Fading Into Oblivion Quotes

Do they not deserve our attention, those armies of small-minded and low-graded people, drifting on the waves of their unawareness or misfortune, suffocating in their caves of bewilderment and fading into oblivion? Imminent counteractions might unchain an avalanche of social fallouts if they feel ignored or disregarded. Sheeple’s rage is unpredictable and rampant. We must never fail to remember the lessons of history. (“Bread and Satellite”)

As the bus pulled away, the various boys popped back inside it, windows closing after them. All but Kellan. He stayed propped out his window, watching me fade into oblivion as he sped away from me faster and faster.

But that's how nostalgia is: a slow dance in a large circle. Memories don't organize themselves chronologically, they're like smoke, changing, ephemeral, and if they're not written down they fade into oblivion.

Tears flow and smiles fade to the same rhythm of life, to disappear together in the bottomless abyss.

All things fade into the storied past, and in a little while are shrouded in oblivion.

From the bottom of my heart I desired to surrender myself to the sleep of oblivion. If only oblivion were attainable, if it could last forever, if my eyes as they closed could gently transcend sleep and dissolve into non-being and I should lose consciousness of my existence for all time to come, if it were possible for my being to dissolve in one drop of ink, in one bar of music, in one ray of colored light, and then these waves and forms were to grow and grow to such infinite size that in the end they faded and disappeared—then I should have attained my desire.

Delivered to oblivion...growing and flowering with incense and weeds to the sullen whine of nasty flies... I loved deserts, burnt out orchards, faded boutiques...I dragged myself down stinking alleyways... General, if there's an old cannon left, aim for the glass of splendid shops, into the living rooms...make the city eat its own dust.

Everything fades so quickly, turns into legend, and soon oblivion covers it. And those are the ones who shone. The rest—“unknown, unasked-for” a minute after death. What is “eternal” fame? Emptiness. Then what should we work for? Only this: proper understanding; unselfish action; truthful speech. A resolve to accept whatever happens as necessary and familiar, flowing like water from that same source and spring.

What best remind us of a person is precisely what we had forgotten (because it was of no importance, and we therefore left it in full possession of its strength). That is why the better part of our memories exist outside us, in a blatter of rain, in the smell of an unaired room or of the first crackling brushwood fire in a cold grate: wherever, in short, we happen upon what our mind, having no use for it, had rejected, the last treasure that the past has in store, the richest, that which, when all our flow of tears seems to have dried at the source, can make us weep again. Outside us? Within us, rather, but hidden from our eyes in an oblivion more or less prolonged. It is thanks to this oblivion alone that we can from time to time recover the person that we were, place ourselves in relation to things as he was placed, suffer anew because we are no longer ourselves but he, and because he loved what now leaves us indifferent. In the broad daylight of our habitual memory the images of the past turn gradually pale and fade out of sight, nothing remains of them, we shall never recapture it. Or rather we should never recapture it had not a few words been carefully locked away in oblivion, just as an author deposits in the National Library a copy of a book which might otherwise become unobtainable.

I review all I know, but can synthesize no meaning. When I doze, the Fact, the certain accomplished calamity, wakes me roughly like a brutal nurse. I see it crouching inflexibly in a corner of the ceiling. It comes down in geometrical diagonal like lightning. It says, I remain, I AM, I shall never cease to be: your memory will grow a deathly glaze: you will forget, you will fade out, but I cannot be undone. Thus every quarter hour it puts the taste of death in my mouth, and shows me, but not gently, how I go whoring after oblivion.

I am not a ghost, I screamed without words. I am not nothing. I am not nameless; I will not fade into graceful oblivion like every other Kunleo girl,

For all things fade and turn to fable, and quickly too, utter oblivion covers them like sand.

Delivered to oblivion...growing and flowering with incense and weeds to the sullen whine of nasty flies...I loved deserts, burned out orchards, faded boutiques...I dragged myself down stinking alleyways...General, if there's an old canon left, aim for the glass of splendid shops, into the living rooms...make the city eat its own dust.

Writing comes into being to retain information across time and across space. Before writing, communication is evanescent and local; sounds carry a few yards and fade to oblivion. The evanescence of the spoken word went without saying. So fleeting was speech that the rare phenomenon of the echo, a sound heard once and then again, seemed a sort of magic.

It tasted like hope and happiness. But as the words faded from existence, the slightest aftertaste of heartbreak remained.

The egalitarian pioneer ideal has faded into oblivion, and the New World may be on the verge of becoming the Old Europe of the twenty-first century’s globalized economy.

The world is fast changing and until you learn to adapt and adjust to stand out from the masses, you will fade into oblivion

But that’s how nostalgia is: a slow dance in a large circle. Memories don’t organize themselves chronologically, they’re like smoke, changing, ephemeral, and if they’re not written down they fade into oblivion.

People dream. They talk about escaping from it all. Their friends and family diligently listen and politely ignore it when the ruminations fade into oblivion. So quite a few eyebrows went up when I made this trip a reality.

It seems a miracle that we should last so much as a single day. There is no antidote, he writes, against the opium of time. The winter sun shows how soon the light fades from the ash, how soon night enfolds us. Hour upon hour is added to the sum. Time itself grows old. Pyramids, arches and obelisks are melting pillars of snow. Not even those who have found a place amidst the heavenly constellations have perpetuated their names: Nimrod is lost to Orion, and Osiris in the Dog Star. Indeed, old families last not three oaks. To set one's name to a work gives no one a title to be remembered, for who knows how many of the best men have gone without a trace? The iniquity of oblivion blindly scatters her poppyseed and when wretchedness falls upon us one summer's day like snow, all we wish for is to be forgotten.

To him it seemed a miracle that we should last so much as a single day. There is no antidote, he writes, against the opium of time. The winter sun shows how soon the light fades from the ash, how soon night enfolds us. Hour upon hour is added to the sum. Time itself grows old. Pyramids, arches and obelisks are melting pillars of snow. Not even those who have found a place amidst the heavenly constellations have perpetuated their names: Nimrod is lost in Orion, and Osiris in the Dog Star. Indeed, old families last not three oaks. To set one’s name to a work gives no one a title to be remembered, for who knows how many of the best of men have gone without a trace? The iniquity of oblivion blindly scatters her poppyseed and when wretchedness falls upon us one summer’s day like snow, all we wish for is to be forgotten.

All things fade and quickly turn to myth: quickly too utter oblivion drowns them. And I am talking of those who shone with some wonderful brilliance: the rest, once they have breathed their last, are immediately ‘beyond sigh, beyond knowledge’. But what in any case is everlasting memory? Utter emptiness.

In the fear of creating something normal, he stared at that blank canvas for a very long time with a brush in his hand. He waited until all the paint dried up, his heart didn't sing the songs anymore, the fire in his soul turned into ash, his flesh turned into bones and until his dreams and thoughts faded into the oblivion.

In the past I was a vicious hunter. I would stalk my prey with pinpoint accuracy. Ever since Monica came into my life I’ve abstained from the game. It almost feels strange to stand here and look to the crowd knowing I could pick one and f*ck them into oblivion. I won’t though. I may love her, but that isn’t the reason. If I were to pick someone for the sake of revenge sex then I’m giving control to Monica and Dalton for betraying me. I’m strong enough to wait. A good hunter is always patient and never stalks in anger.' 'I always crack it until Tobias stops flinching at the sound. It’s never the same amount of times. I don’t want it to become obvious so I always do it a few more times to create a sense of surprise. I coil up the leather and with the flick of my wrist I set a perfect line against Monica’s back. She yelps in pain and surprise, and Tobias joins her. He thought he’d get the first blow. I breathe through the pounding in my cock. It beats in time with my rapidly beating heart. I flick my wrist again taking Monica across the shoulder. I see Tobias tense as she screams. Mustn’t allow the slaves to think they are taking even turns. The blow’s shock is what makes my cock burn for release. I palm my balls as they tighten, threatening to shoot my release up the stock of my dick. I inhale through my nose and breathe out my mouth until I regain my control. I flick my wrist again and hit Monica across her thighs. She screams bloody murder at the ceiling and I smile to myself. It hurts like a bitch, but the marks will fade. I never break skin. This is my passion- my gift.

Only when the sound of blood rushing in his ears had faded did Dimitri register the sting of the cut across his chest; across his own heart, which for some reason had not stopped beating despite the stillness where Marya Antonova's should have been. He'd been so sure that it would, for having loved her. He'd been positive, once, that it would break, shatter, deliver itself to oblivion, all for love of her.

It is thanks to this oblivion alone that we can from time to time recover the creature that we were, range ourselves face to face with past events as that creature had to face them, suffer afresh because we are no longer ourselves but he, and because he loved what leaves us now indifferent. In the broad daylight of our ordinary memory the images of the past turn gradually pale and fade out of sight, nothing remains of them, we shall never find them again.

We watch on as a young woman passes us by, her eyes glued to the screen of her phone. She almost walks into a cyclist, looks up for a split-second and then eyes back onto the screen and walks on, unbothered, like nothing has happened. It is clear to us, the world’s center of attention had shifted in the last few years, its center was now in our hands, its currency was measured in likes and shares. Information these days swirls in an endless, never-ending tornado of tweets, news feeds and viral sensations, each single word, no every single letter actually, fighting for our attention, fighting for a moment in the spotlight before fading into the depths of digital oblivion, to be forgotten forever.

But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In

Returning to the library, Marcus saw Lillian lying on her back on the carpeted floor. His first thought was that she must have drifted into oblivion, but as he approached, he saw that she was holding a long wooden cylinder in her free hand, and squinting through one end. “I found it,” she exclaimed in triumph. “The kaleidoscope. It’s verrrry interesting. But not quite what I ’spected.” Silently he reached out, plucked the instrument from her hand, and gave her the other end to look through. Lillian promptly gasped in amazement. “Oh, that’s lovely…How does it work?” “One end is fitted with strategically placed panels of silvered glass, and then…” His voice faded as she turned the thing toward him. “My lord,” she pronounced in solemn concern, viewing him through the cylinder, “you have three…hundred…eyes.” She dissolved into a fit of giggles that shook her until she dropped the kaleidoscope.

store, the richest, that which when all our flow of tears seems to have dried at the source can make us weep again. Outside ourselves, did I say; rather within ourselves, but hidden from our eyes in an oblivion more or less prolonged. It is thanks to this oblivion alone that we can from time to time recover the creature that we were, range ourselves face to face with past events as that creature had to face them, suffer afresh because we are no longer ourselves but he, and because he loved what leaves us now indifferent. In the broad daylight of our ordinary memory the images of the past turn gradually pale and fade out of sight, nothing remains of them, we shall never find them again. Or rather we should never find them again had not a few words (such as this ‘Secretary to the Ministry of Posts’) been carefully locked away in oblivion, just as an author deposits in the National Library a copy of a book which might otherwise become unobtainable.

I had my Boswell, once,” Mason tells Boswell, “Dixon and I. We had a joint Boswell. Preacher nam’d Cherrycoke. Scribbling ev’rything down, just like you, Sir. Have you,” twirling his Hand in Ellipses,— “you know, ever . . . had one yourself? If I’m not prying.” “Had one what?” “Hum . . . a Boswell, Sir,— I mean, of your own. Well you couldn’t very well call him that, being one yourself,— say, a sort of Shadow ever in the Room who has haunted you, preserving your ev’ry spoken remark,— ” “Which else would have been lost forever to the great Wind of Oblivion,— think,” armsweep south, “as all civiliz’d Britain gathers at this hour, how much shapely Expression, from the titl’d Gambler, the Barmaid’s Suitor, the offended Fopling, the gratified Toss-Pot, is simply fading away upon the Air, out under the Door, into the Evening and the Silence beyond. All those voices. Why not pluck a few words from the multitudes rushing toward the Void of forgetfulness?

That is the moment I begin to despise the idea of fame. What does it do for the bearer of the laurel? Who cares if your name is in the paper? Who cares if you are mentioned as one of the top-ten cyclists, boxers, batters, painters, poets, artists, fly fishermen in the world? Who cares if your name is written in history books? When you have died you can't read those history books. When you have died the small trace you have left behind, even if you win a Tony, an Emmy, an Oscar, an election, will lose its vibrancy, fade into an outline. Oh yes, him, I heard of him, I knew someone who read him once. What difference does it make to the corpse if his books are in libraries or not in libraries? Who cares if his plays are revived on the summer-stock circuit for one hundred years? Isn't the simplest touch of a child's arm on the face more important, isn't the good meal, the brush against a thigh, a hand held during a movie, a swim in the sea, aren't those things of equal importance as the sands of time come rushing down on our heads burying ambition and love, good and evil, breath, blood, brains, waste, memory, alike in oblivion?

He raised his wand, but a dull hopelessness was spreading through him: How many more lay dead that he did not yet know about; he felt as though his soul had already half left his body. . . . “HARRY, COME ON!” screamed Hermione. A hundred dementors were advancing, gliding toward them, sucking their way closer to Harry’s despair, which was like a promise of a feast. . . . He saw Ron’s silver terrier burst into the air, flicker feebly, and expire; he saw Hermione’s otter twist in midair and fade; and his own wand trembled in his hand, and he almost welcomed the oncoming oblivion, the promise of nothing, of no feeling. . . . And then a silver hare, a boar, and a fox soared past Harry, Ron, and Hermione’s heads: The dementors fell back before the creatures’ approach. Three more people had arrived out of the darkness to stand beside them, their wands outstretched, continuing to cast their Patronuses: Luna, Ernie, and Seamus. “That’s right,” said Luna encouragingly, as if they were back in the Room of Requirement and this was simply spell practice for the D.A. “That’s right, Harry . . . come on, think of something happy. . . .” “Something happy?” he said, his voice cracked. “We’re all still here,” she whispered, “we’re still fighting. Come on, now. . . .

Here is the ambivalence of causa sui on a conceptual level: how can one trust any meanings that are not man-made? These are the only meanings that we securely know; nature seems unconcerned, even viciously antagonistic to human meanings; and we fight by trying to bring our own dependable meanings into the world. But human meanings are fragile, ephemeral: they are constantly being discredited by historical events and natural calamities. One Hitler can efface centuries of scientific and religious meanings; one earthquake can negate a million times the meaning of a personal life. Mankind has reacted by trying to secure human meanings from beyond. Man’s best efforts seem utterly fallible without appeal to something higher for justification, some conceptual support for the meaning of one’s life from a transcendental dimension of some kind. As this belief has to absorb man’s basic terror, it cannot be merely abstract but must be rooted in the emotions, in an inner feeling that one is secure in something stronger, larger, more important than one’s own strength and life. It is as though one were to say: “My life pulse ebbs, I fade away into oblivion, but “God” (or “It”) remains, even grows more glorious with and through my living sacrifice.” At least, this feeling is belief at its most effective for the individual.

Someone once asked me if I’ve ever been in love. .. I wasn’t sure how to answer her. Out of all the billions of people in the world, I’ve had a few mysterious encounters, a few scattered occasions where I met someone who seemed to awaken some unknown part in me. On the rare occasion, I’ve lost myself in someone. I became so consumed with her that I lost all sense of time and space. I forgot where I was, what I was, who I was, until there was only the two of us, melting together like a soul on fire, and the world around us faded into oblivion, until we were the only thing left in the entire universe. I felt my skin tingle and my heart grow so full I thought it might explode, and I could not stop thinking about her, and I saw the untapped potential of an alternate future flash before my eyes, all the myriad memories of passion and pain and searing romance all overlapping, layers upon layers, like the stars. Then the world returned and there we were again, two ordinary people full of desperate, trembling longing, with only a dim recollection of the moment we both shared. But the vision of that alternate future still lingered in my mind’s eye. In that world between worlds, I could still feel her, could practically taste her on my lips. Have I ever been in love? I’d like to think so. Because if that’s not love, then I don’t know what is.

When I swung open the door, there he was: Marlboro Man, wearing Wranglers and a crisp white shirt and boots. And a sweet, heart-melting smile. What are you doing here? I thought. You’re supposed to be in the shower. You’re supposed to be with the sex kitten. “Hey,” he said, wasting no time in stepping through the door and winding his arms around my waist. My arms couldn’t help but drape over his strong shoulders; my lips couldn’t help but find his. He felt soft, warm, safe…and our first kiss turned into a third, and a sixth, and a seventh. It was the same kiss as the night before, when the phone call alerting him to the fire had come. My eyes remained tightly closed as I savored every second, trying to reconcile the present with the horror movie I’d imagined just moments earlier. I had no idea what was going on. At that point, I didn’t even care. “Ummmmm!!! I’m t-t-t-ttellin’!” Mike teased from the top of the stairs, just before running down and embracing Marlboro Man in a bear hug. “Hi, Mike,” Marlboro Man said, politely patting him on the back. “Mike?” I said, smiling and blinking my eyes. “Will you excuse us for a couple of minutes?” Mike obliged, giggling and oooo-ing as he walked toward the kitchen. Marlboro Man picked me up and brought my eyes to the level of his. Smiling, he said, “I’ve been trying to call you this afternoon.” “You have?” I said. I hadn’t even heard the phone ring. “I, um…I sort of took a nine-hour nap.” Marlboro Man chuckled. Oh, that chuckle. I needed it badly that night. He set my feet back down on the floor. “So…,” he teased. “You still cranky?” “Nope,” I finally answered, smiling. So, who is that woman in your house? So…what did you do all day? “Did you ever get any sleep?” So, who is that woman in your house? “Well,” he began. “I had to help Tim with something this morning, then I crashed on the couch for a few hours…it felt pretty good.” Who was the woman? What’s her name? What’s her cup size? He continued. “I would’ve slept all day, but Katie and her family showed up in the middle of my nap,” he said. “I forgot they were staying at my house tonight.” Katie. His cousin Katie. The one with the two young kids, who had probably just gone to bed when I’d called earlier. “Oh…really?” I said, my chest relaxing with a long, quiet exhale. “Yeah…but it’s a little crowded over there,” he said. “I thought I’d come over here and take you to a movie.” I smiled, stroking his back with my hand. “A movie sounds perfect.” The busty, bronze mystery girl slowly faded into oblivion. Mike came barreling out of the kitchen, where he’d been listening to every word. “Hey--if you guys are goin’ to the movie, c-c-c-can you drive me to the mall?” he yelled. “Sure, Mike,” Marlboro Man said. “We’ll drive you to the mall. It’ll cost you ten bucks, though.” And as the three of us made our way outside to Marlboro Man’s diesel pickup, I had to bite my lip to keep myself from articulating the only seven words in the English language that were in my vocabulary at that moment: God help me--I love that man.

My vision fades, like a tunnel rushing toward me, like a spotlight dimming, and my head slumps down onto my chest. Cue curtain. Cue applause. Cue oblivion. Fade out.

They were together, and that was all that mattered. The food, the house, the cars, the money, the power, all inconsequential. She would tear it all down herself with her bare hands if she had to, because her family was alive, well, and surrounding her in love. It was how it should have been that night, and it was the last thing Abigail thought or saw in her minds eye as she faded off into the oblivion and unknown of death.

Whether we remember a particular event at all, and how accurate our memories of it are, largely depends on how personally meaningful it was and how emotional we felt about it at the time. The key factor is our level of arousal. We all have memories associated with particular people, songs, smells, and places that stay with us for a long time. Most of us still have precise memories of where we were and what we saw on Tuesday, September 11, 2001, but only a fraction of us recall anything in particular about September 10. Most day-to-day experience passes immediately into oblivion. On ordinary days we don’t have much to report when we come home in the evening. The mind works according to schemes or maps, and incidents that fall outside the established pattern are most likely to capture our attention. If we get a raise or a friend tells us some exciting news, we will retain the details of the moment, at least for a while. We remember insults and injuries best: The adrenaline that we secrete to defend against potential threats helps to engrave those incidents into our minds. Even if the content of the remark fades, our dislike for the person who made it usually persists.

Not knowing everything is not a curse; rather, it is a bold opportunity to understand. If you knew everything, that knowledge would slowly fade away into oblivion. But the fact that you know relatively nothing of all there is to know grants you the superpowers of dynamic comprehension and appreciation for your education.

The small amount of passion I’d once held for it was fading away, and I wasn’t sure how long I’d continue with it.

I’m Fine I stand on the precipice of solitude, A tempest raging within, unseen by all. They depart, like autumn leaves in the wind, Their absence a hollow echo, a fading call. I don’t care who leaves my life, Their footsteps erased from the sands of time. The bonds we wove, now frayed and brittle, Yet I stand resolute, unyielding, in my prime. The pain, a searing fire, consumes my chest, Anger coils like vipers, venomous and cold. They say love is a balm, a healing touch, But what if love itself is the blade that unfolds? I lose them, one by one, like stars in the night, Their constellations fading, swallowed by the void. Yet I cling to my essence, my fractured soul, For in this desolation, I find strength, unalloyed. I don’t care who I lose, for they are but shadows, Their laughter, their tears, mere echoes in the gale. As long as I don’t lose myself, my core unshaken, I’ll wear this mask of indifference, my heart’s veiled tale. So let them depart, let them fade into oblivion, I’ll stand here, battered and scarred, but alive. For I am the tempest, the flame, the unyielding force, And in this fractured existence, I’m fine

This moment was a mere blip in time compared to all that they've seen, and yet for me it was everything. The thought was terrifyingly beautiful. How every breath, thought, laugh, and tear would one day become stardust and fade into oblivion—lost amongst the sea of constellations. And I would be nothing but a memory.

Man's best efforts seem utterly fallible without appeal to something higher for justification, some conceptual support for the meaning of one's life from a transcendental dimension of some kind. As this belief has to absorb man's basic terror, it cannot be merely abstract but must be rooted in the emotions, in an inner feeling that one is secure in something stronger, larger, more important than one's own strength and life. It is as though one were to say: "My life pulse ebbs, I fade away into oblivion, but "God" (or "It) remains, even grows more glorious with and through my living sacrifice." At least, this feeling is belief at its most effective for the individual.

War ends at the moment when peace permanently wins out. Not when the articles of surrender are signed or the last shot is fired, but when the last shout of a sidewalk battle fades, when the next generation starts to wonder whether the whole thing ever really happened. World War II ended as war always ends -- by trailing off into nothingness and doubt. Its final monument has never been seen by mortal eyes. It's a phantom image at the edge of a rumor: an unmarked grave in the depths of the South American jungle where a weird and decrepit old man, half forgotten by the world, at last entered the lists of oblivion.

True, there are those who say, as I once believed, that the roles of apostle and prophet faded into oblivion upon the completion of Scripture. In the modern church, however, we’ve managed to exterminate teacher and evangelist as well so that we’re left with the pastor-only model. What if, as a result of amputating these roles, the church were a dismembered quadriplegic? Would that explain why it isn’t moving? Would it shed light on why the church inchworms pathetically on its mission like a fat little grub?

Solemnly, mournfully, Dealing its dole, The Curfew Bell Is beginning to toll. Cover the embers, And put out the light; Toil comes with morning, And rest with the night. Dark grow the windows, And quenched is the fire; Sound fades into silence,— All footsteps retire. No voice in the chambers, No sound in the hall! Sleep and oblivion Reign over all! Henry Wadsworth Longfellow.

Definitions require lines of distinction. If I’m going to define the word up, for instance, then I must come up with a definition that rudely excludes down. If I want to define cow, I must have a definition that discriminates against horses and aardvarks. The “old” version of marriage drew a clear, obvious, logical, purposeful, meaningful, and objective line. What about the new? Is marriage merely a romantic agreement between two individuals who love each other? If so, that opens up a whole slew of alternate manifestations of marriage, which either leaves the definition so “open” as to fade it into oblivion, or else it requires the pioneers of this edited thing to begin making a thousand stipulations until, before long, they’re doing exactly what they accused us of doing, only they’re now doing it for increasingly arbitrary and superficial reasons.

I embrace my demise, harboring both disdain and adoration for existence. I yearn to endure torment and fade into oblivion, a state of perfection that I find appealing.

The awareness of mortality casts a bittersweet shadow over the vibrancy of life and love. We exist in a state of impermanence, where beauty fades and connection dissolves. Yet, it is precisely this impermanence that imbues life with its preciousness and love with its urgency. In the face of oblivion, love becomes a defiant act, a bridge we build across the chasm of the ephemeral, a testament to the enduring power of connection in a fleeting existence. (*This emphasizes the existentialist concept of living in a finite world and the absurdist notion of creating meaning in the face of nothingness. It highlights love as a way to transcend the impermanence of life and forge a connection that defies the inevitable.*)

The awareness of mortality casts a bittersweet shadow over the vibrancy of life and love. We exist in a state of impermanence, where beauty fades and connection dissolves. Yet, it is precisely this impermanence that imbues life with its preciousness and love with its urgency. In the face of oblivion, love becomes a defiant act, a bridge we build across the chasm of the ephemeral, a testament to the enduring power of connection in a fleeting existence." The quote's appreciation for love in the face of life's fleeting nature echoes Epicurean ideals. This emphasizes the existentialist concept of living in a finite world and the absurdist notion of creating meaning in the face of nothingness. It highlights love as a way to transcend the impermanence of life and forge a connection that defies the inevitable. The concept of finding meaning and beauty in a world wracked by impermanence aligns closely with the philosophy of Epicurus. Epicureanism emphasizes living a virtuous and pleasure-filled life while minimizing pain. Though often misinterpreted as mere hedonism, Epicurus also stressed the importance of intellectual pursuits, close friendships, and facing mortality with courage. Unfortunately, Epicurus himself didn't write any essays or novels in the traditional sense. Most of his teachings were delivered in letters and discourses to his students and followers. These were later compiled by others, most notably Hermarchus, who helped establish Epicurean philosophy. The core tenets of Epicureanism are scattered throughout various ancient texts, including: *Principal Doctrines: A summary of Epicurus' core beliefs, likely compiled by Hermarchus. *Letter to Menoeceus: A letter outlining the path to happiness through a measured approach to pleasure and freedom from fear. *Vatican Sayings: A collection of sayings and aphorisms attributed to Epicurus. These texts, along with Diogenes Laërtius' Lives and Sayings of the Philosophers, which includes biographical details about Epicurus, provide the best understanding of his philosophy. Love is but an 'Ephemeral Embrace'. Life explodes into a vibrant party, a kaleidoscope of moments that dims as the sun dips below the horizon. The people we adore, the bonds we forge, all tinged with the bittersweet knowledge that nothing lasts forever. But it's this very impermanence that makes everything precious, urging us to savor the here and now. Imagine Epicurus nudging us and saying, "True pleasure isn't a fleeting high, it's the joy of sharing good times with the people you love." Even knowing things end, we can create a life brimming with love's connections. Love becomes an act of creation, weaving threads of shared joy into a tapestry of memories. Think of your heart as a garden. Love tells you to tend it with care, for it's the source of connection with others. In a world of constant change, love compels us to nurture our inner essence and share it with someone special. Love transcends impermanence by fostering a deep connection that enriches who we are at our core. Loss is as natural as breathing. But love says this: "Let life unfold, with all its happy moments and tearful goodbyes. Only then can you understand the profound beauty of impermanence." Love allows us to experience the full spectrum of life's emotions, embracing the present while accepting impermanence. It grants depth and meaning to our fleeting existence. Even knowing everything ends, love compels us to build a haven, a space where hearts connect. It's a testament to the enduring power of human connection in a world in flux. So let's love fiercely, vibrantly, because in the face of our impermanence, love erects a bridge to something that transcends the temporary.

Many people have completely missed out on the joy, humor, and profundity of Jesus' teachings because they keep holding on to the first interpretation they were taught back in Sunday school. In a way, they are like butterflies that are too afraid to come out of their cocoons or grown-ups who will not let go of their childhood clothes. By refusing to let their understanding grow with their personal experience, they are ensuring that the scriptures remain as a dull document progressively fading into oblivion rather than metamorphosing into the living words of God.

But here is the question, ' I continued. ' Why are we exhausted? Why do we, at first so passionate, bold, noble, full of belief, why do we become, by the age of thirty or thirty - five, completely bankrupt? Why does one fade away with consumption, a second put a bullet through his forehead, a third seek oblivion in vodka and cards, a fourth, to deaden his fear and anguish, cynically trample underfoot the portrait of his pure, fine youth? Why do we, once fallen, no longer attempt to rise, and, when we lose one thing, why do we not seek another? Why?

I have always longed to be a part of the outward life, to be out there at the edge of things, to let the human taint wash away in emptiness and silence as the fox sloughs his smell into the cold unworldliness of water; to return to the town as a stranger. Wandering flushes a glory that fades with arrival. I came late to the love of birds. For years I saw them only as a tremor at the edge of vision. They know suffering and joy in simple states not possible for us. Their lives quicken and warm to a pulse our hearts can never reach. They race to oblivion. They are old before we have finished growing.

The soldier looked back at the King as the King looked at him; for a moment he wondered if he should bow, but the King’s look seemed to wish to forestall him. The soldier saw a face for whom he would be willing to carry colors into battle once more, and the memory of his colonel seemed to fail and fade nearly to oblivion.

She recalls Achamian’s description of Nonmen Erratics, how their memories of mundane life fade first, leaving only archipelagos of spectacle and intensity, the confusion of a soul hanging without foundation. And how their redemptive memories gradually follow, stranding them more and more with disconnected episodes of torment and pain, until their life becomes a nightmare lived through mist, until all love and joy sink into oblivion, become things guessed at through the shadows cast by their destruction. This, she realizes. This is the prize the Captain has cast upon the balance of their transaction. Cleric yields up his power, and Lord Kosoter offers him memory. Men to love. Men to destroy … Men to remember.

Cosmic Voyager by Stewart Stafford I was the new Ulysses, Petals on a tide of darkness, Cast to bloom among the stars, Wilted, off the world's edge. Lieutenant General Tommy P., Name, rank and serial oblivion, My wife and hurricanes called me, Memories of love kept me going. I found myself fading adrift, Dying far beyond the reach, Of human hands and hearts, In withering away, I found all. They threw flags of all nations, To reel in a drowning person; One last breath for man, One lungful of air for Mankind. Falling from a height too high, Never landing when I should, Tumbling endlessly beyond nausea, To an ethereally crowded firmament. As water swirls down a plughole, I touched the edges of existence, And found the meaning of life, In silent rocks of an alien planet. In the speckled starling womb profound, Self-love filled the void around. © Stewart Stafford, 2023. All rights reserved.

When the days grow shallow, there are only the memories, the stories that remain scattered like seed, the tales that bind us in this world. We can retell them, gather the remnants of souls that have exploded into the infinite, piece the shattered bits back to form, and breathe life into the ones we’ve loved and lost. As we stare into the oblivion and slowly fade from the familiar, those stories will be the faces that surround us, and the voices we hear when we too come to pass.

Prayers upon the Prophet will become the Elixir in the latter age when all means of spiritual refinement will fade into oblivion except for his means, for he is the sun that will never set until the Day of Resurrection. One of the secrets of Allah’s wisdom is that a sick person should neither be given strong medicines nor rich foods; rather, a physician should prescribe him gentle-acting medicines and gentle foods until he regains his health and is able to eat rich foods. It is the same with regard to the religion: it has become weak and sickly in this latter age, therefore it can only be remedied by patience and nourished with prayers upon the Prophet, as they contain the secret for re-establishing equilibrium. As for the lights of other forms of remembrance, their food is too powerful, and the medicines of spiritual struggle are also too strong. Understand this!

I could never again see the evening sun fading into oblivion without feeling lonely.

Heroin is a sensory deprivation tank for the soul. Floating on the Dead Sea of the drug stone, there's no sense of pain, no regret or shame, no feelings of guilt or grief, no depression, and no desire. The sleeping universe enters and envelops every atom of existence. Insensible stillness and peace disperse fear and suffering. Thoughts drift like ocean weeds and vanish in the distant, grey somnolency, unperceived and indeterminable. The body succumbs to cryogenic slumber: the listless heart beats faintly, and breathing slowly fades to random whispers. Thick nirvanic numbness clogs the limbs, and downward, deeper, the sleeper slides and glides toward oblivion, the perfect and eternal stone.

Maybe if I spoke to Nicolas, his terrible personality would make this strange attraction fade away.