β
You don't love someone because they're perfect, you love them in spite of the fact that they're not.
β
β
Jodi Picoult (My Sisterβs Keeper)
β
Facts do not cease to exist because they are ignored.
β
β
Aldous Huxley (Complete Essays, Vol. II: 1926-1929)
β
Saying 'I notice you're a nerd' is like saying, 'Hey, I notice that you'd rather be intelligent than be stupid, that you'd rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Lindsay Lohan. Why is that?' In fact, it seems to me that most contemporary insults are pretty lame. Even 'lame' is kind of lame. Saying 'You're lame' is like saying 'You walk with a limp.' Yeah, whatever, so does 50 Cent, and he's done all right for himself.
β
β
John Green
β
I've been making a list of the things they don't teach you at school. They don't teach you how to love somebody. They don't teach you how to be famous. They don't teach you how to be rich or how to be poor. They don't teach you how to walk away from someone you don't love any longer. They don't teach you how to know what's going on in someone else's mind. They don't teach you what to say to someone who's dying. They don't teach you anything worth knowing.
β
β
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
β
I believe that imagination is stronger than knowledge. That myth is more potent than history. That dreams are more powerful than facts. That hope always triumphs over experience. That laughter is the only cure for grief. And I believe that love is stronger than death.
β
β
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten: Uncommon Thoughts On Common Things)
β
They didnβt agree on much. In fact, they didnβt agree on anything. They fought all the time and challenged each other ever day. But despite their differences, they had one important thing in common. They were crazy about each other.
β
β
Nicholas Sparks (The Notebook (The Notebook, #1))
β
I think you still love me, but we canβt escape the fact that Iβm not enough for you. I knew this was going to happen. So Iβm not blaming you for falling in love with another woman. Iβm not angry, either. I should be, but Iβm not. I just feel pain. A lot of pain. I thought I could imagine how much this would hurt, but I was wrong.
β
β
Haruki Murakami (South of the Border, West of the Sun)
β
There are no facts, only interpretations.
β
β
Friedrich Nietzsche
β
I am coming to terms with the fact that loving someone requires a leap of faith, and that a soft landing is never guaranteed.
β
β
Sarah Dessen (This Lullaby)
β
I think that if I ever have kids, and they are upset, I won't tell them that people are starving in China or anything like that because it wouldn't change the fact that they were upset. And even if somebody else has it much worse, that doesn't really change the fact that you have what you have.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
The fact that we live at the bottom of a deep gravity well, on the surface of a gas covered planet going around a nuclear fireball 90 million miles away and think this to be normal is obviously some indication of how skewed our perspective tends to be.
β
β
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
β
Atticus told me to delete the adjectives and I'd have the facts.
β
β
Harper Lee (To Kill a Mockingbird)
β
Growing apart doesn't change the fact that for a long time we grew side by side; our roots will always be tangled. I'm glad for that.
β
β
Ally Condie (Matched (Matched, #1))
β
Everything we hear is an opinion, not a fact. Everything we see is a perspective, not the truth.
β
β
Marcus Aurelius (Meditations)
β
A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other.
β
β
Charles Dickens (A Tale of Two Cities)
β
It's the questions we can't answer that teach us the most. They teach us how to think. If you give a man an answer, all he gains is a little fact. But give him a question and he'll look for his own answers.
β
β
Patrick Rothfuss (The Wise Manβs Fear (The Kingkiller Chronicle, #2))
β
Things need not have happened to be true. Tales and dreams are the shadow-truths that will endure when mere facts are dust and ashes, and forgot.
β
β
Neil Gaiman (The Sandman, Vol. 3: Dream Country)
β
You may encounter many defeats, but you must not be defeated. In fact, it may be necessary to encounter the defeats, so you can know who you are, what you can rise from, how you can still come out of it.
β
β
Maya Angelou
β
Whenever you read a cancer booklet or website or whatever, they always list depression among the side effects of cancer. But, in fact, depression is not a side effect of cancer. Depression is a side effect of dying.
β
β
John Green (The Fault in Our Stars)
β
There is nothing more deceptive than an obvious fact.
β
β
Arthur Conan Doyle (The Boscombe Valley Mystery - a Sherlock Holmes Short Story)
β
It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.
β
β
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
β
I have a high pain threshold. In fact, it's more of a large and tastfully decorated foyer than a threshold. But I do get easily bored
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Get your facts first, and then you can distort them as much as you please.
β
β
Mark Twain
β
Blessed is the man who, having nothing to say, abstains from giving us wordy evidence of the fact.
β
β
George Eliot (Impressions of Theophrastus Such)
β
And all the books you've read have been read by other people. And all the songs you've loved have been heard by other people. And that girl that's pretty to you is pretty to other people. and that if you looked at these facts when you were happy, you would feel great because you are describing 'unity.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Love is like a tree: it grows by itself, roots itself deeply in our being and continues to flourish over a heart in ruin. The inexplicable fact is that the blinder it is, the more tenacious it is. It is never stronger than when it is completely unreasonable.
β
β
Victor Hugo (The Hunchback of Notre-Dame)
β
Promise Yourself
To be so strong that nothing
can disturb your peace of mind.
To talk health, happiness, and prosperity
to every person you meet.
To make all your friends feel
that there is something in them
To look at the sunny side of everything
and make your optimism come true.
To think only the best, to work only for the best,
and to expect only the best.
To be just as enthusiastic about the success of others
as you are about your own.
To forget the mistakes of the past
and press on to the greater achievements of the future.
To wear a cheerful countenance at all times
and give every living creature you meet a smile.
To give so much time to the improvement of yourself
that you have no time to criticize others.
To be too large for worry, too noble for anger, too strong for fear,
and too happy to permit the presence of trouble.
To think well of yourself and to proclaim this fact to the world,
not in loud words but great deeds.
To live in faith that the whole world is on your side
so long as you are true to the best that is in you.
β
β
Christian D. Larson (Your Forces and How to Use Them)
β
And the little screaming fact that sounds through all history: repression works only to strengthen and knit the repressed.
β
β
John Steinbeck (The Grapes of Wrath)
β
In everybodyβs life thereβs a point of no return. And in a very few cases, a point where you canβt go forward anymore. And when we reach that point, all we can do is quietly accept the fact. Thatβs how we survive.
β
β
Haruki Murakami (Kafka on the Shore)
β
A small fact:
You are going to die....does this worry you?
β
β
Markus Zusak (The Book Thief)
β
When it comes to life, we spin our own yarn, and where we end up is really, in fact, where we always intended to be.
β
β
Julia Glass (Three Junes)
β
The fact is, I love him. He's the boy I want and one day he'll be MINE.
β
β
Meg Cabot (Princess in Training (The Princess Diaries, #6))
β
I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms...
β
β
Henry David Thoreau
β
At times the world may seem an unfriendly and sinister place, but believe that there is much more good in it than bad. All you have to do is look hard enough. and what might seem to be a series of unfortunate events may in fact be the first steps of a journey.
β
β
Lemony Snicket
β
We've all been raised on television to believe that one day we'd all be millionaires, and movie gods, and rock stars. But we won't. And we're slowly learning that fact. And we're very, very pissed off.
β
β
Chuck Palahniuk (Fight Club)
β
Hello babies. Welcome to Earth. It's hot in the summer and cold in the winter. It's round and wet and crowded. On the outside, babies, you've got a hundred years here. There's only one rule that I know of, babies-"God damn it, you've got to be kind.
β
β
Kurt Vonnegut Jr.
β
There's a world of difference between truth and facts. Facts can obscure truth.
β
β
Maya Angelou
β
No mourners, no funerals. Another way of saying good luck. But it was something more. A dark wink to the fact that there would be no expensive burials for people like them, no marble markers to remember their names, no wreaths of myrtle and rose.
β
β
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
β
It is a capital mistake to theorize before one has data. Insensibly one begins to twist facts to suit theories, instead of theories to suit facts.
β
β
Arthur Conan Doyle (Sherlock Holmes)
β
The most important thing we learn at school is the fact that the most important things can't be learned at school.
β
β
Haruki Murakami (What I Talk About When I Talk About Running)
β
And even if somebody else has it much worse, that doesn't really change the fact that you have what you have. Good and bad.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Itβs lovely loving, isnβt it? In fact, I find it almost better, because being loved sometimes embarrasses me, but loving is a gift.
β
β
Sheila Hancock
β
Facts are like cows. If you look them in the face long enough, they generally run away.
β
β
Dorothy L. Sayers
β
The thing about the Mirror is that no one knows where it is. In fact, no one knows what it is.β
"Itβs a mirror,β Simon said. βYou know β reflective, glass. Iβm just assuming.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
And as you walk yr road, as you live yr life, RELISH THE ROAD. And relish the fact that the road of yr life will probably be a windy road.
β
β
Suzan-Lori Parks
β
I make mistakes like the next man. In fact, being--forgive me--rather cleverer than most men, my mistakes tend to be correspondingly huger.
β
β
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
β
I'm about to make a wild, extreme and severe relationship rule: the word busy is a load of crap and is most often used by assholes. The word "busy" is the relationship Weapon of Mass Destruction. It seems like a good excuse, but in fact in every silo you uncover, all you're going to find is a man who didn't care enough to call. Remember men are never to busy to get what they want.
β
β
Greg Behrendt
β
The major problemβone of the major problems, for there are severalβone of the many major problems with governing people is that of whom you get to do it; or rather of who manages to get people to let them do it to them.
To summarize: it is a well-known fact that those people who must want to rule people are, ipso facto, those least suited to do it.
To summarize the summary: anyone who is capable of getting themselves made President should on no account be allowed to do the job.
β
β
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
β
The man is moody as hell.β
βI am not moodyββ
βYeah, bro.β Kenji puts his utensils down. βYou are moody. Itβs always βShut up, Kenji.β βGo to sleep, Kenji.β βNo one wants to see you naked, Kenji.β When I know for a fact that there are thousands of people who would love to see me nakedβ
β
β
Tahereh Mafi (Unravel Me (Shatter Me, #2))
β
Amor Fati β βLove Your Fateβ, which is in fact your life.
β
β
Friedrich Nietzsche
β
Finding someone you love and who loves you back is a wonderful, wonderful feeling. But finding a true soul mate is an even better feeling. A soul mate is someone who understands you like no other, loves you like no other, will be there for you forever, no matter what. They say that nothing lasts forever, but I am a firm believer in the fact that for some, love lives on even after we're gone.
β
β
Cecelia Ahern (P.S. I Love You (P.S. I Love You, #1))
β
Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.
β
β
Haruki Murakami (Kafka on the Shore)
β
Isnβt every human being both a scientist and an artist; and in writing of human experience, isnβt there a good deal to be said for recognizing that fact and for using both methods?
β
β
James Agee (Let Us Now Praise Famous Men)
β
So you're trying to make her happy despite the fact that the reason she's unhappy in the first place is you," said Simon, not very kindly. "That seems contradictory, doesn't it?"
"Love is a contradiction," said Jace.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
So the fact that Iβm me and no one else is one of my greatest assets. Emotional hurt is the price a person has to pay in order to be independent.
β
β
Haruki Murakami (What I Talk About When I Talk About Running)
β
Science investigates; religion interprets. Science gives man knowledge, which is power; religion gives man wisdom, which is control. Science deals mainly with facts; religion deals mainly with values. The two are not rivals.
β
β
Martin Luther King Jr.
β
I'm lonely. Why do you think I had to learn to act so independent? I also get mad too quickly, and I hog the covers, and my second toe is longer than my big one. My hair has it's own zip code. Plus, I get certifiably crazy when I've got PMS. You don't love someone because they're perfect. You love them in spite of the fact that they're not.
β
β
Jodi Picoult (My Sisterβs Keeper)
β
Our true friends are those who are with us when the good things happen. They cheer us on and are pleased by our triumphs. False friends only appear at difficult times, with their sad, supportive faces, when, in fact, our suffering is serving to console them for their miserable lives.
β
β
Paulo Coelho (The Zahir)
β
A reliable way to make people believe in falsehoods is frequent repetition, because familiarity is not easily distinguished from truth. Authoritarian institutions and marketers have always known this fact.
β
β
Daniel Kahneman (Thinking, Fast and Slow)
β
Still, what I want in my life
is to be willing
to be dazzledβ
to cast aside the weight of facts
and maybe even
to float a little
above this difficult world.
β
β
Mary Oliver
β
Jealousy is a disease, love is a healthy condition. The immature mind often mistakes one for the other, or assumes that the greater the love, the greater the jealousy - in fact, they are almost incompatible; one emotion hardly leaves room for the other.
β
β
Robert A. Heinlein (Stranger in a Strange Land)
β
We live, in fact, in a world starved for solitude, silence, and private: and therefore starved for meditation and true friendship.
β
β
C.S. Lewis (The Weight of Glory)
β
With a secret like that, at some point the secret itself becomes irrelevant. The fact that you kept it does not.
β
β
Sara Gruen (Water for Elephants)
β
It is not seen as insane when a fighter, under an attack that will inevitable lead to his death, chooses to take his own life first. In fact, this act has been encouraged for centuries, and is accepted even now as an honorable reason to do the deed. How is it any different when you are under attack by your own mind?
β
β
Emilie Autumn (The Asylum for Wayward Victorian Girls)
β
Sadness gives depth. Happiness gives height. Sadness gives roots. Happiness gives branches. Happiness is like a tree going into the sky, and sadness is like the roots going down into the womb of the earth. Both are needed, and the higher a tree goes, the deeper it goes, simultaneously. The bigger the tree, the bigger will be its roots. In fact, it is always in proportion. That's its balance.
β
β
Osho (Everyday Osho: 365 Daily Meditations for the Here and Now)
β
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, an initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.
β
β
Vladimir Nabokov (Lolita)
β
Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.
β
β
Muhammad Ali
β
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.
And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.
And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
β
β
Haruki Murakami (Kafka on the Shore)
β
The truth is that the world is full of dragons, and none of us are as powerful or cool as weβd like to be. And that sucks. But when youβre confronted with that fact, you can either crawl into a hole and quit, or you can get out there, take off your shoes, and Bilbo it up.
β
β
Patrick Rothfuss
β
Kai cleared his throat. Stood straighter. "I assume you are going to the ball?"
"I-I don't know. I mean, no. No, I'm sorry, I'm not going to the ball."
Kai drew back, confused. "Oh well... but... maybe you would change your mind? Because I am, you know."
"The prince."
"Not bragging," he said quickly. "Just a fact.
β
β
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
β
What irritated me most in that entire situation was the fact that I
wasnβt feeling humiliated, or annoyed, or even fooled. Betrayal was
what I felt, my heart broken not just by a guy I was in love with, but
also by, as I once believed, a true friend.
β
β
Danka V. (The Unchosen Life)
β
Well,β Tessa said, sighting along the line of the knife, βyou behave as if you dislike me. In fact, you behave as if you dislike us all.β
βI donβt,β Gabriel said. βI just dislike him.β He pointed at Will.
βDear me,β said Will, and he took another bite of his apple. βIs it because Iβm better-looking than you?
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
What's done cannot be undone.
β
β
William Shakespeare (Macbeth)
β
We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Arabia. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this because the set of possible people allowed by our DNA so massively exceeds the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here.We privileged few, who won the lottery of birth against all odds, how dare we whine at our inevitable return to that prior state from which the vast majority have never stirred?
β
β
Richard Dawkins (Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder)
β
I'm the girl who is lost in space, the girl who is disappearing always, forever fading away and receding farther and farther into the background. Just like the Cheshire cat, someday I will suddenly leave, but the artificial warmth of my smile, that phony, clownish curve, the kind you see on miserably sad people and villains in Disney movies, will remain behind as an ironic remnant. I am the girl you see in the photograph from some party someplace or some picnic in the park, the one who is in fact soon to be gone. When you look at the picture again, I want to assure you, I will no longer be there. I will be erased from history, like a traitor in the Soviet Union. Because with every day that goes by, I feel myself becoming more and more invisible...
β
β
Elizabeth Wurtzel (Prozac Nation)
β
No, I am not bitter, I am not hateful, and I am not unforgiving. I just don't like you.
β
β
C. JoyBell C.
β
Harry looked around; there was Ginny running toward him; she had a hard blazing look in her face as she threw her arms around him. And without thinking, without planning it, without worrying about the fact that fifty people were watching, Harry kissed her. After several long moments, or it might have been half an hour-or possibly several sunlit days- they broke apart.
β
β
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
β
Yes, my consuming desire is to mingle with road crews, sailors and soldiers, barroom regularsβto be a part of a scene, anonymous, listening, recordingβall this is spoiled by the fact that I am a girl, a female always supposedly in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yes, God, I want to talk to everybody as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night...
β
β
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
β
TO BE HOPEFUL in bad times is not just foolishly romantic. It is based on the fact that human history is a history not only of cruelty, but also of compassion, sacrifice, courage, kindness.
What we choose to emphasize in this complex history will determine our lives. If we see only the worst, it destroys our capacity to do something. If we remember those times and placesβand there are so manyβwhere people have behaved magnificently, this gives us the energy to act, and at least the possibility of sending this spinning top of a world in a different direction.
And if we do act, in however small a way, we donβt have to wait for some grand utopian future. The future is an infinite succession of presents, and to live now as we think human beings should live, in defiance of all that is bad around us, is itself a marvelous victory.
β
β
Howard Zinn
β
Love is blind, they say; sex is impervious to reason and mocks the power of all philosophers. But, in fact, a person's sexual choice is the result and sum of their fundamental convictions. Tell me what a person finds sexually attractive and I will tell you their entire philosophy of life. Show me the person they sleep with and I will tell you their valuation of themselves. No matter what corruption they're taught about the virtue of selflessness, sex is the most profoundly selfish of all acts, an act which they cannot perform for any motive but their own enjoyment - just try to think of performing it in a spirit of selfless charity! - an act which is not possible in self-abasement, only in self-exultation, only on the confidence of being desired and being worthy of desire. It is an act that forces them to stand naked in spirit, as well as in body, and accept their real ego as their standard of value. They will always be attracted to the person who reflects their deepest vision of themselves, the person whose surrender permits them to experience - or to fake - a sense of self-esteem .. Love is our response to our highest values - and can be nothing else.
β
β
Ayn Rand
β
Just because I liked something at one point in time doesnβt mean Iβll always like it, or that I have to go on liking it at all points in time as an unthinking act of loyalty to who I am as a person, based solely on who I was as a person. To be loyal to myself is to allow myself to grow and change, and challenge who I am and what I think. The only thing I am for sure is unsure, and this means Iβm growing, and not stagnant or shrinking.
β
β
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
β
My Lord God, I have no idea where I am going. I do not see the road ahead of me. I cannot know for certain where it will end. Nor do I really know myself, and the fact that I think that I am following your will does not mean that I am actually doing so. But I believe that the desire to please you does in fact please you. And I hope I have that desire in all that I am doing. I hope that I will never do anything apart from that desire. And I know that if I do this you will lead me by the right road though I may know nothing about it. Therefore will I trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone.
β
β
Thomas Merton (Thoughts in Solitude)
β
Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death--ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return.
β
β
James Baldwin (The Fire Next Time)
β
I see in the fight club the strongest and smartest men who've ever lived. I see all this potential and I see squandering. God damn it, an entire generation pumping gas, waiting tables, slaves with white collars, advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. We're the middle children of the history man, no purpose or place, we have no Great war, no Great depression, our great war is a spiritual war, our great depression is our lives, we've been all raised by television to believe that one day we'd all be millionaires and movie gods and rock stars, but we won't and we're slowly learning that fact. and we're very very pissed off.
β
β
Chuck Palahniuk (Fight Club)
β
When you love someone, they become a part of who you are. They're in everything you do. They're in the air you breathe and the water you drink and the blood in your veins. Their touch stays on your skin and their voice stays in your ears and their thoughts stay in your mind. You know their dreams because their nightmares pierce your heart and their good dreams are your dreams too. And you don't think they're perfect, but you know their flaws, the deep-down truth of them, and the shadows of all their secrets, and they don't frighten you away; in fact you love them more for it, because you don't want perfect. You want them. You wantβ"
He broke off then, as if realizing everyone was looking at him again.
"You want what?" said Dru with enormous eyes.
"Nothing," Julian said. "I'm just talking.
β
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Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
β
Itβs dark because you are trying too hard.
Lightly child, lightly. Learn to do everything lightly.
Yes, feel lightly even though youβre feeling deeply.
Just lightly let things happen and lightly cope with them.
I was so preposterously serious in those days, such a humorless little prig.
Lightly, lightly β itβs the best advice ever given me.
When it comes to dying even. Nothing ponderous, or portentous, or emphatic.
No rhetoric, no tremolos,
no self conscious persona putting on its celebrated imitation of Christ or Little Nell.
And of course, no theology, no metaphysics.
Just the fact of dying and the fact of the clear light.
So throw away your baggage and go forward.
There are quicksands all about you, sucking at your feet,
trying to suck you down into fear and self-pity and despair.
Thatβs why you must walk so lightly.
Lightly my darling,
on tiptoes and no luggage,
not even a sponge bag,
completely unencumbered.
β
β
Aldous Huxley (Island)
β
Anyone who imagines that bliss is normal is going to waste a lot of time running around shouting that he has been robbed. The fact is that most putts donβt drop, most beef is tough, most children grow up to be just like people, most successful marriages require a high degree of mutual toleration, and most jobs are more often dull than otherwise. Life is just like an old time rail journey ... delays, sidetracks, smoke, dust, cinders, and jolts, interspersed only occasionally by beautiful vistas and thrilling bursts of speed. The trick is to thank the Lord for letting you have the ride.
β
β
Jenkin Lloyd Jones
β
If you tell a beautiful woman that she is beautiful, what have you given her? It's no more than a fact and it has cost you nothing. But if you tell an ugly woman that she is beautiful, you offer her the great homage of corrupting the concept of beauty. To love a woman for her virtues is meaningless. She's earned it, it's a payment, not a gift. But to love her for her vices is a real gift, unearned and undeserved. To love her for her vices is to defile all virtue for her sake - and that is a real tribute of love, because you sacrifice your conscience, your reason, your integrity and your invaluable self-esteem.
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β
Ayn Rand (Atlas Shrugged)
β
If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change.
β
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Ray Bradbury (Fahrenheit 451)
β
Maybe we're just born to love and worry about the people we know, and to go on loving and worrying even when there are more important things we should be doing. And if that means the human species is going to die out, isn't it in a way a nice reason to die out, the nicest reason you can imagine? Because when we should have been reorganising the distribution of the world's resources and transitioning collectively to a sustainable economic model, we were worrying about sex and friendship instead. Because we loved each other too much and found each other too interesting. And I love that about humanity, and in fact it's the very reason I root for us to survive - because we are so stupid about each other.
β
β
Sally Rooney (Beautiful World, Where Are You)
β
I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.
β
β
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
β
Hoover Dam," Thalia said. "It's huge."
We stood at the river's edge, looking up at a curve of concrete that loomed between the cliffs. People were walking along the top of the dam. They were so tiny they looked like fleas.
The naiads had left with a lot of grumblingβnot in words I could understand, but it was obvious they hated this dam blocking up their nice river. Our canoes floated back downstream, swirling in the wake from the dam's discharge vents.
"Seven hundred feet tall," I said. "Built in the 1930s."
"Five million cubic acres of water," Thalia said.
Graver sighed. "Largest construction project in the United States."
Zoe stared at us. "How do you know all that?"
"Annabeth," I said. "She liked architecture."
"She was nuts about monuments," Thalia said.
"Spouted facts all the time." Grover sniffled. "So annoying."
"I wish she were here," I said.
β
β
Rick Riordan (The Titanβs Curse (Percy Jackson and the Olympians, #3))
β
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door β
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; β vainly I had sought to borrow
From my books surcease of sorrow β sorrow for the lost Lenore β
For the rare and radiant maiden whom the angels name Lenore β
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me β filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door β
Some late visitor entreating entrance at my chamber door; β
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"β here I opened wide the door; β
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" β
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore β
Let my heart be still a moment and this mystery explore; β
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door β
Perched upon a bust of Pallas just above my chamber door β
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore β
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaningβ little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door β
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
β
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Edgar Allan Poe (The Raven)
β
I was suffering the easily foreseeable consequences. Addiction is the hallmark of every infatuation-based love story. It all begins when the object of your adoration bestows upon you a heady, hallucinogenic dose of something you never dared to admit you wanted-an emotional speedball, perhaps, of thunderous love and roiling excitement. Soon you start craving that intense attention, with a hungry obsession of any junkie. When the drug is witheld, you promptly turn sick, crazy, and depleted (not to mention resentful of the dealer who encouraged this addiction in the first place but now refuses to pony up the good stuff anymore-- despite the fact that you know he has it hidden somewhere, goddamn it, because he used to give it to you for free). Next stage finds you skinny and shaking in a corner, certain only that you would sell your soul or rob your neighbors just to have 'that thing' even one more time. Meanwhile, the object of your adoration has now become repulsed by you. He looks at you like you're someone he's never met before, much less someone he once loved with high passion. The irony is,you can hardly blame him. I mean, check yourself out. You're a pathetic mess,unrecognizable even to your own eyes. So that's it. You have now reached infatuation's final destination-- the complete and merciless devaluation of self." - pg 20-21
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Elizabeth Gilbert
β
I have a friend who's an artist and has sometimes taken a view which I don't agree with very well. He'll hold up a flower and say "look how beautiful it is," and I'll agree. Then he says "I as an artist can see how beautiful this is but you as a scientist take this all apart and it becomes a dull thing," and I think that he's kind of nutty. First of all, the beauty that he sees is available to other people and to me too, I believe. Although I may not be quite as refined aesthetically as he is ... I can appreciate the beauty of a flower. At the same time, I see much more about the flower than he sees. I could imagine the cells in there, the complicated actions inside, which also have a beauty. I mean it's not just beauty at this dimension, at one centimeter; there's also beauty at smaller dimensions, the inner structure, also the processes. The fact that the colors in the flower evolved in order to attract insects to pollinate it is interesting; it means that insects can see the color. It adds a question: does this aesthetic sense also exist in the lower forms? Why is it aesthetic? All kinds of interesting questions which the science knowledge only adds to the excitement, the mystery and the awe of a flower. It only adds. I don't understand how it subtracts.
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Richard P. Feynman (The Pleasure of Finding Things Out: The Best Short Works of Richard P. Feynman)
β
America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ainβt no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if youβre so smart, why ainβt you rich?' There will also be an American flag no larger than a childβs hand β glued to a lollipop stick and flying from the cash register.
Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.
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Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
Youβre here!β Isabelle danced up to them in delight, carrying a glass of fuchsia liquid, which she thrust at Clary. βHave some of this!β
Clary squinted at it. βIs it going to turn me into a rodent?β
βWhere is the trust? I think itβs strawberry juice,β Isabelle said. βAnyways, itβs yummy. Jace?β She offered him the glass.
βI am a man,β he told her, βand men do not consume pink beverages. Get thee gone, woman, and bring me something brown.β
βBrown?β Isabelle made a face.
βBrown is a manly color,β said Jace, and yanked on a stray lock of Isabelleβs hair with his free hand. βIn fact, look β Alec is wearing it.β
Alec looked mournfully down at his sweater. βIt was black,β he said. βBut then it faded.β
βYou could dress it up with a sequined headband,β Magnus suggested, offering his boyfriend something blue and sparkly. βJust a thought.β
βResist the urge, Alec.β Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. βYouβll look like Olivia Newton-John in Xanadu.β
βThere are worse things,β Magnus observed.
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
You're going to meet many people with domineering personalities: the loud, the obnoxious, those that noisily stake their claims in your territory and everywhere else they set foot on. This is the blueprint of a predator. Predators prey on gentleness, peace, calmness, sweetness and any positivity that they sniff out as weakness. Anything that is happy and at peace they mistake for weakness. It's not your job to change these people, but it's your job to show them that your peace and gentleness do not equate to weakness. I have always appeared to be fragile and delicate but the thing is, I am not fragile and I am not delicate. I am very gentle but I can show you that the gentle also possess a poison. I compare myself to silk. People mistake silk to be weak but a silk handkerchief can protect the wearer from a gunshot. There are many people who will want to befriend you if you fit the description of what they think is weak; predators want to have friends that they can dominate over because that makes them feel strong and important. The truth is that predators have no strength and no courage. It is you who are strong, and it is you who has courage. I have lost many a friend over the fact that when they attempt to rip me, they can't. They accuse me of being deceiving; I am not deceiving, I am just made of silk. It is they who are stupid and wrongly take gentleness and fairness for weakness. There are many more predators in this world, so I want you to be made of silk. You are silk.
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C. JoyBell C.
β
First of all, love is a joint experience between two persons β but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world β a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring β this lover can be man, woman, child, or indeed any human creature on this earth.
Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else β but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself.
It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
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Carson McCullers (The Ballad of the Sad CafΓ© and Other Stories)
β
The letter had been crumpled up and tossed onto the grate. It had burned all around the edges, so the names at the top and bottom had gone up in smoke. But there was enough of the bold black scrawl to reveal that it had indeed been a love letter. And as Hannah read the singed and half-destroyed parchment, she was forced to turn away to hide the trembling of her hand.
βshould warn you that this letter will not be eloquent. However, it will be sincere, especially in light of the fact that you will never read it. I have felt these words like a weight in my chest, until I find myself amazed that a heart can go on beating under such a burden.
I love you. I love you desperately, violently, tenderly, completely. I want you in ways that I know you would find shocking. My love, you don't belong with a man like me. In the past I've done things you wouldn't approve of, and I've done them ten times over. I have led a life of immoderate sin. As it turns out, I'm just as immoderate in love. Worse, in fact.
I want to kiss every soft place of you, make you blush and faint, pleasure you until you weep, and dry every tear with my lips. If you only knew how I crave the taste of you. I want to take you in my hands and mouth and feast on you. I want to drink wine and honey from you.
I want you under me. On your back.
I'm sorry. You deserve more respect than that. But I can't stop thinking of it. Your arms and legs around me. Your mouth, open for my kisses. I need too much of you. A lifetime of nights spent between your thighs wouldn't be enough.
I want to talk with you forever. I remember every word you've ever said to me.
If only I could visit you as a foreigner goes into a new country, learn the language of you, wander past all borders into every private and secret place, I would stay forever. I would become a citizen of you.
You would say it's too soon to feel this way. You would ask how I could be so certain. But some things can't be measured by time. Ask me an hour from now. Ask me a month from now. A year, ten years, a lifetime. The way I love you will outlast every calendar, clock, and every toll of every bell that will ever be cast. If only youβ
And there it stopped.
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Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))