Facial Beauty Quotes

We've searched our database for all the quotes and captions related to Facial Beauty. Here they are! All 100 of them:

The beauty of a woman is not in a facial mole,but true beauty in a Woman is reflected in her soul. It is the caring that she lovingly gives, the passion that she knows.
Audrey Hepburn
The beauty of the human soul Is not the pretty face. It’s found within the heart and hands Of those who look — and stay.
Laura Greenwald (Eye of the Beholder: True Stories of People with Facial Differences)
Séverin crossed his arms. “Zofia, tell him he’s pretty.” Zofia didn’t look up from her tea. “I am personally undecided, but if we’re assessing based on objectivity, then according to the principles of the golden ratio, also known as phi, which is approximately 1.618, your facial beauty is mathematically pleasing.
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
Never presume to know a person based on the one dimensional window of the internet. A soul can’t be defined by critics, enemies or broken ties with family or friends. Neither can it be explained by posts or blogs that lack facial expressions, tone or insight into the person’s personality and intent. Until people “get that”, we will forever be a society that thinks Beautiful Mind was a spy movie and every stranger is really a friend on Facebook.
Shannon L. Alder
you begin to talk like me your facial expressions like my own this is when i knew you were mine
R.H. Sin (A Beautiful Composition of Broken)
A homely face does not guarantee a homely character. Appearance is the body, character is the spirit, and the soul bears the most vital qualities.
Michael Bassey Johnson
Sign is a live, contemporaneous, visual-gestural language and consists of hand shapes, hand positioning, facial expressions, and body movements. Simply put, it is for me the most beautiful, immediate, and expressive of languages, because it incorporates the entire human body.
Myron Uhlberg (Hands of My Father: A Hearing Boy, His Deaf Parents, and the Language of Love)
Why women don't have facial hair. God doesn't cover up anything that looks beautiful.
Tony Sakalauskas (Planet Search)
I am convinced that "all ladies are not the same". Some have pretty faces, others have beautiful characters. Some have facial make-ups, others have mental make-ups!
Israelmore Ayivor (The Great Hand Book of Quotes)
There was a sort of beauty that only comes with age. A whole life engraved into facial wrinkles.
Henning Mankell (An Event in Autumn: A Kurt Wallander Mystery)
Destroying your mirrors leaves your facial blemishes intact.
Mokokoma Mokhonoana
If hard work and knowledge were respected instead of facial beauty, money, and power; then the world could have changed for good.
Abrar Ahmed chowdhury
A man should never be judged by his skill, talent, colour, financial or political status, facial beauty and level of education but by the quality of his character.
Paul Bamikole
The beauty of a woman is not in her facial makeup but in the kindness of her soul.
Debasish Mridha
Take a careful look around you the next time you’re walking in a crowded area. If you pay close attention, you’ll see women of myriad body shapes and sizes, hair colors, facial features, and ages. It’s easy to forget the actual landscape of women’s appearances, because the range of what we see in media is so narrow.
Renee Engeln (Beauty Sick: How the Cultural Obsession with Appearance Hurts Girls and Women)
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
Hanne Blank
GAWKING IS A LOOK stronger than a stare. The gawk was full of brazen curiosity, pity, and fear, every unattractive human emotion rolled into one unflattering facial expression.
Ann Patchett (Truth & Beauty)
Suddenly the look in Norah’s eyes changed. The nervous air she had walked in with, lifted from her face. Her eyes closed slightly and then opened wide, revealing pools of chocolate confidence. The change in her facial expression forced me to take a breath. How could you not love a creature like this — Angel by day, vixen by night.
Angela Richardson (All the Pieces (Pieces of Lies, #3))
His face, brooding and saturnine in the shadows, could have belonged to some lesser god in a realm far below Olympus. Powerful, secretive, enigmatic. He turned his head until his lips nudged her palm with a tenderness she knew somehow was reserved for her alone.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Pandora approached Gabriel in a direct way no other young woman of her rank would have dared. She had extraordinary eyes, dark blue rimmed with black, like sapphires charred at the edges. A pair of winged black brows stood out sharply against her snowdrop complexion. She smelled like night air, and white flowers, and a hint of feminine sweat. The fragrance aroused him, all his muscles tightening like bowstrings.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years. In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne. That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.
Sting (Broken Music: A Memoir)
She was beautiful. Before, she had been pretty and gorgeous, lively and smiley, all red hair and perfect skin and quick movements. Now her eyes were deeper. He could fall into her face forever and happily drown there, pulled into her depths. There were worlds in her mind that were only just forming before.
Liz Braswell (Part of Your World)
Within the aesthetic system of the High Renaissance, pointed noses and fine lips were typically associated with a refined facial beauty. At the same time, well-formed, proportionate figures represented the height of bodily beauty. This aesthetic pairing led to the degradation of the African face and the exaltation of the African body.
Sabrina Strings (Fearing the Black Body: The Racial Origins of Fat Phobia)
Why women have no facial hair. God does not cover up anything that looks beautiful.
Tony Sakalauskas (Planet Search)
The gawk was full of brazen curiousity, pity, and fear, every unattractive human emotion rolled into one unflattering facial expression.
Ann Patchett (Truth & Beauty)
I love the waves of your lips The symmetries of your eyes The gazes The smiles
Jazalyn
Isabella made a conscious effort to keep from her facial features the thought that her cousin had a few attics to let.
Kristi Ann Hunter (An Inconvenient Beauty (Hawthorne House #4))
Lark was beautiful. And not only objectively, based on facial geometry or social consensus. Beautiful to me. Utterly captivating.
Ivy Fairbanks (Morbidly Yours)
We like or dislike too readily, we are blinded by the race, sex and age of the one studied, and, most fatal of all, we judge by standards of beauty that are totally misleading. The sweetest face may hide the most arrant egoist, for facial beauty has very little to do with the nature behind the face. In fact, facial make-up is more influenced by diet, disease and racial tendency than by character.
Abraham Myerson (The Foundations of Personality)
During their brief encounter in the music room, Cassandra had been too flustered to notice much about him. He'd been so very odd, jumping out like that and offering to marry a complete stranger. Also, she'd been absolutely mortified for him to have overheard her tearful disclosure two West, especially the part about having her dress altered. But now it was impossible not to notice how very good-looking he was, tall and elegantly lean, with dark hair, a clear, fair complexion, and thick brows sett at a diabolical slant. If she were to judge his features individually- the long nose, the wide mouth, the narrow eyes, the sharply angled cheeks and jaw- she wouldn't have expected him to be this attractive. But somehow when it was all put together, his looks were striking and interesting in a way she'd remember far longer than conventional handsomeness.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
my eyes make mirrors out of every reflective surface they pass searching for something beautiful looking my ears fish for compliments and praise but no matter how far they go looking nothing is enough for me i go to clinics and department stores for pretty potions and new techniques i've tried the lasers i've tried the facials i've tried the blades and expensive creams for a hopeful minute they fill me make me glow from cheek to cheek but as soon as i feel beautiful their magic disappears suddenly where am i supposed to find it i am willing to pay any price for a beauty that makes heads turn every moment day and night - a never-ending search
Rupi Kaur (the sun and her flowers)
Just because she saw that the vagaries of capitalism, patriarchy, gender norms, or consumerism contributed to facial dysphoria didn't mean she had developed immunity to them. In fact, a political consciousness honed on queer sensitivity simply made her feel guilty about not having managed to change her deeply ingrained beauty norms. Call her a fraud, a hypocrite, superficial, but politics and practice parted paths at her own body.
Torrey Peters (Detransition, Baby)
Moira wished she spoke better Russian so that she could talk to Tekla about her ideas regarding appearance and grooming. The facial scars put her well outside the norms of feminine beauty and she had doubled down by electing to keep the buzz cut. In spite of this, or perhaps because of it, she was, to put it bluntly, kind of hot. Moira hated to say it. But hotness was a part of the human condition and it was pointless to pretend that it did not exist.
Neal Stephenson (Seveneves)
Gideon was instantly captivated. A hundred questions crowded in his mind. He wanted to know who she was, why she was there, if she liked sugar in her tea, had she climbed trees as a girl, and what her first kiss had been like... The flood of curiosity puzzled him. He usually managed to avoid caring about anyone long enough to ask questions about him. Not quite trusting himself to speak, Gideon approached her cautiously. She stiffened slightly, as if she was unused to proximity with a stranger. As he drew closer, he saw that her features were even and her nose was a little too long, and her mouth was soft and sweetly shaped. Her eyes were some light color... green, perhaps... shining eyes that contained unexpected depths.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
He was incredibly and unbearably beautiful. There was no other way for her to adequately describe it to herself. It was beyond being just handsome. Handsome was a common masculine adjective, limited in its scope. This man was honestly beautiful. His facial features were so very elegant, taking the term noble to the extreme. Dark brows winged up over dark eyes, both of indeterminate color in the shadows of the night. So dramatic, but then so belied by the ridiculous childlike length of lush lashes. His magnificent eyes were lit with a soft, smoldering light of amusement as his sensual mouth was lifting up at the corner in a smile she could only call sinful. “How did you . . . but that’s . . . you couldn’t possibly!” she spluttered, her hands opening and closing reflexively on his lapels. “I did. It is not. And apparently, I could.” He was smiling broadly now, and Isabella was certain she was the cause of some unseen bit of amusement. She glowered at him, completely forgetting he’d just saved her neck. Literally. “I’m so glad you find this so entertaining!” Jacob couldn’t help his growing smile. She was so focused on him that she hadn’t realized they were still a good ten feet off the ground and floating at the exact spot where he’d met her precipitous fall. That was for the best, he thought, sinking down to the pavement while she was distracted by the taunt of his amusement. He was going to have enough trouble as it was explaining how he’d managed to catch a woman hurtling to her death from five stories up.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
To be an antiracist is not to reverse the beauty standard. To be an antiracist is to eliminate any beauty standard based on skin and eye color, hair texture, facial and bodily features shared by groups. To be an antiracist is to diversify our standards of beauty like our standards of culture or intelligence, to see beauty equally in all skin colors, broad and thin noses, kinky and straight hair, light and dark eyes. To be an antiracist is to build and live in a beauty culture that accentuates instead of erases our natural beauty.
Ibram X. Kendi (How to Be an Antiracist)
Merritt was dumbstruck at the sight of his clean-shaven face. Dear God. He was beyond handsome. The cushioning thick beard was gone, revealing the brooding masculine beauty of a fallen angel. His features were strong but elegantly refined, the cheekbones high, the mouth full and erotic.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
It had been only natural that as she developed into a young woman, she would become physically attracted to him. Certainly every other female in Hampshire was. McKenna had grown into a tall, big-boned male with striking looks, his features strong if not precisely chiseled, his nose long and bold, his mouth wide. His black hair hung over his forehead in a perpetual spill, while those singular turquoise eyes were shadowed by extravagant dark lashes. To compound his appeal, he possessed a relaxed charm and a sly sense of humor that had made him a favorite on the estate and in the village beyond.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
While awake, he was all angles and tension- the muscles of his jaw were strung tight as a bow, as though he were in a perpetual state of holding himself back. But now, in slumber, in the glow of the fire, he was... Beautiful. The angles were still there, sharp and perfect, as though a master sculptor had had a hand in creating him- the tilt of his jaw, the cleft of his chin, his long, straight nose, the perfect curve of his brows, and those eyelashes, just as they were when he was a boy, unbelievably long and lush, a black, sooty caress against his cheeks. And his lips. Not pressed in a firm, grim line at the moment, instead lovely and full. They had once been so quick to smile, but... they had become dangerous and tempting in a way they'd never been when he was a boy. She traced the peak and valleys of his upper lip with her gaze, wondering how many women had kissed him. Wondering what his mouth would feel like- soft or firm, light or dark. She exhaled, temptation making the breath long and heavy. She wanted to touch him.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
I find it really fascinating that while in an attempt to look beautiful we tend to go for what's easily acceptable. But when it comes to portraits, it is only our facial flaws that make that picture worth its while, setting it apart. Isn't it amazing to find that beauty is something that makes us alike? While our flaws are the real contributors to our uniqueness.
Mansi Laus Deo
I used to have this fantasy that in some distant Star Wars sequel, we’d finally stop all the shooting and screaming at each other and would go to a shopping-and-beauty planet, where the stormtroopers would have to get facials, and Chewbacca would have to get pedicures and bikini and eyebrow waxes. I felt at some point that I should get—okay, fine, maybe not equal time—but just a few scenes where we all did a lot of girly things. Imagine the shopping we might have done on Tatooine! Or a little Death Star souvenir shop where you could get T-shirts that said “My parents got the force and jumped to light speed and all I got was this lousy t-shirt!” or “My boyfriend blew Jabba the Hutt and all I got” . . . etc., etc. You get the gist of my drift.
Carrie Fisher (Wishful Drinking)
Etien’s very depressed,” Ghosh said. “Not about the cancer, but over his colostomy. He can’t accept the idea of waste coming out from an opening in his abdomen.” Etien had the sheet over his head. When Ghosh examined him, and then said the colostomy looked beautiful, tears welled up in Etien’s big eyes. He wouldn’t look down there. All he said was “Who will marry me now?” Ghosh was surprisingly firm. “Etien, that’s not the part of your body I cut off, the marrying part. You’ll find a woman who loves you, and you’ll explain it to her. If she loves you for yourself, you’ll both be glad that you are alive.” Ghosh’s facial expression brooked no argument, but then he softened. “Etien, imagine if all humans were born with their anus on the belly and that’s where everyone’s waste emerged. Then imagine if someone said they were going to operate on you and reroute your bowel so it opened behind you, between your buttock cheeks, somewhere where you couldn’t see it except in a mirror, and where you could hardly reach it or easily keep it clean …” It took a few seconds, but then Etien smiled. He dabbed his eyes. He ventured a glance down at his colostomy. It was a small step in the right direction.
Abraham Verghese (Cutting for Stone)
This is what nibbling your ear sounds like.” Blake created a soundtrack for his teeth. “This is what looking into your eyes sounds like.” The notes were deep and beckoning. “This is what my mind hears when my tongue is in your mouth.” The kiss sounded steamy and delicate. The rhythm was her heartbeat as he sampled her mouth. “But when you smile. When you smile it’s…” Blake scooted the keyboard around behind her. He needed both hands. She put her hands on his face and smiled in amazement as the music exploded. She couldn’t imagine how her simple facial gesture could inspire such a majestic sound. He smiled back. “One thousand nine hundred and ten.” “So many? Really?” “Yes, really. And it’s not nearly enough. I want to lose count, Livia. Make me lose count.” His hands left the beautiful music and grabbed handfuls of her hair.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Early eighteenth-century Italy saw facial powder at the center of the biggest scandal ever to befall a cosmetics manufacturer. A woman named Signora Toffana, who was well known in upper-class social circles, created a face powder that contained lead and arsenic and sold it to the wives of noblemen and the wealthy. The more affectionate the husband was with pecks on his wife’s cheeks, the faster he died from the toxic powder. An estimated 600 husbands died this way, and Toffana was executed as an accomplice in their deaths.
Samuel S. Epstein (Toxic Beauty: How Cosmetics and Personal-Care Products Endanger Your Health... and What You Can Do About It)
The black-haired man she had seen in the courtyard was indeed McKenna. He was even larger and more imposing than he had seemed at a distance. His features were blunt and strong, his bold, wide-bridged nose set with perfect symmetry between the distinct planes of his cheekbones. He was too masculine to be considered truly handsome- a sculptor would have tried to soften those uncompromising features. But somehow his hard face was the perfect setting for those lavish eyes, the clear blue-green brilliance shadowed by thick black lashes. No one else on earth had eyes like that. "McKenna," she said huskily, searching for any resemblance he might bear to the lanky, love-struck boy she had known. There was none. McKenna was a stranger now, a man with no trace of boyishness. He was sleek and elegant in well-tailored clothes, his glossy black hair cut in short layers that tamed its inherent tendency to curl. As he drew closer, she gathered more details... the shadow of bristle beneath his close-shaven skin, the glitter of a gold watch chain in his waistcoat, the brutal swell of muscle in his shoulders and thighs as he sat on a rock nearby.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
His mind was completely occupied with the image of Aline by the river, the rich mass of her pinned-up hair, the exquisite lines of her body and throat. Time had only made Aline's beauty more eloquent. Her body was ripe and fully developed, the form of a woman in her prime. With maturity, her face had become more delicately sculpted, the nose thinner, the lips faded from deep rose to the pale shade of pink that tinted the inside of a seashell. And there was that damned, never-forgotten beauty mark, the festive dark fleck that lured his attention to the tender corner of her mouth.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
I had thought the Upper East Side could shield me from the beauty pageants and cockfights of the art scene in which I’d “worked” in Chelsea. But living uptown had infected me with its own virus when I first moved there. I’d tried being one of those blond women speed walking up and down the Esplanade in spandex, Bluetooth in my ear like some self-important asshole, talking to whom—Reva? On the weekends, I did what young women in New York like me were supposed to do, at first: I got colonics and facials and highlights, worked out at an overpriced gym, lay in the hammam there until I went blind, and went out at night in shoes that cut my feet and gave me sciatica.
Ottessa Moshfegh (My Year of Rest and Relaxation)
He found himself staring into a pair of amber eyes that tilted at the outer corners in a catlike slant. For a moment he couldn't breathe, couldn't think, while all his senses struggled to take her in. He had never seen anything like her. She was younger than he had expected, with a fair complexion and auburn hair that looked too heavy for its pins. A set of wide, pronounced cheekbones and a narrow jaw imparted an exquisite feline triangularity to her features. The curves of her lips were so full that even when she pressed them together tightly, as she was doing now, they still looked soft. Although she was not conventionally beautiful, she was so original that it rendered the question of beauty inconsequential.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I did not actually accuse you of being beautiful. I said you looked beautiful tonight. A subtle but significant difference." "Yes, the gown," she started to say. He stepped closer. "Is my eyesight failing? Let me take a closer study." He took another step, until she had to tilt back her head to look at him. "Hold still," he said, amusement softening his tone. He touched her chin. Eliza froze. Gently the earl tipped her face from side to side, his dark eyes intent upon her. "A few freckles," he said thoughtfully. "But I find those charming." His thumb brushed along her cheekbone and Eliza's hands fisted in the folds of her skirt. "Your lashes are very long," he murmured. "And your eyes... Your eyes are lovely. Like the fields of Rosemere under a summer sky, when the grasses are tall and verdant, and golden finches swoop in and out.
Caroline Linden (An Earl Like You (The Wagers of Sin, #2))
Sara noticed that his white teeth were slightly snaggled, giving his smile the appearance of a friendly snarl. It was then that she understood why so many women had been seduced by him. His grin held a wickedly irresistible appeal. She stared at his chest as he untied the laces and positioned her cap correctly. "Thank you," she murmured, and tried to take the strings of the cap from his fingers. But he didn't let go. He held the laces at her chin, his fingers tightening. Glancing up at him in confusion, Sara saw that his smile had vanished. In a decisive motion he pulled the concealing lace from her hair and let it fall. The cap fluttered to a patch of mud and rested there limply. Sara lifted her hand to the loose braided coil of her hair, which threatened to tumble from its pins. The chestnut locks gleamed with fiery highlights, escaping in delicate wisps around her face and throat. "Mr. Craven," she scolded breathlessly. "I find your behavior untoward and a-and offensive, not to mention-oh!" She stammered in astonishment as he reached for her spectacles and plucked them from her face. "Mr. Craven, h-how dare you..." She fumbled to retrieve them. "I... I need those..." Derek held them out of reach as he stared at her uncovered face. This was what she had kept hidden beneath the old-maid disguise... pale, luminous skin, a mouth shaped with surprising lushness, a pert little nose, marked at the delicate bridge where the edge of her spectacles had pressed. Angel-blue eyes, pure and beguiling, surmounted by dark winged brows. She was beautiful. He could have devoured her in a few bites, like a fragrant red apple. He wanted to touch her, take her somewhere and pull her beneath him, as if he could somehow erase a lifetime of sin and shame within the sweetness of her body.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep) You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love. We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-
Junipurr- Sometimes Trudy
The anger and aggression that women feel, however, can always be abated by an infinite list of beauty products, some of which have the added benefit of eliminating the appearance of anger entirely. Even if a woman is angry, no one should know it by looking at her face – optimally lineless, expressionless, and, in some cases, actually paralyzed. In 2015, news outlets announced a plastic surgery that promised to fix women with 'resting angry face,' popularly known as Resting Bitch Face. Plastic surgery, facial exercises, and even 'facial yoga' hinge on the idea that showing strong, particularly angry, emotions is bad and makes women undesirable. Antidepressant advertising targeting menopausal women encourages them to be tranquil, sedate, and, essentially, nice to look at. Lotions, creams, and injections are 'soothing' and 'calming'. Good skin care, the way to overcome 'angry' rashes or textures, has become a matter of carefully managing not just the feel of the body but also the disciplining of emotions.
Soraya Chemaly
The first movie star I met was Norma Shearer. I was eight years old at the time and going to school with Irving Thalberg Jr. His father, the longtime production chief at Metro-Goldwyn-Mayer, devoted a large part of his creative life to making Norma a star, and he succeeded splendidly. Unfortunately, Thalberg had died suddenly in 1936, and his wife's career had begun to slowly deflate. Just like kids everywhere else, Hollywood kids had playdates at each other's houses, and one day I went to the Thalberg house in Santa Monica, where Irving Sr. had died eighteen months before. Norma was in bed, where, I was given to understand, she spent quite a bit of time so that on those occasions when she worked or went out in public she would look as rested as possible. She was making Marie Antoinette at the time, and to see her in the flesh was overwhelming. She very kindly autographed a picture for me, which I still have: "To Cadet Wagner, with my very best wishes. Norma Shearer." Years later I would be with her and Martin Arrouge, her second husband, at Sun Valley. No matter who the nominal hostess was, Norma was always the queen, and no matter what time the party was to begin, Norma was always late, because she would sit for hours—hours!—to do her makeup, then make the grand entrance. She was always and forever the star. She had to be that way, really, because she became a star by force of will—hers and Thalberg's. Better-looking on the screen than in life, Norma Shearer was certainly not a beauty on the level of Paulette Goddard, who didn't need makeup, didn't need anything. Paulette could simply toss her hair and walk out the front door, and strong men grew weak in the knees. Norma found the perfect husband in Martin. He was a lovely man, a really fine athlete—Martin was a superb skier—and totally devoted to her. In the circles they moved in, there were always backbiting comments when a woman married a younger man—" the stud ski instructor," that sort of thing. But Martin, who was twelve years younger than Norma and was indeed a ski instructor, never acknowledged any of that and was a thorough gentleman all his life. He had a superficial facial resemblance to Irving Thalberg, but Thalberg had a rheumatic heart and was a thin, nonathletic kind of man—intellectually vital, but physically weak. Martin was just the opposite—strong and virile, with a high energy level. Coming after years of being married to Thalberg and having to worry about his health, Martin must have been a delicious change for Norma.
Robert J. Wagner (Pieces of My Heart: A Life)
She lifted her lantern high, and he allowed her to free him from the shadows, casting his face in warm, golden light. He had aged marvelously, grown into his long limbs and angled face. Penelope had always imagined that he'd become handsome, but he was more than handsome now... he was nearly beautiful. If not for the darkness that lingered despite the glow of the lantern- something dangerous in the set of his jaw, in the tightness of his brow, in eyes that seemed to have forgotten joy, in lips that seemed to have lost their ability to smile. He'd had a dimple as a child, one that showed itself often and was almost always the precursor to adventure. She searched his left cheek, looking for that telltale indentation. Did not find it. Indeed, as much as Penelope searched this new, hard face, she could not seem to find the boy she'd once known. If not for the eyes, she would not have believed it was him at all. "How sad," she whispered to herself. He heard it. "What?" She shook her head, meeting his gaze, the only thing familiar about him. "He's gone." "Who?" "My friend." She hadn't thought it possible, but his features hardened even more, growing more stark, more dangerous, in the shadows. For one fleeting moment, she thought perhaps she had pushed him too far. He remained still, watching her with that dark gaze that seemed to see everything.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
The slim chestnut-haired woman had been battering an assailant twice her size with precisely aimed strikes of her cane. Ethan had loved the way she'd done it, as if attending to some necessary task, like carrying a household bin out to the rubbish carter. Her face had been unexpectedly young, her complexion clean-scrubbed and as smooth as a tablet of white soap. All cheekbones and cool green eyes, with a sharp little rampart of a chin. But amidst the elegant angles and edges of her features, there was a valentine of a mouth, tender and vulnerable, the upper lip nearly as full as the lower. A mouth with such pretty curves that it did something to Ethan's knees every time he saw it. After that first encounter, Ethan had taken care to avoid Garrett Gibson, knowing she would be trouble for him, possibly even worse than he would be for her. But last month he'd gone to visit her at the medical clinic where she worked, for information concerning one of her patients, and his fascination had ignited all over again. Everything about Garrett Gibson was... delicious. The dissecting gaze, the voice as crisp as the icing on a lemon cake. The compassion that drove her to treat the undeserving poor as well as the deserving. The purposeful walk, the relentless energy, the self-satisfaction of a woman who neither concealed nor apologized for her own intelligence. She was sunlight and steel, spun into a substance he'd never encountered before. The mere thought of her left him like a stray coal on the hearth.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Of course, my fundamentals may not work for everyone. A beautiful aspect of the human race is our endless variety. Like maple leaves and snowflakes, there are no two of us alike. Therefore, while my tactics involving the cultivation of lush facial hair and the consumption of pork products, as well as those derived from beef, may not be exactly the steps of the path you might tread on your own way to “delicious living,” perhaps my techniques will at least inspire you to forge your own discipline, providing you with the necessary skills to blaze your own trail.
Nick Offerman (Paddle Your Own Canoe: One Man's Principles for Delicious Living)
the girl with a moustache" they called me every now and then "It's about time you wax your arms" those who "cared" said I faced the fears of the dreaded thread on my face To succumb every other week to the world's ways
Sanhita Baruah
Mx Spa in Colorado Springs offers professional massage and spa packages including body scrubs and other salon services. Visit us today!
MX Spa
In some non-Western cultures this facial hair does not have a stigma, and may even be seen as a sign of feminine beauty, as in Russia or in Iran, where connected eyebrows are a sign of virginity and a large dowry of goats.*
Una LaMarche (Unabrow: Misadventures of a Late Bloomer)
So it seems like your biggest expenses fall in this miscellaneous category. Part of setting a budget is figuring out how much you should be spending and then discipline yourself to stay under that amount. You should also be looking at monthly expenditures that maybe are unnecessary. Like . . .” He scrolled down a bit and said, “Do you really need Netflix?” That was like asking me if I needed my firstborn child. “Uh, yes. I need it. That’s nonnegotiable. If for no other reason than it allows me to consume television the same way I do ice cream and alcohol.” He laughed and said, “Okay, okay. You win. Netflix stays. What about this expense for Sephora? A hundred and thirty-two dollars?” While I’d had to downgrade my hair dye, makeup, cleanser, and toner, I was not willing to give this up. “That’s for my moisturizer.” He blinked at me a couple of times, as if he hadn’t heard me correctly. “You paid a hundred and thirty-two dollars for lotion for your face?” “It’s not lotion. It’s moisturizer.” “For one bottle? What’s in it? Dragon’s blood and the scraping of a unicorn’s horn?” I wasn’t about to tell him it wasn’t for a whole bottle, but for like two ounces. “Ha-ha. I need it. My face needs it.” “You don’t need it. You’re beautiful.” “It’s why I’m beautiful!” I was caught between sheer delight and disbelief at his words, and partial terror that he was going to make me stop using it. But then I started thinking about the way he’d complimented me—he’d said it so matter-of-factly, like it wasn’t his personal opinion, just a truth he happened to agree with. I wasn’t sure how to feel about that. While I was trying to figure out his deeper meaning, he chuckled and shook his head. “Come on, you’re easily the hottest girl in this apartment.” If I thought I’d been thrilled before, it was nothing compared to what I was feeling now. A flush started at the top of my scalp and went down to my toes—unpainted because I couldn’t afford to get a pedicure. Then I realized that Tyler was quoting back to me what I’d said about him at the charity event. Did that mean . . . it was a joke? A callback and he didn’t really mean anything by it? Or was he trying to butter me up so that he could pry my moisturizer out of my cold, soon-to-be dehydrated hands? Not willing to be taken in, I said, “You’re not going to flatter me to get me to change my mind. I’ll remind you that I’m the only girl in this apartment.” “That’s not true. Pidge is here and she’s gorgeous. Aren’t you?” he asked his dog, bending over to pet her. She licked his cheek and I had never felt more of a kinship to her, ever. He turned his attention back to me. “Do you really need it?” “The only time I get a facial now is when I open the dishwasher midcycle and the steam hits me in my face. I don’t buy the moisturizer every month. I’m really careful with how much I use on a daily basis. But I’ve had to give up so many other things. Let me have this one.” “All right, all right.
Sariah Wilson (Roommaid)
It is not wrinkles that change the shape of the face with age, but sagging muscles and skin. Face Fitness is about conditioning the face in a way that will naturally outlast any surgical face lift or artificial face fillers. This is not only a technique for wrinkles and sagging muscles, but a means of prevention as well.
Gregory Landsman (Face Fitness: The 10 Minute Face Lift - My Proven Facial Yoga Exercises and Massage for a Firmer & Younger Looking Face in 10 Minutes a Day (De-Stress & Age Less))
features of physical appearance, such as full lips, clear skin, smooth skin, clear eyes, lustrous hair, and good muscle tone, and features of behavior, such as a bouncy, youthful gait, an animated facial expression, and a high energy level. These physical cues to youth and health, and hence to reproductive capacity, constitute key elements of male standards of female beauty.
David M. Buss (The Evolution of Desire: Strategies of Human Mating)
Jelly Bean Toes Preparation and Instructions: This is a wonderful game to play while taking off children’s shoes and socks. Sit with the child comfortably in front of you or in a chair. The Game: Grasp one of the child’s feet and begin to feel around inside the shoe. As you come to the toes, say, “I think there are jelly beans in here. I love jelly beans. Yum, Yum!” Proceed to take off the child’s shoes while you continue to talk about jelly beans and how you can’t wait to see them, taste them, and so on. After you get the shoes off, continue the same process with the socks. You may say, “Now I know they are jelly beans. But wait, they are moving. Maybe they are jumping beans instead of jelly beans.” Be sure your facial expressions are exaggerated. Pull off the socks and say with surprise and delight, “Well, they are toes! Wonderful, beautiful, perfect toes!” Pretend to nibble the “jelly beans.” Many children have sand or dirt in their shoes. You may use this time to brush and clean the feet. Yes and No Game Preparation and Instructions: This is a wonderful game to play with a child who is a bit grumpy.
Becky A. Bailey (I Love You Rituals)
During their brief encounter in the music room, Cassandra had been too flustered to notice much about him. He'd been so very odd, jumping out like that and offering to marry a complete stranger. Also, she'd been absolutely mortified for him to have overheard her tearful disclosure to West, especially the part about having her dress altered. But now it was impossible not to notice how very good-looking he was, tall and elegantly lean, with dark hair, a clear, fair complexion, and thick brows set at a diabolical slant. If she were to judge his features individually- the long nose, the wide mouth, the narrow eyes, the sharply angled cheeks and jaw- she wouldn't have expected him to be this attractive. But somehow when it was all put together, his looks were striking and interesting in a way she'd remember far longer than conventional handsomeness.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Camille really wanted to draw her. Paulette's face evoked little blades of grass from the roadside, wild violets, forget-me-nots, buttercups. A soft face, open, gentle, luminous, fine like Japanese paper. The lines of sorrow disappeared behind the vapor rising from the tea, and gave way to a thousand little kindnesses at the corners of her eyes. Camille thought she was lovely. Paulette was thinking exactly the same thing. She was so graceful, this young thing, so calm and elegant in her vagabond's trappings. She wished it were spring so she could show her the garden, the quince branches in bloom and the scent of the seringa. No, this girl was not like other girls. An angel from heaven, who had to wear huge bricklayer's boots to stay down here among us.
Anna Gavalda (Hunting and Gathering)
She was even prettier up close than he'd imagined. Bowtie lips with up-turned outer corners. Peachy skin- smooth, he could tell just by looking, yielding. Glossy curls around a love-heart face.
Kate Morton (The Secret Keeper)
Such a wonderful face, their mother's. As a younger woman she'd been beautiful than Laurel, more so than any of her daughters, with the possible exception of Daphne. She certainly wouldn't have had directors pushing her towards character roles. But one thing you could bank on was that beauty- the sort that came with youth- didn't last, and their mother had grown old. Her skin had sagged, spots had appeared, along with mysterious puckers and discolorations; her bones had seemed to subside as the rest of her shrank and her hair frayed to nothing. But still that face remained, every aspect bright with mischief, even now. Her eyes, though tired, had the glint of one who never stopped expecting to be amused, and her mouth turned up at the corners as if she'd just remembered a joke. It was the sort of face that drew strangers, that enchanted them and made them want to know her better. The way she had of making you feel, with a slight twitch of the jaw, that she too had suffered as you did, that everything would be better now simply for having come within her orbit: that was her real beauty - her presence, her joy, her magnetism. That, and her splendid appetite for make-believe.
Kate Morton (The Secret Keeper)
To be an antiracist is to eliminate any beauty standard based on skin and eye color, hair texture, facial and
Ibram X. Kendi (How to Be an Antiracist)
be an antiracist is not to reverse the beauty standard. To be an antiracist is to eliminate any beauty standard based on skin and eye color, hair texture, facial and bodily features shared by groups. To be an antiracist is to diversify our standards of beauty like our standards of culture or intelligence, to see beauty equally in all skin colors, broad and thin noses, kinky and straight hair, light and dark eyes. To be an antiracist is to build and live in a beauty culture that accentuates instead of erases our natural beauty.
Ibram X. Kendi (How to Be an Antiracist)
When topically applied to the skin as a facial mask, yogurt moisturizes, fights acne, prevents premature aging, relieves sunburn and reduces discoloration.
Vesela Tabakova (Homemade Beauty Treatments and Skin Care Recipes (All Natural Cosmetics))
For a century the Neanderthal people have worn a stigma of hunched brutish grunting cavemen. Facial reconstructions of their skulls show them to look not exactly like us, and not exactly pretty. But beauty is a very subjective matter, and just because you don’t fancy them doesn’t mean that your ancestors didn’t. They definitely had sex with them.
Adam Rutherford (A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes)
To be an antiracist is not to reverse the beauty standard. To be an antiracist is to eliminate any beauty standard based on skin and eye color, hair texture, facial and bodily features shared by groups.
Ibram X. Kendi (How to Be an Antiracist)
The 150 years old elm trees are blossoming beautifully in the warm and pleasant spring breezes. There are plentiful International tourists roaming to and from, with gleeful facial expressions of satisfied expectations, while in the mist of their expeditions.
John Jeremiah (The Adventures of Central Park NY Cats)
This beautiful mystery woman had a very white complexion and wore her blond, silky hair tied back from her face in a braid, which she had tucked under her fur coat. As she got closer, I could see that her facial features were not detailed in the way of an earthly human face. She had beautiful, small eyes and a very small nose with a tip that somehow looked unfinished. It was the same with her tiny mouth, something about the corners looked unfinished as well. I was frozen and I did not know what to do. Honestly, my mind stopped functioning and seemed to travel far away, wandering over my head in search of an explanation or an answer for this apparition. And then this beautiful mystery woman arrived in front of me and inexplicably hugged me very tight, with unusual passion for a stranger. With what felt like the deepest, genuine love, the beautiful mystery woman placed her forehead very tightly against the right side of my neck and then she raised her head until her warm right cheek was tight against my right cheek, so tight I could feel the bones of her face. Her left arm held me tight around my waist, while her right arm was over my left shoulder, squeezing me from behind my neck. She did not say ‘hi’ or any word; she just kept holding me tight that I started to feel her body heat.
Frank Moses (Cactus: Life Story and Fate, With an Unexpected Twist)
To be an antiracist is not to reverse the beauty standard. To be an antiracist is to eliminate any beauty standard based on skin and eye color, hair texture, facial and bodily features shared by groups. To be an antiracist is to diversify our standards of beauty like our standards of culture or intelligence, to see beauty equally in all skin colors, broad and thin noses, kinky and straight hair, light and dark eyes. To be an antiracist is to build and live in a beauty culture that accentuates instead of erases our natural beauty. —
Ibram X. Kendi (How to Be an Antiracist)
I’m at the airport. I’m waiting for the plane to take me home to my sister and my mother. I bought cream at Lush to rub onto Elf’s body. She has a surprisingly beautiful body for a woman in her late forties. Her legs are slim and firm. She has muscular thighs. Her smile is an event. She laughs so hard. She makes me laugh so hard. She gets surprised. Her eyes open wide, comically, she can’t believe it. Her skin is pristine, smooth and pale. Her hair is so black and her eyes so green like they’re saying go, go, go! She doesn’t have horrible freckles and moles and facial hair like me and big bones poking out like twisted rebar at the dump. She’s petite and feminine. She’s glamorous and dark and jazzy like a French movie star. She loves me. She mocks sentimentality. She helps me stay calm. Her hands aren’t ravaged by time and her breasts don’t sag. They’re small, pert, like a girl’s. Her eyes are wet emeralds. Her eyelashes are too long. The snow weighs them down in the winter and she makes me cut them shorter with our mother’s sewing scissors so they don’t obscure her vision. I knocked over a tray of bath bombs the size of tennis balls, bright yellow, onto the floor and I couldn’t figure out how to pick them up. The woman said it was okay. I can’t remember now if I paid for the cream. I’m going home. NINE When Elf went away to Europe my mother decided to emancipate herself as well and enrolled in university classes in the city to become a social worker and then a therapist.
Miriam Toews (All My Puny Sorrows)
Missha’s First Treatment Essence. Some other good choices include SK-II’s Facial Treatment Essence and Innisfree’s Eco-Science Spot Treatment Essence. Missha also has a famous ampoule known as Time Revolution Night Repair New Science Activator Ampoule. Other good serums are It’s Skin’s Prestige Serum and Skin Food’s Peach Sake Pore Serum. After
Amanda Frey (A Beginner's Guide To Korean Skin Care Products: A Must Read Book For Beginner To Korean Beauty Products (Skin Care tips, Skin Care products ... secrets, skin care tips, skin care recipes))
The first impression one gets of Michael Deane is of a man constructed of wax, or perhaps prematurely embalmed. After all these years, it may be impossible to trace the sequence of facials, spa treatments, mud baths, cosmetic procedures, lifts and staples, collagen implants, outpatient touch-ups, tannings, Botox injections, cyst and growth removals, and stem-cell injections that have caused a seventy-two-year-old man to have the face of a nine-year-old Filipino girl.
Jess Walter (Beautiful Ruins)
He gazed into her eyes. There were little flecks of gold ringing her pupils. Now that she wasn’t running from him or terrified by him, he realized Elspeth Stewart was really quite a beauty. Her lips were full and lush. By some trick of musculature under her smooth skin, the corners of them turned up naturally in a beguiling half smile, as if she were hugging a delicious secret to herself. There were soft hollows beneath her rosy cheeks, a sign of the bone-deep loveliness that only ripens with age. “Lachlan Drummond is a lucky bastard,” Rob said with conviction.
Connie Mason (Sins of the Highlander)
She looked at herself in the smoky elevator mirror. Her mother always said she had the face of an angel: almond-shaped blue eyes, long dark lashes, a small nose dusted with freckles, and God's imprint, a dimple on the side of her mouth. The reflection staring back at her looked more like Snow White just after she realized she'd eaten the poisoned apple.
Anita Hughes (Market Street)
Our ancestors had access to two types of observable evidence of a woman’s health and youth: features of physical appearance, such as full lips, clear skin, smooth skin, clear eyes, lustrous hair, and good muscle tone, and features of behavior, such as a bouncy, youthful gait, an animated facial expression, and a high energy level. These physical cues to youth and health, and hence to reproductive capacity, constitute key elements of male standards of female beauty.
David M. Buss (The Evolution Of Desire: Strategies of Human Mating)
His eyes were light, light brown like the dark honey that came at the end of the summer when the sumac and serious bushes bloomed. His eyebrows were heavy and expressive but didn't overwhelm his face. His mouth kept pulling to one side in that smile... there was something a little fake about it, but also something a little endearing. Like he was trying very hard to be suave and mysterious. And didn't realize how obvious it was.
Liz Braswell (What Once Was Mine)
Her hands groped around his neck, her fingers lacing through the thick shorn locks at the back of his head. The hard, clean contours of Keir's face rubbed against hers, a different feeling than the coarse tickle of his beard. But the mouth was the same, full and erotic, searingly hot. He consumed her slowly, searching with his tongue, licking deep into each kiss. Wild quivers of pleasure went through her, weakening her knees until she had to lean against him to stay upright. As her head tilted back, a forgotten tear slid from the outer corner of her eye to the edge of her hairline. His lips followed the salty track, absorbing the taste. Keir cradled her cheek in his hand, his shaken whisper falling hotly against her mouth. "Merry, love... my heart's gleam, drop of my dearest blood... you should have told me." Merritt heard her own weak reply as if from a distance. "I thought... in some part of your mind... you might have wanted to forget." "No." Keir crushed her close, nuzzling her hard against her hair and disheveling the pinned-up coils. "Never, love. The memory slipped out of reach for a moment, is all." His hand coasted slowly up and down her spine. "I'm so damned sorry for the way I've been trying to keep you at a distance. I dinna know you were already inside my heart." He paused before adding wryly, "Mind, I did have to jump from a three-story window, with little to break the fall but my own hard head." Taking one of her hands, he pressed her palm over his pounding heartbeat. "But you were still in here. Your name is carved so deep, a million years could no' erase it.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Mario, the most famous character in the world's largest entertainment business, is as colorful as he is because of the challenges of eight-bit technology: to compensate for poor pixilation definition, designer Shigeru Miyamoto gave the character a large nose to emphasize his humanity, a mustache to obviate the need for a mouth and facial expressions, overalls to make it easier to see his arms in relation to his body, and a cap to free him from the problems of animating hair; the most recognizable character in video game history was born of technical constraints.
Adam Morgan (A Beautiful Constraint: How To Transform Your Limitations Into Advantages, and Why It's Everyone's Business)
The facials, the spa kind not the jizz kind, (oh no I was turning into Syl), and the lotions he had me try after my shower were very relaxing. He
T.H. Compton (Beautifully Built (Built for You #1))
They combed my hair and pinned it up, hung rubies in my ears and around my neck, painted rouge on my lips and cheeks, and anointed my wrists and throat with musk. Finally they hustled me in front of the mirror. A gleaming, crimson-clad lady stared back at me. Until this day, I had worn only the plain black of mourning, even though Father had told us when we were twelve that we could dress as we pleased. Everybody thought that I did it because I was such a pious daughter, but I simply hated pretending that everything was all right. "You look like a dream." Astraia slid her arm around my waist, smiling tremulously at our reflections. Everybody said that Astraia was the very image of our mother, and certainly she could not have gotten her looks anywhere else: the plump, dimpled cheeks, the pouting lips, the snub nose and dark curls. But I might have been born straight out of my father's head like Athena: I had his high cheekbones, his aristocratic nose, his straight black hair. In a rare burst of kindness, Aunt Telomache had once told me that while Astraia was "pretty," I was "regal";
Rosamund Hodge (Cruel Beauty)
Nothing accentuates facial beauty better than a pure smile.
Wayne Chirisa
Cultures have different standards of beauty, but research suggests that some aesthetic preferences are shared by most people. Humans tend to like symmetry. While Moalem emphasizes our power to influence our own gene expression, he also has a determinist streak, arguing that our faces and "the genetic workmanship that went into our fetal development" are closely linked. Humans evolved to find certain facial traits desirable, he argues, because they "provided the fastest way of assessing, ranking, and relating to the people around us" and they "divulge our developmental and genetic history. Your face can also tell us a lot about your brain.
Maud Newton (Ancestor Trouble: A Reckoning and a Reconciliation)
Women differ in the exact male height they prefer, but almost always prefer a man taller than themselves. Different ethnic groups may prefer different facial features, but all prefer faces that are symmetrical and averagely shaped for their population. If you don't look for the universals of human beauty at the right level of description, you will not find them.
Geoffrey Miller (The Mating Mind: How Sexual Choice Shaped the Evolution of Human Nature)
Self facial massage not only feels good, it has many benefits. It helps circulation, releases toxins, is anti-aging, helps your skin absorb skincare products, relieves sinus pressure, helps reduce the appearance of scars, and relieves tension.
Carrie Scharf (Skincare For Relaxation)
may surprise you,’ he urged. Lily’s eyes no longer smiled. Now their licorice darkness reflected only bitterness. ‘It’s not a matter of me finding the courage, Jack. I know my parents. They won’t surprise me. They’re very predictable. They’re also traditional and as far as they’re concerned, I’m as good as engaged … no, married! And they approve of Jimmy.’ Her expression turned glum. ‘All that’s missing are the rings and the party.’ ‘Lily, risk their anger or whatever it is you’re not prepared to provoke but don’t do this.’ He stroked her cheek. ‘Forget me. I’m not important. I’m talking about the rest of your life, here. From what I can see of my friends and colleagues, marriage is hard enough without the kiss of death of not loving your partner.’ ‘It’s not his fault, Jack. You don’t understand. It’s complicated. And in his way, Jimmy is very charismatic.’ Jack didn’t know Professor James Chan, eminent physician and cranio-facial surgeon based at Whitechapel’s Royal London Hospital, but he already knew he didn’t much like him. Jack might be sleeping with Lily and loving every moment he could share with her, but James Chan had a claim on her and that pissed Jack off. Privately, he wanted to confront the doctor. Instead, he propped himself on one elbow and tried once more to reason with Lily. ‘It’s not complicated, actually. This isn’t medieval China or even medieval Britain. This is London 2005. And the fact is you’re happily seeing me … and you’re nearly thirty, Lily.’ He kept his voice light even though he felt like shaking her and cursing. ‘Are you asking me to make a choice?’ He shook his head. ‘No. I’m far more subtle. I’ve had my guys rig up a camera here. I think I should show your parents exactly what you’re doing when they think you’re comforting poor Sally. I’m particularly interested in hearing their thoughts on that rather curious thing you did to me on Tuesday.’ She gave a squeal and punched him, looking up to the ceiling, suddenly unsure. Jack laughed but grew serious again almost immediately. ‘Would it help if I —?’ Lily placed her fingertips on his mouth to hush him. She kissed him long and passionately before replying. ‘I know I shouldn’t be so answerable at my age but Mum and Dad are so traditional. I don’t choose to rub it in their face that I’m not a virgin. Nothing will help, my beautiful Jack. I will marry Jimmy Chan but we have a couple more weeks before I must accept his proposal. Let’s not waste it arguing and let’s not waste it on talk of love or longing. I know you loved the woman you knew as Sophie, Jack. I know you’ve been hiding from her memory ever since and, as much as I could love you, I am not permitted to because I’m spoken for and you aren’t ready to be in love again. This is not a happy-ever-after situation for us. I know you enjoy me and perhaps could love me but this is not the right moment for us to speak of anything but enjoying the time we have, because neither of us is available for anything beyond that.’ ‘You’re wrong, Lily.’ She smiled sadly and shook her head. ‘I have to go.’ Jack sighed. ‘I’ll drop you back.’ ‘No need,’ Lily said, moving from beneath the quilt, shivering as the cool air hit her naked body. ‘I have to pick up Alys from school. She’s very sharp and I don’t need her spotting you – especially as she’s had a crush on you since you first came into the flower shop.’ Suddenly she grinned. ‘If you hurry up, at least we can shower together!’ Jack leaped from the bed and dashed to the bathroom to turn on the taps. He could hear her laughing behind him but he felt sad. Two more weeks. It wasn’t fair – and then, as if the gods had decided to punish him further, his mobile rang, the ominous theme of Darth Vader telling him this was not a call he could ignore. He gave a groan. ‘Carry on without me,’ he called to Lily, reaching for the phone. ‘Hello, sir,’ he said, waiting for the inevitable apology
Fiona McIntosh (Beautiful Death (DCI Jack Hawksworth #2))
Facial muscles can sag quickly, but there are some easy ways of keeping them toned up. Each one of the following takes just about ten seconds. You've got THAT much time! 1. Open your mouth as wide as you can and at the same time purse your lips as if you're trying to whistle. Hold it for ten seconds. 2. Put your thumb and forefinger inside your mouth and try to push your fingers out--at the same time forcing your cheeks in. Hold for another count of ten.
Joan Crawford (My Way of Life)
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Continuing to study, I didn’t sense the evil I thought I had detected prior. No. Nothing about her seemed demonic. In fact, the reference to the celestial bodies seemed all the more accurate, it’s as if she were light in the darkness. I couldn’t deny it—Elliyah was breathtaking. Her steel-gray eyes, with just subtle flecks of blue, were the focal point of her facial features. The sort of beauty she possessed was almost uncanny, especially in this era, as if she were from another universe.
Brianna Maze Hinson (Hidden Within: The Leaves of Crimson)
I’ll drink your water if you give me a facial.” Gotta say, the first place my head goes is not to beauty products. “Don’t worry. I’ll give you one too.
Elsie Silver (Powerless (Chestnut Springs, #3))
Although all of the clans in the cultivation world used extravagant words to describe the Gusu Lan Clan’s uniform as the best-looking uniform and Lan Wangji as an incomparable beauty who only appeared once in a blue moon, nothing could help the bitter facial expression that made him look as though his wife had passed away...
― 墨香铜臭, 魔道祖师 [Mo Dao Zu Shi]
Makeup is often used to hide a facial skin condition that was worsened, or even caused, by makeup.
Mokokoma Mokhonoana
How can I describe him? His beauty did not depend on his facial expression. It was tempered already on his face. It was all wrought up with his fine bones, serene mouth, and his auburn curls.
Anne Rice (Blood And Gold (The Vampire Chronicles, #8))
Riley wasn’t a gambler—nor was he particularly fond of the seedy scene at the track—but he had an Irishman’s passion for beautiful horses. He loved watching them run, their muscles rippling under their shiny coats, the flare of their nostrils as they reached top speed. To Riley, horses were the purest runners on earth, unburdened by human flaws such as vanity and egotism. He hated runners who showed up their opponents with their body language and facial expressions. He hated showmanship. Riley walked Jesse straight up to the rail, where together they spent the entire afternoon just watching the thoroughbreds run race after race. “Don’t talk, Jesse,” he said. “Watch.” And Jesse watched. He watched the horses as they galloped effortlessly down the stretch. He too couldn’t help but admire their form, the way it seemed that all their energy was expended but none wasted. Finally, after the tenth and final race, Riley turned to the boy and asked, “Well, what did you learn today?” “Well,” Jesse said, his hand still clasping the rail, “the way they move—the legs and the whole bodies of the horses that can get the lead and keep it—is like they’re not trying. Like it’s easy. But you know they are trying.” “And what about their faces?” Riley asked, getting to his primary point. “I didn’t see anything on their faces.” “That’s right, Jesse,” Riley said, lifting his bony finger to Jesse’s chest. It was an accusation. “Horses are honest. No animal has ever told a lie. No horse has ever tried to stare another one down. That’s for actors. And that’s what you were doing the other day. Acting. Trying to stare down the other runners. Putting your energy into a determined look on your face instead of putting it into your running.
Jeremy Schaap (Triumph: The Untold Story of Jesse Owens and Hitler's Olympics)
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