F Scott Fitzgerald Best Quotes

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I hope she'll be a fool -- that's the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald (The Great Gatsby)
He smiled understandingly-much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced--or seemed to face--the whole eternal world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.
F. Scott Fitzgerald (The Great Gatsby)
If I knew words enough, I could write the longest love letter in the world and never get tired
F. Scott Fitzgerald (The Best Early Stories of F. Scott Fitzgerald (Modern Library Classics))
Don't let yourself feel worthless: often through life you will really be at your worst when you seem to think best of yourself; and don't worry about losing your "personality," as you persist in calling it: at fifteen you had the radiance of early morning, at twenty you will begin to have the melancholy brilliance of the moon, and when you are my age you will give out, as I do, the genial golden warmth of 4 p.m.
F. Scott Fitzgerald (This Side of Paradise)
Well, you never knew exactly how much space you occupied in people's lives. Yet from this fog his affection emerged--the best contacts are when one knows the obstacles and still wants to preserve a relation.
F. Scott Fitzgerald (Tender Is the Night)
For what it’s worth... it’s never too late, or in my case too early, to be whoever you want to be. There’s no time limit. Start whenever you want. You can change or stay the same. There are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. I hope you see things that startle you. I hope you feel things you’ve never felt before. I hope you meet people who have a different point of view. I hope you live a life you’re proud of, and if you’re not, I hope you have the courage to start over again.
F. Scott Fitzgerald
the best contacts are when one knows the obstacles and still wants to preserve a relation.
F. Scott Fitzgerald (Tender Is the Night)
The best of America drifts to Paris. The American in Paris is the best American. It is more fun for an intelligent person to live in an intelligent country. France has the only two things toward which we drift as we grow older—intelligence and good manners.
F. Scott Fitzgerald
He snatched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his burred eyes and he knew that he had lost that part of it, the freshest and the best, forever.
F. Scott Fitzgerald (The Great Gatsby)
Aristocracy's only an admission that certain traits which we call fine - courage and honor and beauty and all that sort of thing - can best be developed in a favorable environment, where you don't have the warpings of ignorance and necessity.
F. Scott Fitzgerald (The Beautiful and Damned)
It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.
F. Scott Fitzgerald (The Great Gatsby)
The night you gave me my birthday party… you were a young Lieutenant and I was a fragrant phantom, wasn’t I? And it was a radiant night, a night of soft conspiracy and the trees agreed that it was all going to be for the best.
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and third---before long the best lines cancel out---and the secret is exposed at last; the planes of the picture have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true.
F. Scott Fitzgerald (The Beautiful and Damned)
The track curved and now it was going away from the sun, which as it sank lower, seemed to spread itself in benediction over the vanishing city where she had drawn her breath. He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.
F. Scott Fitzgerald (The Great Gatsby)
She told me it was a girl, and so I turned my head away and wept. 'All right,' I said, 'I'm glad it's a girl. And I hope she'll be a fool – that's the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald (The Great Gatsby)
She told him in a dozen ways, of which the best was without words, how she had missed him. Her emotion reassured him, promised his anxious heart that everything would be all right".
F. Scott Fitzgerald (The Sensible Thing)
I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘all right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool — that’s the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald (The Great Gatsby)
The growth of intimacy is like that. First one gives off his best picture, the bight and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and a third--before long the best lines cancel out--and the secret is exposed at last; the panes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such famous accounts of ourselves as we make to our wives and children and business associates are accepted as true.
F. Scott Fitzgerald (The Beautiful and Damned)
I’m afraid I’m in love with you and that’s not the best thing that could happen.
F. Scott Fitzgerald (Tender is the Night)
the growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humour. Then more details are required and one paints a second portrait, and a third – before long the best lines cancel out – and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true
F. Scott Fitzgerald
As he put in his studs he realized that he was enjoying life as he would probably never enjoy it again. Everything was hallowed by the haze of his own youth. He had arrived, abreast of the best in his generation at Princeton. He was in love and his love was returned.
F. Scott Fitzgerald (This Side of Paradise)
But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.
F. Scott Fitzgerald
If one can't be a great artist or a great soldier, the next best thing is to be a great criminal.
F. Scott Fitzgerald (This Side of Paradise)
Something bright and alien flashed across the sky... and for a moment people set down their glasses in country clubs and speakeasies and thought of their old best dreams. Maybe there was a way out by flying, maybe our restless blood could find frontiers in the illimitable air. But by that time we were all pretty well committed; and the Jazz Age continued; we would all have one more.
F. Scott Fitzgerald (The Crack-Up)
You and I have been happy; we haven't been happy just once, we've been happy a thousand times. . . Forget the past-what you can of it, and turn about and swim back home to me, to your haven forever and ever-even though it may seem a dark cave at times and lit with torches of fury; it is the best refuge for you-turn gently in the water through which you move and sail back.
F. Scott Fitzgerald
You and I have been happy; we haven’t been happy just once, we’ve been happy a thousand times. The chances that spring, that’s for everyone, like in the popular songs, may belong to us too – the chances are pretty bright at this time because as usual, I can carry most of contemporary literary opinion, liquidated, in the hollow of my hand – and when I do, I see the swan floating on it and – I find it to be you and you only…. Forget the past – what you can of it, and turn about and swim back home to me, to your haven for ever and ever – even though it may seem a dark cave at times and lit with torches of fury; it is the best refuge for you – turn gently in the waters through which you move and sail back…
F. Scott Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
I'm glad it's a girl. And I hope she'll be a fool--that's the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald (The Great Gatsby)
don't understand why people think that every young man ought to go down-town and work ten hours a day for the best twenty years of his life at dull, unimaginative work,
F. Scott Fitzgerald (The Beautiful and Damned)
Doctor Dougall was wrong. It was tempermentally impossible for Amory to get the best marks in school.
F. Scott Fitzgerald (This Side of Paradise)
best contacts are when one knows the obstacles and still wants to preserve a relation.
F. Scott Fitzgerald (Tender Is the Night)
…that’s the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald
I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation.
F. Scott Fitzgerald (A Short Autobiography)
But, knowing they had had the best of love, they clung to what remained. Love lingered – by way of long conversations at night into those stark hours when the mind thins and sharpens and the borrowings from dreams become the stuff of all life.
F. Scott Fitzgerald (The Beautiful and Damned)
The compensation of a very early success is a conviction that life is a romantic matter. In the best sense one stays young.
F. Scott Fitzgerald
When a girl tells the man she likes second best about the other one, then she's in love." --Cecelia Brady
F. Scott Fitzgerald (The Love of the Last Tycoon)
On the contrary. When a man speaks he's merely tradition. He has at best a few thousand years back of him. But woman, why, she is the miraculous mouthpiece of posterity.
F. Scott Fitzgerald (The Beautiful and Damned)
Gloria had been sorry for him but she had judged it best not to show it. In a final burst of kindness she had tried to make him hate her, there at the last.
F. Scott Fitzgerald (The Beautiful and Damned)
I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.” ―F. Scott Fitzgerald, The Great Gatsby
L.J. Shen (The Hunter (Boston Belles, #1))
It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself and assured you that it had precisely the impression of you that, at your best, you hoped to convey.
F. Scott Fitzgerald (Great Gatsby)
Why? But I want to know just why it's impossible for an American to be gracefully idle"—his words gathered conviction—"it astonishes me. It—it—I don't understand why people think that every young man ought to go down-town and work ten hours a day for the best twenty years of his life at dull, unimaginative work, certainly not altruistic work.
F. Scott Fitzgerald (The Beautiful and Damned)
I mean, what kind of literature do you think ants would make if they could read? Not F. Scott Fuckin’ Fitzgerald, not Joyce or D-D—D-Dostoyevsky, not even friggin’ Steinbeck. Wouldn’t make any sense to ’em. You ever read Nabokov’s Lolita? Best book of the twentieth century, but old-fashioned my friend, old fuckin’ fashioned. Same old story over and over again, one more guy mesmerized by his own dick, wandering around the wreckage of his life. Who the fuck cares about that? Give me the Knights of the Round Table! Give me Merlin! Or better, the “wine dark sea”! Much more interesting.
Eric Bogosian (Perforated Heart)
The decision as to when to quit, as to when one is merely floundering around and causing other people trouble, has to be made frequently in a lifetime. In youth we are taught the rather simple rule never to quit, because we are presumably following programmes made by people wiser than ourselves. My own conclusion is that when one has embarked on a course that grows increasingly doubtful and one feels the vital forces beginning to be used up, it is best to ask advice if decent advice is in range...
F. Scott Fitzgerald (A Short Autobiography)
He stretched out his had desperately as if to snatch only a wisp of air, to save a fragment of the spot that she (Daisy) had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.
F. Scott Fitzgerald
I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald (The Great Gatsby)
That's the best thing a girl can be in this world, a beautiful little fool
F. Scott Fitzgerald (The Great Gatsby)
All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald (The Great Gatsby)
He borrowed somebody’s best suit to get married in and never even told me about it, and the man came after it one day when he was out.
F. Scott Fitzgerald (The Great Gatsby)
I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald (The Great Gatsby)
And I hope she'll be a fool--- that's the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald (The Great Gatsby Original Classic Edition: The Complete 1925 Text)
that’s the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald (The Great Gatsby)
This is your child, and you’ll have to make the best of it.
F. Scott Fitzgerald (The Curious Case of Benjamin Button and Six Other Stories)
I hope she'll be a fool, that's the best thing a girl in this world can be. A beautiful little fool. All the bright precious things fade so fast, and they don't come back.
F. Scott Fitzgerald
You’ve a place in my heart no one else ever could have, but tied down here I’d get restless. I’d feel I was—wastin’ myself. There’s two sides to me, you see. There’s the sleepy old side you love; an’ there’s a sort of energy—the feelin’ that makes me do wild things. That’s the part of me that may be useful somewhere, that’ll last when I’m not beautiful any more.” She
F. Scott Fitzgerald (The Best Early Stories of F. Scott Fitzgerald (Modern Library Classics))
Don't let yourself feel worthless: often through life you will really be at your worst when you seem to think best of yourself; and don't worry about losing your "personality," as you persist in calling it: at fifteen you had the radiance of early morning, at twenty you will begin to have the melancholy brilliance of the moon, and when you are my age you will give out, as I do, the genial golden warmth of 4 p.m.
The Side of Paradise
But, knowing they had had the best of love, they clung to what remained. Love lingered – by way of long conversations at night into those stark hours when the mind thins and sharpens and the borrowings from dreams become the stuff of all life, by way of deep and intimate kindnesses they developed toward each other, by way of their laughing at the same absurdities and thinking the same things noble and the same things sad.
F. Scott Fitzgerald (The Beautiful and Damned)
The growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and a third--before long the best lines cancel out--and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture.
F. Scott Fitzgerald (The Beautiful and Damned)
one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on YOU with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself and assured you that it had precisely the impression of you that, at your best, you hoped to convey.
F. Scott Fitzgerald (The Great Gatsby)
It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on YOU with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself and assured you that it had precisely the impression of you that, at your best, you hoped to convey.
F. Scott Fitzgerald (The Great Gatsby)
It's odd," Amory said to Tom one night when they had grown more amicable on the subject, "that the people who violently disapprove of Burne's radicalism are distinctly the Pharisee class—I mean they're the best-educated men in college—the editors of the papers, like yourself and Ferrenby, the younger professors.... The illiterate athletes like Langueduc think he's getting eccentric, but they just say, 'Good old Burne has got some queer ideas in his head,' and pass on—the Pharisee class—Gee! they ridicule him unmercifully.
F. Scott Fitzgerald (This Side of Paradise)
The growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and a third—before long the best lines cancel out—and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true. "It
F. Scott Fitzgerald (The Beautiful and Damned)
I shall probably had visitors too - I'll harden up to it. We can't let such an inevitable thing as death stand in the way of enjoying life while we have it. Think how lonesome it'd be out here if we never had anyone. Why, father and mother have sacrificed some of their best friends just as we have.
F. Scott Fitzgerald
She was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling. ... [The nurse] She told me it was a girl, an so I turned my head away and wept. ... And I hope she'll be a fool - that's the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald (The Great Gatsby: F. Scott Fitzgerald)
Don't you want to preserve old things? But you can't, Anthony. Beautiful things grow to a certain height and then they fail and fade off, breathing out memories as they decay. And just as any period decays in our minds, the things of that period should decay too, and in that way they're preserved for a while in the few hearts like mine that react to them. That graveyard at Tarrytown, for instance. The asses who give money to preserve things have spoiled that too. Sleepy Hollow's gone; Washington Irving's dead and his books are rotting in our estimation year by year - then let the graveyard rot too, as it should, as all things should. Trying to preserve a century by keeping its relics up to date is like keeping a dying man alive by stimulants. So you think that just as time goes to pieces its houses ought to go too? Of course! Would you value your Keats letter if the signature was traced over to make it last longer? It's just because I love the past that I want this house to look back on its glamorous moment of youth and beauty, and I want its stars to creak as if to the footsteps of women with hoop-skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty. It hasn't any right to look so prosperous. It might care enough for Lee to drop a brick now and then. How many of these - these animals - get anything from this, for all the histories and guide-books and restorations in existence? How many of them who think that, at best, appreciation is talking in undertones and walking on tiptoes would even come here if it was any trouble? I want it to smell of magnolias instead of peanuts and I want my shoes to crunch on the same gravel that Lee's boots crunched on. There's no beauty without poignancy and there's no poignancy without the feeling that it's going, men, names, books, houses - bound for dust - mortal-
F. Scott Fitzgerald (The Beautiful and Damned)
Don’t let yourself feel worthless; often through life you will really be at your worst when you seem to think best of yourself; and don’t worry about losing your “personality,” as you persist in calling it; at fifteen you had the radiance of early morning, at twenty you will begin to have the melancholy brilliance of the moon, and when you are my age you will give out, as I do, the genial golden warmth of 4 P.M. If
F. Scott Fitzgerald (This Side of Paradise)
It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.
F. Scott Fitzgerald (The Great Gatsby)
. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.
F. Scott Fitzgerald (The Great Gatsby)
It was the best hour of the day now and Basil was terribly happy. This summer he and his mother and sister were going to the lakes and next fall he was starting away to school. Then he would go to Yale and be a great athlete, and after that-- if his two dreams had fitted onto each other chronologically instead of existing independently side by side-- he was due to become a gentleman burglar. Everything was fine. He had so many alluring things to think about that it was hard to fall asleep at night.
F. Scott Fitzgerald (The Basil and Josephine Stories)
smiled understandingly—much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on you with an irresistible prejudice in your favour. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself and assured you that it had precisely the impression of you that, at your best, you hoped to convey.
F. Scott Fitzgerald (The Great Gatsby)
Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald (The Complete Works of F. Scott Fitzgerald)
Isabelle and Amory were distinctly not innocent, nor were they particularly brazen. Moreover, amateur standing had very little value in the game they were playing, a game that would presumably be her principal study for years to come. She had begun as he had, with good looks and an excitable temperament, and the rest was the result of accessible popular novels and dressing-room conversation culled from a slightly older set. Isabelle had walked with an artificial gait at nine and a half, and when her eyes, wide and starry, proclaimed the ingenue most. Amory was proportionately less deceived. He waited for the mask to drop off, but at the same time he did not question her right to wear it. She, on her part, was not impressed by his studied air of blasé sophistication. She had lived in a larger city and had slightly an advantage in range. But she accepted his pose--it was one of the dozen little conventions of this kind of affair. He was aware that he was getting this particular favor now because she had been coached; he knew that he stood for merely the best game in sight, and that he would have to improve his opportunity before he lost his advantage. So they proceeded with an infinite guile that would have horrified her parents.
F. Scott Fitzgerald (This Side of Paradise)
He smiled understandingly—much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey. Precisely at that point it vanished—and I was looking at an elegant young rough-neck, a year or two over thirty, whose elaborate formality of speech just missed being absurd.
F. Scott Fitzgerald (The Great Gatsby)
Rotten, rotten old world,' broke out Eleanor suddenly, 'and the wretchedest thing of all is me--oh, why am I a girl? Why am I not a stupid--? Look at you; you're stupider than I am, not much, but some, and you can lope about and get bored and then lope somewhere else, and you can play around with girls without being involved in meshes of sentiment and you can do anything and be justified--and here am I with the brains to do everything, yet tied to the sinking ship of future matrimony. If I were born a hundred years from now, well and good, but now what's in store for me--I have to marry, that goes without saying. Who? I'm too bright for most men, and yet I have to descend to their level and let them patronize my intellect in order to get their attention. every year that I don't marry I've got less chance for a first class man. At the best I can have my choice from one or two cities and, of course, I have to marry into a dinner-coat.
F. Scott Fitzgerald (This Side of Paradise)
Neither Xerxes nor Artabanus, therefore, would have passed F. Scott Fitzgerald’s test, from 1936, for a first-rate intelligence: “the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function.” 21 Fitzgerald may have intended nothing more than a reproach to himself. His writing career had stalled by then, and four years later he would die, of alcoholism, heart disease, and an obscurity made all the more painful by his earlier fame. He was only forty-four. 22 But the cryptic capaciousness of his aphorism, like Berlin’s on foxes and hedgehogs, has made it immortal. The Delphic oracle would have been envious. 23 One possible meaning for Fitzgerald’s opposites could be taking the best from contradictory approaches while rejecting the worst: precisely the compromise that Xerxes and Artabanus failed to reach twenty-four centuries earlier. How, though, might you do that? It’s easy to see how two minds can reach opposite conclusions, but can opposites coexist peacefully within one? They certainly didn’t in Fitzgerald’s, whose life was as tortured as Tolstoy’s, and half the length.
John Lewis Gaddis (On Grand Strategy)
He came back from France when Tom and Daisy were still on their wedding trip, and made a miserable but irresistible journey to Louisville on the last of his army pay. He stayed there a week, walking the streets where their footsteps had clicked together through the November night and revisiting the out-of-the-way places to which they had driven in her white car. Just as Daisy's house had always seemed to him more mysterious and gay than other houses so his idea of the city itself, even though she was gone from it, was pervaded with a melancholy beauty. He left feeling that if he had searched harder he might have found her—that he was leaving her behind. The day-coach—he was penniless now—was hot. He went out to the open vestibule and sat down on a folding-chair, and the station slid away and the backs of unfamiliar buildings moved by. Then out into the spring fields, where a yellow trolley raced them for a minute with people in it who might once have seen the pale magic of her face along the casual street. The track curved and now it was going away from the sun which, as it sank lower, seemed to spread itself in benediction over the vanishing city where she had drawn her breath. He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.
F. Scott Fitzgerald (The Great Gatsby)
That's the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald
She told me it was a girl, and so I turned my head away and wept. 'Alright,' I said, 'I'm glad it's a girl. And I hope she'll be a fool -that's the best thing a girl can be in this world, a beautiful little fool.
F. Scott Fitzgerald
As F. Scott Fitzgerald wrote, “Vitality shows not only in the ability to persist, but in the ability to start over.” If we err and must begin again, we must. This vitality isn’t only about quality of life; staying motivated and involved in decision-making is one key to improving it. One of the best ways to do this is to take the initiative, which puts positive pressure on you while challenging your competition. I like to say that the attacker always has the advantage.
Garry Kasparov (How Life Imitates Chess: Making the Right Moves, from the Board to the Boardroom)
I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.” ―F. Scott Fitzgerald, The Great Gatsby In this book, she isn’t.
L.J. Shen (The Hunter (Boston Belles, #1))
With a tremendous effort Anthony made his acquiescence a twist of subject, and they drifted into and ancient question-and-answer game concerned with each other's pasts, gradually warming as they discovered the age-old, immemorial resemblances in tastes and ideas. They said things that were more revealing than they intended - but each pretended to accept the other at face, or rather word, value. The growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humour. Then more details are required and one paints a second portrait, and a third - and before long the lines cancel out - and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and our children and business associates are accepted as true.
Scott F. Fitzgerald (The Beautiful and Damned)
With a tremendous effort Anthony made his acquiescence a twist of subject, and they drifted into and ancient question-and-answer game concerned with each other's pasts, gradually warming as they discovered the age-old, immemorial resemblances in tastes and ideas. They said things that were more revealing than they intended - but each pretended to accept the other at face, or rather word, value. The growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humour. Then more details are required and one paints a second portrait, and a third - and before long the lines cancel out - and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and our children and business associates are accepted as true.
Scott F. Fitzgerald
No,' said Armory, shaking is head. ' Money isn't the only stimulus that brings out the best that's in a man, even in America.' 'You said a while ago that it was.' 'It is, right now. But if we made it illegal to have more than a certain amount the best men would flock for the one other reward which attracts humanity - honour.
F. Scott Fitzgerald (This Side of Paradise / The Beautiful and the Damned)
I would rather have Zelda a sane mystic than a mad realist,” F. Scott Fitzgerald told his wife’s psychiatrist.
Jonathan Rosen (The Best Minds: A Story of Friendship, Madness, and the Tragedy of Good Intentions)