Expensive Watches Quotes

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I’m on a government watch list. But I’m not interested, because government watches only work twenty minutes out of every hour.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
Most people buy the highest quality television sets, only to watch the lowest quality television shows.

Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
Along with the standard computer warranty agreement which said that if the machine 1) didn't work, 2) didn't do what the expensive advertisements said, 3) electrocuted the immediate neighborhood, 4) and in fact failed entirely to be inside the expensive box when you opened it, this was expressly, absolutely, implicitly and in no event the fault or responsibility of the manufacturer, that the purchaser should consider himself lucky to be allowed to give his money to the manufacturer, and that any attempt to treat what had just been paid for as the purchaser's own property would result in the attentions of serious men with menacing briefcases and very thin watches. Crowley had been extremely impressed with the warranties offered by the computer industry, and had in fact sent a bundle Below to the department that drew up the Immortal Soul agreements, with a yellow memo form attached just saying: 'Learn, guys...
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
She nodded, grabbed her purse out of the drawer and skedaddled, walking like she was on a catwalk, one foot in front of the other, her ass swaying under the skirt of her expensive, tailored suit. Bitch. I thought again, watching her go. “No comparison,” Luke said after the door closed behind Dawn and I turned to him. “Excuse me?” “Dawn’s a man eater. You’re not. No comparison,” Luke answered and I didn’t know how to take that. “Is that good?” The half-smile came back. “Most men prefer to do the eating.” Holy fucking cow.
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
How many unuttered words died in the heads of those for whom a word was too expensive.
Dejan Stojanovic (The Sun Watches the Sun)
Some can be more intelligent than others in a structured environment—in fact school has a selection bias as it favors those quicker in such an environment, and like anything competitive, at the expense of performance outside it. Although I was not yet familiar with gyms, my idea of knowledge was as follows. People who build their strength using these modern expensive gym machines can lift extremely large weights, show great numbers and develop impressive-looking muscles, but fail to lift a stone; they get completely hammered in a street fight by someone trained in more disorderly settings. Their strength is extremely domain-specific and their domain doesn't exist outside of ludic—extremely organized—constructs. In fact their strength, as with over-specialized athletes, is the result of a deformity. I thought it was the same with people who were selected for trying to get high grades in a small number of subjects rather than follow their curiosity: try taking them slightly away from what they studied and watch their decomposition, loss of confidence, and denial. (Just like corporate executives are selected for their ability to put up with the boredom of meetings, many of these people were selected for their ability to concentrate on boring material.) I've debated many economists who claim to specialize in risk and probability: when one takes them slightly outside their narrow focus, but within the discipline of probability, they fall apart, with the disconsolate face of a gym rat in front of a gangster hit man.
Nassim Nicholas Taleb (Antifragile: Things That Gain from Disorder)
Soon, if we are not prudent, millions of people will be watching each other starve to death through expensive television sets
Aneurin Bevan (In Place of Fear)
I went on a blind date last night. We watched a silent film. We stayed up all night talking in sign language. I fell asleep in the fetal position in her cat's litter box. Ah, 'twas a great night. I'll never forget dancing with an albino under the stars.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
The old man spoke of nothing but shoes. He spoke of them with such love and emotion that a woman in our group had crowned him “the shoe poet.” The woman disappeared a day later but the nickname survived. “The shoes always tell the story,” said the shoe poet. “Not always,” I countered. “Yes, always. Your boots, they are expensive, well made. That tells me that you come from a wealthy family. But the style is one made for an older woman. That tells me they probably belonged to your mother. A mother sacrificed her boots for her daughter. That tells me you are loved, my dear. And your mother is not here, so that tells me that you are sad, my dear. The shoes tell the story.” I paused in the center of the frozen road and watched the stubby old cobbler shuffle ahead of me. The shoe poet was right. Mother had sacrificed for me.
Ruta Sepetys (Salt to the Sea)
He’s leaning against the door with his arms crossed and his shirtsleeves pushed up. Baz always looks like he’s in an ad for expensive watches. Even when he isn’t wearing one.
Rainbow Rowell (Wayward Son (Simon Snow, #2))
I was born here but I’ve never gotten used to it; Helsingborg and I will never find peace. Maybe everyone feels that way about their hometown: the place we’re from never apologizes, never admits that it was wrong about us. It just sits there, at the end of the motorway, whispering: “You might be all rich and powerful now. And maybe you do come home with expensive watches and fancy clothes. But you can’t fool me, because I know who you really are. You’re just a scared little boy.
Fredrik Backman (The Deal of a Lifetime)
Jodie had taught her that the female firefly flickers the light under her tail to signal to the male that she's ready to mate. Each species of firefly has its own language of flashes. As Kya watched, some females signed dot, dot, dot, dash, flying a zigzag dance, while others flashed dash, dash, dot in a different dance pattern. The males, of course, knew the signals of their species and flew only to those females. Then, as Jodie had put it, they rubbed their bottoms together like most things did, so they could produce young. Suddenly Kya sat up and paid attention: one of the females had changed her code. First she flashed the proper sequence of dashes and dots, attracting a male of her species, and they mated. Then she flickered a different signal, and a male of a different species flew to her. Reading her message, the second male was convinced he'd found a willing female of his own kind and hovered above her to mate. But suddenly the female firefly reached up, grabbed him with her mouth, and ate him, chewing all six legs and both wings. Kya watched others. The females all got what they wanted – first a mate, then a meal – just by changing their signals. Kya knew judgment had no place here. Evil was not in play, just life pulsing on, even at the expense of some of the players. Biology sees right and wrong as the same color in different light.
Delia Owens (Where the Crawdads Sing)
As long as I can hear the sweet melody of your words, I need not; The angel’s secret, to be whispered in my ears As long as I can lace your silky fingers round my own, I need not; Pretty diamonds, nor big cash nor gold As long as I can watch the handsome sunshine of your face, I need not; Open skies, nor snowfall, nor the rain As long as I can gaze into the emeralds of your eyes, I need not; New colors, new wings or paradise As long as I can feel the tender tickle of your breath, I need not; The drifting wind, nor its call, nor caress As long as I can feel your soft lips upon mine, I need not; Melted sugar, nor the most expensive of wines As long as I can feel your warm body close to me I need not; A blanket, nor a bonfire's luxury As long as I can see you every morning I wake, I need not; A mirror, nor a cloud, nor shade As long as I can keep you in every petal of memories I need not: Dreams, nor desires, nor fantasies And as long as I can hold you in every moment that I breathe, I need not; Oxygen, nor blood, nor heartbeats.
Sanober Khan
He wasn’t just beautiful; he was… enthralling. He was the kind of guy who made a woman want to rip his shirt open and watch the buttons scatter along with her inhibitions. I looked at him in his civilized, urbane, outrageously expensive suit and thought of raw, primal, sheet-clawing fucking.
Sylvia Day (Bared to You (Crossfire, #1))
His view of millionaires is shared by most people who are not wealthy. They think millionaires own expensive clothes, watches, and other status artifacts. We have found this is not the case.
Thomas J. Stanley (The Millionaire Next Door: The Surprising Secrets of America's Wealthy)
When I am high I couldn’t worry about money if I tried. So I don’t. The money will come from somewhere; I am entitled; God will provide. Credit cards are disastrous, personal checks worse. Unfortunately, for manics anyway, mania is a natural extension of the economy. What with credit cards and bank accounts there is little beyond reach. So I bought twelve snakebite kits, with a sense of urgency and importance. I bought precious stones, elegant and unnecessary furniture, three watches within an hour of one another (in the Rolex rather than Timex class: champagne tastes bubble to the surface, are the surface, in mania), and totally inappropriate sirenlike clothes. During one spree in London I spent several hundred pounds on books having titles or covers that somehow caught my fancy: books on the natural history of the mole, twenty sundry Penguin books because I thought it could be nice if the penguins could form a colony. Once I think I shoplifted a blouse because I could not wait a minute longer for the woman-with-molasses feet in front of me in line. Or maybe I just thought about shoplifting, I don’t remember, I was totally confused. I imagine I must have spent far more than thirty thousand dollars during my two major manic episodes, and God only knows how much more during my frequent milder manias. But then back on lithium and rotating on the planet at the same pace as everyone else, you find your credit is decimated, your mortification complete: mania is not a luxury one can easily afford. It is devastating to have the illness and aggravating to have to pay for medications, blood tests, and psychotherapy. They, at least, are partially deductible. But money spent while manic doesn’t fit into the Internal Revenue Service concept of medical expense or business loss. So after mania, when most depressed, you’re given excellent reason to be even more so.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
used to tell my employees, “Buy an expensive watch you can’t really afford. This will make you hungry to grow into it, and soon you’ll be able to afford five more just like it.
Marc Ecko (Unlabel: Selling You Without Selling Out)
Even in childhood I watched the hours flow, independent of any reference, any action, any event, the disjunction of time from what was not itself, its autonomous existence, its special status, its empire, its tyranny. I remember quite clearly that afternoon when, for the first time, confronting the empty universe, I was no more than a passage of moments reluctant to go on playing their proper parts. Time was coming unstuck from being—at my expense.
Emil M. Cioran (The Trouble With Being Born)
You might think you want an expensive car, a fancy watch, and a huge house. But I’m telling you, you don’t. What you want is respect and admiration from other people, and you think having expensive stuff will bring it. It almost never does—especially from the people you want to respect and admire you.
Morgan Housel (The Psychology of Money)
The burden therefore rests with the American legal community and with the American human-rights lobbies and non-governmental organizations. They can either persist in averting their gaze from the egregious impunity enjoyed by a notorious war criminal and lawbreaker, or they can become seized by the exalted standards to which they continually hold everyone else. The current state of suspended animation, however, cannot last. If the courts and lawyers of this country will not do their duty, we shall watch as the victims and survivors of this man pursue justice and vindication in their own dignified and painstaking way, and at their own expense, and we shall be put to shame.
Christopher Hitchens (The Trial of Henry Kissinger)
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think. If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting. A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing. Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it. Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated. A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her. Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know. A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart. Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her. Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress. Ladies, I apologize. For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
Andy Rooney
Along with the standard computer warranty agreement which said that if the machine 1) didn't work, 2) didn't do what the expensive advertisement said, 3) electrocuted the immediate neighbourhood, 4) and in fact failed entirely to be inside the expensive box when you opened it, this was expressly, absolutely, implicitly and in no event the fault or responsibility of the manufacturer, that the purchaser should consider himself lucky to be allowed to give his money to the manufacturer, and that any attempt to treat what had just been paid for as the purchaser's own property would result in the attentions of serious men with menacing briefcases and very thin watches.
Terry Pratchett
That evening, as I watched the sunset’s pinwheels of apricot and mauve slowly explode into red ribbons, I thought: The sensory misers will inherit the earth, but first they will make it not worth living on. When you consider something like death, after which (there being no news flash to the contrary) we may well go out like a candle flame, then it probably doesn’t matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly. It probably doesn’t matter if, while trying to be modest and eager watchers of life’s many spectacles, we sometimes look clumsy or get dirty or ask stupid questions or reveal our ignorance or say the wrong thing or light up with wonder like the children we all are. It probably doesn’t matter if a passerby sees us dipping a finger into the moist pouches of dozens of lady’s slippers to find out what bugs tend to fall into them, and thinks us a bit eccentric. Or a neighbor, fetching her mail, sees us standing in the cold with our own letters in one hand and a seismically red autumn leaf in the other its color hitting our sense like a blow from a stun gun, as we stand with a huge grin, too paralyzed by the intricately veined gaudiness of the leaf to move.
Diane Ackerman (A Natural History of the Senses)
Janie starched and ironed her face and came set in the funeral behind her veil. It was like a wall of stone and steel. The funeral was going on outside. All things concerning death and burial were said and done. Finish. End. Never-more. Darkness. Deep hole. Dissolution. Eternity. Weeping and wailing outside. Inside the expensive black folds were resurrection and life.
Zora Neale Hurston (Their Eyes Were Watching God)
Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in." "Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“whatever that is.” “My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him . . . I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle. “Yes, love?” "I would think,” she continued,” ‘Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
A tall blonde entered the room, wearing a yellow sash that marked her as advocate. Two men followed her, carrying papers. She was lean and long-legged, with a graceful neck and nice ankles, and William took a minute to watch her come down the aisle. She looked high-strung and difficult. Still, good legs. Mmm, smelled of mimosa, too. Expensive scent. Cerise smelled better, when clean.
Ilona Andrews (Bayou Moon (The Edge, #2))
Some people make things happen. Some people watch things happen and some people wonder what happened.
Jerry Minchey (Motorhome and RV Retirement Living: The Most Enjoyable and Least Expensive Way to Retire)
It doesn't matter how nice that expensive watch looks on your wrist if you don't know how to tell time correctly. It doesn't matter how much money you have, if it costs you too much to make it.
Vincent J. Monteleone
Do you ever just want to shut it all off? Not have to think about the next second of your life? Go on an unplanned road trip? Have a one-night stand with the cute guy you scrolled past on your timeline? Social media makes you think you have all this freedom, but you don’t. Not really. You’re stuck behind a device watching others live out their dreams. You post selfies of fake smiles and expensive clothes, hoping that someone will envy you. Reassure you just how good you have it. All the while hating your life. “Smile, dear, you never know who is watching you,
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
[The clerk] held in front of him a scroll with a red wax seal affixed, the kind of thing believed to make a document official - or at least expensive and difficult to understand, which, in fact, amounts to the same thing.
Terry Pratchett (Snuff (Discworld, #39; City Watch, #8))
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
It seemed to Rebus that the more expensive something was, the less of it there always seemed to be: tiny little hi-fi systems, watches without numbers, the translucent Dior ankle-socks on Michael’s feet.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
When he’d watched her in the past, he hadn’t understood why she would wear such conservative tops, then such provocative skirts. Yes, they went past her knees, but they also stretched so enticingly over her ass. He’d finally figured it out. Holly didn’t realize how those expensive materials molded over her generous curves. Cade knew females liked to ask, “Does my ass look big in this?” But considering Holly as an example, he’d begun to suspect that women really couldn’t determine what their asses looked like. Oh, well. A question for the ages.
Kresley Cole (Dark Desires After Dusk (Immortals After Dark, #5))
...and this time it's a promise, to keep on being nice to her. To order expensive takeaways, and go on walks, and watch films that are difficult to understand, because this life could be gorgeous if only I gave myself permission to allow it.
Annie Lord (Notes on Heartbreak)
i wanted to take your hand and run with you together toward ourselves down the street to your street i wanted to laugh aloud and skip the notes past the marquee advertising “women in love” past the record shop with “The Spirit In The Dark” past the smoke shop past the park and no parking today signs past the people watching me in my blue velvet and i don’t remember what you wore but only that i didn’t want anything to be wearing you i wanted to give myself to the cyclone that is your arms and let you in the eye of my hurricane and know the calm before and some fall evening after the cocktails and the very expensive and very bad steak served with day-old baked potatoes after the second cup of coffee taken while listening to the rejected violin player maybe some fall evening when the taxis have passed you by and that light sort of rain that occasionally falls in new york begins you’ll take a thought and laugh aloud the notes carrying all the way over to me and we’ll run again together toward each other yes?
Nikki Giovanni
There’s one kind of writing that’s always easy: Picking out something obviously stupid and reiterating how stupid it obviously is. This is the lowest form of criticism, easily accomplished by anyone. And for most of my life, I have tried to avoid this. In fact, I’ve spend an inordinate amount of time searching for the underrated value in ostensibly stupid things. I understand Turtle’s motivation and I would have watched Medelin in the theater. I read Mary Worth every day for a decade. I’ve seen Korn in concert three times and liked them once. I went to The Day After Tomorrow on opening night. I own a very expensive robot that doesn’t do anything. I am open to the possibility that everyting has metaphorical merit, and I see no point in sardonically attacking the most predictable failures within any culture.
Chuck Klosterman (Eating the Dinosaur)
I enjoyed perfect health of body, and tranquillity of mind; I did not feel the treachery or inconstancy of a friend, nor the injuries of a secret or open enemy.  I had no occasion of bribing, flattering, or pimping, to procure the favour of any great man, or of his minion; I wanted no fence against fraud or oppression: here was neither physician to destroy my body, nor lawyer to ruin my fortune; no informer to watch my words and actions, or forge accusations against me for hire: here were no gibers, censurers, backbiters, pickpockets, highwaymen, housebreakers, attorneys, bawds, buffoons, gamesters, politicians, wits, splenetics, tedious talkers, controvertists, ravishers, murderers, robbers, virtuosos; no leaders, or followers, of party and faction; no encouragers to vice, by seducement or examples; no dungeon, axes, gibbets, whipping-posts, or pillories; no cheating shopkeepers or mechanics; no pride, vanity, or affectation; no fops, bullies, drunkards, strolling whores, or poxes; no ranting, lewd, expensive wives; no stupid, proud pedants; no importunate, overbearing, quarrelsome, noisy, roaring, empty, conceited, swearing companions; no scoundrels raised from the dust upon the merit of their vices, or nobility thrown into it on account of their virtues; no lords, fiddlers, judges, or dancing-masters.
Jonathan Swift (Gulliver’s Travels)
There was some more good-natured laughter at the expense of women.
Zora Neale Hurston (Their Eyes Were Watching God)
Are your kids better off watching 10 hours of Nickelodeon and the Disney Channel every week?
Ian Lamont (Personal Finance For Beginners In 30 Minutes, Volume 1: How to cut expenses, reduce debt, and better align spending & priorities)
As a young man he seemed to pine for a bygone world of aristocrats. [In his twenties, he] took to wearing Edwardian three-piece suits with a pocket watch and chain. [discussing Kip Forbes]
Benjamin Wallace (The Billionaire's Vinegar: The Mystery of the World's Most Expensive Bottle of Wine)
Allegedly, 50 per cent of Americans believe that the Earth was created less than 10,000 years ago, which if true says something rather sad about the most expensive education system in the world.
Terry Pratchett (Darwin's Watch: The Science of Discworld III (Science of Discworld, #3))
You will only be as good, as changing, as imaginative as those who control you and those who would presume that society will benefit only by their dictates at the expense of the freedoms of all the others.
Volker G. Fremuth
Number 198 was wonderful too. Blake had watched a good-looking and ridiculously pretentious guy hit on Livia. The fancy man dropped expensive name after name as he showed her all his accessories. When he finally pulled out his wallet to show her a “highly desirable luxury credit card” Livia had rolled her eyes in Blake’s direction with smile number 198. He’d had to swallow a snicker when he heard her tell the fancy man she was debt free and didn’t even have credit cards. Blake knew that was a lie because he’d seen her pay for tickets with a card at the train station. That made number 198 a secret joke between just the two of them.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Taking architecture seriously therefore makes some singular strenuous demands upon us. It requires that we open ourselves to the idea that we are affected by our surroundings even when they are made of vinyl and would be expensive and time-consuming to ameliorate. It means conceding that we are inconveniently vulnerable to the color of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread. At the same time, it means acknowledging that buildings are able to solve no more than a fraction of our dissatisfactions or prevent evil from unfolding under their watch. Architecture, even at its most accomplished, will only ever constitute a small, and imperfect (expensive, prone to destruction, and morally unreliable), protest against the state of things. More awkwardly still, architecture asks us to imagine that happiness might often have an unostentatious, unheroic character to it, that it might be found in a run of old floorboards or in a wash of morning light over a plaster wall—in undramatic, frangible scenes of beauty that move us because we are aware of the darker backdrop against which they are set.
Alain de Botton (The Architecture of Happiness)
Today, Chanel sells nothing other than its griffe; the griffe is an absolute symbol for 'fashion' which, having become historical, is now able to sell this history better than it could sell fashion. Chanel's lasting success proves that fashion has become self-referential: the fetish of the mere name shows how it has begun to revolve around itself. The House of Chanel produces what Coco most abhorred: a thing of the past, dead. The visible, outwardly displayed griffe has become the opposite of individualized style: instead it confirms the latent uniform collectivity, which had always defined Chanel-wear; in the end, it signifies membership of an expensive club. The Chanel woman does not want to display her own taste, she wants to belong. In order to be certain, she is laden with Chanel signs and accessories, like amulets to protect against the evil eye; on the pocket, on the belt, on the dress buttons, on the watch, on costume jewelry, proudly stand the initials of the founder of the house, to which she knows she belongs.
Barbara Vinken (Fashion Zeitgeist: Trends and Cycles in the Fashion System)
Sometimes when I’m watching TV and I see a horrible commercial I think, “Only an asshole would buy that.” Then I think, Wait a minute! The advertising agency did research on their client’s target market and which channel and TV shows the ideal demographic watches, right? This would mean a carefully chosen ad campaign to get the product in front of the likely buyers, who in this case, are assholes. And I’m on the chosen channel, which means that I am one of the assholes of interest. Then I get spooked, because how’d they figure out that am asshole? Scary how well they know me.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
In front of the group was a legless man on a small wheeled trolley, who was singing at the top of his voice and banging two saucepans together. His name was Arnold Sideways. Pushing him along was Coffin Henry, whose croaking progress through an entirely different song was punctuated by bouts of off-the-beat coughing. He was accompanied by a perfectly ordinary-looking manin torn, dirty and yet expensive looking clothing, whose pleasant tenor voice was drowned out by the quaking of a duck on his head. He answered to the name of Duck Man, although he never seemed to understand why, or why he was always surrounded by people who seemed to see ducks where no ducks could be. And finally, being towed along by a small grey dog on a string, was Foul Ole Ron, generally regarded in Ankh-Morpork as the deranged beggars' deranged beggar. He was probably incapable of singing, but at least he was attempting to swear in time to the beat, or beats. The wassailers stopped and watched them in horror. People have always had the urge to sing and clang things at the dark stub of the year, when all sorts of psychic nastiness has taken advantage of the long grey days and the deep shadows to lurk and breed. Lately people had taken to singing harmoniously, which rather lost the affect. Those who really understood just clanged something and shouted. The beggars were not in fact this well versed in folkloric practice. They were just making a din in the well-founded hope that people would give them money to stop. It was just possible to make out consensus song in there somewhere. "Hogswatch is coming, The pig is getting fat, Please put a dollar in the old man's hat If you ain't got a dollar a penny will do-" "And if you ain't got a penny," Foul Ole Ron yodeled, solo, 'Then- fghfgh yffg mfmfmf..." The Duck man had, with great Presence of mind, clamped a hand over Ron's mouth.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
I saw what Andrew did in our family. I saw that he came in and listened and watched and understood who we were, each individual one of us. He tried to discover our need and then supply it. He took responsibility for other people and it didn't seem to matter to him how much it cost him. And in the end, while he could never make the Ribeira family normal, he gave us peace and pride and identity. Stability. He married Mother and was kind to her. He loved us all. He was always there when we wanted him, and seemed unhurt by it when we didn't. He was firm with us about expecting civilized behavior, but never indulged his whims at our expense. And I thought: This is so much more important than science. Or politics, either. Or any particular profession or accomplishment or thing you can make. I thought: If I could just make a good family, if I could just learn to be to other children, their whole lives, what Andrew was, coming so late into ours, then that would mean more in the long run, it would be a finer accomplishment than anything I could ever do with my mind or hands." "So you're a career father," said Valentine. "Who works at a brick factory to feed and clothe the family. Not a brick-maker who also has kids. Lini also feels the same way... She followed her own road to the same place. We do what we must to earn our place in the community, but we live for the hours at home. For each other, for the children.
Orson Scott Card (Xenocide (Ender's Saga, #3))
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
Lemony Snicket (The Beatrice Letters)
I'd always thought it was gaudy, but standing there watching him beside the gold and glass shrine, I realised that his was a candlelight faith. It didn't work in the clear unforgiving light in London or Scandinavia, where even the dust in the cathedrals showed. But in the warm dimness and the shadows, what would have been tasteless at home made sense. The shrine looked like an oil painting made into real substance. So did he. England's was a reading religion, one it was difficult to understand at the bleak unimpressive first glance, one that needed books to explain itself. But his was images and images, the same as the old stages, in a place where not everyone could read and good light was expensive.
Natasha Pulley (The Bedlam Stacks)
Everyone watched Maddy. Not outright – the glances came at her like light dancing off a mirror ball, moments of eyes flicking across her face and gone. It was almost as if the class were on a collective joyride at her expense: the more miserable she felt, the more excited their smirks became.
Beth Goobie (The Pain Eater)
Kya watched others. The females got what they wanted—first a mate, then a meal—just by changing their signals. Kya knew judgment had no place here. Evil was not in play, just life pulsing on, even at the expense of some of the players. Biology sees right and wrong as the same color in different light.
Delia Owens (Where the Crawdads Sing)
In fact, the aim is to blur what is true with what is not, to the point that the truth disappears altogether. By noisily asserting that something is false, you create a fake counter-reality. In time this constructed sovereign version of events becomes real- at least in the minds of those who are watching.
Luke Harding (A Very Expensive Poison: The Definitive Story of the Murder of Litvinenko and Russia's War with the West)
We walked into my mother's house at 10:30 in the morning at the end of February 1992. I had been gone for three weeks. She had been so desperate about us - she, too, looked thin and haggard. She was stunned to see me walk in, filthy and crawling with lice, with a huge crowd of starving people. We ate and drank clean water; then, before we even washed, I put Marian in a taxi with me and told the driver to go to Nairobi Hospital. We had no money left and I knew Nairobi Hospital was expensive; it was where I had been operated on when the ma'alim broke my skull. But I also knew that there they would help us first and ask to pay later. Saving the baby's life had become the only thing that mattered to me. At the reception desk I announced, "This baby is going to die," and the nurse's eyes went wide with horror. She took him and put a drip in his arm, and very slowly, this tiny shape seemed to uncrumple slightly. After a little while, his eyes opened. The nurse said, "The child will live," and told us to deal with the bill at the cash desk. I asked her who her director was, and found him, and told this middle-aged Indian doctor the whole story. I said I couldn't pay the bill. He took it and tore it up. He said it didn't matter. Then he told me how to look after the baby, and where to get rehydration salts, and we took a taxi home. Ma paid for the taxi and looked at me, her eyes round with respect. "Well done," she said. It was a rare compliment. In the next few days the baby began filling out, growing from a crumpled horror-movie image into a real baby, watchful, alive.
Ayaan Hirsi Ali (Infidel)
Oh, the joy of a shared life! The joy is not - as many people believe - building a future with someone, or opening your heart to another human being, or even the ability to gift each other money with limited tax consequences. The joy is in the dailiness. The joy is having someone who will stop you from hitting the snooze button on the alarm endlessly. The joy is in the smell of someone else's cooking. The joy is knowing that you can call someone and ask him to pick up a gallon of milk on his way over. The joy is having someone to watch "Kitchen Nightmares" with, because it is really no good when you watch it by yourself. The joy is hoping (however unrealistically) that someone else will unload the dishwasher. The joy is having someone listen to the weird cough your car has developed and reassure you that it doesn't sound expensive. The joy is saying how much you want a glass of wine and having someone tell you, "Go ahead, you deserve it!" (Although it's possible to achieve the last one with a pet and a little imagination.)
Katherine Heiny (Early Morning Riser)
He knows that he should go to his wife –to help her, to console her –but he knows also that it will make no difference and so is putting it off. The truth? He wants just a little longer like this, looking out on the lawn. In this strange space, this addition to the house that has never really worked –always too hot or too cold, despite all the blinds and the big dust- magnet fan they had installed at ridiculous expense –he has managed somehow to drift into a state of semi- consciousness, a place in which his mind can roam beyond his body, beyond time, out into the garden where this very minute, in the early morning light, he is listening to them whispering in their den in the bushes. Anna and Jenny.
Teresa Driscoll (I Am Watching You)
Those on the far right I came to know felt two things. First, they felt the deep story was true. Second, they felt that liberals were saying it was not true, and that they themselves were not feeling the right feelings. Blacks and women who were beneficiaries of affirmative action, immigrants, refugees, and public employees were not really stealing their place in line, liberals said. So don't feel resentful. Obama's help to these groups was not really a betrayal, liberals said. The success of those who cut ahead was not really at the expense of white men and their wives. In other words, the far right felt that the deep story was their real story and that there was a false PC cover-up of that story. They felt scorned. "People think we're not good people if we don't fee sorry for blacks and immigrants and Syrian refugees," one man told me. "But I am a good person and I don't feel sorry for them." With the cover-up, as my new friends explained to me, came the need to manage the appearance of their real feelings and even, to some extent, the feelings themselves. They didn't have to do this with friends, neighbors, and family. But they realized that the rest of America did not agree. ("I know liberals want us to feel sorry for blacks. I know they think they are so idealistic and we aren't," one woman told me.) My friends on the right felt obliged to try to modify their feelings, and they didn't like having to do that; they felt under the watchful eye of the "PC police." In the realm of emotions, the right felt like they were being treated as the criminals, and the liberals had the guns.
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
His heart thudded rapidly behind its thick-boned prison, the pulse in his neck throbbing with anxiety. He almost smiled at that. If he weren’t a vampyre his parents, Phaedrus and Xanthippe, would consider him an impossibly delicious meal with that vein pulsing them into temptation. Instead they looked up at him in bewilderment, their mouths and chin smeared thick with the blood and skin of the unconscious man in their arms. They sat crowded together on one of the pillowed kline’s in the andron where his father held Symposia in their home. The man’s feet dragged to the floor, the light chiton he wore coming undone from the obvious struggle he had undergone at the hands of Kirios’ parents. Blood stained the fabric and ran in rivulets from his masticated neck to puddle on the mosaic floor. Kirios watched as it spread into the expensive tiling, wondering how on earth they would explain the stain.
Samantha Young (Blood Solstice (The Tale of Lunarmorte, #3))
Instead of expensive fish eggs and stinky cheeses, Jay had packed Doritos and chicken soft tacos—Violet’s favorites. And instead of grapes, he brought Oreos. He knew her way too well. Violet grinned as he pulled out two clear plastic cups and a bottle of sparkling cider. She giggled. “What? No champagne?” He shrugged, pouring a little of the bubbling apple juice into each of the flimsy cups. “I sorta thought that a DUI might ruin the mood.” He lifted his cup and clinked—or rather tapped—it against hers. “Cheers.” He watched her closely as she took a sip.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Mina. You’re the one who saved Brody!” Her confusion disappeared and her face lit with happiness. “We have much to thank you for…oh, Brody, watch out!” she practically shouted. Just when Mina had begun to wonder about Mrs. Carmichael’s strange re-enactment, she heard a sickening crunch of metal on metal and turned to see her bike crushed to smithereens beneath the wheels of a black car. “My bike!” Mina groaned. “Brody!” Mrs. Carmichael yelled simultaneously. Mina froze. She didn’t know what was worse—facing her long-time crush with a brown chocolate milk stain on her jacket, or the fact that he had just run over her pathetic bike with his expensive sports car. The driver’s door opened, and Brody jumped out of the car. “Mina, I’m sorry! Are you okay?
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
Intuitively, she sensed Leonardo’s gaze on her, and she caught sight of him near the entrance to the balcony. He was watching her, though he should have been engrossed in the conversation with the two other people with whom he was standing, one of which was the redhead. Even from that distance across the room, she could sense his desire for her, and there was an answering pounding of the blood in her veins as their gazes locked. Maybe it was the kiss between Russell and Joan and the romantic notion of long-lasting love, but Alexa found her thoughts straying to memories of sharing passionate kisses with Leonardo. She carefully placed her glass of wine on the table before it slipped from her damp fingers and crashed onto the expensive white carpet. She felt nervous and jittery because she knew the reason for Leonardo’s smoldering scrutiny. She was fully aware of what was expected of her, and she found herself breathlessly anticipating the end of the evening.
Delaney Diamond (The Arrangement (Latin Men #1))
Before settling in to work, we noticed a large travel case on the mantelpiece. I unsnapped the latches and lifted the top. On one side there was a large desert scene on a marble base featuring miniature gold figurines, as well as a glass clock powered by changes in temperature. On the other side, set in a velvet case, was a necklace half the length of a bicycle chain, encrusted with what appeared to be hundreds of thousands of dollars’ worth of rubies and diamonds—along with a matching ring and earrings. I looked up at Ben and Denis. “A little something for the missus,” Denis said. He explained that others in the delegation had found cases with expensive watches waiting for them in their rooms. “Apparently, nobody told the Saudis about our prohibition on gifts.” Lifting the heavy jewels, I wondered how many times gifts like this had been discreetly left for other leaders during official visits to the kingdom—leaders whose countries didn’t have rules against taking gifts, or at least not ones that were enforced. I thought again about the Somali pirates I had ordered killed, Muslims all, and the many young men like them across the nearby borders of Yemen and Iraq, and in Egypt, Jordan, Afghanistan, and Pakistan, whose earnings in a lifetime would probably never touch the cost of that necklace in my hands. Radicalize just 1 percent of those young men and you had yourself an army of half a million, ready to die for eternal glory—or maybe just a taste of something better. I set the necklace down and closed the case. “All right,” I said. “Let’s work.
Barack Obama (A Promised Land)
The next day, when I came home from the library, there was a small, used red record player in my room. I found my mother in the kitchen and spotted a bandage taped to her arm. “Ma,” I asked. “Where did you get the money for the record player?” “I had it saved,” she lied. My father lived well, had a large house and an expensive imported car, wanted for little, and gave nothing. My mother lived on welfare in a slum and sold her blood to the Red Cross to get me a record player. “Education is everything, Johnny,” she said, as she headed for the refrigerator to get me food. “You get smart like regular people and you don’t have to live like this no more.” She and I were not hugging types, but I put my hand on her shoulder as she washed the dishes with her back to me and she said, in best Brooklynese, “So go and enjoy, already.” My father always said I was my mother’s son and I was proud of that. On her good days, she was a good and noble thing to be a part of. That evening, I plugged in the red record player and placed it by the window. My mother and I took the kitchen chairs out to the porch and listened to Beethoven’s Sixth Symphony from beginning to end, as we watched the oil-stained waters of the Mad River roll by. It was a good night, another good night, one of many that have blessed my life.
John William Tuohy
These are all commodity-focused issues. The old conceit of a retailer was that if you offered the right products at a fair price in a convenient location, you’d do fine if you watched your expenses. Today, the issues are totally different.
Seth Godin (TODOS LOS ESPECIALISTAS EN MARKETING SON MENTIROSOS:: Los actuales vendedores de sueños)
Mexican Loneliness" And I am an unhappy stranger grooking in the streets of Mexico- My friends have died on me, my lovers disappeared, my whores banned, my bed rocked and heaved by earthquake - and no holy weed to get high by candlelight and dream - only fumes of buses, dust storms, and maids peeking at me thru a hole in the door secretly drilled to watch masturbators fuck pillows - I am the Gargoyle of Our Lady dreaming in space gray mist dreams -- My face is pointed towards Napoleon ------ I have no form ------ My address book is full of RIP's I have no value in the void, at home without honor, - My only friend is an old fag without a typewriter Who, if he's my friend, I'll be buggered. I have some mayonnaise left, a whole unwanted bottle of oil, peasants washing my sky light, a nut clearing his throat in the bathroom next to mine a hundred times a day sharing my common ceiling - If I get drunk I get thirsty - if I walk my foot breaks down - if I smile my mask's a farce - if I cry I'm just a child - - if I remember I'm a liar - if I write the writing's done - - if I die the dying's over - - if I live the dying's just begun - - if I wait the waiting's longer - if I go the going's gone if I sleep the bliss is heavy the bliss is heavy on my lids - if I go to cheap movies the bedbugs get me - Expensive movies I can't afford - if I do nothing nothing does
Jack Kerouac
My smell stays with you? I ruined you…for what?” “Your smell keeps me going all the time. I’m in a clutch game or at practice and it’s full count? Your cloves and vanilla scent calms me down. I spray it on the front of my uniform and rub my right hand across like this.” I demonstrate by rubbing my chest and she watches me in fascination like a starstruck teenager watches a rockstar play his bass. “I went to three different stores before I found the exact scent. Expensive. French perfume. Chamade by Guerlain.” She nods looking fascinated or charmed by me at least for a few seconds. “I got it in Paris when I was there a few years ago. I love it.” “I do too. So yes, you ruined me. For anyone else.” She’s smiling but then it slowly disappears like a countdown does as it goes from ten to zero. “What are you doing to me, Elvis?” she asks, looking troubled.
Katherine Owen (The Truth About Air & Water (Truth in Lies, #2))
Mr. Wonderful was probably taking his sweet time, right?” “No, it was actually my fault this morning. I was busy with…paperwork.” “Oh. Well, that’s alright. Don’t worry about it. What kind of paperwork?” He smiled. “Nothing important.” Mr. Kadam held the door for me, and we walked out into an empty hallway. I was just starting to relax at the elevator doors when I heard a hotel room door close. Ren walked down the hall toward us. He’d purchased new clothes. Of course, he looked wonderful. I took a step back from the elevator and tried to avoid eye contact. Ren wore a brand new pair of dark-indigo, purposely faded, urban-destruction designer jeans. His shirt was long-sleeved, buttoned-down, crisp, oxford-style and was obviously of high quality. It was blue with thin white stripes that matched is eyes perfectly. He’d rolled up the sleeves and left his shirt untucked and open at the collar. It was also an athletic cut, so it fit tightly to his muscular torso, which made me suck in an involuntary breath in appreciation of his male splendor. He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it’s like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century. I again quickly ran through my list of reasons for not being with Ren and said a few “He’s not for me’s.” The good thing about seeing his mouthwatering self and watching him walk around like a regular person was that it tightened my resolve. Yes. It would be hard because he was so unbelievably gorgeous, but it was now even more obvious to me that we didn’t belong together. As he joined us at the elevator, I shook my head and muttered under my breath, “Figures. The guy is a tiger for three hundred and fifty years and emerges from his curse with expensive taste and keen fashion sense too. Incredible!” Mr. Kadam asked, “What was that, Miss Kelsey?” “Nothing.” Ren raised an eyebrow and smirked. He probably heard me. Stupid tiger hearing. The elevator doors opened. I stepped in and moved to the corner hoping to keep Mr. Kadam between the two of us, but unfortunately, Mr. Kadam wasn’t receiving the silent thoughts I was projecting furiously toward him and remained by the elevator buttons. Ren moved next to me and stood too close. He looked me up and down slowly and gave me a knowing smile. We rode down the elevator in silence. When the doors opened, he stopped me, took the backpack off my shoulder, and threw it over his, leaving me with nothing to carry. He walked ahead next to Mr. Kadam while I trialed along slowly behind, keeping distance between us and a wary eye on his tall frame.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Over the past twenty years, Maher watched that pattern play out again and again as major clothing brands made demands on suppliers in Bangladesh to lower their prices while also completing orders faster and constantly improving their workplace and environmental standards. Fakir Fashion has implemented certified projects to treat its wastewater, harvest rainwater, use more solar power, provide meals and child care for workers, hire workers with disabilities, build schools in the local area and more. They have been unable to pass on any of the expenses of these improvements to apparel brands or consumers, who continue to want more for less.
J.B. MacKinnon (The Day the World Stops Shopping: How Ending Consumerism Saves the Environment and Ourselves)
Luz leaned her head against the window. The bus was already on the outskirts of Mexico City and the endless urban landscape had never seemed so gray and or so harsh. Most of the city was nothing like the old money enclave of Lomas Virreyes where the Vegas lived or Polanco where the city’s most expensive restaurants and clubs catered to the wealthy. The bus passed block after block of sooty concrete cut into houses and shops and shanties and parking garages and mercados and schools and more shanties where people lived surrounded by hulks of old cars and plastic things no one bothered to throw away. Sometimes there wasn’t concrete for homes, just sheets of corrugated metal and big pieces of cardboard that would last until the next rainy season. It was the detritus of millions upon millions of people who had nowhere to go and nothing to do and were angry about it. The Reforma newspaper had reported a few weeks ago that the city’s population was in excess of 28 million--more than 25 percent of the country’s entire population--and Luz believed it. All of those people were clawing at each other in a huge fishbowl suspended 7500 feet above sea level, where there was never enough oxygen and the air was thin and dirty. The city was hemmed in by mountains on all sides; mountains like Popocatépetl and Iztaccíhuatl that sometimes spewed smoke and ash and prevented the contaminatión from cars and factories and sewers from escaping. Luz privately thought of it as la sopa--a white soup that often blotted out the stars and prevented the night sky from getting dark. The bus slowed in traffic. As they crept along Luz saw a car stopped on the side of the road, pulled over by a transito traffic cop. As Luz watched, the driver handed the cop a peso bill from his wallet. The transito accepted it but kept talking, gesturing at the car. The motorist handed him another bill. La mordida--the bite--of the traffic cop, right under her nose. Los Hierros was crap.
Carmen Amato (The Hidden Light of Mexico City)
I didn’t know you involved yourself in political issues.” She glanced at him wryly. “Of course you didn’t. You don’t know a lot about me.” He scowled as he turned his attention to the circle and watched his mother dance, resplendent in her beautiful buckskins. No, he didn’t know a lot about Cecily, but he did know how devastated she’d been to discover he’d paid her way through college, absorbed all her expenses out of pity for her situation. He was sorry for how much that had hurt her. But over the past two years, he’d deliberately distanced himself from her. He wondered why… “I had dinner with Senator Holden last week,” she said conversationally, deliberately trying to irritate him. “He wanted to point me toward some special collections for the museum.” He stared at his mother in the circle, but he was frowning, deep in thought. “I don’t like Holden,” he said curtly. “Yes, I know. You’ll be delighted to hear that he returned your sentiment,” she said with a chuckle at his scowl.
Diana Palmer (Paper Rose (Hutton & Co. #2))
What we found was that when people were pursuing leisure activities that were expensive in terms of the outside resources required—activities that demanded expensive equipment, or electricity, or other forms of energy measured in BTUs, such as power boating, driving, or watching television—they were significantly less happy than when involved in inexpensive leisure. People were happiest when they were just talking to one another, when they gardened, knitted, or were involved in a hobby; all of these activities require few material resources, but they demand a relatively high investment of psychic energy. Leisure that uses up external resources, however, often requires less attention, and as a consequence it generally provides less memorable rewards.
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
when he was little, and I picture him bouncing and smiling. So happy. I tried so hard to comfort him last night, but I just couldn’t find the right words. And now I think of how close I came to being a grandmother and it is too much. Tears. No sound: just the sensation of wetness on my cheeks. I let myself cry while drinking my coffee, the saltiness of the tears running into my mouth and mixing with the drink, and then I shake my head and reach for tissues from my bag on the counter. I wipe my face, sniff and turn to look back at the flowers. Automatic pilot again. I dry my hands carefully on the towel by the sink and select double-sided ivory ribbon from the drawer – the expensive roll set aside for weddings – and the little packet of pearl pins. This bit needs real care. I lift the flowers from
Teresa Driscoll (I Am Watching You)
She wanted to order him clapped in irons, as he so deserved. But she was stopped by what she saw in the faces of the watching men: disapproval, instinctive and involuntary, but disapproval, nonetheless. They were not comfortable when power was wielded by a woman, not at a man’s expense, a man who had just acquitted himself so spectacularly at Lincoln, winning their reluctant respect in a way she knew she never could.
Sharon Kay Penman (When Christ and His Saints Slept (Henry II & Eleanor of Aquitaine, #1))
To want to own a restaurant can be a strange and terrible affliction. What causes such a destructive urge in so many otherwise sensible people? Why would anyone who has worked hard, saved money, often been successful in other fields, want to pump their hard-earned cash down a hole that statistically, at least, will almost surely prove dry? Why venture into an industry with enormous fixed expenses (...), with a notoriously transient and unstable workforce, and highly perishable inventory of assets? The chances of ever seeing a return on your investment are about one in five. What insidious spongi-form bacteria so riddles the brains of men and women that they stand there on the tracks, watching the lights of the oncoming locomotive, knowing full well it will eventually run over them? After all these years in the business, I still don't know.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.
Judith McNaught (Almost Heaven (Sequels, #3))
Pedro, the Guardia, asked him if he could inspect the inside of his van because hundreds of very expensive ham legs had been stolen recently and the robbery perpetrated by a gang of men dressed as priests ‒ how do you say, monks. Danny felt the beads of sweat trickle down his back as he slid open the door. Along the side was a clothes rack with different costumes hung on hangers. He couldn't actually remember when he'd last cleaned the van out, hadn't the front to admit to such slovenliness. Pedro the cop lifted off a cassock. "I use that for my work." Pedro put his hand on the van and poked his nose in, sniffed and backed his face away and looked at his hand covered in sticky egg yolk and shell. "It's for the wash," continued Danny, fighting a smirk. Pedro pointed at his eyes with his fingers and then at Danny's to indicate, I'm watching you. Danny reluctantly handed the cash over to the cop. They ambled off as he watched his money scrunch into his pocket. Danny slumped at the bar, deflated.
Mark Shearman (Zorro's Last Stand)
Those beautiful girls, so happy when you acted like a gentleman and all of that, just to touch them and carry the memory of it back to my room, where dust gathered upon my typewriter and Pedro the mouse sat in his hole, his black eyes watching me through that time of dream and reverie. Pedro the mouse, a good mouse but never domesticated, refusing to be petted or house-broken. I saw him the first time I walked into my room, and that was during my heyday, when The Little Dog Laughed was in the current August issue. It was five months ago, the day I got to town by bus from Colorado with a hundred and fifty dollars in my pocket and big plans in my head. I had a philosophy in those days. I was a lover of man and beast alike, and Pedro was no exception; but cheese got expensive, Pedro called all his friends, the room swarmed with them, and I had to quit it and feed them bread. They didn't like bread. I had spoiled them and they went elsewhere, all but Pedro the ascetic who was content to eat the pages of an old Gideon Bible.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
if you don’t much care for regulation now, you might be in for a hard time. As climate change causes sea levels to rise, more and more people are going to get displaced. More and more people are going to want to come live where you are living—or worse, you will be among those forced to do the moving. Cities are going to need storm walls; farmers will need compensation to relocate their fields. If you think action on behalf of climate change is expensive, just wait until you see the price of inaction. Regulations will be required sooner or later, but if we wait until things reach crisis level they will be a lot more onerous. There may be requirements to restrict your use of gasoline. Requirements that restrict your access to proteins, such as steak and fish. Regulators watching what you put in the trash. There may be limits on shipping and air travel. And by then, your neighbors will probably be voting for these regulations. The environmental and just plain cash-money costs will be staggering the longer we go without getting going.
Bill Nye (Unstoppable: Harnessing Science to Change the World)
Wynter's Pass was a picturesque region in the north of Vohlfhein, where the Bleak Hills eventually collapsed into the Frozen Sea. From the back of Mr. Buckles, who had been on a slow trot since sunrise, Monch watched the light glisten off of the frozen branches of the evergreens. As the sun warmed the frozen ground, sending the evening's frost into retreat, Monch absorbed the splendor of it all and wondered how expensive the local real estate must be around here. He then contemplated attempting to find an agent that would represent his interests well. "This land is such a spectacular wonder," the Lion of Ahriman declared. "It would be very much sought after if they could just do something about the bears, the White Orts, the wolves, the bloodthirsty cannibals, the snow manapés, the frost wizards, the northern bandit gangs, the dire lynxes, the similarly sounding but not related pygmy bloodthirsty cannibals, the demon possessed yaks, the dead-soul animated trees, the..." Monch paused for a moment. "It just occurred to me that this land is really not safe at all. It seems almost everything in it wants to kill me," the Templar admitted.
D.F. Monk (Tales of Yhore: The Chronicles of Monch)
At her feet, a luminous path lit the way through the grassy field. It was made entirely from glow sticks; each of the radiant lights had been painstakingly set into the ground at perfect intervals, tracing a curved trail that shone through the darkness. Apparently, Jay had been busy. Near the water’s edge, at the end of the iridescent pathway and beneath a stand of trees, Jay had set up more than just a picnic. He had created a retreat, an oasis for the two of them. Violet shook her head, unable to find the words to speak. He led her closer, and Violet followed, amazed. Jay had hung more of the luminous glow sticks from the low-hanging branches, so they dangled overhead. They drifted and swayed in the breeze that blew up from the lake. Beneath the natural canopy of limbs, he had set up two folding lounge chairs and covered them with pillows and blankets. “I’d planned to use candles, but the wind would’ve blown ‘em out, so I had to improvise.” “Seriously, Jay? This is amazing.” Violet felt awed. She couldn’t imagine how long it must have taken him. “I’m glad you like it.” He led her to one of the chairs and drew her down until she was sitting before he started unpacking the cooler. She half-expected him to pull out a jar of Beluga caviar, some fancy French cheeses, and Dom Perignon champagne. Maybe even a cluster of grapes to feed to her…one at a time. So when he started laying out their picnic, Violet laughed. Instead of expensive fish eggs and stinky cheeses, Jay had packed Daritos and chicken soft tacos-Violet’s favorites. And instead of grapes, he brought Oreos. He knew her way too well. Violet grinned as he pulled out two clear plastic cups and a bottle of sparkling cider. She giggled. “What? No champagne?” He shrugged, pouring a little of the bubbling apple juice into each of the flimsy cups. “I sorta thought that a DUI might ruin the mood.” He lifted his cup and clinked-or rather, tapped-it against hers. “Cheers.” He watched her closely as she took a sip. For several moments, they were silent. The lights swayed above them, creating shadows that danced over them. The park was peaceful, asleep, as the lake’s waters lapped the shore. Across from them, lights from the houses along the water’s edge cast rippling reflections on the shuddering surface. All of these things transformed the ordinary park into a romantic winter rendezvous.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Looking into each other's eyes and speaking together in low tones, it becomes apparent that she hopes you will walk her through her troubles and show her that male-female relations can be lovely even in loveless union. She is looking for lust fulfilled but she searches also for respect, and in this she is out of luck because you do not know her or like her very much and you do not respect yourself and so the most you can offer this girl is time out of her life and an unsatisfactory meeting of bodies and, if the fates are generous, a couple of laughs and good feelings. At any rate there will unquestionably be a divot in your hearts before dawn and Peg seems to pick up on this after thirty minutes of groping and pawing (the car interior is damp with dew) she breaks away and with great exasperation says, "What do you think you're doing?" You are smiling, because it is an utterly stupid and boring question, and you say to her, "I am sitting in an American car, trying to make out in America," a piece of poetry that arouses something in her, and you both climb into the back seat for a meeting even less satisfactory than you feared it might be. Now she is crying and you are shivering and it is time to go home and if you had a watch you would snap your wrist to look meaningfully at it but she dabs at her face and says she wants you to come upstairs and share a special-occasion bottle of very old and expensive wine and as there is no way not to do this you follow her through the dusty lobby and into the lurching, diamond-gated elevator and into her cluttered apartment to scrutinize her furnishings and unread or improperly read paperbacks, and you wonder if there is anything more depressing than the habitats of young people, young and rudderless women in particular.
Patrick deWitt (Ablutions)
by have a home in the first place? Good question! When I have a tea party for my grandchildren, I'm passing on to them the things my mama passed on to me-the value of manners and the joy of spending quiet time together. When Bob reads a Bible story to those little ones, he's passing along his deep faith. When we watch videos together, play games, work on projects-we're building a chain of memories for the future. These aren't lessons that can be taught in lecture form. They're taught through the way we live. What we teach our children-or any child who shares our lives-they will teach to their children. What we share with our children, they will share with generations to come. friend of mine loves the water, the out doors, and the California sunshine. She says they're a constant reminder of God's incredible creativity. Do you may have a patio or a deck or a small balcony? Bob and I have never regretted the time and expense of creating outdoor areas to spend time in. And when we sit outside, we enhance our experience with a cool salad of homegrown tomatoes and lettuce, a tall glass of lemonade, and beautiful flowers in a basket. Use this wonderful time to contemplate all God is doing in your life. ecome an answer to prayer! • Call and encourage someone today.
Emilie Barnes (365 Things Every Woman Should Know)
The most surprising discovery made by Baumeister’s group shows, as he puts it, that the idea of mental energy is more than a mere metaphor. The nervous system consumes more glucose than most other parts of the body, and effortful mental activity appears to be especially expensive in the currency of glucose. When you are actively involved in difficult cognitive reasoning or engaged in a task that requires self-control, your blood glucose level drops. The effect is analogous to a runner who draws down glucose stored in her muscles during a sprint. The bold implication of this idea is that the effects of ego depletion could be undone by ingesting glucose, and Baumeister and his colleagues have confirmed this hypothesis in several experiments. Volunteers in one of their studies watched a short silent film of a woman being interviewed and were asked to interpret her body language. While they were performing the task, a series of words crossed the screen in slow succession. The participants were specifically instructed to ignore the words, and if they found their attention drawn away they had to refocus their concentration on the woman’s behavior. This act of self-control was known to cause ego depletion. All the volunteers drank some lemonade before participating in a second task. The lemonade was sweetened with glucose for half of them and with Splenda for the others. Then all participants were given a task in which they needed to overcome an intuitive response to get the correct answer. Intuitive errors are normally much more frequent among ego-depleted people, and the drinkers of Splenda showed the expected depletion effect. On the other hand, the glucose drinkers were not depleted. Restoring the level of available sugar in the brain had prevented the deterioration of performance. It will take some time and much further research to establish whether the tasks that cause glucose-depletion also cause the momentary arousal that is reflected in increases of pupil size and heart rate.
Daniel Kahneman (Thinking, Fast and Slow)
About his madmen Mr. Lecky was no more certain. He knew less than the little to be learned of the causes or even of the results of madness. Yet for practical purposes one can imagine all that is necessary. As long as maniacs walk like men, you must come close to them to penetrate so excellent a disguise. Once close, you have joined the true werewolf. Pick for your companion a manic-depressive, afflicted by any of the various degrees of mania - chronic, acute, delirious. Usually more man than wolf, he will be instructive. His disorder lies in the very process of his thinking, rather than in the content of his thought. He cannot wait a minute for the satisfaction of his fleeting desires or the fulfillment of his innumerable schemes. Nor can he, for two minutes, be certain of his intention or constant in any plan or agreement. Presently you may hear his failing made manifest in the crazy concatenation of his thinking aloud, which psychiatrists call "flight of ideas." Exhausted suddenly by this riotous expense of speech and spirit, he may subside in an apathy dangerous and morose, which you will be well advised not to disturb. Let the man you meet be, instead, a paretic. He has taken a secret departure from your world. He dwells amidst choicest, most dispendious superlatives. In his arm he has the strength to lift ten elephants. He is already two hundred years old. He is more than nine feet high; his chest is of iron, his right leg is silver, his incomparable head is one whole ruby. Husband of a thousand wives, he has begotten on them ten thousand children. Nothing is mean about him; his urine is white wine; his faeces are always soft gold. However, despite his splendor and his extraordinary attainments, he cannot successfully pronounce the words: electricity, Methodist Episcopal, organization, third cavalry brigade. Avoid them. Infuriated by your demonstration of any accomplishment not his, he may suddenly kill you. Now choose for your friend a paranoiac, and beware of the wolf! His back is to the wall, his implacable enemies are crowding on him. He gets no rest. He finds no starting hole to hide him. Ten times oftener than the Apostle, he has been, through the violence of the unswerving malice which pursues him, in perils of waters, in perils of robbers, in perils of his own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren, in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Now that, face to face with him, you simulate innocence and come within his reach, what pity can you expect? You showed him none; he will certainly not show you any. Lighten our darkness, we beseech thee, 0 Lord; and by thy great mercy defend us from all the perils and dangers of this night; for the love of thy only Son, our Saviour, Jesus Christ. Amen. Mr. Lecky's maniacs lay in wait to slash a man's head half off, to perform some erotic atrocity of disembowelment on a woman. Here, they fed thoughtlessly on human flesh; there, wishing to play with him, they plucked the mangled Tybalt from his shroud. The beastly cunning of their approach, the fantastic capriciousness of their intention could not be very well met or provided for. In his makeshift fort everywhere encircled by darkness, Mr. Lecky did not care to meditate further on the subject.
James Gould Cozzens (Castaway)
Do I get to come in?” he asked. She shrugged and stood aside. “I’m just packing.” “Moving again?” he asked with faint sarcasm. “You used to be easier to keep track of.” “Because I was living in a nest of spies!” she threw at him, having only recently gleaned that bit of information from Colby. “You got me an apartment surrounded by government agents!” “It was the safest place for you,” he said simply. “Someone was always watching you when I couldn’t.” “I didn’t need watching!” “You did,” he returned, perching on the arm of her big easy chair to stare at her intently. “You never realized it, but you were a constant target for anyone who had a grudge against me. In the end, it was why I gave up government work and got a job in the private sector.” He folded his arms over his broad chest, watching surprise claim her features. “There was a communist agent with a high-powered rifle one day, and a South American gentlemen with an automatic pistol the following week. You were never told about them. But you had two close calls. If you hadn’t been living in a ‘nest of spies,’ I’d have buried you. Funerals are expensive,” he added with a cold smile. She stared at him blankly. “Why didn’t you just send me back to South Dakota?” she asked. “To your stepfather?” he drawled. That was still a sore spot with her, and she was certain that he knew it. But she wouldn’t give him the satisfaction of arguing. He seemed to be spoiling for a fight. She turned away to the kitchen. “Want a cup of coffee?” He got up and took her by the shoulders. “I’m sorry,” he said. “That was a low blow.” “Another in a long line of them lately,” she said without meeting his eyes. “I seem to do nothing except rub you the wrong way.” “And you don’t know why?” he asked curtly, letting her go. She moved one shoulder as she went about the business of getting down a cup and saucer. “At a guess, you’re mad at somebody you can’t get to, and I’m the stand-in.” He chuckled. “How do you see through me so easily? Even my mother can’t do that.” If he thought about it, he’d know, she thought miserably.
Diana Palmer (Paper Rose (Hutton & Co. #2))
My first impression of him was that he was free spirited, clever, funny. That proved to be completely inaccurate. We left the party together and walked around for hours, lied to each other about our happy lives, ate pizza at midnight, took the Staten Island Ferry back and forth and watched the sun rise. I gave him my phone number at the dorm. By the time he finally called me, two weeks later, I’d become obsessed with him. He kept me on a long, tight leash for months—expensive meals, the occasional opera or ballet. He took my virginity at a ski lodge in Vermont on Valentine’s Day. It wasn’t a pleasurable experience, but I trusted he knew more about sex than I did, so when he rolled off and said, “That was amazing,” I believed him. He was thirty-three, worked for Fuji Bank at the World Trade Center, wore tailored suits, sent cars to pick me up at my dorm, then the sorority house sophomore year, wined and dined me, and asked for head with no shame in the back of cabs he charged to the company account. I took this as proof of his masculine value. My “sisters” all agreed; he was “suave.” And I was impressed by how much he liked talking about his emotions, something I’d never seen a man do. “My mom’s a pothead now, and that’s why I have this deep sadness.” He took frequent trips to Tokyo for work and to San Francisco to visit his twin sister. I suspected she discouraged him from dating me.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Immediately after leaving the gate we encountered a bunch of raggedly dressed street kids. They blinked sad brown eyes and held out their hands begging for money, but we ignored them. Dan flashed us an accusing look, as if we were heartless bastards. He fished some coins out of his pocket, and tossed them to the children. A frantic mob of kids immediately overwhelmed Dan, hopping up and down, clamoring for money. Dan finally broke free from the grasping children, and we set off down the street. Suddenly, Dan stopped dead in his tracks, belatedly realizing his expensive scuba diving watch was missing. While we laughed and said, “I told you so!” Dan rubbed his naked wrist and stomped around the street in disbelief, bemoaning the loss of his watch. Then an innocent looking little boy timidly approached Dan. Obviously feeling sorry for the kind-hearted American, the cute little ragamuffin timidly spoke, “Mister, I know who stole your watch. Give me a hundred pesos and I’ll get it back for you.” Dan breathed a sigh of relief, thanked the little angel profusely, and gave him a hundred pesos worth eight American dollars. The little boy quickly scuttled into the crowd never to be seen again. We laughed so hard we were choking. Dan had just set a new chump record, losing an expensive watch and a hundred pesos all within minutes of leaving the base. We dragged him into the nearest bar to console him with cold San Miguel beer.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Or I can stay with Colby when he comes back,” she added deliberately. She even smiled. “He’ll take care of me.” His black eyes narrowed. “He can barely take care of himself,” he said flatly. “He’s a lost soul. He can’t escape the past or face the future without Maureen. He isn’t ready for a relationship with anyone else, even if he thinks he is” She didn’t rise to the bait. “I can count on Colby. He’ll help me if I need it.” He looked frustrated. “But you won’t let me help you.” “Colby isn’t involved with anyone who’d be jealous of the time he spent looking out for me. That’s the difference.” He let out an angry breath and his eyes began to glitter. “You have to beat the subject to death, I guess.” She managed to look indifferent. “You have your own life to live, Tate. I’m not part of it anymore. You’ve made that quite clear.” His teeth clenched. “Is it really that easy for you to throw the past away?” he asked. “That’s what you want,” she reminded him. There was a perverse pleasure in watching his eyes narrow. “You said you’d never forget or forgive me,” she added evenly. “I took you at your word. I’ll always have fond memories of you and Leta. But I’m a grown woman. I have a career, a future. I’ve dragged you down financially for years, without knowing it. Now that I do…” “For God’s sake!” he burst out, rising to pace with his hands clenched in his pockets. “I could have sent you to Harvard if you’d wanted to go there, and never felt the cost! “You’re missing the point,” she said, feeling nausea rise in her throat and praying it wouldn’t overflow. “I could have worked my way through school, paid for my own apartment and expenses. I wouldn’t have minded. But you made me beholden to you in a way I can never repay.” He stopped pacing and glared at her. “Have I asked for repayment?” She smiled in spite of herself. “You look just like Matt when you glower that way.” The glare got worse. She held up a hand. “I know. You don’t want to talk about that. Sorry.” “Everyone else wants to talk about it,” he said irritably. “I’ve done nothing but dodge reporters ever since the story broke. What a hell of a way to do it, on national television!
Diana Palmer (Paper Rose (Hutton & Co. #2))
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.” Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs. “What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts. “Don’t be ridiculous.” “I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—” He took the boxers from her. “Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over. Right. After he got the boxers on, he took off the bathrobe and . . . Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts. Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?” She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—” “Gina.” Max stopped her before she reached the door. He motioned for her to come back. She held out the green shorts, but instead of taking them, he took her arm, pulled her close. “I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little. Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle. And then, before her heart even had a chance to start beating again, he kissed her. And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated. And, God. That was a miracle, too. Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now? Yes, she’d been waiting for years for him to say that he loved her, but . . . Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’” She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted. It was obvious that he wanted her to say something, but she was completely speechless.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
At all times it is a bewildering thing to the poor weaver to see his employer removing from house to house, each one grander than the last, till he ends in building one more magnificent than all, or withdraws his money from the concern, or sells his mill, to buy an estate in the country, while all the time the weaver, who thinks he and his fellows are the real makers of this wealth, is struggling on for bread for his children, through the vicissitudes of lowered wages, short hours, fewer hands employed, etc. And when he knows trade is bad, and could understand (at least partially) that there are not buyers enough in the market to purchase the goods already made, and consequently that there is no demand for more; when he would bear and endure much without complaining, could he also see that his employers were bearing their share; he is, I say, bewildered and (to use his own word) "aggravated" to see that all goes on just as usual with the millowners. Large houses are still occupied, while spinners' and weavers' cottages stand empty, because the families that once filled them are obliged to live in rooms or cellars. Carriages still roll along the streets, concerts are still crowded by subscribers, the shops for expensive luxuries still find daily customers, while the workman loiters away his unemployed time in watching these things, and thinking of the pale, uncomplaining wife at home, and the wailing children asking in vain for enough of food--of the sinking health, of the dying life of those near and dear to him. The contrast is too great. Why should he alone suffer from bad times?
Elizabeth Gaskell (Mary Barton)
I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in.” “Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”— she paused with a quick, abashed smile—“ whatever that is.” “My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him … I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle. “Yes, love?” “I would think,” she continued, “‘ Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.’” “Not necessary,” he assured her gently. “Statistically speaking, we’ll have at least ten, fifteen thousand days to spend together.” “I don’t want to be apart from you for even one of them.” Cam cupped her small, serious face in his hands, his thumbs skimming the trace of tears beneath her eyes. His gaze caressed her. “Are we to live in sin, love, or will you finally agree to marry me?” “Yes. Yes. I’ll marry you. Although … I still can’t promise to obey you.” Cam laughed quietly. “We’ll manage around that. If you’ll at least promise to love me.” Amelia gripped his wrists, his pulse steady and strong beneath her fingertips. “Oh, I do love you, you’re—” “I love you, too.” “— my fate. You’re everything I—” She would have said more, if he had not pulled her head to his, kissing her with hard, thrilling pressure.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
It was in that kitchen where I waited for Daddy and Mrs. Masicotte to be finished with the weekly business, two rooms away. Though Mrs. Masicotte seemed as indifferent to me as her renters were, she provided richly for me while I waited. On hand were plates of bakery cookies, thick picture books with shiny pages, punch-out paper dolls. My companion during these vigils was Zahra, Mrs. Masicotte’s fat tan cocker spaniel, who sat at my feet and watched, unblinking, as cookies traveled mercilessly from the plate to my mouth. Mrs. Masicotte and my father laughed and talked loud during their meetings and sometimes played the radio. (Our radio at home was a plastic box; Mrs. Masicotte’s was a piece of furniture.) “Are we going soon?” I’d ask Daddy whenever he came out to the kitchen to check on me or get them another pair of Rheingolds. “A few minutes,” was what he always said, no matter how much longer they were going to be. I wanted my father to be at home laughing with Ma on Saturday afternoons, instead of with Mrs. Masicotte, who had yellowy white hair and a fat little body like Zahra’s. My father called Mrs. Masicotte by her first name, LuAnn; Ma called her, simply, “her.” “It’s her,” she’d tell Daddy whenever the telephone interrupted our dinner. Sometimes, when the meetings dragged on unreasonably or when they laughed too loud in there, I sat and dared myself to do naughty things, then did them. One time I scribbled on all the faces in the expensive storybooks. Another Saturday I waterlogged a sponge and threw it at Zahra’s face. Regularly, I tantalized the dog with the cookies I made sure stayed just out of her reach. My actions—each of which invited my father’s anger—shocked and pleased me.
Wally Lamb (She's Come Undone)
Now I know what makes you so different from other women," said John Tenison, when he and Margaret were alone. "It's having that wonderful mother! She--she--well, she's one woman in a million; I don't have to tell you that! It's something to thank God for, a mother like that; it's a privilege to know her. I've been watching her all day, and I've been wondering what SHE gets out of it--that was what puzzled me; but now, just now, I've found out! This morning, thinking what her life is, I couldn't see what REPAID her, do you see? What made up to her for the unending, unending effort, and sacrifice, the pouring out of love and sympathy and help--year after year after year..." He hesitated, but Margaret did not speak. "You know," he went on musingly, "in these days, when women just serenely ignore the question of children, or at most, as a special concession, bring up one or two--just the one or two whose expenses can be comfortably met!--there's something magnificent in a woman like your mother, who begins eight destinies instead of one! She doesn't strain and chafe to express herself through the medium of poetry or music or the stage, but she puts her whole splendid philosophy into her nursery--launches sound little bodies and minds that have their first growth cleanly and purely about her knees. Responsibility--that's what these other women say they are afraid of! But it seems to me there's no responsibility like that of decreeing that young lives simply SHALL NOT BE. Why, what good is learning, or elegance of manner, or painfully acquired fineness of speech, and taste and point of view, if you are not going to distill it into the growing plants, the only real hope we have in the world! You know, Miss Paget," his smile was very sweet in the half darkness, "there's a higher tribunal than the social tribunal of this world, after all; and it seems to me that a woman who stands there, as your mother will, with a forest of new lives about her, and a record like hers, will--will find she has a Friend at court!" he finished whimsically.
Kathleen Thompson Norris
My intention, this time, was to transfer a play to the screen while keeping its theatrical character. It was in some senses a matter of walking, invisibly, around the stage and catching the different aspects and nuances in the play, the urgency and the facial expressions that escape a spectator who cannot follow them in detail from a seat in the stalls. Apart from that, I had noticed how effective a play becomes when you have a bird's-eye view from it, for example from the flies, that is to say from the viewpoint of a voyeur. The Audience is enclosed with the characters in a room lacking its fourth wall and listens to them on equal terms, without the element of my story conferred on scenes of intimacy by the whimsical shape of a keyhole.” “L'aigle à deux têtes is not History. It is a story, an invented story lived out by imaginary heroes, and I should never have dared venture into the realistic world of cinema without being able to rely on the help of Christian Bérard. He has a genius for situating whatever he touches, for giving it a depth in time and space and an appearance of truth that are literally inimitable.” (...) “A drama of this kind would be unacceptable, and almost impossible to tell, unless it was interpreted by superb actors who could instill grandeur and life into it. Edwige Feuillère and Jean Marais, applauded evening after evening in their parts in the play, surpass themselves on the screen and give of themselves, as I suggested above, everything that they cannot give us on the stage.” “George Auric's music and the Strauss waltzes at the krantz ball make up the liquid in this drama of love and death is immersed.” (...) “In L'aigle à deux têtes, I wanted to make a theatrical film.” (...) “I know the faults of the film, but unfortunately the expense of the medium and the constraints of time that it imposes on us, prevent us from correcting our faults, Cinematography costs too much.” (...) “In Les parents terribles (1948), what I determined to do was the opposite of what I did in L'aigle à deux têtes; to de-theatricalize a play, to film it in chronological order and to catch the characters by surprise from the indiscreet angle of the camera. In short, I wanted to watch a family through the keyhole instead of observing its life from a seat in the stalls.
Jean Cocteau (The Art of Cinema)
Well, I don’t know about you girls,” Patti called out, “but I’m starving. You wanna help me throw everything together before I go check on the chicken?” The twins shared uncertain expressions. “Sure, we’ll help,” I answered for them. “What do you need us to do?” “All right, how about you and Marna make the salad, and Ginger can help me bake this cake.” Their eyes filled with horror. “You mean like chopping things?” Marna whispered. “Yeah. It’s not hard. We’ll do it together.” At my prompting they stood but made no move toward the kitchen with me. “I’m not sure you ought to trust me with a knife,” Marna said. “Or me with baked goods,” Ginger added. I’d never seen her so unsure of herself. If it were just me making the request, she’d tell me to go screw myself, but neither girl seemed to know how to act around Patti. They fidgeted and glanced at the kitchen. Patti came over and took Ginger by the arm. “You’ll both be fine,” Patti insisted. “It’ll be fun!” The seriousness of the twins in the kitchen was comical. They took each step of their jobs with slow, attentive detail, checking and double-checking the measurements while Patti ran out to flip the chicken. Somewhere halfway through, the girls loosened up and we started chatting. Patti put Ginger at ease in a way I’d never seen her. At one point we were all laughing and I realized I’d never seen Ginger laugh in a carefree way, only the mean kind of amusement brought on at someone else’s expense. Usually mine. Ginger caught me looking and straightened, smile disappearing. Patti watched with her keen, wise eyes. She wasn’t missing the significance of any gesture here. When she returned from getting the chicken off the grill, Ginger said, “Oh, that smells divine, Miss Patti.” Who was this complimenting girl? Patti smiled and thanked her. Ginger was so proud of the cake when it was finished that she took several pictures of it with her phone. She even wanted a picture of her and Patti holding the cake together, which nearly made Patti burst with motherly affection. I couldn’t even manage to feel jealous as Patti heaped nurture on Ginger. It was so sweet it made my eyes sting. Marna kept sending fond glances at her sister. “I did that part right there all by myself,” Ginger said to Marna, pointing to the frosting trim. “Brilliant, isn’t it?” “Bang-up job, Gin.” Marna squeezed her sister around the shoulder.
Wendy Higgins (Sweet Peril (Sweet, #2))
You're afraid that you'll live like those things in the hospital. You're afraid of ending up like them." "Aren't you?" His voice was almost too soft to hear, but somehow it carried over the rush of wheels and the expensive purr of the engine. "I'm trying not to think about it," I said. "How can you not think about it?" he asked. "Because if you start thinking about the bad things, worrying about them, then it makes you slow, makes you afraid. Neither of us can afford that." "Two years ago, I'd have been giving you the pep talk," he said, and there was something in his voice, not anger, but close. "You were a good teacher," I said. His hands gripped the wheel. "I haven't taught you all I know, Anita. You are not a better monster than I am." I watched the side of his face, trying to read that expressionless face. There was a tightness at the jaw, a thread of anger down the neck and into his shoulders. "Are you trying to convince me or yourself... Ted?" I made the name light and mocking. I didn't usually play with Edward just to get a rise out of him, but today, he was unsure, and I wasn't. Part of me was enjoying the hell out of that. He slammed on the brakes and screeched to a stop on the side of the road. I had the Browning pointed at the side of his head, close enough that pulling the trigger would paint his brains all over the windows. He had a gun in his hand. I don't know where in the car it had come from, but the gun wasn't pointed at me. "Ease down, Edward." He stayed motionless but didn't drop the gun. I had one of those moments when you see into another person's soul like looking into an open window. "Your fear makes you slow, Edward, because you'd rather die here, like this, than survive like those poor bastards. You're looking for a better way to die." My gun was very steady, finger on the trigger. But this wasn't for real, not yet. "If you were really serious, you'd have had the gun in your hand before you pulled over. You didn't invite me here to hunt monsters. You invited me here to kill you if it works out wrong." He laid the gun very, very slowly on the floorboard hump between the seats. He looked at me, hands spread on the steering wheel. I took the offered gun without taking either my eyes or my gun off of him. "Like I believe that's the only gun you've got hidden in this car. But I do appreciate the gesture." He laughed then, and it was the most bitter sound I'd ever heard from Edward.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
When we get down to potential versus reality in relationships, we often see disappointment, not successful achievement. In the Church, if someone creates nuclear fallout in a calling, they are often released or reassigned quickly. Unfortunately, we do not have that luxury when we marry. So many of us have experienced this sad realization in the first weeks of our marriages. For example, we realized that our partner was not going to live up to his/her potential and give generously to the partnership. While fighting the mounting feelings of betrayal, we watched our new spouses claim a right to behave any way they desired, often at our expense. Most of us made the "best" of a truly awful situation but felt like a rat trapped in maze. We raised a family, played our role, and hoped that someday things would change if we did our part. It didn't happen, but we were not allowed the luxury of reassigning or releasing our mates from poor stewardship as a spouse or parent. We were stuck until we lost all hope and reached for the unthinkable: divorce. Reality is simple for some. Those who stay happily married (the key word here is happily are the ones who grew and felt companionship from the first days of marriage. Both had the integrity and dedication to insure its success. For those of us who are divorced, tracing back to those same early days, potential disappeared and reality reared its ugly head. All we could feel, after a sealing for "time and all eternity," was bound in an unholy snare. Take the time to examine the reality of who your sweetheart really is. What do they accomplish by natural instinct and ability? What do you like/dislike about them? Can you live with all the collective weaknesses and create a happy, viable union? Are you both committed to making each other happy? Do you respect each other's agency, and are you both encouraging and eager to see the two of you grow as individuals and as a team? Do you both talk-the-talk and walk-the-walk? Or do you love them and hope they'll change once you're married to them? Chances are that if the answer to any of these questions are "sorta," you are embracing their potential and not their reality. You may also be embracing your own potential to endure issues that may not be appropriate sacrifices at this stage in your life. No one changes without the internal impetus and drive to do so. Not for love or money. . . . We are complex creatures, and although we are trained to see the "good" in everyone, it is to our benefit to embrace realism when it comes to finding our "soul mate." It won't get much better than what you have in your relationship right now.
Jennifer James
Example: a famous-to-economists finding in behavioral economics concerns pricing, and the fact that people have a provable bias towards the middle of three prices. It was first demonstrated with an experiment in beer pricing: when there were two beers, a third of people chose the cheaper; adding an even cheaper beer made the share of that beer go up, because it was now in the middle of three prices; adding an even more expensive beer at the top, and dropping the cheapest beer, made the share of the new beer in the middle (which had previously been the most expensive) go up from two-thirds to 90 percent. Having a price above and a price below makes the price in the middle seem more appealing. This experiment has been repeated with other consumer goods, such as ovens, and is now a much-used strategy in the corporate world. Basically, if you have two prices for something, and want to make more people pay the higher price, you add a third, even higher price; that makes the formerly highest price more attractive. Watch out for this strategy. (The research paper about beer pricing, written by a trio of economists at Duke University in 1982, was published in the Journal of Consumer Research. It’s called “Adding Asymetrically Dominated Alternatives: Violations of Regularity and the Simularity Hypothesis”—which must surely be the least engaging title ever given to an article about beer.)
John Lanchester (How to Speak Money: What the Money People Say-And What It Really Means: What the Money People Say―And What It Really Means)
Once a competitor’s move has occurred, the denial of an adequate base for the competitor to meet its goals, coupled with the expectation that this state of affairs will continue, can cause the competitor to withdraw. New entrants, for example, usually have some targets for growth, market share, and ROI, and some time horizon for achieving them. If a new entrant is denied its targets and becomes convinced that it will be a long time before they are met, then it may withdraw or deescalate. Tactics for denying a base include strong price competition, heavy expenditures on research, and so on. Attacking new products in the test-market phase can be an effective way to foretell a firm’s future willingness to fight and can be less expensive than waiting for the introduction to actually occur. Another tactic is using special deals to load customers up with inventory, thereby removing the market for the product and raising the short-run cost of entry. It can be worth paying a substantial short-run price to deny a base if a firm’s market position is threatened. Essential to such a strategy, however, is a good hypothesis about what a competitor’s performance targets and time horizon are. An example of such a situation may be Gillette’s withdrawal from digital watches. Although claiming it had won significant market shares in test markets, Gillette bowed out, citing the substantial investments required to develop technology and margins lower than those available in other areas of its business. Texas Instruments’ strategy of aggressive pricing and rapid technological development in digital watches probably had a substantial impact on this decision.
Michael E. Porter (Competitive Strategy: Techniques for Analyzing Industries and Competitors)