Explore Mountain Quotes

Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.

One final paragraph of advice: do not burn yourselves out. Be as I am - a reluctant enthusiast....a part-time crusader, a half-hearted fanatic. Save the other half of yourselves and your lives for pleasure and adventure. It is not enough to fight for the land; it is even more important to enjoy it. While you can. While it’s still here. So get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, climb the mountains, bag the peaks, run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and contemplate the precious stillness, the lovely, mysterious, and awesome space. Enjoy yourselves, keep your brain in your head and your head firmly attached to the body, the body active and alive, and I promise you this much; I promise you this one sweet victory over our enemies, over those desk-bound men and women with their hearts in a safe deposit box, and their eyes hypnotized by desk calculators. I promise you this; You will outlive the bastards.

I am one of the searchers. There are, I believe, millions of us. We are not unhappy, but neither are we really content. We continue to explore life, hoping to uncover its ultimate secret. We continue to explore ourselves, hoping to understand. We like to walk along the beach, we are drawn by the ocean, taken by its power, its unceasing motion, its mystery and unspeakable beauty. We like forests and mountains, deserts and hidden rivers, and the lonely cities as well. Our sadness is as much a part of our lives as is our laughter. To share our sadness with one we love is perhaps as great a joy as we can know - unless it be to share our laughter. We searchers are ambitious only for life itself, for everything beautiful it can provide. Most of all we love and want to be loved. We want to live in a relationship that will not impede our wandering, nor prevent our search, nor lock us in prison walls; that will take us for what little we have to give. We do not want to prove ourselves to another or compete for love. For wanderers, dreamers, and lovers, for lonely men and women who dare to ask of life everything good and beautiful. It is for those who are too gentle to live among wolves.

You need mountains, long staircases don't make good hikers.

I can speak to my soul only when the two of us are off exploring deserts or cities or mountains or roads.

None of your knowledge, your reading, your connections will be of any use here: two legs suffice, and big eyes to see with. Walk alone, across mountains or through forests. You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk. But the walker who marvels while walking (the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills) has no past, no plans, no experience. He has within him the eternal child. While walking I am but a simple gaze.

Creative people who can't help but explore other mental territories are at greater risk, just as someone who climbs a mountain is more at risk than someone who just walks along a village lane.

How is it that one day life is orderly and you are content, a little cynical perhaps but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange? Travellers at least have a choice. Those who set sail know know that things will not be the same as at home. Explorers are prepared. But for us, who travel to cities of the interior by chance, there is no preparation. We who are fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back worse.

He was always seeking for a meaning in life, and here it seemed to him that a meaning was offered; but it was obscure and vague . . . He saw what looked like the truth as by flashes of lightening on a dark, stormy night you might see a mountain range. He seemed to see that a man need not leave his life to chance, but that his will was powerful; he seemed to see that self-control might be as passionate and as active as the surrender to passion; he seemed to see that the inward life might be as manifold, as varied, as rich with experience, as the life of one who conquered realms and explored unknown lands.

The perfect journey is never finished, the goal is always just across the next river, round the shoulder of the next mountain. There is always one more track to follow, one more mirage to explore.

Intimacy in all human relationships—especially with God—can occur only as vulnerability and inadequacy are owned.

As they sang the hobbit felt the love of beautiful things made by hands and by cunning and by magic moving through him, a fierce and jealous love, the desire of the hearts of dwarves. Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.

The forest of Skund was indeed enchanted, which was nothing unusual on the Disc, and was also the only forest in the whole universe to be called -- in the local language -- Your Finger You Fool, which was the literal meaning of the word Skund. The reason for this is regrettably all too common. When the first explorers from the warm lands around the Circle Sea travelled into the chilly hinterland they filled in the blank spaces on their maps by grabbing the nearest native, pointing at some distant landmark, speaking very clearly in a loud voice, and writing down whatever the bemused man told them. Thus were immortalised in generations of atlases such geographical oddities as Just A Mountain, I Don't Know, What? and, of course, Your Finger You Fool. Rainclouds clustered around the bald heights of Mt. Oolskunrahod ('Who is this Fool who does Not Know what a Mountain is') and the Luggage settled itself more comfortably under a dripping tree, which tried unsuccessfully to strike up a conversation.

The Ache That Would Not Leave Behind the hum and routine of daily living, there lay a persistent and wild longing for something she could not easily put into words. It felt like impulsive adventures and watching the sun rise over unfamiliar mountains, or coffee in a street café, set to the background music of a foreign language. It was the smell of the ocean, with dizzying seagulls whirling in a cobalt sky; exotic foods and strange faces, in a city where no one knew her name. She wanted secrets whispered at midnight, and road trips without a map, but most of all, she ached for someone who desired to explore the mysteries that lay sleeping within her. The truly heartbreaking part was that she could feel the remaining days of her life falling away, like leaves from an autumn tree, but still this mysterious person who held the key to unlock her secrets did not arrive; they were missing, and she knew not where to find them.

People spend their entire lives at those lower altitudes without any awareness that this high country exists.

Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong. How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange? Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.

We were not pioneers ourselves, but we journeyed over old trails that were new to us, and with hearts open. Who shall distinguish?

To love someone is to grant him or her the gift of one’s pure and undivided attention, without preconceived expectations of what the other person needs, what we imagine to be best in the situation, what particular results we want to engineer.

One night as I walked in the desert the mountains rode on my shoulders and the sky became my heart, and the earth - my own body, I explored. Every object began to wink at me, and Mira wisely calculated the situation, thinking: My charms must be at their height now would be a good time to rush into His arms, maybe He won't drop me so quick.

Divine love is incessantly restless until it turns all woundedness into health, all deformity into beauty, all embarrassment into laughter. In biblical faith, brokenness is never celebrated as an end in itself.

The difference between an ordinary life and an extraordinary life is only a matter of perspective. Pull the blinds. Look around you. It is a mad, mad world and you do not require ten digit bank accounts to immerse yourself in it. Travel down dusty roads without a destination in mind. Climb a mountain and scream out into the void. Kiss the hell out of a stranger. Skinny dip in a lake. Get lost and lose yourself (they are two separate things). Explore the wilderness (especially the one within). Think less of destiny and more of the moment right here. Because when you are old and ill with your loved ones around you, fame won't matter, nor will the extent of your wealth. You are the sum of the stories you can tell.

The weather here is windy, balmy, sometimes wet. Desert springtime, with flowers popping up all over the place, trees leafing out, streams gushing down from the mountains. Great time of year for hiking, camping, exploring, sleeping under the new moon and the old stars. At dawn and at evening we hear the coyotes howling with excitement - mating season. And lots of fresh rabbit meat hopping about to feed the young ones with.

God can only be met in emptiness, by those who come in love, abandoning all effort to control, every need to astound.

Then the hard, dry Spaniards came exploring through, greedy and realistic, and their greed was for gold or God. They collected souls as they collected jewels. They gathered mountains and valleys, rivers and whole horizons, the way a man might now gain tittle to building lots.

The girl looks out the window, watching the gentle, familiar blue sky fade into darkness. The stars come out, slowly at first and then all together, diamond-bright, each one a new world to discover. But no matter how long the girl looks, she feels nothing. Puzzled, she looks for the girl who wanted to be an explorer, the girl who wanted to learn deep-sea diving and mountain-climbing, the girl who wanted to travel the stars. But she can't find her. That girl died when her parents did, in a little shop in the slums of November. And now she has no soul left to shatter. She closes the shade over the window.

And suddenly first one and then another began to sing as they played, deep-throated singing of the dwarves in the deep places of their ancient homes; and this is like a fragment of their song, if it can be like their song without their music. [...]As they sang the hobbit felt the love of beautiful things made by hands and by cunning and by magic moving through him, a fierce and jealous love, the desire of the hearts of dwarves. Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick. He looked out of the window. The stars were out in a dark sky above the trees. He thought of the jewels of the dwarves shining in dark caverns. Suddenly in the wood beyond The Water a flame leapt up - probably somebody lighting a wood-fire-and he thought of plundering dragons settling on his quiet Hill and kindling it all to flames. He shuddered; and very quickly he was plain Mr. Baggins of Bag-End, Under-Hill, again. He got up trembling.

I knew more than anyone that nature didn’t care for reputation, age, gender, or background. It was equally indifferent to personality: the mountain couldn’t give a shit if the people exploring it were morally nasty or nice.

Looking out of a tent door into a world of snow and vanishing hopes. ~George Mallory

In the right frame of mind, to walk from one room in a house to another can be exploration of the highest order. To a child a back garden can be an unknown country.

Seek knowledge for its own sake. Not all knowledge needs to be useful. Sometimes it should be pursued for pure pleasure. Leonardo did not need to know how heart valves work to paint the Mona Lisa, nor did he need to figure out how fossils got to the top of mountains to produce Virgin of the Rocks. By allowing himself to be driven by pure curiosity, he got to explore more horizons and see more connections than anyone else of his era.

Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.

Simone Weil was surely right when she asked, “Isn’t it the greatest possible disaster, when you are wrestling with God, not to be beaten?” God’s invitation to the spiritual life is a call to the high-risk venture of being loved more fiercely than we ever might have dreamed.

only a few hours and was now struggling to stay alert on this first day of our trip. I left my companions for a moment to explore the station. Fifty-three winters ago, the Dyatlov hikers had nearly missed their evening train leaving

too young to live, too old to die

The text-book is rare that stimulates its reader to ask, Why is this so? Or, How does this connect with what has been read elsewhere?

He is his own planet, terrain to be explored, mountains to climb and oceans to drown in.

Atop a mountain, one feels as close to the heavens as a bird soaring through the sky.

Walking: it hits you at first like an immense breathing in the ears. You feel the silence as if it were a great fresh wind blowing away clouds. There’s the silence of woodland. Clumps and groves of trees form shifting, uncertain walls around us. We walk along existing paths, narrow winding strips of beaten earth. We quickly lose our sense of direction. That silence is tremulous, uneasy. Then there’s the silence of tough summer afternoon walks across the flank of a mountain, stony paths, exposed to an uncompromising sun.

There are, it is often said by the more ecumenical prophets, many paths up the mountain. So long as it helps a person navigate the world and seek out what is good, a path, by definition, has value.

My parents, and librarians along the way, taught me about the space between words; about the margins, where so many juicy moments of life and spirit and friendship could be found. In a library, you could find miracles and truth and you might find something that would make you laugh so hard that you get shushed, in the friendliest way. There was sanctuary in a library, there is sanctuary now, from the war, from the storms of our family and our own anxious minds. Libraries are like the mountain, or the meadows behind the goat lady’s house: sacred space." [Good Friday world, Salon.com, March 28, 2003]

I want to climb every last mountain, row down every last river, explore every last cave, cross every last bridge, run across every last beach, visit every last town, city, country. Everywhere. I should've done more than watch documentaries and video blogs about these places.

Her dreams were full of sundering rivers and windswept plains and towering mountains with their shoulders in the clouds, of green islands verdant in the sun, of strange beasts no man had tamed and queer fruits no man had tasted, of golden cities shining underneath strange stars.

People who pay attention to what matters most in their lives, and who learn to ignore everything else, assume a freedom that is highly creative as well as potentially dangerous in contemporary society. Having abandoned everything of insignificance, they have nothing to lose. Apart from being faithful to their God, they no longer care what happens to them.

But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.

If you get in tune with the tendency field, through expanding and exploring the set of positive characteristics within yourself, the tendency field responds with constant energy, and affirmations. If you work against the tendency field, by being negative, unfair, unloving, and unconscious of the truth, you weaken your connection to the tendency field, and you experience existential dread, no matter how rich or famous or powerful you are.

The smell of books soothed his soul like nothing else could. The store was his haven, his refuge, and most importantly, it was safe. Here he could go anywhere in the world, explore the seas, scale mountains, travel through time and space or fall in love.

Every spring in the wet meadows and ditches I hear a little shrilling chorus which sounds for all the world like an endlessly reiterated “We’re here, we’re here, we’re here.” And so they are, as frogs, of course. Confident little fellows. I suspect that to some greater ear than ours, man’s optimistic pronouncements about his role and destiny may make a similar little ringing sound that travels a small way out into the night. It is only its nearness that is offensive. From the heights of a mountain, or a marsh at evening, it blends, not too badly, with all the other sleepy voices that, in croaks or chirrups, are saying the same thing.

Mountains are both journey and destination. They summon us to climb their slopes, explore their canyons, and attempt their summits. The summit, despite months of preparation and toil, is never guaranteed though tastes of sweet nectar when reached. If my only goal as a teacher and mountaineer is the summit, I risk cruel failure if I do not reach the highest apex. Instead, if I accept the mountain’s invitation to journey and create meaning in each step, success is manifest in every moment.

Yet there are always a few who are not content to spend their lives indoors. Simply knowing there is something unknown beyond their reach makes them acutely restless. They have to see what lies outside – if only, as George Mallory said of Everest, “because it’s there.” This is true of adventurers of every kind, but especially of those who seek to explore not mountains or jungles but consciousness itself: whose real drive, we might say, is not so much to know the unknown as to know the knower. Such men and women can be found in every age and every culture. While the rest of us stay put, they quietly slip out to see what lies beyond.

You may look at other beautiful Queens in your life doing their Queenly work with calm, confident efficiency and think you could never be like them… … And you won’t. Because the truth is, no one will rule your realm like you. Your crown will not be identical to the crown of other Queens. There has never been another Queen like you before and there never will be. You are uniquely qualified by the mountains you have climbed, caves you have explored, and the treasures you have discovered. But take heed, dear one, you can confidently acknowledge your strengths, talents, and gifts and be humble. You get to choose how you want to rule your realms.

What sort of exploring?” Shielding his eyes, Adam lifted his eyes to the sky. He thought he could hear Gansey coming. “Mountains. How do you feel about helicopters?” There was a long pause. “How do you mean? Ethically?

what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation. you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser. do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on. do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material. this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition. the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence. avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.

Running away is futile. Even if you run very far away from home to a remote mountain monastery, as long as you carry the same attitude you've always had, you'll never truly get away. You'll just end up transferring all the stuff from home onto the other people at the monastery... Lots of people run away from responsibilities to "find themselves." But not so many of them have a real commitment to the truth. It would be better to find the truth in the life you're living, with the responsibilities you've already accepted. Responsibilities have a way of finding you, even if you run away from them.

The mountains that enfold the vale With walls of granite, steep and high, Invite the fearless foot to scale Their stairway toward the sky. The restless, deep, dividing sea That flows and foams from shore to shore, Calls to its sunburned chivalry, "Push out, set sail, explore!" And all the bars at which we fret, That seem to prison and control, Are but the doors of daring, set Ajar before the soul. Say not, "Too poor," but freely give; Sigh not, "Too weak," but boldly try, You never can begin to live Until you dare to die.

It felt somehow comforting to return to the sparkling lake tucked into the mountains on Portal Prime. But why, when everything about Mesme made her the antithesis of comfortable? Because here was where desperation had become hope. Where helplessness had become purpose.

Turn off your television. Open your windows. Find open spaces. Run to the ocean. 
 “The sea will speak to you if you become quiet enough.” There is magic in these mountains. There are spirits in these old tall pines. These are the places they wrote about. The places they sang for and explored. These are the places that notions arise from when the wind howls. Brothers and Sisters, you are wild and infinite. You are the wolves and the fish. You are these trees and these rivers. So when you sit, sit like a mountain. None of these places will last. These buildings will fail. These trees will fall. And these mountains? Even the mountains will change. So go easy Brothers and Sisters. Be kind. It is a long walk home.

Kentucky, the Bluegrass State, world renowned home of the best horse-races and fine bourbons, is also a place filled with intriguing mysteries that have defied explanation since the first settlers stepped onto its fertile soil and began exploring its beautifully forested mountains and valleys.

In here was the image of God. It isn't the devil in humanity that makes man a lonely creature, it's his God-likeness. It's the fullness of the Good that can't get out or can't find its proper "other place" that makes for loneliness.Anna's misery was for others. They just could not see the beauty of that broken iron stump, the colors, the crystalline shapes; they could not see the possibilities there. Anna wanted them to join with her in this exciting new world , but they could not imagine themselves to be so small that this jagged fracture could become a world of iron mountains, of iron plains with crystal trees.It was a new world to explore, a world of the imagination, a world where few people would or could follow her. In this broken-off stump was a whole new realm of possibilities to be explored and to be enjoyed. Mister God most certainly enjoyed it, but then Mister God didn't at all mind making himself small. People thought that Mister God was very big, and that's where they made a big mistake. Obviously Mister God could be any size he wanted to be. "If he couldn't be little, how could he know what it's like to be a lady -bird?" Indeed, how could he? So, like Alice in Wonderland, Anna ate of the cake of imagination and altered her size to fit the occasion.After all, Mister God did not have only one point of view but an infinity of viewing points, and the whole purpose of living was to be like Mister God. So far as Anna was concerned, being good, being generous, being kind, praying, and all that kind of stuff had very little to do with Mister God. They were, in the jargon of today, merely "spinoffs." This sort of thing was just "playing it safe," and Anna was going to have none of it. No! Religion was all about being like Mister God and it was here that things could get a little tough. The instructions weren't to be good and kind and loving, etc., and it therefore followed that you would be more like Mi ster God. No! The whole point of being alive was to be like Mister God and then you couldn't help but be good and kind and loving, could you?

And no sooner had Cap been commanded, if she valued her safety, not to cross the water or climb the precipice than, as a natural consequence, she began to wonder what was in the valley behind the mountain and what might be in the woods across the river. And she longed, above all things, to explore and find out for herself.

I drank from the crisp mountain stream, tasting filtered sky with a mossy undertone. I’ve never understood how being loved fully could change your entire perspective of the world. I only ever understood the wistfulness of it, and the longing and the frothy, violent bits. The mixed up, rained on parts. The escaped bits that smudge and bleed through. Slowly, I am coming to terms with how vulnerable I am to you, flat on my back like a submissive wolf pup. Daisy petals line your eyelashes, juice of a nectarine flavors your tongue. The side of your mouth twitches, hazy dreamscapes overtaking your mind while we bathe in the glorious autumn devastation.

A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.

Trekking means a travelling experience with a thrilling excitement.

You're not over the hill, you're at the top of the mountain. It's been tough work getting to this point, but now you have a whole new world to explore.

One's self is ever a tenuous thing, discovered only in relinquishment.

Never measure the height of a mountain, until you have reached the top. Then you will see how low it was. Dag Hammarskjöld

You are a computer. If you become front-end you'll count the likes on social media. If you become back-end you'll be breathing deep on a mountain. Listen! one life man. Become a Full-stack.

Today there remain but a few small areas on the world’s map unmarked by explorers’ trails. Human courage and endurance have conquered the Poles; the secrets of the tropical jungles have been revealed. The highest mountains of the earth have heard the voice of man. But this does not mean that the youth of the future has no new worlds to vanquish. It means only that the explorer must change his methods.

Antarctica is the highest, driest, coldest, and windiest place on the planet. The South Pole averages sixty below zero, has hurricane-strength winds, and sits at an altitude of ten thousand feet. In other words, those original explorers didn’t have to just get there, but had to climb serious mountains to do so. (Side note: Down here, you’re either an Amundsen guy, a Shackleton guy, or a Scott guy. Amundsen was the first to reach the Pole, but he did it by feeding dogs to dogs, which makes Amundsen the Michael Vick of polar explorers: you can like him, but keep it to yourself, or you’ll end up getting into arguments with a bunch of fanatics. Shackleton is the Charles Barkley of the bunch: he’s a legend, all-star personality, but there’s the asterisk that he never reached the Pole, i.e., won a championship. How this turned into a sports analogy, I don’t know. Finally, there’s Captain Scott, canonized for his failure, and to this day never fully embraced because he was terrible with people. He has my vote, you understand.)

Our conditioning as members of a consumer society prevents us from abandoning hope that, with sufficient planning, we might yet be able to see and do everything. To move slowly and deliberately through the world, attending to one thing at a time, strikes us as radically subversive, even un-American. We cringe from the idea of relinquishing, in any moment, all but one of the infinite possibilities offered us by our culture. Plagued by a highly diffused attention, we give ourselves to everything lightly. That is our poverty. In saying yes to everything, we attend to nothing. One only can love what one stops to observe. “Nothing is more essential to prayer,” said Evagrius, “than attentiveness.

We’re not born running up mountains. Most of us don’t even figure out we’re capable of such a feat until later in life. Along the way, we make a lot of mistakes. Some of us even hit rock bottom. And then we pick ourselves up, dust off the dirt, and start climbing — sometimes literally. Running is a transformative experience in mind, body and spirit for so many. It helps us face inner demons and shush the naysayers — especially when those naysayers are ourselves.

Souls spread over the planet and leave no mountain unclimbed, no valley undiscovered, no sea unsailed, ventured even into outer space. Souls mingle and leave no relationship unattempted, no emotion unfelt, no pleasure and pain unexplored. Souls plunge into their minds and leave no tale untold, no image unpainted, no melody unheard. Souls transcend their fantasies and leave no idea unthought, no natural law undescribed, no wisdom undefined. Souls even pass over the thinkeable and witness ineffable realms of other worlds and their inhabitants. Curiosity, the drive to experience, the urge of urges, the world's innermost desire. We, souls, are its foremost scouts. We are the embodiment of the purpose of existence.

Look, look at my country, look at my Kabul, my city, what is left of my city? The streets are as bare as mountains now, the buildings are as ragged as mountains and as bare and empty of life, there is no life here only fear, we do not live in the buildings now, we live in terror in the cellars in the caves in the mountains, only God can save us now, only order can save us now, only God's Law harsh and strictly administered can save us now, only The Department for the Promotion of Virtue and the Prevention of Vice can save us now, only terror can save us from ruin, only neverending war, save us from terror and neverending war, save my wife they are stoning my wife, they are chasing her with sticks, save my wife save my daughter from punishment by God, save us from God, from war, from exile, from oil exploration, from no oil exploration, from the West, from the children with rifles, carrying stones, only children with rifles, carrying stones, can save us now.

Ecology is beginning to slowly shift focus with tentative explorations of what the world would look like if process, rather than matter were the basis for reality What if we defined a species in terms of its life processes? We might seriously doubt whether the California condor or the tall grass prairie can be 'saved' or even 'restored.' Perhaps we can re-create some local conditions that foster a few nests of condors or a few acres of prairie. But the life process of the condor ended with the urbanization of the California foothills and the living ebb and flow of the tall grass prairies died with the plowing of the Great Plains. What if we suggested that a thing is what it does? In this light, the Rocky Mountain locust was a immense aperiodic energy flow that linked life processes on a continental scale. This notion of life-as-process might seem unusual in a society in which material existence is primary. But such a perception informs our deepest understanding of life. Indeed, life-as-process underlies our notion of euthanasia. When loved ones are simply bodies, devoid of the capacity to care, respond, or relate again a away that we can recognize as being "them," we understand that they are gone even before they are dead.

In the foyer of their building they displayed a large globe, one of the few in Philadelphia. On his way home from school each day, Hugh stopped in the office, spinning the globe on its axis, his fingers exploring the oceans and mountains of the world.

Joy is not the satisfied contemplation of an accomplished result, the emotion of victory, the satisfaction of having succeeded. It is the sign of an energy that is deftly deployed, it is a free affirmation: everything comes easy. Joy is an activity: executing with ease something difficult that has taken time to master, asserting the faculties of the mind and the body. Joys of thought when it finds and discovers, joys of the body when it achieves without effort. That is why joy, unlike pleasure, increases with repetition, and is enriched. When you are walking, joy is a basso continuo. Locally, of course, you may run into effort and difficulty. You will also find immediate moments of contentment: a proud gaze backwards to contemplate the long steep plunge of the slope behind you. Those satisfactions, though, too often present an opportunity to reintroduce quantities, scores, figures (which track? how long? what altitude?). And walking becomes a competition. That is why expeditions in high mountain country (conquering peaks, each one a challenge) are always slightly impure: because they give rise to narcissistic gratification. What dominates in walking, away from ostentation and showing off, is the simple joy of feeling your body in the most primitively natural activity.

But taking my meal outside by the burning juniper in the fireplace with more desert and mountain than I could explore in a lifetime open to view, I was invited to contemplate a far larger world, one which extends into a past and into a future without any limits known to human kind. By taking off my shoes and digging my toes into the sand I made contact with that larger world - an exhilarating feeling which leads to equanimity. Certainly I was still by myself, so to speak - there were no other people around and there still are none - but in the midst of such a grand tableau it was impossible to give full and serious consideration to Albuquerque. All that is human melted with the sky and faded out beyond the mountains and I felt, as I feel - is it a paradox? - that a man can never find or need better companionship than that of himself.

Book, when I close you life itself opens. I hear broken screams in the harbor. The copper slugs cross the sandy areas, descending to Tocopilla. It is night. Between the islands our ocean palpitates with fish. It touches the feet, the thighs, the chalky ribs of my homeland. Night touches the shoreline and rises while singing at daybreak like a guitar awakening. I feel the irresistible force of the ocean's call. I am called by the wind, and called by Rodriguez, José Antonio, I received a telegram from the "Mina" worker's union and the one I love (I won't tell you her name) waits for me in Bucalemu. Book, you haven't been able to enwrap me, you haven't covered me with typography, with celestial impressions, you haven't been able to trap my eyes between covers, I leave you so I can populate groves with the hoarse family of my song, to work burning metals or to eat grilled meat at the fireside in the mountains. I love books that are explorers, books with forest and snow, depth and sky, but I despise the book of spiders that employs thought to weave its venomous wires to trap the young and unsuspecting fly. Book, free me. I don't want to be entombed like a volume, I don't come from a tome, my poems don't eat poems, they devour passionate events, they're nurtured by the open air and fed by the earth and by men. Book, let me wander the road with dust in my low shoes and without mythology: go back to the library while I go into the streets. I've learned to take life from life, to love after a single kiss, and I didn't teach anything to anyone except what I myself lived, what I shared with other men, what I fought along with them: what I expressed from all of us in my song.

Anywhere you wanted to travel to?” ‘I’m suffocated by the darkness and this question. I wish I was brave enough to have travelled. Now that I don’t have time to go anywhere, I want to go everywhere: I want to get lost in the deserts of Saudi Arabia; find myself running from the bats under the Congress Avenue Bridge in Austin, Texas; stay overnight on Hashima Island, this abandoned coal-mining facility in Japan sometimes known as Ghost Island; travel the Death Railway in Thailand, because even with a name like that, there’s a chance I can survive the sheer cliffs and rickety wooden bridges; an everywhere else. I want to climb every last mountain, row down every last river, explore every last cave, cross every last bridge, run across last beach, visit every last town, city, country. Everywhere. I should’ve done more than watch documentaries and video blogs about these places.

Lunar tourism and exploration could become popular recreational activities as people discover the wonders of an alien landscape. Given the low gravity, hikers would be able to trek over long distances without tiring. Mountain climbers would be able to rappel down steep mountainsides with little effort.

As we advance in the spiritual life and in the practice of systematic self-examination we are often surprised by the discovery of vast unknown tracts of the inner life of the soul. They seem like great plains stretching out in mystery and wrapt in mists that sometimes for a moment lift, or sweep off and leave one looking for one brief instant upon great reaches of one’s own life, unknown, unmeasured, unexplored. Men stand at such moments breathless in wonder and in awe gazing upon these great tracts upon which they have never looked before, with kindling eyes and beating hearts; and while they look the mists steal back till all is lost to sight once more and they are left wondering if what they saw was reality, or the creation of their fancy. Or sometimes they see, not far-stretching plains which fill the soul with an awestruck sense of its expansiveness and of how much has been left absolutely uncultivated, not these plains but mountain peaks climbing and reaching upwards till lost in the heavens, echoing it may be with the voice of many streams whose waters fertilize and enrich those small tracts of the soul’s life which have been reclaimed and cultivated and which many a man has thought to be his whole inner self, though he never asked himself whence those rich streams had their source. Now he sees how their source lay in unmeasured heights of his own inner being whose existence he never dreamed of before. In one brief instant they have unveiled themselves. He looks again, and they are shut out from his eyes, there is no token visible that he possesses such reaches, such heights of life. The commonplaces of his existence gather in and crowd upon him, the ordinary routine of life settles down upon him, limiting and confining him on all sides, the same unbroken line measures his horizon, such as he has always known it, the same round of interests and occupations crowd in upon his hours and fill them, the pressure of the hard facts of life upon him are as unmistakable and as leveling as ever, bidding him forget his dreams and meet and obey the requirements of the world in which he lives. And yet the man who has caught but a momentary glimpse of that vast unknown inner life can never be the same as he was before; he must be better or worse, trying to explore and possess and cultivate that unknown world within him, or trying—oh, would that he could succeed!—to forget it. He has seen that alongside of, or far out beyond the reach of, the commonplace life of routine, another life stretches away whither he knows not, he feels that he has greater capacities for good or evil than he ever imagined. He has, in a word, awakened with tremulous awe to the discovery that his life which he has hitherto believed limited and confined to what he knew, reaches infinitely beyond his knowledge and is far greater than he ever dreamed.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

My Wild Woman welcomed me with open arms into the womb of my cave. She grasped me by the hand and, one by one, introduced me to my shadow creatures. I roamed, I raged, I roared, I explored and when I thought I was done, that I couldn’t possibly go any further, my Wild Woman drew me into her lap. She comforted me in the circle of her fierce embrace and affectionally whispered tendernesses to me. She firmly sent me back out to play until the creatures became my friends. She revealed to me the place where the soft glow of my inner hearth resided and there, we were joined by my Wise Woman, Together, they showed me how to ignite the fire with the parts of myself which no longer served the woman I was becoming and they held me while I grieved.

And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?

Before the Incas and the Chimu and the Mochica, a culture named by scholars Chavin flourished in the mountains that lie in northern Peru between the coast and the Amazon basin. One of its first explorers, Julio C. Tello (Chavin and other works) called it "the matrix of Andean civilization." It takes us back to at least 1500 B.C.; and like that of the Olmec civilization in Mexico at the same time,

When I was a child,” Dr. Mínervudóttir-Chan said, “I was fascinated by shipwrecks. What could be more interesting than these strange artifacts we create, these unintended consequences of our efforts to cross a medium totally hostile to us? These vessels filled with all our hopes for exploration, trade, war. These ships filled with all the good and evil of our society, being transformed back into nature.

This to live by, from the inimitable Edward Abbey: "One final paragraph of advice: [...] It is not enough to fight for the land; it is even more important to enjoy it. While you can. While it’s still here. So get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, climb the mountains, bag the peaks, run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and contemplate the precious stillness, the lovely, mysterious, and awesome space. Enjoy yourselves, keep your brain in your head and your head firmly attached to the body, the body active and alive, and I promise you this much; I promise you this one sweet victory over our enemies, over those desk-bound men and women with their hearts in a safe deposit box, and their eyes hypnotized by desk calculators. I promise you this; You will outlive the bastards.

I find philosophy—philosophy in the largest sense—a profoundly concrete, sensual activity. I know others who feel the same. The world of ideas seems as solid as the world of seas and mountains—or more so. One can no more change its topography than one can move Samarqand closer to Bukhara, although one can discover new views or discover that one has gotten the topography wrong, or that many people have for many years. Ideas seem as embodied, in the world of ideas, with its views and obstructions and vastness, as we do in our material world. They seem tangible, with specific savors, aesthetic properties, emotional tones, curves, surfaces, insides, hidden places, structure, geometry, dark passages, shining corners, auras, force fields, and combinatorial chemistry. This is one great reason why “travelling, whether in the mental or the physical world, is a joy,” as Bertrand Russell said, and why “it is good to know that, in the mental world at least, there are vast countries still very imperfectly explored.

But before I go, I want to tell you a little story. “A certain shopkeeper sent his son to learn about the secret of happiness from the wisest man in the world. The lad wandered through the desert for forty days, and finally came upon a beautiful castle, high atop a mountain. It was there that the wise man lived. “Rather than finding a saintly man, though, our hero, on entering the main room of the castle, saw a hive of activity: tradesmen came and went, people were conversing in the corners, a small orchestra was playing soft music, and there was a table covered with platters of the most delicious food in that part of the world. The wise man conversed with everyone, and the boy had to wait for two hours before it was his turn to be given the man’s attention. “The wise man listened attentively to the boy’s explanation of why he had come, but told him that he didn’t have time just then to explain the secret of happiness. He suggested that the boy look around the palace and return in two hours. “‘Meanwhile, I want to ask you to do something,’ said the wise man, handing the boy a teaspoon that held two drops of oil. ‘As you wander around, carry this spoon with you without allowing the oil to spill.’ “The boy began climbing and descending the many stairways of the palace, keeping his eyes fixed on the spoon. After two hours, he returned to the room where the wise man was. “‘Well,’ asked the wise man, ‘did you see the Persian tapestries that are hanging in my dining hall? Did you see the garden that it took the master gardener ten years to create? Did you notice the beautiful parchments in my library?’ “The boy was embarrassed, and confessed that he had observed nothing. His only concern had been not to spill the oil that the wise man had entrusted to him. “‘Then go back and observe the marvels of my world,’ said the wise man. ‘You cannot trust a man if you don’t know his house.’ “Relieved, the boy picked up the spoon and returned to his exploration of the palace, this time observing all of the works of art on the ceilings and the walls. He saw the gardens, the mountains all around him, the beauty of the flowers, and the taste with which everything had been selected. Upon returning to the wise man, he related in detail everything he had seen. “‘But where are the drops of oil I entrusted to you?’ asked the wise man. “Looking down at the spoon he held, the boy saw that the oil was gone. “‘Well, there is only one piece of advice I can give you,’ said the wisest of wise men. ‘The secret of happiness is to see all the marvels of the world, and never to forget the drops of oil on the spoon.

One of my writing students sent me an article about Kincaid in The New York Times: “I’m not writing for anyone at all,” Ms. Kincaid said. “I’m writing out of desperation. I felt compelled to write to make sense of it to myself—so I don’t end up saying peculiar things like ‘I’m black and I’m proud.’ I write so I don’t end up as a set of slogans and clichés.” That is exactly what writing is supposed to do—take us into the real texture of life—no generalizations. Why did I assign Kincaid’s book to my Taos workshop? I guess I hoped people would make a leap from Antigua to my hometown. Yes, the mountains are gorgeous and we have a rich tricultural society. We don’t have the same problems as Antigua, but I wanted my students to be more than casual tourists buying tee-shirts and dripping with turquoise. I wanted them to look deeper. Understanding engenders care. I wanted them to care about Taos. But something else, too. I wanted them to experience that passion and vision are as important to nonfiction as to fiction, that nonfiction can be as much an act of imagination and exploration and discovery as fiction or poetry—and that exciting language is part of its power.

Putting the question to one side for a moment, the human experiment can be labelled as… disappointing. But as a species, we are, at times, exceedingly vulnerable. Our vulnerability lies in the inability to understand life and its purpose. We hunt for the tools to make sense of it all: religion, science, politics, sport, the theatre. We explore and search for meaning by discovering new worlds and climbing mountains, and a great many of us find tremendous solace and comfort in these activities, but the one thing that is absolutely certain is that we are born and that we will die. The rest is propaganda.

Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s.

At the same distance from it is the city of Sala, situate on a river which bears the same name, a place which stands upon the very verge of the desert, and though infested by troops of elephants, is much more exposed to the attacks of the nation of the Autololes, through whose country lies the road to Mount Atlas, the most fabulous locality even in Africa. [...] There formerly existed some Commentaries written by Hanno, a Carthaginian general, who was commanded, in the most flourishing times of the Punic state, to explore the sea-coast of Africa. The greater part of the Greek and Roman writers have followed him, and have related, among other fabulous stories, that many cities there were founded by him, of which no remembrance, nor yet the slightest vestige, now exists. [V,1]

Like the bear who went over the mountain, I went out to see what I could see. And, I might as well warn you, like the bear, all I could see was the other side of the mountain: more of same. I propose to keep here what Thoreau called ‘a meteorological journal of the mind,’ telling some tales and describing some of the sights of this rather tamed valley, and exploring, in fear and trembling, some of the unmapped dim reaches and unholy fastnesses to which those tales and sights dizzyingly lead. I am no scientist. I explore the neighborhood. Some unwonted, taught pride diverts us from our original intent, which is to explore the neighborhood, view the landscape, to discover at least where it is that we have been set down, if we can’t learn why. So I think about the valley. It is my leisure as well as my work, a game. It is a fierce game I have joined because it is being played anyway, a game of both skill and chance, played against an unseen adversary- the conditions of time-in which the payoffs, which may suddenly arrive in a blast of light at any moment, might as well come to me as anyone else. I risk getting stuck on the board, so to speak, unable to move in any direction, which happens enough; and I risk the searing, exhausting nightmares that plunder rest and force me face down all night long in some muddy ditch seething with hatching insects and crustaceans. But if I can bear the nights, the days are a pleasure. I walk out; I see something, some event that would otherwise have been utterly missed and lost; or something sees me, some enormous power brushes me with its clean wing and I resound like a beaten bell.

Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s. He paused inside the door, and identified Chang instantly, because she was the only woman in the place. He slid in opposite, across the worn vinyl, and hauled his bag after him. He put his forearm on the table and said, “I assume your other colleague is still missing. Mr. Keever, was it?” Chang nodded and said, “We hit the wall, as far as he’s concerned. We’re dead-ended. We can trace him so far, but no further.

Question 2: How Do You Want to Grow? When you watch how young children soak up information, you realize how deeply wired we are to learn and grow. Personal growth can and should happen throughout life, not just when we’re children. In this section, you’re essentially asking yourself: In order to have the experiences above, how do I have to grow? What sort of man or woman do I need to evolve into? Notice how this question ties to the previous one? Now, consider these four categories from the Twelve Areas of Balance: 5.​YOUR HEALTH AND FITNESS. Describe how you want to feel and look every day. What about five, ten, or twenty years from now? What eating and fitness systems would you like to have? What health or fitness systems would you like to explore, not because you think you ought to but because you’re curious and want to? Are there fitness goals you’d like to achieve purely for the thrill of knowing you accomplished them (whether it’s hiking a mountain, learning to tap dance, or getting in a routine of going to the gym)? 6.​YOUR INTELLECTUAL LIFE. What do you need to learn in order to have the experiences you listed above? What would you love to learn? What books and movies would stretch your mind and tastes? What kinds of art, music, or theater would you like to know more about? Are there languages you want to master? Remember to focus on end goals—choosing learning opportunities where the joy is in the learning itself, and the learning is not merely a means to an end, such as a diploma. 7.​YOUR SKILLS. What skills would help you thrive at your job and would you enjoy mastering? If you’d love to switch gears professionally, what skills would it take to do that? What are some skills you want to learn just for fun? What would make you happy and proud to know how to do? If you could go back to school to learn anything you wanted just for the joy of it, what would that be? 8.​YOUR SPIRITUAL LIFE. Where are you now spiritually, and where would you like to be? Would you like to move deeper into the spiritual practice you already have or try out others? What is your highest aspiration for your spiritual practice? Would you like to learn things like lucid dreaming, deep states of meditation, or ways to overcome fear, worry, or stress?

Lava is best. It’d certainly help in this situation. WAIT, I HAVE SOME IN MY BACKPACK!” “NOOOO!” we all cried out. But of course, it was too late. The Head Admin emptied the bucket as we ran, and although it did a fantastic job in cooking the giant zombie, it also did a fantastic job in setting fire to the forest around us. “YOU DOLT!” I screamed, as we accelerated our speed, “DO YOU REALIZE WHAT YOU’VE DONE!?” “ALL HAIL THE LAVA GODS!” I’m starting to think he may have hit his head on the way down here. To prevent any further incidents, I grabbed a roll of duct tape and buried him in the stuff. “HAVE MERCY!” With the Head Admin unable to inflict any more trouble, I threw him over my shoulder and ran with the others to safety. And whilst I can’t say I enjoy fleeing for my life, being chased by boiling flames, I will say it did look quite pretty. Oh, and as a plus, it took out all the evil creatures following us. I guess that’s a bonus. “The lava gods are pleased,” the Head Admin grinned, before I stuck duct tape over his mouth as well. That would keep him quiet, I hoped to myself. “OVER THERE!” Dinnerbone shouted, pointing forward to what looked like a mountain. “IT’S A MOUNTAIN!” Charles cried. “A BEAUTIFUL MOUNTAIN!” Dr. Boom looked like he was going to cry out of happiness, “WE’RE SAVED!” “MMMMPHPHPHPHPH!” I could only assume the Head Admin was glad as well. I later found out he had a fear of mountains, and was begging to be left to the lava instead. Oh well.

Situation awareness means possessing an explorer mentality A general never knows anything with certainty, never sees his enemy clearly, and never knows positively where he is. When armies are face to face, the least accident in the ground, the smallest wood, may conceal part of the enemy army. The most experienced eye cannot be sure whether it sees the whole of the enemy’s army or only three-fourths. It is by the mind’s eye, by the integration of all reasoning, by a kind of inspiration that the general sees, knows, and judges. ~Napoleon 5   In order to effectively gather the appropriate information as it’s unfolding we must possess the explorer mentality.  We must be able to recognize patterns of behavior. Then we must recognize that which is outside that normal pattern. Then, you take the initiative so we maintain control. Every call, every incident we respond to possesses novelty. Car stops, domestic violence calls, robberies, suspicious persons etc.  These individual types of incidents show similar patterns in many ways. For example, a car stopped normally pulls over to the side of the road when signaled to do so.  The officer when ready, approaches the operator, a conversation ensues, paperwork exchanges, and the pulled over car drives away. A domestic violence call has its own normal patterns; police arrive, separate involved parties, take statements and arrest aggressor and advise the victim of abuse prevention rights. We could go on like this for all the types of calls we handle as each type of incident on its own merits, does possess very similar patterns. Yet they always, and I mean always possess something different be it the location, the time of day, the person you are dealing with. Even if it’s the same person, location, time and day, the person you’re dealing who may now be in a different emotional state and his/her motives and intent may be very different. This breaks that normal expected pattern.  Hence, there is a need to always be open-minded, alert and aware, exploring for the signs and signals of positive or negative change in conditions. In his Small Wars journal article “Thinking and Acting like an Early Explorer” Brigadier General Huba Wass de Czege (US Army Ret.) describes the explorer mentality:   While tactical and strategic thinking are fundamentally different, both kinds of thinking must take place in the explorer’s brain, but in separate compartments. To appreciate this, think of the metaphor of an early American explorer trying to cross a large expanse of unknown terrain long before the days of the modern conveniences. The explorer knows that somewhere to the west lies an ocean he wants to reach. He has only a sketch-map of a narrow corridor drawn by a previously unsuccessful explorer. He also knows that highly variable weather and frequent geologic activity can block mountain passes, flood rivers, and dry up desert water sources. He also knows that some native tribes are hostile to all strangers, some are friendly and others are fickle, but that warring and peace-making among them makes estimating their whereabouts and attitudes difficult.6

That's Branton, Michigan, by the way. Don't try to find it on a map - you'd need a microscope. It's one of a dozen dinky towns north of Lansing, one of the few that doesn't sound like it was named by a French explorer. Branton, Michigan. Population: Not a Lot and Yet Still Too Many I Don't Particularly Care For. We have a shopping mall with a JCPenny and an Asian fusion place that everyone says they are dying to try even though it’s been there for three years now. Most of our other restaurants are attached to gas stations, the kind that serve rubbery purple hot dogs and sodas in buckets. There’s a statue of Francis B. Stockbridge in the center of town. He’s a Michigan state senator from prehistoric times with a beard that belongs on Rapunzel’s twin brother. He wasn’t born in Branton, of course – nobody important was ever born in Branton – but we needed a statue for the front of the courthouse and the name Stockbridge looks good on a copper plate. It’s all for show. Branton’s the kind of place that tries to pretend it’s better than it really is. It’s really the kind of place with more bars than bookstores and more churches than either, not that that’s necessarily a bad thing. It’s a place where teenagers still sometimes take baseball bats to mailboxes and wearing the wrong brand of shoes gets you at least a dirty look. It snows a lot in Branton. Like avalanches dumped from the sky. Like heaps to hills to mountains, the plows carving their paths through our neighborhood, creating alpine ranges nearly tall enough to ski down. Some of the snow mounds are so big you can build houses inside them, complete with entryways and coat closets. Restrooms are down the hall on your right. Just look for the steaming yellow hole. There’s nothing like that first Branton snow, though. Soft as a cat scruff and bleach white, so bright you can almost see your reflection in it. Then the plows come and churn up the earth underneath. The dirt and the boot tracks and the car exhaust mix together to make it all ash gray, almost black, and it sickens your stomach just to look at it. It happens everywhere, not just Branton, but here it’s something you can count on.

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.

When you teach someone your true name, you place everything you are in their hands.” “I know, but I may never have the chance again. This is the only thing I have to give, and I would give it to you.” “Eragon, what you are proposing…It is the most precious thing one person can give another.” “I know.” A shiver ran through Arya, and then she seemed to withdraw within herself. After a time, she said, “No one has ever offered me such a gift before…I’m honored by your trust, Eragon, and I understand how much this means to you, but no, I must decline. It would be wrong for you to do this and wrong for me to accept just because tomorrow we may be killed or enslaved. Danger is no reason to act foolishly, no matter how great our peril.” Eragon inclined his head. Her reasons were good reasons, and he would respect her choice. “Very well, as you wish,” he said. “Thank you, Eragon.” A moment passed. Then he said, “Have you ever told anyone your true name?” “No.” “Not even your mother?” Her mouth twisted. “No.” “Do you know what it is?” “Of course. Why would you think otherwise?” He half shrugged. “I didn’t. I just wasn’t sure.” Silence came between them. Then, “When…how did you learn your true name?” Arya was quiet for so long, he began to think that she would refuse to answer. Then she took a breath and said, “It was a number of years after I left Du Weldenvarden, when I finally had become accustomed to my role among the Varden and the dwarves. Faolin and my other companions were away, and I had a great deal of time to myself. I spent most of it exploring Tronjheim, wandering in the empty reaches of the city-mountain, where others rarely tread. Tronjheim is bigger than most realize, and there are many strange things within it: rooms, people, creatures, forgotten artifacts…As I wandered, I thought, and I came to know myself better than ever I had before. One day I discovered a room somewhere high in Tronjheim--I doubt I could locate it again, even if I tried. A beam of sunlight seemed to pour into the room, though the ceiling was solid, and in the center of the room was a pedestal, and upon the pedestal was growing a single flower. I do not know what kind of flower it was; I have never seen its like before or since. The petals were purple, but the center of the blossom was like a drop of blood. There were thorns upon the stem, and the flower exuded the most wonderful scent and seemed to hum with a music all its own. It was such an amazing and unlikely thing to find, I stayed in the room, staring at the flower for longer than I can remember, and it was then and there that I was finally able to put words to who I was and who I am.” “I would like to see that flower someday.” “Perhaps you will.” Arya glanced toward the Varden’s camp. “I should go. There is much yet to be done.” He nodded. “We’ll see you tomorrow, then.” “Tomorrow.” Arya began to walk away. After a few steps, she paused and looked back. “I’m glad that Saphira chose you as her Rider, Eragon. And I’m proud to have fought alongside you. You have become more than any of us dared hope. Whatever happens tomorrow, know that.” Then she resumed her stride, and soon she disappeared around the curve of the hill, leaving him alone with Saphira and the Eldunarí.