Fabric Quality Quotes

It neither kills outright nor inflicts apparent physical harm, yet the extent of its destructive toll is already greater than that of any war, plague, famine, or natural calamity on record - and its potential damage to the quality of human life and the fabric of civilized society is beyond calculation. For that reason this sickness of the soul might well be called the 'Fifth Horseman of the Apocalypse.' Its more conventional name, of course, is dehumanization.

It is a great shame for anyone to listen to the accusation that Islam is a lie and that Muhammad was a fabricator and a deceiver. We saw that he remained steadfast upon his principles, with firm determination; kind and generous, compassionate, pious, virtuous, with real manhood, hardworking and sincere. Besides all these qualities, he was lenient with others, tolerant, kind, cheerful and praiseworthy and perhaps he would joke and tease his companions. He was just, truthful, smart, pure, magnanimous and present-minded; his face was radiant as if he had lights within him to illuminate the darkest of nights; he was a great man by nature who was not educated in a school nor nurtured by a teacher as he was not in need of any of this.

The overwhelming noise we live with has made a fundamental pleasure like sex somehow less exciting, less satisfying, than it was for our libidinous forefathers and mothers. It seems to me that for sex and other pleasures to be enjoyed to the fullest, a certain contemplative quality to life must be present. If you doubt this imagine yourself for a moment having sex. Now imagine you wished to increase the pleasure you were feeling, feel it more intensely. What might you do? Well one of the things you'd probably do is close your eyes. What this does of course is shut out other stimuli. The visual quiet increases your sensual enjoyment and you concentrate more fully on the pleasure. The same is true for the removal of auditory noise as well. Well my feeling is that the average person has a much harder time doing this today than they would have decades ago. Today you close your eyes and shut off Television but the noise persists. It's part of our fabric now, our biology, and all other pleasures including sex are diminished as a result. We don't notice this derogation by the way and sex still feels great, don't get me wrong, but I think the difference is there nonetheless. Like the difference between seeing breasts when you're thirty as opposed to when you were thirteen.

I’m the perfect seashell you pick up from the ocean floor, only to turn it over in your hand and see the crack. I’m the fabric with the tear in the seam that you give back to the trader and demand first quality.

The fabric of our life is made of care, solidarity, mutual service. These qualities are so embedded in our daily events that we may not even notice them.

Remember - the fault is in the garment, certainly not the girl. There is nothing whatsoever wrong with the shape of her. Some designers cut their clothes for certain body types and others for others. Occasionally the pattern will make her ass look strangely square or the fabric will cling in an unflattering way, but Not Cut Well is always the answer, and it has the extremely delightful quality of saving your ass and being completely true at the same time. Use it wisely.

In a way that I haven’t yet figured out how to fully articulate, I believe that children who get to see bald eagles, coyotes, deer, moose, grouse, and other similar sights each morning will have a certain kind of matrix or fabric or foundation of childhood, the nature and quality of which will be increasing rare and valuable as time goes on, and which will be cherished into adulthood, as well as becoming- and this is a leap of faith by me- a source of strength and knowledge to them somehow. That the daily witnessing of the natural wonders is a kind of education of logic and assurance that cannot be duplicated by any other means, or in other place: unique and significant, and, by God, still somehow relevant, even now, in the twenty-first century. For as long as possible, I want my girls to keep believing that beauty, though not quite commonplace and never to pass unobserved or unappreciated, is nonetheless easily witnessed on any day, in any given moment, around any forthcoming bend. And that the wild world has a lovely order and pattern and logic, even in the shouting, disorderly chaos of breaking-apart May and reassembling May. That if there can be a logic an order even in May, then there can be in all seasons and all things.

In the market economy the consumers are supreme. Consumers determine, by their buying or abstention from buying, what should be produced, by whom and how, of what quality and in what quantity. The entrepreneurs, capitalists, and landowners who fail to satisfy in the best possible and cheapest way the most urgent of the not yet satisfied wishes of the consumers are forced to go out of business and forfeit their preferred position. In business offices and in laboratories the keenest minds are busy fructifying the most complex achievements of scientific research for the production of ever better implements and gadgets for people who have no inkling of the scientific theories that make the fabrication of such things possible. The bigger an enterprise is, the more it is forced to adjust its production activities to the changing whims and fancies of the masses, its masters. The fundamental principle of capitalism is mass production to supply the masses. It is the patronage of the masses that makes enterprises grow into bigness. The common man is supreme in the market economy. He is the customer “who is always right.

Maggie felt sorry for her, a woman surrounded by beautiful expensive things, all of them by authentic designers, genuine gold-trims, the best-quality fabrics and woods, rare collector accessories of porcelain and ceramic—nothing artificial except her personality. Maggie

Small particles of evil were scattered throughout the universe, but the sum total of all that evil was as a grain of sand on a vast beach compared to the goodness, abundance, hope, and unconditional love in which the universe was literally awash. The very fabric of the alternate dimension is love and acceptance, and anything that does not have these qualities appears immediately and obviously out of place there.

So much of our life is the circling of a dream. The dream, a changeable elusive presence, is at the heart of our identity, it is the fabric to which all our qualities are stitched. Did it matter that the dream never found fruition in the physical world? The important thing was never to relinquish it. It’s the dream which keeps beauty as an animating source of strength in our lives, which reminds us we are connected to a larger reality.

One of the universally despised sins is hypocrisy, falsely pretending to hold beliefs, feelings, standards qualities, opinions, virtues, motivations, or other characteristics that a person does not actually hold. Powerful people tend to be the greatest hypocrites, which accounts for why scandal, false preachers, and mealy-mouthed persons are so prevalent in bastions of reigning political parties. Hypocrisy occurs because some people are too lazy, weak-willed, or stupid to live up to their professed beliefs. It also occurs because of a propensity of people to engage in self-deception and self-ignorance, reliance upon fabricated (“pseudo evidence”) perceived through a self-serving bias, failure to challenge personal beliefs and behavior, and refusal to listen to justified criticism.

an organization is a factory that manufactures judgments and decisions. Every factory must have ways to ensure the quality of its products in the initial design, in fabrication, and in final inspections. The corresponding stages in the production of decisions are the framing of the problem that is to be solved, the collection of relevant information leading to a decision, and reflection and review. An organization that seeks to improve its decision product should routinely look for efficiency improvements at each of these stages. The

But how enjoyable an activity is depends ultimately on its complexity. The small automatic games woven into the fabric of everyday life help reduce boredom, but add little to the positive quality of experience. For that one needs to face more demanding challenges, and use higher-level skills.

I use the word “suit” because I am writing in English, but the French tailleur—she would naturally think of clothes in French—makes intelligible that one would travel from Marrakech to the Outer Hebrides to examine the work of a number of weavers, perhaps to establish a relationship with a weaver of real gifts. It makes intelligible that one would bring one’s daughter, so that she might develop an eye for excellence in the fabric, know the marks of workmanship of real quality, observe how one develops an understanding with a craftsman of talent. The word “suit,” I think, makes this look quite mad.

On some intuitive level, I knew that learning had to be more than the mastery of facts. I've experienced it as an adult. I become consumed with a subject like quilting or preparing yogurt cultures, and that topic takes over my life - fabric scraps scattered on the floor, little jars of white sludge cuddled by blankets on my kitchen countertops. When I learned to play guitar in my thirties, no one had to schedule my practices. My guitar lived on a stand in the living room and I tormented our ears multiple times a day until my fingers bled. Passion for learning has that fiery, consuming, can't-stop quality.

Quality is the result of a million selfless acts of care—not just of any great method that descends from the heavens. That these acts are simple doesn’t mean that they are simplistic, and it hardly means that they are easy. They are nonetheless the fabric of greatness and, more so, of beauty, in any human endeavor. To ignore them is not yet to be fully human.

And ever since the day before, Françoise, rejoicing in the opportunity to devote herself to that art of cooking at which she was so gifted, stimulated, moreover, by the prospect of a new guest, and knowing that she would have to compose, by methods known to her alone, a dish of boeuf à la gelée, had been living in the effervescence of creation; since she attached the utmost importance to the intrinsic quality of the materials which were to enter into the fabric of her work, she had gone herself to the Halles to procure the best cuts of rump-steak, shin of beef, calves’-feet, just as Michelangelo spent eight months in the mountains of Carrara choosing the most perfect blocks of marble for the monument of Julius II.

Whatever else it produces, an organization is a factory that manufactures judgments and decisions. Every factory must have ways to ensure the quality of its products in the initial design, in fabrication, and in final inspections. The corresponding stages in the production of decisions are the framing of the problem that is to be solved, the collection of relevant information leading to a decision, and reflection and review. An organization that seeks to improve its decision product should routinely look for efficiency improvements at each of these stages. The

In the cool shade of retirement, we may easily devise imaginary forms of government, in which the sceptre shall be constantly bestowed on the most worthy, by the free and incorrupt suffrage of the whole community. Experience overturns these airy fabrics, and teaches us, that in a large society, the election of a monarch can never devolve to the wisest, or to the most numerous part of the people. The army is the only order of men sufficiently united to concur in the same sentiments, and powerful enough to impose them on the rest of their fellow-citizens; but the temper of soldiers, habituated at once to violence and to slavery, renders them very unfit guardians of a legal, or even a civil constitution. Justice, humanity, or political wisdom, are qualities they are too little acquainted with in themselves, to appreciate them in others. Valor will acquire their esteem, and liberality will purchase their suffrage; but the first of these merits is often lodged in the most savage breasts; the latter can only exert itself at the expense of the public; and both may be turned against the possessor of the throne, by the ambition of a daring rival.

WHEN I DESCRIBED THE TUMOR IN MY ESOPHAGUS as a “blind, emotionless alien,” I suppose that even I couldn’t help awarding it some of the qualities of a living thing. This at least I know to be a mistake: an instance of the pathetic fallacy (angry cloud, proud mountain, presumptuous little Beaujolais) by which we ascribe animate qualities to inanimate phenomena. To exist, a cancer needs a living organism, but it cannot ever become a living organism. Its whole malice—there I go again—lies in the fact that the “best” it can do is to die with its host. Either that or its host will find the measures with which to extirpate and outlive it. But, as I knew before I became ill, there are some people for whom this explanation is unsatisfying. To them, a rodent carcinoma really is a dedicated, conscious agent—a slow–acting suicide–murderer—on a consecrated mission from heaven. You haven’t lived, if I can put it like this, until you have read contributions such as this on the websites of the faithful: Who else feels Christopher Hitchens getting terminal throat cancer [sic] was God’s revenge for him using his voice to blaspheme him? Atheists like to ignore FACTS. They like to act like everything is a “coincidence.” Really? It’s just a “coincidence” [that] out of any part of his body, Christopher Hitchens got cancer in the one part of his body he used for blasphemy? Yeah, keep believing that, Atheists. He’s going to writhe in agony and pain and wither away to nothing and then die a horrible agonizing death, and THEN comes the real fun, when he’s sent to HELLFIRE forever to be tortured and set afire. There are numerous passages in holy scripture and religious tradition that for centuries made this kind of gloating into a mainstream belief. Long before it concerned me particularly I had understood the obvious objections. First, which mere primate is so damn sure that he can know the mind of god? Second, would this anonymous author want his views to be read by my unoffending children, who are also being given a hard time in their way, and by the same god? Third, why not a thunderbolt for yours truly, or something similarly awe–inspiring? The vengeful deity has a sadly depleted arsenal if all he can think of is exactly the cancer that my age and former “lifestyle” would suggest that I got. Fourth, why cancer at all? Almost all men get cancer of the prostate if they live long enough: It’s an undignified thing but quite evenly distributed among saints and sinners, believers and unbelievers. If you maintain that god awards the appropriate cancers, you must also account for the numbers of infants who contract leukemia. Devout persons have died young and in pain. Betrand Russell and Voltaire, by contrast, remained spry until the end, as many psychopathic criminals and tyrants have also done. These visitations, then, seem awfully random. My so far uncancerous throat, let me rush to assure my Christian correspondent above, is not at all the only organ with which I have blasphemed. And even if my voice goes before I do, I shall continue to write polemics against religious delusions, at least until it’s hello darkness my old friend. In which case, why not cancer of the brain? As a terrified, half–aware imbecile, I might even scream for a priest at the close of business, though I hereby state while I am still lucid that the entity thus humiliating itself would not in fact be “me.” (Bear this in mind, in case of any later rumors or fabrications.)

The Undivided Wholeness of All Things Most mind-boggling of all are Bohm's fully developed ideas about wholeness. Because everything in the cosmos is made out of the seamless holographic fabric of the implicate order, he believes it is as meaningless to view the universe as composed of "parts, " as it is to view the different geysers in a fountain as separate from the water out of which they flow. An electron is not an "elementary particle. " It is just a name given to a certain aspect of the holomovement. Dividing reality up into parts and then naming those parts is always arbitrary, a product of convention, because subatomic particles, and everything else in the universe, are no more separate from one another than different patterns in an ornate carpet. This is a profound suggestion. In his general theory of relativity Einstein astounded the world when he said that space and time are not separate entities, but are smoothly linked and part of a larger whole he called the space-time continuum. Bohm takes this idea a giant step further. He says that everything in the universe is part of a continuum. Despite the apparent separateness of things at the explicate level, everything is a seamless extension of everything else, and ultimately even the implicate and explicate orders blend into each other. Take a moment to consider this. Look at your hand. Now look at the light streaming from the lamp beside you. And at the dog resting at your feet. You are not merely made of the same things. You are the same thing. One thing. Unbroken. One enormous something that has extended its uncountable arms and appendages into all the apparent objects, atoms, restless oceans, and twinkling stars in the cosmos. Bohm cautions that this does not mean the universe is a giant undifferentiated mass. Things can be part of an undivided whole and still possess their own unique qualities. To illustrate what he means he points to the little eddies and whirlpools that often form in a river. At a glance such eddies appear to be separate things and possess many individual characteristics such as size, rate, and direction of rotation, et cetera. But careful scrutiny reveals that it is impossible to determine where any given whirlpool ends and the river begins. Thus, Bohm is not suggesting that the differences between "things" is meaningless. He merely wants us to be aware constantly that dividing various aspects of the holomovement into "things" is always an abstraction, a way of making those aspects stand out in our perception by our way of thinking. In attempts to correct this, instead of calling different aspects of the holomovement "things, " he prefers to call them "relatively independent subtotalities. "10 Indeed, Bohm believes that our almost universal tendency to fragment the world and ignore the dynamic interconnectedness of all things is responsible for many of our problems, not only in science but in our lives and our society as well. For instance, we believe we can extract the valuable parts of the earth without affecting the whole. We believe it is possible to treat parts of our body and not be concerned with the whole. We believe we can deal with various problems in our society, such as crime, poverty, and drug addiction, without addressing the problems in our society as a whole, and so on. In his writings Bohm argues passionately that our current way of fragmenting the world into parts not only doesn't work, but may even lead to our extinction.

that’s how things are. A day is like a whole life. You start out doing one thing, but end up doing something else, plan to run an errand, but never get there.… And at the end of your life, your whole existence has that same haphazard quality, too. Your whole life has the same shape as a single day.” “I guess it’s one way to look at things,” Grant said. “No,” Malcolm said. “It’s the only way to look at things. At least, the only way that is true to reality. You see, the fractal idea of sameness carries within it an aspect of recursion, a kind of doubling back on itself, which means that events are unpredictable. That they can change suddenly, and without warning.” “Okay …” “But we have soothed ourselves into imagining sudden change as something that happens outside the normal order of things. An accident, like a car crash. Or beyond our control, like a fatal illness. We do not conceive of sudden, radical, irrational change as built into the very fabric of existence. Yet it is. And chaos theory teaches us,” Malcolm said, “that straight linearity, which we have come to take for granted in everything from physics to fiction, simply does not exist. Linearity is an artificial way of viewing the world. Real life isn’t a series of interconnected events occurring one after another like beads strung on a necklace. Life is actually a series of encounters in which one event may change those that follow in a wholly unpredictable, even devastating way.” Malcolm sat back in his seat, looking toward the other Land Cruiser, a few yards ahead. “That’s a deep truth about the structure of our universe. But, for some reason, we insist on behaving as if it were not true.

You can’t be in here.” Ian stated it as a fact. Sam sank back onto the bed. He was definitely growing stronger, but standing could be troublesome on shaky legs. The pain of his wound had definitely receded. “Why not?” he asked a little belligerently. “She can’t; it’s impossible. I was standing guard at her door.” Ian’s gaze met Azami’s. “To protect you of course.” “Of course, because there are so many enemies creeping around your halls,” Azami said, her voice soft and pleasant, a musical quality lending innocence and sweetness. Ian’s frown deepened as if he was puzzled. She certainly couldn’t have meant that the way it came out, anyone listening would be certain of it. “Just what are you two doing in here anyway?” he asked, suspicion lending his tone a dark melodrama. He even wiggled his eyebrows like a villain. Sam kept a straight face with difficulty. Ian was a large man with red hair and freckles. He didn’t look in the least bit mean or threatening, even when he tried. “Azami was just telling me how when she left her room to inquire after my health, there was a giant man with carroty hair snoring in the hallway beside her door.” “There was no way to get past me,” Ian insisted. Sam grinned at him. “Are you saying you did fall asleep on the job, then?” “Hell no.” Ian scowled at him. “I was wide awake and she didn’t slap past me.” “You say,” Sam pointed out, his tone mocking as he folded his arms across his chest and leaned back casually, pleased he could tease his friend. “Still, she’s here and that proves you were looking the other way or sleeping, just like that time in Indonesia when we parachuted in and you fell asleep on the way down. I believe that time you got tangled in a very large tree right in the center of the enemies’ camp.” Azami’s lashes fluttered, drawing Sam’s attention. He almost reached out to her, wanting to hold her hand, but she’d mentioned a couple of times she didn’t show affection in public. “You fell asleep while parachuting?” she asked, clearly uncertain whether or not they were joking. Ian shook his head. “I did not. A gust of heavy wind came along and pushed me right into that tree. Gator told everyone I was snoring when he shoved me out of the plane. The entire episode is all vicious fabrication. On the other hand, Sam here, actually did fall asleep while he was driving as we were escaping a very angry drug lord in Brazil.” Azami raised her eyebrow as she turned to Sam for an explanation. Her eyes laughed at him and again he had a wild urge to pull her to him and hold her tight. Primitive urges had never been a part of his makeup until she’d come along; now he figured he was becoming a caveman. Her gaze slid to his face as if she knew what he was thinking—which was probably the case. He flashed a grin at her.

As noted in About ESC Electrol Specialties Company began fabricating CIP System components as a vendor to one of the nations largest suppliers of cleaning chemicals to the Dairy industry more than 50 years ago. This vendor was a major provider of the engineering services, components and skilled personnel required to design and install CIPable automaed processes, for dairies initialy, and later food and beverage processors. This vendor was actively involved with new facility construction, but more importantly, also developed and applied the methodos of applying such new technology equally well to "recycle old dairies" via rennovation projects planned to provide the exisitng facility increased capacity, efficiency and quality capabilities, and keep it running during the rennovation process. This vendor worked on a design and install" basis and used its own wsanitary welding crews, even Internationally, through the mid 70s.

On the way to the cake shop I kept stopping to shake the wet leaves off the soles of my brown suede Whistles boots. I bought them at Sue Ryder, the charity shop in Camden Town. [...] I know how to find good clothes in those places. First scan the rails for an awkward colour, anything that jumps out as being a bit ugly, like dirty mustard, salmon pink or olive green with a bit too much brown in it. A print with an unusual combination of colours – dark green and pink, bright orange and ultramarine – is also worth checking out. If the quality of the fabric is good, pull the garment out and check the label. Well-cut clothes can look misshapen on a hanger because they're cut to look good on the body. I'll buy a good piece if it fits, even if it doesn't sometimes. Even if it's not my style or has short sleeves, or I don't like the shape or the buttons. I learn to love it. I never tire of clothes I've bought that I've had to adjust to. It's the compromise, the awkward gap that has to be bridged that makes something, someone, lovable.

Care of the soul doesn’t mean wallowing in the symptom, but it does mean trying to learn from depression what qualities the soul needs. Even further, it attempts to weave those depressive qualities into the fabric of life so that the aesthetics of Saturn—coldness, isolation, darkness, emptiness—makes a contribution to the texture of everyday life. In learning from depression, a person might dress in Saturn’s black to mimic his mood. He might go on a trip alone as a response to a saturnine feeling. He might build a grotto in his yard as a place of saturnine retreat. Or, more internally, he might let his depressive thoughts and feelings just be. All of these actions would be a positive response to a visitation of Saturn’s depressive emotion. They would be concrete ways to care for the soul in its darker beauty. In so doing, we might find a way into the mystery of this emptiness of the heart. We might also discover that depression has its own angel, a guiding spirit whose job it is to carry the soul away to its remote places where it finds unique insight and enjoys a special vision.

When I was growing up, there was something of an inverse relationship between being smart and being good-looking. The smart kids were bookish and awkward and the social kids were attractive and popular. Rarely were the two sets of qualities found together in the same people. The nerd camps I went to looked the part. Today, thanks to assortative mating in a handful of cities, intellect, attractiveness, education, and wealth are all converging in the same families and neighborhoods. I look at my friends’ children, and many of them resemble unicorns: brilliant, beautiful, socially precocious creatures who have gotten the best of all possible resources since the day they were born. I imagine them in 10 or 15 years traveling to other parts of the country, and I know that they are going to feel like, and be received as, strangers in a strange land. They will have thriving online lives and not even remember a car that didn’t drive itself. They may feel they have nothing in common with the people before them. Their ties to the greater national fabric will be minimal. Their empathy and desire to subsidize and address the distress of the general public will likely be lower and lower.

Mr. Quincy told me that he will be working for you in London. I am glad, for both your sakes, that you’ve given him such an opportunity. He will be an excellent valet.” “For what I’m paying him,” Winterborne said, “he’d better be the best in England.” Helen was briefly nonplussed. “I have no doubt he will be,” she ventured. Meticulously Winterborne neatened the stack of paper. “He wants to start by disposing of my shirts.” “Your shirts,” Helen repeated, perplexed. “One of my managers brought some of my clothes from London. Quincy could tell that the shirts were ready-made.” He glanced at her warily, assessing her reaction. “To be accurate,” he continued, “they’re sold half finished, so they can be tailored to the customer’s preference. The quality of the fabric is as high as any bespoke shirt, but Quincy still turns up his nose.” Helen considered her reply carefully. “A man of Quincy’s profession has an exacting eye when it comes to details.” She probably should have left it at that. The discussion of a man’s clothing was entirely improper, but she felt that she should help him to understand Quincy’s concerns. “It’s more than just the fabric. The stitching is different in a bespoke shirt: The seams are perfectly straight and flat-felled, and the buttonholes are often hand-worked with a keyhole shape at one side to reduce the stress of the button’s shank.” She paused with a smile. “I would elaborate about plackets and cuffs, but I fear you would fall asleep in the chair.

When my best friend came to say goodbye the day before I went into exile—we embraced thinking we would never see each other again because I would never be allowed to return to Romania and she would never be able to leave the country—we couldn't bear to let go of each other. She walked out of the door three times and returned each time. Only after the third time did she leave me, walking straight down the street. I could see her pale jacket getting smaller and smaller and, in a strange way, brighter and brighter the more distant it became. I don't know if it was the winter sunshine of that February day, or the tears making my eyes glisten, or perhaps her jacket was made of some shiny fabric, but one thing I know for sure: as I watched her walk away her back glittered like a silver spoon. In this way, intuitively, I was able to put our parting into words. And that is also the best description of that moment. But what does a silver spoon have to do with a jacket? Nothing at all. Nor does it have anything to do with parting. Yet as a poetic image the spoon and the jacket need one another. That is why I am mistrustful of language. I know from my own experience that to be accurate, language must always usurp something that doesn't belong to it. I keep asking myself what makes verbal images such thieves, why the most apt comparison appropriates qualities that don't belong to it. To get closer to reality we need to catch the imagination unawares. Only when one perception plunders another, when an object snatches material that belongs to another and starts to exploit it—only when things that in reality are mutually exclusive become plausible in a sentence can the sentence hold its own against reality. I am happy when I succeed in doing that.

Simon laughs when I audibly exhale. “Relieved she’s not here yet?” I roll my suitcase into one of the barren bedrooms and then plunk down on the rock-hard, hideous orange sofa in the lounge. Simon takes a swivel chair from my room and slides it in front of me, where he then plants himself. “Why are you so worried?” I cross my arms and look around the concrete room. “I’m not worried at all. She’s probably very nice. I’m sure we’ll become soul mates, and she’ll braid my hair, and we’ll have pillow fights while scantily clad and fall into a deep lesbian love affair.” I squint my eyes at a cobweb and assume there are spider eggs preparing to hatch and invade the room. “Allison?” Simon waits until I look at him. “You can’t do that. You can’t become a lesbian.” “Why not?” “Because then everyone will say that your adoptive gay father magically made you gay, and it’ll be a big thing, and we’ll have to hear about nature versus nurture, and it’ll be soooooo boring.” “You have a point.” I wait for spider eggs to fall from the sky. “Then I’ll go with assuming she’s just a really sweet, normal person with whom I do not want to engage in sexual relations.” “Better,” he concedes. “I’m sure she’ll be nice. This kind of strong liberal arts college attracts quality students. There’re good people here.” He’s trying to reassure me, but it’s not working. “Totally,” I say. My fingers run across the nubby burned-orange fabric covering the couch, which is clearly composed of rock slabs. “Simon?” “Yes, Allison?” I sigh and take a few breaths while I play with the hideous couch threads. “She probably has horns.” He shrugged. “I think that’s unlikely.” Simon pauses. “Although . . .” “Although what?” I ask with horror. There’s a long silence that makes me nervous. Finally, he says very slowly, “She might have one horn.” I jerk my head and stare at him. Simon claps his hands together and tries to coax a smile out of me. “Like a unicorn! Ohmigod! Your roommate might be a unicorn!” “Or a rhinoceros,” I point out. “A beastly, murderous rhino.” “There is that,” he concedes. I sigh. “In good news, if I ever need a back scratcher, I have this entire couch.” I slump back against the rough fabric and hold out my hands before he can protest. “I know. I’m a beacon of positivity.” “That’s not news to me.

Gray froze as Miss Turner emerged from the hold. For weeks, she’d plagued him-by day, he suffered glimpses of her beauty; by night, he was haunted by memories of her touch. And just when he thought he’d finally wrangled his desire into submission, today she’d ruined everything. She’d gone and changed her dress. Gone was that serge shroud, that forbidding thundercloud of a garment that had loomed in his peripheral vision for weeks. Today, she wore a cap-sleeved frock of sprigged muslin. She stepped onto the deck, smiling face tilted to the wind. A flower opening to greet the sun. She bobbed on her toes, as though resisting the urge to make a girlish twirl. The pale, sheer fabric of her dress billowed and swelled in the breeze, pulling the undulating contour of calf, thigh, hip into relief. Gray thought she just might be the loveliest creature he’d ever seen. Therefore, he knew he ought to look away. He did, for a moment. He made an honest attempt to scan the horizon for clouds. He checked the hour on his pocket watch, wound the small knob one, two, three, four times. He wiped a bit of salt spray from its glass face. He thought of England. And France, and Cuba, and Spain. He remembered his brother, his sister, and his singularly ugly Aunt Rosamond, on whom he hadn’t clapped eyes in decades. And all this Herculean effort resulting in nothing but a fine sheen of sweat on his brow and precisely thirty seconds’ delay in the inevitable. He looked at her again. Desire swept through his body with starling intensity. And beneath that hot surge of lust, a deeper emotion swelled. It wasn’t something Gray wished to examine. He preferred to let it sink back into the murky depths of his being. An unnamed creature of the deep, let for a more intrepid adventurer to catalog. Instead, he examined Miss Turner’s new frock. The fabric was of fine quality, the sprig pattern evenly stamped, without variations in shape or hue. The dressmaker had taken great pains to match the pattern at the seams. The sleeves of the frock fit perfectly square with her shoulders, in a moment of calm, the skirt’s single flounce lapped the laces of her boots. Unlike that gray serge abomination, this dress was expensive, and it had been fashioned for her alone. But it no longer fit. As she turned, Gray noted how the neckline gaped slightly, and the column of her skirt that ought to have skimmed the swell of her hip instead caught on nothing but air. He frowned. And in that instant, she turned to face him. Their gazes caught and held. Her own smile faded to a quizzical expression. And because Gray didn’t know how to answer the unspoken question in her eyes, and because he hated the fact that he’d banished the giddy delight from her face, he gave her a curt nod and a churlish, “Good morning.” And then he walked away.

You have unfairly tasked me with three very difficult questions. I was very interested in your comments about Christ’s atheism on the cross. That final moment of atheism, that’s something I have never thought about in that way. It’s a very interesting thought because what it really ….it’s an unbelievably merciful idea in some sense. That the burden of life is so unbearable and you see in the Christian passion, of course, torture, unfair judgement by society, betrayal by friends and then a low death. That’s about …as bad as it gets. Right? Which is why it is an archetypal story. It’s about as bad as it gets. And the story that you describe points out that it’s so bad that even God himself might despair about the essential quality of being. Right? Right. So that is merciful in some sense because it does say that there is something that’s built into the fabric of existence, that tests us so severely in our faith about being itself that even God himself falls prey to the temptation to doubt. So that’s…ok now… There is a very large critical literature that suggests that if you want to develop optimal resilience, what you do is lay out a pathway towards somewhere better, someone comes in, they have a problem, you try to figure out what the problem is and then you try to figure out what might constitute a solution. So you have a map. And it’s a tentative map of how you get from where things aren’t so good to where they are better. And then you have the person go out in the world and confront those things that they are avoiding, that are stopping them from moving to that higher place. And there’s an archetypal reality to that, you’re in a fallen state, you are attempting to redeem yourself and there is a process by which that has to occur. And that process involves voluntary confrontation with what you’re afraid of, disgusted by and inclined to avoid. And that’s works. Every psychological school agrees upon that exposure therapy, psychoanalysts expose you to the tragedies of your past, and redeem you in that manner, the behaviourists expose you to the terrors of the present and redeem you in that manner, but there is a broad agreement between psychological schools that that works. My sense is that we are called upon as individuals precisely to do that in our life. We are faced by this unbearable reality, that you made reference to when you talked about the situation on the cross, life itself is fundamentally - and this is a pessimism that we might share - it’s fundamentally suffering and malevolence. But this is I think where we differ, I believe that the evidence suggests that the light that you discover in your life is proportionate to the amount of darkness that you are willing to forthrightly confront and that there is no necessarily upper limit to that. So I think that the good that people are capable of it’s a higher good than the evil that people are capable of. And believe me that I do not say that lightly, given that I know about the evil that people are capable of. And I believe that the central psychological message of the biblical corpus fundamentally it’s that. That’s why it culminates in some sense with the idea that it is necessary to confront the devil and to accept the unjustness of your tortured mortality. If you can do that, and that’s a challenge sufficient to challenge even God himself, you have the best chance of transcending it, and living the kind of life that would set your house in order and everyone’s house in order at the same time. And I think that’s true even in states like North Korea...

The quality of man, when at risk and in danger, are of worth, and of woman, her qualities in all other instances; to be of both, to have identity, yet to serve with all capabilities, more better than few, and those working better than those not, and expand being comfortable with all and every role – yes, those of man, when the world falls apart, but the man exists in all and the woman also. Fabrications, all can fight and all will.

You don’t have any apples to offer while you’re at it, do you?" she asked sourly. "Satan tempting Eve in the garden? Not a terribly flattering role for me, is it? And you’re overdressed for the part." Amy’s blush rivalled the hue of the dangerous fruit they had been discussing. Somehow, Lord Richard’s frankly admiring gaze made the yellow muslin of her gown feel as insubstantial as a string of fig leaves. Amy covered her confusion by saying quickly, "Might I ask a favour, my lord?" "A phoenix feather from the farthest deserts of Arabia? The head of a dragon on a bejewelled platter?" "Nothing quite that complicated," replied Amy, marvelling once again at the chameleon quality of the man beside her. How could anyone be so utterly infuriating at one moment and equally charming the next? Untrustworthy, she reminded herself. Mercurial. Changeable. "A dragon’s head wouldn’t be much use to me just now, unless it could offer me directions." Richard crooked an arm. "Tell me where you need to be, and I’ll escort you." Amy tentatively rested her hand on the soft blue fabric of his coat. "That’s quite a generous offer when you don’t know where I’m going." "Ten leagues beyond the wide world’s end?" suggested Richard with a lazy grin. "Methinks it is no journey?" Amy matched the quotation triumphantly, and was rewarded by the admiring light that flamed in Lord Richard’s eyes.

I think,” he said slowly, “that you should marry a man who would appreciate you.” She made a face. “Those are in short supply.” He smiled. “You don’t need a supply. You just need one.” He grasped Poppy’s shoulder, his hand curving over the illusion-trimmed sleeve of her gown until she felt its warmth through the fragile gauze. His thumb toyed with the filmy edge of fabric, brushing her skin in a way that made her stomach tighten. “Poppy,” he said gently, “what if I asked for permission to court you?” She went blank as astonishment swept through her. Finally, someone had asked to court her. And it wasn’t Michael, or any of the diffident, superior aristocrats she had met during three failed seasons. It was Harry Rutledge, an elusive and enigmatic man she had known only a matter of days. “Why me?” was all she could manage. “Because you’re interesting and beautiful. Because saying your name makes me smile. Most of all because this may be my only hope of ever having hotchpotch.” “I’m sorry, but . . . no. It wouldn’t be a good idea at all.” “I think it’s the best idea I’ve ever had. Why can’t we?” Poppy’s mind was spinning. She could hardly stammer out a reply. “I-I don’t like courtship. It’s very stressful. And disappointing.” His thumb found the soft ridge of her collarbone and traced it slowly. “It’s arguable that you’ve ever had a real courtship. But if it pleases you, we’ll dispense with it altogether. That would save time.” “I don’t want to dispense with it,” Poppy said, increasingly flustered. She trembled as she felt his fingertips glide along the side of her neck. “What I mean is . . . Mr. Rutledge, I’ve just been through a very difficult experience. This is too soon.” “You were courted by a boy, who had to do as he was told.” His hot breath feathered against her lips as he whispered, “You should try it with a man, who needs no one’s permission.” A man. Well, he certainly was that. “I don’t have the luxury of waiting,” Harry continued. “Not when you’re so hell-bent on going back to Hampshire. You’re the reason I’m here tonight, Poppy. Believe me, I wouldn’t have come otherwise.” “You don’t like balls?” “I do. But the ones I attend are given by a far different crowd.” Poppy couldn’t imagine what crowd he was referring to, or what kind of people he usually associated with. Harry Rutledge was too much of a mystery. Too experienced, too overwhelming in every way. He could never offer the quiet, ordinary, sane life she longed for. “Mr. Rutledge, please don’t take this as an affront, but you don’t have the qualities I seek in a husband.” “How do you know? I have some excellent qualities you haven’t even seen yet.

Modern culture has disenchanted the world by disenchanting numbers. For us, numbers are about quantity and control, not quality and contemplation. After Bacon, knowledge of numbers is a key to manipulation, not meditation. Numbers are only meaningful (like all raw materials that comprise the natural world) when we can do something with them. When we read of twelve tribes and twelve apostles and twelve gates and twelve angels, we typically perceive something spreadsheet-able. By contrast, in one of Caldecott’s most radical claims, he insists, “It is not simply that numbers can be used as symbols. Numbers have meaning—they are symbols. The symbolism is not always merely projected onto them by us; much of it is inherent in their nature” (p. 75). Numbers convey to well-ordered imaginations something of (in Joseph Cardinal Ratzinger’s metaphor) the inner design of the fabric of creation. The fact that the words “God said” appear ten times in the account of creation and that there are ten “words” in the Decalogue is not a random coincidence. The beautiful meaningfulness of a numberly world is most evident in the perception of harmony, whether in music, architecture, or physics. Called into being by a three-personed God, creation’s essential relationality is often evident in complex patterns that can be described mathematically. Sadly, as Caldecott laments, “our present education tends to eliminate the contemplative or qualitative dimension of mathematics altogether” (p. 55). The sense of transcendence that many (including mathematicians and musicians) experience when encountering beauty is often explained away by materialists as an illusion. Caldecott offers an explanation rooted in Christology. Since the Logos is love, and since all things are created through him and for him and are held together in him, we should expect the logic, the rationality, the intelligibility of the world to usher in the delight that beauty bestows. One

THE SELF IS THE ROOT of the mental poisons. Our mind fabricates, projects, and attaches concepts to people and things. Egocentric fixation reinforces the qualities or defects that we attribute to others. From

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3) The mathematical, dimensionless points (monads) of Leibniz. These are elemental life-forms and have elemental minds that are unconscious but have the potential to become conscious. They have infinite energy capacity. This is a panpsychic vitalist view. The fabric of the cosmos is literally imbued with mind and life, although these qualities are not expressed in any meaningful way until the evolution of organic entities: plants and animals, and, above all, conscious beings such as humans and gods.

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Lewis’s Chronicles of Narnia are about finding a master story that makes sense of all other stories—and then embracing that story with delight because of its power to give meaning and value to life. Yet Lewis’s narrative nevertheless subtly raises darker questions. Which story is the true story? Which stories are merely its shadows and echoes? And which are mere fabrications—tales spun to entrap and deceive? At an early stage in The Lion, the Witch and the Wardrobe, the four children begin to hear stories about the true origins and destiny of Narnia. Puzzled, they find they have to make decisions about which people and which stories are to be trusted. Is Narnia really the realm of the White Witch? Or is she a usurper, whose power will be broken when two Sons of Adam and two Daughters of Eve sit on the four thrones at Cair Paravel? Is Narnia really the realm of the mysterious Aslan, whose return is expected at any time? Gradually, one narrative emerges as supremely plausible—the story of Aslan. Each individual story of Narnia turns out to be part of this greater narrative. The Lion, the Witch and the Wardrobe hints at (and partially discloses) the big picture, expanded in the remainder of the Narnia series. This “grand narrative” of interlocking stories makes sense of the riddles the children see and experience around them. It allows the children to understand their experiences with a new clarity and depth, like a camera lens bringing a landscape into sharp focus. Yet Lewis did not invent this Narnian narrative. He borrowed and adapted one that he already knew well, and had found to be true and trustworthy—the Christian narrative of Creation, Fall, redemption, and final consummation. Following his late-evening conversation with Tolkien and Dyson about Christianity as the true myth in September 1931, Lewis began to grasp the explanatory and imaginative power of an incarnational faith. As we saw (page 134), Lewis came to believe in Christianity partly because of the quality of its literary vision—its ability to give a faithful and realistic account of life. Lewis was thus drawn to Christianity not so much by the arguments in its favour, but by its compelling vision of reality, which he could not ignore—and, as events proved, could not resist.

The above comments are intended to justify the emphasis in our discussion on the ways in which scientists produce order. This necessarily involves an examination of the methodical way in which observations and experiences are organised so that sense can be made of them. As already noted, we have every reason to believe that the accomplishment of this kind of task is no mean feat, as is clear from a consideration of the corresponding task faced by the observer when confronted by his field notes. The observer’s task is to transform notes of the kind presented at the beginning of this chapter into an ordered account. But exactly how and where should the observer begin this transformation? It is clear that when seen through the eyes of a total newcomer, the daily comings and goings of the laboratory take on an alien quality. The observer initially encounters a mysterious and apparently unconnected sequence of events. In order to make sense of his observations, the observer normally adopts some kind of theme by which he hopes to be able to construct a pattern. If he can successfully use a theme to convince others of the existence of a pattern, he can be said, at least according to relatively weak criteria, to have “explained’’ his observations. Of course, the selection and adoption of “themes” is highly problematic. For example, the way in which the theme is selected can be held to bear upon the validity of his explanation; the observer’s selection of a theme constitutes his method for which he is accountable. It is not enough simply to fabricate order out of an initially chaotic collection of observations; the observer needs to be able to demonstrate that this fabrication has been done correctly, or, in short, that his method is valid.

A good explanation may make good predictions about the future, but the one thing that no explanation can even begin to predict is the content or quality of its own future rivals.

The very concept that dragons can recall their previous lives is so hard for humans to grasp. I should so dearly love to listen to whatever you wished to tell me, and to make a complete record of all you recall. Such conversations alone would make a journey worthwhile! Oh, please, say that you will!” A taut quiet followed her words. “Alise,” Sedric said warningly, “I think you should come away from the railing.” But she clung there, even though she, too, could feel the wave of uneasiness that swept through the ship. The smoothness went out of the sailing; the deck under her feet shifted subtly. Surely it was her imagination that the wind flowed more chill than it had? Paragon spoke into the roaring silence. “I choose not to remember,” he said. Alise felt as if his words broke a spell. Sound and life came suddenly back to the world. It included the sudden thud of feet on the deck behind her. A woman’s voice said, without preamble, “I fear you’re upsetting my ship. I’ll have to ask you to leave the foredeck.” “She’s not upsetting me, Althea,” Paragon interjected as Alise turned to see the captain’s wife advancing on her. Alise had met her when they embarked and had spoken with her several times, but still did not feel at ease with her. She was a small woman who wore her hair in a long black pigtail down her back. She dressed in sailor’s garb; it was well tailored and of quality fabric, but for all that, she was a woman in trousers and a jacket. Less feminine garb Alise could not imagine, and yet the very inappropriateness of it seemed to emphasize her female form. Her eyes were very dark, and right now they sparked with either anger or fear. Alise retreated a step and put her hand on Sedric’s arm. For his part, he turned his body so that he stood almost between them and said, “I’m sure the lady meant no harm. The ship asked us to come up and speak with him.” “That I did,” Paragon confirmed. He twisted to look over his shoulder at all of them. “No harm done, Althea, I assure you. We were speaking of dragons, and quite naturally, she asked me what I recalled of being one. I told her that I chose to recall nothing at all.” “Oh, Ship,” the woman said, and Alise felt as if she had disappeared. Althea Trell did not even glance at her as she moved forward to take Alise’s place at the bow. She leaned on the railing and stared far ahead up the river as if sharing the ship’s thoughts. “Par’gon!” A child’s voice piped up suddenly behind them. Alise turned to watch a small boy of three or four clambering onto the raised foredeck. He was bare armed and bare legged and baked dark by the sun. He scampered forward, dropped to his hands and knees, and thrust his head out under the ship’s railing. Alise gasped, expecting him to pitch overboard at any moment. Instead he demanded the ship’s attention with a strident, “Par’gon? You awright?” His babyish voice was full of concern. The ship swung his head around to stare at the child. His mouth puckered oddly and then suddenly he smiled, an expression that transformed his face. “I’m fine.” “Catch me!” the boy commanded, and before his mother could even turn to him, he launched himself into the figurehead’s waiting hands. “Fly me!” the imp commanded the ship. “Fly me like a dragon!” And without a word, the ship obeyed him. He cupped the child in his two immense hands and lifted him high and forward. The boy leaned fearlessly against the ship’s laced fingers and spread his small arms wide as if they were wings. The figurehead gently wove his hands through the air, swaying the youngster from left to right. A squeal of glee drifted back to them. Abruptly the charge of tension in the air vanished. Alise wondered if Paragon even recalled they were there. “Let’s leave them shall we?” Althea suggested quietly. “Is it safe for the child?” Sedric objected in horror. “It’s the safest place the boy can possibly be,” Althea replied with certainty. “And for the ship, it’s the best place, too.

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We told each other every funny story we could think of. One of them stays in my mind. A German citizen wants to commit suicide. He tries to hang himself, but the rope is of such a poor quality that it breaks. He tries to drown himself, but the percentage of wood in the fabric of his pants is so high that he floats on the surface like a raft. Finally he starves to death from eating official government rations.

Shirt" The back, the yoke, the yardage. Lapped seams, The nearly invisible stitches along the collar Turned in a sweatshop by Koreans or Malaysians Gossiping over tea and noodles on their break Or talking money or politics while one fitted This armpiece with its overseam to the band Of cuff I button at my wrist. The presser, the cutter, The wringer, the mangle. The needle, the union, The treadle, the bobbin. The code. The infamous blaze At the Triangle Factory in nineteen-eleven. One hundred and forty-six died in the flames On the ninth floor, no hydrants, no fire escapes— The witness in a building across the street Who watched how a young man helped a girl to step Up to the windowsill, then held her out Away from the masonry wall and let her drop. And then another. As if he were helping them up To enter a streetcar, and not eternity. A third before he dropped her put her arms Around his neck and kissed him. Then he held Her into space, and dropped her. Almost at once He stepped to the sill himself, his jacket flared And fluttered up from his shirt as he came down, Air filling up the legs of his gray trousers— Like Hart Crane’s Bedlamite, “shrill shirt ballooning.” Wonderful how the pattern matches perfectly Across the placket and over the twin bar-tacked Corners of both pockets, like a strict rhyme Or a major chord. Prints, plaids, checks, Houndstooth, Tattersall, Madras. The clan tartans Invented by mill-owners inspired by the hoax of Ossian, To control their savage Scottish workers, tamed By a fabricated heraldry: MacGregor, Bailey, MacMartin. The kilt, devised for workers To wear among the dusty clattering looms. Weavers, carders, spinners. The loader, The docker, the navvy. The planter, the picker, the sorter Sweating at her machine in a litter of cotton As slaves in calico headrags sweated in fields: George Herbert, your descendant is a Black Lady in South Carolina, her name is Irma And she inspected my shirt. Its color and fit And feel and its clean smell have satisfied Both her and me. We have culled its cost and quality Down to the buttons of simulated bone, The buttonholes, the sizing, the facing, the characters Printed in black on neckband and tail. The shape, The label, the labor, the color, the shade. The shirt.

He gazed thoughtfully at the piece of fabric in her hand. 'Hope' he said, and gave a little smile. 'A quality I should have thought you already possessed in abundance.

The answers to leadership challenges of the future are, in many ways, similar to the answers my ancestors left behind. They are the intangible human qualities, rooted in the soul. The souls of all leaders, past, present, and future, are connected by an unshakable sense of purpose, unquenchable spirit of adventure, and unending personal growth. When these qualities become infused into the fabric of your organization, through your efforts, you’ll have courageous leadership at all levels. The result is a memorable, long-lasting organization.

No matter what country you are in, runners are the same everywhere, obsessed with clothing lines and colours. This is why all the changing rooms in the running department of the sports shop were occupied by men and women trying on tight running leggings and luminescent shirts, checking their ensembles, the quality of the stitching and the breathability of the fabric. Chase had to go to another department to find an available fitting room.

THE BIGGER PICTURE   During World War II, thousands in factories across the United States constructed parachutes. From the worker’s point of view, the job was tedious. It required stitching endless lengths of colorless fabric, crouched over a sewing machine eight to ten hours a day. A day’s work produced a formless, massive heap of cloth with no visible resemblance to a parachute. In order to motivate workers and keep them concerned with quality, the management in one factory held a meeting. Management informed workers each day of the approximate number of parachutes that had been strapped to the back of pilots, copilots, and other “flying” personnel the previous day. They learned just how many men had jumped to safety from disabled planes as a result of their high-quality work. The managers encouraged their workers to see the big picture on their job. As a second means of motivation, the workers were asked to form a mental picture of a husband, brother, or son who might be the one saved by the parachute they sewed. That factory held one of the highest levels of quality on record!3 Don’t let the tedium of each day’s chores and responsibilities wear you down so you only see the “stitching” in front of you. Keep your eyes on the big picture. Focus on why you do what you do and who will benefit from your work, including those you don’t know and may never meet. You may not have all the answers to the question, “Why am I here?” but you can rest assured, the Lord does! Ultimately, the Bible tells us we will be in heaven for eternity—and that is the biggest picture of all! God is preparing us for heaven, just as He is preparing heaven for us. He is creating us to be the people He wants to live with forever. Whatever mundane tasks or trivial pursuits you undertake today, see them in the light of eternity. They will take on a whole new meaning!   “I GO TO PREPARE A PLACE FOR YOU. AND IF I GO AND PREPARE A PLACE FOR YOU, I WILL COME AGAIN AND RECEIVE YOU TO MYSELF; THAT WHERE I AM, THERE YOU MAY BE ALSO.” JOHN 14:2-3 NKJV

As a leader, remember that one of the most significant strategies for building the qualities of solid relationships into the relational fabric of the team is for you, the team leader, to model them. Let team members see them in practice.

Textile manufacturing was introduced to the city's economy by settlers from Prussia in the early nineteenth century. Around 18oo, several German industrialists established factories that catered primarily to an upscale market, producing only high-quality expensive woolen fabrics for wealthy customers.

Fabric softening sheets go into the dryer, and are a much better choice than liquid softeners as they won’t cause any sort of damage or buildup to the machines. They do, however, leave a coating on anything they’ve been dried with (as does liquid softener, but to a lesser extent), which is not ideal for many fabrics, including and most especially towels. Never, ever, ever use a fabric softener with your towels. The coating it leaves behind will render the towels less absorbent. And that’s a bad quality in a towel! So no more fabric softener with your towels. Also with your gym clothes, leggings, tights—anything with a stretchy quality. They don’t love fabric softeners. Before you become too despondent because I’ve taken away your precious fabric softeners, I have two alternatives to offer you.

Not so. You have been doing that quite frequently now. Rest easy. Later the whole of quantum mechanics will be placed in the context of the ten-dimensional manifold of manifolds, and there reconciled to gravity and to general relativity. Then, if you go that far, you will feel better about how it is that these equations can work, or be descriptive of a real world.” “But the results are impossible!” “Not at all. There are other dimensions folded into the ones our senses perceive, as I told you.” “How can you be sure, if we can never perceive them?” “It’s a matter of tests pursued, just as you do it in your work. We have found ways to interrogate the qualities of these dimensions as they influence our sensorium. We see then that there must be other kinds of dimensions. For instance, when very small particles decay into two photons, these photons have a quantum property we call spin. The clockwise spin of one is matched by a counterclockwise spin of the same magnitude in the other one, so that when the spin values are added, they equal zero. Spin is a conserved quantity in this universe, like energy and momentum. Experiments show that before a spin is measured, there is an equal potential for it to be clockwise or counterclockwise, but as soon as the spin is measured it becomes one or the other. At that moment of measurement, the complementary photon, no matter how far away, must have the opposite spin. The act of measurement of one thus determines the spin of both, even if the other photon is many light-years away. It changes faster than news of the measurement could have reached it moving at the speed of light, which is as fast as information moves in the dimensions we see. So how does the far photon know what to become? It only happens, and faster than light. This phenomenon was demonstrated in experiments on Earth, long ago. And yet nothing moves faster than the speed of light. Einstein was the one who called this seemingly faster-than-light effect ‘spooky action at a distance,’ but it is not that; rather, the distance we perceive is irrelevant to this quality we call spin, which is a feature of the universe that is nonlocal. Nonlocality means things happening together across distance as if the distance were not there, and we have found nonlocality to be fundamental and ubiquitous. In some dimensions, nonlocal entanglement is simply everywhere and everything, the main feature of that fabric of reality. The way space has distance and time has duration, other manifolds have entanglement.

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The loss of freedom represents a profound threat to individuals and societies alike. It undermines fundamental human rights, stifles creativity and innovation, and erodes the foundations of democratic governance. When individuals are deprived of the ability to express themselves, make choices freely, or participate fully in civic life, the fabric of society weakens. Moreover, restrictions on freedom can lead to increased inequality, social unrest, and a diminished quality of life for all. Preserving and defending freedom is therefore not merely a matter of personal preference but a vital safeguard against tyranny and oppression, ensuring a future where dignity, justice, and progress prevail.

This is a tent. A shelter constructed of fabric. Fabric is a material not known for its sound dampening qualities.” He said all of this in that perpetually smooth, calm voice, but his tired eyes glittered with laughter. “You’re lucky that I’m the only one close enough to hear.

Suraj solar and allied industries, Wework galaxy, 43, Residency Road, Bangalore-560025. Mobile number : +91 808 850 7979 With the worldwide shift towards feasible energy sources, the sunlight based charger producing industry in Bangalore has seen critical development and advancement lately. As a conspicuous player in this market, SuneaseSolar has arisen as a main producer, offering state of the art advancements and answers for satisfy the rising need for environmentally friendly power arrangements. This article investigates the scene of solar panel manufacturers in Bangalore , digs into the vital elements and advances given by SuneaseSolar, and features the maintainability advantages of sunlight powered chargers. Moreover, it grandstands the upsides of picking SuneaseSolar for sunlight based charger arrangements, presents client tributes, and talks about future patterns and advancements molding the Bangalore sun powered charger market. 1. An Overview of solar panel manufacturers in Bangalore, also known as India's Silicon Valley, is also making a name for itself in the solar energy industry. The city's energetic tech culture and obligation to maintainability have made ready for a developing sun powered charger fabricating industry. Significance of Sun powered chargers in India's Energy Scene Sun powered chargers assume an essential part in India's shift towards sustainable power sources. With its plentiful daylight, India can possibly outfit sunlight based power for an enormous scope, decreasing reliance on non-renewable energy sources and moderating environmental change. 2. Outline of SuneaseSolar as a Main Maker Organization Foundation and History SuneaseSolar has arisen as an unmistakable player in Bangalore's sun powered charger fabricating scene. With an emphasis on development and quality, the organization has gained notoriety for conveying dependable and productive sunlight based arrangements. Scope of Sunlight powered charger Items Advertised SuneaseSolar offers a different scope of sunlight based charger items custom-made to meet different energy needs. From private roof frameworks to enormous scope business establishments, they take special care of a wide range of clients. 3. Key Highlights and Innovations Presented by SuneaseSolar High level Sunlight powered charger Plans and Materials SuneaseSolar values utilizing state of the art plans and materials to upgrade the proficiency and solidness of their sun powered chargers. By remaining on the ball, they guarantee clients get first class items that go the distance. Metrics for Efficiency and Performance When it comes to solar panels, efficiency is absolutely necessary. SuneaseSolar focuses on execution measurements to ensure ideal energy creation and cost reserve funds for their clients. With a sharp spotlight on result and dependability, they endeavor to expand the advantages of sun oriented power. 4. Maintainability and Ecological Effect of Sunlight based chargers Job of Sun powered Energy in Lessening Carbon Impression Sun powered energy assumes a urgent part in bringing down fossil fuel byproducts and battling environmental change. By bridling the force of the sun, sun powered chargers offer a perfect and manageable option in contrast to conventional energy sources, adding to a greener future. Reusing and Removal Practices for Sunlight powered chargers To address worries about the finish of-life pattern of sunlight powered chargers, SuneaseSolar carries out reusing and removal practices to limit natural effect. By advancing dependable waste administration, they guarantee that sun powered energy stays a genuinely economical answer for the long run. 5. Cost-Effectiveness and Return on Investment of SuneaseSolar's Solar Panel Solutions When it comes to solar panel manufacturers in Bangalore, SuneaseSolar shines brightly like a diamond.

Since the immaterial Being envelopes the Nothing, this nothing, in “cooperation” with the Universal Being (Mind), becomes space as we experience and describe it. The “fabric” of this created space, with the help of nothingness, is curved. But all this is the product of the transformation of the Being into its different forms, modes, and interdependent qualities of reality. The “material” world is only a symphony of “materialized” qualities of the Universal Being,” not matter per se because matter per se does not exist. What we see as space is a “materialized” program of the Universal Mind. What appears to us as dimensions is the underlying nothingness holding the illusion of Reality, making it appear material. The Primordial Primary Quality is the Primary Ultimate Force, or Source, that powers all we see, experience, and measure. Everything is related to Everything else and is affected and conditioned by Everything else. Everything within the Universe is a message, information, and code to everything else. Energy and matter are the messages of the Universal Mind sent into nothingness to fertilize it. Relationships and communication among the myriad beings are the life of one organism. All the features of matter we experience are real in the sense that we experience the spacetime continuum, but all that is the result of programming and conditioning rather than energy and matter as physical realities per se. Everything was One and became a multitude, yet Everything stayed One on the most basic level. The story of One is the story of All. Every sense, every pain, and everything we feel are the messages of existence, messages of the Universal Mind in action, interconnecting the Web of the Universe into One Family. Absolute is the Ultimate uniting force of Everything. To be one and only is death. That’s why creating is needed. Without creating, there is no life. The Universe is the life of the Absolute. Something and Nothing are the Father and the Mother of the World. From One Absolute, there is an almost endless family dispersed through space in search of life and meaning, which is what we call existence.

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Once you commit to living a life of quality, quality will permeate every aspect of your life. You will be more selective of the foods you eat, the fabrics you choose to wear, the way you choose to spend your time.

Then the Jetsun reflected, “All you ghosts, as well as all other phenomena that exist, are just projections of the mind. There is nothing that isn’t like that. This is taught in all of the sutras, tantras, and treatises. This very essence of mind that is naturally luminous and free from all elaborations is what was pointed out to me through the nectar of my noble guru’s oral instructions. The nature of mind is free of arising and ceasing. Even if the Lord of Death’s army of millions and billions should surround it and rain down a myriad of weapons, they could not kill, cut, or transform [mind’s nature] into something bad. Even if a billion light rays of the buddhas of the three times and ten directions should gather with their good qualities combined, it could not be fabricated to be made truly existent as the form of something with color or form. [Mind’s nature] is this very uncontrived basic character. “This present body is taken as real due to clinging to perceiver and perceived. And the end of these aggregates made up of the base elements that have been born is death. So, if you devas and ghosts have a need for them, then I will happily give them to you. All things are impermanent and changing phenomena. Right now, while I have control, if I exercise generosity with my mind, then I would do great benefit by giving away my body. “Now, because of the confused concepts of perceived and perceiver, I see all the images of these devas and ghosts here. These appearances of harmers and someone to be harmed are like floaters that appear to an obscured eye. Since beginningless samsara, by the power of ignorance—the cause—obscurations arose through continual habituation to negative tendencies, these concepts which are adventitious coverings like clouds or fog. So then, why do I have such fear and anguish toward them?” Then he rested evenly in the abiding nature—the base—and sang this song of realization about confidence in realization through complete mastery of fearlessness:

From the perspective of the objective world with its opaque qualities, or from the objective body with its isolated organs, the phenomenon of synesthesia is paradoxical...For the subject does not tell us merely that he has a sound and a color at the same time: it is the sound itself that he sees, at the place where colors form. This formula is literally rendered meaningless if vision is defined by the visual quale, or sound by the sonorous quale. But...the vision of sounds or the hearing of colors exist as phenomena. And they are hardly exceptional phenomena. Synesthetic perception is the rule and, if we do not notice it, this is because scientific knowledge displaces experience and we have unlearned seeing, hearing, and sensing in general in order to deduce what we ought to see, hear, or sense from our bodily organization and from the world as it is conceived by the physicist...In fact...by opening itself up to the structure of the thing, the senses communicate among themselves. We see the rigidity and the fragility of the glass, and, when it breaks with a crystal-clear sound, this sound is borne by the visible glass. We see the elasticity of steel, the ductility of molten steel, the hardness of the blade in a plane, and the softness of its shaving...The form of a fold in a fabric of linen or of cotton shows us the softness or the dryness of the fiber, and the coolness or the warmth of the fabric...In the movement of the branch from which a bird has just left, we read its flexibility and its elasticity, and this is how the branch of an apple tree and the branch of a birch are immediately distinguished. We see the weight of a block of cast iron that sinks into the sand, the fluidity of the water, and the viscosity of the syrup. Likewise, I hear the hardness and the unevenness if the cobblestones in the sound of a car, and we are right to speak of a 'soft,' 'dull' or 'dry' sound.

Being a true leader, as opposed to a competent manager, requires a willingness to get your hands dirty. I have said before that I do not expect anyone to do a job I cannot do myself. While this is clearly unrealistic as a company grows and expands, the perception of being willing to step in and assist must remain. The weight of leadership includes staying calm while others panic and coming up with solutions rather than joining the chorus of complaints. The Covid-19 pandemic has certainly helped distinguish the leaders from the managers. Leaders are prepared to take responsibility when things go wrong, even if the true responsibility lies with someone else. Leaders are visible. Leaders have a vision, even if it is only short term. I don’t really believe in long-term planning. I make up the rules of the game based on one-year plans. This means I always retain visibility and control. Five years is too long a time to have any certainty that the objectives will be met. Leadership is not a popularity contest, but it also should not inspire fear. Leaders earn respect and loyalty, recognising that these take a long time to earn and a second to lose. A leader is not scared of collaboration and listening to the opinions of others, as well as accepting help when it’s needed. Leadership is not a quality that you are born with, it is something that you learn over time. I was not a leader in my Coronation days, and I am the first to admit that I made a lot of mistakes. Even at African Harvest, as much as I achieved financial success and tried different techniques to earn respect, I never truly managed to deal with the unruly investment team. But, having built on years of experience, by the time I hit my stride at Sygnia, I was a leader. Within any organisation of substantial size, there is space for more than one leader, whether they head up divisions or the organisation itself. There are several leaders across Sygnia weaving the fabric of our success. I am no longer the sole leader, having passed the baton on to others in pursuit of my own dreams. To quote the Harvard Business Review, ‘The competencies most frequently required for success at the top of any sizable business include strategic orientation, market insight, results orientation, customer impact, collaboration and influence, organisational development, team leadership, and change leadership.’ That is what I looked for in my successor, and that is what I found in David. I am confident that all the leaders I have groomed are more than capable of taking the company forwards.

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follow a simple three-step process: use a high-quality liquid or single-dose pods; run a fast cycle with cold water; finish with fabric conditioner. “When you use that regimen, you can actually extend the life of clothes by four times,” he said. “And the environmental impact of that is just amazing; it’s just humongous.

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What qualities do you look for in a role model? For me, it is someone who uses their struggles to grow personally and spiritually and uses those struggles to empower and help others to do the same. I look to those special people who can show others that they don’t continually need to relive their struggles but can transform them into the fabric of strength, self-respect, motivation, and love.

3D Art Outsourcing & Game Art Design Companies By Game Art Outsourcing Studio A 3D game art outsourcing company can outsource the game art to extra game developers. Game art is separated into two categories which are 2D and 3D game art. In 2D art outsourcing, game developers outsource their 2D oriented design to the game artists. 2D game artist focus in produce the thought as well as the texture of the game. 3D game artist deliberate on fabricating the animation of games; which include models and 3D environment. It is also potential to get a game art company that has artists who focus in both 2D and 3D game art. Game 3D Art Outsourcing company give lots of reward to game developers. The major advantage is that game developers are able to delegate all their work to diverse companies so that the work get concluded in a very short length of time. This, therefore, make it feasible for a game developer to discharge a game in lesser phase of time. Time full in developing a game is very central since if the game take too long to be unconfined, technology worn in the game may quickly be out of manner. Hence, it is very significant for 3D Game Designer to outsource their gaming growth work to guarantee that all games are out in ideal occasion, i.e., while there is publicity in the market. 3D Game outsourcing company make it potential for a game developer to construct games of finest value. It is well-known by professional and while game developers rush with their work in arrange to try and cut the occasion really required in increasing a game, quality of the pastime is regrettably compromised. On the other pass, if they break down the labor into programming, art, level scheming and sound engineering, they can shun poverty of superiority. It is potential to outsource every work to the diverse team of game development company. By receiving in touch with encoding and Art Outsourcing Studio game designers, it is probable to get the best entity for each part of game conniving. When the labour is outsourced, every section will have adequate time to focus in their area and once everything has been mutual together, a superb game is shaped. As a game developer, it is very significant to outsource your Game Art Design Company frequently. This is because hiring diverse game art designers make your games exclusively diverse each time. This is incredibly significant if you want to market a game effectively because it must have amazing completely diverse to offer as compare to your previous games. For example, it should contain the upgrade of features that were liked by patrons who used last account. Doing that is very easy as you only require a long term game outsourcing company for your game art and design.

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It took quantum theory … to reconcile how both ideas could be true: photons and other subatomic particles—electrons, protons, and so forth—exhibit two complementary qualities; they are, as one physicist put it, “wavicles.” To explain the idea … physicists often used a thought experiment, in which Young’s double-slit demonstration is repeated with a beam of electrons instead of light. Obeying the laws of quantum mechanics, the stream of particles would split in two, and the smaller streams would interfere with each other, leaving the same kind of light- and dark-striped pattern as was cast by light. Particles would act like waves.311 In 1961, this idea was actually tested with electrons, and it worked as expected. Elementary particles, chunks of stuff like little billiard balls, behave like waves, provided that you aren’t looking. This can be demonstrated easily even if you shoot a single photon one at a time through a double-slit apparatus.312 However—and this is the frosting on the quantum measurement problem—those very same chunks of stuff behave like particles when you do look at them. Technically, the process of looking is called gaining “which-path” information, in which you learn which path a photon took as it traveled through the double-slit apparatus. To repeat: If you know that it goes through the left slit or the right slit, typically determined using a detector placed behind each slit, then the photon will behave like a particle. But if you don’t know, then it will behave like a wave. Assumptions The experiment we conducted took advantage of this intriguing effect. It was based on two assumptions: (A) If information is gained—by any means—about a photon’s path as it travels through two slits, then the quantum wavelike interference pattern, produced by photons traveling through the slits, will “collapse” in proportion to the certainty of the knowledge obtained. (B) If some aspect of consciousness is a primordial, self-aware feature of the fabric of reality, and that property is modulated by us through capacities we enjoy as attention and intention, then focusing human attention on a double-slit system may extract information about the photon’s path, and in turn that will affect the interference pattern.

The “real world” in which we find ourselves, then—the very world our sciences strive to fathom—is not a sheer “object,” not a fixed and finished “datum” from which all subjects and subjective qualities could be pared away, but is rather an intertwined matrix of sensations and perceptions, a collective field of experience lived through from many different angles. The mutual inscription of others in my experience, and (as I must assume) of myself in their experiences, effects the interweaving of our individual phenomenal fields into a single, ever-shifting fabric, a single phenomenal world or “reality.

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The transgressive quality of love is evident in our daily lives ... Teenage love can rend the fabric of a nuclear family, and the structure of authority within it.

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Jack drove and somehow managed to only smoke one cigarette en route.  I didn’t look forward to peeling my clothes off tonight at the hotel.  The scent had leeched into the fabric yesterday as if it had a Velcro-like quality.

Volumnia, who is attempting to infuse some of her own stalwart qualities into her daughter-in-law: If my son were my husband, I should freelier rejoice in that absence wherein he won honor than in the embracements of his bed where he would show most love. (1.3.2–5) Is it possible to imagine anything more perverse? Not only is Volumnia declaring that she prefers a warrior who is absent (and in mortal danger on the battlefield) to a husband who is present in her bed—this much could be chalked up to Roman heroic virtue—but the whole assertion rests on the premise of herself as her son’s husband. And this, let’s not forget, spoken to the individual who actually does share “his bed where he would show most love.” It renders by comparison rather colorless the son-husband comparison with which All’s Well begins. With the fate of Rome hanging in the balance, the husbandless mother of the hero/savior edges toward absurdity, as when Menenius, trying vainly to stage manage the hero’s role in making peace with the plebeians, is forced to say to him, “is this the promise you made your mother?” (3.3.87), which sounds to me like a laugh line delivered on the playground or something I heard in my head at a prepubescent age, not an exhortation to decisive political action in the Roman forum. But Shakespeare has woven, ominously (or so it appears to me), another thread into the fabric of Coriolanus’s Rome. With the ferocious mother-fatherlover rolled into one at the center of this particular Roman world, it seems as though perversity is on the loose everywhere. Nothing in the rulebook of epic heroism accords with Coriolanus’s rapturous reception of his ally Cominius, O, let me clip ye In arms as sound as when I wooed, in heart As merry as when our nuptial day was done. … (1.7.29–31)

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