Exploring New Cultures Quotes

The cultural insistence that parenting is the 'most important' job in the world is a smart way to satiate unappreciated women without doing a damn thing for them.

What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.

During our brief stay on planet Earth, we owe ourselves and our descendants the opportunity to explore - in part because it's fun to do. But there's a far nobler reason. The day our knowledge of the cosmos ceases to expand, we risk regressing to the childish view that the universe figuratively and literally revolves around us. In that bleak world, arms-bearing, resource-hungry people and nations would be prone to act on their 'low contracted prejudices.' And that would be the last gasp of human enlightenment - until the rise of a visionary new culture that could once again embrace, rather than fear, the cosmic perspective.

History is ending because the dominator culture has led the human species into a blind alley, and as the inevitable chaostrophie approaches, people look for metaphors and answers. Every time a culture gets into trouble it casts itself back into the past looking for the last sane moment it ever knew. And the last sane moment we ever knew was on the plains of Africa 15,000 years ago rocked in the cradle of the Great Horned Mushroom Goddess before history, before standing armies, before slavery and property, before warfare and phonetic alphabets and monotheism, before, before, before. And this is where the future is taking us because the secret faith of the twentieth century is not modernism, the secret faith of the twentieth century is nostalgia for the archaic, nostalgia for the paleolithic, and that gives us body piercing, abstract expressionism, surrealism, jazz, rock-n-roll and catastrophe theory. The 20th century mind is nostalgic for the paradise that once existed on the mushroom dotted plains of Africa where the plant-human symbiosis occurred that pulled us out of the animal body and into the tool-using, culture-making, imagination-exploring creature that we are. And why does this matter? It matters because it shows that the way out is back and that the future is a forward escape into the past. This is what the psychedelic experience means. Its a doorway out of history and into the wiring under the board in eternity. And I tell you this because if the community understands what it is that holds it together the community will be better able to streamline itself for flight into hyperspace because what we need is a new myth, what we need is a new true story that tells us where we're going in the universe and that true story is that the ego is a product of pathology, and when psilocybin is regularly part of the human experience the ego is supressed and the supression of the ego means the defeat of the dominators, the materialists, the product peddlers. Psychedelics return us to the inner worth of the self, to the importance of the feeling of immediate experience - and nobody can sell that to you and nobody can buy it from you, so the dominator culture is not interested in the felt presence of immediate experience, but that's what holds the community together. And as we break out of the silly myths of science, and the infantile obsessions of the marketplace what we discover through the psychedelic experience is that in the body, IN THE BODY, there are Niagaras of beauty, alien beauty, alien dimensions that are part of the self, the richest part of life. I think of going to the grave without having a psychedelic experience like going to the grave without ever having sex. It means that you never figured out what it is all about. The mystery is in the body and the way the body works itself into nature. What the Archaic Revival means is shamanism, ecstacy, orgiastic sexuality, and the defeat of the three enemies of the people. And the three enemies of the people are hegemony, monogamy and monotony! And if you get them on the run you have the dominators sweating folks, because that means your getting it all reconnected, and getting it all reconnected means putting aside the idea of separateness and self-definition through thing-fetish. Getting it all connected means tapping into the Gaian mind, and the Gaian mind is what we're calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet. And without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set, and that's the idea; figuring out how to reset the compass of the self through community, through ecstatic dance, through psychedelics, sexuality, intelligence, INTELLIGENCE. This is what we have to have to make the forward escape into hyperspace.

I will not try to describe the beauty of life in a Swarm ‒ their zero-gravity globe cities and comet farms and thrust clusters, their micro-orbital forests and migrating rivers and the ten thousand colors and textures of life at Rendezvous Week. Suffice it to say that I believe the Ousters have done what Web humanity has not in the past millennia: evolved. While we live in our derivative cultures, pale reflections of Old Earth life, the Ousters have explored new dimensions of aesthetics and ethics and biosciences and art and all the things that must change and grow to reflect the human soul.

Keep creating new chapters in your personal book and never stop re-inventing and perfecting yourself. Try new things. Pick up new hobbies and books. Travel and explore other cultures. Never stay in the same city or state for more than five years of your life. There are many heavens on earth waiting for you to discover. Seek out people with beautiful hearts and minds, not those with just beautiful style and bodies. The first kind will forever remain beautiful to you, while the other will grow stale and ugly. Learn a new language at least twice. Change your career at least thrice, and change your location often. Like all creatures in the wild, we were designed to keep moving. When a snake sheds its old skin, it becomes a more refined creature. Never stop refining and re-defining yourself. We are all beautiful instruments of God. He created many notes in music so we would not be stuck playing the same song. Be music always. Keep changing the keys, tones, pitch, and volume of each of the songs you create along your journey and play on. Nobody will ever reach ultimate perfection in this lifetime, but trying to achieve it is a full-time job. Start now and don't stop. Make your book of life a musical. Never abandon obligations, but have fun leaving behind a colorful legacy. Never allow anybody to be the composer of your own destiny. Take control of your life, and never allow limitations implanted by society, tell you how your music is supposed to sound — or how your book is supposed to be written.

Let me be clear here: I object—strenuously—to the sexualization of girls but not necessarily to girls having sex. I expect and want my daughter to have a healthy, joyous erotic life before marriage. Long, long, long before marriage. I do, however, want her to understand why she’s doing it: not for someone else’s enjoyment, not to keep a boyfriend from leaving, not because everyone else is. I want her to do it for herself. I want her to explore and understand her body’s responses, her own pleasure, her own desire. I want her to be able to express her needs in relationship, to say no when she needs to, to value reciprocity, and to experience true intimacy.

We have one collective hope: the Earth And yet, uncounted people remain hopeless, famine and calamity abound Sufferers hurl themselves into the arms of war; people kill and get killed in the name of someone else’s concept of God Do we admit that our thoughts & behaviors spring from a belief that the world revolves around us? Each fabricated conflict, self-murdering bomb, vanished airplane, every fictionalized dictator, biased or partisan, and wayward son, are part of the curtains of society’s racial, ethnic, religious, national, and cultural conflicts, and you find the human ego turning the knobs and pulling the levers When I track the orbits of asteroids, comets, and planets, each one a pirouetting dancer in a cosmic ballet, choreographed by the forces of gravity, I see beyond the plight of humans I see a universe ever-expanding, with its galaxies embedded within the ever-stretching four-dimensional fabric of space and time However big our world is, our hearts, our minds, our outsize atlases, the universe is even bigger There are more stars in the universe than grains of sand on the world’s beaches, more stars in the universe than seconds of time that have passed since Earth formed, more stars than words & sounds ever uttered by all humans who have ever lived The day we cease the exploration of the cosmos is the day we threaten the continuing of our species In that bleak world, arms-bearing, resource-hungry people & nations would be prone to act on their low-contracted prejudices, and would have seen the last gasp of human enlightenment Until the rise of a visionary new culture that once again embraces the cosmic perspective; a perspective in which we are one, fitting neither above nor below, but within

Much of what is written on the craft is biased in one way or another, so weed out what is useful to you and ignore the rest. I see the next few years as being crucial in the transformation of our culture away from the patriarchal death cults and toward the love of life, of nature, of the female principle. The craft is only one path among the many opening up for women, and many of us will blaze new trails as we explore the uncharted country of our own interiors. The heritage, the culture, the knowledge of the ancient priestesses, healers, poets, singers, and seers were nearly lost, but a seed survived the flames that will blossom in a new age into thousands of flowers. The long sleep of Mother Goddess is ended. May She awaken in each of our hearts ~~ Merry meet, merry part, and blessed be.

This, rather, is the story of how the concept of the cell, and our comprehension of cellular physiology, altered medicine, science, biology, social structures, and culture.

In post-modern culture there is a deep hunger to belong. An increasing majority of people feel isolated and marginalised. Experience is haunted by fragmentation. Many of the traditional shelters are in ruins. Society is losing the art of fostering community. Consumerism is now propelling life towards the lonely isolation of individualism. Technology pretends to unite us, yet more often than not all it delivers are simulated images. The “global village” has no roads or neighbours; it is a faceless limbo from which all individuality has been abstracted. Politics seems devoid of the imagination that calls forth vision and ideals; it is becoming ever more synonymous with the functionalism of economic pragmatism. Many of the keepers of the great religious traditions now seem to be frightened functionaries; in a more uniform culture, their management skills would be efficient and successful. In a pluralistic and deeply fragmented culture, they seem unable to converse with the complexities and hungers of our longing. From this perspective, it seems that we are in the midst of a huge crisis of belonging. When the outer cultural shelters are in ruins, we need to explore and reawaken the depths of belonging in the human mind and soul; perhaps, the recognition of the depth of our hunger to belong may gradually assist us in awakening new and unexpected possibilities of community and friendship.

My litmus test of compatibility is 'Tom Cruise.' I hate people who hate Tom Cruise, cultural automatons who at the mention of his name reflexively bridle and say the diminutive thespian and Theta level Scientoligist is 'crazy' and 'a terrible actor'. They hate him because he's easy to hate. They think that despising Tom Cruise's lack of personality and supposed lack of talent is somehow a blow against the bland American Anschluss of the rest of the planet. Tom Cruise may indeed be the Christopher Columbus of the twentieth century, sent off by the kings of Hollywood to prove the new world of International Box Office isn't flat and to find a direct route into the Asian market, but the decline of everything isn't his fault; he's just a cinematic explorer and a damn fine actor. And hating him doesn't make you seditious- it makes you complicit.

Some cultures venerate this experience: the Japanese, for example, have the glorious tradition of ‘forest bathing’ (shinrin-yoku): the practice of absorptive, enveloping walking in deep forests for the soothing properties of being connected to, and fully immersed in, the sights, sounds and feel of nature.

At least once a week, if not once a day, we might each ponder what cosmic truths lie undiscovered before us, perhaps awaiting the arrival of a clever thinker, an ingenious experiment, or an innovative space mission to reveal them. We might further ponder how those discoveries may one day transform life on Earth. Absent such curiosity, we are no different from the provincial farmer who expresses no need to venture beyond the county line, because his forty acres meet all his needs. Yet if all our predecessors had felt that way, the farmer would instead be a cave dweller, chasing down his dinner with a stick and a rock. During our brief stay on planet Earth, we owe ourselves and our descendants the opportunity to explore—in part because it’s fun to do. But there’s a far nobler reason. The day our knowledge of the cosmos ceases to expand, we risk regressing to the childish view that the universe figuratively and literally revolves around us. In that bleak world, arms-bearing, resource-hungry people and nations would be prone to act on their “low contracted prejudices.” And that would be the last gasp of human enlightenment—until the rise of a visionary new culture that could once again embrace, rather than fear, the cosmic perspective.

Leaders make themselves and others comfortable in a changing world. They eagerly explore new ideas, approaches, and cultures rather than shrink defensively from what lurks around life's next corner. Anchored by nonnegotiable principles and values, they cultivate the "indifference" that allows them to adapt confidently.

In fact, no group of parents—married, single, step, or even empty nest—reported significantly greater emotional well-being than people who never had children,” she said. “It’s such a counterintuitive finding because we have these cultural beliefs that children are the key to happiness and a healthy life, and they’re not.

Please look for a new work of historical fiction, The Black Spaniard by L.L.Holt, to be published by Unsolicited Press during the 2016-2017 season. Set roughly between 1792 and 1804 in Vienna, Austria, the novel explores a creative genius's encounters with cultural diversity, transformation, and the love of a good friend.

Humboldt's early biographer, F.A. Schwarzenberg, subtitled his life of Humboldt What May Be Accomplished in a Lifetime. He summarised the areas of his subject's extraordinary curiosity as follows: '1) The knowledge of the Earth and its inhabitants. 2) The discovery of the higher laws of nature, which govern the universe, men, animals, plants, minerals. 3) The discovery of new forms of life. 4) The discovery of territories hitherto but imperfectly known, and their various productions. 5) The acquaintance with new species of the human race--- their manners, their language and the historical traces of their culture.' What may be accomplished in a lifetime---and seldom or never is.

It is my twofold aim to explore, first, how Cretan myth was used during the early decades of the twentieth century as a mirror for modern history, society, and the psyche; and, second, how this new perception of myth permeated all the arts simultaneously, including literature, painting, sculpture, prints, opera, ballet, and the theater, as well as popular culture. My undertaking is based on the underlying conviction that the transfiguration of classical myth in general constitutes one of the principal characteristics of classical modernism, without a grasp of which that period of twentieth-century culture cannot be fully appreciated. Among these transfigured myths, none are more conspicuous than the matters of Minos.

The world-traveler must, on the one hand, be ready (and actually seek) to visit a tribe in the Solomon Islands or stay with Tibetan nomads; on the other hand, he has to be prepared, when it is required, to wear his suit to attend a classical music concert in a big metropolis. Just as an important part of exploring Brazil is to visit its shantytowns, it is an indispensable part of understanding the French culture to eat at a gourmet restaurant in Paris.

The dissolving, uniting forces combine what to us have been incompatible: attraction with repulsion, darkness with light, the erotic with the destructive.  If we can allow these opposites to meet they move our inner resonance to a higher vibratory plane, expanding consciousness into new realms.  It was exciting, through my explorations some of which I share in later chapters, to learn firsthand that the sacred marriage or coniunctio, the impulse to unite seeming opposites, does indeed seem to lie at the heart of the subtle body’s imaginal world. One important characteristic of the coniunctio is its paradoxical dual action.  The creative process of each sacred marriage, or conjoining of opposites, involves not only the unitive moment of joining together in a new creation or ‘third,’ but also, as I have mentioned, a separating or darkening moment.5 The idea that “darkness comes before dawn” captures this essential aspect of creativity.  To state an obvious truth we as a culture are just beginning to appreciate.  In alchemical language, when darkness falls, it is said to be the beginning of the inner work or the opus of transformation. The old king (ego) must die before the new reign dawns. The early alchemists called the dark, destructive side of these psychic unions the blackness or the nigredo.  Chaos, uncertainty, disillusionment, depression, despair, or madness prevails during these liminal times of  “making death.” The experiences surrounding these inner experiences of darkness and dying (the most difficult aspects were called mortificatio) may constitute our culture’s ruling taboo. This taboo interferes with our moving naturally to Stage Two in the individuating process, a process that requires that we pass through a descent into the underworld of the Dark Feminine realities of birthing an erotic intensity that leads to dying. Entranced by our happily-ever-after prejudiced culture, we often do not see that in any relationship, project or creative endeavor or idea some form of death follows naturally after periods of intense involvement.  When dark experiences befall, we tend to turn away, to move as quickly as possible to something positive or at least distracting, away from the negative affects of grieving, rage, terror, rotting and loss we associate with darkness and dying. As

That thing we call a place is the intersection of many changing forces passing through, whirling around, mixing, dissolving, and exploding in a fixed location. To write about a place is to acknowledge that phenomena often treated separately - ecology, democracy, culture, storytelling, urban design, individual life histories and collective endeavors - coexist. They coexist geographically, spatially, in place, and to understand a place is to engage with braided narratives and sui generis explorations

Suffice it to say that I believe the Ousters have done what Web humanity has not in the past millennia - evolved. While we live in our derivative cultures, pale reflections of Old Earth life, the Ousters have explored new dimensions of aesthetics and ethics and biosciences and art and all the things that must change and grow to reflect the human soul. Barbarians, we call them, while all the while we timidly cling to our Web like Visigoths crouching in the ruins of Rome's faded glory and proclaim ourselves civilized.

What I like best about traveling is exploring new places, cultures, and cuisines, and learning to look at the world through a different lens. Travel really is the world’s best teacher. And actually, veganism offers the same thing. Becoming vegan completely changed my worldview and enabled me to connect with nature and with my fellow earthlings in a way I never had before. By combining travel with veganism, I’m able to view the world through a whole new window and experience places in a way that most other tourists don’t.

suffering. I paid attention to my deepest desires and passions. I sought to cast off my fictitious self, and be an authentic and fully-expressed me. I explored the connection between spirituality and sexuality. I expanded my relational world beyond religious sub-culture. I resisted creating a new religion out of my latest discovery. I operated with the assumption that every human being knew something I needed to know. I resisted latching onto the latest guru, and began seeing all people as my teachers. I explored new fields and areas of interest

The strange and beautiful truth about the adjacent possible is that its boundaries grow as you explore them. Each new combination opens up the possibility of other new combinations. Think of it as a house that magically expands with each door you open. You begin in a room with four doors, each leading to a new room that you haven’t visited yet. Once you open one of those doors and stroll into that room, three new doors appear, each leading to a brand-new room that you couldn’t have reached from your original starting point. Keep opening new doors and eventually you’ll have built a palace.

My regimented food preparation was just one aspect of the environment I created in Fargo—where I was in control of everything as I saw fit. When I left Minneapolis, I was fleeing a family and culture that prescribed so many aspects of my life that I didn’t know where they ended and I began. Away from the confines of their judgments, I wanted to explore the full range of my reactions—to new people, new books, new music, new ideas. In North Dakota I found a space where for the first time in my life I was able to push all of the expectations away from my brain and focus only on what interested me.

Technology is important to Art because it connects creativity with innovation and the spirit of inventiveness. Whether we are using technology to create our art, or to share our art, it challenges artists to explore new realms of aesthetic experience and cultural relevance. But, on the other hand, Art is important to Technology for the most important reason of all. Art gives Technology its humanity. And our humanity is the driving force behind every new technology we design and every product we manufacture. We are all makers. Without creativity, we don’t make anything. If we don’t make anything, we don’t progress.

For Lewis, people are too easily taken in by the latest cultural and intellectual fashions. Wanting to be “up to date” in their thinking, they uncritically accept the latest ideas they read about in the media. Reading older books, Lewis argues, helps us to realise that “basic assumptions have been quite different in different periods.” We need to remember that the ideas we tend to regard as hopelessly old fashioned and out of date were once seen as cutting edge. What was once new and brilliant becomes old and stale. Perhaps Lewis seems a little too scathing when he declares that “much which seems certain to the uneducated is merely temporary fashion.”[90] Yet his point is fair: much recent thought is fleeting, lacking the staying power to excite and inform later generations. So is Lewis saying that only old ideas are any good, and that new ideas are invariably wrong? No.[91] He is asking us to be critical. New ideas need to be looked at carefully. They may be good; they may be bad. But ideas are not automatically good because they are new. Similarly, many—but not all—old ideas have permanent value. They have proved themselves through the centuries, and will continue to be important in the future. We need to figure out which ideas and values are of lasting importance, and hold fast to them.

The fundamental problem with learning mathematics is that while the number sense may be genetic, exact calculation requires cultural tools—symbols and algorithms—that have been around for only a few thousand years and must therefore be absorbed by areas of the brain that evolved for other purposes. The process is made easier when what we are learning harmonizes with built-in circuitry. If we can’t change the architecture of our brains, we can at least adapt our teaching methods to the constraints it imposes. For nearly three decades, American educators have pushed “reform math,” in which children are encouraged to explore their own ways of solving problems. Before reform math, there was the “new math,” now widely thought to have been an educational disaster. (In France, it was called les maths modernes and is similarly despised.) The new math was grounded in the theories of the influential Swiss psychologist Jean Piaget, who believed that children are born without any sense of number and only gradually build up the concept in a series of developmental stages. Piaget thought that children, until the age of four or five, cannot grasp the simple principle that moving objects around does not affect how many of them there are, and that there was therefore no point in trying to teach them arithmetic before the age of six or seven.

Toyota wasn’t really worried that it would give away its “secret sauce.” Toyota’s competitive advantage rested firmly in its proprietary, complex, and often unspoken processes. In hindsight, Ernie Schaefer, a longtime GM manager who toured the Toyota plant, told NPR’s This American Life that he realized that there were no special secrets to see on the manufacturing floors. “You know, they never prohibited us from walking through the plant, understanding, even asking questions of some of their key people,” Schaefer said. “I’ve often puzzled over that, why they did that. And I think they recognized we were asking the wrong questions. We didn’t understand this bigger picture.” It’s no surprise, really. Processes are often hard to see—they’re a combination of both formal, defined, and documented steps and expectations and informal, habitual routines or ways of working that have evolved over time. But they matter profoundly. As MIT’s Edgar Schein has explored and discussed, processes are a critical part of the unspoken culture of an organization. 1 They enforce “this is what matters most to us.” Processes are intangible; they belong to the company. They emerge from hundreds and hundreds of small decisions about how to solve a problem. They’re critical to strategy, but they also can’t easily be copied. Pixar Animation Studios, too, has openly shared its creative process with the world. Pixar’s longtime president Ed Catmull has literally written the book on how the digital film company fosters collective creativity2—there are fixed processes about how a movie idea is generated, critiqued, improved, and perfected. Yet Pixar’s competitors have yet to equal Pixar’s successes. Like Toyota, Southern New Hampshire University has been open with would-be competitors, regularly offering tours and visits to other educational institutions. As President Paul LeBlanc sees it, competition is always possible from well-financed organizations with more powerful brand recognition. But those assets alone aren’t enough to give them a leg up. SNHU has taken years to craft and integrate the right experiences and processes for its students and they would be exceedingly difficult for a would-be competitor to copy. SNHU did not invent all its tactics for recruiting and serving its online students. It borrowed from some of the best practices of the for-profit educational sector. But what it’s done with laser focus is to ensure that all its processes—hundreds and hundreds of individual “this is how we do it” processes—focus specifically on how to best respond to the job students are hiring it for. “We think we have advantages by ‘owning’ these processes internally,” LeBlanc says, “and some of that is tied to our culture and passion for students.

There's one question I think we should ask of one another a lot more often, and that's "What are you reading?" It's a simple question but a powerful one, and it can change lives, creating a shared universe for people who are otherwise separated by culture and age and by time and space. . . . When we ask one another "What are you reading?" sometimes we discover the ways that we are similar; sometimes the ways that we are different. Sometimes we discover things we never knew we shared; other times we open ourselves up to exploring new worlds and ideas. "What are you reading?" isn't a simple question when asked with genuine curiosity; it's really a way of asking, "Who are you now and who are you becoming?

Today's American food culture is a contested landscape in search of values, new direction, and its own indigenous sense of rightness and self-worth. It's a culture looking toward ecology, the regional flow of seasons, and opportunities for new ways to invigorate and color the American palate. Our new foodies are concerned with health, sustainability, environmental integrity, social justice, and the push-pull between global and local economies. Our food world is a charged scene of culinary inquiry continually in search of ancestors, historic precedent, and novel ways to explore tradition while surging forward. The chefs and culinarians of twenty-first-century America have become hungry for an origin story all our own.

The images of communal survival and flourishing our culture feeds us all to easily blur our vision of God‘s new creation – for instance, we think America is a Christian nation, and democracy the only truly Christian political arrangement. Unaware that our culture has subverted our faith, we lose a place from which to judge our own culture. In order to keep our allegiance to Jesus Christ pure, we need to nurture commitment to the multicultural community of Christian churches. We need to see ourselves and our own understanding of God’s future with the eyes of Christians from other cultures, listen to voices of Christians from other cultures so as to make sure that the voice of our culture has not drowned out the voice of Jesus Christ.

While the party of Obama has little in common with that of JFK, for a better comparison, try exploring the Communist Party USA’s website (CPUSA.org), and you’ll be stunned at the resemblance between it and today’s Democratic Party. You might also take a moment to thoughtfully reflect on the Democrats’ candidates who in recent decades were either elected, or nearly elected, as president: Bill Clinton, a serial sexual predator; Al Gore, by many accounts a raving lunatic; John Kerry, who betrayed his fellow Vietnam vets and his country;10 Barack Obama, a deceitful, America-hating, Far-Left radical; and Hillary Clinton, accurately described by Pulitzer-winning New York Times columnist and Presidential Medal of Freedom recipient William Safire as “a congenital liar.”11 Whatever

Always seeking to open channels to new dimensions of consciousness and reach new heights of enlightenment, he spent a lot of time and money endearing himself to and worming his way into the trust of secretive tribal healers and shamans. Under their guidance, he experimented with all kinds of psychoactive substances and entheogens—mostly plant-derived concoctions that played a pivotal role in the religious practices of the tribal cultures he was exploring. He started with more easily accessible, local mind-altering substances like psilocybin mushrooms and Salvia divinorum, under the guidance of Mazatec shamans in the isolated cloud forests of the Sierra Mazateca, then he moved on to more obscure, and more intense, hallucinogens like ayahuasca, the vine of the soul; iboga, the sacred visionary root; borrachero; and others that few outsiders had ever been offered. He

The most critical of these new religious developments for twentieth-century religious liberalism were a renewed and transformed emphasis on mystical practice and experience, the healing ministry known as mind cure, and the rise of modern psychology. These three interrelated spiritual innovations spread as significant components of popular religion in large part through the mass print media. Rather than religious movements dependent on revivalism or church life, these were first and foremost discourses, creatures of the printed word. Initially explored only by an avant-garde of liberal intellectuals late in the nineteenth century, the new books and ideas emerging at the margins of liberal Protestantism eventually reached a nation-wide middle-class audience. The mass media unleashed by nineteenth-century evangelicalism enabled the alternative spiritualities of the twentieth century to flourish, especially with the rise of religious middlebrow culture in the decades after World War I.

ONE OF THE peculiarities of the white race’s presence in America is how little intention has been applied to it. As a people, wherever we have been, we have never really intended to be. The continent is said to have been discovered by an Italian who was on his way to India. The earliest explorers were looking for gold, which was, after an early streak of luck in Mexico, always somewhere farther on. Conquests and foundings were incidental to this search—which did not, and could not, end until the continent was finally laid open in an orgy of goldseeking in the middle of the 19th century. Once the unknown of geography was mapped, the industrial marketplace became the new frontier, and we continued, with largely the same motives and with increasing haste and anxiety, to displace ourselves—no longer with unity of direction, like a migrant flock, but like the refugees from a broken ant hill. In our own time we have invaded foreign lands and the moon with the high-toned patriotism of the conquistadors, and with the same mixture of fantasy and avarice.

A community is a place of self-definition. Any group of people meeting with the intention of connecting to the power within is a community. People who regroup under a different banner to take care of themselves are attracted to indigenous culture. In these new formations, people seek to explore what has frustrated, betrayed and constituted a deep wound in their hearts. What they are trying to do is restore their inner power, which has been tarnished. Because they are trying to fight the servitude in which corporate power holds them prisoner, they are redefining themselves. They are moving themselves away from the magnetic visibility of externalized power. But to regroup against the Machine is to get out of control. However, one must not only be aware of this moving away, one must also be prepared to go all the way. To leave behind society and culture, one has to be prepared to do battle in order to be who you want to be. Without a community you cannot be yourself. The community is where we draw the strength needed to effect changes inside of us.

Many scholars argue that the voyages of Admiral Zheng He of the Chinese Ming dynasty heralded and eclipsed the European voyages of discovery. Between 1405 and 1433, Zheng led seven huge armadas from China to the far reaches of the Indian Ocean. The largest of these comprised almost 300 ships and carried close to 30,000 people.7 They visited Indonesia, Sri Lanka, India, the Persian Gulf, the Red Sea and East Africa. Chinese ships anchored in Jedda, the main harbour of the Hejaz, and in Malindi, on the Kenyan coast. Columbus’ fleet of 1492 – which consisted of three small ships manned by 120 sailors – was like a trio of mosquitoes compared to Zheng He’s drove of dragons.8 Yet there was a crucial difference. Zheng He explored the oceans, and assisted pro-Chinese rulers, but he did not try to conquer or colonise the countries he visited. Moreover, the expeditions of Zheng He were not deeply rooted in Chinese politics and culture. When the ruling faction in Beijing changed during the 1430s, the new overlords abruptly terminated the operation. The great fleet was dismantled, crucial technical and geographical knowledge was lost, and no explorer of such stature and means ever set out again from a Chinese port. Chinese rulers in the coming centuries, like most Chinese rulers in previous centuries, restricted their interests and ambitions to the Middle Kingdom’s immediate environs. The Zheng He expeditions prove that Europe did not enjoy an outstanding technological edge. What made Europeans exceptional was their unparalleled and insatiable ambition to explore and conquer. Although they might have had the ability, the Romans never attempted to conquer India or Scandinavia, the Persians never attempted to conquer Madagascar or Spain, and the Chinese never attempted to conquer Indonesia or Africa. Most Chinese rulers left even nearby Japan to its own devices. There was nothing peculiar about that. The oddity is that early modern Europeans caught a fever that drove them to sail to distant and completely unknown lands full of alien cultures, take one step on to their beaches, and immediately declare, ‘I claim all these territories for my king!

Many mothers don't want to appear vulnerable, both our of fear of being diminished, infantilized, or threatened with unwanted interventions, and because they know they are almost solely in charge of keeping a new human being alive. Who the hell has time for vulnerability? It is a profound testament to the strength and resilience of women that so many of them suffer from debilitating fear, sadness, and confusion and yet they soldier on working, taking care of their families, getting the myriad everyday chores done. The fact that they're asked to do so, to carry and bear alone not only the child but the chemical and biological shifts, the solitude, the loss, the grief, the complex questions of their own transformation, reveals a society that values mothers only as passive, docile, keeping their motherhood safely tucked in the sentimental cultural space reserved for it. The idea is not to study the mother, to listen to her, to recognize her in her fullness, to explore her becoming, but to keep her contained: prevent her from causing harm, encourage her to follow the rules. Anxiety is an excellent weapon for containing women; it needs only to be gently stoked in the context of pregnancy and women will weaponize it against themselves.

It is interesting to note that, as historians and archeologists discover art and writings from ancient civilizations, there are certain patterns that show up in each civilization’s mythology. For example: Chinese, Europeans, and ancient central and south Americans all have art depicting large, winged lizards, most of which could breathe fire. While it is possible that the idea of these creatures were shared between the Chinese and Europeans, there is no historical evidence suggesting that they had done so. Besides that, it is near impossible that they could have shared this idea with, say, the Aztecs, as exploration into the new world didn’t happen until centuries after the first carvings of the Quetzalcoatl. Each culture portrayed these beings differently, ranging in size, shape, and purpose, but the defining physical traits are still, undeniably and bizarrely, too similar to be a coincidence. While there are some modern theories for this phenomenon, and no physical evidence suggesting that they existed, it still raises the question: is it possible that dragons were real? Another example: every civilization in the Common Era has at one point in their history sustained superstitions that, either through ritual or through improper burial, a corpse can rise from the dead and take the life force of living humans to gain great power. Each culture had their own name for these monsters, but as time has progressed society has been satisfied to call them the same thing. Vampires.

Psychoanalysis has suffered the accusation of being “unscientific” from its very beginnings (Schwartz, 1999). In recent years, the Berkeley literary critic Frederick Crews has renewed the assault on the talking cure in verbose, unreadable articles in the New York Review of Books (Crews, 1990), inevitably concluding, because nothing else really persuades, that psychoanalysis fails because it is unscientific. The chorus was joined by philosopher of science, Adolf Grunbaum (1985), who played both ends against the middle: to the philosophers he professed specialist knowledge of psychoanalysis; to the psychoanalysts he professed specialist knowledge of science, particularly physics. Neither was true (Schwartz, 1995a,b, 1996a,b, 2000). The problem that mental health clinicians always face is that we deal with human subjectivity in a culture that is deeply invested in denying the importance of human subjectivity. Freud’s great invention of the analytic hour allows us to explore, with our clients, their inner worlds. Can such a subjective instrument be trusted? Not by very many. It is so dangerously close to women’s intuition. Socalled objectivity is the name of the game in our culture. Nevertheless, 100 years of clinical practice have shown psychoanalysis and psychotherapy not only to be effective, but to yield real understandings of the dynamics of human relationships, particularly the reality of transference–countertransference re-enactments now reformulated by our neuroscientists as right brain to right brain communication (Schore, 1999).

Just as versions of the hereafter are endlessly diverse, the multifaceted experience of dying differs for each person as well, despite its biological component. Each death is unique. Overall children die differently from adults, animals from humans, the long-ill from the accident victim. In the same way, afterlife experiences are highly divergent, shaped by an individual’s beliefs, culture, and personal wants. The more we know about those differences, the more we discover new directions and broaden possibilities. My goal is for you to become an independent thinker when it comes to the dead and the sphere they inhabit, basing your conclusions on your own intuitions and experiences while keeping them open to evaluation and change. Therefore, much of what is contained in these pages is hard at work challenging beliefs that impede independent awareness. This book is meant not only to stimulate your critical thinking but also to expand the range of questions you ask about the nature of the afterlife and, hence, of reality itself. Additional motives are at work here too. In chapter 12, you will learn that independent thinkers have more encounters with the deceased than others have. A third motive comes from my own work as a medium and from studies of positive and not-so-positive near-death experiences. Both show that if a person dies, clinically or permanently, with a fistful of unexamined, dogmatic assumptions, it can cause an array of complications in the immediate afterlife, whereas just a jot of open-mindedness leads to experiences that are full, deep, and transcendent.

For most of our history, walking wasn’t a choice. It was a given. Walking was our primary means of locomotion. But, today, you have to choose to walk. We ride to work. Office buildings and apartments have elevators. Department stores offer escalators. Airports use moving sidewalks. An afternoon of golf is spent riding in a cart. Even a ramble around your neighborhood can be done on a Segway. Why not just put one foot in front of the other? You don’t have to live in the country. It’s great to take a walk in the woods, but I love to roam city streets, too, especially in places like New York, London, or Rome, where you can’t go half a block without making some new discovery. A long stroll slows you down, puts things in perspective, brings you back to the present moment. In Wanderlust: A History of Walking (Viking, 2000), author Rebecca Solnit writes that, “Walking, ideally, is a state in which the mind, the body, and the world are aligned, as though they were three characters finally in conversation together, three notes suddenly making a chord.” Yet in our hectic, goal-oriented culture, taking a leisurely walk isn’t always easy. You have to plan for it. And perhaps you should. Walking is good exercise, but it is also a recreation, an aesthetic experience, an exploration, an investigation, a ritual, a meditation. It fosters health and joie de vivre. Cardiologist Paul Dudley White once said, “A vigorous five-mile walk will do more good for an unhappy but otherwise healthy adult than all the medicine and psychology in the world.” A good walk is anything but pedestrian. It lengthens your life. It clears, refreshes, provokes, and repairs the mind. So lace up those shoes and get outside. The most ancient exercise is still the best.

The archaeologist attached to the Bayard Dominick’s Marquesan team had reported in 1925 that the Marquesas offered “few opportunities for archaeological research.” But in 1956, a new expedition set out to reexamine the possibilities in these islands at the eastern edge of the Polynesian Triangle. An energetic Columbia University graduate student named Robert Suggs was sent ahead to reconnoiter, and he quickly discovered that the previous generation had gotten it all wrong. Everywhere he looked, he saw archaeological potential. “We were seldom out of sight of some relic of the ancient Marquesan culture,” he writes. “Through all the valleys were scattered clusters of ruined house platforms. . . . Overgrown with weeds, half tumbled down beneath the weight of toppled trees and the pressure of the inexorable palm roots, these ancient village sites were sources of stone axes, carved stone pestles, skulls, and other sundry curios.” There were ceremonial plazas “hundreds of feet long” and, high on the cliffs above the deep valleys, “burial caves containing the remains of the population of centuries past.” The coup de grâce came when Suggs and his guide followed up on a report of a large number of “pig bones” in the dunes at a place called Ha‘atuatua. This windswept expanse of scrub and sand lies on the exposed eastern corner of Nuku Hiva. A decade earlier, in 1946, a tidal wave had cut away part of the beach, and since then bones and other artifacts had been washing out of the dunes. Not knowing quite what to expect, Suggs and his guide rode over on horseback. When they came out of the “hibiscus tangle” at the back of the beach and “caught sight of the debris washing down the slope,” he writes, “I nearly fell out of the saddle.” The bones that were scattered all along the slope and on the beach below were not pig bones but human bones! Ribs, vertebrae, thigh bones, bits of skull vault, and innumerable hand and foot bones were everywhere. At the edge of the bank a bleached female skull rested upside down, almost entirely exposed. Where the bank had been cut away, a dark horizontal band about two feet thick could be seen between layers of clean white sand. Embedded in this band were bits of charcoal and saucers of ash, fragments of pearl shell, stone and coral tools, and large fitted stones that appeared to be part of a buried pavement. They had discovered the remains of an entire village, complete with postholes, cooking pits, courtyards, and burials. The time was too short to explore the site fully, but the very next year, Suggs and his wife returned to examine it. There

During the Reformation and the Enlightenment, nature came to be understood in a mechanistic sense as bereft of any capacity for divine grace or revelation. We’ll explore this suggestion further in the next chapter. In order to appreciate the significance of this, we have to recognize that nature is a cultural construct. When we speak of nature, we are using language to describe the world around us with all its species, life-forms and landscapes. But nature is a concept whose meaning changes with different perceptions and ways of looking at the world. This means that supernatural is also a concept which has different meanings, for it refers to phenomena or experiences which do not seem to fit within our particular expectations of what nature is or should be. The term supernatural therefore depends on a certain concept of what natural is. For many people who are less determinately materialist than Dawkins, there may be an indeterminate region which is neither strictly natural nor strictly supernatural. A red rose may be natural, but when I am given one by the person I love, I experience a range of emotions, memories and associations which endow that rose with symbolic significance and make it, in some sense, supernatural. It transcends its natural biological functions to communicate something in the realms of beauty, hope and love.

Thanks so much. I'm really enjoying the book. I've known a lot about Bali over my 37 years of going there ... but I didn't always know WHY those things were that way culturally, so it's been a fun read !!" Danielle Surkatty, Member of the Organizing Committee, Living in Indonesia, A Site for Expatriates. March 2014 "Such a handsome book! Tuttle did a great job on the design, both inside and out. I've only had a chance to skim the contents but look forward to reading it all. Of course, I'm no authority on food, Balinese or otherwise, but I think I'm a good judge of books. Yours is first rate." Cordially, Dr. Alden Vaughan, Professor of American History, Columbia University, New York. March 2014 "Dr. Vivienne Kruger Ph.D has emerged on a growing list of champions of Balinese cuisine with the publication of Balinese Food: The Traditional Cuisine and Food Culture of Bali (Tuttle Publishing, 2014). Vivienne Kruger’s long connection to Bali, her love of Balinese food and academic eye for detail has resulted in a book that breaks new ground in its study of Balinese culture, the Island's delicious food and the accompanying ancient traditional cooking methods." A Taste of Bali. From the Bookshelf - Balinese Food: The Traditional Cuisine and Food Culture of Bali (2/22/2014) Bali Update, Feb. 24, 2014. Edition 912. Bali Discovery "Balinese Food: The Traditional Cuisine & Food Culture of Bali. Just when you thought you knew a lot about Bali, along comes this in-depth look at the cuisine and how it fits into everyday culture. In Balinese Food the author brings to life Bali's time-honored and authentic village cooking traditions. In over 20 detailed chapters, she explores how the islands intricate culinary art is an inextricable part of Bali's Hindu religion, its culture and its community life. This book provides a detailed roadmap for those who wish to make their own exciting exploration of the exotic world of Balinese cooking!" Living in Indonesia. A Site for Expatriates. Recommended Publications.

Wilber’s framework provides a simple answer: to shape the culture (the lower-left quadrant), you can pursue three avenues in parallel: Put supportive structures, practices, and processes in place (lower-right quadrant) Ensure that people with moral authority in the company role-model the behavior associated with the culture (upper-right quadrant) Invite people to explore how their personal belief system supports or undermines the new culture (upper-left quadrant)

One of my all-time favorite books is Jane Austen’s Pride and Prejudice—I know, a bit girly, but great is great. I hated the book when I was forced to read it and write a book report at fourteen. I only realized that I loved it—and a lot of literature—when I reread it for fun on a whim when I was twenty-three. The same is true for Huckleberry Finn, A Tale of Two Cities, and Brave New World. Not only was I more mature and had more perspective on life, but I had the time and motivation to appreciate it. I believe that motivation, the culture of a community, and outlets for exploration drive the appreciation of the arts, not grades and credit-unit requirements.

just as instinct may fail an animal under some shift of environmental conditions, so man’s cultural beliefs may prove inadequate to meet a new situation, or, on an individual level, the confused mind may substitute, by some terrible alchemy, cruelty for love. The

There is some talk in science and popular culture about colonizing other planets, such as Mars or the moon. Part of this is just human nature: we are curious, exploring creatures. The idea of taming a new frontier has a compelling, even romantic, pull, like that of the moon itself. But the idea also provides rationalization for destruction, an expression of our hope that we’ll find a way to save ourselves if we trash our planet. To this speculation, we would respond: If you want the Mars experience, go to Chile and live in a typical copper mine. There are no animals, the landscape is hostile to humans, and it would be a tremendous challenge. Or, for a moonlike effect, go to the nickel mines of Ontario. Seriously,

I’m not saying I’ll turn down a good road trip, but it has been the trains, ferries, subways, and most frequently the buses that have most helped me travel the world. When I want to explore a place, to get a sense of its culture, people, and neighborhoods (even my own), I have found that there is no better way to travel than public transportation. Crowded or nearly empty, full of conversations or silence, scheduled or unscheduled, with live chickens or Styrofoam packets of eggs, on sleek coaches or beat-up minibuses, whether in my hometown or a new town in a foreign country: traveling on public transportation becomes a primary insight into a place and culture.

Native plants are a threat to an entire Western culture, and an entire industry built foremost on nature as ornamentation for human visual consumption. Native plants represent a gardening paradigm, that instead of focusing solely or primarily on the commercialization of our five senses, explores the deeper issues of why we garden, how we garden and who we garden for.

In a result oriented culture like ours, it is easy to get hung up on endings, on figuring things out and finding precise solutions. But a true fascination continues building with each new piece of information, making new connections, revealing new patterns and opening new perceptions. The exploration of natural miracles is a fundamentally open ended and curiosity driven enterprise. It reminds us that science is not always about the answer, it is about the questions.

An underlying question for many people is "what kind of person do you want to be" in their new expression of gender. There is a need for more diverse expressions of "manhood" and "womanhood," "girlhood" and "boyhood" for everyone in culture. Right now there is a story that to become a man or a woman you must act, talk, walk, and dress a certain way. The belief that people of certain genders have to behave in specific ways invalidates people as a whole, trans and non-trans alike. This becomes a call for healthy gender expressions to be modeled for all children. Parents as well as other adults need to model and encourage everyone to be their best, healthiest, self. We get to move beyond our current culture that belittles girls for pursuing intellectual passions, or boys for expressing emotions; a culture that conflates masculinity with abusive behavior, and femininity with victimhood. Examining these issues creates an opportunity to craft a world where people of any gender expression to explore everything they are passionate about, engage with their emotions, and express themselves fully; a world transformed for our children to live without abuse, regardless of our path in life.

If the future was to be defined by a more honest and nuanced sexual culture, one in which sexual diversity was valued, the people with maximalist ambitions were futurists, and they had knowledge unavailable to those who had not considered their extremes. A better sexuality, if such a thing were possible, would be discovered by people who explored the widest range of sexual practice, not those who treated it as resistant to literal representation. I valued the ideas of feminism that spoke of liberating feminine sexuality from masculine ideas of sexiness, but it was as if, having cleaned out the clutter of masculine pornographic language and imagery, the only inoffensive concept left was a spartan white room dotted with patches of sunlight, starched curtains gently blowing from the open floor-to-ceiling windows.

PATH OF THE DEAD by Mark Edward Langley won’t disappoint! At first I found myself feeling overwhelmed with details, only to find myself engrossed in the story because of his precise descriptions of everything. Mark writes in such clarity that you’re not just a witness to the happenings in this story, instead you feel as though you are right along for the ride. I loved having a new culture to me brought aboard. Arthur, Sharon, and Fasthorse are all characters you will want to learn and explore more with. How do you top this book off? By reading Book 2 of The Arthur Nakai series, DEATH WAITS IN THE DARK. I highly recommend this book and look forward to reading the next.

What good came of all this exploration? It was a question philosophes found irresistable. Progress was their almost irresistable answer. But Diderot, the secular pontiff of the Enlightenment, the editor of the Encyclopédie, did not agree. In 1773 he wrote a denunciation of explorers as agents of a new kind of barbarism. Base motives drove them: 'tyranny, crime, ambition, misery, curiousity, I know not what restlessness of spirit, the desire to know and the desire to see, boredom, the dislike of familiar pleasures' - all the baggage of the restless temperament. Lust for discovery was a new form of fanaticism on the part of men seeking 'islands to ravage, people to despoil, subjugate and massacre.' The explorers discovered people morally superior to themselves, because more natural or more civilized, while they, on their side, grew in savagery, far from the polite restraints that reined them in at home. 'All the long-range expeditions,' Diderot insisted, 'have reared a new generation of nomadic savages ... men who visit so many countries that they end by belonging to none ... amphibians who live on the surface of the waters,' deracinated, and, in the strictest sense of the word, demoralized. Certainly, the excesses explorers committed - of arrogance, of egotism, of exploitation - showed the folly of supposing that travel necessarily broadens the mind or improves the character. But Diderot exaggerated. Even as he wrote, the cases of disinterested exploration - for scientific or altruistic purposes - were multiplying. If the eighteenth century rediscovered the beauties of nature and the wonders of the picturesque, it was in part because explorers alerted domestic publics to the grandeurs of the world they discovered. If the conservation of species and landscape became, for the first time in Western history, an objective of imperial policy, it was because of what the historian Richard Grove has called 'green imperialism' - the awakened sense of stewardship inspired by the discovery of new Edens in remote oceans. If philosophers enlarged their view of human nature, and grappled earnestly and, on the whole, inclusively with questions about the admissability of formerly excluded humans - blacks, 'Hottentots,' Australian Aboriginals, and all other people estranged by their appearance or culture - to full membership of the moral community, it was because exploration made these brethren increasingly familiar. If critics of Western institutions were fortified in their strictures and encouraged in their advocacy of popular sovreignty, 'enlightened despotism,' 'free thinking,' civil liberties, and human 'rights,' it was, in part, because exploration acquainted them with challenging models from around the world of how society could be organized and life lived.

However anomalous to European eyes, this form of writing has deep roots in Andean culture. Knotted-string communication was but one aspect of these societies’ exploration of textile technology (see Chapter 3). In these cultures, Heather Lechtman, of MIT, has argued, cloth “was the most important carrier of status, the material of choice for the communication of message, whether religious, political, or scientific.

Within the emerging African American literary tradition, the exploration of blues forms and themes was begun by Langston Hughes, Sterling Brown, Zora Neal Hurston, and other writers in the Harlem Renaissance and the New Negro movement. Blues as criticism arose during and after the Great Depression from authors such as Richard Wright, Ralph Ellison, and Albert Murray, and during the Black Arts Movement of the 1960s important contributions were made by Amiri Baraka, Larry Neal and others. In the present period, many African American scholars working in the disciplines and fields of music, history, folklore, drama, poetry, art, literary criticism, cultural studies, theology, anthropology, etcetera have acknowledged the blues as a hearth of African American consciousness. As stated earlier, the social sciences remain a barrier not breached.

Having a leader serve as the “questioner in chief” is fine, but it’s not enough. Today’s companies are often tackling complex challenges that require collaborative, multidisciplinary problem solving. Creative thinking must come from all parts of the company (and from outside the company, too). When a business culture is inquisitive, the questioning, learning, and sharing of information becomes contagious—and gives people permission to explore new ideas across boundaries and silos.

For innovative questioning to gain traction, there has to be a willingness throughout the company to build on ideas, to keep the tone of questioning generally positive (à la appreciative inquiry), and to use language that is open and inclusive (How might we?). Responding to exploratory questions with highly practical ones (How much will it cost? Who’s going to do all this new work? What happens if the idea fails?) can have an important place in the discussion, but not necessarily at the early stages. Part of building a culture of inquiry is teaching people to defer judgment while exploring new ideas and big questions. This is necessary because many of46 us are conditioned to react to questions by trying to answer them too quickly or by countering them “devil’s advocate” style.

Our sense of self, formulated in large part by the untold number of cross-related connections that we make with our physical, social, and family environments, is reliant upon fitting into our social fabric. The educational environment, family relationships, peer groups, books, television, films, music, along with an assortment of other cultural events shape our emergent persona. Our successes and failures interacting in the world leave their collective imprint upon the wet clay of our forming brains. We are sentimental creatures who cling to past memories. We are inquisitive critters who venture forth from our protective dens to explore new territory. We are perceptive organisms equipped with five basic senses. We are sentient beings who can consciously organize our sense impressions into guiding ideas and useful principles. Our survival responses form a central cord of our emotions. We are receptive, compassionate beings that respond with both body and mind to global stimuli.

Mass culture or the New culture is Fake culture. It is devoid of meaning. It provides one with an illusory sense of liberty, making us believe that one is throwing off old shackles but it is in no way liberation. Mass culture tells people to just give up, go along, smile and 'be happy'. Perhaps on some level for some, this can be happiness, for those who do not have an inclination to strive for something more. But there are many people whose hearts cannot be bought by cheap thrills, or religion, or New Age, the crypto-media, mass education, the Left-Right paradigm, or limited hangout conspiracy theories. This is a corrupt system of lies which is oiled by the blood, sweat, and tears of their deceived and their deceased. The system is a web, and as time moves on, it becomes perfected, until it eventually becomes a net that catches us within its grasp so that we won't get out. One must have a strong inner fire, a strong inner space, not a weak inner space, to save yourself. Play the long game. Do the right thing. True success is survival. Culture is steel. It explores the greater depths of the Mystery, in the Universe, and in the Soul – Matter and Spirit. It is a shared inner space of a Folk creating the outer world through its radiance. A strong inner space that brings value and perspective. It is opposed to the weak inner space of today which is of trivia and degeneracy. We must be in a state of resurgence to find our real culture. We must find it in the universe and in ourselves.

the mantra of an innovative educator. I am an educator. I am an innovator. I am an innovative educator and I will continue to ask, “What is best for learners?” With this empathetic approach, I will create and design learning experiences. I believe that my abilities, intelligence, and talents can be developed, leading to the creation of new and better ideas. I recognize that there are obstacles in education, but, as an innovator, I will focus on what is possible today and where I can push to lead towards tomorrow. I will utilize the tools that are available to me today, and I will continue to search for new and better ways to grow, develop, and share my thinking, while creating and connecting my learning. I focus not only on where I can improve, but where I am already strong, and I look to develop those strengths in myself and in others. I build upon what I already know, but I do not limit myself. I’m open to and willing to embrace new learning, while continuously asking questions that help me move forward. I question thinking, challenge ideas, and do not accept, “This is the way we have always done it” as an acceptable answer for our students or myself. I model the learning and leadership I seek in others. I take risks, try new things to develop, and explore new opportunities. I ask others to take risks in their learning, and I openly model that I’m willing to do the same. I believe that isolation is the enemy of innovation, and I will learn from others to create better learning opportunities for others and myself. I connect with others both locally and globally to tap into ideas from all people and spaces. I will use those ideas, along with my professional judgment, to adapt the ideas to meet the needs of the learners in my community. I believe in my voice and experiences, as well as the voice and experiences of others, as they are important for moving education forward. I share because the learning I create and the experiences I have help others. I share to push my own thinking and to make an impact on learners, both young and old, all over the world. I listen and learn from different perspectives because I know we are much better together than we could ever be alone. I can learn from anyone and any situation. I actively reflect on my learning because I know looking back is crucial to moving forward. If we all embrace this mindset, imagine what education could become.

Keep creating new chapters in your personal book and never stop re-inventing and perfecting yourself. Try new things. Pick up new hobbies and books. Travel and explore other cultures. Never stay in the same city or state for more than five years of your life. There are many heavens on earth waiting for you to discover. Seek out people with beautiful hearts and minds, not those with just beautiful style and bodies. The first kind will forever remain beautiful to you, while the other will grow stale and ugly. Learn a new language at least twice. Change your career at least thrice, and change your location often. Like all creatures in the wild, we were designed to keep moving. When a snake sheds its old skin, it becomes a more refined creature. Never stop refining and re-defining yourself. Transformations are an integral part of life. Just look at the seasons or the weather.

Our fragile planet cannot tolerate a growing population of affluent consumers. Technology and “free markets” will not save us. We cannot wait for governments to lead the way. We must build the new world ourselves, within the shell of the old. Together we can spark a cultural conversation about these issues and creatively explore them in our own context.

Africans began life in the Americas as subjects profoundly shaped by their Atlantic experience, and the communities they created in the Americas were organized around solutions to the specific problems they faced. The cultures they produced do not reflect the simple transfer and continuation of Africa in the Americas but rather reflect the elaboration of specific cultural content and its transformation to meet the particular needs of slave life in the Atlantic system: their need to reassert some kind of healthy relationship to ancestors; to manage death; to produce social networks, communities, and relations of kinship; to address the imbalance of power between black and white; to stake a claim to their bodies to counter the plantation economy’s claim to ownership. In this sense, the cultural practices of diasporic Africa could have meaning only outside Africa. Shared Atlantic experience and memory served as a touchstone for new cultural practices that emerged in the New World diaspora. Only through the capacity and willingness to invent and experiment—to grow and change the cultural tools carried in memory and create new ones to meet the demands of this new world—could Africans hope to remain recognizable to themselves as human beings in a system that held so much of their humanity in callous and calculated disregard. African immigrants retained that foothold in ways determined by the varied circumstances of their slavery: the immigrant slave might adapt a remembered ritual practice to new applications in American slavery or explore and perhaps ultimately adopt an entirely novel practice. The means were extraordinarily diverse because of the great variety of settings and conditions in which the colonial economies of the Americas enslaved human beings. The continuity Africans needed was not the static, ossifying connection of conformity of practice—doing things in the present as they had been done in the past, even when the context of past cultural forms no longer corresponded to the needs and circumstances of the present. Rather, the connection Africans needed was a narrative continuity between past and present—an epistemological means of connecting the dots between there and here, then and now, to craft a coherent story out of incoherent experience.

In this new religion of the self, what our ancestors called chastity is now called oppression if it’s externally imposed or repression if it’s internally imposed. What they called self-discipline or self-control, we call, honestly, sin. In a worldview where desire is sacrosanct, the ultimate sin is to not follow your heart. As another theologian, Cornelius Plantinga, observed, “In such a culture…the self exists to be explored, indulged, and expressed but not disciplined or restrained.

The Five Tribes not only physically displaced other Indian nations in Indian Territory; they erased the history of southern Plains people and drafted a new history of Indian Territory. For example, in 1955, the Chickasaws built their council house, a sixteen-by-twenty-five-foot log house. Here, the Chickasaws rewrote their constitution and took their first actions as a sovereign legislature, under the first Chickasaw governor, Cyrus Harris. Although the log house was quickly replaced (within the next year or so) by a brick iteration, the log house serves a particular purpose in the pantheon of Chickasaw public history. In 1911, the Wapanucka Press, an Oklahoma-based newspaper, interviewed someone (presumably a representative of the Chickasaw Nation) about the story of the log house’s origins. The paper reported, ‘Slaves of the Chickasaws toiled in the dense oak forests cutting down the finest trees and hewing them into shape…Thick undergrowth was cleared from a knoll…paths were cut from bottom meadows.’ Rough-hewn and surrounded by overgrown foliage, the log house is meant to evoke the idea that the Chickasaws encountered a ‘wilderness’ in early Indian Territory. The reader is meant to believe that, as civilizers, the Chickasaws shaped this wilderness into the modern space that it became. This idea of ‘civilization’ is based on Euro-American colonizer’ ideas of advanced societies. The Cherokee Nation alleges on its website that ‘upon earliest contact with European explorers in the 1500s, Cherokee Nation was identified as one of the most advanced among Native American tribes.’ Although the Cherokees were asserting their longevity as a people and their pride in their culture, here they use a European measurement of their merit. In the nineteenth century, the Five Tribes succeeded at crafting a perception of difference. The western Indians certainly saw them as settlers. The special agent to the Comanches reported that they were angry that tribes such as the Creeks and Choctaws ‘have extended their occupation and improvements to the country heretofore used by themselves as a hunting ground,’ expressing that they saw the Five tribes as unlawful settlers, just like whites, and themselves as the dispossessed indigenous peoples of the region.

The reason that Omega was reluctant to embrace the electronic watch is as understandable as it was wrong. Mechanical engineering was the core capability of the Swiss watchmaking industry. Swiss watchmakers successfully sold high-end timepieces to a largely upmarket customer, usually through jewelry stores. Margins were high and volumes comparatively low. Brand was important. In contrast, electronic watches were a high-volume, low-margin product sold through a variety of retail outlets, including drugstores, often under little-known brand names. The core capabilities for the new product were about electronics and manufacturing, not precision engineering. Faced with a low-end product, senior managers balked and missed the opportunity that ultimately destroyed them. Could they have embraced both exploring and exploiting? Of course! This is what ultimately happened. But to do this would have required them to be ambidextrous and to run an organization with different alignments. In terms of the congruence model, it would have meant a different strategy, different key success factors, different people and skills, and a different organizational structure and culture—a radical shift that was seen as too much effort for what was expected to be a low-margin product. To

I wouldn't want this to turn into a generic Asian hodgepodge, for example. Or a brand where the Korean part is no longer core to the business. Or the branding is offensive. Remember when Abercrombie and Fitch had all those offensive Asian T-shirts a few years back? I wouldn't want that to happen." Wyatt slurped his straw. "Jessie, sometimes you really overthink it all. For a company your size, the offer is more than fair. You'll have so much money, you can go invest it somewhere and retire on a secluded beach. These guys, Rich and Tommy, they have vision! They make magic happen with any business they acquire. Their Persian Eats cookbook based on their Netflix series has held the number one spot on the bestseller list for three months. The author is this fancy Culinary Institute of the Arts instructor. Dudley something; I forget his name, some English dude. Tommy, didn't you tell me he was chomping at the bit to do a splashy Seoul Sistas cookbook?" My whole body tensed. "We already have one coming out. And did you just say a White dude would be writing a Korean Seoul Sistas cookbook?" He backtracked in the most Wyatt-like way. "I never said that exactly. And I didn't say he was White." "With a name like Dudley, he's not exactly a sista." The silence in the room was palpable. Wyatt asked, "So no deal? Any smart business leader would jump at this opportunity." My God. Was he serious? "No deal." I looked at Daniel, pleading for any lifeline he could throw me to get me out of there. He stood from his chair. "Rich, Tommy, as always, it's been a pleasure working with you these last few weeks, but my contract ends now, at five P.M. And Wyatt, I'm respectfully declining your offer of full-time employment." Wyatt's mouth formed a perfect O. "But... why?" "I have a new client to counsel. Jessie Kim. And effective immediately, we'll be declining your offer and evaluating all of our options for selling or retaining her business." I stood and pushed the chair back with my leg. "Thank you so much for finding time to meet with me, and it was great meeting you, Rich and Tommy." Shooting a death stare at Wyatt, I continued, "As a smart business leader in a new and growing category, it's best for me now to consider my options and explore alternatives.

Spirit Airlines Phone Number-+1-855-653-0615 Spirit Airlines Phone Number Travel makes a significant impact on one’s life and senses. Besides letting one explore various cultures and natural diversity, it helps in enhancing empathy, self-love and makes one’s life more enjoyable. Few things can be more exciting than spending quality time with loved ones in a remote leisure vacation spot or forgetting oneself completely in any adventurous activity at one’s preferred destination. Let Spirit Airlines take your travel expectations to a new height and provide a memorable and transformative experience. We are committed to provide pleasant & hassle free travel experiences to all travelers. You can score Spirit Airlines Flights ticket and get decent in-flight amenities, letting you enjoy your trip without hurting your pockets. Our expert crew takes all the pains to help passengers get smooth and relaxed air travel. Hence, you can Book Spirit Airlines Tickets without any care or concern. With fuel-efficient aircraft, we facilitate customers to gain maximum savings. Travelers can fly freely to 103 destinations in 40 states, without breaking their banks and thus realize their travel goals. Whether looking for Spirit Plane Tickets Bookings to visit Chicago, Houston, or New York City for business travel or Atlantic City, Las Vegas, Mexico, or Costa Rica for a splendid leisure tour, you should book your tickets from Spirit Airlines official site. It will provide you with the best flight shopping and flight management experience. Every dollar saved on your flight tickets is an added advantage that can help you spend more on accommodations, dining options, or making your tour more fun-filled. Hence, knowing more about our policies, terms and conditions makes sense to get satisfactory flight booking services. Our experienced customer support team will ensure that you get freedom from any difficulty in Spirit Airlines flight booking or managing your flight. You will get complete satisfaction from our excellent crew services and that too at a low cost, without any trouble.

What I say is my business. How you react to it is your business To ascertain someone’s true character, don't listen to what they say, look at what they do The more intelligent you are, the more of an individual you are (same with creativity). Memory is the prison and imagination the key that frees us from our prejudice and preconceptions Attention addiction is the most pernicious of addictions. People will destroy themselves and the lives of others around them, just to get or keep attention focused on them and their need for its drug like dependency Sensitive people are more present than the insensitive, which is why the former jump at the sound of a pin dropping and the latter, not even to a ton weight falling beside them What you admire you mourn the passing of. What you despise, you are glad to see the back of Memory and perception depends upon silence and stillness as forgetting depends upon noise and motion (concentration / dispersal of energy and attention) Reality is not open to discussion. It is not something that changes with your opinion. It works how it works because that is how it works. The laws of reality are the laws of reality and that is it. If seeing is believing, is hearing deceiving (Being told the Emperor has got new clothes, versus seeing he hasn’t)? Stillness and silence is about staying present in the present. Noise and motion is abandonment (moving away from your position in time and space). Discovery is live, that is of the present. Memory is of the dead past (a recording). The first is always a surprise to you, the second is not. People mistake where consciousness is directed as being consciousness itself, which it isn’t If we think that we can't solve a problem, we want to eradicate it instead (stop it dead). If we can find a solution, we want to pat ourselves on the back for our creativity or understanding (keeping life / existence moving on, instead of it grinding to a halt). Culture, habit is that which reinforces our sense of identity Concentration is control because you are being present Thinking is an individual task, it is not a discussion with others, which is an exchange of ideas (other people’s thoughts) You will never understand a problem and resolve it, without exploring it and in depth. To some, yesterday is the nightmare and tomorrow the dream, to others it is the reverse Everything seems crazy until you understand it, when it instantly makes sense, even if you you still don’t think it’s sensible

Pranav Mishra is a well-rounded individual with diverse interests and hobbies. In addition to his love for data analysis and machine learning, Pranav Mishra enjoys playing cricket and watching the NBA. He is also an avid hiker and spends his weekends exploring the outdoors with his golden retriever, Fluffy. Pranav Mishra enjoys cooking, reading, camping, and playing computer games during his leisure time. He is also a fan of music and loves learning about new cultures through his travels.

Curiosity is questioning, exploring, and trying what’s new. Curiosity means that everyone explores how to improve. People ask great questions and actively listen to one another. Curiosity ensures that your organization consistently becomes the best version of itself. Curiosity contributes to a Courageous Culture by shifting the culture from permission to intention. Solving problems and speaking up isn’t just allowed—it’s who you are and what you do.

They were productively adversarial, like superforecasting team discussions. Managers grilled engineers and forced them to produce data to back up their assertions. The process had worked remarkably. The space shuttle was the most complex machine ever built, and all twenty-four flights had returned safely. But on the emergency conference call, that same quantitative culture led them astray. On their engineers’ advice, McDonald and two Thiokol VPs on the call initially supported a no-launch decision. The Challenger had already been cleared, so this was an eleventh-hour reversal. When NASA officials asked Thiokol engineers exactly what temperature range was safe for flight, they recommended setting a limit at 53 degrees, the lower bound of previous experience. NASA manager Larry Mulloy was flabbergasted. He thought the shuttle was supposed to be cleared to launch from 31 to 99 degrees. A last-minute 53-degree limit was setting an entirely new technical criteria for launches. It had never been discussed, was not backed by quantitative data, and meant that suddenly winter was off-limits for space exploration. Mulloy found it frustrating; he later called it “dumb.” How had the engineers arrived at that number? “They said because they had flown at 53 degrees before,” a NASA manager reflected, “which is no reason to me. That’s tradition rather than technology.” Boisjoly was asked again for data to support his claim, “and I said I have none other than what is being presented.” With the conference call at an impasse, a Thiokol VP asked for a five-minute “offline caucus,” during which Thiokol concluded that they had no more data to provide. They returned to the call a half hour later with a new decision: proceed with launch. Their official document read, “temperature data not conclusive on predicting primary O-ring blow-by.” When conference call participants from NASA and Thiokol later spoke with investigators and gave interviews, they repeatedly brought up the “weak engineering position,” as one put it. Their statements comprised a repetitive chorus: “Unable to quantify”; “supporting data was subjective”; “hadn’t done a good technical job”; “just didn’t have enough conclusive data.” NASA was, after all, the agency that hung a framed quote in the Mission Evaluation Room: “In God We Trust, All Others Bring Data.

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In this article, we embark on a journey to explore the timeless beauty of, their significance, and the impact they have on our lives. دل کی آواز ہے شعور کی زبان جذبات کی ترجمان، اردو کا فسانہ محبت کا سفر ہے یہ اردو کی نغمہ جب دلوں کو بھاگتا ہے، بے نیاز سامہ یادوں کی بستی میں بسایا ہے اردو کو حقیقتوں کو ہمسفر، ہمراز بنایا ہے اردو نے دل کو چھو جانے والی اردو کی باتیں روح کو جگا دیتی ہیں، احساس کی لہریں بھرتی ہیں اردو قواعدوں کے سائے شاعری کی بستی میں بہتی ہیں جلوے اردو کے لفظوں میں روشنی کی روشنی ہر تصویر، ہر احساس، سرمستی کی جوشنی یونہی بہتا رہے گا اردو کا سفر جدید دور کیا کہتا ہے، لبوں کا ورق The Essence of Urdu Quotes: Urdu quotes serve as windows to the soul, capturing complex emotions and experiences in just a few words. With their eloquence, they transcend boundaries of time and culture, resonating with individuals around the world. Whether it's about love, life, or spirituality, Urdu quotes beautifully express the depth of human emotions and offer glimpses of wisdom that can guide us through our journeys. The Power of Words: Urdu quotes hold a unique power. Each carefully chosen word carries weight and meaning, creating a powerful impact on the reader's mind. These quotes have the ability to inspire, motivate, and uplift spirits. They encapsulate life's truths in a poetic and concise manner, making them accessible to a wide audience. The Beauty of Urdu Language: Urdu, known for its lyrical qualities and mellifluous flow, adds an extra layer of charm to the quotes. Its poetic nature and rich vocabulary enable the creation of verses that resonate deeply with readers. Whether it's the delicate expressions of love or the introspective reflections on life's complexities, Urdu quotes possess a unique ability to stir emotions and touch the soul. Reflections of Culture and History: Urdu quotes reflect the cultural and historical tapestry of the region. They are imbued with the traditions, values, and experiences of generations. These quotes provide a glimpse into the literary heritage of renowned poets and philosophers, offering insights into their perspectives and contributions to Urdu literature. Urdu Quotes in the Modern Era: In today's digital age, Urdu quotes have found a new platform to reach audiences worldwide. Social media platforms and websites dedicated to Urdu literature have become havens for sharing and appreciating these poetic gems. People are rediscovering the beauty of Urdu quotes, and their popularity continues to soar, bridging gaps between different cultures and fostering a sense of unity. Conclusion: Urdu quotes are more than just words; they are a source of inspiration, solace, and introspection. They capture the essence of life's joys and sorrows, providing us with profound insights and guiding us on our journeys. As we delve into the world of Urdu quotes, we unlock a treasure trove of emotions and wisdom, reminding us of the power of language and the universal nature of human experiences. So, let us embrace the beauty of Urdu quotes and allow them to touch our hearts, inspire our souls, and create a deeper connection with ourselves and others.

We need to accept imperfection. Good may be the enemy of the great but perfect is the enemy of getting stuff done. There is a vulnerability in many environments if you are to share things that are not quite perfect or perfectly thought through. The idea of presenting a new product without showing reams of research to show that it definitely will work is contrary to how most people think. The idea of not having an answer to every question that could be asked is scary, as is dreaming a little bigger or differently to others. Most companies feel like they need people who are professionals who can defend everything, who have thought through every single scenario. We need people to embrace messiness, to accept that real progress comes from things that are never done perfectly the first time. Young companies talk about the idea of a minimal viable product (MVP) which are ideas developed enough to see if there is something worth exploring further. Today we have processes like rapid prototyping or design sprints, or other ways to conceive, develop and test proposals far, far faster than a culture of perfection would ever allow. Arguably, the innovation process in China is by nature faster and bolder thanks to its spirit of chabuduo which means ‘it’ll do’ and meibanfa, aka ‘can’t be helped’. On the one hand it means things are never done perfectly, but on the other it allows rapid progress. Unlike in the West, people don’t freak out if something doesn’t work perfectly. China has a higher acceptance of imperfection, and that’s reassuring if you are trying things that may totally mess up!

explore Becker’s concept of the art world but in relation to Henry Jenkin’s use of the idea in relation to fandom and fan conventions. In Jenkins’ view, an art world involves networks of artistic production, distribution, consumption, circulation and the exhibition and forums for the sale of artworks. In this regard, argues Jenkins, fan conventions are not simply events in which fans can interact with fellow fans, but they also perform a key role in the distribution of knowledge about media productions and are one of the modes by which producers promote cultural products such as comic books, science fiction novels, new film and TV releases, or online/game releases (typified by events such as Comic Con). More importantly, Jenkins argues, conventions provide spaces in which producers have the opportunity to communicate directly with the consumers of their cultural products

Modern historians, using other sources that pre-date Stratton’s well-known book plus an interview with a Mohave who lived with Olive during her captivity, give us an alternate to Stratton’s story. Historians have reason to believe that Olive was treated as a free, full and equal member of Mohave society during her time there. These sources report that Olive embraced her new Mohave identity and adopted their culture as her own. Some sources report that Olive was even married and had two sons before her repatriation.[3] The Mohave also had some well documented interactions with white travelers during these years, which meant that Olive would have come into contact with white Americans many times over her five years with the Mohave—a fact that was conveniently left out of Stratton’s book.

The creation of this digital collection, which brings together the entire body of research materials related to William F Cody's personal and professional life, will enable a variety of audiences to consider the impact of William F. Cody the cultural entrepreneur on American life and provide contextualizing documents from other sources, including audio-visual media that exist for the final years of his life. It will allow more scholars to study the man within his times, will provide new resources to contextualize studies of other regional and national events and persons, and will encourage digital edition visitors to explore and learn more about these vital decades of American expansion and development. The digital edition of the Papers will differ significantly from the print edition by including manuscript materials, photographs, and film and sound recordings, and it will offer navigational and search options not possible in the print edition. As Griffin's volume reveals, it took many people to make Buffalo Bill's Wild West happen. Likewise, there are many people whose combined efforts have made this documentary project a reality. All of the generous donors and talented scholars who have contributed to the success of this effort will be noted in due course. But in this, the first publication, it is appropriate to acknowledge that big ideas are carried to fruition only by sound and steady leadership. The McCracken Research Library was fortunate at the advent of the papers project that in its board chair it had such a leader. Maggie Scarlett was not only an early supporter of this documentary editing project but also its first true champion. It was through her connections (and tenacity) that the initial funds were raised to launch the project. Whether seeking support from private donors, the Wyoming State Legislature, federal granting agencies, or the United States Congress, Maggie led the charge and thereby secured the future of this worthy endeavor. Thus, this reissue of Griffin's account is a legacy not only to William Cody but also to all of those who have made this effort and the larger undertaking possible. In that spirit, though these pages rightfully belong to Charles Eldridge Griffin and to Mr. Dixon, if this volume were mine to dedicate, it would be to Maggie. Kurt Graham

Relocating internationally can be a thrilling adventure, but it’s not without its challenges. The logistics involved in international moving are more complex than domestic moves, requiring careful planning and execution. To ensure a smooth transition to your new home, here are ten essential tips for international moving. 1. Start Early Begin the planning process well in advance. International moves involve extensive paperwork, visa applications, and scheduling with international moving companies. Start at least six months before your intended move date. 2. Declutter and Organize Before packing, declutter your belongings. Dispose of items you no longer need or use. This not only reduces the cost of moving but also helps you start fresh in your new home. 3. Research International Moving Companies Select a reputable international moving company with experience in your destination country. Read reviews, ask for referrals, and obtain quotes from multiple companies. Choose one that offers comprehensive services and competitive rates. 4. Understand Customs Regulations Familiarize yourself with the customs regulations of your destination country. Different countries have varying rules about what you can bring with you. Be prepared to fill out detailed customs forms. 5. Documentation Ensure all your important documents are in order. This includes passports, visas, medical records, and any necessary permits. Keep physical copies as well as digital backups. 6. Packing Strategy Use sturdy, high-quality packing materials to protect your belongings during transit. Label boxes clearly and create an inventory list. Pack essential items separately for easy access upon arrival. 7. Insurance Consider purchasing international moving insurance to protect your possessions during the move. Verify what is covered and ensure it meets your needs. 8. Currency and Banking Set up a bank account in your new country before you move. Also, consider having some local currency on hand for immediate expenses upon arrival. 9. Learn About Your New Home Research your destination thoroughly. Understand the local culture, language, and basic laws. Knowing what to expect can ease the transition. 10. Stay Organized Keep all your moving-related paperwork, receipts, and contact information in one place. This will be invaluable if any issues arise during your international move. Bonus Tip: Stay Positive! Moving internationally can be stressful, but maintaining a positive attitude can make a world of difference. Embrace the adventure and view it as an opportunity for personal growth and exploration. Conclusion International moving is a significant undertaking that requires careful planning and thorough research.

of which are totally lost today. Jesus spoke Aramaic and preached in Aramaic to the simple and poor people who could understand Him. Latin was spoken by Roman officials and Jews who were attached to the court of the Roman Government. Greek was understood by a few cultured businessmen and merchants. But the masses spoke Aramaic. Hebrew was only spoken in the synagogues and used as a ceremonial language. Even the Hebrew Scriptures were interpreted by the priest and Pharisees in Aramaic.

The thesis that we need to address the dangerous implications of the UFO and alien abduction phenomenon as a “psychic and symbolic reality,” as well as a “control system which acts on humans and uses humans,” contradicts certain trends in contemporary spiritual and New Age thought. These days, we find a strong tendency in many spiritual communities to focus single-mindedly on the power of positivity and affirmations of the light, based on ideas such as “The Law of Manifestation” or “The Secret.” The underlying belief is that each of us creates our own reality through our thoughts and intentions. Therefore, if we simply avoid anything dark or malevolent, nothing negative will be able to enter our field. But unfortunately, reality is not that simple, and this approach is a blatant form of spiritual bypassing. Paul Levy explores the idea that modern Anglo-European culture is infected by what the Algonquins call “wetiko,” a cannibalistic spirit driven by greed, excess, and selfish consumption. “Spiritual/New Age practitioners who endlessly affirm the light while ignoring the shadow” fall “under the spell of wetiko,” he writes. By seeking to turn away from and hide their darkness, these practitioners unwittingly reinforce “the very evil from which they are fleeing. Looking away from darkness, thus keeping it unconscious, is what evil depends upon for its existence. If we unconsciously react … to evil by turning a blind eye toward it – “seeing no evil” – we are investing the darkness with power over us.” The alternative is to permeate evil with awareness, “stalking” the shadow so we can catch and assimilate it. Carl Jung wrote, “One does not become enlightened by imagining figures of light, but by making the darkness conscious.” If the thesis developed in this essay has validity, then New Age spiritual practitioners will have to overcome their bypassing and confront the dark side of the psyche, reckoning with the occult control system. At the same time, political and ecological activists will need to interrogate their inveterate bias toward a purely materialist analysis, to acknowledge the existence of occult, hyper-dimensional, forces at work behind the scenes, influencing the course of events. And conspiracy theorists who believe in an incredibly evil, highly organized and intelligent cabal of human controllers working to bring about a New World Order surveillance society of enslavement will have to recognize that the controllers operating behind the scenes are not humans at all. Here and there, the Bible gets this right - as in Ephesians: “For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.” If we aren’t aiming at the proper targets, we will never hit the mark.

The River Between, by James Ngugi (later Ngugi wa Thiongo), redoes Heart of Darkness by inducing life into Conrad’s river on the very first page. ‘The river was called Honia, which meant cure, or bring-back-to-life. Honia river never dried: it seemed to possess a strong will to live, scorning droughts and weather changes. And it went on in the very same way, never hurrying, never hesitating. People saw this and were happy.’51 Conrad’s images of river, exploration, and mysterious setting are never far from our awareness as we read, yet they are quite differently weighted, differently—even jarringly—experienced in a deliberately understated, self-consciously unidiomatic and austere language. In Ngugi the white man recedes in importance—he is compressed into a single missionary figure emblematically called Livingstone—although his influence is felt in the divisions that separate the villages, the riverbanks, and the people from one another. In the internal conflict ravaging Waiyaki’s life, Ngugi powerfully conveys the unresolved tensions that will continue well after the novel ends and that the novel makes no effort to contain. A new pattern, suppressed in Heart of Darkness, appears, out of which Ngugi generates a new mythos, whose tenuous course and final obscurity suggest a return to an African Africa. And in Tayb Salih’s Season of Migration to the North, Conrad’s river is now the Nile, whose waters rejuvenate its peoples, and Conrad’s first-person British narrative style and European protagonists are in a sense reversed, first through the use of Arabic; second in that Salih’s novel concerns the northward voyage of a Sudanese to Europe; and third, because the narrator speaks from a Sudanese village.

What will you find in these pages? Juror Chloe Aridjis writes: ‘Ruminative narratives and more boisterous ones; some raw and instinctive, others crafted and scholarly; narratives that interweave highbrow and popular culture, others that possess a poetic stillness or otherworldly aura; works in which the author creates an elaborate alternative reality, and those in which the author is the construct him or herself. The Spanish language is being put to use in new and thrilling ways.’ And Rodrigo Fresán: ‘The adjective “interesting” is an ambiguous one. The expression, “May you live an interesting life” – apocryphally attributed to China by Westerners for many years – has been seen as either a curse or a blessing, but always as something worthy of attention. Beyond the obvious blessings, the quality of the writing, it seems to me that the additional forward-looking appeal of this selection is an eloquent sampling of how one can write in the proper direction/intention for a generation, yes, cursed by the excesses of life online and the easy and base temptations of the so-called literatura del yo – which young people think is a new trend, but is in fact very, very far from that – the compulsion for testimonial, fictions of the self that inevitably crash because they’re going too fast, or going too slow. I like to believe that here you’ll find a resistance to an era’s passing fad, and find instead the commitment to what is timeless and destined to continue engaging what has always nourished and given rise to good fiction: telling the story of a unique world, finding the form and style necessary to explore it, and make it known. In short: welcome to the work of decidedly interesting writers.

It is a strange distortion, fostered by the biases of modern literary genealogy, that the novel is so often seen these days as the dominant and privileged genre of the nineteenth century. The Victorian novel, as a new, and of course, modern exploration of the self through narrative, has become an integral part of our story of modernity's culture... Novelists were indeed lions of literary society and creators of narratives by which the world was understood and lived... Yet such literary history distorts and diminishes the cultural significance of at least two other forms of genres. which in the nineteenth century were no less fundamental as narratives of the self, and which the novel is in constant dialogue with. The first... is poetry. ... Poetry as a narrative of self-formation - reading it, writing it, learning it so that it is inside you - is fundamental to nineteenth century Bildung... ... The second flourishing genre...biography is a fundamental way in which the process of 'writing down the self' was expressed. ... New theoretical models of psychological development, however, are equally influential in this changing sense of self-construction. Scientists and theoreticians of the mind - of which Freud is only the most starry example - were producing instrumental and wide ranging paradigms of psychological development as models of individual growth or as models of social transformation. How the child would or should become an adult - sexually, morally, socially - was becoming the question argued through at a particularly heated juncture between social science, educational theory, and medicine. Life-writing became the test cases of such intellectually explosive theorizing. Theories of psychology duly became systems of upbringing, which stimulated in turn a literature of resistance and questioning.

Find What Inspires You Inspiration does not always come to us in a flash. We often have to go in search of it, especially when we feel stuck. Finding inspiration means discovering the things that make you excited—even when they have nothing to do with your art practice. If you go on a trip, you might find inspiration in architecture, landscapes, or traditional patterns found in old cultures. Whatever speaks to you, infuse these visual stimuli from your life into your work. To work through anxieties or find out what ignites your interest, it helps to carry a journal to do daily entries. Maintaining a journal with both written and visual thoughts is a long-standing tradition among artists that helps you ignite creativity and work through blocks. There is no right or wrong way to keep a journal. You can use a book with lined or unlined pages; it can be a written diary with stream-of-consciousness thoughts or a purely visual notebook with pages of drawings. One thing that is helpful, though, is to choose a journal size that is portable, so that you can carry it around with you. Make a habit of writing or drawing in your journal every day. Some days you’ll have only a quick five minutes and other days a whole hour to devote to it. Don’t worry about whether your writing makes sense or your ideas or drawings are any good. Eventually a pattern will emerge that will help unlock your mission as an artist and even identify new avenues for exploration.

Born in Palestine, raised and educated between Rome, Ramallah, and New York, Jacir has built a complex and compelling oeuvre that explores translation, mobility, resistance, and cultural erasure in the Mediterranean region. Her work investigates personal and collective movement and its implications on the physical and social experience of trans-Mediterranean space and time, in particular between Italy and Palestine, her two homelands.

Travel writing is, at its heart, about exploration and discovery, how finding the strange and new invites reflection.

Best Budget Travel Destinations Ever Are you looking for a cheap flight this year? Travel + Leisure received a list of the most affordable locations this year from one of the top travel search engines in the world, Kayak. Kayak then considered the top 100 locations with the most affordable average flight prices, excluding outliers due to things like travel restrictions and security issues. To save a lot of money, go against the grain. Mexico Unsurprisingly, Mexico is at the top of the list of the cheapest places to travel in 2022. The United States has long been seen as an accessible and affordable vacation destination; low-cost direct flights are common. San José del Cabo (in Baja California Sur), Puerto Vallarta, and Cancun are the three destinations within Mexico with the least expensive flights, with January being the most economical month to visit each. Fortunately, January is a glorious month in each of these beachside locales, with warm, balmy weather and an abundance of vibrant hues, textures, and flavors to chase away the winter blues. Looking for a city vacation rather than a beach vacation? Mexico City, which boasts a diverse collection of museums and a rich Aztec heritage, is another accessible option in the country. May is the cheapest month to travel there. Chicago, Illinois Who wants to go to Chicago in the winter? Once you learn about all the things to do in this Midwest winter wonderland and the savings you can get in January, you'll be convinced. At Maggie Daley Park, spend the afternoon ice skating before warming up with some deep-dish pizza. Colombia Colombia's fascinating history, vibrant culture, and mouthwatering cuisine make it a popular travel destination. It is also inexpensive compared to what many Americans are used to paying for items like a fresh arepa and a cup of Colombian coffee. The cheapest month of the year to fly to Bogotá, the capital city, is February. The Bogota Botanical Garden, founded in 1955 and home to almost 20,000 plants, is meticulously maintained, and despite the region's chilly climate, strolling through it is not difficult. The entrance fee is just over $1 USD. In January, travel to the port city of Cartagena on the country's Caribbean coast. The majority of visitors discover that exploring the charming streets on foot is sufficient to make their stay enjoyable. Tennessee's Music City There's a reason why bachelorette parties and reunions of all kinds are so popular in Music City: it's easy to have fun without spending a fortune. There is no fee to visit a mural, hot chicken costs only a few dollars, and Honky Tonk Highway is lined with free live music venues. The cheapest month to book is January. New York City, New York Even though New York City isn't known for being a cheap vacation destination, you'll find the best deals if you go in January. Even though the city never sleeps, the cold winter months are the best time for you to visit and take advantage of the lower demand for flights and hotel rooms. In addition, New York City offers a wide variety of free activities. Canada Not only does our neighbor Mexico provide excellent deals, but the majority of Americans can easily fly to Canada for an affordable getaway. In Montréal, Quebec, you must try the steamé, which is the city's interpretation of a hot dog and is served steamed in a side-loading bun (which is also steamed). It's the perfect meal to eat in the middle of February when travel costs are at their lowest. Best of all, hot dogs are inexpensive and delicious as well as filling. The most affordable month to visit Toronto, Ontario is February. Even though the weather may make you wary, the annual Toronto Light Festival, which is completely free, is held in February in the charming and historic Distillery District. Another excellent choice at this time is the $5 Bentway Skate Trail under the Gardiner Expressway overpass.

(paraphrasing from chapter 8) you must adjust to the culture established by the power [..] contrast between flexibility & ingenuity compared to structure & consistency. the former is about exploring new ideas and changing plans, the latter is about delivering on time(structured timelines, due dates) and in budget

Reading is a journey to explore new worlds, and Geoarticle.com is the perfect guide to take you there. With their insightful articles on geography, history, and culture, Geoarticle.com will broaden your horizons and enrich your reading experience.

Finally, we must note The Great Divorce, a highly imaginative book which Lewis composed in 1944. Tolkien described this book as “a new moral allegory or ‘vision’ based on the medieval fancy of the Refrigerium, by which the lost souls have an occasional holiday in Paradise.”[513] Lewis has been much criticised by Catholic theologians for his obviously faulty analysis of medieval theology at this point.[514] Indeed, The Great Divorce is clearly best regarded as a “supposal”: if the inhabitants of hell were to visit heaven, what would happen? Lewis initially titled this work Who Goes Home? but was happily persuaded to alter the title. The work is chiefly remarkable on account of its use of an innovative imaginative framework, similar in some ways to The Screwtape Letters, to explore a series of very traditional questions—such as the limits of human free will and the problem of pride. Perhaps the most important feature of this work, however, is Lewis’s demonstration—by art of narrative rather than by force of argument—that people easily become trapped in a way of thinking from which they cannot break free. Those in hell, on exploring heaven, turn out to be so comfortable with their distorted view of reality that they choose not to embrace truth on encountering it. Lewis deploys familiar cultural stereotypes of his day—such as the career artist who is obsessed with the avant-garde, or the theologically liberal bishop infatuated with his intellectual fame—to challenge the lazy and unevidenced Enlightenment assumption that humans recognise and accept truth when they see it. Human nature, Lewis suggests, is rather more complex than this trite, superficial rationalism allows.

That means that however funds are raised for community projects, the highest amount goes to educational facilities and teachers. The curriculum would be based on learning what it means to be a human being, or rather, a spiritual being living in a human body/world. Courses taught would include how to develop creativity, what it means to clear the psychological and emotional self, how to be in relationship with others, what steps must be taken to ensure basic needs are met for all souls in physical embodiment, the study of different soul paths for the purpose of understanding the viewpoints and perceptions of each group, etc. Second, resources would be devoted to scientific research and application. Specifically, funding would be allocated for alternative energy projects, agricultural advances, transportation systems, cleanup of the environment, and exploration of the cosmos. Third, emphasis would be placed on cultural advancement, including creative architecture, community gardens, cooperative building and re-building projects, implementation of new economic paradigms including enlightened currencies, and providing of the latest technological systems in every household that desires them (but not necessarily with emphasis on the latest gadgets for hours of mind-numbing entertainment). The priority here is to enable more efficient communication and awareness of world events for all souls. Also, it is important to be sure and include entertainment and down time. Fourth, opportunities would be provided to help individuals express their spiritual freedom. Encouragement and support will be given for souls to build churches, mosques, temples, synagogues, monasteries, healing retreat centers, therapy and holistic bodywork facilities, and more. The truth may be within, but it is helpful to have an outer environment that reflects the inner truth.

Though other cultures-like the Sumerian, the Mayan, and the Indic-coupled human destiny with long vistas of abstract calendar time, the essential contribution of the Renascence was to relate the cumulative results of history to the variety of cultural achievements that marked the successive generations. By unburying statues, monuments, buildings, cities, by reading old books and inscriptions, by re-entering a long-abandoned world of ideas, these new explorers in time became aware of fresh potentialities in their own existence. These pioneers of the mind invented a time-machine more wonderful than H.G. Wells' technological contraption. At a moment when the new mechanical world-picture had no place for 'time' except as a function of movement in space, historic time-duration, in Henri Bergson's sense, which includes persistence through replication, imitation, and memory-began to play a conscious part in day-to-day choices. If the living present could be visibly transformed, or at least deliberately modified from Gothic to a formalized Classic structure, so could the future be remolded, too. Historic time could be colonized and cultivated, and human culture itself became a collective artifact. The sciences actually profited by this historic restoration, getting a fresh impetus from Thales, Democritus, Archimedes, Hero of Alexandria.

Slow It Down God called the light “day,” and the darkness he called “night.” And there was evening, and there was morning—the first day. Genesis 1:5 by T. Suzanne Eller Everyone knows morning comes first, and then evening. Right? So I was surprised to read in Genesis 1:5 that the order was, in fact, reversed: “And there was evening, and there was morning.” God started with evening, a time of rest, and a day followed, in which he continued to create. We live in a culture where we work all day, and then eventually we might take time to rest. To order our days the way God does—with rest as a priority—is a challenge. I learned to prioritize God’s way when, at age 32, I was diagnosed with cancer. I told the doctor I didn’t have time for cancer, but cancer didn’t consult my schedule. My life changed while going through treatment as I put aside activities that previously had seemed vital. Out of that difficult time came a new list of priorities. At the top of the list: to balance my life. I learned to climb between the sheets and put aside my worries—to rest my body and mind. To slow down when life became crazy and assess what is important. I began to see evening as the first part of my day. This concept changed my life, physically and spiritually. Recently I had two speaking events sandwiched together. As the dates approached, time with my heavenly Father became “evening.” In preparation for my events, I listened to the heart of my Father instead of going over my notes. Out of that rest sprang fruitful ministry during the day. Learning to live with evening, or rest, as a top priority is an ongoing process. Many times I ask God to help me reprioritize, make time for physical rest and put “evening” back where it belongs. More Verses to Explore: Exodus 20:11 Psalm 91:1 Mark 6:30–31