Express Love To Husband Quotes

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I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest -- blest beyond what language can express; because I am my husband's life as fully as he is mine.
Charlotte Brontë (Jane Eyre)
Spread love everywhere you go: first of all in your own home. Give love to your children, to your wife or husband, to a next door neighbor . . . Let no one ever come to you without leaving better and happier. Be the living expression of God's kindness; kindness in your face, kindness in your eyes, kindness in your smile, kindness in your warm greeting.
Mother Teresa
I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest - blest beyond what language can express; because I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character - perfect concord is the result.
Charlotte Brontë (Jane Eyre)
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
And if I ever thought Ash held all the power in their relationship, I see it clearly now. Embry holds my husband’s heart in his hands and he doesn’t even know it. He’s too busy looking at the details of Ash’s faces to see the expression, too busy being in love to see how loved he is.
Sierra Simone (American Prince (New Camelot Trilogy, #2))
Daisy glanced up into her husband’s sparkling eyes. “You’re being scandalous, Mr. Swift,” she whispered. “This is nothing,” Matthew replied in an undertone, his expression soft with love. “I’m saving my worst behavior for tonight.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
She is sixteen and her skin is the darkness before the black, the plum of the day’s light, her breasts like sunsets trapped beneath her skin, but for all her youth and beauty she has a sour distrusting expression that only dissolves under the weight of immense pleasure. Her dreams are spare, lack the propulsion of a mission, her ambition is without traction. Her fiercest hope? That she will find a man. What she doesn’t yet know: the cold, the backbreaking drudgery of the factorias, the loneliness of Diaspora, that she will never again live in Santo Domingo, her own heart. What else she doesn’t know: that the man next to her would end up being her husband and the father of her two children, that after two years together he would leave her, her third and final heartbreak, and she would never love again.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Marriage is an expression of love and respect and trust and faith in the future, but the union of husband and wife is also an alliance against the challenges and tragedies of life, a promise that with me in your corner, you will never stand alone.
Dean Koontz (From the Corner of His Eye)
Spread love everywhere you go: first of all in your own house. Give love to your children, to your wife or husband, to a next door neighbor. . . . Let no one ever come to you without leaving better and happier. Be the living expression of God’s kindness; kindness in your face, kindness in your eyes, kindness in your smile, kindness in your warm greeting. Mother Teresa
Jack Canfield (Chicken Soup for the Soul: Stories to Open the Heart and Rekindle the Spirit)
Book of Common Prayer "With this ring I thee wed, with my body I thee worship, and with all my worldly goods I endow." "That vow is a pledge that the husband will make love to his wife, and not use her just for sex. The vow expressed the idea that making love is an act of worship. The husband worships his wife with his body, by loving her and giving to her and moving with her toward ecstasy.
Sylvain Reynard
What especially moved him was the corpse of a child of twelve or thirteen. He felt something like envy as he looked at it, recalling such expression as “Those whom the gods love die young.” Both his sister and his half-brother had lost their houses to fire. His sister’s husband, though, was on a suspended sentence for perjury. Too bad we didn’t all die.
Ryūnosuke Akutagawa (Rashōmon and Seventeen Other Stories)
She was pleased her husband still thought her attractive, despite her beached-whale state, but was finding it increasingly awkward to accommodate him. The spirit was willing but the flesh was swollen. Still, she enjoyed the compliment and understood that there was no real demand behind the caresses. The earl knew her well enough to realize she valued his desire almost as much as his love. After a lifetime of feeling ugly and unworthy, Alexia was now tolerably assured that Conall genuinely did want her, even if they could do nothing about it at present. She also understood that he was expressing his conjugal interest partly out of knowledge of her own need for such assurances. A werewolf and a buffoon, her husband, but wonderfully caring once he'd blundered into the way of it.
Gail Carriger (Heartless (Parasol Protectorate, #4))
Gottman has found, in fact, that the presence of contempt in a marriage can even predict such things as how many colds a husband or a wife gets; in other words, having someone you love express contempt toward you is so stressful that it begins to affect the functioning of your immune system.
Malcolm Gladwell (Blink: The Power of Thinking Without Thinking)
Dorothea, with all her eagerness to know the truths of life, retained very childlike ideas about marriage. She felt sure that she would have accepted the judicious Hooker, if she had been born in time to save him from that wretched mistake he made in matrimony; or John Milton when his blindness had come on; or any of the other great men whose odd habits it would have been glorious piety to endure; but an amiable handsome baronet, who said "Exactly" to her remarks even when she expressed uncertainty,--how could he affect her as a lover? The really delightful marriage must be that where your husband was a sort of father, and could teach you even Hebrew, if you wished it.
George Eliot (Middlemarch)
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
Mariana Zapata (The Wall of Winnipeg and Me)
I choose you and I would choose you all over again. As Jane Eyre said of her Mr. Rochester, “I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blessed—blessed beyond what language can express; because I am my husband’s life as fully as he is mine.”1
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
For a moment he could do nothing but close his eyes. Was this a taste of the rest of his life as Billie Bridgerton’s husband? Was he destined to live in terror, wondering what sort of danger she’d thrown herself into that day? Was it worth it? “George?” she whispered. She sounded uneasy. Had she seen something in his expression? A sign of doubt? He touched her cheek, and he looked into her eyes. He saw his whole world there. “I love you,” he said. Someone gasped. It might have been his mother. “I cannot live without you,” he said, “and in fact, I refuse to do so. So no, you will not be going on some ill-advised mission to the coast to hand off a potentially dangerous package to people you don’t know. Because if anything happened to you…” His voice broke, but he didn’t care. “If anything happened to you, it would kill me. And I’d like to think you love me too much to let that happen.” Billie stared at him in wonder, her softly parted lips trembling as she blinked back tears. “You love me?” she whispered. He nearly rolled his eyes. “Of course I do.” “You never said.” “I must have done.” “You didn’t. I would have remembered.” “I would remember, too,” he said softly, “if you’d ever said it to me.” “I love you,” she said immediately. “I do. I love you so much. I —” “Thank God,” Lady Manston exclaimed. George and Billie both turned.
Julia Quinn (Because of Miss Bridgerton (Rokesbys, #1))
Layla shuts her eyes, not wanting him to to see her looking at him. What is it about caring for another, feeling love, feeling affection, at times desire, that makes one shy? Even in front of her own husband she feels that hesitation of expression.
Fatima Farheen Mirza
For example, a wife might pressure her husband to look for a more lucrative job. The wife thinks she’s encouraging her spouse, but to him it sounds more like condemnation. But if he has the desire and motivation to seek a better position, her words will bolster his resolve. Until he has that desire, her words will come across as judgmental and guilt inducing. They express not love but rejection.
Gary Chapman (The 5 Love Languages: The Secret to Love that Lasts)
recurred in this narrative, and I have done. I have now been married ten years.  I know what it is to live entirely for and with what I love best on earth.  I hold myself supremely blest—blest beyond what language can express; because I am my husband’s life as fully as he is mine. 
Charlotte Brontë (Jane Eyre)
When Stephen talked about stalking chamois his whole expression changed. The features became more aquiline, the nose sharpened, the chin narrowed, and his eyes-steel blue - somehow took on the cold brilliance of a northern sky. I am being very frank about my husband. He attracted me at those times, and he repelled me too. This man, I told myself when I first met him, is a perfectionist. And he has no compassion. Gratified like all women who find themselves sought after and desired - a mutual love for Sibelius had been our common ground at our first encounter - after a few weeks in his company I shut my eyes to further judgment, because being with him gave me pleasure. It flattered my self-esteem. The perfectionist, admired by other women, now sought me. Marriage was in every sense a coup. It was only afterwards that I knew myself deceived. ("The Chamois")
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
A man’s highest happiness is found in the bestowal of benefits on those he loves; love finds its most natural and spontaneous expression in giving.  The man who has nothing to give cannot fill his place as a husband or father, as a citizen, or as a man.  It is in the use of material things that a man finds full life for his body, develops his mind, and unfolds his soul.  It is therefore of supreme importance to him that he should be rich.
Wallace D. Wattles (The Science of Getting Rich)
It is easy to snicker at such deceit and conclude that Hamilton faked all emotion for his wife, but this would belie the otherwise exemplary nature of their marriage. Eliza Hamilton never expressed anything less than a worshipful attitude toward her husband. His love for her, in turn, was deep and constant if highly imperfect. The problem was that no single woman could seem to satisfy all the needs of this complex man with his checkered childhood. As mirrored in his earliest adolescent poems, Hamilton seemed to need two distinct types of love: love of the faithful, domestic kind and love of the more forbidden, exotic variety. In
Ron Chernow (Alexander Hamilton)
Lady Sarah steps in, wearing her nightclothes under a fluffy ivory robe and a chastising expression. Behind her glasses, her eyes narrow on Henry. “So this is how it’s going to be, then? Married only a few days and I already have to search the palace to drag my husband to bed?” Henry goes to Sarah, like an invisible rope is reeling him to her. “Dragging me to your bed is something you’ll never have to do, love. You can even tie me there whenever you like, and I’ll be happy to reciprocate.” He kisses her mouth, as she blushes deep and bright. She leans back. “Then why are you down here instead of up there with me?” “There was an emergency.” “What kind of an emergency?” “You’re not going to believe it.” “Try me.” “Logan and Ellie are fucking.” She automatically glances at me, and her cheeks deepen to a shade of crimson. “I’m sure there’s a more delicate way to word that, Henry.” Henry nods, soberly. “You’re right, I’m sorry. Let me try again: Logan and Ellie are humping, like insatiable randy bunnies, all over the palace.” Sarah shakes her head. “You’re hopeless.” The Prince grins broadly. “It’s part of my charm.” “What am I going to do with you?” Henry kisses her again. “Take me to bed. Obviously.
Emma Chase (Royally Endowed (Royally, #3))
Sex is just an act. Sexuality is a sincere expression of desire and pleasure.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Submission to the husband is an opportunity given to the married woman to express the love to her husband.
Khuliso Mamathoni (The Greatest Proposal)
One of the problems that people commonly have in their adult relationships if they have never received a firm commitment from their parents is the “I’ll desert you before you desert me” syndrome. This syndrome will take many forms or disguises. One form was Rachel’s frigidity. Although it was never on a conscious level, what Rachel’s frigidity was expressing to her husband and previous boyfriends was, “I’m not going to give myself to you when I know damn well that you’re going to dump me one of these days.” For Rachel, “letting go,” sexually or otherwise, represented
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
What would happen in your marriage, husband, if you devoted yourself to loving, honoring, and serving your wife in all things? What if you determined that the preservation of your oneness with this woman was worth every sacrifice and expression of love you could make? What if you wisely navigated through conversations and misunderstandings in such a way to guard the unity between you?
Alex Kendrick (The Love Dare)
I know what it is to live entirely for and with what I love best on earth.  I hold myself supremely blest—blest beyond what language can express; because I am my husband’s life as fully as he is mine.  No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh.  I know no weariness of my Edward’s society: he knows none of mine, any more than we each do of the pulsation of the
Charlotte Brontë (Jane Eyre)
In a family, when I as son, husband, or father, express love toward you, I do not do so in order to assure myself of love in return. I do not help my son in order to be able to claim assistance from him when I am old; I do it because he and I are in the world together, we are one flesh. Similarly in a workplace, persons who work together form families-at-work. When you and I are working together, and the foreman suddenly discharges you, and I find myself putting down my tools or stopping my machine before I have had time to think—why do I do this? Is it not because, as I actually experience the event, your discharge does not happen only to you but also happens to us?3
Staughton Lynd (Solidarity Unionism: Rebuilding the Labor Movement from Below)
It’s your fault that I’ve been reduced to such behavior,” he continued. “I assure you, I myself find it appalling that the only pleasure I obtain these days is chasing after you like an adolescent lordling with a housemaid.” “Did you chase after the housemaids when you were a boy?” “Good God, of course not. How could you ask such a thing?” Sebastian looked indignant. Just as she felt a twinge of guilt and began to apologize, he said smugly, “They chased after me.” Evie raised a cue stick as if to crown him with it. He caught her wrist easily in one hand and pried the stick from her fingers. “Easy, firebrand. You’ll knock out the few wits I have left—and then of what use would I be to you?” “You would be purely ornamental,” Evie replied, giggling. “Ah, well, I suppose there’s some value in that. God help me if I should ever lose my looks.” “I wouldn’t mind.” He gave her a quizzical smile. “What?” “If…” Evie paused, suddenly embarrassed. “If anything happened to your looks…if you became…less handsome. Your appearance wouldn’t matter to me. I would still…” She paused and finished hesitantly, “…want you as my husband.” Sebastian’s smile faded slowly. He gave her a long, intent stare, her wrist still clasped in his hand. Something strange crossed his expression…an undefinable emotion wrought of heat and vulnerability. When he answered, his voice was strained from the effort to sound cavalier. “Without a doubt, you’re the first one who’s ever said that to me. I hope you won’t be such a pea goose as to endow me with characteristics that I don’t have.” “No, you’re endowed enough as it is,” Evie replied, before the double meaning of the statement occurred to her. She burned a brilliant scarlet. “Th-that is…I didn’t mean…” But Sebastian was laughing quietly, the odd tension passing, and he pulled her against him. As she responded to him eagerly, his amusement dissolved like sugar in hot liquid. He kissed her longer, harder, his breath striking her cheek in rapid drives. “Evie,” he whispered, “you’re so warm, so lovely…oh, hell. I’ve got two months, thirteen days and six hours before I can take you to my bed. Little she-devil. This is going to be the death of me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I vowed to myself to read one hundred books a year, and I did. I read to fill my mind and to block out the bad memories. But I found that as I read more, my thoughts were getting deeper, my vision wider, and my emotions less shallow. The vocabulary in South Korea was so much richer than the one I had known, and when you have more words to describe the world, you increase your ability to think complex thoughts. In North Korea, the regime doesn’t want you to think, and they hate subtlety. Everything is either black or white, with no shades of gray. For instance, in North Korea, the only kind of “love” you can describe is for the Leader. We had heard the “love” word used in different ways in smuggled TV shows and movies, but there was no way to apply it in daily life in North Korea—not with your family, friends, husband, or wife. But in South Korea there were so many different ways of expressing love—for your parents, friends, nature, God, animals, and, of course, your lover.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
But as to your writing me that I don’t love you very much, I don’t know whether you’re saying this in earnest or whether I should realise that you’re joking with me. Still, what you say disturbs me. You are measuring a very healthy expression of a wife’s loyalty by the standard of the insincere flattery of well-worn phrases. But I shall love you, my husband. What does it mean to you that you reassure me with those trivial little compliments? Do you want me to believe that you expect me to comb my hair in a stylish fashion for your homecoming? Or to feign adoring looks with a painted face? Let women without means, who worry and have no confidence in their virtue, flutter their eyelashes and play games to gain favour with their husbands. This is the adulation of a fox and the birdlime of deceitful bird hunting. I don’t want to have to buy you at such a price. I’m not a person who lays more stock in words than duty. I am truly your Laura, whose soul is the same one you in turn had hoped for.
Laura Cereta
Jonathan Edwards, the dear old soul, who, if his doctrine is true, is now in heaven rubbing his holy hands with glee, as he hears the cries of the damned, preached this doctrine; and he said: 'Can the believing husband in heaven be happy with his unbelieving wife in hell? Can the believing father in heaven be happy with his unbelieving children in hell? Can the loving wife in heaven be happy with her unbelieving husband in hell?' And he replies: 'I tell you, yea. Such will be their sense of justice, that it will increase rather than diminish their bliss.' There is no wild beast in the jungles of Africa whose reputation would not be tarnished by the expression of such a doctrine. These doctrines have been taught in the name of religion, in the name of universal forgiveness, in the name of infinite love and charity.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
There’s twenty-six letters in the alphabet that can be arranged to express an infinity of emotions.” I shake my head. “But not mine, not for you. There are no words to express the way my whole world falls at your feet, staring up in awe at my best friend, my lover … my forever. The river of love for you that runs through me is deep and all consuming. I came alive for you. With the soft stroke of your brush, you painted my life a million shades of amazing and now my heart finds its rhythm from your love … our love … forever. So be my husband, Trick. Let our story be the only one that matters.
Jewel E. Ann (Only Trick)
…Mrs. Warren allowed her book to fall closed upon her lap, and her attractive face awakened to an expression of agreeable expectation, in itself denoting the existence of interesting and desirable qualities in the husband at the moment inserting his latch-key in the front door preparatory to mounting the stairs and joining her. The man who, after twenty-five years of marriage, can call, by his return to her side, this expression to the countenance of an intelligent woman is, without question or argument, an individual whose life and occupations are as interesting as his character and points of view.
Frances Hodgson Burnett (The Methods Of Lady Walderhurst)
...he pointed out that this vow is the pledge that the husband will make love to his wife and not just use her for sex. H said that the vow expressed the idea that making love is an act of worship. The husband worships his wife with his body, by loving her and giving to her and moving with her toward ecstasy.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
My husband said to me while I was swooning in his arms, 'Why are all the longest dances the draggiest?' I took this to mean that he has not loved me for a very long time. Everything means something, or it does not. I have expressed an opinion. Every effect has a source that is not unfamiliar. It's all so evil. ("The Uncanny")
Diane Williams
In the area of linguistics, there are major language groups: Japanese, Chinese, Spanish, English, Portuguese, Greek, German, French, and so on. Most of us grow up learning the language of our parents and siblings, which becomes our primary or native tongue. Later, we may learn additional languages but usually with much more effort. These become our secondary languages. We speak and understand best our native language. We feel most comfortable speaking that language. The more we use a secondary language, the more comfortable we become conversing in it. If we speak only our primary language and encounter someone else who speaks only his or her primary language, which is different from ours, our communication will be limited. We must rely on pointing, grunting, drawing pictures, or acting out our ideas. We can communicate, but it is awkward. Language differences are part and parcel of human culture. If we are to communicate effectively across cultural lines, we must learn the language of those with whom we wish to communicate. In the area of love, it is similar. Your emotional love language and the language of your spouse may be as different as Chinese from English. No matter how hard you try to express love in English, if your spouse understands only Chinese, you will never understand how to love each other. My friend on the plane was speaking the language of “Affirming Words” to his third wife when he said, “I told her how beautiful she was. I told her I loved her. I told her how proud I was to be her husband.” He was speaking love, and he was sincere, but she did not understand his language. Perhaps she was looking for love in his behavior and didn’t see it. Being sincere is not enough. We must be willing to learn our spouse’s primary love language if we are to be effective communicators of love.
Gary Chapman (The Five Love Languages: How to Express Heartfelt Commitment to Your Mate)
I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.” I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back. “As charming as you are, how can that be?” I say. He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.” Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask. “Well, there was you,” the prince says. “When we were children.” “Me?” I ask incredulously. “You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.” I cannot help snorting over the sheer absurdity of his statement. He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women. He cannot expect me to believe he had real feelings. “Stop with your games.” “Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.” “You do like cruel women,” I say. “Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show. I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words. “That resulted in my accidentally killing a person she liked better than me.” “Oh,” I say. “That is three levels of unfortunate.” “Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.” The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?” “Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.” “Surely,” I say, wondering if he was. Wondering if I wanted him to be.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
The frequent hearing of my mistress reading the bible--for she often read aloud when her husband was absent--soon awakened my curiosity in respect to this mystery of reading, and roused in me the desire to learn. Having no fear of my kind mistress before my eyes, (she had given me no reason to fear,) I frankly asked her to teach me to read; and without hesitation, the dear woman began the task, and very soon, by her assistance, I was master of the alphabet, and could spell words of three or four letters...Master Hugh was amazed at the simplicity of his spouse, and, probably for the first time, he unfolded to her the true philosophy of slavery, and the peculiar rules necessary to be observed by masters and mistresses, in the management of their human chattels. Mr. Auld promptly forbade the continuance of her [reading] instruction; telling her, in the first place, that the thing itself was unlawful; that it was also unsafe, and could only lead to mischief.... Mrs. Auld evidently felt the force of his remarks; and, like an obedient wife, began to shape her course in the direction indicated by her husband. The effect of his words, on me, was neither slight nor transitory. His iron sentences--cold and harsh--sunk deep into my heart, and stirred up not only my feelings into a sort of rebellion, but awakened within me a slumbering train of vital thought. It was a new and special revelation, dispelling a painful mystery, against which my youthful understanding had struggled, and struggled in vain, to wit: the white man's power to perpetuate the enslavement of the black man. "Very well," thought I; "knowledge unfits a child to be a slave." I instinctively assented to the proposition; and from that moment I understood the direct pathway from slavery to freedom. This was just what I needed; and got it at a time, and from a source, whence I least expected it.... Wise as Mr. Auld was, he evidently underrated my comprehension, and had little idea of the use to which I was capable of putting the impressive lesson he was giving to his wife.... That which he most loved I most hated; and the very determination which he expressed to keep me in ignorance, only rendered me the more resolute in seeking intelligence.
Frederick Douglass
But if he is angry at the world for doing him harm, why does he take it out on his loving partner? Couldn’t he just as readily express his rage by playing racquetball or pounding pillows. His ideas about her role seem paradoxical. On the one hand, the narcissistic husband has vested his wife with tremendous power. She is necessary for his self-repair, but instead of valuing her and seeking comfort in her arms, he beats and humiliates her. Because he sees her as available to meet any and all of his needs, he releases his rage and any self-hate at her; such an act helps him ultimately feel powerful again, making him realize he is not weak and shattered. When the narcissistic man eels the terror and rage associated with his own internal fragmentation, his outburst restores his sense of power and control. He turns the anger expanding within him away from himself, toward his wife. He insists that she’s the defective one, she’s to blame, because she has not met his needs. Such acts of externalization are key to the NPD batterer. His violent behavior restores his self-esteem. He believes that his actions are not his fault; he is just trying to take care of himself.
Susan Weitzman (Not To People Like Us: Hidden Abuse In Upscale Marriages)
The love beheld in that vision was a love which, unfading and indestructible, expressed itself on the features of husband and wife only during seasons of mutual sorrow, and shone forth only in slow, silent glances of mutual sympathy, and voiced itself only in a constant, joint endurance of the trials of life as he and she restrained the tears, and choked back the sobs, which those trials called forth.
Ivan Goncharov (Oblomov)
Their successful husbands had learned that earning money led to love. Because it did. However, earning money didn't sustain love. As women were becoming more in touch with and sharing what was bothering them, their husbands were often burying their heads in the sand, hoping the bullets would miss. The more successful they were, the more they learned to repress their feelings, not express their feelings.
Warren Farrell (The Boy Crisis: Why Our Boys Are Struggling and What We Can Do About It)
Well, my love, I consider him a trump, in the fullest sense of that expressive word, but I do wish he was a little younger and a good deal richer." "Now, Laurie, don't be too fastidious and worldly-minded. If they love one another it doesn't matter a particle how old they are nor how poor. Women never should marry for money..." Amy caught herself up short as the words escaped her, and looked at her husband, who replied, with malicious gravity...
Louisa May Alcott (Little Women (Illustrated))
Darya Alexandrovna, in a dressing jacket, and with her now scanty, once luxuriant and beautiful hair fastened up with hairpins on the nape of her neck, with a sunken, thin face and large, startled eyes, which looked prominent from the thinness of her face, was standing among a litter of all sorts of things scattered all over the room, before an open bureau, from which she was taking something. Hearing her husband's steps, she stopped, looking towards the door, and trying assiduously to give her features a severe and contemptuous expression. She felt she was afraid of him, and afraid of the coming interview. She was just attempting to do what she had attempted to do ten times already in these last three days—to sort out the children's things and her own, so as to take them to her mother's—and again she could not bring herself to do this; but now again, as each time before, she kept saying to herself, "that things cannot go on like this, that she must take some step" to punish him, put him to shame, avenge on him some little part at least of the suffering he had caused her. She still continued to tell herself that she should leave him, but she was conscious that this was impossible; it was impossible because she could not get out of the habit of regarding him as her husband and loving him. Besides this, she realized that if even here in her own house she could hardly manage to look after her five children properly, they would be still worse off where she was going with them all. As it was, even in the course of these three days, the youngest was unwell from being given unwholesome soup, and the others had almost gone without their dinner the day before. She was conscious that it was impossible to go away; but, cheating herself, she went on all the same sorting out her things and pretending she was going.
Leo Tolstoy (Anna Karenina)
She’s here, Diana. Our little Tabby is here. Safe and sound.“ Diana lifted her lashes and looked up at Colby. He was on his knees between her legs, holding his daughter in Brandon’s denim jacket. In the glare of the flashlight Brandon held, she could see the brilliant expression of triumph and happiness in her husband’s eyes. “I love you, Diana.“ “I love you, Colby.“ Diana relaxed. This time, she thought, Colby wasn’t just practicing. This time he meant it.
Jayne Ann Krentz
I read to fill my mind and to block out the bad memories. But I found that as I read more, my thoughts were getting deeper, my vision wider, and my emotions less shallow. The vocabulary in South Korea was so much richer than the one I had known, and when you have more words to describe the world, you increase your ability to think complex thoughts. In North Korea, the regime doesn’t want you to think, and they hate subtlety. Everything is either black or white, with no shades of gray. For instance, in North Korea, the only kind of “love” you can describe is for the Leader. We had heard the “love” word used in different ways in smuggled TV shows and movies, but there was no way to apply it in daily life in North Korea—not with your family, friends, husband, or wife. But in South Korea there were so many different ways of expressing love—for your parents, friends, nature, God, animals, and, of course, your lover.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
When we want to give expression to a dramatic situation in our lives, we tend to use metaphors of heaviness. We say that something has become a great burden to us. We either bear the burden or fail and go down with it, we struggle with it, win or lose. And Sabina - what had come over her? Nothing. She had left a man because she felt like leaving him. Had he persecuted her? Had he tried to take revenge on her? No. Her drama was a drama not of heaviness but of lightness. What fell to her lot was not the burden but the unbearable lightness of being. Until that time, her betrayals had filled her with excitement and joy, because they opened up new paths to new adventures of betrayal. But what if the paths came to an end? One could betray one's parents, husband, country, love, but when parents, husband, country, and love were gone - what was left to betray? Sabina felt emptiness all around her. What if that emptiness was the goal of all her betrayals? Naturally she had not realized it until now. How could she have? The goals we pursue are always veiled. A girl who longs for marriage longs for something she knows nothing about. The boy who hankers after fame has no idea what fame is. The thing that gives our every move its meaning is always totally unknown to us. Sabina was unaware of the goal that lay behind her longing to betray. The unbearable lightness of being - was that the goal?
Milan Kundera (The Unbearable Lightness of Being)
As Kierkegaard wrote: 'Repetition is a beloved wife of whom one never tires'. This sentence is misunderstood by almost everyone. On the basis of this misunderstanding, it is either confirmed (by those who are happily married) or criticised (by those who are happily divorced). When you read the expression, it is easy to interpret it as follows: 'The beloved wife/husband is a repetition of whom one never tires/ However, for Freud and Kierkegaard, the repetition is central, the repetition on the basis of which a partner is ascribed a particular place, and not vice versa. At the same time, repetition then had a different meaning. Nowadays, repetition has become almost synonymous with boredom. One only has to think of a children's game that is endlessly repeated and yet gives pleasure every time, in contrast with the blase adult who always wants something new, something different, something that might still rouse him from the lethargy of excess.
Paul Verheage
She stared at him, at his face. Simply stared as the scales fell from her eyes. "Oh, my God," she whispered, the exclamation so quiet not even he would hear. She suddenly saw-saw it all-all that she'd simply taken for granted. Men like him protected those they loved, selflessly, unswervingly, even unto death. The realization rocked her. Pieces of the jigsaw of her understanding of him fell into place. He was hanging to consciousness by a thread. She had to be sure-and his shields, his defenses were at their weakest now. Looking down at her hands, pressed over the nearly saturated pad, she hunted for the words, the right tone. Softly said, "My death, even my serious injury, would have freed you from any obligation to marry me. Society would have accepted that outcome, too." He shifted, clearly in pain. She sucked in a breath-feeling his pain as her own-then he clamped the long fingers of his right hand about her wrist, held tight. So tight she felt he was using her as an anchor to consciousness, to the world. His tone, when he spoke, was harsh. "Oh, yes-after I'd expended so much effort keeping you safe all these years, safe even from me, I was suddenly going to stand by and let you be gored by some mangy bull." He snorted, soft, low. Weakly. He drew in a slow, shallow breath, lips thin with pain, but determined, went on, "You think I'd let you get injured when finally after all these long years I at last understand that the reason you've always made me itch is because you are the only woman I actually want to marry? And you think I would stand back and let you be harmed?" A peevish frown crossed his face. "I ask you, is that likely? Is it even vaguely rational?" He went on, his words increasingly slurred, his tongue tripping over some, his voice fading. She listened, strained to catch every word as he slid into semi delirium, into rambling, disjointed sentences that she drank in, held to her heart. He gave her dreams back to her, reshaped and refined. "Not French Imperial-good, sound, English oak. You can use whatever colors you like, but no gilt-I forbid it." Eventually he ventured further than she had. "And I want at least three children-not just an heir and a spare. At least three-if you're agreeable. We'll have to have two boys, of course-my evil ugly sisters will found us to make good on that. But thereafter...as many girls as you like...as long as they look like you. Or perhaps Cordelia-she's the handsomer of the two uglies." He loved his sisters, his evil ugly sisters. Heather listened with tears in her eyes as his mind drifted and his voice gradually faded, weakened. She'd finally got her declaration, not in anything like the words she'd expected, but in a stronger, impossible-to-doubt exposition. He'd been her protector, unswerving, unflinching, always there; from a man like him, focused on a lady like her, such actions were tantamount to a declaration from the rooftops. The love she'd wanted him to admit to had been there all along, demonstrated daily right before her eyes, but she hadn't seen. Hadn't seen because she'd been focusing elsewhere, and because, conditioned as she was to resisting the same style of possessive protectiveness from her brothers, from her cousins, she hadn't appreciated his, hadn't realized that that quality had to be an expression of his feelings for her. Until now. Until now that he'd all but given his life for hers. He loved her-he'd always loved her. She saw that now, looking back down the years. He'd loved her from the time she'd fallen in love with him-the instant they'd laid eyes on each other at Michael and Caro's wedding in Hampshire four years ago. He'd held aloof, held away-held her at bay, too-believing, wrongly, that he wasn't an appropriate husband for her. In that, he'd been wrong, too. She saw it all. And as the tears overflowed and tracked down her cheeks, she knew to her soul how right he was for her. Knew, embraced, and rejoiced.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Whether one’s nature is serving the Lord, either as servant or as wife, such a devotion with no sense of distinction between Lord and yourself that alone is to be achieved. To move towards this experience of our oneness with the Lord, wherein the Lord and His devotee are not two, is to cultivate the path of a servant to the master or a wife to the husband. Such love is expressed in the glory of sages who have realised this fulfilment of devotion. This alone is to be achieved – prema eva kāryam.
Chinmayananda (Narada Bhakti Sutra)
Another year passed on . The waves of time seemed long since to have swept away all trace of poor Mary Barton. But her husband still thought of her, although with a calm and quiet grief, in the silent watches of the night :And Mary would start from her hard-earned sleep,and think in her half dreamy, half awakened state, she saw her mother stand by her bed-side ,as she used to do 'in the days of long-ago'; with shaded candle and an expression of ineffable tenderness, while she looked on her sleeping child.
Elizabeth Gaskell
We can love the Infinite in all, and thus we can find joy in all, as it was so beautifully expressed in the Brihad-Aranyaka Upanishad: It is not for the love of a husband that a husband is dear; but for the love of the Soul in the husband that a husband is dear. It is not for the love of a wife that a wife is dear; but for the love of the Soul in the wife that a wife is dear. It is not for the love of children that children are dear; but for the love of the Soul in children that children are dear. It is not for the love of all that all is dear
Anonymous (The Bhagavad Gita)
In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances. “Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.” She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves. Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.” Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn. “My heart is happy when I see you,” she whispered in Lakota. He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English. She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch. He frowned slightly at her expression. “What is it?” he asked softly. “I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously. He smiled back. “And now you’re covered in real ones,” he discerned. She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.” Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.
Diana Palmer (Paper Rose (Hutton & Co. #2))
We enjoy the poetics but also know we can’t always live off our feelings. We’ve long intuited that a long-distance marathon like ours must be run on more than romance. We delight in each other enough that when we don’t, we still push each other to push through the pain barrier. To try to make it to the next level. Ali calls this “the work of love,” and maybe some days that’s shorthand for me being hard work. But she’s right: love is work. Good work. We may let the scaffolds fall, but we have built our wall. Ali gets fidgety when I get too serious. As I am now. Struggling to express how every day that we give to each other adds both weight and … weightlessness. Gravity and grace. Am I more desperate for our marriage to make it than Ali, who is never as desperate as her husband? I have the most to learn from this relationship, and one of the profoundest lessons it has taught me is in raising children. I’d had that blood-brother compact with my childhood friend Guggi to never grow up, but as Ali and I had kids, I slowly understood that you can’t have a child and remain a child. I really don’t like goodbyes, but sometimes you have to say goodbye.
Bono (Surrender: 40 Songs, One Story)
Obedience is love, fulfilling every command, love expressing itself. Obedience, therefore, is not a hard demand made upon us, any more than is the service a husband renders his wife, or a wife renders her husband. Love delights to obey, and please whom it loves. There are no hardships in love. There may be exactions, but no irk. There are no impossible tasks for love. With what simplicity and in what a matter-of-fact way does the apostle John say: 'And whatsoever we ask, we receive of him, because we keep his commandments, and do those things which are pleasing in his sight.
E.M. Bounds (The Necessity of Prayer)
Few seem to have considered 1 Peter 3:1–2. The apostle Peter reveals that husbands who “are disobedient to the word” (meaning they are undeserving of respect) “may be won . . . by . . . respectful behavior.” A simple application is that a wife is to display a respectful facial expression and tone when he fails to be the man she wants. She can give her husband unconditional respect in tone and expression while confronting his unloving behavior and without endorsing his unloving reactions. He may deserve contempt, but that doesn’t win him any more than harshness and anger wins the heart of a woman.
Emerson Eggerichs (Love and Respect: The Love She Most Desires; The Respect He Desperately Needs)
In marriage, the husband’s primary objective is not to make sure his wife is physically and emotionally sustained. That is part of it, of course—but his ultimate objective should be that his wife will be prepared to meet Jesus. To that end, the word that Paul uses for “love” here, agape, is important: it expresses self-sacrifice and self-abasement. It’s about what we give, not what we get. It’s about what we owe, not what we’re due. It’s not about seeking what’s good for you; it’s about giving yourself up for what’s truly good for your wife, so that she might be “holy and without blemish” (Ephesians 5:27).
Alistair Begg (Truth for Life - Volume 1: 365 Daily Devotions)
{Miller, who was president of American Federation of Musicians, had this to say about Robert Ingersoll at his funeral} On behalf of 15,000 professional musicians, comprising the American Federation of Musicians, permit me to extend to you our heart-felt and most sincere sympathy in the irreparable loss of the model husband, father, and friend. In him the musicians of not only this country, but of all countries, have lost one whose noble nature grasped the true beauties of our sublime art, and whose intelligence gave those impressions expression in words of glowing eloquence that will live as long as language exists.
Owen Miller
Intimacy The woman in the cafe making my cappuccino — dark eyes, dyed red hair, sleeveless black turtleneck — used to be lovers with the man I’m seeing now. She doesn’t know me; we’re strangers, but still I can’t glance at her casually, as I used to, before I knew. She stands at the machine, sinking the nozzle into a froth of milk, staring at nothing — I don’t know what she’s thinking. For all I know she might be remembering my lover, remembering whatever happened between them — he’s never told me, except to say that it wasn’t important, and then he changed the subject quickly, too quickly now that I think about it; might he, after all, have been lying, didn’t an expression of pain cross his face for just and instant? I can’t be sure. And really it was nothing, I tell myself; there’s no reason for me to feel awkward standing here, or complicitous, as though there’s something significant between us. She could be thinking of anything; why, now, do I have the sudden suspicion that she knows, that she feels me studying her, trying to imagine them together?— her lipstick’s dark red, darker than her hair — trying to see him kissing her, turning her over in bed the way he likes to have me. I wonder if maybe there were things about her he preferred, things he misses now that we’re together; sometimes, when he and I are making love, there are moments I’m overwhelmed by sadness, and though I’m there with him I can’t help thinking of my ex-husband’s hands, which I especially loved, and I want to go back to that old intimacy, which often felt like the purest happiness I’d ever known, or would. But all that’s over; and besides, weren’t there other lovers who left no trace? When I see them now, I can barely remember what they looked like undressed, or how it felt to have them inside me. So what is it I feel as she pours the black espresso into the milk, and pushes the cup toward me, and I give her the money, and our eyes meet for just a second, and our fingers touch?
Kim Addonizio (Tell Me)
Our study of psychoneurotic disturbances points to a more comprehensive explanation, which includes that of Westermarck. When a wife loses her husband, or a daughter her mother, it not infrequently happens that the survivor is afflicted with tormenting scruples, called ‘obsessive reproaches’ which raises the question whether she herself has not been guilty through carelessness or neglect, of the death of the beloved person. No recalling of the care with which she nursed the invalid, or direct refutation of the asserted guilt can put an end to the torture, which is the pathological expression of mourning and which in time slowly subsides. Psychoanalytic investigation of such cases has made us acquainted with the secret mainsprings of this affliction. We have ascertained that these obsessive reproaches are in a certain sense justified and therefore are immune to refutation or objections. Not that the mourner has really been guilty of the death or that she has really been careless, as the obsessive reproach asserts; but still there was something in her, a wish of which she herself was unaware, which was not displeased with the fact that death came, and which would have brought it about sooner had it been strong enough. The reproach now reacts against this unconscious wish after the death of the beloved person. Such hostility, hidden in the unconscious behind tender love, exists in almost all cases of intensive emotional allegiance to a particular person, indeed it represents the classic case, the prototype of the ambivalence of human emotions. There is always more or less of this ambivalence in everybody’s disposition; normally it is not strong enough to give rise to the obsessive reproaches we have described. But where there is abundant predisposition for it, it manifests itself in the relation to those we love most, precisely where you would least expect it. The disposition to compulsion neurosis which we have so often taken for comparison with taboo problems, is distinguished by a particularly high degree of this original ambivalence of emotions.
Sigmund Freud (Totem and Taboo Resemblances Between the Psychic Lives of Savages and Neurotics)
and confused if someone does not appreciate their niceness. Others often sense this and avoid giving them feedback not only, effectively blocking the nice person’s emotional growth, but preventing risks from being taken. You never know with a nice person if the relationship would survive a conflict or angry confrontation. This greatly limits the depths of intimacy. And would you really trust a nice person to back you up if confrontation were needed? 3. With nice people you never know where you really stand. The nice person allows others to accidentally oppress him. The “nice” person might be resenting you just for talking to him, because really he is needing to pee. But instead of saying so he stands there nodding and smiling, with legs tightly crossed, pretending to listen. 4. Often people in relationship with nice people turn their irritation toward themselves, because they are puzzled as to how they could be so upset with someone so nice. In intimate relationships this leads to guilt, self-hate and depression. 5. Nice people frequently keep all their anger inside until they find a safe place to dump it. This might be by screaming at a child, blowing up a federal building, or hitting a helpless, dependent mate. (Timothy McVeigh, executed for the Oklahoma City bombing, was described by acquaintances as a very, very nice guy, one who would give you the shirt off his back.) Success in keeping the anger in will often manifest as psychosomatic illnesses, including arthritis, ulcers, back problems, and heart disease. Proper Peachy Parents In my work as a psychotherapist, I have found that those who had peachy keen “Nice Parents” or proper “Rigidly Religious Parents” (as opposed to spiritual parents), are often the most stuck in chronic, lowgrade depression. They have a difficult time accessing or expressing any negative feelings towards their parents. They sometimes say to me “After all my parents did for me, seldom saying a harsh word to me, I would feel terribly guilty complaining. Besides, it would break their hearts.” Psychologist Rollo May suggested that it is less crazy-making to a child to cope with overt withdrawal or harshness than to try to understand the facade of the always-nice parent. When everyone agrees that your parents are so nice and giving, and you still feel dissatisfied, then a child may conclude that there must be something wrong with his or her ability to receive love. -§ Emotionally starving children are easier to control, well fed children don’t need to be. -§ I remember a family of fundamentalists who came to my office to help little Matthew with his anger problem. The parents wanted me to teach little Matthew how to “express his anger nicely.” Now if that is not a formula making someone crazy I do not know what would be. Another woman told me that after her stinking drunk husband tore the house up after a Christmas party, breaking most of the dishes in the kitchen, she meekly told him, “Dear, I think you need a breath mint.” Many families I work with go through great anxiety around the holidays because they are going to be forced to be with each other and are scared of resuming their covert war. They are scared that they might not keep the nice garbage can lid on, and all the rotting resentments and hopeless hurts will be exposed. In the words to the following song, artist David Wilcox explains to his parents why he will not be coming home this Thanksgiving: Covert War by David Wilcox
Kelly Bryson (Don't Be Nice, Be Real)
I dreamed of the day when computer games would be a viable medium of artistic expression — an art form. I dreamed of computer games expressing the full breadth of human experience and emotion. I dreamed of computer games that were tragedies, games about duty and honour, self-sacrifice and patriotism. I dreamed of satirical games and political games; games about the passionate love between a boy and girl, and the serene and mature love of a husband and wife of decades; games about a boy becoming a man, and a man realizing that he is no longer young. I dreamed of games about a man facing truth on a dusty main street at high noon, and a boy and his dog, and a prostitute with a heart of gold.
Chris Crawford
These motives ranged from the mundane (“I was bored”) to the spiritual (“I wanted to get closer to God”), from altruistic (“I wanted my man to feel good about himself”) to vengeful (“I wanted to punish my husband for cheating on me”). Some women have sex to feel powerful, others to debase themselves. Some want to impress their friends; others want to harm their enemies (“I wanted to break up a rival’s relationship by having sex with her boyfriend”). Some express romantic love (“I wanted to become one with another person”); others express disturbing hate (“I wanted to give someone else a sexually transmitted disease”). But none of these reasons conveyed the “why” that hid behind each motive.
Cindy M. Meston (Why Women Have Sex: Understanding Sexual Motivation from Adventure to Revenge (and Everything in Between))
I never ought to, while I have you to cheer me up, Marmee, and Laurie to take more than half of every burden," replied Amy warmly. "He never lets me see his anxiety, but is so sweet and patient with me, so devoted to Beth, and such a stay and comfort to me always that I can't love him enough. So, in spite of my one cross, I can say with Meg, 'Thank God, I'm a happy woman.'" "There's no need for me to say it, for everyone can see that I'm far happier than I deserve," added Jo, glancing from her good husband to her chubby children, tumbling on the grass beside her. "Fritz is getting gray and stout. I'm growing as thin as a shadow, and am thirty. We never shall be rich, and Plumfield may burn up any night, for that incorrigible Tommy Bangs will smoke sweet-fern cigars under the bed-clothes, though he's set himself afire three times already. But in spite of these unromantic facts, I have nothing to complain of, and never was so jolly in my life. Excuse the remark, but living among boys, I can't help using their expressions now and then." "Yes, Jo, I think your harvest will be a good one," began Mrs. March, frightening away a big black cricket that was staring Teddy out of countenance. "Not half so good as yours, Mother. Here it is, and we never can thank you enough for the patient sowing and reaping you have done," cried Jo, with the loving impetuosity which she never would outgrow. "I hope there will be more wheat and fewer tares every year," said Amy softly.
Louisa May Alcott (Little Women (Illustrated))
Love says to a husband, ‘I love you too much to help you do wrong. I will not sit here and let you destroy yourself and me by cursing me every night. I cannot make you stop cursing, but I will not be here to receive it tonight. If you want to make our lives better, then I am open. But I won’t be a part of letting you destroy me.’ “Your attitude is not to be one of abandonment but of love,” (...)“ there is never a time to stop loving someone, but there is a time to start expressing that love in a different, more effective manner. Love is not letting someone step on you. Love is caring so much for their well-being that you refuse to play into their sick behavior. Many people are healed when someone loves them enough to stand up to their inappropriate actions.
Gary Chapman (Hope For the Separated: Wounded Marriages Can Be Healed)
If you want to raise your children successfully, you must combine love with discipline. The way to produce unhappy, frustrated children, on the other hand, is to spoil them—to give them all they ask for, to do everything they want, to succumb to every demand. Children raised in this way will, when they grow up, expect life to treat them the same way their parents did. But life does not play the game that way! Life is pretty tough—and getting tougher. I have observed the lives of people whose parents treated them with unscriptural indulgence and I would say that, in varying degrees, they have all had difficult lives. To spoil your children is not kindness. Often, in fact, it is the expression of laziness. It takes much less effort to spoil your children than to discipline
Derek Prince (Husbands and Fathers: Rediscover the Creator's Purpose for Men)
I have this special license burning a hole in my pocket, so I was thinking we might go find a vicar and use it. Pinter and Freddy can be witnesses.” He looked anxiously at her. “What do you think?” “Don’t you want your family present when we marry? I thought you lordly sorts had to have grand weddings.” “Is that what you want?” In truth, she’d never been one to dream of her wedding day as a brilliant spectacle. Clandestine weddings were always what captured her imagination, complete with a dangerous, brooding fellow and mysterious goings-on. In this instance, she had both. He said, “Let me put it this way: we can spend an untold number of days sneaking around just to steal a kiss, being chaperoned every minute while my sisters and Gran plan the wedding of the century. Or we can marry today and share a bed at the inn tonight like a respectable husband and wife. I’m not keep on waiting, but then, I never am when it comes to you. So what is your opinion in the matter?” She couldn’t resist teasing him a little. “I think you just want to punish your grandmother for her sly tactics by depriving her of the weddings.” He smiled. “Perhaps a little. And God knows my friends are never going to let me live this down. I’m not looking forward to hours of their torment at a wedding breakfast.” He stopped in a little copse where they would be hidden from the street. “But if you want a big wedding, I can endure it.” His expression was solemn as he took her hands in his. “I can endure anything, as long as you marry me. And keep loving me for the rest of your life.” Staring into his earnest face, she felt something flip over in her chest. She stretched up to brush his mouth with hers, and he pulled her in for a long, ardent kiss. “Well?” he said huskily when he was done. “If I had any sense of decency, I would give you a chance to consult with a lawyer about settlements and such, especially since you’ll be coming into some money. But-“ “-you have no sense of decency, I know,” she teased. She tapped her finger against her chin. “Or was that morals you claimed not to have? I can’t remember.” “Watch it, minx,” he warned with a lift of his brow. “If you intend to taunt me for every foolish statement I’ve made in my life, you’ll force me to play Rockton and lock you up in my dark, forbidding manor while I have my wicked way with you.” “That sounds perfectly awful,” she said, gazing at the man she loved. “How soon can we start?
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Rohit: I long to be with you, in the fullest most beautiful, complete expression of all that you are. I long to see you, hear you and love you in every way possible. When and how will that be possible? God: You will, in time. I will certainly reveal myself to you and all those who desire to have a relationship with me. For now, find me everywhere and in everyone. Love me in nature, in the land, the trees, the plants and the animals. Love me as all of the people you meet. Grab your boyfriend or girlfriend, husband or wife, child or friend. See me in them. Love them as you would love me and I will love you through them as well. I will show you the way. Rohit: What can I do to get closer to you? God: You need not do anything. I am always with you, always by your side, always ready to connect with you, always longing to be in love with you. Through this book and many like it, I have been reminding you of our long forgotten love. I am the soul mate, the one true love, the knight in shining armor, the King or Queen of your heart, the ideal lover that you have been searching for all your life. All your adventures in this world have added richness to the tapestry of your being and deepened your capacity to love and be loved. Our love is the greatest ecstasy, the sweetest bliss, the most intoxicating nectar that your soul has been longing for. It hurts me to see you resist, struggle and suffer. You are not alone. Make me a partner on your journey and let us walk together. Share your joys and sorrows, your struggle and your successes with me. Know that I have your back, that I am with you through thick and thin. I never let go of you.
Rohit Juneja (God You Sexy Devil: Exposing The Greatest Lie Ever Told)
I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest — blest beyond what language can express; because I am my husband’s life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward’s society: he knows none of mine, any more than we each do the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character – perfect concord is the result.
Charlotte Brontë (Jane Eyre)
1. You are constantly second-guessing yourself. 2. You ask yourself, “Am I too sensitive?” a dozen times a day. 3. You often feel confused and even crazy at work. 4. You’re always apologizing to your mother, father, boyfriend, boss. 5. You wonder frequently if you are a “good enough” girlfriend/wife/employee/friend/daughter. 6. You can’t understand why, with so many apparently good things in your life, you aren’t happier. 7. You buy clothes for yourself, furnishings for your apartment, or other personal purchases with your partner in mind, thinking about what he would like instead of what would make you feel great. 8. You frequently make excuses for your partner’s behavior to friends and family. 9. You find yourself withholding information from friends and family so you don’t have to explain or make excuses. 10. You know something is terribly wrong, but you can never quite express what it is, even to yourself. 11. You start lying to avoid the put-downs and reality twists. 12. You have trouble making simple decisions. 13. You think twice before bringing up certain seemingly innocent topics of conversation. 14. Before your partner comes home, you run through a checklist in your head to anticipate anything you might have done wrong that day. 15. You have the sense that you used to be a very different person—more confident, more fun-loving, more relaxed. 16. You start speaking to your husband through his secretary so you don’t have to tell him things you’re afraid might upset him. 17. You feel as though you can’t do anything right. 18. Your kids begin trying to protect you from your partner. 19. You find yourself furious with people you’ve always gotten along with before. 20. You feel hopeless and joyless.
Robin Stern (The Gaslight Effect: How to Spot and Survive the Hidden Manipulation Others Use to Control Your Life)
Laevsky’s not loving Nadyezhda Fyodorovna showed itself chiefly in the fact that everything she said or did seemed to him a lie, or equivalent to a lie, and everything he read against women and love seemed to him to apply perfectly to himself, to Nadyezhda Fyodorovna and her husband. When he returned home, she was sitting at the window, dressed and with her hair done, and with a preoccupied face was drinking coffee and turning over the leaves of a fat magazine; and he thought the drinking of coffee was not such a remarkable event that she need put on a preoccupied expression over it, and that she had been wasting her time doing her hair in a fashionable style, as there was no one here to attract and no need to be attractive. And in the magazine he saw nothing but falsity. He thought she had dressed and done her hair so as to look handsomer, and was reading in order to seem clever.
Anton Chekhov (The Duel (Modern Library Classics))
24. you would rather remain with Christ than with the truth: The same sentiments are expressed in Dostoyevsky’s letter of late January-February 1854 to Natalya Fonvizina (1805–69), wife of the Decembrist Ivan Fonvizin, who followed her husband into exile. She visited Dostoyevsky and other members of the Petrashevsky Circle in the transit prison in Tobolsk, an act of kindness he remembered ever afterwards. Dostoyevsky wrote: ‘That credo is very simple, here it is: to believe that there is nothing more beautiful, more profound, more attractive, more wise, more courageous and more perfect than Christ, and what’s more, I tell myself jealous with love, there cannot be. Moreover, if someone proved to me that Christ were outside the truth, and it really were that the truth lay outside Christ, I would prefer to remain with Christ rather than with the truth’ (Complete Letters, tr. D. Lowe and R. Meyer, vol. 1, p. 195).
Fyodor Dostoevsky (Demons)
fear of death.” Our study of psychoneurotic disturbances points to a more comprehensive explanation, which includes that of Westermarck. When a wife loses her husband, or a daughter her mother, it not infrequently happens that the survivor is afflicted with tormenting scruples, called ‘obsessive reproaches’ which raises the question whether she herself has not been guilty through carelessness or neglect, of the death of the beloved person. No recalling of the care with which she nursed the invalid, or direct refutation of the asserted guilt can put an end to the torture, which is the pathological expression of mourning and which in time slowly subsides. Psychoanalytic investigation of such cases has made us acquainted with the secret mainsprings of this affliction. We have ascertained that these obsessive reproaches are in a certain sense justified and therefore are immune to refutation or objections. Not that the mourner has really been guilty of the death or that she has really been careless, as the obsessive reproach asserts; but still there was something in her, a wish of which she herself was unaware, which was not displeased with the fact that death came, and which would have brought it about sooner had it been strong enough. The reproach now reacts against this unconscious wish after the death of the beloved person. Such hostility, hidden in the unconscious behind tender love, exists in almost all cases of intensive emotional allegiance to a particular person, indeed it represents the classic case, the prototype of the ambivalence of human emotions. There is always more or less of this ambivalence in everybody’s disposition; normally it is not strong enough to give rise to the obsessive reproaches we have described. But where there is abundant predisposition for it, it manifests itself in the relation to those we love most, precisely where you would least expect it. The disposition to compulsion neurosis which we have so often taken for comparison with taboo problems, is distinguished by a particularly high degree of this original ambivalence of emotions.
Sigmund Freud (Totem and Taboo Resemblances Between the Psychic Lives of Savages and Neurotics)
Men often defer the hopes of their wives in several critical areas, and women often unconsciously return the favor. According to relationship expert Dr. Gary Smalley, the four greatest needs of a woman are: (1) emotional and physical security, (2) the need for regular meaningful communication, (3) nonsexual touch, and (4) romance. Each night when a husband comes home, his wife (sometimes without even knowing it) hopes that these needs will be addressed and fulfilled. They want to feel the security of his love and commitment; the safety of being able to express their feelings and opinions without being interrupted or criticized. They want to be held and caressed without it being linked to the husband’s need for sex. They want to be listened to and have the chance to talk about their day. They want to be able to talk about their hopes, desires, and dreams. They want to hear about their husband’s day. They want to feel connected. And, they want to be romanced. They want to feel valued for who they are, not just what they do. And how do husbands defer their
Steven K. Scott (The Richest Man Who Ever Lived: King Solomon's Secrets to Success, Wealth, and Happiness)
Immediately my mind had conceived this new idea of "the purest and most exalted manifestation of dramatic art," it, the idea, sped to join the imperfect pleasure which I had felt in the theatre, added to it a little of what was lacking, and their combination formed something so exalting that I cried out within myself: ‘What a great artist!’ It may doubtless be argued that I was not absolutely sincere. But let us bear in mind, rather, the numberless writers who, dissatisfied with the page which they have just written, if they read some eulogy of the genius of Chateaubriand, or evoke the spirit of some great artist whose equal they aspire to be, by humming to themselves, for instance, a phrase of Beethoven, the melancholy of which they compare with what they have been trying to express in prose, are so filled with that idea of genius that they add it to their own productions, when they think of them once again, see them no longer in the light in which at first they appeared, and, hazarding an act of faith in the value of their work, say to themselves: "After all!" without taking into account that, into the total which determines their ultimate satisfaction, they have introduced the memory of marvellous pages of Chateaubriand which they assimilate to their own, but of which, in cold fact, they are not the authors; let us bear in mind the numberless men who believe in the love of a mistress on the evidence only of her betrayals; all those, too, who are sustained by the alternative hopes, either of an incomprehensible survival of death, when they think, inconsolable husbands, of the wives whom they have lost but have not ceased to love, or, artists, of the posthumous glory which they may thus enjoy; or else the hope of complete extinction which comforts them when their thoughts turn to the misdeeds that otherwise they must expiate after death; let us bear in mind also the travellers who come home enraptured by the general beauty of a tour of which, from day to day, they have felt nothing but the tedious incidents; and let us then declare whether, in the communal life that is led by our ideas in the enclosure of our minds, there is a single one of those that make us most happy which has not first sought, a very parasite, and won from an alien but neighbouring idea the greater part of the strength that it originally lacked
Marcel Proust (In the Shadow of Young Girls in Flower)
We walk around inside that house like everything is okay, but it’s not, Quinn. We’ve been broken for years and I have no idea how to fix us. I find solutions. It’s what I do. It’s what I’m good at. But I have no idea how to solve me and you. Every day I come home, hoping things will be better. But you can’t even stand to be in the same room with me. You hate it when I touch you. You hate it when I talk to you. I pretend not to notice the things you don’t want me to notice because I don’t want you to hurt more than you already do.” He releases a rush of air. “I am not blaming you for what I did. It’s my fault. I did that. I fucked up. But I didn’t fuck up because I was attracted to her. I fucked up because I miss you. Every day, I miss you. When I’m at work, I miss you. When I’m home, I miss you. When you’re next to me in bed, I miss you. When I’m inside you, I miss you.” Graham presses his mouth to mine. I can taste his tears. Or maybe they’re my tears. He pulls back and presses his forehead to mine. “I miss you, Quinn. So much. You’re right here, but you aren’t. I don’t know where you went or when you left, but I have no idea how to bring you back. I am so alone. We live together. We eat together. We sleep together. But I have never felt more alone in my entire life.” Graham releases me and falls back against his seat. He rests his elbow against the window, covering his face as he tries to compose himself. He’s more broken than I’ve ever seen him in all the years I’ve known him. And I’m the one slowly tearing him down. I’m making him unrecognizable. I’ve strung him along by allowing him to believe there’s hope that I’ll eventually change. That I’ll miraculously turn back into the woman he fell in love with. But I can’t change. We are who our circumstances turn us into. “Graham.” I wipe at my face with my shirt. He’s quiet, but he eventually looks at me with his sad, heartbroken eyes. “I haven’t gone anywhere. I’ve been here this whole time. But you can’t see me because you’re still searching for someone I used to be. I’m sorry I’m no longer who I was back then. Maybe I’ll get better. Maybe I won’t. But a good husband loves his wife through the good and the bad times. A good husband stands at his wife’s side through sickness and health, Graham. A good husband- a husband who truly loves his wife - wouldn’t cheat on her and then blame his infidelity on the fact that he’s lonely.” Graham’s expression doesn’t change. He’s as still as a statue. The only thing that moves is his jaw as he works it back and forth. And then his eyes narrow and he tilts his head. “You don’t think I love you, Quinn?” “I know you used to. But I don’t think you love the person I’ve become.” Graham sits up straight. He leans forward, looking me hard in the eye. His words are clipped as he speaks. “I have loved you every single second of every day since the moment I laid eyes on you. I love you more now than I did the day I married you. I love you, Quinn. I fucking love you!” He opens his car door, gets out and then slams it shut with all his strength. The whole car shakes. He walks toward the house, but before he makes it to the front door, he spins around and points at me angrily. “I love you, Quinn!” He’s shouting the words. He’s angry. So angry. He walks toward his car and kicks at the front bumper with his bare foot. He kicks and he kicks and he kicks and then pauses to scream it at me again. “I love you!” He slams his fist against the top of his car, over and over, until he finally collapses against the hood, his head buried in his arms. He remains in this position for an entire minute, the only thing moving is the subtle shaking of his shoulders. I don’t move. I don’t even think I breathe. Graham finally pushes off the hood and uses his shirt to wipe at his eyes. He looks at me, completely defeated. “I love you,” he says quietly, shaking his head. “I always have. No matter how much you wish I didn’t.
Colleen Hoover (All Your Perfects)
What an extraordinary creature," Win heard Dr. Harrow murmur nearby. She followed his gaze to the lady of the house, Mrs. Annabelle Hunt, who was greeting guests. Although Win had never met Mrs. Hunt, she recognized her from descriptions she had heard. Mrs. Hunt was said to be one of the greatest beauties of England, with her beautifully turned figure and heavily lashed blue eyes, and hair that gleamed with rich shades of honey and gold. But it was her luminous, lively expressiveness that made her truly engaging. "That's her husband, standing next to her," Poppy murmured. "He's intimidating, but very nice." "I beg to differ," Leo said. "You don't think he's intimidating?" Win asked. "I don't think he's nice. Whenever I happen to be in the same room as his wife, he looks at me as if he'd like to dismember me." "Well," Poppy said prosaically, "one can't fault his judgment." She leaned toward Win and said, "Mr. Hunt is besotted with his wife. Their marriage is a love match, you see." "How unfashionable," Dr. Harrow commented with a grin. "He even dances with her," Beatrix told Win, "which husbands and wives are never supposed to do. But considering Mr. Hunt's fortune, people find reasons to excuse him for such behavior." "See how small her waist is," Poppy murmured to Win. "And that's after three children- two of them very large boys.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Every estate has its traitors, so too matrimony. Naturally I do not mean the seducers, for of course they have not entered into this holy estate (I trust the mood this inquiry meets you in doesn’t cause you to smile at that expression); I do not mean those who have left it through divorce, for they have at least had the courage to be openly rebellious. No, I mean those who are rebels only in thought, who do not even dare let it be expressed in action, these wretched husbands who sit and sigh over the fact that love has long ago evaporated from their marriage, these husbands who, as you once said of them, sit like lunatics each in his matrimonial cell, and tug at the iron bars and fantasize about the sweetness of betrothal and the bitterness of marriage, these husbands who, as you rightly observe, are among those to congratulate, with a certain malicious glee, anyone who gets engaged. I cannot describe how despicable they appear to me, and how much unholy joy it gives me when such a husband confides in you and pours out all his sufferings, rattling off all his lies about the happy first love, and you say with a knowing look, ‘Yes, I’ll make sure not to get onto thin ice’, and he is all the more embittered that he can’t drag you with him into a common shipwreck. It is these husbands you so often refer to when you speak of a tender paterfamilias with four blessed children he would sooner see in hell.
Søren Kierkegaard (Either/Or: A Fragment of Life)
Parents need to awaken to the fact that some of today’s trendy tunes on the pop charts include lyrics that glamourize illicit drug usage, encourage demoralizing sexual activity, and blaspheme God. It was difficult enough for me to read the lyrics to some of these songs in my research for this book, much less think about what they represent and how they mock godly principles. “Just harmless music,” you say; “another form of artful expression.” After all, “no one bothers listening to the words anyway; they’re just interested in the beat . . . right?” Think on this disturbing story: A twenty-nine-year-old man confessed to police that he sang songs while fatally stabbing his wife and daughter. His four-year-old son survived the attack despite being stabbed eleven times. According to police, the husband and father said he was possessed and believed that his wife was a demon. (Note: It is not possible for a human being to become a demon, but one can be controlled by demonic forces.) The man reportedly told the police that just before stabbing his wife, he started screaming lyrics from a popular rap song, saying, “Here comes Satan. I’m the anti-Christ; I’m going to kill you.” Police said this father admitted that when the kids awoke to their mother’s screams, he stabbed them too. He said he stabbed his son the most because he loved him the most. Then he rolled a cigarette, said another prayer, and called 911.14
John Hagee (The Three Heavens: Angels, Demons and What Lies Ahead)
I believe Nancy said that her aunt married beneath her.” Which you wouldn’t let me do. He went rigid beside her. “Ah. That does happen.” Unless you’re Dom the Almighty. “The marriage seems to have turned out well enough.” Jane would goad him into revealing the truth of what he’d done, no matter what it took. “Nancy said Mrs. Patch misses her late husband dreadfully and refuses to decamp from York, though she could easily live with my uncle. Apparently, she doesn’t miss her life as a knight’s daughter.” “Oh? And exactly how far beneath herself she marry?” Jane colored as she dredged that little detail from her memory. “Her late husband was an architect, I believe.” “So, not a gentleman of leisure but still in a profession respectable enough that Nancy felt no compunction about visiting her.” He smirked as he navigated the phaeton expertly through the narrow streets of York. “There are levels of marrying beneath one, after all.” Oh, she could just smack his face for that. After all these years, that he could still be so certain of the wisdom of the course he’d set them upon…”Yes, just as there are levels of being in love. Some people’s love for each other transcends all obstacles. Some people’s love does not.” His smug expression vanished. “And some people do not understand the meaning of the word.” “Really? I thought love was about enduring any sacrifice to be with the object of one’s affection.” He drove through an archway and reined in the horses. “Here we are. The Elephant and Castle.” So he was avoiding the subject. Again.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Haydée became pale, and lifting her transparent hands to heaven, exclaimed in a voice stifled with tears, “Then you leave me, my lord?” “Haydée, Haydée, you are young and beautiful; forget even my name, and be happy.” “It is well,” said Haydée; “your order shall be executed, my lord; I will forget even your name, and be happy.” And she stepped back to retire. “Oh, heavens,” exclaimed Valentine, who was supporting the head of Morrel on her shoulder, “do you not see how pale she is? Do you not see how she suffers?” Haydée answered with a heartrending expression, “Why should he understand this, my sister? He is my master, and I am his slave; he has the right to notice nothing.” The count shuddered at the tones of a voice which penetrated the inmost recesses of his heart; his eyes met those of the young girl and he could not bear their brilliancy. “Oh, heavens,” exclaimed Monte Cristo, “can my suspicions be correct? Haydée, would it please you not to leave me?” “I am young,” gently replied Haydée; “I love the life you have made so sweet to me, and I should be sorry to die.” “You mean, then, that if I leave you, Haydée——” “I should die; yes, my lord.” “Do you then love me?” “Oh, Valentine, he asks if I love him. Valentine, tell him if you love Maximilian.” The count felt his heart dilate and throb; he opened his arms, and Haydée, uttering a cry, sprang into them. “Oh, yes,” she cried, “I do love you! I love you as one loves a father, brother, husband! I love you as my life, for you are the best, the noblest of created beings!
Alexandre Dumas (The Count of Monte Cristo)
I had to drive through a very poor and largely Hispanic section of Miami to get to the apartment complex where Casey Martin had died. There were a lot of beautiful women on the sidewalks and at the outdoor cafés, a lot of tough guys and a lot of guys who weren’t tough but trying to look like they were. The streets were alive with what criminally passed for music nowadays, and there were smells of cooking in the air that suggested savory tastes. Small, hole-in-the-wall shops marked one end, and some more upscale stores the other. The dividing line between the two was discernible not just by the stores, but the women. The women and even younger girls at the lower income end seemed softer, friendlier, quicker with a genuine smile. The ones walking into the trendy places were just as pretty, more expensively dressed, but more apt to express scorn than produce a spontaneous smile. The upscale women appeared to be from a different planet. For them, everything was sexist, everything a slight. They were eternal victims, even though the entire world was in their favor. The women at the poor end fell in love, watched out for their men, while the more affluent were stand-offish and demanding, making certain any man “lucky” enough to be with them lived in the right zip code, had the right amount of bling to give them, and above all, had been properly neutered. The balls of their boyfriends and husbands — sometimes they had both — were always in their handbag, somewhere between the trendy lip liner and eye shadow. A kiss from one of the poor girls was a sweet gift, filled with passion and tenderness, even if it could only last a night. A kiss from an uptown girl meant you’d checked off all her right boxes, and she needed to fulfill her duty. Girls without money were from Venus, girls with money were from Mars.
Bobby Underwood (Eight Blonde Dolls (Seth Halliday #3))
Tatiasha, I am so sorry,” he whispered. “I’m sorry I said those heartless things. I didn’t mean them.” He held her stomach into him. “You meant them,” Tatiana said emptily. “You’re a soldier. You meant them all.” “No, Tania,” Alexander said, hating himself. “I didn’t. I’m your husband first.” He held her close. “Feel me, Tania, feel my body, feel my hands, my lips on you, feel my heart. I didn’t mean them.” “Shura, I wish you would stop saying things you don’t mean.” He breathed in her smells, rubbing his face in her hair. “I know. I’m sorry.” She didn’t reply, but her hand remained on his. “Turn to me?” he asked, pulling himself away. “No.” “Please. Turn to me, and tell me you forgive me.” Tatiana turned, lifting her swollen eyes to Alexander. “Oh, honey…” He paused, closing his eyes. He could not endure her expression. “Breathe on me,” he whispered. “I want to smell your blueberry breath on my face.” She did. Alexander inhaled the warm spirit out of her lungs into his mouth and into his lungs. He hugged her. “Please tell me you forgive me, Tania.” “I forgive you.” Her voice was flat. “Kiss me. I want to feel your lips forgive me.” She kissed him. He watched her close her eyes. “You have not forgiven me. Again.” Tatiana kissed him again softly. She kissed him, and then her mouth parted, and she made a small forgiving moaning sound. Her hands drifted down to take hold of him. Quietly she caressed him and caressed him. And caressed him. “Thank you,” Alexander said, gazing at her. “Say to me, Shura, I know you didn’t mean it. You were just angry.” Sighing, she said, “I know you didn’t mean it.” “Say to me, I know you love me to insanity.” “I know you love me.” “No, Tania,” he said, raw emotion in his voice. “I love you to insanity.” He ran his lips back and forth against her silken eyebrows, unable to breathe, afraid he would exhale her breath out of him.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The war was lost The treaty signed I was not caught I crossed the line I was not caught Though many tried I live among you Well-disguised I had to leave My life behind I dug some graves You'll never find The story's told With facts and lies I had a name But never mind Never mind Never mind The war was lost The treaty signed There's Truth that lives And Truth that dies I don't know which So never mind (...السلام و السلام) Your victory Was so complete Some among you Thought to keep A record of Our little lives The clothes we wore Our spoons our knives The games of luck Our soldiers played The stones we cut The songs we made Our law of peace Which understands A husband leads A wife commands And all of these Expressions of the Sweet indifference Some called love The high indifference Some call fate But we had names More intimate Names so deep And names so true They're blood to me They're dust to you There is no need And this survives There's Truth that lives And Truth that dies Never mind Never mind I leave the life I left behind There's Truth that lives And Truth that dies I don't know which So never mind (...السلام و السلام) I could not kill The way you kill I could not hate I tried, I failed You turned me in At least you tried You side with them whom You despise This was your heart This swarm of flies This was once your mouth This bowl of lies You serve them well I'm not surprised You're of their kin You're of their kind Never mind Never mind I had to leave my Life behind The story's told With facts and lies You own the world So never mind Never mind Never mind I live the life I left behind I live it full I live it wide Through layers of time You can't divide My woman's here My children too Their graves are safe From ghosts like you In places deep With roots entwined I live the life I left behind The war was lost The treaty signed I was not caught Across the line I was not caught Though many tried I live among you Well-disguised
Leonard Cohen
Men traveling alone develop a romantic vertigo. Bech had already fallen in love with a freckled embassy wife in Russia, a buck-toothed chanteuse in Rumania, a stolid Mongolian sculptress in Kazakhstan. In the Tretyakov Gallery he had fallen in love with a recumbent statue, and at the Moscow Ballet School with an entire roomful of girls. Entering the room, he had been struck by the aroma, tenderly acrid, of young female sweat. Sixteen and seventeen, wearing patchy practice suits, the girls were twirling so strenuously their slippers were unraveling. Demure student faces crowned the unconscious insolence of their bodies. The room was doubled in depth by a floor-to-ceiling mirror. Bech was seated on a bench at its base. Staring above his head, each girl watched herself with frowning eyes frozen, for an instant in the turn, by the imperious delay and snap of her head. Bech tried to remember the lines of Rilke that expressed it, this snap and delay: did not the drawing remain/that the dark stroke of your eyebrow/swiftly wrote on the wall of its own turning? At one point the teacher, a shapeless old Ukrainian lady with gold canines, a prima of the thirties, had arisen and cried something translated to Bech as, “No, no, the arms free, free!” And in demonstration she had executed a rapid series of pirouettes with such proud effortlessness that all the girls, standing this way and that like deer along the wall, had applauded. Bech had loved them for that. In all his loves, there was an urge to rescue—to rescue the girls from the slavery of their exertions, the statue from the cold grip of its own marble, the embassy wife from her boring and unctuous husband, the chanteuse from her nightly humiliation (she could not sing), the Mongolian from her stolid race. But the Bulgarian poetess presented herself to him as needing nothing, as being complete, poised, satisfied, achieved. He was aroused and curious and, the next day, inquired about her of the man with the vaguely contemptuous mouth of a hare—a novelist turned playwright and scenarist, who accompanied him to the Rila Monastery. “She lives to write,” the playwright said. “I do not think it is healthy.
John Updike (Bech: A Book)
After I returned from that morning, our telephone rang incessantly with requests for interviews and photos. By midafternoon I was exhausted. At four o’clock I was reaching to disconnect the telephone when I answered one last call. Thank heavens I did! I heard, “Mrs. Robertson? This is Ian Hamilton from the Lord Chamberlain’s office.” I held my breath and prayed, “Please let this be the palace.” He continued: “We would like to invite you, your husband, and your son to attend the funeral of the Princess of Wales on Saturday in London.” I was speechless. I could feel my heart thumping. I never thought to ask him how our name had been selected. Later, in London, I learned that the Spencer family had given instructions to review Diana’s personal records, including her Christmas-card list, with the help of her closest aides. “Yes, of course, we absolutely want to attend,” I answered without hesitating. “Thank you so much. I can’t tell you how much this means to me. I’ll have to make travel plans on very short notice, so may I call you back to confirm? How late can I reach you?” He replied, “Anytime. We’re working twenty-four hours a day. But I need your reply within an hour.” I jotted down his telephone and fax numbers and set about making travel arrangements. My husband had just walked in the door, so we were able to discuss who would travel and how. Both children’s passports had expired and could not be renewed in less than a day from the suburbs where we live. Caroline, our daughter, was starting at a new school the very next day. Pat felt he needed to stay home with her. “Besides,” he said, “I cried at the wedding. I’d never make it through the funeral.” Though I dreaded the prospect of coping with the heartbreak of the funeral on my own, I felt I had to be there at the end, no matter what. We had been with Diana at the very beginning of the courtship. We had attended her wedding with tremendous joy. We had kept in touch ever since. I had to say good-bye to her in person. I said to Pat, “We were there for the ‘wedding of the century.’ This will be ‘the funeral of the century.’ Yes, I have to go.” Then we just looked at each other. We couldn’t find any words to express the sorrow we both felt.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
You may find this hard to believe, Mr. Pinter," she went on defensively, "but some men enjoy my company. They consider me easy to talk to." A ghost of a smile touched his handsome face. "You're right. I do find that hard to believe." Arrogant wretch. "All the same, there are three men who might consider marrying me, and I could use your help in securing them." She hated having to ask him for that, but he was necessary to her plan. She just needed one good offer of marriage, one impressive offer that would show Gran she was capable of gaining a decent husband. Gran didn't believe she could, or she wouldn't be holding to that blasted ultimatum. If Celia could prove her wrong, Gran might allow her to choose a husband in her own good time. And if that plan didn't work, Celia would at least have a man she could marry to fulfill Gran's terms. "So you've finally decided to meet Mrs. Plumtree's demands," he said, his expression unreadable. She wasn't about to let him in on her secret plan. Oliver might have employed him, but she was sure Mr. Pinter also spied for Gran. He would run right off and tell her. "It's not as if I have a choice." Bitterness crept into her tone. "In less than two months, if I remain unmarried, my siblings will be cut off. I can't do that to them, no matter how much I resent Gran's meddling." Something that looked oddly like sympathy flickered in his gaze. "Don't you want to marry?" "Of course I want to marry. Doesn't every woman?" "You've shown little interest in it before," he said skeptically. That's because men had shown little interest in her. Oh, Gab's friends loved to stand about with her at balls and discuss the latest developments in cartridges, but they rarely asked her to dance, and if they did, it was only to consult her on rifles. She'd tried flirting, but she was terrible at it. It seemed so...false. So did men's compliments, the few that there were. It was easier to laugh them off than to figure out which ones were genuine, easier to pretend to be one of the lads. She secretly wished she could find a man she could love, who would ignore the scandals attached to he family's name and indulge her hobby of target shooting. One who could shoot as well as she, since she could never respect a man who couldn't hit what he aimed at. I'll bet Mr. Pinter knows his way around a rifle.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Friday, March 24, 1944 ...Have my parents forgotten that they were young once? Apparently they have. At any rate, they laugh at us when we're serious, and they're serious when we're joking. Saturday, March 25, 1944 I don't have much in the way of money or worldly possessions, I'm not beautiful, intelligent or clever, but I'm happy, and I intend to stay that way! I was born happy, I love people, I have a trusting nature, and I'd like everyone else to be happy too. Friday, March 31, 1944 My life here has gotten better, much better. God has not forsaken me, and He never will. Wednesday, April 5, 1944 ...I can't imagine having to live like Mother, Mrs. van Daan and all the women who go about their work and are then forgotten. I need to have something besides a husband and children to devote myself to! I don't want to have lived in vain like most people. I want to be useful or bring enjoyment to all people, even those I've never met. I want to go on living even after my death! And that's why I'm so grateful to God for having given me this gift, which I can use to develop myself and to express all that's inside me! When I write I can shake off all my cares. My sorrow disappears, my spirits are revived! But, and that's a big question, will I ever be able to write something great, will I ever become a journalist or a writer? Tuesday, April 11, 1944 We've been strongly reminded of the fact that we're Jews in chains, chained to one spot, without any rights, but with a thousand obligations. We must put our feelings aside; we must be brave and strong, bear discomfort without complaint, do whatever is in our power and trust in God. One day this terrible war will be over. The time will come when we'll be people again and not just Jews! ...It's God who has made us the way we are, but it's also God who will lift us up again... ... I know what I want, I have a goal, I have opinions, a religion and love. If only I can be myself, I'll be satisfied. I know that I'm a woman, a woman with inner strength and a great deal of courage! If God lets me live, I'll achieve more than Mother ever did, I'll make my voice heard, I'll go out into the world and work for mankind! I know now that courage and happiness are needed first! Monday, April 17, 1944 Oh yes, I still have so much I want to discuss with him, since I don't see the point of just cuddling. Sharing our thoughts with each other requires a great deal of trust, but we'll both be stronger because of it!
Anne Frank (The Diary Of a Young Girl)
Driscoll preached a sermon called “Sex: A Study of the Good Bits of Song of Solomon,” which he followed up with a sermon series and an e-book, Porn-again Christian (2008). For Driscoll, the “good bits” amounted to a veritable sex manual. Translating from the Hebrew, he discovered that the woman in the passage was asking for manual stimulation of her clitoris. He assured women that if they thought they were “being dirty,” chances are their husbands were pretty happy. He issued the pronouncement that “all men are breast men. . . . It’s biblical,” as was a wife performing oral sex on her husband. Hearing an “Amen” from the men in his audience, he urged the ladies present to serve their husbands, to “love them well,” with oral sex. He advised one woman to go home and perform oral sex on her husband in Jesus’ name to get him to come to church. Handing out religious tracts was one thing, but there was a better way to bring about Christian revival. 13 Driscoll reveled in his ability to shock people, but it was a series of anonymous blog posts on his church’s online discussion board that laid bare the extent of his misogyny. In 2006, inspired by Braveheart, Driscoll adopted the pseudonym “William Wallace II” to express his unfiltered views. “I love to fight. It’s good to fight. Fighting is what we used to do before we all became pussified,” before America became a “pussified nation.” In that vein, he offered a scathing critique of the earlier iteration of the evangelical men’s movement, of the “pussified James Dobson knock-off crying Promise Keeping homoerotic worship . . .” where men hugged and cried “like damn junior high girls watching Dawson’s Creek.” Real men should steer clear. 14 For Driscoll, the problem went all the way back to the biblical Adam, a man who plunged humanity headlong into “hell/ feminism” by listening to his wife, “who thought Satan was a good theologian.” Failing to exercise “his delegated authority as king of the planet,” Adam was cursed, and “every man since has been pussified.” The result was a nation of men raised “by bitter penis envying burned feministed single mothers who make sure that Johnny grows up to be a very nice woman who sits down to pee.” Women served certain purposes, and not others. In one of his more infamous missives, Driscoll talked of God creating women to serve as penis “homes” for lonely penises. When a woman posted on the church’s discussion board, his response was swift: “I . . . do not answer to women. So, your questions will be ignored.” 15
Kristin Kobes Du Mez (Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation)
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
At least tell me the truth about Blakeborough,” he said hoarsely. “Do you love him?” “Why does it matter?” His eyes ate her up. “If you do, I’ll keep my distance. I’ll stay out of your life from now on.” “You’ve been doing that easily enough for the past twelve years,” she snapped. “I don’t see why my feelings for Edwin should change anything.” “Easily? It was never easy, I assure you.” His expression was stony. “And you’re avoiding the question. Are you in love with Blakeborough?” How she wished she could lie about it. Dom would take himself off, and she wouldn’t be tempted by him anymore. Unfortunately, he could always tell when she was lying. “And if I say I’m not?” “Then I won’t rest until you’re mine again.” The determination in his voice shocked her. Unsettled her. Thrilled her. No! “I don’t want that.” His fingers dug into her arm. “Because you love Blakeborough?” “Because love is a lie designed to make a woman desire what is only a figure of smoke in the wind. Love is too dangerous.” He released a heavy breath. “So you don’t love him.” His persistence sparked her temper, and she pushed free of him. “Oh, for pity’s sake, if you must know, I don’t.” She faced him down. “Not that it matters one whit. I don’t need love to have a good marriage, an amiable marriage. I don’t even want love.” It hurt too much when her heart was trampled upon. Dom had done that once before. How could she be sure he wouldn’t do it again? Eyes gleaming in the firelight, he said in a low voice, “You used to want love.” “I was practically a child. I didn’t know any better. But I do now.” “Do you? I wonder.” He circled her like a wolf assessing its prey’s weaknesses. “Very well, let’s forget about love for the moment. What about passion?” “What about it?” she asked unsteadily as he slipped behind her. Nervous, she edged nearer the impressively massive pianoforte that sat in the center of the room. “What part does passion play in your plan for a safe and loveless marriage?” She pivoted to face him, startled to find that he’d stepped to within a breath of her. “None at all.” He chuckled. “Does Blakeborough know that?” “Not that it’s any of your concern, but Edwin and I have an arrangement. He’ll give me children; I’ll help him make sure Yvette finds a good husband. We both agree that passion is…unimportant to our plans.” “Really?” He raised an eyebrow. “It certainly aids in the production of those children you’re hoping for. To quote a certain lady, ‘You can set a plan in motion, but as soon as it involves people, it will rarely commence exactly as you wish.’ You may not want passion to be important, sweeting, but it always is.” “Not to us,” she said, though with him standing so close her legs felt like rubber and her blood raced wildly through her veins. “Not to me.” With his gaze darkening, he lifted his hand to run his thumb over the pounding pulse at her throat. “Yes, I can tell how unimportant it is to you.” “That doesn’t mean…anything.” “Doesn’t it?” He backed her against the pianoforte. “So the way you trembled in my arms this morning means nothing.” It meant far too much. It meant her body was susceptible to him, even when her mind had the good sense to resist. And curse him to the devil, he knew it. He slipped his hand about her waist to pull her against him. “It means nothing that every time we’re together, we ignite.” “People do not…ignite,” she said shakily, though her entire body was on fire. “What an absurd idea.” She held her breath and waited for his attempt to kiss her, determined to refuse it this time. But he didn’t kiss her. Instead he fondled her breast through her gown, catching her so by surprise that she gasped, then moaned as the feel of his hand caressing her made liquid heat swirl in her belly. Devil take the man.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Spread love everywhere you go: first of all in your own house. Give love to your children, to your wife or husband, to a next door neighbor…Let no one ever come to you without leaving better and happier. Be the living expression of God’s kindness; kindness in your face, kindness in your eyes, kindness in your smile, kindness in your warm greeting.
Mother Teresa
Slowly, he lifted her skirts, and her heart pounded an erratic rhythm as he slid his hand up her thigh, then across to the slit in her split drawers. He found the damp center between her legs. She let out a gasp of both shock and delight. He stroked her with his open palm, and she became intoxicated by the hot, searing motion of his hand. She opened her eyes and looked up at his handsome face against the blue sky, and discovered he was intently watching her expression. "My husband never did anything like this to me," she told him, certain she had surprised him with the confession, which came completely unbidden. "Then he didn't know how to love you properly." He kissed her again and twirled his tongue inside her mouth, then kissed down the front of her gown to her quivering stomach. "Oh, this is wicked," she whispered, knowing she should put a stop to it, but how could she when it was all so new and daring and exciting? He grinned and slowly slid his finger inside her. She sucked in a breath and writhed in pleasure on the blanket, then groaned on the outstroke and licked her lips voraciously. "It feels good," she whispered. "Too good.
Julianne MacLean (Surrender to a Scoundrel (American Heiresses, #6))
After the wedding, I don’t think I changed. I continued to express love to her as I had before marriage. I told her how beautiful she was. I told her how much I loved her. I told her how proud I was to be her husband.
Gary Chapman (The 5 Love Languages: The Secret to Love that Lasts)
the overarching ambition of Nordic societies during the course of the twentieth century, and into the twenty-first, has not been to socialize the economy at all, as is often mistakenly assumed. Rather the goal has been to free the individual from all forms of dependency within the family and in civil society: the poor from charity, wives from husbands, adult children from parents, and elderly parents from their children. The express purpose of this freedom is to allow all those human relationships to be unencumbered by ulterior motives and needs, and thus to be entirely free, completely authentic, and driven purely by love.
Anu Partanen (The Nordic Theory of Everything: In Search of a Better Life)
We keep the law not by exercising our mind and will (cf. Rom. 7:18-25) but by loving the Lord as our Husband and thereby partaking of His life and nature to become one with Him as His enlargement and expression.
Living Stream Ministry (Holy Bible Recovery Version (contains footnotes))
Love and the Eyes A believer may come to know the reality of another person either through his or her face, or through his or her words. God says: And if We wish, We could show them to you, then you would recognise them by their mark. And you will certainly recognise them by [their] tone of speech, and God knows your deeds. (Muhammad, 47:30) And the Messenger of God (s.a.w.) said: ‘Beware the insight of the believer, for he [or she] sees by the light of God.’ [148] This is generally the case with the believers, but there is something special—a great mystery—about a person’s eyes which may: (1) express love; or (2) engender love in the beholder himself or herself [149] , or (3) engender love in the one who looks into their eyes. In other words, love may: (1) be seen by others in a person’s eyes; (2) ‘enter’ a person through his or her eyes into his or her soul and heart as they look at someone else, or (3) cause another person to love them as a result of a meeting of the eyes—of ‘eye-contact’. God alludes to all of this with His words: He knows the treachery of the eyes and what the breasts hide. (Ghafir, 40:19) Thus the eyes betray love in the soul and heart, and make it plain to see; and the eyes can also cause love to grow, when there is prolonged eye-contact. This allows us to understand the two Hadiths: Ibn Mas’ud and Hudhayfah both reported that the Messenger of God (s.a.w.) said: ‘The glance of the eye is a poison dart fired by Iblis [the Devil]; whosoever leaves it through fear of Me, I shall replace it for him with a faith whose sweetness he shall experience in his heart.’ [150] And ‘Ali bin Abi Talib (a.s.) reported that the Messenger of God (s.a.w.) said: ‘O ‘Ali, do not follow one glance with another, for you are permitted the first one but not the second.’ [151] Conversely, when Mughirah ibn Shu’bah wanted to ask for a woman’s hand in marriage, the Messenger of God (s.a.w.) said to him: ‘Look upon her, for it is more likely that you will bond with each other.’ [152] This explains the importance of lowering one’s gaze [153] , which God commands the believers to do, with His words: Tell believing men to lower their gaze and to guard their private parts. That is purer for them. Truly God is Aware of what they do. / And tell believing women to lower their gaze and to guard their private parts, and not to display their adornment except for what is apparent, and let them draw their veils over their bosoms and not reveal their adornment, except to their husbands or their fathers, or their husbands’ fathers, or their sons, or their husbands’ sons, or their brothers, or their brothers’ sons, or their sisters’ sons, or their women, or what their right hands own, or such men who are dependant, not possessing any sexual desire, or children who are not yet aware of women’s private parts. And do not let them thump with their feet to make known their hidden ornaments. And rally to God in repentance, O believers, so that you might be successful. (Al-Nur, 24:30-31) Similarly, God warns His Messenger (s.a.w.) as follows: And do not extend your glance toward what We have given to some pairs among them to enjoy, [as] the flower of the life of this world that We may try them thereby.
Ghazi bin Muhammad Al-Hashemi (Love in the Holy Quran)
romance moved fast, and though Evie found it hard to imagine now, once she’d been a passionate lover. Once, she’d been on fire. Evie could put her finger precisely on the moment when things changed. It was an unusually warm evening; the sun was just settling, a deep crimson in the sky and she had been feeling a little low. Dr Stackhouse put it down to the menopause. She did not want to tell him that was already well behind her. So she smiled at him, in spite of the mild embarrassment, and headed for Carlinville, a six months’ supply of St John’s Wort and Evening Primrose Oil in her bag. Her mood had not lifted in months. Maybe she already knew something had changed between them. Paul came home that day, dangled a shiny set of keys before her. ‘It’s a classic,’ he told her. He forced a smile, but there was, she knew, nothing behind it. ‘I’ve bought it for us. I thought maybe I could take you out for spins, and if the weather is fine, we could bring a picnic.’ ‘Or perhaps I could drive…’ she said hopefully. ‘Dear, Evie, we both know where that almost ended up.’ Her father had made sure it was one of the few things he told Paul. He enjoyed recounting her near brush with the law and her habit of resting a little too heavily, in his opinion, on the accelerator. ‘We don’t want you thinking you’re in Monaco, do we?’ Paul smiled. He had no idea how much his words hurt. He had no more aspirations for her than her father had. Maybe he wanted to take care of her, but all too soon, he was taking care of someone else. In his expression, her whole world seemed to topple over. She knew that he was trapped. Trapped by his love for
Faith Hogan (My Husband's Wives)