Eyes Wide Shut Quotes

We've searched our database for all the quotes and captions related to Eyes Wide Shut. Here they are! All 100 of them:

Two hundred Romans, and no one’s got a pen? Never mind!" He slung his M16 onto his back and pulled out a hand grenade. There were many screaming Romans. Then the hand grenade morphed into a ballpoint pen, and Mars began to write. Frank looked at Percy with wide eyes. He mouthed: Can your sword do grenade form? Percy mouthed back, No. Shut up.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Keep your eyes wide open before marriage, half shut afterwards.
Benjamin Franklin
Don't we look suspicious, the three of us just sitting here in the car?" Borden asked. We'd look a lot more suspicious if we were all three making out in the car," Jazz said. "What?" she added, when Borden turned and gave her a wide-eyed look. You have no idea what kind of happy place you just took me to." Shut up.
Rachel Caine
This life is a virtual simulation game where you can win or lose, you can continue playing for the rest of your life or join the club. You decide! You only have to respect one rule because your stay in the human farm will depend on that, continue playing until the end no matter how many times you are brought into this reality, so stay awake with your eyes wide open and your mouth tight shut." Welcome to the game of life, welcome to the matrix.
Marcos Orowitz (TALENT FOR HORROR 2: Special- Madame Jeanne Weber's shoes (Talent for Horror Series Book Revelation 2022))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
My courage is faith--faith in the eternal resilience of me--that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high and my eyes wide--not necessarily any silly smiling. Oh, I've been through hell without a whine quite often--and the female hell is deadlier than the male.
F. Scott Fitzgerald (Gatsby Girls)
Rincewind tried shutting his eyes, but there were no eyelids to his imagination and it was staring widely
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
When it’s time to leave, we put on our shoes, kiss Daddy good-bye, and tumble out the front door. Waiting for us on the street in front of his car is Peter with a bouquet of cellophane-wrapped pink carnations. “Happy birthday, kid,” he says. Kitty’s eyes bulge. “Are those for me?” He laughs. “Who else would they be for? Hurry and get in the car.” Kitty turns to me, her eyes bright, her smile as wide as her face. I’m smiling too. “Are you coming too, Lara Jean?” I shake my head. “No, there’s only room for two.” “You’re my only girl today, kid,” Peter says, and Kitty runs to him and snatches the flowers out of his hand. Gallantly, he opens the door for her. He shuts it and turns and winks at me. “Don’t be jealous, Covey.” I’ve never liked him more than in this moment.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
You must be Warden Ramirez." This is the part where I got nervous. Ramirez loved women. Ramirez never shut up about women. Well, he never shut up about anything in general, but he'd go on and on about various conquests and feats of sexual athleticism and— "A virgin?" Lara blurted. Lara blurted. She turned her head to me, grey eyes several shades paler than they had been, and very wide. "Really, Harry, I'm not sure what to say. Is he a present?
Jim Butcher (White Night (The Dresden Files, #9))
The caveman in me was pretty proud of myself as I did the metaphorical Tarzan beat-on-the-ole-chest routine. Good thing I was smart enough to keep my trap shut about it.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
I no longer know the author of this book, for simply stopping long enough and writing it down was where I changed from a boy with his eyes squeezed shut to a man with his eyes wide open so that the sunlight might reach my heart despite all that darkness.
Ryan Adams (Infinity Blues)
If you flinch," Four says, slowly, carefully. "Al takes your place. Understand?" I nod. Four's eyes are still on mine when he lifts his hand, pulls his elbow back, and throws the knife. It is just a flash in the air, and then I hear a thud. The knife is buried in the board, half a foot away from the my cheek. I close my eyes. Thank God. "You about done Stiff?" asks Four. I remember Al's wide eyes and his quiet sobs at night and shake my head. "No." "Eyes open, then." He taps the spot between his eyebrows... "Come on, Stiff," he says. "Let someone else stand there and take it." Why is he trying to goad me into giving up? Does he want me to fail? "Shut up, Four!" ..... My body goes rigid. This time, when it hits the board, my ear stings, and blood tickles my skin. I touch my ear. He nicked it. And judging by the look he gives me, he did it on purpose.
Veronica Roth (Divergent (Divergent, #1))
In the afternoon dark clouds suddenly color the sky a mysterious shade and it starts raining hard, pounding the roof and windows of the cabin. I strip naked and run outside, washing my face with soap and scrubbing myself all over. It feels wonderful. In my joy I shut my eyes and shout out meaningless words as the large raindrops strike me on the cheeks, the eyelids, chest, side, penis, legs, and butt - the stinging pain like a religious initiation or something. Along with the pain there's a feeling of closeness, like for once in my life the world's treating me fairly. I feel elated, as if all of a sudden I've been set free. I face the sky, hands held wide apart, open my mouth wide, and gulp down the falling rain.
Haruki Murakami (Kafka on the Shore)
I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith- faith in the eternal resilience of me- that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high and my eyes wide- not necessarily any silly smiling. Oh, I've been through hell without a whine quite often- and the female hell is deadlier than the male.
F. Scott Fitzgerald (Flappers and Philosophers)
Many people believe they know true darkness, but until it has been experienced it cannot be imagined. Without even a flicker of light, the mind begins to play tricks. There is a constant feeling that there is a wall before you, that you must stop. The eyes open as wide as they can, hungry for light. The only thing that helps is to shut them tight.
Joseph R. Lallo (The Book of Deacon (The Book of Deacon, #1))
You and me are both in my bed, no one's asleep, no one's delirious, I think we should take advantage of that." My eyes got wide as my body reacted strongly to his suggestion and it was a positive reaction. "Mindy's downstairs," I whispered and he grinned, his face getting even closer. "Not gonna fuck you, honey, just fool around," he whispered back "Max-" "Shut up and kiss me, Duchess." "Max!" "All right, I'll kiss you.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
She grins, wide-eyed. "I do. That's why we're perfect together. You never speak and I never shut up. You're so lucky you found me.
Elizabeth O'Roark (Waking Olivia (The Langstrom Brothers #1))
Levi: "Somebody please shut up these god-damned brats." Hanji: "Good thing those wide-eyed kids don't know what a cleanliness freak you are... they'd be in for a rude awakening.
Hajime Isayama
Fear corrodes our confidence in God's goodness. We begin to wonder if love lives in heaven. If God can sleep in our storms, if his eyes stay shut when our eyes grow wide, if he permits storms after we got on his boat, does he care? Fear unleashes a swarm of doubts, anger-stirring doubts. Fear at its center, is a perceived loss of control.
Max Lucado (Fearless: Imagine Your Life Without Fear)
Sorry I overheard that, but I'm glad he's staying," Luke's sister said. "Not just because he'll be near me but because it gives him a chance to get over you." Jocelyn sounded defensive. "Amatis-" "It's been a long time, Jocelyn," Amatis said. "If you don't love him, you ought to let him go." Jocelyn was silent. Clary wished she could see her mother's expression- did she looked sad? Angry? Resigned? Amatis gave a little gasp. "Unless- you do love him?" "Amatis, I can't-" "You do! you do!" There was a sharp sound, as if Amatis had clapped her hands together. "I knew you did! I always knew it!" "It doesn't matter." Jocelyn sounded tired. "It wouldn't be fair to Luke." "I don't want to hear it." There was a rustling noise, and Jocelyn made a sound of protest. Clary wondered if Amatis had actually grabbed hold of her mother. "If you love him, you go right now and tell him. Right now, before he goes to the Council." "But they want him to be their Council member! And he wants to-" "All Lucian wants," said Amatis firmly, "is you. You and Clary. That's all he ever wanted. Now go." Before Clary had a chance to move, Jocelyn dashed out into the hallway. She headed toward the door- and saw Clary, flattened against the wall. Halting, she opened her mouth in surprise. "Clary!" She sounded as if she were trying to make her voice bright and cheerful, and failed miserably. "I didn't realize you were here." Clary stepped away from the wall, grabbed hold of the doorknob, and threw the door wide open. Bright sunlight poured into the hall. Jocelyn stood blinking in the harsh illumination, her eyes on her daughter. "If you don't go after Luke," Clary said, enunciating very clearly, "I, personally, will kill you." For a moment Jocelyn looked astonished. Then she smiled. "Well," she said, "if you put it like that." A moment later she was out of the house, hurrying down the canal path toward the Accords Hall. Clary shut the door behind her and leaned against it. Amatis, emerging from the living room, darted past her to lean on the window sill, glancing aniously out through the pane. "Do you think she'll catch him before he gets to the Hall?" "My mom's spent her whole life chasing me around," Clary said. "She moves fast.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Keep thy eyes wide open before marriage and half shut afterward.
Benjamin Franklin
As sure as I am that the reality of one night, let alone that of a whole lifetime, can ever be the whole truth.
Alice Harford
Ben Franklin’s advice: “Keep your eyes wide open before marriage and half shut thereafter.
Daniel Pecaut (University of Berkshire Hathaway: 30 Years of Lessons Learned from Warren Buffett & Charlie Munger at the Annual Shareholders Meeting)
Kelly glanced at the freezer as they headed for the steps. “Hey, maybe one of them will donate a liver to your dad.” Nick looked over his shoulder at Kelly, his eyes wide. “I’m just saying. Three perfectly good livers sitting in there,” Kelly said, completely deadpan. “Nobody’s using them. I’ll go get one for you.” Nick gaped at him. “How the hell did you ever pass your psych evals?” “I cheated off your papers.” Nick rolled his eyes and started up the stairs. “The Navy gives bubble tests. When in doubt, go with C.” “Kelly.” “Get it? Navy? The sea?” “Kels, shut up.” “Oh, come on! You love puns.” Nick laughed, unable to stop himself.
Abigail Roux (Ball & Chain (Cut & Run, #8))
Fine, then," she said. "If you don't want to talk, that's fine. I don't think I would want to in your situation either, frankly, but then again I don't know if I could help myself. Humans are very social creatures; we like to communicate in order to feel--" "You talk too much." Kira stopped, eyes wide. His voice was dry and hoarse from days of disuse--as far as she knew, it hadn't said a word since they'd captured it, now more than fifty hours ago. She almost wasn't sure she heard him right. The first human to communicate with another species in eleven years, she though, and he tells me to shut up.
Dan Wells (Partials (Partials Sequence, #1))
My courage is faith—faith in the eternal resilience of me—that joy’ll come back, and hope and spontaneity. And I feel that till it does I’ve got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I’ve been through hell without a whine quite often—and the female hell is deadlier than the male.
F. Scott Fitzgerald (Flappers and Philosophers)
I can remember every second of that morning, if I shut my eyes I can see the deep blue colour of the sky and the mango leaves, the pink and red hibiscus, the yellow handkerchief she wore around her head, tied in the Martinique fashion with the sharp points in front, but now I see everything still, fixed for ever like the colours in a stained-glass window. Only the clouds move. It was wrapped in a leaf, what she had given me, and I felt it cool and smooth against my skin.
Jean Rhys (Wide Sargasso Sea)
The town of Split grew up around…” He faltered when he looked at Leo, who was mimicking taking notes with an air pencil. “Go on, Professor Grace!” he said, wide-eyed. “I wanna get an A on the test.” “Shut up, Leo.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Hey, dickhead!" one of the other drivers yelled. "Get off the road!" "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug." A direct threat, huh? Okay. I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow." He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed. "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?" "Three," he said. I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide. "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?" On the barrel, pretty white letters spelled out PARTY STARTER. "You open your mouth again, and I'll get the party started." The rider clamped his jaws shut.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
I tried to feel it. I did, I swear. I reached for it, squeezed my eyes shut as tight as I could and begged for it. I pretended I was stretching my hands out into the darkness behind my eyelids, fingers splayed wide, trying to find even the barest touch of something out there in the abyss. To feel the warmth Mom always assured me was waiting once I accepted God into my heart. There was nothing. Always nothing.
Andrew Joseph White (Hell Followed With Us)
Why does Kubrick always chill our blood, and make us huddled up scared stiff with eyes wide shut? Because even dead he's still "Shinnying" with his old hand and his eye-catching plots.
Ana Claudia Antunes (The Mysterious Murder of Marilyn Monroe)
Shut the front door!" Claire gasped, clambering into a sitting position. Her eyes were wide in wonder and glued to the front of Gibsie's jocks. "And you never told me that before?" "I can show you," he offered in a flirtatious tone. "Come behind that tree with me and I'll give you a thorough lesson in the male anatomy –" "Wait a damn minute!" Hughie growled, attention riveted to the same place his sister was staring. Springing straight up, he pointed to Gibsie's jocks and hissed, "When did you get that?
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
For weeks Charlie had been singing the same song over and over again. “Dinah won’t you blow…” He sang it twenty-four hours a day, with the same vacant, cheerful tone. ”Dinah won’t you blow your hor-or-orn?” He kept the beat with his head, endlessly banging it against the hallways bulkhead. “Dinah won’t you blow…” Johnnie-O, who had very little patience to begin with, would have pulled out his hair, were it possible for an Afterlight’s hair to come out. “Dinah won’t you blow…” Johnnie squeezed his oversized hands into fists, wishing there was something he could bust, but having spent many years trying to break things, he knew more than anyone that Everlost stuff didn’t break, unless breakage was its purpose. “Dinah won’t you blow your horn!” “Dammit, will you shut your hole or I swear I’m gonna pound you into next Tuesday and then throw you out of the stinkin’ window where you and your song can drown and sink down to the center of earth for all I care, so you better shut your hole right now!” Charlie looked at him for a moment, eyes wide, considering it. Then he said, ”Someone’s in the kitchen with Dinah!” Johnnie groaned.
Neal Shusterman (Everfound (The Skinjacker Trilogy, #3))
I. My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the workings of his lie On mine, and mouth scarce able to afford Suppression of the glee, that pursed and scored Its edge, at one more victim gained thereby. II. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare. III. If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly I did turn as he pointed, neither pride Now hope rekindling at the end descried, So much as gladness that some end might be. IV. For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. V. As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bit the other go, draw breath Freelier outside, ('since all is o'er,' he saith And the blow fallen no grieving can amend;') VI. When some discuss if near the other graves be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves And still the man hears all, and only craves He may not shame such tender love and stay. VII. Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? VIII. So, quiet as despair I turned from him, That hateful cripple, out of his highway Into the path he pointed. All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. IX. For mark! No sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backwards a last view O'er the safe road, 'twas gone; grey plain all round; Nothing but plain to the horizon's bound. I might go on, naught else remained to do. X. So on I went. I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind with none to awe, You'd think; a burr had been a treasure trove. XI. No! penury, inertness and grimace, In some strange sort, were the land's portion. 'See Or shut your eyes,' said Nature peevishly, It nothing skills: I cannot help my case: Tis the Last Judgement's fire must cure this place Calcine its clods and set my prisoners free.
Robert Browning
It's not a remarkable note except for one thing. The typeface Tony used to print it is the exact typeface Kubrick used for the posters and title sequences of 'Eyes Wide Shut' and '2001'. 'It's Futura Extra Bold,' explains Tony. 'It was Stanley's favorite typeface. It's sans serif. He liked Helvetica and Univers too. Clean and elegant.' 'Is this the kind of thing you and Kubrick used to talk about?' I asked. 'God, yes,' says Tony. 'Sometimes late into the night. I was always trying to persuade him to turn away from them. But he was wedded to his sans serifs.
Jon Ronson (Lost At Sea: The Jon Ronson Mysteries)
Each spring for a period of weeks the imperial gardens were filled with prize tulips (Turkish, Dutch, Iranian), all of them shown to their best advantage. Tulips whose petals had flexed wide were held shut with fine threads hand-tied. Most of the bulbs had been grown in place, but these were supplemented by thousands of cut stems held in glass bottles; the scale of the display was further compounded by mirrors placed strategically around the garden. Each variety was marked with a label made from silver filigree. In place of every fourth flower a candle, its wick trimmed to tulip height, was set into the ground. Songbirds in gilded cages supplied the music, and hundreds of giant tortoises carrying candles on their backs lumbered through the gardens, further illuminating the display. All the guests were required to dress in colors that flattered those of the tulips. At the appointed moment a cannon sounded, the doors to the harem were flung open, and the sultan's mistresses stepped into the garden led by eunuchs bearing torches. The whole scene was repeated every night for as long as the tulips were in bloom, for as long as Sultan Ahmed managed to cling to his throne.
Michael Pollan (The Botany of Desire: A Plant's-Eye View of the World)
The time that my journey takes is long and the way of it long. I came out on the chariot of the first gleam of light, and pursued my voyage through the wildernesses of worlds leaving my track on many a star and planet. It is the most distant course that comes nearest to thyself, and that training is the most intricate which leads to the utter simplicity of a tune. The traveller has to knock at every alien door to come to his own, and one has to wander through all the outer worlds to reach the innermost shrine at the end. My eyes strayed far and wide before I shut them and said `Here art thou!' The question and the cry `Oh, where?' melt into tears of a thousand streams and deluge the world with the flood of the assurance `I am!
Rabindranath Tagore (Gitanjali)
Frank looked at Percy with wide eyes. He mouthed: Can your sword do grenade form? Percy mouthed back, No. Shut up.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Judge with your eyes closed shut and your heart wide open.
Sijuan King (Millennium Slave Part I)
You are What you are looking for In fragmented mirrors Stop looking Be Still End the mind-noise Silence Now Eyes shut Heart wide-open And then you see Everything!
Gabriel Iqbal
Keep your eyes wide open before marriage, half shut afterwards.
Walter Isaacson (Benjamin Franklin: An American Life)
Sandra O'Toole walked back to the nurses' station, remembering what she alone had seen. Kelly's face turning so white that her first reaction to it was that he must be in shock, then the tumult behind her as she reached for her patient -- but then what? It wasn't like the first time at all. Kelly's face has transformed itself. Only an instant, like opening a door into some other place, and she'd seen something she had never imagined. Something very old and feral and ugly. The eyes not wide, but focused on something she could not see. The pallor of his face not that of shock, but of rage. His hands balled briefly into fists of quivering stone. And then his face had changed again. There had been comprehension to replace the blind, killing rage, and what she'd seen next was the most dangerous sight she had ever beheld, though she knew not why. Then the door closed, Kelly's eyes shut, and when he opened them, his face was unnaturally serene. The complete sequence had not taken four seconds, she realized, all of it while Rosen and Douglas had been scuffling against the wall. He'd passed from horror to rage to understanding -- then to concealment, but what had come in between comprehension and disguise was the most frightening thing of all. What had she seen in the face of this man? It took her a moment to answer the question. Death was what she'd seen. Controlled. Planned. Disciplined. But it was still Death, living in the mind of a man.
Tom Clancy (Without Remorse (John Clark, #1; Jack Ryan Universe Publication Order, #6))
I wiped my eyes on my sleeve and jumped when I turned and found Ren’s brother standing behind me as a man. Ren got up, alert, and watched him carefully, suspicious of Kishan’s every move. Ren’s tail twitched back and forth, and a deep grumble issued from his chest. Kishan look down at Ren, who had crept even closer to keep an eye on him, and then looked back at me. He reached out his hand, and when I placed mine in it, he lifted it to his lips and kissed it, then bowed deeply with great aplomb. “May I ask your name?” “My name is Kelsey. Kelsey hayes.” “Kelsey. Well, I, for one, appreciate all the efforts you have made on our behalf. I apologize if I frightened you earlier. I am,” he smiled, “out of practice in conversing with young ladies. These gifts you will be offering to Durga. Would you kindly tell me more about them?” Ren growled unhappily. I nodded. “Is Kishan your given name?” “My full name is actually Sohan Kishan Rajaram, but you can call me Kishan if you like.” He smiled a dazzling white smile, which was even more brilliant due to the contrast with his dark skin. He offered an arm. “Would you please sit and talk with me, Kelsey?” There was something very charming about Kishan. I surprised myself by finding I immediately trusted and liked him. He had a quality similar to his brother. Like Ren, he had the ability to set a person completely at ease. Maybe it was their diplomatic training. Maybe it was how their mother raised them. Whatever it was made me respond positively. I smiled at him. “I’d love to.” He tucked my arm under his and walked with me over to the fire. Ren growled again, and Kishan shot a smirk in his direction. I noticed him wince when he sat, so I offered him some aspirin. “Shouldn’t we be getting you two to a doctor? I really think you might need stitches and Ren-“ “Thank you, but no. You don’t need to worry about our minor pains.” “I wouldn’t exactly call your wounds minor, Kishan.” “The curse helps us to heal quickly. You’ll see. We’ll both recover swiftly enough on our own. Still, it was nice to have such a lovely young woman tending to my injuries.” Ren stood in front of us and looked like he was a tiger suffering from apoplexy. I admonished, “Ren, be civil.” Kishan smiled widely and waited for me to get comfortable. Then he scooted closer to me and rested his arm on the log behind my shoulders. Ren stepped right between us, nudged his brother roughly aside with his furry head, creating a wider space, and maneuvered his body into the middle. He dropped heavily to the ground and rested his head in my lap. Kishan frowned, but I started talking, sharing the story of what Ren and I had been through. I told him about meeting Ren at the circus and about how he tricked me to get me to India. I talked about Phet, the Cave of Kanheri, and finding the prophecy, and I told him that we were on our way to Hampi. As I lost myself in our story, I stroked Ren’s head. He shut his eyes and purred, and then he fell asleep. I talked for almost an hour, barely registering Kishan’s raised eyebrow and thoughtful expression as he watched the two of us together. I didn’t even notice when he’d changed back into a tiger.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
[Olive’s] left foot was bleeding through a wide swath of bandages onto the tarp it was resting on. The bowl next to her was full of blood. Olive looked a little pale. “I don’t think I should move,” she said. “What are you doing?” Roger shut the door behind him and stood with his back to it. “I decided I might try to eat my toes,” Olive said, closing her eyes. “But now that I’ve started, I don’t think I should move.” Roger pushed himself off the wall and knelt down next to her. He unbuckled her silver belt and reached with it under her dress. He looped the belt around the top of her leg and tightened it. His hands were not shaking. “Sit on the loose end,” he said, pushing it under her. “I hope that works.” “You brought flowers,” she said, blinking. “Olive,” he said. “You cut off your toes.” She looked down at the bowl. “Are they still toes?” she asked.
Amelia Gray (Museum of the Weird)
When your body is clear there is control. When your body is clear you can choose whom to let in. There is love everywhere. Please cradle my rabbit heart. Please navigate yourself around me well. I know too much. I can recognize darkness because he is my brother, my maker. I can drink lightness because it is the only way to survive. I can shut off my heart but that leads to evil, so I express her and revel in the nuance of blood currents, and the sacred demons. I fear and quake with my eyes darting fight or flight love or die. The lightning comes from below this time and rips out of my throat for the world to see. They all see my rabbit and I have trained her to hunt. In her perfect glory she is shy and extroverted, chaste and perverted, my sweet near-death more alive than ever. Take her. Take me while I am ripe and open, rub berries on my lips and bear fat in my hair. Tattoo me with a needle and impale me with your warmth. Heal me, fuck me, and work my heart till she beats strong and unafraid. Haunches bared, teeth sharpened, wide-eyed and aware. Hurry. I want to feel safe.
Tanya Tagaq (Split Tooth)
He was from Dalmatia, so he moved back there and built a retirement palace. The town of Split grew up around …’ He faltered when he looked at Leo, who was mimicking taking notes with an air pencil. ‘Go on, Professor Grace!’ he said, wide-eyed. ‘I wanna get an A on the test.’ ‘Shut up, Leo.
Rick Riordan (Heroes of Olympus: The Complete Series (Heroes of Olympus #1-5))
The problem is that people can't sleep when they want to, but if they are forbidden to do so, they can't help dropping off. So the method consisted of keeping your eyes wide open and fixing your gaze on some point of the bedroom wall. If by any chance you shut your eyes, hundreds of nasty little demons would pour out of the spot and eat you up. And you are absolutely not allowed to treat this as a joke.. According to Marc, you invariably fall asleep after ten minutes max, unless of course you replace the little devils with little fairies, which would stop you falling asleep at all.
Fred Vargas (The Accordionist (Three Evangelists #3))
Viola, you're allowed to be confident and to think that you're smart and pretty and deserving of the best. Unfortunately, we live in a society where we tell our kids to be confident and successful and then as soon as they are, we tell them to shut up about it and be humble, Especially women. Guys can get away with cockiness until the end of time, but if a woman is cocky, she's arrogant and superior. "Even worse, women are just as likely as men to condemn a confident woman for not being modest enough. The only way we can change that attitude is to change among ourselves. If you're smart, then demand that other people treat you as someone of intelligence. If you look in the mirror and like what you see, then halle-fucking-lujah!" I exclaimed. "Believe me, I spent way too much of my youth, and still do, picking apart my appearance instead of being grateful for what I have. Grateful that all my limbs are intact and my body is healthy." I leaned toward Viola, who was wide-eyed as she listened to me. "Do not ever apologize for liking who you are. It's a beautiful mindset. And that asshole who cheated o you doesn't deserve to come in touching distance of your life.
Samantha Young (Much Ado About You)
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
Dennis Lehane
He burned,his body drawn bow-taut. If he did not sheathe himself soon within his wife's silken depths... She looked at him directly, her eyes wide and candid. "All day I have wanted to...touch you." His dark brows rose. All day? Well that was certainly pleasing but it didn't make his condition any easier to bear. Harshly, he said, "You don't have to ask permission to touch me." She shrugged her lovely, almost bare shoulders. "I know,but under the circumstances..." Her gaze drifted down his body, rather pointedly, he thought. Which definitely did not help matters at all. "You can touch me later," he said and reached for her again. She pressed her palms against his chest, tossed back her gleaming hair, and laughed. Really,he was going to die from this. "Just a little now...please?" Dragon squeezed his eyes shut and reached deep down inside for the control that was so instrinsic a part of his warrior's nature.It had to be in there somewhere.Any moment now he'd stumble across it.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Some gifted people have all five and some less. Every gifted person tends to lead with one. As I read this list for the first time I was struck by the similarities between Dabrowski’s overexcitabilities and the traits of Sensitive Intuitives. Read the list for yourself and see what you identify with: Psychomotor This manifests as a strong pull toward movement. People with this overexcitability tend to talk rapidly and/or move nervously when they become interested or passionate about something. They have a lot of physical energy and may run their hands through their hair, snap their fingers, pace back and forth, or display other signs of physical agitation when concentrating or thinking something out. They come across as physically intense and can move in an impatient, jerky manner when excited. Other people might find them overwhelming and they’re routinely diagnosed as ADHD. Sensual This overexcitability comes in the form of an extreme sensitivity to sounds, smells, bright lights, textures and temperature. Perfume and scented soaps and lotions are bothersome to people with this overexcitability, and they might also have aversive reactions to strong food smells and cleaning products. For me personally, if I’m watching a movie in which a strobe light effect is used, I’m done. I have to shut my eyes or I’ll come down with a headache after only a few seconds. Loud, jarring or intrusive sounds also short circuit my wiring. Intellectual This is an incessant thirst for knowledge. People with this overexcitability can’t ever learn enough. They zoom in on a few topics of interest and drink up every bit of information on those topics they can find. Their only real goal is learning for learning’s sake. They’re not trying to learn something to make money or get any other external reward. They just happened to have discovered the history of the Ming Dynasty or Einstein’s Theory of Relativity and now it’s all they can think about. People with this overexcitability have intellectual interests that are passionate and wide-ranging and they study many areas simultaneously. Imaginative INFJ and INFP writers, this is you. This is ALL you. Making up stories, creating imaginary friends, believing in Santa Claus way past the ordinary age, becoming attached to fairies, elves, monsters and unicorns, these are the trademarks of the gifted child with imaginative overexcitability. These individuals appear dreamy, scattered, lost in their own worlds, and constantly have their heads in the clouds. They also routinely blend fiction with reality. They are practically the definition of the Sensitive Intuitive writer at work. Emotional Gifted individuals with emotional overexcitability are highly empathetic (and empathic, I might add), compassionate, and can become deeply attached to people, animals, and even inanimate objects, in a short period of time. They also have intense emotional reactions to things and might not be able to stomach horror movies or violence on the evening news. They have most likely been told throughout their life that they’re “too sensitive” or that they’re “overreacting” when in truth, they are expressing exactly how they feel to the most accurate degree.
Lauren Sapala (The INFJ Writer: Cracking the Creative Genius of the World's Rarest Type)
You’re Mad Rogan!” Leon burst out. “Yes,” Mad Rogan said, his voice calm. “And you can break cities?” “Yes.” “And you have all this money and magic?” “Yes.” Where was Leon going with this? My cousin blinked. “And you look . . . like that?” Mad Rogan nodded. “Yes.” Leon’s dark eyes went wide. He looked at Mad Rogan, then glanced down at himself. At fifteen, Leon weighed barely a hundred pounds. His arms and legs were like chopsticks. “There is no justice in the world!” Leon announced. I giggled and almost choked on my pancake. Mother cracked a smile. “Can you play guitar too?” Leon asked. “Because if you can, I’ll go kill myself right now.” “No, but I can sing a little,” Mad Rogan said. “God damn it!” Leon punched the table. “Calm yourself,” Bern told him. “You shut up. You’re the size of Sasquatch. Leon pointed at Mad Rogan. “Are you seeing this? How is this fair?” “He’s fifteen,” I told Mad Rogan. “Fair is very important right now.” “You have time,” Mad Rogan said. “Yeah . . .” Leon shook his head. “No, not really. I can’t sing for sure, and I’ll never look like that.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
say something, but his mouth flapped open and shut without a sound except for the exhalation of his last lungful of air. He tried to gulp air down like a landed fish, and this did not work. Then his eyes went up to Ramius, wide in shock—there was no pain, and no emotion but surprise. The captain laid him gently on the tile deck. Ramius saw the face flash with recognition, then darken. He reached down to take Putin’s pulse. It was nearly two minutes before the heart stopped completely. When Ramius was sure that his political officer was dead, he took the teapot from the table and poured two cups’ worth on the deck, careful to drip some on the man’s shoes. Next he lifted the body to the wardroom table and threw open the
Tom Clancy (The Hunt for Red October (Jack Ryan #3; Jack Ryan Universe #4))
Graham and the undertaker's assistants strapped the body to a wide board with a rope that crossed under his right shoulder and again over his groin, then they tilted the man until he was nearly vertical and let the camera lens accept the scene for a minute. The man's eyes were shut, the skin around them was slightly green, and the sockets themselves seemed so cavernous that photographic copies were later repainted with two blue eyes looking serenely at some vista in the middle distance. Likewise missing in the keepsake photographs was the mean contusion over his left eyebrow that wound convince some reporters that it was the gunshot's exit wound and others that it showed the incidence of Bob Ford's smashing the stricken man with a timber. The body's cheeks and chest and belly were somewhat inflated with preservatives, necessitating the removal of the man's thirty-two-inch brown leather belt, and making his weight seem closer to one hundred eighty-five pounds than the one hundred sixty it was. His height was misjudged by four inches, being recorded as six feet or more by those who wrote about him.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
The traveller has to knock at every alien door to come to his own, and one has to wander through all the outer worlds to reach the innermost shrine at the end. My eyes strayed far and wide before I shut them and said, "Here art thou!" The question and the cry, "Oh, where?" melt into tears of a thousand streams and deluge the world with the flood of the assurance, "I am!" XIII
Rabindranath Tagore (Gitanjali)
It was the Gadfly whose eyes sank first. He shrank down, hiding his face; and Montanelli understood that the gesture meant "Go!" He turned, and went out of the cell. A moment later the Gadfly started up. "Oh, I can’t bear it! Padre, come back! Come back!" The door was shut. He looked around him slowly, with a wide, still gaze, and understood that all was over. The Galilean had conquered.
Ethel Lilian Voynich (The gadfly)
After he'd gone, I slammed the door shut and, after the day I had, wasn't the least bit surprised to see my closet door open and Whitley stick his head out. "Son of hibachi," I muttered. Now I would have to add burning all of my clothes to my list of things to do. "What?" He exited the closet with a smile. "I don't even get a hello?" I held up a finger. "Wait right here." He shrugged. I shut the door behind me and marched back into the living room and pointed at Dr. Wendell. "You. Come with me. Now." Wide-eyed, he rose from the couch and followed me to my door. Before I opened it, I turned to him. "You said part of your job was to protect me, right?" He nodded, his brow knit in lines of confusion. "Just to prove how bad you suck at your job, look at this." I swung open the door and Whitley waved from his perch at the end of my bed. Dr. Wendell's mouth dropped and he took a step back. "Wait. What is-who is that?" "That"-I gestured to the boy on my bed-"is Whitley, aka Zeami, aka the psycho who tried to kill me, steal my powers, and burnt down my house." Whitley smiled. "Guilty as charged." I folded my arms and glared at Dr. Wendell. "If you're supposedly protecting me, how could you let my past-life murderer walk right into my bedroom and hide out in my closet?" Dr. Wendell shook his head, his skin a shade paler than it had been moments ago. "But I-I didn't-how-" He looked at Whitley. "How did you get in here?" Whitley rolled his eyes. "Through the door. Duh." Dr. Wendell pushed me behind him, bringing his shaking fists in front of his face. "It doesn't matter. If you want to kill Rileigh, you're going to have to get past me.
Cole Gibsen (Senshi (Katana, #2))
So,” Viking continued, roving his eyes over Ruth. “You ever need your pussy licked, you know where to come. Just putting the offer out there.”   “Shut the fuck up, Vike!” AK said, exasperated. “What?” Viking asked, arms wide. “Can’t a brother offer his services without getting shit for it. I’m good at licking pussy, is that a fucking crime? We all have our fucking talents. You can shoot from miles away, Flame can kill with one blade, and I can make a bitch cream in two point five seconds. All talents are fucking valid, AK. I’m a lover, not a fighter.” Viking turned back to Ruth. “You know where to find me, Ruthie girl.” “Okay,” she said and frowned. “Thank you… I think?” “You’re fucking welcome.” Viking nudged AK when he faced forward again. “See? Some people appreciate my giving nature, unlike you, you moody fucker.
Tillie Cole (My Maddie (Hades Hangmen, #8))
Hey, ≤i≥ mami,” ≤/i≥ Hector called out, his grin spreading as he bit down on his lower lip. ≤i≥ “Que cuerpo tan brutal.”≤/i≥ I had no idea what he’d just said, but it seemed to be directed at me. “Shut up,” Rider replied, planting his large hand in Hector’s face and shoving him back into the driver’s side of the car. ≤i≥ “No la mires.” ≤/i≥ *** “Wait,” I said, surprising the crap out of myself as she faced me, eyes wide. My cheeks heated. “What...does no la mires mean?” I’d totally butchered the words like a typical white girl who couldn’t speak any form of Spanish would. Her brows shot up again. “Why are you asking that?” I raised my shoulders. “Did someone say that to you?” When I didn’t answer, because I was no longer sure I wanted to know what it meant, she sighed. “It basically translates to don’t look at her.”
Jennifer L. Armentrout (The Problem with Forever)
I hurried to the end of the Iron Wing and opened the door. Where I found myself face-to-face with Anne-Whatever-Whatever herself. I pulled my hand back to punch her. “What are you—” she started, when her eyes went wide and she collapsed on the ground, revealing Tasey in the hands of a teen boy with blond curls, blue eyes, dimples, and the most impish smile I’d ever seen. “Hey-oh, did you miss me?” Jack asked. Since my hand was already pulled back, I went ahead and punched Jack. “Bloody—What was that for?” he asked, hand over his nose. I stepped past the unconscious body of Anne-Whatever-Whatever lying on the white tile floor and snatched Tasey from the blond nightmare. “Are you kidding me? The last time I saw you, you left me for read.” “Well, yeah, there was that. But I thought rescuing you from IPCA might make up for it a bit.” “I’m in the middle of rescuing myself,” I snapped. “And how were you planning on getting past her?” He nudged the prone body with a none-too-gentle foot. “Improvising.” “And once you were past her, you were going to get out of here . . . how?” “Shut up!” I turned and tried to stomp down the hall, then cringed in pain from my ankle. Okay, no dramatic stomping. I opted for emphatic limping instead, which unfortunately allowed Jack to catch up quite quickly.
Kiersten White (Endlessly (Paranormalcy, #3))
I’m so sorry.” We both spoke the words at exactly the same time. We tried again, and the same thing happened. Suddenly, I laughed, and he did too. Short bursts, at first, and then for longer. It was proper, genuine laughter, the kind that makes your whole body shake. My mouth was wide open, my breath slightly wheezy, my eyes shut tight. I felt vulnerable, and yet very relaxed and comfortable. I imagined that vomiting or going to the lavatory in front of him would feel the same way.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
A wicked look twinkled in her eye. "I'd say it's time to nut up or shut up. All this talking is gonna make me think you're all bark and no bite. "Wouldn't want to let you down." On a curse, he covered her eager mouth with his, and the world he knew ripped wide open. She tasted cool, sweet, and rich, like ice cream in the summertime, and in that instant Killian knew he would never, ever get enough of her. Laws of nature could be damned. This woman's taste was all he would ever crave. Were there other women? Who the hell cared? Sadie's soft, pliant lips opened to him as he ran his tongue along the seam of her mouth and she welcomed him in. Grasping her head with both hands, he groaned and took full control of the plundering kiss. He tangled his hands in her long, wet hair, which felt like ribbons of satin as it rushed through his fingers. Killian groaned when her tongue swept along his, seeking him out with the same desperation and urgency. This was what he needed. This woman. Her touch. Her taste. How on earth could this be wrong?
Sara Humphreys (Vampires Never Cry Wolf (Dead in the City, #3))
I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’. Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing. Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission. Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system. This is the split second before Game Over. Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast. The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games. I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way. Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips. A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’ I really used to love that.
Alex Garland
I do not know whether it is an act of faithfulness to her or a betrayal of the dignity she never lost, to say that she had bitten her tongue, to say that there was blood flowing across her mouth and lips which my brother kept wiping away. I do not know whether I have the right to say, though I will do so, that her body was shaken with epileptic tremors and that she took enormous, terrifying breaths that went on and on until you could not believe she had the strength for them. I do not know whether, as we thought at the time, she could feel our hands on her forehead and cheek, or whether she had waited until we were both there to die. I did not say 'I am here'. I did not say anything. Her mouth was open wide, as in those portraits by Francis Bacon of caged prisoners in their final extremity. I watched and listened to those terrifying, rattling, hoarse breaths, wondering at the strength remaining in her aged body and at the violence it still had to endure. I looked over at my brother as if he might know, as if he might understand whether she had the strength to continue. He was stroking her forehead, whispering soundlessly to her, attempting even at this moment to reach behind the veil and find her. If you believe that she knew we were there, if you believe--I cannot be sure--that she understood what her sons needed at that instant, her eyes which had been shut and which, by being closed, made her seem completely out of our reach, suddenly opened. Blue-grey eyes, staring up into the ceiling above her sons' heads, upwards, ever upwards, fixed like an exhausted swimmer on the shore. Then her eyes closed and she took the largest, most violent breath of all, and we watched and waited, stood and looked at each other, felt for her pulse and slowly, as seconds turned into minutes, realized that she would never breathe again. There is only one reason to tell you this, to present the scene. It is to say that what happens can never be anticipated. What happens escapes anything you can ever say about it. What happens cannot be redeemed. It can never be anything other than what it is. We tell stories as if to refuse this truth, as if to say that we make our fate, rather than simply endure it. But in truth we make nothing. We live, and we cannot shape life. It is much too great for us, too great for any words. A writer must refuse to believe this, must believe there is nothing that cannot somehow be said. Yet there at last in her presence, in the unending unfolding of that silence, which still goes on, which I still expect to be broken by another drawing in of breath, I knew that all my words could only be in vain, and that all that I had feared and all that I had anticipated could only be lived--without their help or hers.
Michael Ignatieff (Scar Tissue: A Novel)
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
Bram Stoker (Dracula)
Except for the Marabar Caves—and they are twenty miles off—the city of Chandrapore presents nothing extraordinary. Edged rather than washed by the river Ganges, it trails for a couple of miles along the bank, scarcely distinguishable from the rubbish it deposits so freely. There are no bathing-steps on the river front, as the Ganges happens not to be holy here; indeed there is no river front, and bazaars shut out the wide and shifting panorama of the stream. The streets are mean, the temples ineffective, and though a few fine houses exist they are hidden away in gardens or down alleys whose filth deters all but the invited guest. Chandrapore was never large or beautiful, but two hundred years ago it lay on the road between Upper India, then imperial, and the sea, and the fine houses date from that period. The zest for decoration stopped in the eighteenth century, nor was it ever democratic. There is no painting and scarcely any carving in the bazaars. The very wood seems made of mud, the inhabitants of mud moving. So abased, so monotonous is everything that meets the eye, that when the Ganges comes down it might be expected to wash the excrescence back into the soil. Houses do fall, people are drowned and left rotting, but the general outline of the town persists, swelling here, shrinking there, like some low but indestructible form of life.
E.M. Forster (A Passage to India)
Before he could say my name, I closed the space between us. Quickly, my lips moved against his. The mental and emotional emptiness took over instantly, but physically, I was more alert than ever. Wesley’s surprise didn’t last as long as it had before, and his hands were on me in seconds. My fingers tangled in his soft hair, and Wesley’s tongue darted into my mouth and became a new weapon in our war. Once again, my body took complete control of everything. Nothing existed at the corners of my mind; no irritating thoughts harassed me. Even the sounds of Wesley’s stereo, which had been playing some piano rock I didn’t recognize, faded away as my sense of touch heightened. I was fully conscious of Wesley’s hand as it slid up my torso and moved to cup my breast. With an effort, I pushed him away from me. His eyes were wide as he leaned back. “Please don’t slap me again,” he said. “Shut up.” I could have stopped there. I could have stood up and left the room. I could have let that kiss be the end of it. But I didn’t. The mind-numbing sensation I got from kissing him was so euphoric-such a high-that I couldn’t stand to give it up that fast. I might have hated Wesley Rush, but he held the key to my escape, and at that moment I wanted him… I needed him. Without speaking, without hesitating, I pulled my T-shirt over my head and threw it onto Wesley’s bedroom floor. He didn’t have a chance to say anything before I put my hands on his shoulders and shoved him onto his back. A second later, I was straddling him and we were kissing again. His fingers undid the clasp on my bra, and it joined my shirt on the floor. I didn’t care. I didn’t feel self-conscious or shy. I mean, he already knew I was the Duff, and it wasn’t like I had to impress him. I unbuttoned his shirt as he pulled the alligator clip from my hair and let the auburn waves fall around us. Casey had been right. Wesley had a great body. The skin pulled tight over his sculpted chest, and my hands drifted down his muscular arms with amazement. His lips moved to my neck, giving me a moment to breathe. I could only smell his cologne this close to him. As his mouth traveled down my shoulder, a thought pushed through the exhilaration. I wondered why he hadn’t shoved me-Duffy-away in disgust. Then again, I realized, Wesley wasn’t known for rejecting girls. And I was the one who should have been disgusted. But his mouth pressed into mine again, and that tiny, fleeting thought died. Acting on instinct, I pulled on Wesley’s lower lip with my teeth, and he moaned quietly. His hands moved over my ribs, sending chills up my spine. Bliss. Pure, unadulterated bliss. Only once, as Wesley flipped me onto my back, did I seriously consider stopping. He looked down at me, and his skilled hand grasped the zipper on my jeans. My dormant brain stirred, and I asked myself if things had gone too far. I thought about pushing him away, ending it right where we were. But why would I stop now? What did I stand to lose? Yet what could I possibly gain? How would I feel about this in an hour… or sooner? Before I could come up with any answers, Wesley had my jeans and underwear off. He pulled a condom from his pocket (okay, now that I’m thinking about it, who keeps condoms in their pockets? Wallet, yes, but pocket? Pretty presumptuous, don’t you think?), and then his pants were on the floor, too. All of a sudden, we were having sex, and my thoughts were muted again.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
STEPAN: Innocence? Yes, maybe I know what that means. But I prefer to shut my eyes to it—and to shut others’ eyes to it, for the time being—so that one day it may have a world-wide meaning. KALIAYEV: Well, you must feel very sure that day is coming if you repudiate everything that makes life worth living today, on its account. STEPAN: I am certain that that day is coming. KALIAYEV: No, you can’t be as sure as that.… Before it can be known which of us, you or I, is right, perhaps three generations will have to be sacrificed; there will have been bloody wars, and no less bloody revolutions. And by the time that all this blood has dried off the earth, you and I will long since have turned to dust.
Albert Camus (Caligula and Three Other Plays (Vintage International))
Maddie spun to her left - looked back to the cliff - but it was too late. He was already there, standing in front of her. The gun was trained on the center of her chest, and the look on Stefan's face was pure, unadulterated loathing. "You should have forgotten about the phone," he said. Maddie had seen evil up close; she'd witnessed terror and rage, and she knew better than most people the effect that pure hate can have on the human body. First, in Maddie's experience, it was terrible for your skin. (If there was one thing a zit loved, it was stress. Second, it could do awful things to your eyes. They got glossy, but not with tears, with wild and untamed fury. Finally, that much adrenaline might make you strong enough to lift a Toyota off a toddler or whatever, but it could also make your hands shake and your heart race. That's how Stefan looked. His eyes were too wide, his lips were too dry, and his grip was too hard on the gun. Maddie didn't scream. Or plead. Or cry. She just rolled her eyes and said, "But I'm a teenage girl. We're addicted to our phones, or haven't you heard?" She could feel the boulder at her back, as Stefan stepped closer, she knew there was nowhere to go. So she tensed. "You think you are so smart." Stefan's accent was thicker. The words were cold. "Well, not to brag, but I am number one in my class. Does it matter if you're the only one in your class?" she asked. "I don't know about -" "Shut up!" he yelled, limping closer.
Ally Carter (Not If I Save You First)
La Belle Dame sans Merci O what can ail thee, knight-at-arms, Alone and palely loitering? The sedge has withered from the lake, And no birds sing. O what can ail thee, knight-at-arms, So haggard and so woe-begone? The squirrel’s granary is full, And the harvest’s done. I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. I met a lady in the meads, Full beautiful—a faery’s child, Her hair was long, her foot was light, And her eyes were wild. I made a garland for her head, And bracelets too, and fragrant zone; She looked at me as she did love, And made sweet moan I set her on my pacing steed, And nothing else saw all day long, For sidelong would she bend, and sing A faery’s song. She found me roots of relish sweet, And honey wild, and manna-dew, And sure in language strange she said— ‘I love thee true’. She took me to her Elfin grot, And there she wept and sighed full sore, And there I shut her wild wild eyes With kisses four. And there she lullèd me asleep, And there I dreamed—Ah! woe betide!— The latest dream I ever dreamt On the cold hill side. I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried—‘La Belle Dame sans Merci Thee hath in thrall!’ I saw their starved lips in the gloam, With horrid warning gapèd wide, And I awoke and found me here, On the cold hill’s side. And this is why I sojourn here, Alone and palely loitering, Though the sedge is withered from the lake, And no birds sing.
John Keats (The Complete Poems)
The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!" Carlyle waited and her words came with a rush. “Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?" He handed one over and held a match for her silently. "Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?" "Sort of. You never were beaten and you never apologized." "Never!" She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below. Her voice floated up to him again. "And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things." She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level. "All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless." She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock. "I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male." "But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?" Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above. "Why," she called back, "then I'd have won!
F. Scott Fitzgerald (The Offshore Pirate)
The Farmer's Bride Three Summers since I chose a maid, Too young maybe - but more's to do At harvest-time than bide and woo. When us was wed she turned afraid Of love and me and all things human; Like the shut of a winter's day Her smile went out, and 'twasn't a woman - More like a little frightened fay. One night, in the Fall, she runned away. 'Out 'mong the sheep, her be,' they said, Should properly have been abed; But sure enough she wasn't there Lying awake with her wide brown stare. So over seven-acre field and up-along across the down We chased her, flying like a hare Before our lanterns. To Church-Town All in a shiver and a scare We caught her, fetched her home at last And turned the key upon her, fast. She does the work about the house As well as most, but like a mouse: Happy enough to chat and play With birds and rabbits and such as they, So long as men-folk keep away. 'Not near, not near!' her eyes beseech When one of us comes within reach. The women say that beasts in stall Look round like children at her call. I've hardly heard her speak at all. Shy as a leveret, swift as he, Straight and slight as a young larch tree, Sweet as the first wild violets, she, To her wild self. But what to me? The short days shorten and the oaks are brown, The blue smoke rises to the low grey sky, One leaf in the still air falls slowly down, A magpie's spotted feathers lie On the black earth spread white with rime, The berries redden up to Christmas-time. What's Christmas-time without there be Some other in the house than we! She sleeps up in the attic there Alone, poor maid. 'Tis but a stair Betwixt us. Oh! my God! the down, The soft young down of her; the brown, The brown of her - her eyes, her hair, her hair!
Charlotte Mew
She nearly slipped on an icy rock, but he caught her, his shoepacks sure on the frozen ground. He led her up a shaded path to a limestone wall, where they squeezed through an opening like a loophole. On the other side, the earth fell away, and it seemed they stepped into open sky. She gave a little gasp, not of fear, but of awe. He turned to take her in, pressing his back against the cold cliff and drawing her in front of him. She looked down and found the toes of her boots in midair with only her heels on the ledge. But he had one hard arm around her, grounding her. His breath was warm against her cold cheek. “I wanted to show you Cherokee territory, not just tell you about it.” She followed the sweep of his arm south, his finger pointing to distant snow-dusted mountains and a wide opal river. Small puffs of smoke revealed few campfires or cabins. The land lay before them like a disheveled white coverlet, uninhabited and without end, broken by more mountains and wending waterways. The unspoiled beauty of it took her breath. For a moment he relaxed his hold on her. With a cry, she reached for him again, fearing she might fall into nothingness. “Careful,” he murmured, steadying her. “Trust me.” She shut her eyes tight as his arms settled around her, anchoring her to the side of the cliff. Frightened as she was, she felt a tingling from her bare head to her feet. ’Twas altogether bewildering and frightening . . . yet pleasing. Gingerly, as if doing a slow dance, he led her off the ledge onto safe ground, where he released her and turned toward the stallion grazing on a tuft of grass. His smile was tight. “We should return—soon, before your father thinks I took you captive.” Reluctantly she walked behind him, framing every part of him in her mind in those few, unguarded moments before he mounted.
Laura Frantz (Courting Morrow Little)
But the great fact in life, the always possible escape from dullness, was the lake. The sun rose out of it, the day began there; it was like an open door that nobody could shut. The land and all its dreariness could never close in on you. You had only to look at the lake, and you knew you would soon be free. it was the first thing one saw in the morning, across the rugged cow pasture studded with shaggy pines, and it ran through the days like the weather, not a thing thought about, but a part of consciousness itself. When the ice chunks came in of a winter morning, crumbly and white, throwing off gold and rose-coloured reflections from a copper-coloured sun behind grey clouds, he didn't observe the detail or know what is was that made him happy; but now, forty years later, he could recall all its aspects perfectly. They had made pictures in him when he was un-willing and unconscious, when his eyes were merely wide open.
Willa Cather (The Professor's House)
His massive hand gripped the closet doorknob, dagger now angled at his side. “Come out, little Crochan,” he crooned. Silent as death, Manon slid up behind him. The fool didn’t even know she was there until she brought her mouth close to his ear and whispered, “Wrong kind of witch.” The man whirled, slamming into the closet door. He raised the dagger between them, his chest heaving. Manon merely smiled, her silver-white hair glinting in the moonlight. He noticed the shut door then, drawing in breath to shout. But Manon smiled broader, and a row of dagger-sharp iron teeth pushed from the slits high in her gums, snapping down like armor. The man started, hitting the door behind him again, eyes so wide that white shone all around them. His dagger clattered on the floorboards. And then, just to really make him soil his pants, she flicked her wrists in the air between them. The iron claws shot over her nails in a stinging, gleaming flash.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Can I wear your sweater with the daisies on it?” she asks me, her mouth full of omelet. I glance at the clock. “I’ll go get it, but you have to eat fast.” He’ll be here any minute. When it’s time to leave, we put on our shoes, kiss Daddy good-bye, and tumble out the front door. Waiting for us on the street in front of his car is Peter with a bouquet of cellophane-wrapped pink carnations. “Happy birthday, kid,” he says. Kitty’s eyes bulge. “Are those for me?” He laughs. “Who else would they be for? Hurry and get in the car.” Kitty turns to me, her eyes bright, her smile as wide as her face. I’m smiling too. “Are you coming too, Lara Jean?” I shake my head. “No, there’s only room for two.” “You’re my only girl today, kid,” Peter says, and Kitty runs to him and snatches the flowers out of his hand. Gallantly, he opens the door for her. He shuts it and turns and winks at me. “Don’t be jealous, Covey.” I’ve never liked him more than in this moment.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
You know why I always looked like a slob around you? Because I liked you.” He pulled his face back a little and his eyes went wide. “Yeah. I felt guilty that I liked you so much when I had a boyfriend. So I always tried to look bad in front of you so you wouldn’t know.” He beamed down on me. “So the mud mask and the curlers and that nose strip thing—” “All proof of my enormous lady boner for you.” My buzz made me careless. And I couldn’t care less. “Wow,” he said, looking reflective. “You must have really liked me. You didn’t brush your hair for two days in a row once.” I launched into giggles and he laughed with me, putting his forehead to mine. “And I still thought you were the most beautiful woman I’d ever met.” I squeezed my eyes shut, breathing him in, feeling his breath on my face. I wanted to hold this moment in suspended animation. These tender stolen seconds. My forehead pressed to his, his warm hand over mine, his heart beating against my palm. Him slowly turning me on a dance floor, telling me I’m beautiful.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
You’re Mad Rogan!” Leon burst out. “Yes,” Mad Rogan said, his voice calm. “And you can break cities?” “Yes.” “And you have all this money and magic?” “Yes.” Where was Leon going with this? My cousin blinked. “And you look . . . like that?” Mad Rogan nodded. “Yes.” Leon’s dark eyes went wide. He looked at Mad Rogan, then glanced down at himself. At fifteen, Leon weighed barely a hundred pounds. His arms and legs were like chopsticks. “There is no justice in the world!” Leon announced. I giggled and almost choked on my pancake. Mother cracked a smile. “Can you play guitar too?” Leon asked. “Because if you can, I’ll go kill myself right now.” “No, but I can sing a little,” Mad Rogan said. “God damn it!” Leon punched the table. “Calm yourself,” Bern told him. “You shut up. You’re the size of Sasquatch.” Leon pointed at Mad Rogan. “Are you seeing this? How is this fair?” “He’s fifteen,” I told Mad Rogan. “Fair is very important right now.” “You have time,” Mad Rogan said. “Yeah . . .” Leon shook his head. “No, not really. I can’t sing for sure, and I’ll never look like that.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
... she just had time to reflect that of all the many ways in which she had anticipated her final moments, crashing airborne into a pack of flying wolves seemed least likely... Meanwhile the pack of flying wolves had noticed something unusual. 'What's that boss?' Said one of them, who was near the front. But their leader, Skoll, was too intent on opening his jaws wide enough to swallow the sun to hear. 'Looks like a flying pink poodle,' the wolf went on, and this time Skoll did hear. 'A flying pink poodle?' He said, with vast contempt. 'Give me a break Garm." 'No boss, look,' Garm protested. 'It is a flying pink poodle...' 'I told you what would happen if you didn't take your altitude tablets.' But by now the other wolves were joining in... Skoll heaved a sigh of absolute exasperation. 'First of all,' he said, 'poodles can't fly. And they ain't pink. I-oh.' For now that he had turned he could see Flo, careening erratically towards them upside down with her eyes firmly shut... He had become, over the millennia, almost jaded to novelty. But now he was genuinely astonished. 'Wow," he said.
Livi Michael
Take off your clothes. Better yet, I’ll do it.” “Oh, no!” She stepped back quickly in alarm, which prompted a swift frown from him. It vanished when Rycca said, “I saw how you manhandled that tunic. You aren’t about to do the same to this gown. Just wait a moment . . .” Even as she spoke, she deftly undid the laces down the side of the garment and lifted it carefully but quickly over her head. Her husband was in a mood, ridden by tension she could not understand. She wanted to placate him, yet she also wished to surrender to the urges he so effortlessly unleashed within her. Naked save for the gauzy chemise that hid nothing from his eyes, she stood before him, her head lifted proudly to conceal the quivering she felt within. She gloried in his gaze, hot and potent, raking over her. But when he reached for her, she stepped back again. “I ask a boon, lord.” She had never asked him for anything—save freedom and that he could not give. Caught, knowing he could hardly refuse, Dragon rasped, “What?” He had not meant to be so curt but speech was almost beyond him. He wanted her with a desperation he had never felt before save every time he lay with her, and even then he usually managed to maintain some semblance of control. Not now. He burned, his body drawn bow-taut. If he did not sheathe himself soon within his wife’s silken depths . . . She looked at him directly, her eyes wide and candid. “All day I have wanted to . . . touch you.” His dark brows rose. “All day?” Well, that was certainly pleasing but it didn’t make his condition any easier to bear. Harshly, he said, “You don’t have to ask permission to touch me.” She shrugged her lovely, almost bare shoulders. “I know, but under the circumstances . . .” Her gaze drifted down his body, rather pointedly, he thought. Which definitely did not help matters at all. “You can touch me later,” he said and reached for her again. She pressed her palms against his chest, tossed back her gleaming hair, and laughed. Really, he was going to die from this. “Just a little now . . . please?” Dragon squeezed his eyes shut and reached deep down inside himself for the control that was so intrinsic a part of his warrior’s nature. It had to be in there somewhere. Any moment now he’d stumble across it.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Dawn and a high film; the sun burned it; But noon had a thick sheet, and the clouds coming, The low rain-bringers, trooping in from the north, From the far cold fog-breeding seas, the womb of storms. Dusk brought a wind and the sky opened: All down the west the broken strips lay snared in the light, Bellied and humped and heaped on the hills. The set sun threw the blaze up; The sky lived redly, banner on banner of far-burning flame, From south to north the furnace door wide and the smoke rolling. We in the fields, the watchers from the burnt slope, Facing the west, facing the bright sky, hopelessly longing to know the red beauty-- But the unable eyes, the too-small intelligence, The insufficient organs of reception Not a thousandth part enough to take and retain. We stared, and no speaking. and felt the deep loneness of incomprehension. The flesh must turn cloud, the spirit, air, Transformation to sky and the burning, Absolute oneness with the west and the down sun. But we, being earth-stuck, watched from the fields, Till the rising rim shut out the light; Till the sky changed, the long wounds healed; Till the rain fell.
William Everson (The Residual Years: Poems, 1934-1948: Including a Selection of Uncollected and Previously Unpublished Poems)
You haven’t said what happened with you and Kavinsky that night after I left.” “Oh. We broke up.” “You broke up,” he repeats, his face blank. That’s when I notice Kitty lurking in the doorway like a little spy. “What do you want, Kitty?” “Um…is there any red pepper hummus left?” she asks. “I don’t know--go check.” John is wide-eyed. “This is your little sister?” To Kitty he says, “The last time I saw you, you were still a little kid.” “Yeah, I grew up,” she says, not even a little bit nicely. I throw her a look. “Be polite to our guest.” Kitty turns on her heels and runs upstairs. “Sorry about my sister. She’s really close with Peter and she gets crazy ideas…” “Crazy ideas?” John repeats. I could slap myself. “Yeah, I mean, she thinks that something’s going on with us. But obviously there isn’t, and you don’t, like, like me like that, so, yeah, it’s crazy.” Like, why do I speak? Why did God give me a mouth if I’m just going to say dumb stuff with it? It’s so quiet I open my mouth to say more dumb stuff, but then he says, “Well…it’s not that crazy.” “Right! I mean, I didn’t mean crazy--” My mouth snaps shut, and I stare straight ahead.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Even when I thought, with most other well-informed, though unscholarly, people, that Buddhism and Christianity were alike, there was one thing about them that always perplexed me; I mean the startling difference in their type of religious art. I do not mean in its technical style of representation, but in the things that it was manifestly meant to represent. No two ideals could be more opposite than a Christian saint in a Gothic cathedral and a Buddhist saint in a Chinese temple. The opposition exists at every point; but perhaps the shortest statement of it is that the Buddhist saint always has his eyes shut, while the Christian saint always has them very wide open. The Buddhist saint has a sleek and harmonious body, but his eyes are heavy and sealed with sleep. The mediaeval saint's body is wasted to its crazy bones, but his eyes are frightfully alive. There cannot be any real community of spirit between forces that produced symbols so different as that. Granted that both images are extravagances, are perversions of the pure creed, it must be a real divergence which could produce such opposite extravagances. The Buddhist is looking with a peculiar intentness inwards. The Christian is staring with a frantic intentness outwards.
G.K. Chesterton (Orthodoxy)
Does it undermine my image as a warrior to be with you?' 'No. Does it undermine Feyre's when she's seen with Rhys?' Her stomach tightened. Her heartbeat pulsed in her arms, her gut. 'It's different for them,' she made herself say as they reached the end of the bridge and turned to walk along the quay flanking the river. Cassian asked carefully. 'Why?' Nesta kept her focus on the glittering river, vibrant with the hues of sunset. 'Because they're mates.' At his utter silence, she knew what he'd say. Halted again, bracing herself for it. Cassian's face was a void. Completely empty as he said, 'And we're not?' Nesta said nothing. He huffed a laugh. 'Because they're mates and you don't want us to be.' 'That word means nothing to me, Cassian,' she said, voice thick as she tried to keep the people who strode past from overhearing. 'It means something to all of you, but for most of my life, husband and wife was as good as it got. Mate is just a word.' 'That's bullshit.' When she only began walking along the river again, he asked. 'Why are you frightened?' 'I'm not frightened.' 'What spooked you? Just being seen publicly with me like this?' Yes. Having him kiss her and realising that soon she'd have to return to the world humming around them, and leave the House, and she didn't know what she would do then. What it would mean for them. If she would plunge back into that dark place she'd occupied before. Drag him down with her. 'Nesta. Talk to me.' She met his stare, but wouldn't open her mouth. Cassian's eyes blazed. 'Say it.' She refused. 'Say it, Nesta.' 'I don't know what you're talking about.' 'Ask me why I vanished for nearly a week after Solstice. Why I suddenly had to do an inspection right after a holiday.' Nesta kept her mouth shut. 'It was because I woke up the next morning and all I wanted to do was fuck you for a week straight. And I knew what that meant, what had happened, even though you didn't, and I didn't want to scare you. You weren't ready for the truth- not yet.' Her mouth went dry. 'Say it,' Cassian snarled. People gave them a wide berth. Some outright turned back toward the direction they'd come from. 'No.' His face shuttered with rage even as his voice became calm. 'Say it.' She couldn't. Not before he'd ordered her to, and certainly not now. She couldn't let him win like that. 'Say what I guessed from the moment we met,' he breathed. 'What I knew the first time I kissed you. What became unbreakable between us on Solstice night.' She wouldn't. 'I am your mate, for fuck's sake!' Cassian shouted, loud enough for people across the river to hear. 'You are my mate! Why are you still fighting it?' She let the truth, voiced at last, wash over her. 'You promised me forever on Solstice,' he said, voice breaking. 'Why is one word somehow throwing you off that?' 'Because with that one word, the last scrap of my humanity goes away!' She didn't care who saw them, who heard. 'With that one stupid word, I am no longer human in any way. I'm one of you!' He blinked. 'I thought you wanted to be one of us.' 'I don't know what I want. I didn't have a choice.' 'Well, I didn't have a choice in being shackled to you, either.' The declaration slammed into her. Shackled. He sucked in a breath. 'That was an incredibly poor choice of words.' 'But the truth, right?' 'No, I was angry- it's not true.' 'Why? Your friends saw me for what I was. What I am. The mating bond made you stupidly blind to it. How many times did they warn you away from me, Cassian?' She barked a cold laugh. Shackled. Words beckoned, sharp as knives, begging for her to grab one and plunge it into his chest. Make him hurt as much as that one would hurt her. Make him bleed. But if she did that, if she ripped into him... She couldn't. Wouldn't let herself do it.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
I shoot up out of my chair. “It’s Bree. Hide the board!” Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!” His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!” “LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat. Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”. Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me. “Erase it!” Price whispers frantically. “No, we didn’t write it down anywhere else! We’ll lose all the ideas.” I can hear Bree’s footsteps getting closer. “Nathan? Are you home?” “Uh—yeah! In the kitchen.” Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet. “Just flip it over!” I tell anyone who’s not running in a circle chasing his tail. As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit. Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?” Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply. We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine. “What’s with the whiteboard?” she asks, taking a step toward it. I hop off the table and get in her path. “Huh? Oh, it’s…nothing.” She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.” “Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.” She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment? My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me. Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.” Her eyes narrow.
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
Oh, for crying out loud. This was like some kind of modern version of My Fair Lady. Only with Vampyres. She made herself breathe evenly for a few moments. "You've made your point." "Have I? How fortuitous." As he lounged back in his chair, all the subtle signs of aggravation disappeared. "Then perhaps we should get back to the task at hand, so that I can determine what you have learned before going on to teach you what you haven't." Okay, that went too far. One small part of her mind--the wary part, the sensible part -- started to whisper, "Don't say it, don't say it..." But the rest of her was too exasperated to listen. She flung out her hands and opened her eyes wide. "Who says fortuitous these days?" He just looked at her. The slanted angle of his mouth had returned, as well as the slight snap to his diction. "Apparently, I do. Now if you are quite through, it might behoove you to remember that a successful attendant is nowhere near this argumentative with her patron." The devil took hold of her tongue. There was no other explanation for it. "Behoove," she said. The angle of his mouth leveled out, and his voice turned exceedingly, dangerously soft. "Yes. Behoove." She opened her mouth. Shut it. Opened it again. "Don't say it." Gray-green eyes narrowed, daring her to cross the line.
Thea Harrison (Night's Honor (Elder Races, #7))
She was too narcoleptic to speak. Or move. How long had this been going on? Was she like this yesterday? Had I missed her illness in my quest to prove to my brain that my dick wasn’t the one behind this train wreck’s wheel? I touched her forehead again. It sizzled. “Sweetheart.” “Please get out.” The words clawed past her throat. “Someone needs to take care of you.” “That someone definitely isn’t you. You made that clear these past couple days.” I said nothing. She was right. I hadn’t bothered to check on her. Perhaps I’d wished she’d check on me. In truth, she’d already gone beyond any expectations in trying to make whatever it was between us work. Meanwhile, I’d shut her down. Repeatedly. “Shortbread, let me get you some medicine and tea.” “I don’t want you to nurse me to health. Do you hear me?” She must have hated that I’d seen her like this. Weak and ill. “Call Momma and Frankie. It’s them I want by my side.” I swallowed but didn’t argue. I understood she didn’t want to feel humiliated. To be taken care of by the man who ensured she understood her insignificance to him. How did her bullshit meter not fry? How could she think I really felt nothing toward her? “First, I’ll get you medicine, tea, and water. Then I’ll call for Hettie to stay with you. Then I’ll notify your mother.” I tugged her comforter up to her chin. “No arguments.” She tried to wave me out, groaning at the slightest movement. “Whatever. Just go. I don’t want to see your face.” I gave her what she wanted, though as always, not in the way she expected. The sequence of actions didn’t proceed as promised. First, I contacted Cara to dispatch the private jet to Georgia. Then I called my mother-in-law and Franklin—separately—demanding their presence. Only then did I enter the kitchen to grab water, tea, and ibuprofen for Shortbread’s fever. Naturally, like the chronic idler he often proved to be, Oliver still sat at the island, now enjoying an extra-large slice of red velvet cake I was pretty sure was meant to be consumed by Dallas. “What are you still doing here?” I demanded, collecting the things I needed for her. He scratched his temple with the handle of his fork, brows pulled together. “You invited me here. You wanted to watch a soccer game, remember?” I did not remember. I didn’t even remember my own address right now. “Get out.” “What about the—” I snatched the plate from his fingers, admitting to myself that I’d treaded into feral grounds. “This cake wasn’t for you to eat.” “You’ve gone insane in the ten minutes you were gone.” Oliver gawked at me, wide-eyed. “What happened to you? Did Durban not get her hands on the latest Henry Plotkin book and take her anger out on you?” Shit. The Henry Plotkin book. I shoved Oliver out with a fork still clutched in his grimy fist, dialing Hettie with my free hand. She half-yawned, half-spoke. “Yes?” “Dallas is ill. You need to come here and take care of her until my in-laws arrive in about two hours.” “Oh, yeah?” Her energy returned tenfold. “And what the hell are you gonna do during this time?” “Freeze my balls off.”(Chapter 58)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
I nodded and nodded and nodded again, like the motion could buoy me up for what had to be done. “Okay. We’ll be okay. I’ll go through and use . . . use my own soul to close the agte.” “You can’t!” Lend said. I shrugged, putting on a brave smile. “I’ll be okay. They can probably fix me. I mean, Reth was able to put soul into me on this side. He should be able to do it on the other side, right?” I looked from Vivian to Lend for reassurance, but neither of them had any to give. I needed them to be brave for me, to tell me it was going to work out. I’d come so far to get this bright, happy soul of my own, to figure out who I was and how to love and let myself be loved. I didn’t want to give it up, and I needed to know it would be okay. “Lie to me!” I shouted. “Tell me it’s going to be okay!” Lend shook his head. “There’s no way I’m letting you use your own soul to close the gate.” He stood straighter. “Use mine.” “What?” “Take mine! I have more than you do anyway, right? It only makes sense.” “But who knows what that would do to you on the other side! You would be mortal! We’d have no idea how long you’d live, how it would change you.” He smiled bravely, shrugging. “I never asked to last forever. I’m not interested in immortality; you are the life I chose.” “Oh, will you two shut up?” Vivian stomped over to us, her white-blond hair whipped up into a bizarre halo around her head and her cotton gown barely staying on. “’Let me sacrifice myself!’ ‘No, let me sacrifice myself!’ ‘I love you more than the eternities!’ ‘No, I love you more than the eternities!’” She was pale, her huge, manic eyes wide. Maybe having and then losing the Dark Queen’s soul really had tipped her over the edge. “This one’s all me.
Kiersten White (Endlessly (Paranormalcy, #3))
You’re mine,” he said when he drew back, gazing down at her with a hunger that should have made her run. “No one else’s.” He gripped her hips and set her on the edge of his desk. Before she could figure out what he was doing, he brushed her dress up, spread her thighs, and ripped her thong. “Gavin, what—?” His tongue slipped into her vagina, and her mind went blank with shock. He dragged her to the edge of the desk and ate her as if his life depended on it. One hand pinned her thigh open while the other cupped her ass, drawing her tight to his intimate kiss. She couldn’t think as pleasure ricocheted through her. His talented mouth suckled her clit. Before she could counteract the pleasure or get a hold on it, her climax, violent and unstoppable, blasted through her. She wrapped her legs around his head, body bowing as he slammed his fingers into her, eliciting mind-numbing pleasure so great, her mind shut down and her body took over. When it became too much, she yanked on his hair, trying to get his mouth away from her. He moaned but didn’t budge. She could hear him swallow as he lapped up her juices. “G-Gavin, please stop,” she said hoarsely, shuddering. Without moving his head, he pushed her, so she sprawled on her back in a boneless heap on the slick surface of his desk. He used his fingers this time, curling and stroking. The heat began to build again. She tried to kick him, but his hands pinned her wide, and she had no defense as he teased oversensitive nerves. “I-I can’t,” she panted even as another climax punched through her. She erupted, body jerking as he pulled the strings like the master he was. When rational thought returned, she found him standing over her, fingers still buried between her legs. His eyes were ablaze with lust. “I didn’t ask the first time. You say I raped you. Will you let me have you?” It would feel damn good, but... “No.
Mia Knight (Crime Lord's Captive (Crime Lord, #1))
Beneath the table, Ryder releases my hand and lays it open in my lap, palm up. And then I feel him tracing letters on my palm with his fingertip. I. L. O. V. E. Y.O.U. I can’t help myself--I shiver. I shiver a lot when Ryder’s around, it turns out. He seems to have that effect on me. “Are you cold, Jemma?” Laura Grace asks me. “Ryder, go get her a sweatshirt or something. You two are done eating, anyway. Go on. Take her into the living room and light the fire.” “Nah, I’m fine,” I say, just because I know the old Jemma would have argued. “Well, go work on your project, then. It’s warmer in the den.” “My room’s like an oven,” Ryder deadpans, and I have to stifle a laugh, pretending to cough instead. “Take her up there, then, before she catches cold. Go. Scoot.” Laura Grace waves her hands in our direction. We rise from the table in unison, both of us trying to look as unhappy about it as possible. Silently, I follow him out. As soon as the door swings shut behind us, he reaches for my hand and pulls me close. “Shh, listen,” I say, cocking my head toward the door. “I still can’t believe it,” comes Laura Grace’s muffled voice. “The both of them, going off to school together, just like we always hoped they would. They’ll find their way into each other’s hearts eventually, just you wait and see.” I hear my mom’s tinkling laughter. “I guess their plan to escape each other didn’t work out so well after all, did it, now? I’m sure they never even imagined--” “I just hope they don’t kill each other,” Daddy interrupts. “They’ll be fine,” Mr. Marsden answers. “Well, I guess we won this round, didn’t we?” Mama says, her voice full of obvious delight. I glance up at Ryder, dressed for Sunday dinner--khakis, plaid button-down with a T-shirt beneath. His spiky hair is sticking up haphazardly, his dimples wide as he smiles down at me with so much love in those deep, dark chocolate eyes of his that it lights up his whole face. And me? I’m so happy when I’m with him that Nan says I glow, that a bright, shining light seems to radiate off the pair of us wherever we go. Despite their gloating, it’s easy to see that they didn’t win, our parents. Nope. We won.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Ryder turns off the radio and reaches for my camera, pointing it at me in the dark. It beeps, and a red light indicates that he’s filming. “Are you scared, Jemma?” I prop my head up on one elbow. “Yeah, I’m scared,” I say, carefully weighing my words. “But…we’ll be okay. This house has weathered plenty of storms through the years. It’ll keep us safe.” “I hope you’re right.” “Yeah, me too.” I hear him swallow hard. “I’m glad I’m here with you.” “I’m glad you are too,” I say automatically. But then…I realize with a start that it’s true. I am glad he’s here. I feel safe with him. More relaxed than I would be otherwise. He thinks I’m distracting him, making him forget his fears. But the truth is, he’s helping me just as much. Maybe more. I’m pretty sure I’d be a blubbering mess right about now if I were alone. “Thanks, Ryder,” I say, my voice thick. “For what?” “Everything.” I squeeze my eyes shut. “Turn off the camera, okay?” He does, setting it aside before stretching out on the far side of the bed, facing me. Our gazes meet, and my stomach flutters nervously. There’s something there in his dark eyes, something I’ve never seen before. Vulnerability…mixed with a kind of dark, melty chocolate expression that I don’t recognize. Our hands are lying there on the bed between us, nearly touching. I lift my pinkie, brushing it against his. Chills race down my spine at the contact, my heart pounding against my ribs. I hear his breath catch. Slowly, his hand moves over mine, his fingertips brushing my knuckles until his entire hand covers mine. His skin is hot, the pressure reassuring. A minute passes, maybe two. It’s almost like he’s waiting, watching to see if I pull my hand away. I don’t. In one quick movement, he slides his hand under mine and threads our fingers together. We lie like that for several minutes, arms outstretched, hands joined, eyes wide open. The storm continues to rage around us, but it’s like we’re locked in this safe, calm place where nothing can touch us. My breathing slows; my limbs grow heavy. My lids flutter shut. I try to resist, but it’s futile. I’m exhausted. I drift off to sleep with a smile on my lips, Ryder holding me fast.
Kristi Cook (Magnolia (Magnolia Branch, #1))
The door opened. We all froze. “Mom, this isn’t what it looks like.” Mom put her hand on her hip. “It looks like a group of boys wrestling on the floor of your bedroom while you watch. Wearing a towel.” “Okay,” I admitted, “it is what it looks like, but it’s not—” “Sexual?” She raised her eyebrows. “Mom!” Luna stuck her head under Mom’s arm and sucked in a breath. “She’s gone from a love triangle to a kinky sex pentagon.” Blake lifted his head. “Vote for Team Blake!” Mom rolled her eyes. “Boys, vacate. Now. Aurora get dressed. And everybody head downstairs. Breakfast is on. I made quiche. There’s plenty for all.” “First edible breakfast in weeks,” Luna said. Blake smacked his lips. “Yum!” Mom checked behind the door. “Ayden’s not here, is he?” I shook my head. “Then there’s no lust factor. Although, your father may not be as easy going as I am. So, gentlemen, get out.”  As she left, Mom dragged Luna away with her. Blake shook off the other boys and stood. “That’s offensive. I’m a very lustful guy.” “And a big blabbermouth.” Logan whacked the back of Blake’s head. “But remember you can’t tell—” “Ayden!” Blake shouted. “Right,” Tristan said, “or —” “No, it’s…” Wide-eyed, Blake jerked his chin toward my door. Our heads swiveled. Ayden filled the doorway, leaning against the frame, arms folded. “What can’t you tell me?” He arched one eyebrow awaiting a reply. The silence seemed ready to explode. Ayden zeroed in on Blake. “Come on, Weak Link, give it up.” Blake blurted out, “Jayden was in the shower with Aurora!”  I choked. “What!” “You idiot!” Logan thumped Blake repeatedly. “Technically, that’s true.” Jayden said. “But only once.” Ayden’s arms dropped. Along with his jaw. Tristan jumped up and shoved Jayden’s shoulder. “Shut up!” I tugged the towel tighter. “Ayden, that didn’t happen. Exactly. Guys, he already knows the Divinicus thing.” “Oh, good.” Blake was relieved. “Secrets? Not my thing.” “No kidding,” I said. “You told Blake before me?” Ayden said. “Unbelievable.” Blake raised his brows. “What’s that supposed to mean?" I held up my hand. “I didn’t tell anyone.” “Oh, my God! Why are you in a towel?” A & E Kirk (2014-05-26). Drop Dead Demons: The Divinicus Nex Chronicles: Book 2 (Divinicus Nex Chronicles series) (pp. 466-467). A&E Kirk. Kindle Edition.
A. Kirk
He held her down in the cushioning billows of the bed, kissed her, fondled and provocatively caressed until she arched, with her body begged; breaking from the kiss, he trailed hot, wet, openmouthed kisses down the taut line of her throat, over the creamy upper swell of her breast, and gave her the first course of what she'd asked for. He feasted on her breasts without quarter, licked, suckled, and laved as she writhed and gasped beneath him, as her hands gripped and tightened on his skull as he drew every last gasp and moan he could from her, then moved on. Over her midriff, down over her waist, pausing to pay homage to the sensitive indentation of her navel, then he shifted still lower. Trapping one of her long legs beneath him, lifting and draping the other over his shoulder, he held it there, held her steady as he pressed an ardent kiss to the curls shielding her mons. He heard her breath hitch, felt her body tremble, then tense and coil. Glancing at her face, he caught a glimpse of intense cornflower blue burning beneath her heavy lids, saw her lips slick and swollen from his kisses, parted in shocked disbelief. Deliberately he slid lower, bent and set his lips to the slick, swollen flesh between her thighs. She jerked, moaned. He licked and she screamed. She reached for him, but could only touch his head. Her fingers twined in his hair, tightened; she tensed to tug, but he licked again, then slowly, expertly probed, and she didn't move. Panting, eyes shut, she waited. Inwardly smug, he settled to worship her in that way, too, to taste her, to fill his senses with her, and hers with him. She let him have his way, let him taste her as he wished, let him try her with his tongue and drive her mindless. He asked, and she surrendered; he took, and she gave. In return, he pleasured her with unwavering devotion until she sobbed and cried out his name. Rising, he rolled her firmly onto her back, trailed kisses like fire up her belly and breasts as he loomed over her, spreading her thighs wide, settling between. He held himself over her, arms braced as he kissed her, tasted her desperation on her lips. Then with one, single powerful thrust he joined them. She closed about him like a glove, and he gasped; like the goddess he'd named her she welcomed her servant into her temple and embraced him. He moved, and she moved with him, fluidly meeting him as they gave themselves up to the now familiar dance. His thoughts fractured, ripped from him as a whirlpool of sensation rose up, drenched, then drowned him.
Stephanie Laurens (The Taste of Innocence (Cynster, #14))
If marriage is the great mystery of the City, the image of the Coinherence - if we do indeed become members one of another in it - then there is obviously going to be a fundamental need in marriage for two people to be able to get along with each other and with themselves. And that is precisely what the rules of human behavior are about. They are concerned with the mortaring of the joints of the City, with the strengthening of the ligatures of the Body. The moral laws are not just a collection of arbitrary parking regulations invented by God to make life complicated; they are the only way for human nature to be natural. For example, I am told not to lie because in the long run lying destroys my own, and my neighbor's nature. And the same goes for murder and envy, obviously; for gluttony and sloth, not quite so obviously; and for lust and pride not very obviously at all, but just as truly. Marriage is natural, and it demands the fullness of nature if it is to be itself. But human nature. And human nature in one piece, not in twenty-three self-frustrating fragments. A man and a woman schooled in pride cannot simply sit down together and start caring. It takes humility to look wide-eyed at somebody else, to praise, to cherish, to honor. They will have to acquire some before they can succeed. For as long as it lasts, of course, the first throes of romantic love will usually exhort it from them, but when the initial wonder fades and familiarity begins to hobble biology, it's going to take virtue to bring it off. Again, a husband and a wife cannot long exist as one flesh, if they are habitually unkind, rude, or untruthful. Every sin breaks down the body of the Mystery, puts asunder what God and nature have joined. The marriage rite is aware of this; it binds us to loving, to honoring, to cherishing, for just that reason. This is all obvious in the extreme, but it needs saying loudly and often. The only available candidates for matrimony are, every last one of them, sinners. As sinners, they are in a fair way to wreck themselves and anyone else who gets within arm's length of them. Without virtue, therefore, no marriage will make it. The first of all vocations, the ground line of the walls of the New Jerusalem is made of stuff like truthfulness, patience, love and liberality; of prudence, justice, temperance and courage; and of all their adjuncts and circumstances: manners, consideration, fair speech and the ability to keep one's mouth shut and one's heart open, as needed. And since this is all so utterly necessary and so highly likely to be in short supply at the crucial moments, it isn't going to be enough to deliver earnest exhortations to uprightness and stalwartness. The parties to matrimony should be prepared for its being, on numerous occasions, no party at all; they should be instructed that they will need both forgiveness and forgivingness if they are to survive the festivities. Neither virtue, nor the ability to forgive the absence of virtue are about to force their presence on us, and therefore we ought to be loudly and frequently forewarned that only the grace of God is sufficient to keep nature from coming unstuck. Fallen man does not rise by his own efforts; there is no balm in Gilead. Our domestic ills demand an imported remedy.
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
As he sat up, he heard soft dripping sounds from the bathroom, little plips like water slipping over the edges of the tub and into the floor. The hairs on the back of his neck rose as he realized where he‟d last heard that sound. His muscles tight with strain from his earlier exertions, he stood and walked warily toward the half open bathroom door and the tub beyond it. Slipping quietly past the door, he saw that the curtain was drawn, and again the shadowed figure lay behind it. One long, slim, leg dangled from the end of the tub, beads of water gliding down its length and off the polished toes. At the other end he saw a mass of auburn curls, matted deep red near the porcelain of the tub. It was the dream and the vision again, more real now, too strong to deny. Shaking, he moved toward the curtain, gagging on the sickly smell of rust and roses, feeling the thin nylon glide between thumb and palm as he pulled it back to reveal his darkest nightmare and deepest regret. He could see the crimson water now, blood bubbles gliding over its surface and clinging to the legs dangling over the tub‟s edge. When he‟d pulled the curtain completely away from the tub and around to its opposite side, he saw her face. Her eyes were closed and he saw that her lids were bruised and purple against the translucent paleness of her face, drained completely dead white under the makeup she‟d brushed on before she‟d died. Staggering by the sight of her, he knelt by the tub and extended one shaking hand to touch her cheek. It all seemed as if he‟d walked into a horror film and once again he needed to prove to his mind that this wasn‟t real. His hand shook as he lifted it nearer to her flesh, waiting for the corpse, the supposedly dead and buried to move. He touched his quivering fingers to her face, feeling its claylike reality. The sensation caused an immediate shudder of revulsion and he fought not to vomit. Even as the moment came, the sight of her moving in the water startled him and he jumped away from the tub. It wasn‟t an obvious movement at first, only soft breaths moving in and out of her nostrils, but then her chest rose and fell with it and he quaked, feeling unstable where he knelt on the floor. Her eyes opened next and he felt the blood fall out of his face, wanting to scream but too afraid he would cause her to take some action, to reach out and touch him, proving well and forever that he was indeed insane. Scream and you might as well slit your own throat. He swallowed the scream like a rock and stared as her eyes moved slowly in their sockets, locking on him. Slowly, as if she‟d lost control of her muscles, she rose from the tub and looked down at him, smiling. Blood water slid down her bare body, over her neck, down her back and the smooth ridges of her breasts, to slip slowly down her thighs and down over her calves. A puddle spread on the floor, and as it extended toward him he struggled to his feet, skittering away from it. As he watched it spread, he shivered, weak as he started to cry frantic, horrified tears. Breaking down, he looked back up at her face and slipped to the floor once more, his knees incapable of sustaining his own weight. The smile grew wider as she strode to his shivering form, thrown on his side and struggling to rise. The blood water seeped into his clothes, making him sick, a drop of it trickling along the lobe of his ear and into it. And then she leaned down, holding those dim, stained curls of auburn out of her face and tucking them behind her ear. Her lips parted, blue beneath the strong crimson red of her lipstick, and she spoke into his ear with the chill breath of the dead. His eyes grew wide and horrified as she spoke, the hair on his neck rising, sending a maddening shiver of fear through him. “I‟ve returned, Raven.” She whispered “And I want what is mine.” The last thing he saw before his mind, finally, thankfully, shut down was her face in front of his. They were pursed for a kiss.
Amanda M. Lyons
I hurried to the fridge, got a bottle, and put it into a sink of hot water. While the formula was warming, Jack went to the bed and picked up Luke. Holding him in a secure and competent grip, Jack murmured softly to the baby. It made no difference. Luke started squalling, his mouth wide open and his eyes screwed shut. “There’s no use in trying to quiet him.” I rummaged in the diaper bag for a burp cloth. “He just screams louder and louder until he gets what he wants.” “Always works for me,” Jack said. -Luke, Ella, & Jack
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
I am puffed clay, blown up and set down. That I fall like Adam is not surprising; I plunge, waft, arc, pour, and dive. The surprise is how good the wind feels on my face as I fall. And the other surprise is that I ever rise at all. I rise when I receive, like grass. I didn’t know, I have never known, what spirit it is that descends into my lungs and flaps near my heart like an eagle rising. I name it full-of-wonder, highest good, voices. I shut my eyes and saw a tree stump hurled by wind, an enormous tree stump sailing sideways across my vision, with a wide circular brim of roots and soil like a tossed top hat. And what if those grasshoppers had been locusts descending, I thought, and what if I stood awake in a swarm? I cannot ask for more than to be so wholly acted upon, flown at, and lighted on in throngs, probed, knocked, even bitten. A little blood from the wrists and throats is the price I would willingly pay for that pressure of clacking weights on my shoulders, for the scent of deserts,- for being so in the clustering thick of things, rapt and enwrapped in the rising and falling real world.
Annie Dillard (Pilgrim at Tinker Creek)
managed to snag the last available table and all three ordered the special with sweet tea to drink. “It’s like Thanksgiving,” Shiloh said. “Not for me. Thanksgiving was working an extra shift so the folks with kids could be home for the day. Christmas was the same,” Bonnie said. Abby shrugged. “The army served turkey and dressing on the holidays. It wasn’t what Mama made, but it tasted pretty damn good.” Since it was a special and only had to be dipped up and served, they weren’t long getting their meal. Abby shut her eyes on the first bite and made appreciative noises. “This is so good. I may eat here every Sunday.” “And break Cooper’s heart?” Bonnie asked. “Hey, now! One night of drinking together does not make us all bosom buddies or BFFs or whatever the hell it’s called these days.” Abby waved at the waitress, who came right over. “I want this plate all over again,” she said. “Did you remember that we do have pie for dessert?” the waitress asked. “Yes, I’ll have two pieces, whipped cream on both. What about you, Shiloh?” She blushed. “I shouldn’t, but . . . yes, and go away before I change my mind.” “Bonnie?” Abby asked. Bonnie shook her head. “Just an extra piece of pie will do me.” “So that’s two more specials and five pieces of pie, right?” the waitress asked. “You got it,” Abby said. “I’m having ice cream when we finish with hair and nails. You two are going to be moaning and groaning about still being too full,” Bonnie said. “Not me. By the middle of the afternoon I’ll be ready for ice cream,” Abby said. “My God, how do you stay so small?” Shiloh asked. “Damn fine genes. Mama wasn’t a big person.” “Well, my granny was as wide as she was tall and every bite of food I eat goes straight to my thighs and butt,” Shiloh said. “But after that wicked, evil stuff last night, I’m starving.” “It burned all the calories right out of your body,” Abby said. “Anything you eat today doesn’t even count.” “You are full of crap,” Shiloh leaned forward and whispered. The waitress returned with more plates of food and slices of pumpkin pie with whipped cream, taking the dirty dishes back away with her. Bonnie picked up the clean fork on the pie plate and cut a bite-size piece off. “Oh. My. God! This is delicious. Y’all can eat Cooper’s cookin’. I’m not the one kissin’ on him, so I don’t give a shit if I hurt his little feelin’s or not. I’m comin’ here for pumpkin pie next Sunday if I have to walk.” “If Cooper doesn’t want to cook, maybe we can all come back here with him and Rusty next Sunday,” Abby said. “And if he does?” Shiloh asked. “Then I’m eating a steak and you can borrow my truck, Bonnie. I’d hate to see you walk that far. You’d be too tired to take care of the milkin’ the next day,” Abby said. “And you don’t know how to milk a cow, do you?” Bonnie’s blue eyes danced when she joked. Abby took a deep breath and told the truth. “No, I don’t, and I don’t like chickens.” “Well, I hate hogs,” Shiloh admitted. “And I can’t milk a cow, either.” “Looks like it might take all three of us to run that ranch after all.” Bonnie grinned. The waitress refilled their tea glasses. “Y’all must be the Malloy sisters. I heard you’d come to the canyon. Ezra used to come in here pretty often for our Sunday special and he always took an extra order home with him. Y’all sound like him when you talk. You all from Texas?” “Galveston,” Abby said. “Arkansas, but I lived in Texas until I graduated high school,” Shiloh said. The waitress looked at Bonnie. “Kentucky after leavin’ Texas.” “I knew I heard the good old Texas drawl in your voices,” the waitress said as she walked away. “Wonder how much she won on that pot?” Abby whispered. Shiloh had been studying her ragged nails but she looked up.
Carolyn Brown (Daisies in the Canyon (The Canyon #2))
Keeping your eyes shut to envision your dreams does nothing to create the reality you're being told to build by your subconscious.
Jes Fuhrmann (The Diary of Pink Pearl Continues: Volume 2: I'm Wide Awake And Born Again! The Quadrilogy)
The President called it the “Epitome of the American dream.” Daddy called it the “unholy alliance of business and government.” But all it really was, was America giving up. Bailing out in order to join the Financial Resource Exchange. A multinational alliance focused on one thing: profit. Fund global medical care to monopolize vaccines. Back unified currency to collect planet-wide interest. And provide the resources needed for a select group of scientists and military personnel to embark on the first trip across the universe in a quest to find more natural resources—more profit. The answer to my parents’ dreams. And my worst nightmare. And I know something about nightmares, seeing as how I’ve been sleeping longer than I’ve been alive. I hope. What if this is just a part of a long dream dreamt in the short time between when Ed locked the cryo door and Hassan pushed the button to freeze me? What if? It’s a strange sort of sleep, this. Never really waking up, but becoming aware of consciousness inside a too-still body. The dreams weave in and out of memories. The only thing keeping the nightmares from engulfing me is the hope that there couldn’t possibly be a hundred more years before I wake up. Not a hundred years. Not three hundred. Not three hundred and one. Please, God, no. Sometimes it feels like a thousand years have passed; sometimes it feels as if I’ve only been sleeping a few moments. I feel most like I’m in that weird state of half-asleep, half-awake I get when I’ve tried to sleep past noon, when I know I should get up, but my mind starts wandering and I’m sure I can never get back to sleep. Even if I do slip back into a dream for a few moments, I’m mostly just awake with my eyes shut. Yeah. Cryo sleep is like that. Sometimes I think there’s something wrong. I shouldn’t be so aware. But then I realize I’m only aware for a moment, and then, as I’m realizing it, I slip into another dream. Mostly, I dream of Earth. I think that’s because I didn’t want to leave it. A field of flowers; smells of dirt and rain. A breeze ... But not really a breeze, a memory of a breeze, a memory made into a dream that tries to drown out my frozen mind. Earth. I hold on to my thoughts of Earth. I don’t like the dreamtime. The dreamtime is too much like dying. They are dreams, but I’m too out of control, I lose myself in them, and I’ve already lost too much to let them take over. I push the dream-memory down. That happened centuries ago, and it’s too late for regrets now. Because all my parents ever wanted was to be a part of the first manned interstellar exploratory mission, and all I ever wanted was to be with them. And I guess it doesn’t matter that I had a life on Earth, and that I loved Earth, and that by now, my friends have all lived and gotten old and died, and I’ve just been lying here in frozen sleep.
Beth Revis (Across the Universe (Across the Universe, #1))