Exposure Poem Quotes

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Somewhere across the interstate Exposure to the drug trade of emotions And the tsunami and typhoon of feelings Has made us all cops and robbers Of what we keep in the cavities In our chests
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Iain S. Thomas (25 Love Poems for the NSA)
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We'd all like to see our poems walking alone in the world. Like children reared to be independent adults. Some parents raise a child conservatively (that is, with no exposure to the darker things awaiting them beyond the door), but you can see how that's a mistake right? There's no way to know how best to prepare a child for the future. No way to know how to write a publishable poem -- I'm not saying safe poems don't get published. Or that sheltered children can't succeed. Just that you write the best poems you can and send them out. Sometimes they return home weeping. Sometimes they make their own way.
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Terrence K. Hayes
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Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, β€œan infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
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Annie Dillard (Pilgrim at Tinker Creek)
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i took into body my own self & thought i’d die from so much exposure to my own bereavement
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Yesenia Montilla
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As I get older I can see the patterns, the ugly corporate face behind the great machine. The sad and over competitive urge to be "loved or liked" on social media platforms exploited by their creators to create a frenzy of human need & desperate want. The system is an absolute con constantly exposing it's users (victims) to self identification and gratification only if they can collect enough followers to make themselves feel popular or complete. Instagram for example is an absolute shit show offering you the opportunity to purchase more exposure and get more likes. I'm sorry but ... is this really the 21st century? Are we becoming an " advanced" civilization? No. This is the inevitable "white noise" of capitalist conformity playing upon human desires & emotions just looking to make another mil. And its disgusting.
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R.M. Engelhardt (R A W: POEMS R.M. ENGELHARDT)