Facial Features Quotes

We've searched our database for all the quotes and captions related to Facial Features. Here they are! All 100 of them:

A SMALL PIECE OF TRUTH I do not carry a sickle or scythe. I only wear a hooded black robe when it's cold. And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue.
Markus Zusak (The Book Thief)
Though the idea of objective hotness fucks me up a little. The idea that certain arrangements of facial features are automatically superior. It’s like someone woke up one day with a boner for big-eyed, soft-lipped, tight-bodied cheekbone people, and we all just decided to go along with that.
Becky Albertalli (Leah on the Offbeat (Creekwood, #2))
In other words, what is salient to us—such as our own facial features—may not be salient to other species.
Frans de Waal (Are We Smart Enough to Know How Smart Animals Are?)
Both of the boys were unsettling — Adam Parrish, in particular, had a curious face. Not as in, he was a curious person. But rather that there was something peculiar about his facial features. He was an alien, handsome specimen of this western Virginia species; feather-boned, hollow-cheeked, eyebrows fair and barely visible. He was feral and raw-boned by way of those Civil War portraits. Brother fought brother while their farms ran to ruins — And Ronan Lynch looked like Niall Lynch, which was to say, he looked like an asshole. Oh, youth.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
They were charming and resourceful, and had pleasant facial features, but they were extremely unlucky, and most everything that happened to them was rife with misfortune, misery, and despair.
Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
One of the most memorably unexpected events I experienced in the course of doing this book came in a dissection room at the University of Nottingham in England when a professor and surgeon named Ben Ollivere (about whom much more in due course) gently incised and peeled back a sliver of skin about a millimeter thick from the arm of a cadaver. It was so thin as to be translucent. “That,” he said, “is where all your skin color is. That’s all that race is—a sliver of epidermis.” I mentioned this to Nina Jablonski when we met in her office in State College, Pennsylvania, soon afterward. She gave a nod of vigorous assent. “It is extraordinary how such a small facet of our composition is given so much importance,” she said. “People act as if skin color is a determinant of character when all it is is a reaction to sunlight. Biologically, there is actually no such thing as race—nothing in terms of skin color, facial features, hair type, bone structure, or anything else that is a defining quality among peoples. And yet look how many people have been enslaved or hated or lynched or deprived of fundamental rights through history because of the color of their skin.
Bill Bryson (The Body: A Guide for Occupants)
hand over her facial features. Swan’s touch was as soft as smoke.
Robert McCammon (Swan Song)
Though the idea of objective hotness fucks me up a little. The idea that certain arrangements of facial features are automatically superior.
Becky Albertalli (Leah on the Offbeat (Simonverse, #3))
Take a careful look around you the next time you’re walking in a crowded area. If you pay close attention, you’ll see women of myriad body shapes and sizes, hair colors, facial features, and ages. It’s easy to forget the actual landscape of women’s appearances, because the range of what we see in media is so narrow.
Renee Engeln (Beauty Sick: How the Cultural Obsession with Appearance Hurts Girls and Women)
His facial features were at odds with each other. The narrow nose said one thing, but his lush lips told a different version of the same story. That story was that this Indian was half Negro.
Arlene L. Walker (Seeds of Deception)
Blood covered his face and dirt had gummed to it, so that his visage was ocher in color and appeared like a clay sculpture illustrating some earlier phase of mankind when facial features were yet provisional.
Charles Frazier (Cold Mountain)
When we die there are two things we can leave behind us: genes and memes. We were built as gene machines, created to pass on our genes. But that aspect of us will be forgotten in three generations. Your child, even your grandchild, may bear a resemblance to you, perhaps in facial features, in a talent for music, in the colour of her hair. But as each generation passes, the contribution of your genes is halved. It does not take long to reach negligible proportions. Our genes may be immortal but the collection of genes that is any one of us is bound to crumble away. Elizabeth II is a direct descendant of William the Conqueror. Yet it is quite probable that she bears not a single one of the old king’s genes. We should not seek immortality in reproduction. But if you contribute to the world’s culture, if you have a good idea, compose a tune, invent a sparking plug, write a poem, it may live on, intact, long after your genes have dissolved in the common pool. Socrates may or may not have a gene or two alive in the world today, as G. C. Williams has remarked, but who cares? The memecomplexes of Socrates, Leonardo, Copernicus and Marconi are still going strong.
Richard Dawkins (The Selfish Gene)
You little (such a one who, while wearing a copper nose ring, stands in a footbath atop Mount Raruaruaha during a heavy thunderstorm and shouts that Alohura, goddess of lightning, has the facial features of a diseased uloruaha root)!
Terry Pratchett (The Color of Magic (Discworld, #1))
There's always the question of what to call an unknown perpetrator in police reports. The choice is often "the suspect," occasionally "the offender," or sometimes simply "the man." Whoever wrote the Danville reports elected to use a term that was stark and unambiguous in its charge, its tone of reproach as if a finger were pointing from the very page. The term affected me the moment I read it. It became my private shorthand for the EAR, the simple term I returned to when I lay awake at three a.m. cycling through a hoarder's collection of murky half clues and indistinct facial features. I admired the plainness of its unblinking claim. The responsible.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
To all you sensitive sallys out there who spend your time scribing angry letters, I have great news: Scientific models show that in the not-too-distant future, all the races will become so completely interbred that humanity will have a monolithic caramelish color and common facial features. There won't be blonds or hairy Jews anymore.Words like "Chink" will cease to have meaning. They will be relics, along with those who use them for comedy. Which is exactly why I am past that meta-racist shit and onto poop and pee. Onward and downward!
Sarah Silverman (The Bedwetter: Stories of Courage, Redemption, and Pee)
As girls go through puberty, their hormones will have a direct impact on how their facial features develop. Women with high levels of estrogen will end up with full lips and a large waist-to-hip ratio, while women with lower levels of androgen, the steroid hormones, will keep their short and narrow jaws from childhood, along with their flatter brows—giving them much larger eyes. And—surprise, surprise—this balance of female hormones is also positively linked to fertility.
Hannah Fry (The Mathematics of Love: Patterns, Proofs, and the Search for the Ultimate Equation)
Dark African Americans receive the harshest prison sentences and more time behind bars. White male offenders with African facial features receive harsher sentences than their all-European peers. Dark female students are nearly twice as likely to be suspended as White female students, while researchers found no disparity between Light and White female students. Inequities between Light and Dark African Americans can be as wide as inequities between Black and White Americans.
Ibram X. Kendi (How to Be an Antiracist)
The left and right sides of the brain also process the imprints of the past in dramatically different ways.2 The left brain remembers facts, statistics, and the vocabulary of events. We call on it to explain our experiences and put them in order. The right brain stores memories of sound, touch, smell, and the emotions they evoke. It reacts automatically to voices, facial features, and gestures and places experienced in the past. What it recalls feels like intuitive truth—the way things are. Even as we enumerate a loved one’s virtues to a friend, our feelings may be more deeply stirred by how her face recalls the aunt we loved at age four.3 Under ordinary circumstances the two sides of the brain work together more or less smoothly, even in people who might be said to favor one side over the other. However, having one side or the other shut down, even temporarily, or having one side cut off entirely (as sometimes happened in early brain surgery) is disabling. Deactivation of the left hemisphere has a direct impact on the capacity to organize experience into logical sequences and to translate our shifting feelings and perceptions into words. (Broca’s area, which blacks out during flashbacks, is on the left side.) Without sequencing we can’t identify cause and effect, grasp the long-term effects of our actions, or create coherent plans for the future. People who are very upset sometimes say they are “losing their minds.” In technical terms they are experiencing the loss of executive functioning. When something reminds traumatized people of the past, their right brain reacts as if the traumatic event were happening in the present. But because their left brain is not working very well, they may not be aware that they are reexperiencing and reenacting the past—they are just furious, terrified, enraged, ashamed, or frozen. After the emotional storm passes, they may look for something or somebody to blame for it. They behaved the way they did way because you were ten minutes late, or because you burned the potatoes, or because you “never listen to me.” Of course, most of us have done this from time to time, but when we cool down, we hopefully can admit our mistake. Trauma interferes with this kind of awareness, and, over time, our research demonstrated why.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Here is a Hawaiian legend once told to me: Sometimes the dead don't want to be dead. Sometimes souls go flitting around in the air, particles of light, drifting, until a mortal crams the soul back inside its bod. The kino wailua, or spirits, can be spotted anywhere, the face of a rock, a mountainside - a Hawaiian should always look for facial features. It is the mortal's job to perform the kapuku, or resuscitation process. It is our duty to sneak the soul beneath the toenail of a body, let the body rise up like a newly watered plant.
T Kira Madden (Long Live the Tribe of Fatherless Girls)
Distinctive facial features of a parent are poor people’s paternity test.
Mokokoma Mokhonoana (N for Nigger: Aphorisms for Grown Children and Childish Grown-ups)
My facial features smell as rugged as a rose looks. Isn’t my nose the most romantically smelling thing?
Jarod Kintz (This Book is Not for Sale)
Isabella made a conscious effort to keep from her facial features the thought that her cousin had a few attics to let.
Kristi Ann Hunter (An Inconvenient Beauty (Hawthorne House #4))
Off to the side and out of the glow of the headlights, Blay hung back and watched as Qhuinn crouched down by the driver’s door and cursed softly. “Messy. Very messy.” Tohr did the duty on the passenger seat. “Oh, look, a matched set.” “I think they’re dead.” “Really. What gave that away. The fact they aren’t moving or that this guy over here has no facial features left?
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
Finally, for the same criminal conviction, the more stereotypically Af-rican a black individual’s facial features, the longer the sentence.15 In contrast, juries view black (but not white) male defendants more favorably if they’re wearing big, clunky glasses; some defense attorneys even exploit this “nerd defense” by accessorizing their clients with fake glasses, and prosecuting attorneys ask whether those dorky glasses are real. In other words, when blind, impartial justice is supposedly being administered, jurors are unconsciously biased by racial stereotypes of someone’s face.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
A man three parts moustache to one part facial features responded to “Darling!” with the dutiful twitch of one who has chosen not to fight the inevitable. “Mr August is British, would you ever have guessed?
Claire North (The First Fifteen Lives of Harry August)
I think you look great,” I offered. “It’s nice to see a man that grooms his eyebrows. They’re such an important facial feature.” Alec, Damien and Kane looked at me like a vagina suddenly grew on the middle of my forehead.
L.A. Casey (Ryder (Slater Brothers, #4))
The whiter you were, the better. Even his “exotic” looks were only allowed on television because he had the correct mix of facial features, height, and skin tone. Yet he still stared at Montserrat in surprise and then at Urueta.
Silvia Moreno-Garcia (Silver Nitrate)
He had used drugs and nanonic supplements to compensate at first, then supplements became replacements, with bones exchanged for carbon-fibre struts. Electrical consumption supplanted food intake. The final transition was his skin, replacing the eczema-ridden epidermis with a smooth ochre silicon membrane. Warlow didn’t need a spacesuit to work in the vacuum, he could survive for over three weeks without a power and oxygen recharge. His facial features had become purely cosmetic, a crude mannequin-like caricature of human physiognomy, although there was an inlet valve at the back of his throat for fluid intake. There was no hair, and he certainly didn’t bother with clothes. Sex was something he lost in his fifties.
Peter F. Hamilton (The Reality Dysfunction (Night's Dawn, #1))
He was incredibly and unbearably beautiful. There was no other way for her to adequately describe it to herself. It was beyond being just handsome. Handsome was a common masculine adjective, limited in its scope. This man was honestly beautiful. His facial features were so very elegant, taking the term noble to the extreme. Dark brows winged up over dark eyes, both of indeterminate color in the shadows of the night. So dramatic, but then so belied by the ridiculous childlike length of lush lashes. His magnificent eyes were lit with a soft, smoldering light of amusement as his sensual mouth was lifting up at the corner in a smile she could only call sinful. “How did you . . . but that’s . . . you couldn’t possibly!” she spluttered, her hands opening and closing reflexively on his lapels. “I did. It is not. And apparently, I could.” He was smiling broadly now, and Isabella was certain she was the cause of some unseen bit of amusement. She glowered at him, completely forgetting he’d just saved her neck. Literally. “I’m so glad you find this so entertaining!” Jacob couldn’t help his growing smile. She was so focused on him that she hadn’t realized they were still a good ten feet off the ground and floating at the exact spot where he’d met her precipitous fall. That was for the best, he thought, sinking down to the pavement while she was distracted by the taunt of his amusement. He was going to have enough trouble as it was explaining how he’d managed to catch a woman hurtling to her death from five stories up.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
A SMALL PIECE OF TRUTH I do not carry a sickle or scythe. I only wear a hooded black robe when it’s cold. And I don’t have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I’ll help you out. Find yourself a mirror while I continue.
Markus Zusak (The Book Thief)
A SMALL PIECE OF TRUTH: I do not carry a sickle or scythe. I only wear a hooded black robe when it's cold. And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue.
Markus Zusak (The Book Thief)
A SMALL PIECE OF TRUTH I do not carry a sickle or scythe. I only wear a hooded black robe when it’s cold. And I don’t have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I’ll help you out. Find yourself a mirror while I continue. I
Markus Zusak (The Book Thief)
A small piece of truth, I do not carry a sickle or a scythe. I only wear a black hooded robe when it's cold. And I do not have those skull-like facial features that you seem to enjoy pinning on me from a distance. Want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue.
Markus Zusak (The Book Thief)
***A SMALL PIECE OF TRUTH*** I do not carry a sickle or a scythe. I only wear a hooded black robe when it's cold. And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue.
Markus Zusak (The Book Thief)
« Stan wants to see them work the facial features, especially the smiles. He has a professional interest, from his job at Dimple. The Empathy Model he’d worked on could smile, but it was the same smile every time. Though what else did you need for checking out groceries? Put two eyes on anything and basically it looks like a face. »
Margaret Atwood (The Heart Goes Last)
She looked around the room, glanced over him and Micah waited. Her Gaze passed him, then again. On the third pass she lingered as she continued to watch her, allowing his gaze to memorize those features just before her eyes met his. A jolt od power flashed through him. Her ligth blue eyes flickered with interest, fear, then interest again, as though she wasn't certain which she should feel. He let his gaze continue to hers, let his mind reach out to her, soothe her, ease her. He used his eyes rather than his expression to calm the fear that he knew he would be rising within her. Micah knew the power of a look. When two people touched from across a distance, that touch could be frightening, wary, or a stroke of gentleness. He stroked her gently. He never let his eyes dip below her chin; rather, he let himself take in every nuance of expression, every shift of each facial motion, the flicker of her lashes, the shadows in her eyes, the tension in her small body. She was like a little bird ready to fly. Poised at the edge of her seat.her body stiff and prepared to run. Easy, little bird, he thought, letting his thoughts touch his gaze. There is no pain here; there is no fear.
Lora Leigh (Maverick (Elite Ops, #2))
Biologically, there is actually no such thing as race – nothing in terms of skin colour, facial features, hair type, bone structure, or anything else that is a defining quality among peoples. And yet look how many people have been enslaved or hated or lynched or deprived of fundamental rights through history because of the colour of their skin.
Bill Bryson (The Body: A Guide for Occupants)
During their brief encounter in the music room, Cassandra had been too flustered to notice much about him. He'd been so very odd, jumping out like that and offering to marry a complete stranger. Also, she'd been absolutely mortified for him to have overheard her tearful disclosure two West, especially the part about having her dress altered. But now it was impossible not to notice how very good-looking he was, tall and elegantly lean, with dark hair, a clear, fair complexion, and thick brows sett at a diabolical slant. If she were to judge his features individually- the long nose, the wide mouth, the narrow eyes, the sharply angled cheeks and jaw- she wouldn't have expected him to be this attractive. But somehow when it was all put together, his looks were striking and interesting in a way she'd remember far longer than conventional handsomeness.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Gideon was instantly captivated. A hundred questions crowded in his mind. He wanted to know who she was, why she was there, if she liked sugar in her tea, had she climbed trees as a girl, and what her first kiss had been like... The flood of curiosity puzzled him. He usually managed to avoid caring about anyone long enough to ask questions about him. Not quite trusting himself to speak, Gideon approached her cautiously. She stiffened slightly, as if she was unused to proximity with a stranger. As he drew closer, he saw that her features were even and her nose was a little too long, and her mouth was soft and sweetly shaped. Her eyes were some light color... green, perhaps... shining eyes that contained unexpected depths.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
To be an antiracist is not to reverse the beauty standard. To be an antiracist is to eliminate any beauty standard based on skin and eye color, hair texture, facial and bodily features shared by groups. To be an antiracist is to diversify our standards of beauty like our standards of culture or intelligence, to see beauty equally in all skin colors, broad and thin noses, kinky and straight hair, light and dark eyes. To be an antiracist is to build and live in a beauty culture that accentuates instead of erases our natural beauty.
Ibram X. Kendi (How to Be an Antiracist)
Merritt was dumbstruck at the sight of his clean-shaven face. Dear God. He was beyond handsome. The cushioning thick beard was gone, revealing the brooding masculine beauty of a fallen angel. His features were strong but elegantly refined, the cheekbones high, the mouth full and erotic.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Finally, for the same criminal conviction, the more stereotypically African a black individual’s facial features, the longer the sentence.15 In contrast, juries view black (but not white) male defendants more favorably if they’re wearing big, clunky glasses; some defense attorneys even exploit this “nerd defense” by accessorizing their clients with fake glasses, and prosecuting attorneys ask whether those dorky glasses are real. In other words, when blind, impartial justice is supposedly being administered, jurors are unconsciously biased by racial stereotypes of someone’s face.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
It had been only natural that as she developed into a young woman, she would become physically attracted to him. Certainly every other female in Hampshire was. McKenna had grown into a tall, big-boned male with striking looks, his features strong if not precisely chiseled, his nose long and bold, his mouth wide. His black hair hung over his forehead in a perpetual spill, while those singular turquoise eyes were shadowed by extravagant dark lashes. To compound his appeal, he possessed a relaxed charm and a sly sense of humor that had made him a favorite on the estate and in the village beyond.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
His likeness? How can I trace it? I have seen Arsène Lupin a score of times, and each time a different being has stood before me… or rather the same being under twenty distorted images reflected by as many mirrors, each image having its special eyes, its particular facial outline, its own gestures, profile, and character. “I myself,” he once said to me, “have forgotten what I am really like. I no longer recognize myself in a glass.” A paradoxical whim of the imagination, no doubt; and yet true enough as regards those who come into contact with him, and who are unaware of his infinite resources, his patience, his unparalleled skill in make-up, and his prodigious faculty for changing even the proportions of his face and altering the relations of his features one to the other. “Why,” he asked, “should I have a definite, fixed appearance? Why not avoid the dangers attendant upon a personality that is always the same? My actions constitute my identity sufficiently.” And he added, with a touch of pride: “It is all the better if people are never able to say with certainty: ‘There goes Arsène Lupin.’ The great thing is that they should say without fear of being mistaken: ‘That action was performed by Arsène Lupin.
Maurice Leblanc (The Adventures of Arsène Lupin, Gentleman-Thief (Macmillan Collector's Library Book 314))
Goddesses rather than male deities were the central focus in European religion from about 6500 BC to 3500 BC. Archaeologist, Marija Gimbutas[xxii], was one of the first scholars to recognise the significance of the fact that twenty times more female than male figurines have been excavated from European archaeological sites. The many engravings, reliefs and sculptures frequently de-emphasised facial features, while exaggerating gender characteristics such as breasts, buttocks, hips, and vulva. These female figurines had traditionally been seen by archaeologists as some sort of sexual fetishes, a projection of the current degraded view of feminine.
Kaalii Cargill (Don't Take It Lying Down: Life According to the Goddess)
Your mom bought them for me,” I retorted without breaking my stride. “Tell her I said thanks, the next time you stop at home to breast-feed and pick up your allowance.” Childish, I know. But virtual or not, this was still high school—the more childish an insult, the more effective it was. My jab elicited laughter from a few of his friends and the other students standing nearby. Todd13 scowled and his face actually turned red—a sign that he hadn’t bothered to turn off his account’s real-time emotion feature, which made your avatar mirror your facial expressions and body language. He was about to reply, but I muted him first, so I didn’t hear what he said.
Ernest Cline (Ready Player One (Ready Player One, #1))
I was struck that morning, as I would occasionally be struck the entire time I was in India, by the notion that the town was brown-skinned and black-haired, that their facial features approached my own. There was a solidarity, unexpected, unreasoning, that I felt with the people I passed on the street. They were, during those moments, my people, and though I had my difficulties with the subtleties of their language, thought our manners of dress and thought were distinct, though, perhaps, these people that I passed did not regard themselves as bound together in any particular way, at these instants I would disregard such nuance and imagine a profound relationship between us. Later, during stretches more lucid, I'd marvel at this rush of emotion and wonder as to its source.
Sameer Parekh (Stealing the Ambassador: A Novel)
That is a strange way to run a business.” They both turned slowly. Blue’s arms had been lifted for so long they felt rubbery when she lowered them. The owner of the voice stood in the doorway to the front hall, his hands in his pockets. He was not old, maybe mid-twenties, with a shock of black hair. He was handsome in a way that required a bit of work from the viewer. All of his facial features seemed just a little too large for his face. Maura glanced at Blue, an eyebrow lifted. Blue lifted one shoulder in response. He didn’t seem like he was here to murder them or steal any portable electronics. “And that,” her mother said, releasing the beleaguered light fixture, “is a very strange way to enter someone’s home.” “I’m sorry,” the young man said. “There is a sign out front saying this is a place of business.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep) You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love. We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-
Junipurr- Sometimes Trudy
One of the most memorably unexpected events I experienced in the course of doing this book came in a dissection room at the University of Nottingham in England when a professor and surgeon named Ben Ollivere (about whom much more in due course) gently incised and peeled back a sliver of skin about a millimeter thick from the arm of a cadaver. It was so thin as to be translucent. “That,” he said, “is where all your skin color is. That’s all that race is—a sliver of epidermis.” I mentioned this to Nina Jablonski when we met in her office in State College, Pennsylvania, soon afterward. She gave a nod of vigorous assent. “It is extraordinary how such a small facet of our composition is given so much importance,” she said. “People act as if skin color is a determinant of character when all it is is a reaction to sunlight. Biologically, there is actually no such thing as race—nothing in terms of skin color, facial features, hair type, bone structure, or anything else that is a defining quality among peoples.
Bill Bryson (The Body: A Guide for Occupants)
Jessica stared at her son, seeing the oval shape of face so like her own. But the hair was the Duke’s—coal-colored and tousled. Long lashes concealed the lime-toned eyes. Jessica smiled, feeling her fears retreat. She was suddenly caught by the idea of genetic traces in her son’s features—her lines in eyes and facial outline, but sharp touches of the father peering through that outline like maturity emerging from childhood. She thought of the boy’s features as an exquisite distillation out of random patterns—endless queues of happenstance meeting at this nexus.
Frank Herbert (Dune (Dune, #1))
The black-haired man she had seen in the courtyard was indeed McKenna. He was even larger and more imposing than he had seemed at a distance. His features were blunt and strong, his bold, wide-bridged nose set with perfect symmetry between the distinct planes of his cheekbones. He was too masculine to be considered truly handsome- a sculptor would have tried to soften those uncompromising features. But somehow his hard face was the perfect setting for those lavish eyes, the clear blue-green brilliance shadowed by thick black lashes. No one else on earth had eyes like that. "McKenna," she said huskily, searching for any resemblance he might bear to the lanky, love-struck boy she had known. There was none. McKenna was a stranger now, a man with no trace of boyishness. He was sleek and elegant in well-tailored clothes, his glossy black hair cut in short layers that tamed its inherent tendency to curl. As he drew closer, she gathered more details... the shadow of bristle beneath his close-shaven skin, the glitter of a gold watch chain in his waistcoat, the brutal swell of muscle in his shoulders and thighs as he sat on a rock nearby.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
When we die there are two things we can leave behind us: genes and memes. We were built as gene machines, created to pass on our genes. But that aspect of us will be forgotten in three generations. Your child, even your grandchild, may bear a resemblance to you, perhaps in facial features, in a talent for music, in the colour of her hair. But as each generation passes, the contribution of your genes is halved. It does not take long to reach negligible proportions. Our genes may be immortal but the collection of genes that is any one of us is bound to crumble away. Elizabeth II is a direct descendant of William the Conqueror. Yet it is quite probable that she bears not a single one of the old king’s genes. We should not seek immortality in reproduction. But if you contribute to the world’s culture, if you have a good idea, compose a tune, invent a sparking plug, write a poem, it may live on, intact, long after your genes have dissolved in the common pool. Socrates may or may not have a gene or two alive in the world today, as G. C. Williams has remarked, but who cares? The meme-complexes of Socrates, Leonardo, Copernicus, and Marconi are still going strong.
Richard Dawkins (The Selfish Gene)
He found himself staring into a pair of amber eyes that tilted at the outer corners in a catlike slant. For a moment he couldn't breathe, couldn't think, while all his senses struggled to take her in. He had never seen anything like her. She was younger than he had expected, with a fair complexion and auburn hair that looked too heavy for its pins. A set of wide, pronounced cheekbones and a narrow jaw imparted an exquisite feline triangularity to her features. The curves of her lips were so full that even when she pressed them together tightly, as she was doing now, they still looked soft. Although she was not conventionally beautiful, she was so original that it rendered the question of beauty inconsequential.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
The events that took place as a result of your seeing the words happened by a process called associative activation: ideas that have been evoked trigger many other ideas, in a spreading cascade of activity in your brain. The essential feature of this complex set of mental events is its coherence. Each element is connected, and each supports and strengthens the others. The word evokes memories, which evoke emotions, which in turn evoke facial expressions and other reactions, such as a general tensing up and an avoidance tendency. The facial expression and the avoidance motion intensify the feelings to which they are linked, and the feelings in turn reinforce compatible ideas. All this happens quickly and all at once, yielding a self-reinforcing pattern of cognitive, emotional, and physical responses that is both diverse and integrated—it has been called associatively coherent.
Daniel Kahneman (Thinking, Fast and Slow)
This complex constellation of responses occurred quickly, automatically, and effortlessly. You did not will it and you could not stop it. It was an operation of System 1. The events that took place as a result of your seeing the words happened by a process called associative activation: ideas that have been evoked trigger many other ideas, in a spreading cascade of activity in your brain. The essential feature of this complex set of mental events is its coherence. Each element is connected, and each supports and strengthens the others. The word evokes memories, which evoke emotions, which in turn evoke facial expressions and other reactions, such as a general tensing up and an avoidance tendency. The facial expression and the avoidance motion intensify the feelings to which they are linked, and the feelings in turn reinforce compatible ideas. All this happens quickly and all at once, yielding a self-reinforcing pattern of cognitive, emotional, and physical responses that is both diverse and integrated—it has been called associatively coherent.
Daniel Kahneman (Thinking, Fast and Slow)
A bout of nerves crept up my spine and I tilted my head at him, hoping I was imagining the heat spreading over my cheeks to spare myself the embarrassment of blushing merely because he was piercing me with those chocolate eyes that I had never noticed were so amazing. “What are you staring at?” “Can I take you to prom?” He asked me. Just like that, no hesitation or insecurity to be found in his tone or facial expression. His confidence caught me completely off guard and I gaped at him in a stunned silence for almost twenty full seconds. His expression never faltered, though. He just watched my mouth work to make some sort of intelligible sound, waiting for my answer as he oozes at least the illusion of complete calm. “Huh?” I blurted in an embarrassingly high-pitched squeak. I sounded like a chipmunk and his smirk made me turn a deep shade of red. “Um… Uh… Prom?” I managed, eloquent as ever. He laughed at me fondly, nodding his head. “Yeah, prom.” Shock was not a deep enough word to describe what I was feeling over this proposal. This was Jim, the kid who swore up and down he would rather gouge out his eyes with a grapefruit spoon than put on dress clothes and he was offering to take me to a place where flannel shirts and ratty jeans were unacceptable and dance me around a room in uncomfortable shoes all night long? This couldn’t be real life. But it was real life. I was sitting in the car with him with my mouth hanging open like a fish waiting for him to laugh and tell me he was kidding, that there was no way he was going to put on a tie for my benefit, and he was sitting right there, a slightly nervous look crossing his features over my dumbstruck expression. Breathe, Lizzie, I scolded myself. Answer him! Say yes! You could have knocked me over with a feather and I was very relieved to be sitting down in a car so I could prevent anything humiliating from happening. Having already proved I could not trust my voice to answer him I jerkily nodded my head as my mouth grew into a Cheshire cat sized smile. I turned my face away and hid behind my hair as if I could hide my excitement from the world. Jim was visibly euphoric and that only made me want to squeal even more. He was excited to take me out. How cool was that?
Melissa Simmons (Best Thing I Never Had (Anthology))
The tyranny of caste is that we are judged on the very things we cannot change: a chemical in the epidermis, the shape of one’s facial features, the signposts on our bodies of gender and ancestry—superficial differences that have nothing to do with who we are inside. The caste system in America is four hundred years old and will not be dismantled by a single law or any one person, no matter how powerful. We have seen in the years since the civil rights era that laws, like the Voting Rights Act of 1965, can be weakened if there is not the collective will to maintain them. A caste system persists in part because we, each and every one of us, allow it to exist—in large and small ways, in our everyday actions, in how we elevate or demean, embrace or exclude, on the basis of the meaning attached to people’s physical traits. If enough people buy into the lie of natural hierarchy, then it becomes the truth or is assumed to be. Once awakened, we then have a choice. We can be born to the dominant caste but choose not to dominate. We can be born to a subordinated caste but resist the box others force upon us. And all of us can sharpen our powers of discernment to see past the external and to value the character of a person rather than demean those who are already marginalized or worship those born to false pedestals. We need not bristle when those deemed subordinate break free, but rejoice that here may be one more human being who can add their true strengths to humanity. The goal of this work has not been to resolve all of the problems of a millennia-old phenomenon, but to cast a light onto its history, its consequences, and its presence in our everyday lives and to express hopes for its resolution. A housing inspector does not make the repairs on the building he has examined. It is for the owners, meaning each of us, to correct the ruptures we have inherited. The fact is that the bottom caste, though it bears much of the burden of the hierarchy, did not create the caste system, and the bottom caste alone cannot fix it. The challenge has long been that many in the dominant caste, who are in a better position to fix caste inequity, have often been least likely to want to. Caste is a disease, and none of us is immune. It is as if alcoholism is encoded into the country’s DNA, and can never be declared fully cured. It is like a cancer that goes into remission only to return when the immune system of the body politic is weakened.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
She lifted her lantern high, and he allowed her to free him from the shadows, casting his face in warm, golden light. He had aged marvelously, grown into his long limbs and angled face. Penelope had always imagined that he'd become handsome, but he was more than handsome now... he was nearly beautiful. If not for the darkness that lingered despite the glow of the lantern- something dangerous in the set of his jaw, in the tightness of his brow, in eyes that seemed to have forgotten joy, in lips that seemed to have lost their ability to smile. He'd had a dimple as a child, one that showed itself often and was almost always the precursor to adventure. She searched his left cheek, looking for that telltale indentation. Did not find it. Indeed, as much as Penelope searched this new, hard face, she could not seem to find the boy she'd once known. If not for the eyes, she would not have believed it was him at all. "How sad," she whispered to herself. He heard it. "What?" She shook her head, meeting his gaze, the only thing familiar about him. "He's gone." "Who?" "My friend." She hadn't thought it possible, but his features hardened even more, growing more stark, more dangerous, in the shadows. For one fleeting moment, she thought perhaps she had pushed him too far. He remained still, watching her with that dark gaze that seemed to see everything.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
The slim chestnut-haired woman had been battering an assailant twice her size with precisely aimed strikes of her cane. Ethan had loved the way she'd done it, as if attending to some necessary task, like carrying a household bin out to the rubbish carter. Her face had been unexpectedly young, her complexion clean-scrubbed and as smooth as a tablet of white soap. All cheekbones and cool green eyes, with a sharp little rampart of a chin. But amidst the elegant angles and edges of her features, there was a valentine of a mouth, tender and vulnerable, the upper lip nearly as full as the lower. A mouth with such pretty curves that it did something to Ethan's knees every time he saw it. After that first encounter, Ethan had taken care to avoid Garrett Gibson, knowing she would be trouble for him, possibly even worse than he would be for her. But last month he'd gone to visit her at the medical clinic where she worked, for information concerning one of her patients, and his fascination had ignited all over again. Everything about Garrett Gibson was... delicious. The dissecting gaze, the voice as crisp as the icing on a lemon cake. The compassion that drove her to treat the undeserving poor as well as the deserving. The purposeful walk, the relentless energy, the self-satisfaction of a woman who neither concealed nor apologized for her own intelligence. She was sunlight and steel, spun into a substance he'd never encountered before. The mere thought of her left him like a stray coal on the hearth.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
I do not know the substance of the considerations and recommendations which Dr. Szilárd proposes to submit to you,” Einstein wrote. “The terms of secrecy under which Dr. Szilárd is working at present do not permit him to give me information about his work; however, I understand that he now is greatly concerned about the lack of adequate contact between scientists who are doing this work and those members of your Cabinet who are responsible for formulating policy.”34 Roosevelt never read the letter. It was found in his office after he died on April 12 and was passed on to Harry Truman, who in turn gave it to his designated secretary of state, James Byrnes. The result was a meeting between Szilárd and Byrnes in South Carolina, but Byrnes was neither moved nor impressed. The atom bomb was dropped, with little high-level debate, on August 6, 1945, on the city of Hiroshima. Einstein was at the cottage he rented that summer on Saranac Lake in the Adirondacks, taking an afternoon nap. Helen Dukas informed him when he came down for tea. “Oh, my God,” is all he said.35 Three days later, the bomb was used again, this time on Nagasaki. The following day, officials in Washington released a long history, compiled by Princeton physics professor Henry DeWolf Smyth, of the secret endeavor to build the weapon. The Smyth report, much to Einstein’s lasting discomfort, assigned great historic weight for the launch of the project to the 1939 letter he had written to Roosevelt. Between the influence imputed to that letter and the underlying relationship between energy and mass that he had formulated forty years earlier, Einstein became associated in the popular imagination with the making of the atom bomb, even though his involvement was marginal. Time put him on its cover, with a portrait showing a mushroom cloud erupting behind him with E=mc2 emblazoned on it. In a story that was overseen by an editor named Whittaker Chambers, the magazine noted with its typical prose flair from the period: Through the incomparable blast and flame that will follow, there will be dimly discernible, to those who are interested in cause & effect in history, the features of a shy, almost saintly, childlike little man with the soft brown eyes, the drooping facial lines of a world-weary hound, and hair like an aurora borealis… Albert Einstein did not work directly on the atom bomb. But Einstein was the father of the bomb in two important ways: 1) it was his initiative which started U.S. bomb research; 2) it was his equation (E = mc2) which made the atomic bomb theoretically possible.36 It was a perception that plagued him. When Newsweek did a cover on him, with the headline “The Man Who Started It All,” Einstein offered a memorable lament. “Had I known that the Germans would not succeed in producing an atomic bomb,” he said, “I never would have lifted a finger.”37 Of course, neither he nor Szilárd nor any of their friends involved with the bomb-building effort, many of them refugees from Hitler’s horrors, could know that the brilliant scientists they had left behind in Berlin, such as Heisenberg, would fail to unlock the secrets. “Perhaps I can be forgiven,” Einstein said a few months before his death in a conversation with Linus Pauling, “because we all felt that there was a high probability that the Germans were working on this problem and they might succeed and use the atomic bomb and become the master race.”38
Walter Isaacson (Einstein: His Life and Universe)
Grieving the Holy Spirit (Ephesians 4:30). Our anger grieves God’s Spirit, not only producing bitter fruit but quenching the fruit of the Spirit in our lives. Rather than operating with love, joy, and peace toward others, a bitter person becomes hateful, negative, and restless, closing off his heart toward others. Bitter people become very unlike themselves. The most loving and joyful people in the world can become hateful, irrational pessimists if they let bitterness take root and don’t forgive. Believe it or not, bitterness even hurts us physically. “A joyful heart is good medicine, but a broken spirit dries up the bones” (Proverbs 17:22). The tension of trying to contain it can harden our facial features and make us lose the radiance of our countenance, even causing a chemical imbalance in our bodies and lowering our resistance to disease.
Stephen Kendrick (The Resolution for Men)
But if we choose to be grateful and thank God for the unchangeable things in our lives, whether it is facial features or a birthmark we were born with—or even physical scars that have come about later in life from accidents such as burns or being injured in a car wreck—it changes our whole perspective on life. We will finally be able to overcome fear of rejection and live confidently and contentedly with these unchangeable things that we did not choose for ourselves.
Jill Duggar (Growing Up Duggar: It's All about Relationships)
He is as ominous as anything I imagined a government agent could be like. He wears a dark suit with a darker undershirt. His tie is a vibrant blue but somehow takes notice away from him. Even trying to recognize his facial features is difficult. The moment I try to remember something about him, it slips through, like rain through a storm drain.
Jonas Lee (A Time to Reap (The Legend of Carter Gabel, #1))
However, I try not to comment too much on bodies or facial features. Personally, I feel like we—Western culture—are so body obsessed, there’s no need for me to add to the hysteria.
L.H. Cosway (The Hooker and the Hermit (Rugby, #1))
Here’s another analogy. Human beings bring only a handful of facial features to the blueprint of how we look—two eyes, two eyebrows, a nose, a mouth, a pair of cheekbones, and two ears, all pasted onto a somewhat ovular-to-round face. That particular blueprint doesn’t often vary much, either. Interestingly enough, this is about the same number of essential storytelling parts and milestones that each and every story needs to showcase in order to be successful. Now, consider this: With only these eleven variables to work with, ask yourself how often you see two people who look exactly alike. In a crowd of ten thousand faces, you would be able to differentiate each and every one of them, other than a set of twins or two in attendance. Where we humans are concerned, the miracle of originality resides in the Creator, who applies an engineering-driven process—eleven variables— to an artistic outcome. Where art is concerned, there is something to be learned from that.
Larry Brooks (Story Engineering)
On the hills and in the valleys and along swampy shores, hunters hunt wolves, deer, and wild ducks. Let us hate them, not because they kill but because they enjoy themselves. May our facial expression consist of a wan smile, like that of someone who's about to cry, a far-away gaze, like that of someone who doesn't want to see, and a disdain in all its features, as when someone despises life and lives only to despise it. And may our disdain be for those who work and struggle, and our hatred for those who hope and trust.
Fernando Pessoa
Words didn’t come. I couldn’t formulate a thought. I was too startled. These three figures lying in the sand in front of me weren’t surfers at all. They weren’t even people. From their facial features and upper torsos, they looked kind of like women, but all three of them had silver-colored skin. They were bald, with strange ridges marking their skulls. None of them seemed to have ears, only holes in the sides of their heads. No nose was visible, not even a bone or nostrils filled that space between their eyes and mouths. Although their mouths seemed to be moving, they were actually breathing through what looked like gills in their necks. And if that wasn’t weird enough, instead of legs, their upper torsos stretched out into long, scale-covered, silver fishtails. If I had to say what these things stranded in front of me, splattered with oil, appeared to be, I’d say mermaids. And no, they didn’t look like they’d start singing songs or granting me wishes. They looked a little bit scary—but fragile too. Most of all, they looked like they were going to die, and no handsome prince was there to kiss them and keep them from turning into sea foam.
D.G. Driver (Cry of the Sea (Juniper Sawfeather, #1))
The legs were little more than elongated rectangles and the torso v-shaped, wider at the shoulders than the hips. The head was a simple oval, scratched into the stone without eyes or mouth. There was no neck to speak of. Then came a canine. There was no mistaken it: rear legs, ears, muzzle and teeth and down on all-fours. Maybe it was a wolf, maybe a coyote or a dog. The third was the weird one. It appeared to be neither man nor canine, but some combination of the two. It had the same v-shaped torso, but the ears were definitely canine, the head level at the top and barely protruding above the shoulders. There were no facial features.
Erick Rhetts (Lost on Skinwalker Ranch)
The left and right sides of the brain also process the imprints of the past in dramatically different ways.2 The left brain remembers facts, statistics, and the vocabulary of events. We call on it to explain our experiences and put them in order. The right brain stores memories of sound, touch, smell, and the emotions they evoke. It reacts automatically to voices, facial features, and gestures and places experienced in the past. What it recalls feels like intuitive truth—the way things are. Even as we enumerate a loved one’s virtues to a friend, our feelings may be more deeply stirred by how her face recalls the aunt we loved at age four.3
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
features of physical appearance, such as full lips, clear skin, smooth skin, clear eyes, lustrous hair, and good muscle tone, and features of behavior, such as a bouncy, youthful gait, an animated facial expression, and a high energy level. These physical cues to youth and health, and hence to reproductive capacity, constitute key elements of male standards of female beauty.
David M. Buss (The Evolution of Desire: Strategies of Human Mating)
During their brief encounter in the music room, Cassandra had been too flustered to notice much about him. He'd been so very odd, jumping out like that and offering to marry a complete stranger. Also, she'd been absolutely mortified for him to have overheard her tearful disclosure to West, especially the part about having her dress altered. But now it was impossible not to notice how very good-looking he was, tall and elegantly lean, with dark hair, a clear, fair complexion, and thick brows set at a diabolical slant. If she were to judge his features individually- the long nose, the wide mouth, the narrow eyes, the sharply angled cheeks and jaw- she wouldn't have expected him to be this attractive. But somehow when it was all put together, his looks were striking and interesting in a way she'd remember far longer than conventional handsomeness.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Covid or Covid Character ( Adjective noun) Extroverted. Outgoing .Loves to socialize and Meet people physically rather than digital forms. Crowds, markets, parties are favorite hangouts. Prefers physical greetings as firm handshakes , hugs, kisses. Seeks company of males over females although needs some company essentially. Contrarily , dislike being locked inside homes or office alone or with people. Believes in physicality of everything rather than the digital virtual self. Hates online meetings, social networking App world. Habitually Hates all kind of solitary exercises and habits as reading books, all screens including TV, mobile, tabs, PC's Shuns Covering up of facial features or hands.
Anup Kochhar
be an antiracist is not to reverse the beauty standard. To be an antiracist is to eliminate any beauty standard based on skin and eye color, hair texture, facial and bodily features shared by groups. To be an antiracist is to diversify our standards of beauty like our standards of culture or intelligence, to see beauty equally in all skin colors, broad and thin noses, kinky and straight hair, light and dark eyes. To be an antiracist is to build and live in a beauty culture that accentuates instead of erases our natural beauty.
Ibram X. Kendi (How to Be an Antiracist)
Critics of Afrocentrism can recognize the facial features in a police sketch as belonging to a Black man, but when these features appear on the face of a Hawaiian monarch, or on that of a pharaoh, the identity of this royalty becomes subject to all manner of esoteric hair splitting
Ishmael Reed
To be an antiracist is not to reverse the beauty standard. To be an antiracist is to eliminate any beauty standard based on skin and eye color, hair texture, facial and bodily features shared by groups.
Ibram X. Kendi (How to Be an Antiracist)
These facial features of mine don't even belong to me; they belong to my ancestors so I must honour them.
Meggan Roxanne
This beautiful mystery woman had a very white complexion and wore her blond, silky hair tied back from her face in a braid, which she had tucked under her fur coat. As she got closer, I could see that her facial features were not detailed in the way of an earthly human face. She had beautiful, small eyes and a very small nose with a tip that somehow looked unfinished. It was the same with her tiny mouth, something about the corners looked unfinished as well. I was frozen and I did not know what to do. Honestly, my mind stopped functioning and seemed to travel far away, wandering over my head in search of an explanation or an answer for this apparition. And then this beautiful mystery woman arrived in front of me and inexplicably hugged me very tight, with unusual passion for a stranger. With what felt like the deepest, genuine love, the beautiful mystery woman placed her forehead very tightly against the right side of my neck and then she raised her head until her warm right cheek was tight against my right cheek, so tight I could feel the bones of her face. Her left arm held me tight around my waist, while her right arm was over my left shoulder, squeezing me from behind my neck. She did not say ‘hi’ or any word; she just kept holding me tight that I started to feel her body heat.
Frank Moses (Cactus: Life Story and Fate, With an Unexpected Twist)
To be an antiracist is not to reverse the beauty standard. To be an antiracist is to eliminate any beauty standard based on skin and eye color, hair texture, facial and bodily features shared by groups. To be an antiracist is to diversify our standards of beauty like our standards of culture or intelligence, to see beauty equally in all skin colors, broad and thin noses, kinky and straight hair, light and dark eyes. To be an antiracist is to build and live in a beauty culture that accentuates instead of erases our natural beauty. —
Ibram X. Kendi (How to Be an Antiracist)
Do you think there’s a point?” “Meaning?” “We know how the result is going to turn out.” “Do tell.” “I heard the tone in Berleand’s voice. He may have talked about premature and inconclusive, but we both know. And I saw that girl on that surveillance video. Okay, not her face and it was at a distance. But she had her mother’s walk, if you know what I mean.” “How about her mother’s derriere?” Win asked. “Now that would be solid evidence.” I just looked at him. He sighed. “Mannerisms are often more of a tell than facial features or even height,” he said. “I get it.” “Yes.
Harlan Coben (Long Lost (Myron Bolitar, #9))
I do, but I'm gay. This country's too narrow-minded and I can't—and won't—put him through it. He's been through too much." Avery had just pulled himself from the race. He schooled his facial features, kept his game face in place, and let his internal emotions run rampant. This decision was huge and based completely on emotion over a man he'd known for a short time. But seriously, what a man! He allowed the thoughts of Kane to fill his heart and his mind, giving him strength.
Kindle Alexander (Always (Always & Forever #1))
Hopefully, you like beer because it’s all I have.” So much for crashing. My body was wide awake now. “Beer’s good. I just got off though. I need to change real quick.” I tugged at my work tank top. “I’ll be here.” He grinned, and I couldn’t help but notice he had a perfect smile. Really nice teeth. God, that was weird to notice. But man, he was a seriously good-looking guy. Nothing I could pinpoint as the feature that made him exceptionally attractive; everything just came together nicely. Like those people who have perfect facial symmetry, which tricks the brain, making them attractive to everyone. He was one of those people. And my brain most definitely appreciated the flawlessness. He was still grinning as I studied him, and it suddenly hit me, I was standing there. Staring. Geez. “Sorry. I’m exhausted from my shift. Sort of out of it.” He nodded slowly, clearly not buying my excuse. “Well, get changed and come relax. We can bitch about our day, gripe about our aching bones, maybe get in a fight over whose turn it is to cook dinner.” I stifled a laugh and played along with his old married couple reference. “Which will, of course, lead me into reminding you that my lasagna is never as good as your mother’s.” “Ah, but we can’t forget, I always overseason when I cook.” “And while we are talking about dinner, we should probably discuss the fact that dishes don’t wash themselves.” “Well, if we’re going there, you might as well remind me that the floor is not a hamper.” “Obviously.” My smile finally broke free. “Then I’ll complain of a headache, and we’ll call it a night.” “Wow.” He leaned back and rubbed his chin. “I’m sorry to say it, but I think this relationship is moving too fast.” “Relationship?” I raised an eyebrow. “We’re one dirty sock away from divorce.” He laughed, and my chest fluttered because it was one hell of a sexy laugh. “Get changed and come on over. I’m eager to get to know my future ex-wife.” With what I’m sure could only be described as a stupid grin, I said, “Be right back.
Renita Pizzitola (Just a Little Kiss (Crush, #3))
Surely we can train ourselves to an empathic imaginative sympathy for another species. Taught what to look for in facial features, gestures, postures, behavior, we could learn to be more open and more sensitive.
Jeffrey Moussaieff Masson (When Elephants Weep: The Emotional Lives of Animals)
Entrances and Exits Between 4 million and 2 million years ago, at least 11 different hominid species existed in central, eastern, and southern Africa. These species fall into three genera: Australopithecus, Paranthropus, and Kenyanthropus. At any given time during this era, from four to seven different species existed simultaneously.8 Paleoanthropologists surmise that at least six of the hominids were Australopithecus. Like earlier hominids, australopithecines can be thought of as bipedal apes, distinct from chimpanzees.9 The brain size of australopithecines (380 to 450 cm3) was slightly larger than that of chimpanzees (300 to 400 cm3). Though the cranium, facial features, and dental anatomy were apelike, they were distinct from the corresponding chimpanzee features. The australopithecines stood about four feet tall and matured rapidly, like the great apes. Skull, pelvis, and lower limbs all display features that indicate these hominids walked erect. Still, the bipedalism, called facultative, was distinct from the obligatory bipedalism employed by Homo hominids. Some paleoanthropologists think the australopithecines could also climb and move effectively through trees. This idea is based on their relatively long upper arms, short lower limbs, and funnel-shaped torsos. Work published in 2000 indicates that some australopithecines might have knuckle-walked like the great apes.10 The earliest australopithecines lived either in a woodland environment or in a mixed habitat of trees and open savannas. Later australopithecines lived only on the grassy plains. Their capacity to climb and move through trees, as well as walk erect, gave these hominids easy mobility in their varied environment. The oldest member of Australopithecus, Australopithecus anamensis, existed between 4.2 and 3.8 million years ago, based on fossils recovered near Lake Turkana in Kenya. Australopithecus afarensis fossils have been recovered in eastern Africa and date to between 4 and 3 million years old. “Lucy” (discovered in the early 1970s by Donald Johanson) is one of the best-known specimens. She is nearly 40 percent complete, with much of the postcranial skeleton intact.11 Remains of Australopithecus bahrelghazali, dated at 3.2 million years ago, have been recovered in Chad. Some paleoanthropologists think, however, that A. bahrelghazali is properly classified as an A. afarensis. Australopithecus africanus lived in South Africa between 3.0 and 2.2 million years ago, based on the fossil record. One of the best-known A. africanus specimens is the “Taung child” discovered in 1924 by Dart. The Taung child was the first australopithecine found.12
Fazale Rana (Who Was Adam: A Creation Model Approach to the Origin of Humanity)
Grace leaned forward, studying him up close, able to make out some of his facial features in the clay mask: strong brow, broad cheekbones, prominent jawline and chin. As a flavorist, she was familiar with kaolin clay, a virtually tasteless edible mineral often used as an anti-caking agent in processed foods, various toothpastes, and originally kaopectate. But she'd never encountered the raw product out of the lab, and certainly not like this. She leaned closer to him. He smelled of sediment and mostly sweat, a decidedly masculine note, the precise replication of which one could base an entire career, and then some. Even the most skilled perfumers in the world, experts in the animal secrets of civet and ambergris, couldn't get it just right. It was a human thing. And she'd studied it, androstadienone and most of the known male pheromones, and she knew the effects certain concentrates could have on certain women. She'd written the reports and seen the CT scans of activity in women's brains. Still, knowing about it intellectually and rationally did not in any way lessen what it was doing to her right now, the effect it was having on her senses and her body. 'Can he tell?' she wondered. Lean and broad-shouldered, he had the build of a man who spent his days using his body in labor. She could see it in the way the mud set into the ridged musculature of his forearms, like the russeting across a firm apple. Still, the inner details of him escaped her. His hair was caked with dry clay, and she thought of the figures she'd seen artists craft in their hillside studios in Montmartre, with the Sacre-Coeur church on the summit above and the bawdy Moulin Rouge crowds teeming below. He looked like that, an unglazed unfinished sculpture of a man, but for his eyes, vast and deep, and very much alive, as if he were trapped inside his statued body.
Jeffrey Stepakoff (The Orchard)
Have you ever heard the adage that dogs resemble their owners? Another interesting study conducted in 2009 by Sadahiko Nakajima, a psychologist at Japan’s Kwansei Gakuin University whose research on dog-owner resemblance has gained notoriety, found that people do indeed resemble their dogs. At a rate significantly higher than chance, people were able to match dog owners with their dogs. In a set of experiments that involved masking various parts of the dogs’ heads and their owners’ faces, Nakajima also discovered that more than 500 participants were able to correctly identify the pet-human connection to a specific facial feature: the eyes of both the dog and its owner.
Cary G. Weldy (The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know)
Our ancestors had access to two types of observable evidence of a woman’s health and youth: features of physical appearance, such as full lips, clear skin, smooth skin, clear eyes, lustrous hair, and good muscle tone, and features of behavior, such as a bouncy, youthful gait, an animated facial expression, and a high energy level. These physical cues to youth and health, and hence to reproductive capacity, constitute key elements of male standards of female beauty.
David M. Buss (The Evolution Of Desire: Strategies of Human Mating)
By selecting a man with symmetrical features, a woman may be selecting a superior complement of genes to be transmitted to her children. Some evidence supports the hypothesis that symmetry is indeed a health cue and that women especially value this quality in mates (Gangestad & Thornhill, 1997; Thornhill & Møeller, 1997). First, facially symmetric individuals score higher on tests of physiological, psychological, and emotional health (Shackelford & Larsen, 1997). Second, there is positive relationship between facial symmetry and judgments of physical attractiveness in both sexes. Third, women judge facially symmetrical men, compared with their more lopsided counterparts, to be more sexually attractive. Facial symmetry is linked to judgments of health (Jones et al., 2001). Men with more symmetrical faces experienced fewer respiratory illnesses, suggesting better disease resistance (Thornhill & Gangestad, 2006). Some researchers, however, question the quality of the studies and conclude that the evidence on the association between symmetry and health is not yet fully convincing (Rhodes, 2006).
David M. Buss (Evolutionary Psychology: The New Science of the Mind)
Because he hadn’t seen that coming either from the slow way his eyebrows rose in sheer surprise even as his facial features simultaneously softened. And he said quietly, looking right at me in what felt like pleased shock, “Kind of missed you too.
Mariana Zapata (All Rhodes Lead Here)
King of Hearts was very handsome, or at least Katrina thought so. He had chiseled, regal facial features including a square chin and a Roman nose. His skin was so pale that it reminded Katrina of white marble. Sitting on top of his short black hair was a golden crown decorated with glittering rubies that
KuroKoneko Kamen (Handsome and the Yeti (Genderbent Fairytales Collection, Book 1) (Twisted Fairytales Collection))
As public schools in the United States began desegregating and students of different skin tones were photographed for yearbooks in the same frame, the technical fixes that could be employed when a Black child was photographed alone were not useful. In particular, Black parents, objecting to the fact that their children’s facial features were rendered blurry, demanded higher-quality images.20 But the photographic industry did not fully take notice until companies that manufactured brown products like chocolate and wooden furniture began complaining that photographs did not depict their goods with enough subtlety, showcasing the varieties of chocolate and of grains in wood.
Ruha Benjamin (Race After Technology: Abolitionist Tools for the New Jim Code)
The pallor and sharpness of her facial features stirred a strange feeling within me, causing me to wonder how I had ever fallen in love with her. How had she become my wife? I didn’t have the answers, and I still couldn’t recall a single happy memory. – Yaser
احمد اليسير (My Trip to Adele)
Instead of telling people what I think of a proposal, a product, a feature, whatever, I ask them instead what they think. Were they thrilled with it? Absolutely love it? Most of the time I would hear, “It's okay,” or “It's not bad.” They would surmise from my facial expression that this wasn't the answer I was looking for. Come back when you are bursting with excitement about whatever you are proposing to the rest of us.
Frank Slootman (Amp It Up: Leading for Hypergrowth by Raising Expectations, Increasing Urgency, and Elevating Intensity)
Instead, the default approach may be to minimize the situation by taking the color-blind position that “all children should be treated equally” in an attempt to make the problem go away. With this, people feel all bases are covered. After all, teaching children citizenship and values of respect and being good people should be enough for a family or classroom. But is this really so? Does this truly prepare children for instances of sudden self-awareness that they are different? Or for instances of intentional or unintentional othering by the child’s friend who notices that their facial or other physical features don’t match others around them? The absence of dialogue may cause
Farzana Nayani (Raising Multiracial Children: Tools for Nurturing Identity in a Racialized World)
I wonder if he doesn't keep his hair out of his face because he knows just how delicious his facial features are. His nose is so straight and perfect, I want to run the tip of a finger down its slope before tracing his full lips. Even his ears--decidedly unattractive body parts--manage to look pristine. And I can't help but imagine what sound he would make if I tugged down on his lobe with my teeth.
Tricia Levenseller (The Shadows Between Us (The Shadows Between Us, #1))
She thought of a song her mother used to play, a woman singing plaintively about wishing for a river to skate away on … How true that feeling was. Her mother had felt it; now she did too. That was the real inheritance from her mother, she thought, more defining than any facial feature or mannerism. They both wanted to disappear.
Coco Mellors (Cleopatra and Frankenstein)
Women differ in the exact male height they prefer, but almost always prefer a man taller than themselves. Different ethnic groups may prefer different facial features, but all prefer faces that are symmetrical and averagely shaped for their population. If you don't look for the universals of human beauty at the right level of description, you will not find them.
Geoffrey Miller (The Mating Mind: How Sexual Choice Shaped the Evolution of Human Nature)
And his distinctive facial features indicated he had Down syndrome.
J.T. Geissinger (Burn for You (Slow Burn, #1))
Flames burst into life all along the wall, following the channel's rectangular course around the vast room. The flames continued around the rest of the room, until the great torch over the archway burst into flames. The torch formed the apex of an arch where two great statues were joined. Carved from black marble, the two figures framed the hall's entrance like great columns. On the left was a giant Prometheus, whose facial features looked suspiciously demonic. He was depicted handing the torch to a smaller, but still Herculean statue of a man. Both figures grasped the handle of the torch, which continued to burn overhead as Kate and Rohan advanced slowly into the great chamber. "I think we've found the Hall of Fire," she murmured. "It would appear so," he agreed with a sardonic nod. "This was mentioned in the Journal. Lord, look at all this loot! O'Banyon was right." Treasure abounded in the now-fully-illuminated Hall of Fire. Walking deeper into the chamber, they were surrounded by dazzling riches, mounds of gold, open chests full of glittering coins from bygone eras, jewels, crowns, scepters, swords of power, gold and silver cloth, a throne, ancient vases and jeweled cups, classical statues no doubt worth a fortune. There was even a chariot that looked like it might have belonged to the likes of Alexander the Great.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
triple duty—nouns, verbs, and adverbs in asl DID YOU KNOW? The number or quality of repeated movements within a sign can mean the difference between a noun, verb, or adverb, or provide multiple kinds of information simultaneously. This grammatical feature means ASL is often more economical than spoken language. NOUN: Repeat the sign’s movement twice using a small range of motion. For example, the pointer and middle fingers are tapped against each other to make the sign “chair.” VERB: The sign’s movement is made only once, using a larger range of motion. Sometimes this movement is altered to more closely mirror the real-life action (see: “cup” → “drink”). Here the pointer and middle fingers of one hand are set on the other to make the verb “to sit.” Greater force and a stern facial expression can form the command “sit down.” ADVERB: Some signs can be imbued with descriptive information by tweaking or adding movement. For example, to add the information for a long period of time, a sign can be adjusted to incorporate a slow, circular motion (see: working, sitting). NOW YOU TRY! Using the base sign study, tell a partner about a time when you had to study hard or for a long time.
Sara Nović (True Biz)