Eyes Romantic Quotes

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You two are too cute,” the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. “Seriously. How long have you been going out?” Sam let go of my hands to get his wallet and took out some bills. “Six years.” I wrinkled my nose to cover a laugh. Of course he would count the time that we’d been two entirely different species. Whoa.” Counter girl nodded appreciatively. “That’s pretty amazing for a couple your age." Sam handed me my hot chocolate and didn’t answer. But his yellow eyes gazed at me possessively—I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be. I crouched to look at the almond bark on the bottom shelf in the counter. I wasn’t quite bold enough to look at either of them when I admitted, “Well, it was love at first sight.” The girl sighed. “That is just so romantic. Do me a favor, and don’t you two ever change. The world needs more love at first sight.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Choosing a path meant having to miss out on others. She had a whole life to live, and she was always thinking that, in the future, she might regret the choices she made now. “I’m afraid of committing myself,” she thought to herself. She wanted to follow all possible paths and so ended up following none. Even in that most important area of her life, love, she had failed to commit herself. After her first romantic disappointment, she had never again given herself entirely. She feared pan, loss, and separation. These things were inevitable on the path to love, and the only way of avoiding them was by deciding not to take that path at all. In order not to suffer, you had to renounce love. It was like putting out your own eyes not to see the bad things in life.
Paulo Coelho (Brida)
To you,” he said, “I surrender my heart and soul.” She rolled her eyes. “Very romantic, considering you have neither.
Sarah Beth Durst (Drink, Slay, Love)
He leaned his head to me, his neck so close to my lips, I felt the heat coming off his skin. His breath was warm against my ear. His voice was a ragged snarl. "I miss you." This wasn't happening. "I worry about you." He dipped his head and looked into my eyes. "I worry something stupid will happen and I won't be there and you'll be gone. I worry we won't ever get a chance and it's driving me out of my skull." No, no, no, no......... We stared at each other. The tiny space between us felt too hot. Muscles bulged on his naked frame. He looked feral. Mad gold eyes stared into mine. "Do you miss me, Kate?" I closed my eyes trying to shut him out. I could lie then we would be back to square one. Nothing would be resolved. I'd still be alone, hating him and wanting him. He grabbed my shoulders and shook me once. "Do you miss me?" I took the plunge. "Yes.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Cameron, my heart is quite literally in this," he hisses through gritted teeth. Swooning words. A romantic declaration. I can barely stop my eyes from rolling. "Save it for when we get her back," I grumble.
Victoria Aveyard (King's Cage (Red Queen, #3))
By the time Bones announced it was Tammy's turn, I'd fallen in love with him all over again. Flowers and jewelry worked for most girls as a romantic gesture, but here I was, misty-eyed at watching him show my mother how to stab the shit out of him.
Jeaniene Frost (Death's Excellent Vacation)
Asshole.” “Just for that, I expect you to wrap that dirty mouth of yours around my cock tonight.” He narrowed his eyes on me. I couldn’t believe he’d just said that to me in a fancy restaurant where anyone might overhear. “Are you kidding?” “Babe,” he gave me a look that suggested I was missing the obvious, “I never kid about blowjobs.” Our waiter had descended on us just in time to hear those romantic words and his rosy cheeks betrayed his embarrassment. “Ready to order?” he croaked out.“Yes,” Braden answered, obviously uncaring he’d been overhead. “I’ll have the steak, medium-rare.” He smiled softly at me. “What are you having?” He took a swig of water. He thought he was so cool and funny. “Apparently sausage.” Braden choked on the water, coughing into his fists, his eyes bright with mirth as he put his glass back on the table. “Are you okay, sir?” The waiter asked anxiously. “I’m fine, I’m fine.
Samantha Young (On Dublin Street (On Dublin Street, #1))
Choose now,' he spat, his eyes practically shooting sparks. 'Me or him.' 'Gosh, Fang, you romantic fool,' I said sarcastically. 'How incredibly sexist-pig of you.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
Roman Payne (Hope and Despair)
The necklace was a good excuse," he murmured. "For what?" "I thought maybe I could go to Charleston and show up at your front door to give this back and maybe… you might let me in. Or something. I was worried that another male would court you, so I've been trying to go as fast as I could. I mean, I figured maybe if I could read, and if I took a little better care of myself, and if I tried to stop being such a mean-ass motherfucker…" He shook his head. "But don't misunderstand. It's not like I expected you to be happy to see me. I was just… you know, hoping… coffee. Tea. Chance to talk. Or some shit. Friends, maybe. Except if you had a male, he wouldn't allow that. So, yeah, that's why I've been hurrying." His yellow eyes lifted to hers. He was wincing, as if he were afraid of what might be showing on her face. "Friends?" she said. "Yeah… I mean, I wouldn't disgrace you by asking for more than that. I know that you regret… Anyway, I just couldn't let you go without… Yeah, so… friends.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
I never thought of it like that. I always thought of you as a part of me, like my own eyes or my own hands. You don't go around thinking 'I love my eyes, I love my hands', do you? But think what it would be like to live without your eyes or your hands. To be mad, or to be blind. I can't talk about it. It's how I feel.
Elizabeth Marie Pope (The Perilous Gard)
Impertinent submissive,” Raoul snapped, and his dark brown eyes turned mean. “Nothing new for this one. You're doing a lousy job of bringing her to heel, Marcus.” “Bring me to heel? Like I'm a dog?” Without thinking, Gabi instinctively yanked away and snapped out, “Bite me.
Cherise Sinclair (Make Me, Sir (Masters of the Shadowlands, #5))
Her gaze met his, her blue eyes filled with confusion and terror – and love. If Julian hadn’t already been in love with her, that would have done it.
Pamela Clare (Hard Evidence (I-Team, #2))
I've always started every day by going to the window for a glimpse of the sky. But now I won't have to." "Why not?" She asked softly. "Because I'll see the blue of your eyes instead." "How romantic you are," she murmured with a grin, kissing him gently. "But don't worry. I won't tell anyone.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Oh, isn’t that sweet,” came Jackal’s loud, mocking voice... “Let’s make goo-goo eyes at each other in the middle of a stinking corpse field, how very romantic.
Julie Kagawa (The Forever Song (Blood of Eden, #3))
He caught her, and he held her, and he let her cry, and cry, and cry, and he let her use his sheets to wipe her eyes, and her nose, and God knows what, because he had plenty of clean sheets, and he only had one Kat.
Tara Janzen (Crazy Cool (Steele Street, #2))
Dust everywhere... and out of that emerged this beautiful boy with the bluest eyes I'd ever seen, holding his hand out to help me to my feet.
Marie Lu (Legend (Legend, #1))
I wish to stay drenched forever in those rain-blue eyes in those...soul-reaching crystals not moving a muscle nor breathing just savoring this turquoise ache against my heart.
Sanober Khan (Turquoise Silence)
She had that look again—taut jaw, pursed lips and angry eyes—the look her face assumed when her borderline personality had crossed the border.
L.M. Weeks (Bottled Lightning)
Sometimes the most worthwhile things are right in front of our eyes. We just make them hard because we think that gives them more value.
Karen Rose (Did You Miss Me? (Romantic Suspense, #14; Baltimore, #3))
Isabella Swan?” He looked up at me through his impossibly long lashes, his golden eyes soft but, somehow, still scorching. “I promise to love you forever—every single day of forever. Will you marry me?” There were many things I wanted to say, some of them not nice at all, and others more disgustingly gooey and romantic than he probably dreamed I was capable of. Rather than embarrass myself with either, I whispered, “Yes.” “Thank you,” he said simply. He took my left hand and kissed each of my fingertips before he kissed the ring that was now mine.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
I think you’re my hero,' she said. Only half-kidding. He stared at her, the picture of incredulity. 'Most people,' he said, 'think I am a very bad man.' She studied his eyes to try to find out if that bothered him. He didn’t seem bothered by them. He seemed discomfited by her. 'Well,' she said at last, 'maybe you’re a very good dragon.
Thea Harrison (Dragon Bound (Elder Races, #1))
You love me,” he said. “That’s all I need to know.” “You always say the right thing,” Savannah told him, her eyes so filled with love that he almost wept. “Sometimes it takes you awhile to get to it, but you always get there, and what you say is always worth waiting for.
Suzanne Brockmann (Out of Control (Troubleshooters, #4))
My kinky, foul-mouthed romantic gentleman lover.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
She wasn’t afraid of difficulties; what frightened her was being forced to choose one particular path. Choosing a path meant having to miss out on others. She had a whole life to live and she was always thinking that, in future, she might regret the choices she made now. ‘I’m afraid of committing myself,’ she thought to herself. She wanted to follow all possible paths and so ended up following none. Even in that most important area of her life, love, she had failed to commit herself. After her first romantic dissappointment, she had never again given herself entirely. She feared pain, loss and separation. These things were inevitable on the path to love, and the only way of avoiding them was by deciding not to take that path at all. In order not to suffer, you had to renounce love. It was like putting out your own eyes in order not to see the bad things in life.
Paulo Coelho (Brida)
He closes his eyes. Our lips brush lightly. "If you ask me to kiss you , I will," he says. His fingers stroke the inside of my wrists, and I burst into flames. "Kiss me," I say. He does.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Sorry,” he said. “Let me drop the belt-" “No.” She held on when he would have pulled away. “Don’t. I like it.” Again, he lifted her face, and he smiled. “The tool belt turns you on.” “No.” She closed her eyes and thunked her forehead to his chest. “Little bit.
Jill Shalvis (Simply Irresistible (Lucky Harbor, #1))
They sat on the outcropping of stone and at bread and fruit. Kasta watched the long grass moving around them. The wind pushed it, attacked it, struck it in one place than another. It rose and fell again. It flowed, like water. "Is this what the sea is like?" Kasta asked, and they both turned to her, surprised. "Does the sea move the way this grass moves?" “It's like the sea,” she said. Giddon’s eyes on her were incredulous. “What? Is it such a strange thing to say?” “It’s a strange thing for you to say.” He shook his head. He gathered their bread and fruit, then rose. “The Lienid fighter is filling your mind with romantic notions.
Kristin Cashore (Graceling (Graceling Realm, #1))
He’d stared into her eyes, dark with confusion and unwilling passion, and for one stark, horrible instant, he’d wished to be that different man. He’d wished to be worthy of her.
Anna Campbell (Midnight's Wild Passion)
I watched the edges of the leaves slowly unfold, fluttering in the breeze. "How long did you wait?" It would've been unbearably romantic if he'd had he courage to look into my face and say it, but instead, he dropped his eyes to the ground and scuffed his boot in the leaves- countless possibilities for happy days- on the ground. "I haven't stopped.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
You'd better be careful, they are going to revoke your vampire license if you get any more romantic and mushy." "Don't worry," Burnett said, his eyes pinched as if serious. "I can still be a jackass, and kick ass, when it's called for.
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
What if I say I can't bear to lose you?" A smile tugged at her lips. "I'd say you're a liar. That claims like that belong to romantic ninnies." She raised her hand and let her fingertips trace the line of his beautiful jaw. He closed his eyes. "We would go on, you and I. If I couldn't be queen, you would find a way to win this battle and save this country. You would make a sheltering place for my people. You would march an bleed and crack terrible jokes until you had done all you said you would. I suppose that's why I love you.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Hands. Cheeks. Eyes. Lips. Neck. Ears. Thighs. Heart. Soul. Ahh! the things I get to savor you with.
Sanober Khan
If you think your scars bother me, you're wrong. In my eyes, you're a hero. Your scars are just proof of that.
Pamela Clare (Skin Deep (I-Team, #5.5))
He clamped his eyes shut and waited for the pang of something he could no longer name to subside; it plucked at steel threads holding him together and reverberated through his system.
J. Rose Black (Losing My Breath)
Your eyes betray you. Your body even responds to mine no matter that you’re angry. You want me.
Setta Jay (Mercenary Princess (Mercenary Socialites #1))
I began to like New York, the racy, adventurous feel of it at night and the satisfaction that the constant flicker of men and women and machines gives to the restless eye. I like to walk up Fifth Avenue and pick out romantic women from the crowd and imagine that in a few minutes I was going to enter their lives, and no one would ever know or disapprove. Sometimes, in my mind, I followed them to their apartments on the corners of hidden streets, and they turned and smiled back at me before they faded through a door into warm darkness. At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others—poor young clerks who loitered in front of windows waiting until it was time for a solitary restaurant dinner—young clerks in the dusk, wasting the most poignant moments of night and life.
F. Scott Fitzgerald (The Great Gatsby)
What are they waiting to see?" Sam follows my gaze and I shrug. "Who knows? You could always do a dance, or tell a joke, or... kiss the bride?" "Not the bride," he wraps his arms around me, and gradually pulls me close. Our noses are practically touching. I can see right into his eyes. I can feel the warmth of his skin. "you." Me. "The girl who stole my phone." His lips brush across the corner of my mouth. "The thief." "It was in a bin." "Still stealing." "No it isn't-," I begin. But now his mouth is firmly on mine, and I can't speak at all. And suddenly, life is good.
Sophie Kinsella (I've Got Your Number)
I would be consumed by you,' she said, and blinked her eyes furiously when she felt them fill with tears. 'You would sap all the energy and all the joy from me. You would put out all the fire of my vitality.' 'Give me a chance to fan the flames of that fire,' he said, 'and to nurture your joy.
Mary Balogh (Slightly Dangerous (Bedwyn Saga, #6))
It would be nice to think that as I've got older times have changed, relationships have become more sophisticated, females less cruel, skins thicker, reactions sharper, instincts more developed. But there still seems to be an element of that evening in everything that happened to me since; all my other romantic stories seem to be a scrambled version of that first one. Of course, I have never had to take that long walk again, and my ears have not burned with quite the same fury, and I have never had to count the packs of cheap cigarettes in order to avoid mocking eyes and floods of tears... not really, not actually, not as such. It just feels that way, sometimes.
Nick Hornby (High Fidelity)
She doesn’t need the pack. She doesn’t need me.” I shot to my feet. “That’s not true,” I said hotly. He tilted his head a little, his eyes meeting mine. His eyes softened. “I misspoke,” he said in a steady voice. “She doesn’t need me to make sure she has enough food or a place to live-that is my privilege, but she doesn’t need me to do that. She doesn’t need me to keep her safe or to make her a whole person. She doesn’t need me to do anything except love her. Which I do.
Patricia Briggs (Fire Touched (Mercy Thompson, #9))
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
And when her eyes met mine, I felt something click, like a key turning in a lock. Believe me, I'm no romantic, and while I've heard about love at first sight, I've never believed in it, and I still don't. But even so, there was something there, something recognizably real, and I couldn't look away.
Nicholas Sparks (Dear John)
Sam…” “What?” she whispered. “Tell me what to do to fix it.” She shook her head and closed her eyes as though she couldn’t bear to see him. “You can’t fix it.” He had to. Failure here was not an option. “Let me try.
Kaylea Cross (No Turning Back (Suspense Series, #3))
The romantic chivalric tradition takes, or at any rate has in the past taken, the young man's eye off women as they are, as companions in shipwreck not guiding stars.
J.R.R. Tolkien (The Letters of J.R.R. Tolkien)
His gaze burned into mine, like he could see past my eyes into parts of me no one had ever seen, and I knew I was seeing the same in him. No one else had ever seen him so vulnerable before, like if I pushed him away, he might crumble into pieces that could never be put together again. Yet there was strength, too. He was strong beneath that fragile need, and I knew that I could never fall with him next to me. If I tripped, he would catch me. If I lost my balance, he would find it.
Rachel Vincent (Before I Wake (Soul Screamers, #6))
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
I can’t change the past, Tate. I wish I could, because I’d go back and relive every day that I existed without you, and I’d make sure that you smiled.” My eyes burned with regret, and I saw the pools in her beautiful blues, too. “Every minute of my future belongs to you.
Penelope Douglas (Until You (Fall Away, #1.5))
We have the same symptoms as tuberculosis, especially in the eyes of the Romantic Poets. Pale, tired, coughing up blood.” “That’s romantic?” I had to smile. “Romantic with a capital ‘R.’ You know, like Byron and Coleridge.” He gave a mock shudder. “Please, stop. I barely passed English Lit.” I snorted. “I didn’t have that option. One of my aunts took Byron as a lover.” “Get out.” “Seriously. It makes Lucy insanely jealous.” “That girl is . . .” “My best friend,” I filled in sternly. “I was only going to say she’s unique.
Alyxandra Harvey (My Love Lies Bleeding (Drake Chronicles, #1))
I love you," I whispered hoarsely. "You're my favourite person." The tears blurred in my eyes again. "And if you ever tell anyone I cried during this moment I will withhold sex for a year.
Samantha Young (Castle Hill (On Dublin Street, #3.5))
She looked into Matt's eyes. 'Even so, I love you.' Matt smiled at her and winked. 'I know.' Celeste and Julie both smacked him. 'This would be an appropriate time not to be a dork or a smartass,' Julie said. Celeste popped her head into the front seat. 'Be the hero, Matty. Come on. You're supposed to be the hero now. The romantic lead.' 'I know that, too,' he said. Matt did not hesitate a moment longer. 'Julie, I love you. I absolutely love you.' 'Good,' Celeste said, satisfied. 'Now it's time to jump.
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
It’s of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. Sentiment equals naïveté on this continent... ...Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naive and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.
David Foster Wallace (Infinite Jest)
Humans have a saying that "Beauty is in the eye of the beholder", which basically means that if you think it's beautiful, then it is beautiful. The elfin version of this saying was composed by the great poet B.O Selecta, who said "Even the plainest of the plain shall deign to reign", which critics have always thought was a bit rhymey. The dwarf version of this maxim is "If it don't stink, marry it", which is slightly less romantic, but the general gist is the same.
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
I wonder if you know yet that you’ll leave me. That you are a child playing with matches and I have a paper body. You will meet a girl with a softer voice and stronger arms and she will not have violent secrets or an affection for red wine or eyes that never stay dry. You will fall into her bed and I’ll go back to spending Friday nights with boys who never learn my last name. I have chased off every fool who has tried to sleep beside me You think it’s romantic to fuck the girl who writes poems about you. You think I’ll understand your sadness because I live inside my own. But I will show up at your door at 2 am, wild-eyed and sleepless. and try and find some semblance of peace in your breastbone and you will not let me in. You will tell me to go home.
Clementine von Radics
I stepped closer still. He closed his eyes again and covered my hand with his own. 'You smell of violets. You always smell of violets,' he said. 'You've no idea how many times I have walked these moors and smelled them and thought you were near. On and on I walked, following the scent of you, and you were never there. When I saw you in the hall tonight, I thought I had finally gone mad.
Deanna Raybourn (Silent on the Moor (Lady Julia Grey, #3))
Girl lithe and tawny, the sun that forms the fruits, that plumps the grains, that curls seaweeds filled your body with joy, and your luminous eyes and your mouth that has the smile of the water. A black yearning sun is braided into the strands of your black mane, when you stretch your arms. You play with the sun as with a little brook and it leaves two dark pools in your eyes.
Pablo Neruda
There was never an accident.Rebecca was not drowned at all. I killed her.I shot Rebecca in the cottage in the cove.I carried her body to the cabin, and took the boat out that night and sunk it there, where they found it today.It's Rebecca who's lying dead there on the cabin floor.Will you look into my eyes and tell me that you love me now?
Daphne du Maurier (Rebecca)
You love me?” My brain was mush and I wasn’t sure if it was from his words or the pain pill. Yes, I love you.” His eyes bored into mine. “ I love you.” I traced his cheek with my fingers. “Can you tell me again when I’m not on pain medicine?” “I’ll tell you every day.” “Maybe twice a day?” I felt my eyelids growing heavy. “A hundred times a day.
Nichole Chase (Suddenly Royal (The Royals, #1))
I need to explain all this to Adam in private. I can't get McGillicuddy to explain it to him. Something will be lost in translation." "Well, excuse me that I can't look at him all googly-eyed," my brother said. "And he's liable to punch you," I said.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Seth laughed when he saw me. “Hey,” I said, poking him with my foot, “be nice.” “I think this is the first time I’ve ever seen you look anything less than…” He paused, playing with word choice. “Well-planned.” “Why, you silver-tongued romantic devil. That is the look I usually go for. Other women go for sexy or chic or beautiful. But me? Well-planned all the way.” “You know what I mean. Besides, unplanned isn’t a bad look for you. Not bad at all.” His voice sounded deliciously low and dangerous, and something ignited between us as we held each other’s eyes.
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
Kiss me,” she said urgently. Sam’s eyes flickered with mild surprise. “Right now?” “Yes.” “What kind of kiss?” “What do you mean, what kind of kiss? Just a regular kiss.” “A friendly kiss, or a romantic kiss? Are we supposed to be going out together, or—“ “Oh, for heaven’s sake,” she exclaimed, and pulled his head down to hers.
Lisa Kleypas (Rainshadow Road (Friday Harbor, #2))
I’ve watched hundreds of deed transfers take place right here on the steps of the Registry,” Michele mused. “At those moments of transfer, I’ve seen in the eyes of desperate sellers an emotional reconciliation of irrevocably relinquishing a homestead, a treasured dominion, willingly or otherwise. Perhaps all these deeds, Mr. Geoffrey…perhaps they, too, have their own soul, a predilection that would tell me more than what they say if only I had the capacity to ask.
Tom Baldwin (Macom Farm)
All I want is someone decent.” She sniffled again, her eyes filling with tears. “You know? Kind. Good. Like in all those love stories I’m such an expert on. It can’t just be fiction. It can’t. Those guys are out there, I know it. I just can’t find them.” Those guys were out there. In fact, one was watching us right now, somewhere nearby. Keeping his distance, knowing she needed me to herself right then, but still, just outside the door.
Sarah Dessen (Saint Anything)
To love in any way is to be like a child—it means to be vulnerable, to be wide-eyed, to be selfless. There is no such thing as free love; love is the most costly expression in the world. To love romantically is to give of oneself fully and completely, a merging and meshing of souls so that the twain become a unity. It is to allow the sense of wonder to fully enrapture.
Ted Dekker (The Blood Book: Tales, Confessions and Rumors of the Worlds)
If I should die...," I began to say. Vincent cuts me off. "Stop, Kate!" And then he sighs and his shoulders hunch slightly. He knows it’s dishonest to pretend we’re all going to make it out alive. He shuts his eyes and, when he opens them, he looks resolute. “Whatever happens, remember that I will love you forever,” he says. “Even if my spirit is dispersed and my consciousness released to the universe . . . whatever is left of me will never stop loving you.
Amy Plum (If I Should Die (Revenants, #3))
I need to fall in love with a hopeless romantic. Someone who would tell me that my eyes are like the stars at night and how my morning bed hair looks like a windswept forest that dances whenever the sky cries every time the ocean quenches her thirst for love. Someone who believes in fate, destiny, and magic. Someone who believes that finding true love is a necessity to cope up with the sadness and agony that life brings. Someone who believes that I exist.
Juansen Dizon
I open my eyes. I want to know: what is in the abyss of a kiss? Are stars born in these black caves that house bated breaths and unspoken words? Do our souls crawl on these tender cheeks to greet one another by ivory gates? What happens when we kiss? Where do you go? Don’t tell me. For I have lost my desire to know. Kiss me so that I forget myself. I close my eyes and fall in the abyss.
Kamand Kojouri
Sicarius,” Amaranthe said quietly. He bent low, eyes toward her face. With the men laughing and talking up front, and the lorry clacking and chugging as the stack billowed black smoke into the air, this was scarcely a romantic spot. But maybe it did not matter. His response would not likely be to wrap her in his arms and kiss her. Whatever response he gave — if he gave one at all — she anticipated it would sting. “I…uhm…” Amaranthe forced herself to meet his gaze. “I love you.” A long moment passed. She did not remember breathing. Sicarius nodded infinitesimally. “I know.
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
Go out with me tomorow night," Perry went on. "Let me prove to you that I'm the guy you want." "I...I guess I coul go out tomorrow night," Miranda sounded shocked and a little swept off her feet. Then, from the corner of her eyes. Kylie saw something move at the office window. When she looked back, she spotted Burnett and Holiday standing there high-fiving each other. No doubt Burnett was listening to the coversation and sharing the details with Holiday. Perry nodded, stepped closer, and then pressed a quick kiss on Miranda's cheek. It had to be the most romantic thing Kylie had ever seen. ..."What?" Miranda asked. "You're happy my date [with Todd] wasn't exciting?" "No," Kylie said. "Let's just say we're more excited about tomorrow night's date." A bright smile lit up Miranda's face. "Me too. Can you believ Perry did that? I mean, he was so..." "Romantic," Kylie said. "Hot," Della added. "Sweet," Miranda whispered. "I couldn't stop thinkibng about him all night." And that was the best news Kylie had gotten all day.
C.C. Hunter (Taken at Dusk (Shadow Falls, #3))
It was dreadful, when she thought about it with the tiniest bit of hindsight, to admit this was the case. That a small part of herself was such a masochist, so enjoyed putting herself through all of this, that she liked hearing sad songs on the radio and staring gloomily out the window late at night. The tears in her eyes as she walked home of an evening, thinking about how much she loved him and how great they were together. It was so adolescent.
Harriet Evans (A Hopeless Romantic)
Gareth's eyes slipped open. “You make me nervous when you do that.” “Do what?” “Brood. Your brooding is rather loud.” “Oh please. I was hardly—” His eyebrow rose. “Fine. I was brooding. It's not like you don't.” “Mine is inherent to my romantic nature. Cloaks and castles.” Adele threw up her hands. “That's it. You are forbidden to look at any more cheap books about yourself.
Clay Griffith (The Rift Walker (Vampire Empire, #2))
She was forcing it with her scorn, the kiss she gave me, the hard curl of her lips, the mockery of her eyes, until I was like a man made of wood and there was no feeling within me except terror and a fear of her, a sense that her beauty was too much, that she was so much more beautiful than I, deeper rooted than I. She made me a stranger unto myself, she was all of those calm nights and tall eucalyptus trees, the desert stars, that land and sky, that fog outside, and I had come there with no purpose save to be a mere writer, to get money, to make a name for myself and all that piffle. She was so much finer than I, so much more honest, that I was sick of myself and I could not look at her warm eyes, I suppressed the shiver brought on by her brown arms around my neck and the long fingers in my hair. I did not kiss her. She kissed me, author of The Little Dog Laughed. Then she took my wrist with her two hands. She pressed her lips into the palm of my hand. She placed my hand upon her bosom between her breasts. She turned her lips towards my face and waited. And Arturo Bandini, the great author dipped deep into his colourful imagination, romantic Arturo Bandini, just chock-full of clever phrases, and he said, weakly, kittenishly, 'Hello.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
Gray. The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me. Gray...
Simona Panova (Nightmarish Sacrifice (Cardew))
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
As long as I can hear the sweet melody of your words, I need not; The angel’s secret, to be whispered in my ears As long as I can lace your silky fingers round my own, I need not; Pretty diamonds, nor big cash nor gold As long as I can watch the handsome sunshine of your face, I need not; Open skies, nor snowfall, nor the rain As long as I can gaze into the emeralds of your eyes, I need not; New colors, new wings or paradise As long as I can feel the tender tickle of your breath, I need not; The drifting wind, nor its call, nor caress As long as I can feel your soft lips upon mine, I need not; Melted sugar, nor the most expensive of wines As long as I can feel your warm body close to me I need not; A blanket, nor a bonfire's luxury As long as I can see you every morning I wake, I need not; A mirror, nor a cloud, nor shade As long as I can keep you in every petal of memories I need not: Dreams, nor desires, nor fantasies And as long as I can hold you in every moment that I breathe, I need not; Oxygen, nor blood, nor heartbeats.
Sanober Khan
Would you believe I was in the neighborhood?” “No." “Well, how about that I needed to see you.” “Why? Did one of my neighbors call and say my cat’s been stalking their bunny?” One corner of his mouth went up. “You know, that sounds like a euphemism. A kind of salacious one” “Ooh, big words for Mr. Average Joe street cop,” she said, knowing she sounded bitchy but unable to help it. “Can you take out the angry eyes, Mrs. Potato Head, and just let me talk to you?
Leslie Parrish (Cold Touch (Extrasensory Agents, #2))
The point I was trying to make before you interrupted with your inventory of my personality is that neither of us is going to be able to stay celibate for the next six months." She dropped her eyes. If only he knew that she'd stayed that way all her life. We'll be living in close quarters," he went on. "We're legally married, and it's only natural that we're going to get it on." Get it on? His bluntness reminded her that none of this meant anything to him emotionally, and contrary to all logic, she'd wanted to hear something romantic. With some pique, she said, "In other words, you expect me to keep house, work for the circus, and 'get it on' with you." He thought it over. "I guess that's about the size of it.
Susan Elizabeth Phillips (Kiss an Angel)
What?" he asked. "I don't know. Just thinking about flowers. And impressing people. I mean, how strange is it that we bring plant sex organs to people we're attracted to? What's up with that? It's a weird sign of affection." His dark eyes lit up, like he'd just discovered something surprising and delightful. "Is it any weirder than giving chocolate, which is supposed to be an aphrodisiac? Or what about wine? A 'romantic' drink that really just succeeds in lowering the other person's inhibitions." "Hmmm, It's like people are trying to be both subtle and blatant at the same time. Like, they won't actually go up and say, 'Hey, I like you, lets get together.' Instead, they're like, 'Here, have some plant genitalia and aphrodisiacs.
Richelle Mead (Storm Born (Dark Swan, #1))
You learn to forgive (the South) for its narrow mind and growing pains because it has a huge heart. You forgive the stifling summers because the spring is lush and pastel sprinkled, because winter is merciful and brief, because corn bread and sweet tea and fried chicken are every bit as vital to a Sunday as getting dressed up for church, and because any southerner worth their salt says please and thank you. It's soft air and summer vines, pine woods and fat homegrown tomatoes. It's pulling the fruit right off a peach tree and letting the juice run down your chin. It's a closeted and profound appreciation for our neighbors in Alabama who bear the brunt of the Bubba jokes. The South gets in your blood and nose and skin bone-deep. I am less a part of the South than it is part of me. It's a romantic notion, being overcome by geography. But we are all a little starry-eyed down here. We're Rhett Butler and Scarlett O'Hara and Rosa Parks all at once.
Amanda Kyle Williams
She had aged with style and beauty. In soft romantic lighting, I could still see the magnificent girl from Mexico who had saved me with her love. When the lighting was less sentimental and somewhat more revealing, she was perhaps even more magnificent. The years had added a velvety richness to her physical beauty, a resonance to her inner loveliness that made her even more spectacular. She was a woman in every sense of the word, yet so much of the young girl remained in those dark and lovely eyes it made you feel young again too.
Bobby Underwood (Just Beyond Love (Matt Ransom))
Ô, the wine of a woman from heaven is sent, more perfect than all that a man can invent. When she came to my bed and begged me with sighs not to tempt her towards passion nor actions unwise, I told her I’d spare her and kissed her closed eyes, then unbraided her body of its clothing disguise. While our bodies were nude bathed in candlelight fine I devoured her mouth, tender lips divine; and I drank through her thighs her feminine wine. Ô, the wine of a woman from heaven is sent, more perfect than all that a man can invent.
Roman Payne
After you were bitten, I knew what would happen. I waited for you to change, every night, so I could bring you back and keep you from getting hurt." A chilly gust of wind lifter his hair and sent a shower of golden leaves glimmering down around him. He spred out his arms, letting them fall into his hands. He looked like a dark angel in an eternal autumn wood. "Did you know you get one happy day for everyone you catch?" I didn't know what he meant, even after he opened his fist to show me the quivering leaves crumpled in his palm. One happy day for every falling leaf you catch." Sam's voice was low. I watched the egdes of the leaves slowly unfold, fluttering in the breeze."How long did you wait?" It would have been romantic if hr'd had the courage to look into my face to say it, but instead, he dropped his eyes to the ground and scuffed his boots in the leaves- countless possibilities for happy days- on the ground. "I haven't stopped." And I should've said something romantic too, but i didn't have the courage, either. So instead, I watched the shy way he was chewing his lip and studying the leaves, and said, "That must've been very borring.
Maggie Stiefvater
He was now beginning to wonder whether the jigsaw was the correct metaphor for relationships between me and women after all. It didn't take account of the sheer stubbornness of human beings, their determination to affix themselves to another even if they didn't fit. They didn't care about jutting off at weird angles, and they didn't care about phone booths and Mary, Queen of Scots. They were motivated not by seamless and sensible matching, but by eyes, mouths, smiles, minds, breasts and chests and bottoms, wit, kindness, charm, romantic history and all sorts of other things that made straight edges impossible to achieve.
Nick Hornby (Juliet, Naked)
A true romantic will break the rules for the right reasons. He will not conform to the ideals bestowed upon him by society. Instead he will fight for a climate of freedom that allows him to pursue and obtain his heart's true yearning. He will appear incorrect in his upright form, but such perception only through the eyes of those travelling under the hypnotic notion of social paradigms. Do not judge he who is breaking the rules, rather try to understand his motivations. If his intent is pure then his fight is not in vain.
Nicole Bonomi
Seriously, why do you read that crap?" asked the girl. Book Boy snapped his volume shut and removed his glasses from his nose. "I speak the truth! In all of these books the girls are throwing themselves at the romantic heroes- romantic heroes who are dead, ho drink human blood. Be of good cheer, my brothers, for I tell you there is hope!" One of the other guys, a large black chap, rolled his lone eye. "Okay, you're cut off. Someone get him a cookbook or something." "Or, you know, some fair damsel to seduce," the girl said, looking up from her reflection.
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
Charlotte: Giordano is terribly afraid Gwyneth will get everything wrong tomorrow that she can get wrong. Gideon: Pass the olive oil, please. Charlotte: Politics and history are a closed book to Gwyneth. She can’t even remember names—they go in at one ear and straight out of the other. She can’t help it, her brain doesn’t have the capacity. It’s stuffed with the names of boy bands and long, long cast lists of actors in soppy romantic films. Raphael: Gwyneth is your time-traveling cousin, right? I saw her yesterday in school. Isn’t she the one with long dark hair and blue eyes? Charlotte: Yes, and that birthmark on her temple, the one that looks like a little banana. Gideon: Like a little crescent moon. Raphael: What’s that friend of hers called? The blonde with freckles? Lily? Charlotte: Lesley Hay. Rather brighter than Gwyneth, but she’s a wonderful example of the way people get to look like their dogs. Hers is a shaggy golden retriever crossbreed called Bertie. Raphael: That’s cute! Charlotte: You like dogs? Raphael: Especially golden retriever crossbreeds with freckles. Charlotte: I see. Well, you can try your luck. You won’t find it particularly difficult. Lesley gets through even more boys than Gwyneth. Gideon: Really? How many . . . er, boyfriends has Gwyneth had? Charlotte: Oh, my God! This is kind of embarrassing. I don’t want to speak ill of her, it’s just that she’s not very discriminating. Particularly when she’s had a drink. She’s done the rounds of almost all the boys in our class and the class above us . . . I guess I lost track at some point. I’d rather not repeat what they call her. Raphael: The school mattress? Gideon: Pass the salt, please.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
What would happen if I tried to escape?" I asked. I didn't see anyone else. If I outran Loki, I could probably get away. Not that I knew where to go, and I still wouldn't be able to free Matt and Rhys. "I would stop you," he replied simply. "The same way Kyra did at my house?" A pain flared up in my ribs, as if reminding me of the damage she'd caused/ "No." Something dark flickered across his face for a second. He quickly erased it and smiled at me. "I would simply take you in my arms and hold you there until you swooned." "It sounds romantic when you say it that way." I wrinkled my nose, remembering how he'd made me pass out by staring into my eyes. It hadn't been painful, but it hadn't exactly been pleasant either. "It is when I envision it.
Amanda Hocking (Torn (Trylle, #2))
I used to rush into strange dreams at night: dreams many-coloured, agitated, full of the ideal, the stirring, the stormy--dreams where, amidst unusual scenes, charged with adventure, with agitating risk and romantic chance, I still again and again met Mr. Rochester, always at some exciting crisis; and then the sense of being in his arms, hearing his voice, meeting his eye, touching his hand and cheek, loving him, being loved by him--the hope of passing a lifetime at his side, would be renewed, with all its first force and fire. Then I awoke. Then I recalled where I was, and how situated. Then I rose up on my curtainless bed, trembling and quivering; and then the still, dark night witnessed the convulsion of despair, and heard the burst of passion.
Charlotte Brontë (Jane Eyre)
Along with romantic love, she was introduced to another–physical beauty. Probably the most destructive ideas in the history of thought. Both originated in envy, thrived in insecurity, and ended in disillusion. In equating physical beauty with virtue, she stripped her mind, bound it, and collected self-contempt by the heap. She forgot lust and simple caring for. She regarded love as possessive mating, and romance as the goal of the spirit. It would be for her a well-spring from which she would draw the most destructive emotions, deceiving the lover, and seeking to imprison the beloved, curtailing freedom in every way.
Toni Morrison (The Bluest Eye)
His dark eyes were on the road ahead, thoughtful. “No. I was hoping to go back to Tucson and see if I could get this hot chick I know to go out with me. I hear she’s in demand, though. She keeps putting me off each time I try to plan something romantic.” “Yeah, well, maybe if you come up with a good itinerary, you could lure her out.” “I was thinking dinner at Joe’s.” I made a face. “If that’s the case, maybe you’d better brace yourself for rejection.” “Red Pepper Bistro?” “Okay. Now you’re in the zone.” “Followed by a long massage in the sauna.” “That’s pretty good too.” “And then indecent things in the sauna.” “I hope you mean you’ll be doing the indecent things—because I more than did my share last night.” Kiyo glanced over at me with a mischievous grin. “Who says I’m talking about you?
Richelle Mead (Thorn Queen (Dark Swan, #2))
But I have one want which I have never yet been able to satisfy; and the absence of the object of which I now feel as a most severe evil. I have no friend, Margaret: when I am glowing with the enthusiasm of success, there will be none to participate my joy; if I am assailed by disappointment, no one will endeavour to sustain me in dejection. I shall commit my thoughts to paper, it is true; but that is a poor medium for the communication of feeling. I desire the company of a man who could sympathise with me; whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend. I have no one near me, gentle yet courageous, possessed of a cultivated as well as of a capacious mind, whose tastes are like my own, to approve or amend my plans. How would such a friend repair the faults of your poor brother!
Mary Wollstonecraft Shelley (Frankenstein)
Cabal regarded her with mild amusement. “Smile when you whisper,” he advised her. “You’re supposed to be flirting with me, if you recall?” She stared at him icily. Then suddenly her expression thawed and she smiled winsomely, her eyes dewy with romantic love. “Oh, sweetheart… somebody tried to kill you? Whosoever would do such a thing to my nimpty-bimpty snookums?” Cabal could not have been more horrified if she’d pulled off her face to reveal a gaping chasm of eternal night from which glistening tentacles coiled and groped. That had already happened to him once in his life, and he wasn’t keen to repeat the experience. “What?” he managed in a dry whisper. “Smile when you whisper,” she said, her expression fixed and blood-curdlingly coquettish. You’re supposed to be flirting with me, remember?” “Please don’t do that.
Jonathan L. Howard (Johannes Cabal the Detective (Johannes Cabal, #2))
My heart races and I look away. “Well I care. So, write it down. For nine weekends and eight thousand dollars, what's yours is mine including your friends.” I throw in a little sarcastic eye flutter. “We're going to be so head-over-heels-in-love. I can't wait to see how romantic you are!” “Oh no. I refuse to be your kind of bumper-sticker-romantic. Don't mistake me for Mr. Darcy.” I gasp. “You don't know Hunger Games or Forks, Washington, but you know Mr. Darcy? Start talking.” “Crap! My grandmother's a fan. She's tortured me since birth with Mr. Darcy. Thanks to her DVD collection, I can quote Jane Austen faster than the Elmo song.” I laugh, surprised again. “Prove it.” “Elizabeth, daaarling!” He's launched into a breathless English accent. “I love, love, love you, and I never want to be parted from you from this day forward. Pardon me, whilst I puke…” “No way!” I beam. “Let the contract state that I want the Mr. Darcy accent once a week!” I can't help but laugh again because he's shaking his head and laughing back.
Anne Eliot (Almost)
Ella.” I jump when his warm hand covers mine, and then his head moves to rest on my shoulder. His soft hair tickles my bare skin, and I force myself not to run a comforting hand through it. He doesn’t deserve comfort right now. “You can’t leave,” he whispers, his breath fanning over my neck. “I don’t want you to go.” He kisses my shoulder, but there’s nothing sexual about it. Nothing romantic in the way his hand tightens over my knuckles. “You belong with us. You’re the best thing that ever happened to this family.” Surprise filters through me. Okay. Wow. “You’re ours,” Easton mumbles. “I’m sorry about tonight. I really am, Ella. Please…don’t be mad at me.” My anger melts away. He sounds like a lost little boy, and I can’t stop myself from stroking his hair now. “I’m not mad. But dammit, Easton, the gambling needs to stop. I might not be there to bail you out next time.” “I know.” He groans. “You shouldn’t have had to bail me out tonight. I promise I’ll pay you back, every last cent. I…” He lifts his head and presses a kiss to my cheek. “Thank you for doing that. I mean it.” Sighing, I turn my eyes back to the road. “You’re welcome.
Erin Watt (Paper Princess (The Royals, #1))
Adam ” Lori called loudly enough for me to hear her but not so loud that her voice would carry up to my mom in the marina office- or to her dad who might be listening from their screened porch facing the water. “I came over to get some tips from the boys about teaching Tammy and Rachel to board. Of course I did not come over here to see you. How could you think such a thing That would be disobedient.” I held up the wax. “For my own disobedience I have to buff the boat. Then I’m going for a jog.” She tilted her head. Probably her eyes widened but I couldn’t see them behind her sunglasses. I hated not being able to see her eyes. She asked “In this heat?” I didn’t mind jogging in the heat. The heat was a big friendly animal that liked to wrestle and only occasionally sat on me until I lost my breath. Anyway she was missing the point. I repeated carefully ”I am GOING for a JOG.” “I HEARD you the FIRST time ” she said. “It’s late afternoon in the middle of June. It’s ninety-five degrees out here.” “He means he’s GOING for a JOG” Rachel and Tammy said at the same time. “He’s GOING for a JOG.” Lori still didn’t get it. Normally her blondeness was one of the things I loved about her. At the moment not so much. Exasperated Cameron told her “Adam wants you to go for a jog too.” She said “Oh ” “If you two airheads have to hook up secretly for very long ” Sean said “you’re not going to make it.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
In my living room there are two large bookcases, each one eight feet tall, and they have about five hundred books between them. If I step up to a shelf and look at the books one by one, I can remember something about each. As a historian once said, some stare at me reproachfully, grumbling that I have never read them. One may remind me vaguely of a time when I was interested in romantic novels. An old college text will elicit a pang of unhappiness about studying. Each book has its character, and even books I know very well also have this kind of wordless flavor. Now if I step back from the shelf and look quickly across both bookcases I speed up that same process a hundredfold. Impressions wash across my awareness. But each book still looks back in its own way, answering the rude brevity of my gaze, calling faintly to me out of the corner of my eye. At that speed many books remain wrapped in the shadows of my awareness--I know I have looked past them and I know they are there, but I refuse to call them to mind.
James Elkins (The Object Stares Back: On the Nature of Seeing)
most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Our romantic lives are fated to be sad and incomplete, because we are creatures driven by two essential desires which point powerfully in entirely opposing directions. Yet what is worse is our utopian refusal to countenance the divergence, our naive hope that a cost-free synchronisation might somehow be found: that the libertine might live for adventure while avoiding loneliness and chaos. Or that the married Romantic might unite sex with tenderness, and passion with routine.” “Infatuations aren’t delusions. That way a person has of holding their head may truly indicate someone confident, wry and sensitive; they really may have the humour and intelligence implied by their eyes and the tenderness suggested by their mouth. The error of the infatuation is more subtle: a failure to keep in mind the central truth of human nature that everyone – not merely our current partners, in whose multiple failings we are such experts – but everyone will have something substantially and maddeningly wrong with them when we spend more time around them, something so wrong as to make a mockery of those initially rapturous feelings. The only people who can still strike us as normal are those we don’t yet know very well. The bet cure for love is to get to know them better.
Alain de Botton (The Course of Love)
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time." And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer. Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. " ... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)