Explore All Avenues Quotes

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Without a doubt there are some women who feel their most sexual with their vaginas waxed, their labia trimmed, their breasts enlarged, and their garments flossy and scant. I am happy for them. I wish them many blissful and lubricious loops around the pole. But there are many other women (and, yes, men) who feel constrained in this environment, who would be happier and feel hotter--more empowered, more sexually liberated, and all the rest of it--if they explored other avenues of expression and entertainment.
Ariel Levy
The notion of literature as only one of several avenues to a single type of propositional knowledge is, of course, hardly the winning ticket in lit-crit today. More typical are sentiments that see such a notion as not even admissible, if at all desirable. The world of these academic refuseniks is, however, a bleak and sterile place. Disarmed by their own epistemic fiat, scholars cannot assert anything since they deny the idea of objective rationality. If they arrive at an insight whose truth they wish to defend – for example that truth and rationality are passé – they can’t do so because truth and rationality are constructed to be constructed.
Peter Swirski (Of Literature and Knowledge: Explorations in Narrative Thought Experiments, Evolution, and Game Theory)
And even as this old guide-book boasts of the, to us, insignificant Liverpool of fifty years ago, the New York guidebooks are now vaunting of the magnitude of a town, whose future inhabitants, multitudinous as the pebbles on the beach, and girdled in with high walls and towers, flanking endless avenues of opulence and taste, will regard all our Broadways and Bowerys as but the paltry nucleus to their Nineveh. From far up the Hudson, beyond Harlem River where the young saplings are now growing, that will overarch their lordly mansions with broad boughs, centuries old; they may send forth explorers to penetrate into the then obscure and smoky alleys of the Fifth Avenue and Fourteenth Street; and going still farther south, may exhume the present Doric Custom-house, and quote it as a proof that their high and mighty metropolis enjoyed a Hellenic antiquity.
Herman Melville (Redburn)
In these disturbed days in which we live, it has probably occurred to all thinking men that something drastic ought to be done about aunts. Speaking for myself, I have long felt that stones should be turned and avenues explored with a view to putting a stopper on the relatives in question. If someone were to come to me and say, 'Wooster, would you be interested in joining a society I am starting whose aim will be the suppression of aunts or at least will see to it that they are kept on a short chain and are not permitted to roam hither and thither at will, scattering desolation on all side?', I would reply, 'Wilbraham', if his name was Wilbraham, 'I am with you heart and soul. Put me down as a foundation member.
P.G. Wodehouse (The World of Jeeves (Jeeves, #2-4))
The cover letter is all about what you want. Nasty Gal gets so many cover letters that detail a “passion for fashion” and then proceed to talk about how this job will help the applicant pursue her interests, gain more experience, and explore new avenues. If a cover letter starts out like this, I usually end up reading the first couple of sentences before hitting the delete button. Why? Because I don’t care about what a job will do for you and your personal development. I know that sounds harsh, but I don’t know you, so the fact that you want to work for my company does not automatically mean that I have an interest in helping you grow your career. I have a business that is growing by the day, so I want to know what you can do for me. It’s as simple as that.
Sophia Amoruso (#Girlboss)
In the infinite universe of literature there are always other avenues to explore, some brand-new and some exceedingly ancient, styles and forms that can change our image of the world. And when literature fails to assure me that I’m not merely chasing dreams, I look to science to sustain my visions in which all heaviness dissolves . . .
Italo Calvino (Six Memos for the Next Millennium)
Nature compels us all to move through life. We could not remain stationary however much we wished. Every right-thinking person wants not merely to move through life like a sound-producing, perambulating plant, but to develop – to improve – and to continue the development mentally to the close of physical life. This development can occur only through the improvement of the quality of individual thought and the ideals, actions and conditions that arise as a consequence. Hence a study of the creative processes of thought and how to apply them is of supreme importance to each one of us. This knowledge is the means whereby the volition of human life on earth may be hastened and uplifted in the process. Humanity ardently seeks “The Truth” and explores every avenue to it.
Charles F. Haanel (The Master Key System)
She sighed. It was a sad, weary sound, and it nearly broke his heart. “You’re very kind to try to help me,” she said, “but I have already explored all of those avenues. Besides, I am not your responsibility.” “You could be.” She looked at him in surprise. In that moment, Benedict knew that he had to have her. There was a connection between them, a strange, inexplicable bond that he’d felt only one other time in his life, with the mystery lady from the masquerade. And while she was gone, vanished into thin air, Sophie was very real. He was tired of mirages. He wanted someone he could see, someone he could touch. And she needed him. She might not realize it yet, but she needed him. Benedict took her hand and tugged, catching her off-balance and wrapping her to him when she fell against his body. “Mr. Bridgerton!” she yelped. “Benedict,” he corrected, his lips at her ear. “Let me—” “Say my name,” he persisted. He could be very stubborn when it suited his interests, and he wasn’t going to let her go until he heard his name cross her lips. And maybe not even then. “Benedict,” she finally relented. “I—” “Hush.” He silenced her with his mouth, nibbling at the corner of her lips. When she went soft and compliant in his arms, he drew back, just far enough so that he could focus on her eyes. They looked impossibly green in the late-afternoon light, deep enough to drown in. “I want you to come back to London with me,” he whispered, the words tumbling forth before he had a chance to consider them. “Come back and live with me.” She looked at him in surprise. “Be mine,” he said, his voice thick and urgent. “Be mine right now. Be mine forever. I’ll give you anything you want. All I want in return is you.” -Sophie & Benedict
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
He generally traveled to Europe four or five times a year. The pharmaceutical empire he ran had research centers in Germany, Switzerland, and France, and huge laboratories and factories in England. It was always interesting coming over here, exchanging ideas with their research teams, and exploring new avenues of marketing, which was his real forte. But this time it was far more than that, far more than just a research trip, or the unveiling of a new product. He was here for the birth of “his baby.” Vicotec. His life’s dream. Vicotec was going to change the lives and the outlook of all people with cancer. It was going to dramatically alter maintenance programs, and the very nature of chemotherapy the world over. It would be Peter’s one major contribution to the human race. For the past four years, other than his family, it was what he had lived for. And undeniably, it was going to make Wilson-Donovan millions. More than that, obviously, their studies had already projected earnings in the first five years to well over a
Danielle Steel (Five Days in Paris)
Clarissa once, going on top of an omnibus with him somewhere, Clarissa superficially at least, so easily moved, now in despair, now in the best of spirits, all aquiver in those days and such good company, spotting queer little scenes, names, people from the top of a bus, for they used to explore London and bring back bags full of treasures from the Caledonian market – Clarissa had a theory in those days – they had heaps of theories, always theories, as young people have. It was to explain the feeling they had of dissatisfaction; not knowing people; not being known. For how could they know each other? You met every day; then not for six months, or years. It was unsatisfactory, they agreed, how little one knew people. But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere; not 'here, here, here'; and she tapped the back of the seat; but everywhere. She waved her hand, going up Shaftesbury Avenue. She was all that. So that to know her, or anyone, one must seek out the people who completed them; even the places. Odd affinities she had with people she had never spoken to, some woman in the street, some man behind a counter – even trees, or barns. It ended in a transcendental theory which, with her horror of death, allowed her to believe, or say that she believed (for all her scepticism), that since our apparitions, the part of us which appears, are so momentary compared with the other, the unseen part of us, which spreads wide, the unseen might survive, be recovered somehow attached to this person or that, or even haunting certain places, after death. Perhaps – perhaps.
Virginia Woolf (Mrs. Dalloway)
Whatever doesn’t kill you only serves to make you stronger. And in the grand scheme of life, I had survived and grown stronger, at least mentally, if not physically. I had come within an inch of losing all my movement and, by the grace of God, still lived to tell the tale. I had learned so much, but above all, I had gained an understanding of the cards I had been playing with. The problem now was that I had no job and no income. Earning a living and following your heart can so often pull you in different directions, and I knew I wasn’t the first person to feel that strain. My decision to climb Everest was a bit of a “do or die” mission. If I climbed it and became one of the youngest climbers ever to have reached the summit, then I had at least a sporting chance of getting some sort of job in the expedition world afterward--either doing talks or leading treks. I would be able to use it as a springboard to raise sponsorship to do some other expeditions. But on the other hand, if I failed, I would either be dead on the mountain or back home and broke--with no job and no qualifications. The reality was that it wasn’t a hard decision for me to make. Deep down in my bones, I just knew it was the right thing to do: to go for it. Plus I have never been one to be too scared of that old imposter: failure. I had never climbed for people’s admiration; I had always climbed because I was half-decent at it--and now I had an avenue, through Everest, to explore that talent further. I also figured that if I failed, well at least I would fail while attempting something big and bold. I liked that. What’s more, if I could start a part-time university degree course at the same time (to be done by e-mail from Everest), then whatever the outcome on the mountain, at least I had an opening back at M15. (It’s sometimes good to not entirely burn all your bridges.)
Bear Grylls (Mud, Sweat and Tears)
Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D
Anonymous
There are many spiritual groups. In addition to the Christian churches, there are metaphysical churches, such as Religious Science and Unity. There is the Self-Realization Fellowship, M.S.I.A., Transcendental Meditation, the Siddha Foundation, and so on. I want you to know that there are many, many avenues you can explore. If one way doesn’t work for you, try another. All these suggestions have proved to be beneficial. I cannot say which one is right for you. That is something you will have to discover for yourself. No one method or one person or one group has all the answers for everyone. I don’t have all the answers for everyone. I am just one more stepping stone on the pathway to holistic health. In the infinity of life where I am, all is perfect, whole, and complete. My life is ever new.
Louise L. Hay (You Can Heal Your Life)
More specifically, what will our children do if we continue to prepare them for life using the old models of education? It’s very possible that our children will have multiple careers over the course of their working lives, not simply multiple jobs. Many of them will certainly have jobs we haven’t conceived yet. Isn’t it therefore our obligation to encourage them to explore as many avenues as possible with an eye toward discovering their true talents and their true passions? When the only thing we know about the future is that it will be different, we would all be wise to do the same. We need to think very differently about human resources and about how we develop them if we are to face these challenges. We need to embrace the Element.
Ken Robinson (The Element: How Finding Your Passion Changes Everything)
207, 2nd Floor, 3rd Main Rd, Chamrajpet, Bengaluru, Karnataka 560018 Call – +91 7022122121 ### The Development of Kannada Literature and the Rise of Online Accessibility The rich history of Kannada literature, which stretches back more than a millennium and is littered with vibrant narratives, poetic forms, and academic works, is extensive. The development of Kannada writing has been both rich and varied, ranging from the ancient texts of the 9th century to contemporary novels and essays. The way readers interact with their literary heritage has changed significantly as the digital age has progressed, making Kannada literature significantly more accessible. Thanks to platforms like Veeraloka Books, readers can now explore the depths of Kannada literature without being restricted by location. By making it possible for customers to purchase books with just a single click, these online retailers have created a link between readers and authors. This progress from customary physical book shops to computerized stages has been critical in advancing Kannada writing, guaranteeing its significance in a quickly impacting world. The extensive selection of titles offered by Kannada books online is one of the most significant benefits. Poetry, fiction, historical novels, and biographies are all forms of Kannada literature. Stages, for example, Veeraloka Books curate a huge determination of these works, taking care of different peruser interests. Because literature has become more accessible to everyone, you can find something that piques your interest whether you're a casual reader or an avid collector. In addition, readers can get their beloved books delivered to their homes through Kannada books online, saving them the hassle of going through crowded stores or standing in long lines. People who live in remote areas or in areas with few bookstore options will appreciate this convenience. Online platforms remove barriers and foster a deeper connection between authors and their audiences by delivering Kannada literature to your doorstep. Sales alone are not enough to stop the digital transformation of Kannada literature; It also includes promoting fresh and upcoming authors. Online platforms make it easier for aspiring authors to have their voices heard in a more democratic setting than traditional publishing avenues. Self-publishing on platforms like Veeraloka Books has helped numerous authors reach a larger audience than ever before. This change ensures that the literary landscape remains dynamic and vibrant by encouraging experimentation and innovation in Kannada writing. E-books and audiobooks have also become more widely available, making them more accessible. These choices provide readers who prefer digital formats with portability and flexibility. Younger readers who are accustomed to using smartphones and tablets can now more easily access Kannada literature. Audiobooks cater to those who enjoy listening to stories during their daily commutes or while multitasking, while e-books are portable, making it simple to read on the go. Moreover, the web empowers perusers to draw in with writing in manners that were already impossible. Discussions of books, authors, and literary themes can flourish on social media, online forums, and other platforms. Perusers can associate with one another, share surveys, and effectively partake in the abstract talk encompassing Kannada composing. The community of readers of Kannada literature is also bolstered by this interaction, which not only enhances the reading experience. In conclusion, Kannada literature faces both challenges and opportunities in the digital age. Platforms like Veeraloka Books make it easier for people with disabilities to access literature, allowing it to flourish.
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207, 2nd Floor, 3rd Main Rd, Chamrajpet, Bengaluru, Karnataka 560018 Call – +91 7022122121 Veeraloka Books stands at the forefront of digital kannada books online, offering a treasure trove of literary works that celebrate the rich cultural heritage and linguistic brilliance of the Kannada language. As the digital age continues to revolutionize the way we consume content, Veeraloka Books provides readers with convenient access to a diverse collection of Kannada books online. In this article, we delve into the significance of accessing Kannada literature digitally, exploring the varied genres available, the benefits of this modern reading experience, and how Veeraloka Books actively supports Kannada authors and publishers. Join us on a journey through the virtual realms of Veeraloka Books, where tradition meets innovation in the vibrant world of online Kannada literature. 1. Introduction to Veeraloka Books and Online Kannada Literature Exploring the Roots of Veeraloka Books Veeraloka Books, a haven for Kannada literature enthusiasts, stands out as a digital oasis in the vast literary desert. With a focus on preserving and promoting Kannada language and culture, Veeraloka Books is a treasure trove of literary works waiting to be explored. Evolution of Kannada Literature in the Digital Age In a world where everything is going digital, Kannada literature is no exception. Veeraloka Books embraces this digital evolution, making classic and contemporary Kannada literary works easily accessible with just a click. The digital age has opened new avenues for Kannada literature to reach a global audience, breaking down barriers and connecting readers worldwide. 2. The Importance of Accessing Kannada Books Online Convenience and Accessibility for Readers Gone are the days of scouring bookstores for kannada books online, readers can access a diverse collection of Kannada literary works anytime, anywhere. Whether you're a busy bee or a night owl, online Kannada books offer unmatched convenience and accessibility for all kinds of readers. Promoting Kannada Language Globally By providing a platform for Kannada literature in the online realm, Veeraloka Books plays a crucial role in promoting and preserving the rich heritage of the Kannada language. Through global accessibility, Kannada literature gains the recognition it deserves, transcending geographical boundaries and reaching a diverse audience worldwide. 3. Diverse Genres Available in Veeraloka Books' Online Collection Classic Kannada Literature From timeless epics to revered literary masterpieces, Veeraloka Books' online collection boasts a treasure trove of classic Kannada literature. Dive into the rich tapestry of Kannada literary heritage and discover the magic of legendary authors through the click of a button. Contemporary Fiction and Non-Fiction For those craving a taste of modern Kannada literature, Veeraloka Books offers a diverse selection of contemporary fiction and non-fiction works. Explore thought-provoking narratives, engaging storytelling, and insightful perspectives from contemporary Kannada authors, all available at your fingertips. 4. Benefits of Reading Kannada Literature Digitally Enhanced Reading Experience with Multimedia Immerse yourself in the world of Kannada literature like never before with Veeraloka Books' digital platform. Experience enhanced reading through multimedia elements such as audio readings, visual aids, and interactive features that bring Kannada literary works to life in a whole new dimension. Eco-Friendly and Sustainable Reading Practices With digital Kannada literature, there's no need for paper, ink, or transportation – making it an eco-friendly choice for the environmentally conscious reader. Embrace sustainable reading practices by going digital with Veeraloka Books, contributing to a greener future while indulging in the literary delights of Kannada literature.
kannada books online
There is a person called J. Krishnamurti who has ever had in view the end he would reach and in search of that end he has passed through many struggles, sorrows, pains. He has explored many avenues thinking they would lead to the goal. And then came the vision of the mountain top which is union with the Beloved, which is liberation, and from that moment he set aside all affections, all desires, all things except the attainment of the goal. And now that goal is reached and he has entered into the flame. And what happens after that does not matter—whether thespark remains within the flame or issues forth. And you may have the Beloved with you constantly even before you have become one with the Beloved.
Mary Lutyens (Krishnamurti: The Years of Awakening)
All children are spiritual beings that have come to have a human experience. We know each parent wants to have their belief system instilled in their children. We just ask you to allow and not shut off other avenues of explorations for them. Inspired children can think outside of themselves.
Carol Lawrence, Stacy Toten
This is a familiar situation: if DI Skelgill gets the merest hint of some irregularity, an errant piece of the jigsaw that doesn’t fit – that might have found its way in by accident from another puzzle altogether – he’ll refuse to be drawn towards what might seem the obvious, convenient and perfectly adequate conclusion.  Instead he’ll pursue any number of unpromising leads, explore blind avenues, and concoct improbable theories, giving the impression that the investigation is going nowhere fast, and everywhere else slowly.  Then, suddenly, early one morning, he’ll come back from a fishing trip on Bassenthwaite Lake and move in for the kill with all the devastating speed and single-minded ruthlessness of the pike.
Bruce Beckham (Murder In School (DI Skelgill Investigates, #2))
Changing the social order in one fell swoop, Henry Gerber wrote in 1940, is “like trying to push over a big stone wall with your skull.” It can’t be done. But “we can undermine the wall by little individual blasts and it will topple down by-and-by.” Or, as Del Shearer said in 1965, social revolution required at least “a century of subtle attack” on the dominant culture. As riots engulfed the United States in 1968, Frank Kameny saw similarities between homophiles and those Black Americans taking to the streets to express centuries of anger. “BUT,” Kameny said, “the Negro has truly explored and exhausted well-neigh, if not actually all, other avenues, and has gotten to the firm, unyielding stone wall of prejudice which blocks them. WE have run into this, but have not yet reached the end of all avenues.” Queer people soon hit the end of all avenues, crashing into an unyielding stone wall.
Leighton Brown (We Are Everywhere: Protest, Power, and Pride In The History of Queer Liberation)
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Poul Duedahl
She sighed. It was a sad, weary sound, and it nearly broke his heart. “You’re very kind to try to help me,” she said, “but I have already explored all of those avenues. Besides, I am not your responsibility.” “You could be.” She looked at him in surprise. In that moment, Benedict knew that he had to have her.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
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