Exquisite Ruin Quotes

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In the case of our fair maiden, we have overlooked two very crucial aspects to that myth. On the one hand, none of us ever really believed the sorcerer was real. We thought we could have the maiden without a fight. Honestly, most of us guys thought our biggest battle was asking her out. And second, we have not understood the tower and its relationship to her wound; the damsel is in distress. If masculinity has come under assault, femininity has been brutalized. Eve is the crown of creation, remember? She embodies the exquisite beauty and the exotic mystery of God in a way that nothing else in all creation even comes close to. And so she is the special target of the Evil One; he turns his most vicious malice against her. If he can destroy her or keep her captive, he can ruin the story.
John Eldredge (Wild at Heart: Discovering the Secret of a Man's Soul)
In the City Market is the Meet Café. Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war... A place where the unknown past and the emergent future meet in a vibrating soundless hum... Larval entities waiting for a Live One...
William S. Burroughs (Naked Lunch: The Restored Text)
The most exquisite kind of pleasure is derived from bestowing it upon another.
Jennifer L. Armentrout (Fall of Ruin and Wrath (Awakening, #1))
Teddy shuddered. The idea of the sublime little bird being plucked from the sky, of its exquisite song being interrupted in full flight, was horrible to him.
Kate Atkinson (A God in Ruins (Todd Family, #2))
Ah, sweet torture.   This was the part I dreaded the most.   When our eyes clashed, and everything, every horrible, wonderful, painful, ugly, beautiful, torturous, ruinous, gory bit of us came back to me.   It was bad enough when I didn’t have to look at him.   But when I did—exquisite torment, with a touch of pleasure so concentrated, so brutally pure it had ruined my life.   Broken my heart.   Eviscerated my soul.  I’d scraped what was left of that pathetic soul out myself, sawed it into little pieces and left it somewhere far behind.
R.K. Lilley (Breaking Him (Love is War, #1))
A large proportion of Venetians worked in the textile industry. There were the lace-makers, their eyesight ruined by their labour. Children, from the age of five, were enrolled in the trade. The exquisite refinement of the art, prized by the rich matrons of Europe, can be measured in human suffering.
Peter Ackroyd (Venice: Pure City)
How many people we know who sour their lives, who ruin all that is sweet and beautiful by explosive tempers, who destroy their poise of character, and make bad blood! It is a question whether the great majority of people do not ruin their lives and mar their happiness by lack of self-control. How few people we meet in life who are well balanced, who have that exquisite poise which is characteristic of the finished character! Yes, humanity surges with uncontrolled passion, is tumultuous with ungoverned grief, is blown about by anxiety and doubt only the wise man, only he whose thoughts are controlled and purified, makes the winds and the storms of the soul obey him.
James Allen (As a Man Thinketh)
She’d noticed him because of his exquisite tailoring, which ordinarily she would have admired, but it was rather ruined by an extraordinary sense of entitlement that only really comes with being white, male, heterosexual, and excessively solvent. This was evidenced by his penchant for manspreading, and talking extremely loudly on his mobile phone about the markets and positions. She’d once heard him refer to his wife as the ball and chain.
Clare Pooley (Iona Iverson's Rules for Commuting)
This was all splendid stuff for Luciaphils; it was amazing how at a first glance she recognised everybody. The gallery, too, was full of dears and darlings of a few weeks' standing, and she completed a little dinner-party for next Tuesday long before she had made the circuit. All the time she kept Stephen by her side, looked over his catalogue, put a hand on his arm to direct his attention to some picture, took a speck of alien material off his sleeve, and all the time the entranced Adele felt increasingly certain that she had plumbed the depth of the adorable situation. Her sole anxiety was as to whether Stephen would plumb it too. He might--though he didn't look like it--welcome these little tokens of intimacy as indicating something more, and when they were alone attempt to kiss her, and that would ruin the whole exquisite design. Luckily his demeanour was not that of a favoured swain; it was, on the other hand, more the demeanour of a swain who feared to be favoured, and if that shy thing took fright, the situation would be equally ruined. . . . To think that the most perfect piece of Luciaphilism was dependent on the just perceptions of Stephen! As the three made their slow progress, listening to Lucia's brilliant identifications, Adele willed Stephen to understand; she projected a perfect torrent of suggestion towards his mind. He must, he should understand. . .
E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
An elder sister came from the town to visit her younger sister in the country. This elder sister was married to a merchant and the younger to a peasant in the village. The two sisters sat down for a talk over a cup of tea and the elder started boasting about the superiority of town life, with all its comforts, the fine clothes her children wore, the exquisite food and drink, parties and visits to the theatre. The younger sister resented this and in turn scoffed at the life of a merchant's wife and sang the praise of her own life as a peasant. 'I wouldn't care to change my life for yours,' she said. 'I admit mine is dull, but at least we have no worries. You live in grander style, but you must do a great deal of business or you'll be ruined. You know the proverb, "Loss is Gain's elder brother." One day you are rich and the next you might find yourself out in the street. Here in the country we don't have these ups and downs. A peasant's life may be poor, but it's long. Although we may never be rich, we'll always have enough to eat.' Then the elder sister said her piece. 'Enough to eat but nothing but those filthy pigs and calves! What do you know about nice clothes and good manners! However hard your good husband slaves away you'll spend your lives in the muck and that's where you'll die. And the same goes for your children.' 'Well, what of it?' the younger answered. 'That's how it is here. But at least we know where we are. We don't have to crawl to anyone and we're afraid of no one. But you in town are surrounded by temptations. All may be well one day, the next the Devil comes along and tempts your husband with cards, women and drink. And then you're ruined. It does happen, doesn't it?
Leo Tolstoy (How Much Land Does a Man Need?)
He heard a dresser drawer slide shut in the bedroom. She came out dressed all in black, as she almost always did, and carrying the three pieces of a plate that had fallen off the bed the night before; it was a light shade of blue, and sticky with pomegranate juice. He heard her dropping it into the kitchen trash can before she wandered past him into the living room. She stood in front of his sofa, running her fingers through her hair to test for dampness, her expression a little blank when he glanced up at her, and it seemed to him later that she’d been considering something, perhaps making up her mind. But then, he played the morning back so many times that the tape was ruined—later it seemed possible that she’d simply been thinking about the weather, and later still he was even willing to consider the possibility that she hadn’t stood in front of the sofa at all—had merely paused there, perhaps, for an instant that the stretched-out reel extended into a moment, a scene, and finally a major plot point. Later he was certain that the first few playbacks of that last morning were reasonably accurate, but after a few too many nights of lying awake and considering things, the quality began to erode. In retrospect the sequence of events is a little hazy, images running into each other and becoming slightly confused: she’s across the room, she’s kissing him for a third time—and why doesn’t he look up and kiss her? Her last kiss lands on his head—and putting on her shoes; does she kiss him before she puts on her shoes, or afterward? He can’t swear to it one way or the other. Later on he examined his memory for signs until every detail seemed ominous, but eventually he had to conclude that there was nothing strange about her that day. It was a morning like any other, exquisitely ordinary in every respect.
Emily St. John Mandel (Last Night in Montreal)
I am’—we have the power of knowing ourselves. “I ought’—we have within us a moral judge, to whom we feel ourselves subject, and who points out and requires of us our duty. ‘I can’—we are conscious of power to do that which we perceive we ought to do. ‘I will’—we determine to exercise that power with a volition which is in itself a step in the execution of that which we will. Here is a beautiful and perfect chain, and the wonder is that, so exquisitely constituted as he is for right-doing, error should be even possible to man. But of the sorrowful mysteries of sin and temptation it is not my place to speak here; you will see that it is because of the possibilities of ruin and loss which lie about every human life that I am pressing upon parents the duty of saving their children by the means put into their hands. Perhaps it is not too much to say, that ninety-nine out of a hundred lost lives lie at the door of parents who took no pains to deliver them from sloth, from sensual appetites, from willfulness, no pains to fortify them with the habits of a good life.
Charlotte M. Mason (Home Education: Volume I of Charlotte Mason's Original Homeschooling Series)
Matthew knew it was wrong the instant their lips met. Because nothing would ever equal the perfection of Daisy in his arms. He was ruined for life. God help him, he didn’t care. Her mouth was soft and hot, like sunshine, like the white blaze of a heartwood fire. She gasped as he touched her lower lip with the tip of his tongue. Slowly her hands came to his shoulders, and then he felt her fingers at the back of his head, sliding into his hair to keep him from pulling away. There wasn’t a chance in hell of that happening. Nothing could have made him stop. A tremor shook his fingers as he bracketed the exquisite line of her jaw in the open framework of his hand, gently angling her face upward. The flavor of her mouth, sweet and elusive, fueled a hunger that threatened to rage out of control… he searched the damp silk beyond her lips, deeper, harder, until she began to breathe in long sighs, her body molding against his. He let her feel how much stronger he was, how much heavier, one muscular arm clamped along her back, his feet spread to hold her between the powerful length of his thighs. Her upper half was bound in a laced and padded corset. He was almost overcome by a savage desire to tear away the stays and quilting and find the tender flesh beneath. Instead he sank his fingers into her pinned-up hair and tugged it backward until the weight of her head was cradled in his hand, and her pale throat was exposed. He searched for the pulse he had seen earlier, his lips dragging softly along the secret pathway of nerves beneath her skin. When he reached a senstive spot, he felt the vibration of her suppressed moan against his mouth. This was what it would be like to make love to her, he thought dazedly… the sweet shivering of her flesh as he entered her, the delicate chaos of her breath, the helpless sounds that rustled in her throat. Her skin, warm and female, scented like tea and talcum and a trace of salt. He found her mouth again, opened it, delving into wet silk, heat, and an intimate flavor that drove him mad. She should have struggled, but there was only yielding and more softness, driving him past all limits. He began to ravish her mouth with deep, twisting kisses, bringing her body rhythmically against his. He felt her legs part beneath her gown, his thigh fitting neatly between them. She squirmed with innocent desire, her face blooming with the color of late summer poppies. Had she understood exactly what he wanted from her, she would have done more than blush. She would have fainted on the spot. Lifting his mouth from hers, Matthew pressed his jaw against the side of her head. “I think,” he said raggedly, “this puts to rest any question of whether I find you desirable or not.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
It’s even better. God, if only…I could make it last forever.” He thrust more strongly, unable to restrain his movements. Sara clenched her hands and pressed her fists against his back, her body tightening exquisitely. He stared into her eyes, gritting his teeth in the effort to contain his pleasure. She wrapped her legs around his hips and urged him to thrust even harder. Afraid of hurting her, he tried to hold back, but she drove him with her own demanding passion, until he let the tumultuous storm overtake him. His smothered cry followed hers, and together they flowed into the swirling tide of fulfillment, bound together by flesh and spirit, in perfect accord. Afterward they lay together dreamily, letting hours drift by and pretending time had stopped. Sara draped herself over his chest, tracing his features with her fingertip. A thought occurred to her, and she lifted her head to stare at him expectantly. Derek returned her gaze, idly stroking her hair and back. “What is it, angel?” “You told me once you didn’t know how ‘happy’ feels.” “I remember.” “And now?” Derek regarded her for a long moment, then pulled her flat against him, locking her in his arms. “It’s this,” he said, his voice slightly hoarse. “Right here and now.” And she rested against his heart, content. Excerpt from Cold-Hearted Rake Keep reading for an exclusive sneak peek at Lisa’s next historical romance, Cold-Hearted Rake, available October 2015 Chapter One Hampshire, England 1875 “The devil knows why my life should be ruined,” Devon Ravenel said grimly, “all because a cousin I never liked fell from a horse.” “Theo didn’t fall, precisely,” his younger brother Weston said. “He was thrown.” “Obviously the horse found him as insufferable as I did.” Pacing around the receiving room, Devon
Lisa Kleypas (Dreaming of You (The Gamblers, #2))
If I get you in my claws, my dear goddess, woe is you! What destruction I would cause on your tender milk white flesh! As a man who’s starved to death from all sides at every hour I would linger on your breath your sweet beauty to devour, and although it is so vast that it’s boundless, without end, I would still not care to waste the most tiny bit of you. Only thus could I a little my deep longings satisfy, throw some water on this fire, and my hunger pacify. In your soft and flowered boughs, your abundant gardens fair what exquisite lovely fruits I would harvest everywhere! And as I am all absorbed in the midst of such delights, in a deluge of emotions What sweet things I would reveal! Oh how lucky I would be to be near to you this way! But my heartless destiny to my ruin has conspired.
Giuseppe Calvino (Sicilian Erotica)
It could be any date night. Perhaps Tom takes her to Ray's in Ballard. They share a bottle of Chateau Ste. Michelle Dry Riesling, even though Tom is more of a negroni man. The wine goes well with her market halibut and the view of the bay. He has the filet mignon, and judging by the bite he offers her, it's exquisite. Or perhaps it's that Mexican place somewhere in Ravenna, operated out of an old house. The wall paint is chipping, but the air is sweet with the aroma of freshly cut tomatillos. They have margaritas and share chicken mole, with extra chips and fresh guacamole on the side. No matter where they go, it has been a long day, a bad day for Elle. She probably dropped a pie, or an angry customer yelled at Bonnie, or old milk ruined a batch of cake batter. She probably almost said no to Tom's spontaneous idea for a dinner date. As usual, though, she's glad she didn't. The crème brûlée or fried ice cream is reason enough-- let alone the way he makes the negativity melts away.
Jennifer Gold (The Ingredients of Us)
I am reminded of how exquisitely easy friendship with Percy is, equal parts comfortable silence and never lacking things to say to each other. Or rather it was easy, until I ruined it by losing my bleeding mind every time he does that thing where he tips his head to the side when he smiles.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue & The Lady's Guide to Petticoats and Piracy By Mackenzi Lee 2 Books Collection Set)
The curve of the roof as the pitch flattens put towards the eaves is deliciously sensual. The colors are exquisite, a palette of reds and yellows and pinks that reflect the mood of the day, fresh light pink in the dawn, ruddy and strong at midday, ochre and subdued in the afternoon, ripe and luscious in the evening. In the setting sun they glow with their own inner light like iron in a furnace. We laid out under the stars the old battle scars of marriage, the grudges and wounds, compromises and disillusionments, frustrations and disappointments that two people share when they make one life together. Relationships are built on trust and openness, self-sacrifice and kindness, but they also need envy and competition, selfishness and malice to give them spice and interest. Not forgetting lust.
John Mole (It's All Greek to Me!: A Tale of a Mad Dog and an Englishman, Ruins, Retsina - And Real Greeks)
Another celebrated building that we saw inside the Fort was the Diwan-i-Khas. Here can be seen in Persian characters the famous inscription, “If a paradise be on the face of the earth, it is this, it is this, it is this.” At the time of the Delhi Durbar in 1903 to celebrate the proclamation of Edward VII as Emperor of India, this exquisite building was used as a supper room. “This is the Chandni Chauk [Silver Street],” said our driver as we passed along Delhi’s main street. “It is the richest street in the world.” “Used to be,” corrected Sam. “It was sacked at least four times and most of its riches carried away.” Nowadays it is the abode of the jewelers and ivory workers of Delhi. Ten miles south of Delhi, amid the ruins of another ancient Delhi, stands the Kutb Minar, which is said to be the most perfect tower in the world and one of the seven architectural wonders of India. Built of marble and sandstone which is dark red at the base, pink in the middle, and orange on the top story, this remarkable structure, 238 feet high, looks almost brand new, yet it was built in A.D. 1200. Close by is another Indian wonder, the Iron Pillar, dating from A.D. 400. A remarkable tribute to Hindu knowledge of metallurgy and engineering, this pillar, some sixteen inches in diameter and twenty-three feet eight inches in height, is made of pure rustless malleable iron and is estimated to weigh more than six tons. Overlooking both the Fort and the city, and approached by a magnificent flight of stone steps, is the Great Mosque, also erected by Emperor Shah Jehan. It has three domes of white marble, two tall minarets, and a front court measuring 450 feet square, paved with granite and inlaid with marble. “Sight-seeing in Delhi is as tiring as doing the Mediterranean,” I
Carveth Wells (The Road to Shalimar: An Entertaining Account of a Roundabout Trip to Kashmir)
The Beatrice that obsessed Dante was a Florentine named Bice di Folco Portinari. Envision this moment (and, in all fairness, I am envisioning it the way Henry Holiday did in his exquisite nineteenth-century painting): Bice is walking beside the Arno River, dressed in white, the fabric clinging to her legs and outlining her slender thighs, and there is Dante. He meets her at the corner of one of the bridges that span the river. His left hand, at first glimpse, is moving casually toward his hip; it is only on a more careful study that one realizes his hand is actually going up to his heart. Meanwhile, his right hand is resting on the bridge’s waist-high stone balustrade, as if Bico’s beauty is such that he needs to steady himself when he beholds her.
Chris Bohjalian (The Light in the Ruins)
Towering, exquisite palaces, full of roaring hearths and bedecked in evergreens. Carved sleighs were the court's preferred method of transportation, hauled by velvet-antlered reindeer whose splayed hooves were ideal for the ice and snow. Their forces were well trained, but they often relied on the great, white bears that stalked the realm for any unwanted visitors.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Something was different. Some difficult tangle had come undone in the bond between them. The weavers of fate had reworked the thread they shared into a taut, direct strand—one that could be plucked to render some exquisite note belonging solely to them. He could feel half of that note starting to ring out inside himself, unfamiliar and frightening. The vibrations sent a sickness through him at the thought of their parting.
Daria Vernon (The Highwayman's Folly (The Rewards of Ruin, #1))
Why is it that men want their own way in all things?” she asked, her tone exquisitely mild, but her blue eyes turbulently stormy. Player hoped this was one of those moments when a woman didn’t really want an answer. She wanted someone to listen. He did his best to look very interested in all she had to say. Any woman who floated teapots in the air commanded his respect. Jonas Harrington, whether he carried a gun or not, was crazy to annoy this woman on any level. The silence stretched between them until Player realized it was very possible Hannah required an answer. He cleared his throat. “You do realize I came to you because I totally fucked up my relationship with my woman, right? I don’t have a clue why men do half the bullshit things we do, Hannah. I came here to learn from you, not to advise you. I’m trying to get the brothers to ask a few questions so they don’t ruin what they have.” “You so deserve a cookie. They’re really good too. Take two.” Hannah beamed at him.
Christine Feehan (Reckless Road (Torpedo Ink, #5))
You've ruined me in the most exquisite way.
Elodie Colliard (Hoax and Kisses)