Exterior Door Quotes

But in every way, the shared metaphors we use of female access to power - 'knocking on the door', 'storming the citadel', 'smashing the glass ceiling', or just giving them a 'leg up' - underline female exteriority. Women in power are seen as breaking down barriers, or alternatively as taking something to which they are not quite entitled.

The elevator resembles a birdcage. The tall, ornate kind - all thin bars and gilded exterior. I even think of birds as I step inside. Exotic and bright and lush. Everything I'm not.

I got a demerit, professor." There was a kind of naughty amusement in her eyes that I found myself really liking. I smiled slowly. "Why did you do, Miss Dearly?" "She henpecked Elpinoy in a most spectacular fashion," Renfield offered. "I think at one point she was actually hanging on his back." Nora made a sound of annoyance. "Alas, I was looking at a computer screen with Dr. Samedi at the time, and thus I'm afraid that neither of us can vouch for this with certainty." The laughter bubbled out of me before I could hold it back. "Were you?" I asked her. "Define 'hanging.'" "Bra,." Elpinoy appeared in one of the lab doorways. He gestured to the exterior doors. "Take her out. Now. Never in my life have I encountered such a little-" "Lady?" I asked, trying to keep a straight face. "Out." "'Phone call,'" Nora said, affecting his tone of voice and looking right at him. "'Let-ter.'" "Not until Wolfe orders it!" Elpinoy marched into his lab again and slammed the door behind him. Nora stood up, her skirt bouncing a bit atop its puffy petticoat. "That man is an infuriating ponce." "And you're an excellent judge of character.

Where are we—” Kyungsoo yelps as Jongin practically throws him over the window pane of a filthy-rich looking convertible, a treacherous little thing parked up against the curb, all black exteriors and plush white interiors, not even bothering to open the door, “going?” “To see fireflies,” Jongin says muffling coughs in his sleeves, and it’s only when Kyungsoo buckles up and looks over does he realize that the boy is grinning from ear to ear, “Real ones.

Perceptive people like you wound more easily than others. But if we’re going to work on God’s side, we have to decide to open our hearts to the griefs and pain all around us. It’s not an easy decision. A dangerous one too. And a tiny narrow door to enter into a whole new world. But in that world a great experience waits for us: meeting the One who’s entered there before us. He suffers more than any of us could because His is the deepest emotion and the highest perception…He doesn’t just leave us and Himself in the anguish. At the point where His ultimate in love meets His total capacity to absorb and feel all our agony, there the miracle happens and the exterior situation changes. I’ve seen that miracle

...apparently there was an expiration date on grief. It was like an exterior door closing; once it shut and you were in the dark, you were supposed to forget how much you missed the light

There are webs of complexity that tie everything together, and they are more numerous than the stars in the night sky. At the moment of self-organization of the bacterial membrane, complex feedback loops, both interoceptive and exteroceptive, immediately formed. Information from both locations began traveling in a huge, never-ending river composed of trillions upon trillions of bytes of data to the self-organized, more-than-the-sum-of-the-parts living system that had come into being. The system began, in that instant of self-organization, to modulate both its interior and exterior worlds in order to maintain its state. It began to modulate its environment.

indication of any kind of violence whatsoever, just scratches on the exterior doors near the bottom of the wood, no doubt from the little mutt of a dog that was missing, though there was still water in a dish on the floor. Through

He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on. In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung. Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect. From the beginning, his musical peers have recognized Cohen´s ability to establish succinct analogies among life´s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.

The Abandoned Did you ever wonder Why abandoned houses looked so sad Much like the people Their exterior was only for the function We would not feel so sad If we recognized That the spirit of the house Had already moved on The dream remained

What you intend when you approach something in the world determines, to varying extents, the degree of sensory gating that occurs as you perceive that phenomenon. Intent, task demands, cognitive template, and gating defaults all affect what you sensorally perceive when a part of the exterior world and you meet. More colloquially, all of us see what we expect to see.

If you are a millionaire beset by blackmailers or anyone else to whose comfort the best legal advice is essential, and have decided to put your affairs in the hands of the ablest and discreetest firm in London, you proceed through a dark and grimy entry and up a dark and grimy flight of stairs; and, having felt your way along a dark and grimy passage, you come at length to a dark and grimy door. There is plenty of dirt in other parts of Ridgeway's Inn, but nowhere is it so plentiful, so rich in alluvial deposits, as on the exterior of the offices of Marlowe, Thorpe, Prescott, Winslow and Appleby. As you tap on the topmost of the geological strata concealing the ground-glass of the door, a sense of relief and security floods your being. For in London grubbiness is the gauge of a lawyer's respectability.

Not Everything Can Be Hidden Some nice accessories makeup and a new outfit won't hide how abused i've been And a large house glass doors and a nice little garden can't hide how broken this family is Just because something has a nice expensive new looking exterior doesn't mean the interior isn't broken and bent Not everything can be hidden behind a pair of nice glass doors, you know. after all The doors are transparent and so are the people trying to hide behind them

It was difficult to go to one of my favorite Asian restaurants alongside the southern section of the square. All around the front door, the exterior of the building looked like it’d had a bad case of acne due to pitting—but the small round holes were from bullets.

It’s a common misconception that places that have suffered psychic trauma must look sinister, too, with gaping windows, creaking doors, and walls twisted subtly out of shape. As with people, so with houses—a smiling, innocuous exterior can conceal the blackest heart, and

Watching as Ryanne slides her pencil across the page. it looks like she is drawing a bird cage. inside the cage is a small detailed bird. the door of the bird cage is hanging open. Cursive writing wraps around the exterior of the cage. i lean closer a little to see what she wrote: if you love something, set it free..

All known great religions have had an exoteric aspect, that is, exterior, profane, for the masses of believers, and another esoteric, for a restricted select minority of initiates. So it was with the Egyptian and Greek cults. Those ignorant people who pompously speak to us about Aristotle, Socrates, Plato and the 'rational thought of the Greeks' ignore the fact that behind their ideas one finds the Eleusinian Mysteries of Delphi and elsewhere, in which these same philosophers, above all Plato, Aeschylus, Euripides took part, though they could not speak of it in public. The Orphic cults and mythology are the foundation of the philosophical thought of Ancient Greece. The word esoteric itself comes from the Greek work eisoteo and means 'to enter into' and 'to open a door' (towards the Gods: Theo, eiso-theo).

Unfortunately, most researchers studying gating dynamics in children are, as with “schizophrenia,” focused on “normal” versus “abnormal” gating. And all children are expected to fit into the defined “normal” range of behavior. Sensory gating dynamics outside that culturally determined “norm” are defined as abnormal and researchers note that Individuals with these characteristics have been classified as having sensory processing deficits (SPD). Such behaviors disrupt an individual’s ability to achieve and maintain an optimal range of performance necessary to adapt to challenges in life. The manifestations of SPD may include distraction, impulsiveness, abnormal activity level, disorganization, anxiety, and emotional lability that produce deficient social participation, insufficient self-regulation and inadequate perceived competence.1 Those terms, if you look at them more closely, are exterior, “authority” generated terms; they relate directly to the paradigm in place in those authorities. They really don’t have much to say about the interior experience of the children so labeled.

That settled, the number of chapels, doors, bell towers, and pinnacles are modified to infinity, according to the fancy of the century, the people, and art. The service of religion once assured and provided for, architecture does what she pleases. Statues, stained glass, rose windows, arabesques, denticulations, capitals, bas-reliefs,—she combines all these imaginings according to the arrangement which best suits her. Hence, the prodigious exterior variety of these edifices, at whose foundation dwells so much order and unity. The trunk of a tree is immovable; the foliage is capricious.

My darling wife,” he murmured softly, “ ’tis probable that I shall be most heavily set upon within the next few moments. The front door, as solid as it is, cannot be properly defended, and they will come before long to ram it down. ’Twould please me much if you…” Erienne’s head was already shaking before he finished. Strangely she experienced no fright, no fear. She was in her home, and a grim determination lay beneath her composed exterior. “I will stay with you.” She tapped the pistol with the tip of her finger and informed him bluntly, “The man who harms you will not live out the day. I will see to that.” There was a level sternness in her gaze that made Christopher glad she was his wife and not a foe. -Christopher & Erienne

My hair floated out around me with the evening breeze, and Romeo caught a strand of it before he opened the door to the car. “You really do look beautiful,” he murmured, dipping his head low. “Thanks,” I said against his lips. His kiss ignited instant desire inside me. Even though I spent last night with him, and the night before, I missed him terribly. I felt like we hadn’t had enough alone time. I wanted more. I wanted so much more. He groaned and pulled back. “Let’s get this dinner over with,” he said grumpily. “I want to spend some time alone with you.” “You read my mind.” “Now that the season is over, we’ll have more time together.” “Want to just go to Taco Bell and hide at your place?” I asked when he slid into the driver’s seat. He laughed. The sound filled the interior of the car. “Why, Rimmel,”— he pressed a hand to his chest like he was scandalized—“ are you suggesting we stand up my mother?” I giggled. “I knew it,” he drawled. “Underneath that sweet exterior lies the heart of a baddie baddie.” I laughed out loud. “A baddie baddie?” “Like totally,” he said in a valley girl voice and pretended to flip the long hair he didn’t have. God, I loved him. “So what do you say?” I taunted as I smiled. “Want to play hookie?” He groaned. “I’d love to, baby, but we can’t.” I stuck out my tongue. “Watch what you do with that thing, baby girl.” “Yeah? Or what?” I challenged. “Or we might be late and I might mess up the perfect hair and makeup you got going on.” His eyes twinkled and he fake gasped as he put the car in gear. “Just what would mother say?

To the door of an inn in the provincial town of N. there drew up a smart britchka—a light spring-carriage of the sort affected by bachelors, retired lieutenant-colonels, staff-captains, land-owners possessed of about a hundred souls, and, in short, all persons who rank as gentlemen of the intermediate category. In the britchka was seated such a gentleman—a man who, though not handsome, was not ill-favoured, not over-fat, and not over-thin. Also, though not over-elderly, he was not over-young. His arrival produced no stir in the town, and was accompanied by no particular incident, beyond that a couple of peasants who happened to be standing at the door of a dramshop exchanged a few comments with reference to the equipage rather than to the individual who was seated in it. "Look at that carriage," one of them said to the other. "Think you it will be going as far as Moscow?" "I think it will," replied his companion. "But not as far as Kazan, eh?" "No, not as far as Kazan." With that the conversation ended. Presently, as the britchka was approaching the inn, it was met by a young man in a pair of very short, very tight breeches of white dimity, a quasi-fashionable frockcoat, and a dickey fastened with a pistol-shaped bronze tie-pin. The young man turned his head as he passed the britchka and eyed it attentively; after which he clapped his hand to his cap (which was in danger of being removed by the wind) and resumed his way. On the vehicle reaching the inn door, its occupant found standing there to welcome him the polevoi, or waiter, of the establishment—an individual of such nimble and brisk movement that even to distinguish the character of his face was impossible. Running out with a napkin in one hand and his lanky form clad in a tailcoat, reaching almost to the nape of his neck, he tossed back his locks, and escorted the gentleman upstairs, along a wooden gallery, and so to the bedchamber which God had prepared for the gentleman's reception. The said bedchamber was of quite ordinary appearance, since the inn belonged to the species to be found in all provincial towns—the species wherein, for two roubles a day, travellers may obtain a room swarming with black-beetles, and communicating by a doorway with the apartment adjoining. True, the doorway may be blocked up with a wardrobe; yet behind it, in all probability, there will be standing a silent, motionless neighbour whose ears are burning to learn every possible detail concerning the latest arrival. The inn's exterior corresponded with its interior. Long, and consisting only of two storeys, the building had its lower half destitute of stucco; with the result that the dark-red bricks, originally more or less dingy, had grown yet dingier under the influence of atmospheric changes. As for the upper half of the building, it was, of course, painted the usual tint of unfading yellow. Within, on the ground floor, there stood a number of benches heaped with horse-collars, rope, and sheepskins; while the window-seat accommodated a sbitentshik[1], cheek by jowl with a samovar[2]—the latter so closely resembling the former in appearance that, but for the fact of the samovar possessing a pitch-black lip, the samovar and the sbitentshik might have been two of a pair.

The house was squashed like a mushroom by a thatched roof that hung far out over the walls. A pair of windows sparkled on either side of a rounded, heavy wooden door. There was nothing particularly creepy or witch-ish about it at all, except for maybe some leeks that grew on the roof around the higgledy-piggledy chimney (out of which wafted a lovely, homey-smelling smoke). Next to the cottage was a small fenced-in kitchen garden, and even in the low light Rapunzel could see it wasn't given over just to herbs and vegetables. Tall rockets of flowers and pretty, feathery foliage shot colorfully out of the corners. There was even a neat flagstone path that led up to the front door. "Witch?" Flynn asked, skeptical. "Or, like... crunchy earth mother type who drinks herbal teas and pretends the goddess speaks to her?

So, let’s reorient from exterior to interior. “Distraction” then becomes boredom; “impulsiveness” becomes self-generated explorative behavior based on what captures interest; “abnormal activity level” is thus high-energy levels generating multiple task interests; “disorganization” is failure to follow rigid organizational regimens set by others; “anxiety”—well, we all know that one: what the hell kind of world did I get born into?; “emotional lability” is, in fact, a wide range of emotions that are accessed when adults or the exterior culture don’t want them to be. In other words, should you have ever read Mark Twain, what is being described is “Tom Sawyer syndrome,” a once common state of being in many if not most children. The more widely open the sensory gating channels are, the more the child’s behavior alters from what is currently held to be the cultural norm in the West. On average, some

. It took us both — and Mom, too, and just about everybody in town — a long time to accept the fact that he and his wife had done such evil things. Though he wasn’t evil through and through, or else why would he have saved my life? I don’t think anyone is evil beyond saving. Maybe I’m like Dad that way: naive. But better naive, I think, than calloused to the core. It dawned on me sometime later about Dr. Dahninaderke and his nightly vigils at the shortwave radio. I firmly believe he was listening to the foreign countries for news on who else in the Nazi regime had been captured and brought to justice. I believe that under his cool exterior he lived in perpetual terror, waiting for that knock on the door. He had delivered agonies, and he had suffered them, too. Would he have killed me once he had that green feather in his fist, as he and Kara had tortured and killed Jeff Hannaford over blackmail money? I honestly don’t know. Do you?

A real house with a copper pot for making jam, and sugar cookies in a metal box hidden deep inside a dresser. A long farmhouse table, thick and homey, and cretonne curtains. She smiled. She had no idea what cretonne was, or even if she'd like it, but she liked the way the words went together: cretonne curtains. She'd have a guest room and- who knows- maybe even some guests. A well-kept little garden, hens who'd provide her with tasty boiled eggs, cats to chase after the field mice and dogs to chase after the cats. A little plot of aromatic herbs, a fireplace, sagging armchairs and books all around. White tablecloths, napkin rings unearthed at flea markets, some sort of device so she could listen to the same operas her father used to listen to, and a coal stove where she could let a rich beef-and-carrot stew simmer all morning along. A rich beef-and-carrot stew. What was she thinking. A little house like the ones that kids draw, with a door and two windows on either side. Old-fashioned, discreet, silent, overrun with Virginia creeper and climbing roses. A house with those little fire bugs on the porch, red and black insects scurrying everywhere in pairs. A warm porch where the heat of the day would linger and she could sit in the evening to watch for the return of the heron.

But if you, like poor old Rolling Stone’s nonprofessional, have come to a point on the Trail where you’ve started fearing your own cynicism every bit as much as you fear your credulity and the salesmen who feed on it, you’re apt to find your thoughts returning again and again to a certain dark and box-sized cell in a certain Hilton half a world and three careers away, to the torture and fear and offer of reprieve and a certain Young Voter named McCain’s refusal to violate a Code. There were no techs’ cameras in that box, no aides or consultants, no paradoxes or gray areas; nothing to sell. There was just one guy and whatever in his character sustained him. This is a huge deal. In your mind, that Hoa Lo box becomes sort of a dressing room with a star on the door, the private place behind the stage where one imagines “the real John McCain” still lives. And but now the paradox here is that this box that makes McCain “real” is: impenetrable. Nobody gets in or out. That’s why, however many behind-the-scenes pencils get put on the case, be apprised that a “profile” of John McCain is going to be just that: one side, exterior, split and diffracted by so many lenses there’s way more than one man to see. Salesman or leader or neither or both: the final paradox—the really tiny central one, way down deep inside all the other campaign puzzles’ spinning cubes and squares and boxes that layer McCain—is that whether he’s “for real” depends now less on what’s in his heart than on what might be in yours. Try to stay awake.

Engine room fire alarm’?” Rusty said. There was a moment of confusion before it kicked in. “ENGINE ROOM FIRE ALARM?” * * * “What the hell is that sound?” Harvey Tharpe said, rubbing his eyes as he opened the cabin door. Being on this yacht was better than being on the lifeboat but not much. They were packed in like sardines. There was food but being woken up in the middle of the night by a blaring “Squeee! Squeee! ” was not his idea of fun. The former businessman had been “robust” before being cast adrift on a lifeboat in a zombie apocalypse. He still had his height and some solidity. So he was more than a bit surprised when the short, blonde skipper of the boat, wearing not much more than a camisole and panties smashed him out of the way like an NFL linebacker on her way aft. “MOVE PEOPLE!” the boat captain shouted, continuing to hammer her way through the crowd of refugees. * * * “Fuck a freaking duck,” Sophia said, opening the door to the engine compartment. The smoke wasn’t so bad she needed a respirator but it was bad. And they were dead in the water. All the power except the shrieking alarm was out. She threw the main battery disconnect, then picked up one of the industrial fire extinguishers and played it over the exterior of the main breakers which were the source of the fire. “Skipper?” Paula said, picking another one up. “We need to get it open before we use them all up,” Sophia said, putting her hand on the extinguisher. “Get Rusty to get all the passengers up, out and on the sundeck.” She slid one hand into a rubber glove and popped open the main breaker panel. The whole thing was smoldering so she played the rest of the fire extinguisher over it until it was cold. A tick checker showed that the whole thing was electrically cold as well. Now if only the batteries hadn’t discharged their whole load into the panel and killed themselves as well. “What can I do, Skipper?” Patrick said groggily. The “engineer” was wearing not much more than the skipper. “Get a hand-held,” Sophia said. “See if there’s a sub in range. Tell them we had a major electrical fire. Fire is under control. No power at this time. May be repairable but we may need assistance. Don’t at this time but may. Got it? Do not call mayday or PON-PON. Do not.” “Got it, Skipper,” Patrick said. “And get these people the HELL OUT OF MY ENGINE COMPARTENT!

It's when I unlock the door and walk inside that the truth of my home life hits the hardest. That's where the shadows live, behind the closed doors and draped windows of houses that look like everyone else's. Skulk past the white-washed exterior and you'll find the rot fast enough. But most don't care to dig even that deep. They may smell the decay, but they don't want to deal with the reality.

We had been looking at some land adjoining the zoo and decided to purchase it in order to expand. There was a small house on the new property, nothing too grand, just a modest home built of brick, with three bedrooms and one bathroom. We liked the seclusion of the place most of all. The builder had tucked it in behind a macadamia orchard, but it was still right next door to the zoo. We could be part of the zoo yet apart from it at the same time. Perfect. “Make this house exactly the way you want it,” Steve told me. “This is going to be our home.” He dedicated himself to getting us moved in. I knew this would be our last stop. We wouldn’t be moving again. We laid new carpet and linoleum and installed reverse-cycle air-conditioning and heat. Ah, the luxury of having a climate-controlled house. I installed stained-glass windows in the bathroom with wildlife-themed panes, featuring a jabiru, a crocodile, and a big goanna. We also used wildlife tiles throughout, of dingoes, whales, and kangaroos. We made the house our own. We worked on the exterior grounds as well. Steve transplanted palm trees from his parents’ place on the Queensland coast and erected fences for privacy. He designed a circular driveway. As he laid the concrete, he put his own footprints and handprints in the wet cement. Then he ran into the house to fetch Bindi and me. “Come on,” he said. “Let’s all do it.” We grabbed Sui, too, and put her paw prints in, and then did Bindi, who was just eight months old. It took a couple of tries, but we got her handprints and her footprints as well, and then my own. We stood back and admired the time capsule we had created. That afternoon the rains came. The Sunshine Coast is usually bright and dry, but when it rains, the heavens open. We worried about all the concrete we had worked on getting pitted and ruined. “Get something,” Steve shouted, scrambling to gather up his tools. I ran into the house. I couldn’t find a plastic drop cloth quickly enough, so I grabbed one of my best sheets off the bed. As I watched the linen turn muddy and gray in the rain, I consoled myself. In the future I won’t care that I ruined the sheet, I thought. I’ll just be thankful that I preserved our footprints and handprints. “It’s our cave,” Steve said of our new home. We never entertained. The zoo was our social place. Living so close by, we could have easily gotten overwhelmed, so we made it a practice never to have people over. It wasn’t unfriendliness, it was simple self-preservation. Our brick residence was for our family: Steve and me, Bindi, Sui, and Shasta.

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Hi, there.  Need a hand?” the man said. I stopped near the trunk. “No, thanks.  I got it.” He didn’t leave. “My name’s Dale.  I own Dale’s Auto Body on South Mitchell.  You should bring your car by.  It looks like it might be due for an oil change.” Did I really look dumb enough to believe he could determine the car needed an oil change just by looking at the exterior?  It certainly wasn’t leaking oil as a giveaway. “That’s a nice offer, but my boyfriend does the oil changes.”  I unlocked the trunk and started to load groceries. Dale didn’t take the hint and go away. “He’s a handy guy, then?”  He grabbed the potatoes and set them in the trunk for me.  Unfortunately, it brought him closer. “Yes, very.”  A brief conversation sometimes worked to get rid of a pest. “I’m sorry, I didn’t catch your name,” he said. I could see Clay through the back window.  Crouched down, he watched the man though the small gap between the trunk lid and the trunk.  I bent forward and set a bag in the trunk so Dale wouldn’t see me as I rolled my eyes at Clay.  Clay’s gaze briefly flicked to me before returning to Dale with serious intent. “Gabby,” I said as I closed the trunk.  “Thanks for helping me with the groceries, but I need to get going.  My dog’s been in the car for a while already.” Not waiting for his reply, I moved the cart to the empty spot next to my car. “We have an opening at the shop.  If your boyfriend’s looking for work, send him by.  We’ll see how good he is,” Dale said, opening the driver-side door for me. Clay hopped from the back seat to the driver’s seat.  With bristling fur, he growled at Dale, who backed away a step. I nodded to Dale and nudged Clay over so I could slide in behind the wheel.  Braving Clay’s wrath, Dale closed the door for me.  I started the car and pulled through the empty spot in front of me. “Well, that was a challenge if I ever heard one.”  I reached over to pet Clay’s head.  “But no challenges until you fix the sink.”  He looked up at me, and I smiled. When

You are not likely to understand that I am different from the tiger next door, that I possess a soul within this forbidding exterior. I can think, analyse, judge, remember and do everything that you can do, perhaps with greater subtlety and sense. I lack only the faculty of speech. But

Since Paul wasn’t a big conversationalist—he was the anti-Mac, in other words, and today had been the longest she’d ever heard him speak in consecutive sentences—Jena watched the scenery for a while. Then she decided to study the inside of Paul’s truck to see what she could learn about him. Technically, it was exactly like hers and Gentry’s. It had a black exterior with a blue light bar across the top and the Louisiana Department of Wildlife and Fisheries Enforcement Division logo on the doors. It was tech heavy on the front dash, just like theirs, with LDWF, Terrebonne Parish Sheriff’s Office, and Louisiana State Police Troop C radios, a laptop, a GPS unit, and a weather unit. In her truck and in Gentry’s, the cords and wires were a colorful tangle of plastic and metal, usually with extra plugs dangling around like vines. Paul’s cords were all black, and he had them woven in pairs and tucked underneath the dash, where they neatly disappeared. She leaned over to see how he’d achieved such a thing, and noticed identical zip ties holding them in place. “Sinclair, I hate to ask, but what are you doing?” He sounded more bemused than annoyed, so she said, “I’m psychoanalyzing you based on the interior of your truck.” He almost ran off the road. “Why?” “Your scintillating conversation was putting me to sleep.” His dark brows knit together but he seemed to have no answer to that. She turned around in her seat, as much as the seat belt allowed, and continued her study. Paul had a 12-gauge shotgun and a .223 carbine mounted right behind the driver’s seat, same as in her own truck. The mounts had hidden release buttons so the agents could get the guns out one-handed and quickly. But where her truck had a catch-all supply of stuff, from paper towels to zip ties to evidence bags to fast-food wrappers thrown in the back, Paul’s backseat was empty but for a zippered storage container normal people used for shoes. Each space held different things, all neatly arranged. Jena spotted evidence bags in one. Zip ties in another. Notebooks. Citation books. Paperwork. A spare uniform hung over one window, with a dry-cleaner’s tag dangling from the shirt’s top button. Good Lord. She turned back around. “What did you learn?” Paul finally asked. “You’re an obsessive-compulsive neat freak,” she said. “Accent on freak.

Mrs. Brown, I hurried over as soon as I heard..." Ollie Clark ducked through the low front door and removed his hat as he noticed Lily sitting in the old rocker she had brought with her from Mississippi. His gaze stopped at the child at her feet. "Come in, Mr. Clark, have a seat. You've had word of Jim?" Lily’s breath caught in her lungs as she waited for the words she didn't want to hear. Ollie took the overlarge wing chair that had once decorated a bedroom parlor and wrung his hat between his hands. "No, ma'am, I didn't mean to get your hopes up none. I was talkin' 'bout Cade. The boys were just funnin' about him the other day. He's a drunken half-breed, Mrs. Brown. You don't want the likes of him about the place. Let me explain things to him and send him on his way. It ain't right for a respectable lady like yourself to have to deal with a man like that." "I can't dismiss a man without giving him a chance, Mr. Clark. Even drunk, he's showed more sense than some sober men I could name. If Colonel Martin could use him, I don't see why I can't." He took a deep breath. "He ain't even white, Lily. You'll give me permission to call you Lily?" When she didn't reply, Ollie hurried on. "He's half-Indian, half-Mexican. You'd be better off hiring one of your father's slaves. At least they listen when you whip them. Cade's more likely to turn and kill you. He's done it before. You've got to get him out of here." Ollie was speaking sense from his own point of view. Beneath his placid exterior. Cade undoubtedly had a violent temper. Lily had seen evidence of that already. And Ralph had told her he'd been in prison for killing another man. So Ollie was speaking the truth, but only one side of the truth. Lily knew all about that kind of lie. "I'll give Cade his chance, Mr. Clark. Jim would want it that way." Lily watched gleefully as she used this two-edged sword to make Clark squirm. How many times had she resentfully heard those words when the men wouldn't listen to her? Clark scowled and rose. "Jim wouldn't have taken on a drunken Indian. I'll set about finding you a decent man to help out. You'll be needing him soon enough." He gave the child on the floor another glance, one of puzzlement, but he didn't ask the question that obviously was on his mind. And Lily didn't answer it. Sweetly, she held out her hand and offered her best Southern-belle smile. "I'm so grateful for your concern, Mr. Clark. Please do come and visit sometime. Perhaps you could bring Miss Bridgewater. I'd be happy for the company." The name of the young girl whom the town gossip had Clark courting only brought a milder frown to his handsome face. "That's mighty kind of you, Mrs. Brown. I hope you hear from Jim soon." Lily watched him go with a sigh of relief and a small sense of triumph. She didn't know why Ollie Clark was suddenly so all-fired concerned with her welfare, but surely she had set him properly in his place. Now,

The two- or three-story houses have ground-floor walls made out of whitewashed stone or mud, and upper levels of mud and wood. The narrow windows with their scalloped tops have sliding wooden slats to let in light and shut out the rain or the cold. The exterior walls are decorated with elaborate paintings, in faded blues and reds, of lotus flowers, deer, birds, and giant stylized phalluses (“to ward off evil spirits,” Rita says). Ladder steps lead to heavy wooden doors with irregular latches and locks. The roofs are covered with stone slates, or wooden shingles held down by large stones.

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Without the skills to handle setbacks—bred, indeed, to believe that setbacks are inconceivable obstacles on the non-negotiable path to success—the child raised by helicopter parents is ill-equipped to handle defeat. Behind a flawlessly groomed exterior lies an immature and fragile personality. Rejection that in a healthier context might be interpreted as a challenge or an opportunity to seek out success somewhere else—“when a door shuts, a window opens”—feels unbearable to a young person with an unformed sense of self.

Up ahead, a shadowy building loomed. It looked more like a gothic cathedral than a school, with grossly elongated black spires jutting into the night sky. They unnerved Tony. Somehow, they resembled horns silhouetted against the moon. He counted ten of these protuberances, each with an arrowhead as its tip. Tony found the structure difficult to make his mind up about. It was beautiful, that was for sure, but its beauty was intermingled with an ill-masked sense of horror. The black exterior had a pair of peculiar projections on either side of the building resembling a bat's wings. His feet on concrete now, he pulled up to a webbed gate— also reminiscent of a bats with the hind, bone-like array supporting an oily black, translucent texture. He saw some girls a few dozen feet from the gate at the entrance of the building. They were garbed in black sailor fuku skirts too high above the knees to facilitate concentration upon anything academic. The males were also dressed in black corduroy pants and black dress shirt. A throng by the massive doors stared holes through them as they approached. Up close, he noted some of the girls were quite pale, sporting piercings and tattoos on their necks and hands. He even saw one with a spider web inked on the side of her face. When he followed Silver Man into the building— his toes squeaking in his soaked shoes—he was awed by the aesthetics. There was a rather large gathering in the hall that looked more like large shadows with all the children in black. Tony felt out of place in his brown pants and long sleeved white shirt. The hall was bleak; the only source of illumination was a pair of horizontal cylindrical lamps set upon wooden rafters near the ceiling. Silver Man proceeded toward the platform where Tony could just make out the form of a thin man donning a monocle. He looked like an old scientist. He was sitting cross-legged, stroking his chest-length pearl white beard. The man appeared to be watching them as they progressed through the hall. Then he stood as they neared the stage, now caressing his bald head. He had a monkish appearance. His black robe— quite similar to the one Silver Man wore— was tied at the waist by a red cloth. The bald, monocled man extended a spindly hand which Silver Man gave a firm tug before leaning in and whispering something. The man nodded, turning to Tony. Tony flinched as he regarded him through his peculiar eyewear: a single gold-rimmed, circular lens. He now folded himself into an accentuated bow. "Listen up folks!" he shouted. Tony saw the students rushing inside the castle pell-mell, summoned by the voice of the bespectacled man. “We have a late recruit ladies and gentlemen,” the man said. His voice was much stronger than his thin frame suggested. “Join me as I induct him into the hallowed spirit of Imajinaereum.

In foraminifers, the shell is sometimes secreted by the organism, sometimes fabricated with exterior elements. In the two cases, the form of the shell is the same. To paraphrase Bergson, we do not see where the organism ends and where life begins. Certain crustaceans withdraw pebbles from the exterior milieu to serve as statoliths, and treat these pebbles as a part of their bodies. Inversely, a worker ant, whose head has been suitably modified, serves as a living door to the anthill. In this activity, which is life, the organism and the exterior milieu are substituted for one another.

The town had an idyllic quietude, a fishing village that decided that was the best way to stay for a century. The houses were wooden, the exteriors faded to a uniform gray by the salt air. They were not, however, the least bit drab. Bright plants prospered, ivies snaking over the shingles so that the houses seemed less built as grown. The sole exception to this canopy was the church. Set at the foot of a mountain, its door was a staggering red, the stained-glass of the steeple pulsing decadently. When the sun hit it, I could believe the town had fallen under a spell that tithed its color to the church. When Sunday night mass began, this window poured forth a kaleidoscopic radiance rivaling saintly visions.

What is your opinion of Lady Helen?” he asked as Quincy arranged the meal on the table in front of him. “She is the jewel of the Ravenels,” Quincy said. “A more kind-hearted girl you’ll never meet. Sadly, she’s always been overlooked. Her older brother received the lion’s share of her parents’ interest, and what little was left went to the twins.” Rhys had met the twins a few days earlier, both of them bright-eyed and amusing, asking a score of questions about his department store. He had liked the girls well enough, but neither of them had captured his interest. They were nothing close to Helen, whose reserve was mysterious and alluring. She was like a mother-of-pearl shell that appeared to be one color, but from different angles revealed delicate shimmers of lavender, pink, blue, green. A beautiful exterior that revealed little of its true nature. “Is she aloof with all strangers?” he asked, arranging a napkin on his lap. “Or is it only with me?” “Aloof?” The valet sounded genuinely surprised. Before he could continue, a pair of small black spaniels entered the parlor, panting happily as they bounded up to Rhys. “Good heavens,” he muttered with a frown. Rhys, who happened to like dogs, didn’t mind the interruption. What he found disconcerting, however, was the third animal that trotted into the room after them and sat assertively by his chair. “Quincy,” Rhys asked blankly, “why is there a pig in the parlor?” The valet, who was busy shooing the dogs from the room, said distractedly, “A family pet, sir. They try to keep him in the barn, but he will insist on coming into the house.” “But why--” Rhys broke off, realizing that regardless of the explanation, it would make no sense to him. “Why is it,” he asked instead, “that if I kept livestock in my home, people would say I was ignorant or daft, but if a pig wanders freely in the mansion of an earl, it’s called eccentric?” “There are three things that everyone expects of an aristocrat,” the valet replied, tugging firmly at the pig’s collar. “A country house, and a weak chin, and eccentricity.” He pushed and pulled at the pig with increasing determination, but the creature only sat more heavily. “I vow,” the valet wheezed, budging him only an inch at a time, “I’ll have you turned into sausage and collops by tomorrow’s breakfast!” Ignoring the determined valet, the pig stared up at Rhys with patient, hopeful eyes. “Quincy,” Rhys said, “look sharp.” He picked up a bread roll from his plate and tossed it casually in the air. The valet caught it deftly in a white-gloved hand. “Thank you, sir.” As he walked to the door with the bread in hand, the pig trotted after him. Rhys watched with a faint smile. “Desire,” he said, “is always better motivation than fear. Remember that, Quincy.

This is one of eight staircases in the White House. There are also three elevators, twenty-eight fireplaces, one hundred and thirty-two rooms, and four hundred and twelve doors.” “Why are there so many more doors than rooms?” I asked. “Er . . . ,” Kimmy said, thrown. “I have no idea. But I do know that it takes five hundred and seventy gallons of paint to cover the entire exterior!

1930s Functionalism/Modernism Exterior •Facade: Cube shapes and light-color plaster facades, or thin, standing wood panels. •Roof: Flat roof, sometimes clad in copper or sheet metal. •Windows: Long horizontal window bands often with narrow—or no—architraves; large panes of glass without mullions or transoms. Emphasis on the horizontal rather than on the vertical. Windows run around corners to allow more light and to demonstrate the new possibilities of construction and materials. •Outside door: Wooden door with circular glass window. •Typical period details: Houses positioned on plots to allow maximum access to daylight. Curving balconies, often running around the corner; corrugated-iron balcony frontage. Balcony flooring and fixings left visible. The lines of the building are emphasized. Interior •Floors: Parquet flooring in various patterns, tongue-and-groove floorboards, or linoleum. •Interior doors: Sliding doors and flush doors of lamella construction (vaulted, with a crisscross pattern). Masonite had a breakthrough. •Door handles: Black Bakelite, wood, or chrome. •Fireplaces: Slightly curved, brick/stone built. Light-color cement. •Wallpaper/walls: Smooth internal walls and light wallpapers, or mural wallpaper that from a distance resembled a rough, plastered wall. Internal wall and woodwork were light in color but rarely completely white—often muted pastel shades. •Furniture: Functionalism, Bauhaus, and International style influences. Tubular metal furniture, linear forms. Bakelite, chrome, stainless steel, colored glass. •Bathroom: Bathrooms were simple and had most of today’s features. External pipework. Usually smooth white tiles on the walls or painted plywood. Black-and-white chessboard floor. Lavatories with low cisterns were introduced. •Kitchen: Flush cupboard doors with a slightly rounded profile. The doors were partial insets so that only about a third of the thickness was visible on the outside—this gave them a light look and feel. Metal-sprung door latches, simple knobs, metal cup handles on drawers. Wall cabinets went to ceiling height but had a bottom section with smaller or sliding doors. Storage racks with glass containers for dry goods such as salt and flour became popular. Air vents were provided to deal with cooking smells.

Those buildings which have been allowed to stand near the beaches have been incorporated in the defenses. Many attractive villas are still deceptively innocent and peaceful in appearance, but only the exteriors remain the same. The interiors have been converted into steel-and-concrete emplacements, and they have been armed with guns of varying sizes. Many of the houses have not been fortified so elaborately, but have been turned into effective positions for smaller guns and machine guns by the filling-in of doors and windows with brick or concrete. Passages have been cut through continuous rows of fortified houses so that the occupying troops may pass from one to another without being exposed to observation and fire from the beach.

We must learn to realize that the love of God seeks us in every situation, and seeks our good. His inscrutable love seeks our awakening. True, since this awakening implies a kind of death to our exterior self, we will dread His coming in proportion as we are identified with this exterior self and attached to it. But when we understand the dialectic of life and death we will learn to take the risks implied by faith, to make the choices that deliver us from our routine self and open to us the door of a new being, a new reality.

Both doors wrenched out of their frames and flopped to the ground, rocking a little on their rounded exteriors like box turtles trapped on their backs.

Day Thirty-Five – “It is Finished” When Jesus had taken the wine, he said, “It is finished.”  And bowing his head, he handed over the spirit.  John 19:30 These words are of great relief to Jesus, His dear mother, and hopefully to all of us.  “It is finished.”  Jesus’ suffering had come to an end.  His “thirst” was quenched by sour wine, a symbol of fallen humanity entering His very body.  He had entered into all suffering, both interiorly and exteriorly, and now He was ready to enter into death itself.  He spoke His final words and handed over His spirit to the Father. As our Blessed Mother looked on, heard her Son speak His final words, and breathe His last, she would have felt a sense of relief.  Jesus’ long mission of salvation had been accomplished.  Death was destroyed and now she only had to wait for His Resurrection. Our Blessed Mother knew this was not the end.  She knew that her Son would rise.  He had taught many times “that the Son of Man must suffer greatly and be rejected by the elders, the chief priests, and the scribes, and be killed, and rise after three days” (Mark 8:31).  Though the Apostles and other disciples did not understand this teaching, our Blessed Mother did.  She witnessed His rejection, His death, and now turned her eyes toward His promised Resurrection. This passage also states that Jesus “handed over His spirit.”  His life was not taken from Him.  His death was a free choice by which He gave Himself over to death.  He chose to enter into the ultimate effect of sin, death itself, so as to redeem death and make it the door to eternal life.  The destruction of death was accomplished by God, the source of life, subsuming it into Himself. God wanted to come close to us by becoming man.  He came so close to us that He allowed man to do Him violence.  But the last chapter of Christ’s life was yet to be written.  His entrance into new life was about to begin. These words of Jesus must take on great significance in our own lives.  We must see ourselves standing by the Cross with our Blessed Mother and hear Jesus speak these words to us, personally.  We must allow our Lord to look into our souls and say to us, “It is finished.”  Jesus speaks these words to each one of us.  He says, “Your salvation is accomplished.  My death has destroyed your own eternal death.  My final word of victory has been spoken.” As we ponder this sacred scene and hear these final words, we must seek to allow them to transform our very lives.  Reflect, today, upon whether you are attentive to these words of our Lord in your own life.  Do you allow Him to apply His saving Sacrifice to your sins?  Have you internalized this statement of promise from our Lord?  Have you allowed the finality of His death to unite with your own sin?  Reflect upon these three little words, this day, and allow the handing over of our Lord’s Spirit to take hold of you and transform your life. My dearest Mother, as you gazed intently at your Son, you heard Him announce that He had accomplished His mission.  It was finished.  He was faithful to the end.  And though your heart was filled with sorrow as He died before your eyes, your spirit once again rejoiced as you witnessed the gift of salvation being accomplished for all humanity. My loving Mother, pray for me that I may listen attentively to your Son as He speaks these sacred words.  May I hear Him say to me, “It is finished!  I have destroyed the effect of your sin.  Death is no more.” My saving Lord, from the Cross You announced the fulfillment of Your divine mission.  You proclaimed that You had destroyed death itself by the free offering of Your life.  Help me to listen to You speak these words to my heart and to be open to the unfathomable gift of new life accomplished by Your willing Sacrifice. Mother Mary, pray for me.  Jesus, I trust in You.