touched my feet, and I didn’t need to look down to see that his blood had pooled around me. “My wings,” the faerie whispered. “You’ll get them back.” The faerie struggled to open his eyes. “You swear?” “Yes,” I breathed. The faerie managed a slight smile and closed his eyes again. My mouth trembled. I wished for something else to say, something more to offer him than my empty promises. The first false vow I’d ever sworn. But Tamlin began speaking, and I glanced up to see him take the faerie’s other hand. “Cauldron save you,” he said, reciting the words of a prayer that was probably older than the mortal realm. “Mother hold you. Pass through the gates, and smell that immortal land of milk and honey. Fear no evil. Feel no pain.” Tamlin’s voice wavered, but he finished. “Go, and enter eternity.” The faerie heaved one final sigh, and his hand went limp in mine. I didn’t let go, though, and kept stroking his hair, even when Tamlin released him and took a few steps from the table. I could feel Tamlin’s eyes on me, but I wouldn’t let go. I didn’t know how long it took for a soul to fade from the body. I stood in the puddle of blood until it grew cold, holding the faerie’s spindly hand and stroking his hair, wondering if he knew I’d lied when I’d sworn he would get his wings back, wondering if, wherever he had now gone, he had gotten them back.

We seek," said Fal. "And we find. We are the searchers. We have been under the waves to search and above them. We have been in Faerie, and in the realms of the dammed, and on battlefields and in the dark of the night and the bright of the day. In all our lives there has only been one thing we have sought and not found." "A sense of humor?" Emma suggested.

All dryadologists accept the existence of those doors that lead to individual faerie homes and villages, such as those inhabited by the common fae. Theories about a second class of door are more controversial, but I myself believe highly credible, given the stories we have of the courtly fae. These are thought to be doors that lead deep into Faerie, into a world wholly separate from our own.

. . . why you are here in the first place,” Lend finished saying. His voice had a distinctly menacing tone. “Why, to make you the best omelet you’ve ever had, of course.” There was a pause that I could only fill with my imagination. It involved Lend making I’m going to kill you motions with his hands. “Hey-oh,” Jack continued, “I rescued our girl Evie from the Center and helped her get to the Faerie Realms to save you.” “Our girl is my girl. And that makes everything okay now?” “It doesn’t,” I yelled. Would we never be able to have a quiet conversation again? “But it’s a start.” “A start I intend to finish with this omelet,” Jack said, “because after you’ve eaten it, all will be forgiven.” “I’m not eating anything you make,” Lend answered. I closed my eyes, listening to the sounds of the fridge opening and drawers shutting slightly harder than they needed to.

You?" "Yes." "By yourself?" "No, Jonas." Sera turned around and planted her hands on her hips. "I thought I'd call the police and ask them to come along." She mimed holding a phone to her ear. "Hi, my brother and boyfriend have been kidnapped by vampires and taken into the Realm. Can you help me save them?' Oh, but I should probably tell them to beware of the goblins and faeries they may encounter on the way." Jonas's jaw dropped. "You've seen goblins and faeries? Together?

I followed his gaze on my pillow, upon which rested a thing I did not recognize, woolen and oddly shaped. I seized it abruptly, indignant. It was my jumper! "How---what have you---" "I'm sorry," he said, not looking up from the flicker and flash of the needle. "But you cannot expect me to live in close proximity to clothing that barely deserves the word. It is inhumane." I shook out the jumper, gaping. I could hardly tell it was the same garment. Yes, it was the same color, but the wool itself seemed altered, becoming softer, finer, without losing any of its warmth. And it was not a baggy square anymore; it would hang only a little loose on me now, while clearly communicating the lines of my figure. "From now on, you will keep your damned hands off my clothes!" I snapped, then flushed, realizing how that sounded. Bambleby took no notice of any of it. "Do you know that there are men and women who would hand over their firstborns to have their wardrobes tended by a king of Faerie?" he said, calmly snipping a thread. "Back home, every courtier wanted a few moments of my time." "King?" I repeated, staring at him. And yet I was not hugely surprised---it would explain his magic. A king or queen of Faerie, the stories say, can tap into the power of their realm. Yet that power, while vast, is not thought to be limitless, there are tales of kings and queens falling for human trickery. And Bambleby's exile is of course additional testimony.

Bryce’s mouth twitched upward. “Sounds like the Fae in my world.” She angled her head. “But you’re High Fae. You … talk about them like you’re not.” “I’m new to the Fae realms,” Nesta said, her focus again on the river. “I was born human and turned High Fae against my will.” She sighed. “It’s a long story. But I’ve only lived in the faerie lands for a handful of years now. Much of this is still strange to me.” “I know the feeling,” Bryce said. “My mother is human, my father Fae. I’ve lived between two worlds my entire life.” Nesta nodded shallowly. “None of that helps us get across the river.

He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.

Wait," I said. He tilted his head in exasperation, clearly anticipating some sort of lecture. He went completely still when I strode up to him and kissed him. For one strange moment, I felt like laughing, because it was so clear that I had shocked him. I soon forgot about that, though, as well as everything else. I had not kissed him since Ljosland, and that barely counted; the first time, I had been so nervous that I barely touched him, while the second he had been in his other, oiche sidhe form. Perhaps it was the leaves rustling invisibly or the breeze that plucked at my hair, but I had the sense that I had left the mortal realm somehow, and that when I opened my eyes, I would find myself in some enchanted grove surrounded by faerie lights. This impression was so strong that I pulled away, dizzy.

It was impossible not to stare at each of them, not only because my encounters with the courtly fae are so rare I could count them on one hand, but because they were more lovely and more disturbing than any faerie I had set eyes on before. The Ljosland Folk had seemed shaped from the harsh landscape of their home, a pattern that seemed to extend to the courtly fae of this realm. The memory blurs, much as I try to pin it like a butterfly in a display case. The best I can do is record the impressions I've retained: a woman with her hair a cascade of wild roses; a man with tiny leaves dotting his face, like freckles. Several faeries with their skin faintly patterned with whorls, like tree rings, or in the variegated shades of bark. Another woman who flashed silver-blue in the sun, as if she were not made of flesh and blood but a collection of ripples.

Below us was a frozen lake. It was perfectly round, a great gleaming eye in which the moon and stars were mirrored. Lanterns glowing the same cold white as the aurora dangled from the lake's edge to a scattering of benches and merchant-stands, draped in bright awnings of opal and blue. Delicious smells floated on the wind---smoked fish; fire-roasted nuts and candies; spiced cakes. A winter fair.* * Outside of Russia, almost all known species of courtly fae, and many common fae also, are fond of fairs and markets; indeed, such gatherings appear in stories as the interstitial spaces between their worlds and ours, and thus it is not particularly surprising that they feature in so many encounters with the Folk. The character of such markets, however, varies widely, from sinister to benign. The following features are universal: 1) Dancing, which the mortal visitor may be invited to partake in; 2) A variety of vendors selling foods and goods which the visitor is unable to recall afterwards. More often than not, the markets take place at night. Numerous scholars have attempted to document these gatherings; the most widely referenced accounts are by Baltasar Lenz, who successfully visited two fairs in Bavaria before his disappearance in 1899.

Wendell was no sooner gazing at the silver sewing needles than he was brushing away a tear. "They are like my father's," he said wonderingly. "I remember the flicker of them in the darkness as we all sat together by the ghealach fire, with the trees surrounding us. He would bring them everywhere, even the Hunt of the Frostveiling---that is the first hunt of autumn, the largest of the year, when even the queen and her children roam through the wilds with spears and swords, riding our best---oh, I don't know what you would call them in your language. They are a kind of faerie fox, black and golden together, which grow larger than horses. My brothers and sisters and I would crowd round the fire to watch him weave nets from brambles and spidersilk. And all the moorbeasts and hag-headed deer would cower at the sight of those nets, though they barely blinked at the whistle of our arrows." He fell silent, gazing at them with his eyes gone very green. "Well," I said, predictably at a loss for an answer to this, "I hope they are of use to you. Only keep them away from any garments of mine." He took my hand, and then, before I knew what he was doing, lifted it to his mouth. I felt the briefest brush of his lips against my skin, and then he had released me and was back to exclaiming over his gifts. I turned and went into the kitchen in an aimless haste, looking for something to do, anything that might distract me from the warmth that had trailed up my arm like an errant summer breeze

The rose is a symbol of the inner mysteries of Witchcraft. A red rose symbolizes the mysteries as they reside in Nature, within the living things. The white rose symbolizes the Otherworld and the mysteries hidden in secret places. When a single rose appears with white petals in the center of red petals, this represents the mysteries joined together within one reality. Thorns appearing with the rose represent challenges and the dedication required to fully grasp the enlightenment of the rose. One of the symbolisms associated with the rose reveals the covenant between the Witch and the Faery. In this, we find that both are stewards of the portal that opens to the inner mysteries. The Faery holds the celestial key, and the Witch bears the terrestrial key. When the two are joined together, they form an X—the sign of the crossroads. In this formation, where the keys cross we find a third point, the in-between place at the center. This is where the portal exists, and this is where it opens between the worlds. Look at the shape of the X and you can see four pointed tip markers (the V shapes). The upper half of the X points down, and the lower half points up. On the sides of the X, you can see that the left and right halves point to the center. This shows us that when the celestial and terrestrial realms join, they pull together the left ways and the right ways. These are occult terms for esoteric and exoteric modes of consciousness. In the fusion, everything briefly loses its distinction, its ability to mask the opposite reality, and in doing so, the secret third reality emerges in the center of it all. If this sounds confusing or nonsensical, then the guardian of that portal is doing its job well. The material in this book will connect you with an entity connected to the rose and its mystery. This is the previously mentioned She of the Thorn-Blooded Rose. With her guidance, you can be directed to the portal, and through it you can meet a variety of beings and entities. However, her primary task is to connect you with the Greenwood Realm and the plant spirits within it. In your journey to encounter these spirits, you will pass through the organic memory of the earth. You'll walk upon roads of mystical concepts and be accompanied by the Old Ones of

She took my wings,' he whispered. Tamlin's green eyes flickered and I knew right then, that the faerie was going to die. Death wasn't just hovering in this hall; it was counting down the faerie's remaining heartbeats. I took one of the faerie's hands in mine. The skin there was almost leathery, and, perhaps more of a reflex than anything, his long fingers wrapped around mine, covering them completely. 'She took my wings,' he said again, his shaking subsiding a bit. I brushed the long, damp hair from the faerie's half-turned face, revealing a pointed nose and a mouth full of sharp teeth. His dark eyes shifted to mine, beseeching, pleading. 'It will be all right,' I said, and hoped he couldn't smell the lies the way the Suriel was able to. I stroked his limp hair, its texture like liquid night- another I would never be able to paint but would try to, perhaps forever. 'It will be all right.' The faerie closed his eyes, and I tightened my grip on his hand. Something wet touched my feet, and I didn't need to look down to see that his blood had pooled around me. 'My wings,' the faerie whispered. 'You'll get them back.' The faerie struggled to open his eyes. 'You swear?' 'Yes,' I breathed. The faerie managed a slight smile and closed his eyes again. My mouth trembled. I wished for something else to say, something more to offer him than my empty promises. The first false vow I'd ever sworn. But Tamlin began speaking, and I glanced up to see him take the faerie's other hand. 'Cauldron save you,' he said, reciting the words of a prayer that was probably older than the mortal realm. 'Mother hold you. Pass through the gates, and smell that immortal land of milk and honey. Fear no evil. Feel no pain.' Tamlin's voice wavered, but he finished. 'Go, and enter eternity.' The faerie heaved one final sigh, and his hand went limp in mine. I didn't let go, though, and kept stroking his hair, even when Tamlin released him and took a few steps from the table. I could feel Tamlin's eyes on me, but I wouldn't let go. I didn't know how long it took for a soul to fade from the body. I stood in the puddle of blood until it grew cold, holding the faerie's spindly hand and stroking his hair, wondering if he knew I'd lied when I'd sworn he would get his wings back, wondering if, wherever he had now gone, he had gotten them back. A clock chimed somewhere in the house, and Tamlin gripped my shoulder. I hadn't realised how cold I'd become until the heat of his hand warmed me through my nightgown. 'He's gone. Let him go.' I studied the faerie's face- so unearthly, so inhuman. Who could be so cruel to hurt him like that? 'Feyre,' Tamlin said, squeezing my shoulder. I brushed the faerie's hair behind his long, pointed ear, wishing I'd known his name, and let go.

Know, Goodwife, that Faerie is shaped by storytellers. Their fantasies, their dreams give my realm life. We were dying, all of us, from the smallest nixie to highborn sidhe, for want of a storyteller.

Sighing, Brand did an act he thought never to do. He took a faerie, a goblin, and a sister and hugged them to his heart.

It felt like a trap. Constructed to lure people in and keep them from ever leaving. Like that poem about the goblin market they'd studied in English. Suddenly, she wished she hadn't eaten or drunk anything since setting foot in the Fair Realm. She had to get away.

Karen

The first was this one, the second the Faerie Realm, the third the Ghost Realm, and the fourth the Earth I knew so well and longed to return to. The fifth and the sixth dimensions were more mysterious, as no magician – not even Astravar – had learned to open them yet, and so no one knew what lived within them.

Lochlan, though, held her eyes. Lyric’s heart flew forward, just as it always did, whenever she allowed herself to look at him. And in all these years, the power those eyes held over her never faded. The longing she felt was enough to burn the entire realm to ash.

Since you will take my place one day, you should be the one to go. A new Court deserves to be witnessed by a new generation.

I didn't know,' I said. 'Didn't know about that part of the treaty.' Faeries couldn't lie- and he spoke plainly enough, no word-twisting. 'Most of you mortals have chosen to forget that part of the Treaty,' he said, 'which makes punishing you far more enjoyable.' My knees quaked. I couldn't escape this, couldn't outrun this. Couldn't even try to run, since he blocked the way to the door. 'Do it outside,' I whispered, my voice trembling. 'Not... here.' Not where my family would have to wash away my blood and gore. If he even let them live. The faerie huffed a vicious laugh. 'Willing to accept your fate so easily?' When I just stared at him, he said, 'For having the nerve to request where I slaughter you, I'll let you in on a secret, human. Prythian must claim your life in some way, for the life you took from it. So as a representative of the immortal realm, I can either gut you like swine, or... you can cross the wall and live out the remainder of your days in Prythian.' I blinked. 'What?' He said slowly, as if I were indeed as stupid as a swine, 'You can either die tonight or offer your life to Prythian by living in it forever, forsaking the human realm.

Shadow continues his search outside for a door to the mortal realm. I have faith in him, my oldest, most loyal friend---if there is a way out, he will find it.

We had stepped into their realm. As soon as I was certain, I drew Shadow to me again. As we moved deeper into the faerie world, Shadow had grown larger. He was now twice the size, his muzzle coming up to my chest. His snout was sharper, wolfish, his paws enormous. But he followed me as calmly as ever, his black eyes trusting.

She stepped inside a vestibule with a silver bowl of pure, clear water set on a pedestal made of what Delphine could only assume was a very large, very sturdy zinnia. Was she supposed to wash in it, or was she firmly barred from touching it? She glanced in its shallow depth, and it began to pulse and swirl with pale light. She stepped away quickly. A filmy veil of light separated the interior; she held out a tentative finger, and the light brushed it like organza and separated for her. She stepped through into the Court, sprawling and open to the sky above, yet bound by the pale walls on all sides. Inside, the Court looked back at her. Dozens of Fae, gathered in twos and threes, beneath trees of gold and silver and around pools of deep azure blue, inside pavilions made of sheer flower petals and on carpets that must have been woven bird feathers. They all watched her, silently, unmoving. Each was almost painful to look at, beautiful and yet sharp and cold. All of them were arrayed in the spoils of their bargains, with sheer gowns of watercolor silk and robes of pliable silver, elaborate braids adorned with finely wrought metal and tautly bound silk, and even, on a few, wings and horns and talons refashioned from wood and bone and glass. Delphine was terrified of them, and yet also drawn to them. A great and terrible power hummed among them, just below the surface, a nearly tangible potential for change, for creation, for more than anything the world on her own side of the veil could offer.

She knew the monster was with her.

Across the violent western sea, there is another faerie kingdom called Hybern, ruled by a wicked, powerful king. Yes, a king,” he said when I raised a brow. “Not a High Lord—there, his territory is not divided into courts. There, he is law unto himself. Humans no longer exist in that realm—though his throne is made of their bones.

The theory that Faerie is shaped culturally and physically by layers of stories, which Rose breaks into two categories: foreign, into which fall all tales told by mortals and Folk in unrelated realms, and domestic, the stories the Folk tell of themselves.

Emboldened by the new atmosphere of hostility to occult practices, the Kentish magistrate Reginald Scot published his avowedly sceptical Discoverie of Witchcraft in 1584, which took aim at Leicester and, without naming him, at Dee as well.174 However, the change in atmosphere meant that not only the overt practice of magic but also the ‘prophetic politics’ beloved of Dee and sustained by astrology came under attack.175 Even the use of occult imagery in Elizabeth’s cult of personality met with a frosty reception. In 1590, Edmund Spenser’s The Faerie Queene, a wide-ranging mythological epic poem directed at Elizabeth and suffused with alchemical, Neoplatonic and Hermetic symbolism, gained the poet little favour. It has been suggested that the poem’s heady mix of patriotic imagery and prophetic enthusiasm may have been linked to Dee’s Arthurian theories about the ‘British empire’,176 but publication came at the wrong time. In England in the 1590s ‘the spirit of reaction’ prevailed against ‘the daring spiritual adventures of the Renaissance’.177 Nevertheless, in spite of official hostility to magic, Elizabeth remained fascinated by alchemy and continued to hope for the Philosophers’ Stone, employing Dee in alchemical experiments from July 1590. Elizabeth also began her own personal correspondence with Edward Kelley, promising him incentives to return to England as her personal alchemist.178 However, by May 1591 Burghley had lost patience with Kelley’s claims. Meanwhile, the alchemist was imprisoned in Bohemia by Rudolf II for killing another man in a duel.179 Dee may have temporarily won his way back into Elizabeth’s favour in June by claiming occult knowledge of a Spanish invasion,180 but the subsequent discovery of threats to the queen’s life that summer by William Hacket and other messianic Protestant sectaries did not shed a very flattering light on Dee’s style of political prophecy.181

She pressed the veil against her cheeks, letting it drink up her tears.

from her hand, his eyes pained and his voice bitter. “In this world, Tania, love without the covenant of commitment is a promise written on a cloud.

His mind's eye opened and peered down into Rose Red's face. She, his most faithful friend, his truest companion. She, whom he had betrayed. He could not decide, here in his memory, which face he saw. Was it the bizarre ugly face of the goblin girl he had known as a child? Was it the face of the queen who now sat on a throne in a distant Faerie realm? It didn't matter. She was Rose Red; that's all he knew or needed.

In this realm, where we reach maturity around twenty and remain in that physical state for decades, youth is relative. And it’s no excuse for being an asshole.

Having reckless fun before graduating to the real world was what they all desperately sought.

I am loved. Me. Loved exactly as I am, with all my mistakes and darkness. I am forgiven, desired, and cherished by the person who once viewed me as her greatest enemy. When I sink into gloom again, she will be there, loving me through it. And when I want to soar for joy, I can carry her with me. She and I may have saved the realm together, but she alone has rescued my soul.

I had several sketches drafted for my mapbook--- my intention for the first edition was to focus on the best known faerie kingdoms of Western Europe, scouring the literature for references to their doors. Some doors have been documented; more have not, or exist as rumors. While it's true that many faerie kingdoms are tied to specific mortal regions, others are more nebulous, and a tale may place one at the edge of a village a hundred miles from the setting of a later iteration of the same story. I am aware that mine is no easy task, given that faerie doors can and do move, and what I will accomplish is likely to be a mere snapshot of Faerie during this particular era. Even so, it will be a monumental achievement for scholarship, something for others to build upon--- particularly if I can produce evidence of such disputed doors as the nexus.

He smiled. "This is all going into your book, isn't it?" "I was not even thinking about my book," I said defensively--- I was only half lying. With my encyclopaedia complete, I have, as Wendell knows, turned my attention to another large project--- creating a mapbook of all the known faerie realms, as well as their doors. Such a book will be a patchwork thing, unavoidably so--- faerie realms are often attached to specific geographical locations in the mortal world, though only a few have been explored in a meaningful way--- but I wish to use it to argue Danielle de Grey's point: that the realms are more interconnected than previous scholarship has suggested. Finding evidence of the nexus would be the linchpin of the entire project.

We seemed to have emerged upon a snowy curve of mountainside below a glacier--- I believe we were in Faerie, for there were two little stone houses tucked in amongst the jagged icicles at the glacier's edge, with smoke curling from their chimneys. One had an apple tree in its yard, the apples coated in a rind of ice. The icicles themselves were like a forest of glittering trees, through which the fox faerie was darting, deeper into the glacier. "Hurry up!" the faerie called. I hurried, against my better judgment I might add, but then that is almost always the case when interacting with the Folk; stumbling into an impossible forest of icicles is not the most ill-advised thing I have done in my career. The forest made little plinking sounds and reflected our darting shapes strangely. In the distance, there was music.

Bran tells me that you wish to find the nexus not for science, but so you may put your faerie lover back on his throne. It is the height of stupidity to involve yourself in their politics. You will thank me one day." I stared at her in dumbfounded agitation. This was not how it was supposed to go. I had imagined Eichorn and de Grey full of gratitude for our assistance and eager to help in our search for the nexus. Not condescending, dismissive, and--- well, bloody rude. To my surprise, it was Rose who came to my defense. "Our reasons for seeking the nexus are beside the point. A promise was made, and we have the means to see it is kept." "Do you?" De Grey cast a cool look in Wendell's direction where he lay by the fire, little more than a lumpy collection of blankets and a tuft of gold hair. "This faerie king, as Bran has termed him, does not seem to be made of strong stuff." "He pulled you both out of Faerie, you ingrate," I snapped. "Not to mention out of time. If you do not help us, I will see to it that he throws you into a realm far more unpleasant than the one you have left behind, with a populace decidedly less well mannered than the fauns." A little silence followed this.

She is sending assassins after you because she thinks we are engaged, and thus her mad faerie logic tells her that I will devote my life to seeking revenge against her if she murders you." "That's generally how these things go. You know the stories." Of course I did. Deirde and the River Lord; The Princess of Shell Halls.* *Deirde was an Irish queen who sent her army into Faerie to avenge the death of her faerie husband at the hands of his brothers. The Princess of Shell Halls is likely of French origin, a variant of La princesse et le trône de sel. "Sel," meaning salt, was likely mistranslated as "shell," but the framework of the story is the same: a faerie princess of an undersea kingdom dedicates her life to avenging the death of her betrothed, the prince of an island realm. This despite the fact that leaving the sea condemns her to a slow death, to which she eventually succumbs only after murdering the last of the conspirators in her fiancé's murder.

For practical dealing with them it should be noted that the realm of Faerie seems to thrive on contradiction and ambiguity. They love twilight and between times. Stale bread is considered a defence against them and yet bread is often an offering to them. Faeries prefer reciprocation or remembrance of a good deed rather than ‘thanks.’ They may take offence to being thanked. They also do not like to be given money as a gift or payment for their benevolent behaviour. Iron is a kind of poison to them and most Faeries enjoy milk.