Exotic Skin Quotes

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Maybe i would become a mermaid... i would live in the swirling blue-green currents, doing exotic underwater dances for the fish, kissed by sea anemones, caressed by seaweed shawls. I would have a doliphin friend. He would have merry eyes and thick flesh of a god. My fingernails would be tiny shells and my skin would be like jade with light shining through it I would never have to come back up
Francesca Lia Block
Her skin smells of vintage books and pale moonlight, exotic things, forbidden loves and rainy nights.
Melody Lee (Moon Gypsy)
They don't go in for the fancy or exotic, but stick to conventional food like flightless bird embryos, minced organs in intestine skins, slices of hog flesh and burnt ground grass seeds dipped in animal fats; or, as it is known in their patois, egg, sausage, bacon and a fried slice of toast.
Terry Pratchett (Mort (Discworld, #4; Death, #1))
God, I love your skin.” “My skin?” She glanced uncomprehendingly at her own arm when he rose from nibbling at her. “It’s brown.” “It’s melted chocolate and coffee with cream, exotic as the fucking desert, and so damn erotic. I have wet dreams about you naked on my sheets, your skin smooth and hot from the sun’s rays.” She swallowed, chest heaving. “You make me sound edible.” He purred. “You are.
Nalini Singh (Hostage to Pleasure (Psy-Changeling, #5))
He looks exotic. Maybe Hawaiian or Cuban. He has light caramel skin, jet black hair and eyes to match. And the smile he turns on me? Holy shit. What is this? The land of misfit models?
M. Leighton (Down to You (The Bad Boys, #1))
It was like staring into the face of a familiar stranger. You know, that person you see in a crowd and swear you know, but you really don't? Now she was me - the familiar stranger. She had my eyes. They were the same hazel color that could never decide whether it wanted to be green or brown, but my eyes had never been that big and round. Or had they? She had my hair - long and straight and almost as dark as my grandma’s had been before hers had begun to turn silver. The stranger had my high cheekbones, long, strong nose, and wide mouth - more features from my grandma and her Cherokee ancestors. But my face had never been that pale. I’d always been olive-ish, much darker skinned than anyone else in my family. But maybe it wasn’t that my skin was suddenly so white ... maybe it just looked pale in comparison to the dark blue outline of the crescent moon that was perfectly positioned in the middle of my forehead. Or maybe it was the horrid fluorescent lighting. I hoped it was the lighting. I stared at the exotic-looking tattoo. Mixed with my strong Cherokee features it seemed to brand me with a mark of wildness ... as if I belonged to ancient times when the world was bigger ... more barbaric. From this day on my life would never be the same. And for a moment — just an instant—I forgot about the horror of not belonging and felt a shocking burst of pleasure, while deep inside of me the blood of my grandmother’s people rejoiced.
P.C. Cast
And the purple parted before it, snapping back like skin after a slash, and what it let out wasn't blood but light: amazing orange light that filled her heart and mind with a terrible mixture of joy, terror, and sorrow. No wonder she had repressed this memory all these years. It was too much. Far too much. The light seemed to give the fading air of evening a silken texture, and the cry of a bird struck her ear like a pebble made of glass. A cap of breeze filled her nostrils with a hundred exotic perfumes: frangipani, bougainvillea, dusty roses, and oh dear God, night-blooming cereus... And rising above one horizon came the orange mansion of the moon, bloated and burning cold, while the sun sank below the other, boiling in a crimson house of fire. She thought that mixture of furious light would kill her with its beauty.
Stephen King (Lisey's Story)
She had made Matthew want to smile. With her luminous skin, her exotic cinnamon-colored eyes and quicksilver expressions, Daisy Bowman seemed to have come from an enchanted forest populated with mythical creatures.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
You’re beautiful,” Archer murmured, his husky voice rolling over my skin. He reached up with his other hand to touch the blue streak in my hair. “You’re like a creature from some exotic land that no one has discovered yet.
Nina Lane (Break the Sky)
I could not help staring back, for they made quite a contrast: Kate's pale skin and elegant purple suit, Nadira's dusky skin and exotic fiery sari. "Do we clash?" Nadira said dryly. "We certainly do," said Kate. "Would you like me to move?" "Don't trouble yourself.
Kenneth Oppel (Skybreaker (Matt Cruse, #2))
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
Anne Rivers Siddons (Colony)
She seemed exotic and strange, a mysterious siren with devilish companions and spell-caught whorls that gleamed alluringly all over her pearl skin.
Maggie L. Wood (Auralict (The Divided Realms, #3))
The whiter you were, the better. Even his “exotic” looks were only allowed on television because he had the correct mix of facial features, height, and skin tone. Yet he still stared at Montserrat in surprise and then at Urueta.
Silvia Moreno-Garcia (Silver Nitrate)
For supper Jill cooks a filet of sole, lemony, light, simmered in sunshine, skin flaky brown; Nelson gets a hamburger with wheatgerm sprinkled on it to remind him of a Nutburger. Wheatgerm, zucchini, water chestnuts, celery salt, Familia: these are some of the exotic items Jill's shopping brings into the house. Her cooking tastes to him of things he never had: candlelight, saltwater, health fads, wealth, class.
John Updike (Rabbit Redux (Rabbit Angstrom, #2))
The women were stunning. They were all different races, many of them dark-skinned and exotic,
Marisha Pessl (Night Film)
my parents are Mexican who are not to be confused with Mexican Americans or Chicanos. i am a Chicano from Chicago which means i am a Mexican American with a fancy college degree & a few tattoos. my parents are Mexican who are not to be confused with Mexicans still living in México. those Mexicans call themselves mexicanos. white folks at parties call them pobrecitos. American colleges call them international students & diverse. my mom was white in México & my dad was mestizo & after they crossed the border they became diverse. & minorities. & ethnic. & exotic. but my parents call themselves mexicanos, who, again, should not be confused for mexicanos living in México. those mexicanos might call my family gringos, which is the word my family calls white folks & white folks call my parents interracial. colleges say put them on a brochure. my parents say que significa esa palabra. i point out that all the men in my family marry lighter-skinned women. that’s the Chicano in me. which means it’s the fancy college degrees in me, which is also diverse of me. everything in me is diverse even when i eat American foods like hamburgers, which, to clarify, are American when a white person eats them & diverse when my family eats them. so much of America can be understood like this.
José Olivarez (Citizen Illegal)
I went to the window, opening the pierced shutters to look out over the sleeping city. The moon was waxing and hung half-full like some exotic silver jewel just over the horizon. From the courtyard below rose the scent of jasmine on the cool night air. A slender vine had wound its way up to the balcony, and I reached out, pinching off a single creamy white blossom. I lifted it to my nose, drinking in the thick sweetness of it as it filled my head, sending my senses reeling. There was something narcotic about that jasmine, something carnal and ethereal at the same time. I crushed the petals between my fingers, taking the scent onto my skin. It was not a fragrance to wear alone. It was too rich, too heady, too full of sensuality and promise. It was a fragrance for silken cushions and damp naked flesh and moonlit beds. I rubbed at my fingers, but the scent clung tightly, keeping me company as I sat in the window, listening to a song I had almost forgot and thinking of Gabriel Starke and the five years that stretched barrenly between us.
Deanna Raybourn (City of Jasmine)
Final Disposition Others divided closets full of mother's things. From the earth, I took her poppies. I wanted those fandango folds of red and black chiffon she doted on, loving the wild and Moorish music of them, coating her tongue with the thin skin of their crimson petals. Snapping her fingers, flamenco dancer, she'd mock the clack of castanets in answer to their gypsy cadence. She would crouch toward the flounce of flowers, twirl, stamp her foot, then kick it out as if to lift the ruffles, scarlet along the hemline of her yard. And so, I dug up, soil and all, the thistle-toothed and gray-green clumps of leaves, the testicle seedpods and hairy stems both out of season, to transplant them in my less-exotic garden. There, they bloom her blood's abandon, year after year, roots holding, their poppy heads nodding a carefree, opium-ecstatic, possibly forever sleep.
Jane Glazer
Rich women, including the queen, made themselves additionally beauteous by bleaching their skin with compounds of borax, sulfur, and lead—all at least mildly toxic, sometimes very much more so—for pale skin was a sign of supreme loveliness. (Which makes the “dark lady” of Shakespeare’s sonnets an exotic being in the extreme.)
Bill Bryson (Shakespeare: The World as Stage)
I put a sour cherry pastille on my tongue, but the combination jarred. A meaty, protein taste was called for. With a cool skin, sticky sweet fragrance in the nostrils, the aleatory drip of timeless water echoing in your ears, a limbo beyond the muscle spindles... you become a spiced mummy in a cool chamber beneath the Nile. This salt-surfeited breeze tingling every corpuscle of my skin set me adrift on a cool back eddy near a basser sea... but the wave lap and sibilance of the palm leaves was like the rustle of a costly veil... in what exotic world did a vortex of primary colours drain into the eyes?... did it all make me a taffeted plankter drinking substance from the spectrum of a fractured sun?" -"Cancerous Kisses of Crocodiles
William Scott Home
It was Jaenelle's voice, but... She was medium height, slender, and fair-skinned. Her gold mane--not quite hair and not quite fur--was brushed up and back from her exotic face and didn't hide the delicately pointed ears. In the center of her forehead was a tiny, spiral horn. A narrow strip of gold fur traced her spine, ending in a small gold and white fawn tail that flicked over her bare buttocks. The legs were human and shapely, but changed below the calf. Instead of feet, she had dainty horse's hooves. Her human hands had sheathed claws like a cat's. As she shifted position to slip another shard into place, he saw the small, round breasts, the feminine curve of waist and hips, the dark-gold triangle of hair between her legs. Who...? But he knew. Even before she walked over and looked at him, even before he saw the feral intelligence in those ancient, haunted sapphire eyes, he knew. Terrifying and beautiful. Human and Other. Gentle and violent. Innocent and wise. *I am Witch,* she said, a small, defiant quiver in her voice. *I know.* His voice had a seductive throb in it, a hunger he couldn't control or mask.
Anne Bishop
It was the Gypsy, the boy with the eyes of a hungry panther. He had removed his coat and waistcoat... and his necktie as well... so that his upper half was covered only in a thin white shirt that had been tucked loosely into the waist of his close-fitting trousers. The sight of him elicited the same reaction Daisy had felt upstairs- a swift sting in her chest followed by the rapid pumping of her heart. Paralyzed by the realization that she was alone in the room with him, Daisy watched with unblinking eyes as he approached her slowly. She had never seen any living being who had been fashioned with such dark exotic beauty... his skin the color of raw clover honey, the light hazel of his eyes framed with heavy black lashes, his thick obsidian hair tumbled over his forehead.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I’d met him on OkCupid. He had straw-blond hair, skin perpetually at the end phase of a sunburn. He looked like a SoCal surfer. The entire time we’d messaged back and forth I’d wondered if I was the first black girl he’d ever asked out, if he was checking some kind of box off his list of new and exotic things he’d like to try, like the Korean food in front of us, which he had already given up on.
Yaa Gyasi (Transcendent Kingdom)
Amos Burton was a tall, stocky, pale-skinned man with an amiable smile, an unpleasant past, and a talent for cheerful violence. He left Baltimore to its dynamic balance of crime and law, exotics and mundanity, love and emptiness. The number of people who knew him and loved him could be counted on one hand and leave most of the fingers spare, and when he was gone, the city went on without him as if he had never been.
James S.A. Corey (The Churn (The Expanse, #3.5))
That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
Under a man's hands--crush of his body--exigent breath--I remembered how to perform. Yes when I meant no. Lust or satisfaction or pleasure. Gratitude, as required, knowing that, naked beneath a man's disappointment, there lay this possibility of violence, as pungent and close-fitting as skin. One pound of flesh, paid freely, was preferable to a bloodier extraction. My past roles of sex kitten and hard bitch, blushing penitent, coy exotic, tease: I'd learned, long before this day, that I could play anything to avoid the role of victim.
C Pam Zhang (Land of Milk and Honey)
The studio was filled with candles. Some Escoffier had brought earlier for their luncheon- they were made from beeswax and filled the air with a sweet caramel scent. The rest were Sarah's. There were exotics such as blood orange oil, frankincense and myrrh. The flowers he had picked- roses, peonies and a spray of lilies- opened into full blossom under the heat of so many flames and joined the heady mix. Like dozens of tiny flickering stars, the candles and their scents made the dark night seem even darker, made the cream of her skin seem incandescent.
N.M. Kelby (White Truffles in Winter)
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
The Lonely Astronomer I have slain the stars and hung them like heads of game on heaven's ceiling. The night has become my trophy room, slung with big cats and hippos, rhinos and buffalos and an exotic barasingha, a swampy cabaret star among the celestial jazz singers who, she claims, take liberties with the sacred lyrics and melodies of the spheres. Their eyes twinkle at me, their light ancient, folded in wrinkles of time like a black velvet purse. I wink back and smile. There is an intimate relationship between the suns and the rain, between the slayers and the slain. I run my fingers through their celestial skins, tracing their ley lines, and for a brief moment, linger in the tactile pleasures within.
Beryl Dov
Yes, I'll marry you." And then his hands were in her hair, scattering her hairpins, and his lips were on hers, stealing her breath, and she was touching him- this remarkable man whom she'd loved for so long and who was finally, finally hers. Callie sighed into Ralston's mouth- noting that he tasted of scotch and something more exotic, more male- and a feeling of complete and utter elation coursed through her. This was Ralston, her future husband, and he was making her feel so warm and wonderful and alive. And then he was kissing down the column of her neck, whispering her name like a litany as he lifted her arms over his shoulders and set his lips to the expanse of white skin above the neck of her gown. Callie gasped as his strong hands spread wide across her torso, stealing up to cup her breasts in a gesture of complete and utter possession. "This gown," he said, the words coming thick and liquid, "is sinful." Callie couldn't help her smile as he leaned back to watch her breasts lift against the satin edge of the dress. "Do you think so?" "Indeed. It is made to drive men crazy... to reveal all your luscious curves"- he ran a finger beneath the satin lazily, just far enough to graze the edge of a nipple- "without showing off anything. It's a torturous viewing experience," he added, wickedly, as he pulled the edge of the gown lower, exposing the straining tip of one breast to the cool air and his hot mouth. He suckled briefly, until Callie was writhing against him, then, releasing her, he said, "When we are married, I shall buy you one in every color.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Chapter 28 Genghis Cat Gracing Whatever Shithole This Is, Washington, USA You can all relax now, because I am here. What did you think? I’d run for safety at the whim of a fucking parrot with under-eye bags like pinched scrotums? Did you suspect I—a ninja with feather-wand fastness and laser-pointer focus—had the spine of a banana slug? Then you are a shit-toned oink with the senses of a sniveling salamander. Then you don’t know Genghis Cat. I look around and can see that we are surrounded by The Bird Beasts, those crepe-faced, hair ball–brained fuck goblins. I intensely dislike these lumpy whatthefuckareyous who straddle between the Mediocre Servant and animal worlds, trying to be one thing and really not being, like imitation crabmeat in a sushi log that is really just fucking whitefish and WE ALL KNOW IT. “Would you like a little of the crabmeat, Genghis?” my Mediocre Servants seemed to ask with their blobfish lips and stupid faces. “THAT’S FUCKING WHITEFISH, YOU REGURGITATED MOLES!” I’d yowl, and then I’d steal the sushi log and run off and growl very much so they couldn’t have it back, and later I would pee on their night pillows for good measure. I cannot imagine their lives before me. We mustn’t think of those bleak dark ages. But the Beasts are dangerous. I have watched them morph and chew into a house. I have seen them with spider legs and second stomachs and camouflage skins. I have seen them tear the legs off a horse and steal flight from those with feathers. Orange and I have lost family to their fuckish appetites. But they are still fakish faking beasts and I’m fucking Genghis Cat. They are imitation crab and Genghis is filet mignon Fancy Feast, bitch. Probably I should come clean here and tell you that I’m immortal. I always suspected it but can confirm it now that I have surpassed the allocated nine lives. I’m somewhere around life 884, give or take seventy-eight. Some mousers have called me a god, but I insist on modesty. I also don’t deny it. I might be a god. It seems to fit. It feels right. A stealthy, striped god with an exotically spotted tummy—it seems certain, doesn’t it to you? I’m 186 percent sure at this point. Orange insists we stay away from the Beasts all the time, but I only let Orange think he’s in charge. Orange is incredibly sensitive, despite being the size of a Winnebago. He hand-raised each of my kittens and has terrible nightmares, and I have to knead my paws on him to calm him down. Orange and I have a deal. I will kill anything that comes to harm Orange and Orange will continue to be the reason I purr.
Kira Jane Buxton (Feral Creatures (Hollow Kingdom #2))
Once the purging has taken place, the woman often dreams of a black goddess who becomes her bridge between spirit and body. As one aspect of Sophia, such an image can open her to the mystery of life being enacted in her own body. Her "mysterious and exotic darkness" inspires a particular depth of wonderment and love. For a woman without a positive mother, this "dark" side of the Virgin can bring freedom, the security of freedom, because she is a natural home for the rejected child. The child born from the rejected side of the mother can bring her own rebel to rest in the outcast state of Mary. In loving the abandoned child within herself, a woman becomes pregnant with herself. The child her mother did not nourish, she will now nourish, not as the pure white biblical Virgin who knew no Joseph, but as the dark Montserrat Virgin who presides over "marriage and sex, pregnancy and childbirth." The Black Madonna is nature impregnated by spirit, accepting the human body as the chalice of the spirit. She is the redemption of matter, the intersection of sexuality and spirituality. Connecting to this archetypal image may result in dreams of a huge serpent, mysterious, cold­blooded, inaccessible to human feeling. Seen as an appendage of the negative mother, it is the phallus stolen from the father and used to guard inviolate purity. Yet this same snake, when seen in relation to the moon, symbolizes the dark, impersonal side of femininity and at the same time its capacity to renew itself. The daughter who can come out from under the skin of the negative mother will not perpetuate her but redeem her. The Black Madonna is the patron saint of abandoned daughters who rejoice in their outcast state and can use it to renew the world.
Marion Woodman (The Pregnant Virgin: A Process of Psychological Transformation)
Well, well, do we have a new girl?’ I looked up to see three girls standing behind Tak. The one in the middle was tall and slim with bronzed skin and long shiny black hair and she had that air about her that the popular girls at school back home did. I was instantly wary. Those girls had never been nice to me. ‘Don’t be shy, what’s your name?’ the girl on her left said. Curly red hair framed her perfect face and she put her hands on her ample, curvy hips, waiting for me to answer. ‘Pandora,’ I said quietly. ‘I’m Arketa,’ said the slim girl. ‘And this is Filis and Kiko.’ The red-head, Kiko, cocked her head and gave me an over-the-top smile. ‘We’re Aphrodite descendants.’ That explained why they were so attractive, I thought. ‘You know, you’re not pretty enough to hang out with us but you’re better than these losers,’ Filis said. She was shorter than the other two, with rich brown hair and an exotic looking face with full pouty lips.
Eliza Raine (Olympus Academy: The Complete Collection)
My whole life people have wondered "what" I am, what race or nationality. ... It's happened again and again: someone looking at me furtively, or calling me "exotic" and asking me "What's your heritage?" Once when I was making a purchase in a department store, the white salesman behind the counter was too nervous or too polite to ask--most likely not wanting to offend a white woman by assuming that she was anything but white. He needed to write on the back of my check the additional identifying information required back then: race and gender. Hesitating, his pen hovering, he tried to look at me without my notice. I watched his face as he deliberated after a second and third glance at my features, my straight, fine hair, my skin color and clothing. He must have considered, too, how I had spoken and whether any of those factors matched his notions of certain people--black people. I stood there and said nothing as he scribbled the letters WF, the designation for white female. In the same week, with a different clerk, I had been given the designation BF. That time I had not been alone: I had been standing in line at the grocery store with a friend who is black.
Natasha Trethewey (Memorial Drive: A Daughter's Memoir)
Diddy, not really alive, had a life. Hardly the same. Some people are their lives. Others, like Diddy, merely inhabit their lives. Like insecure tenants, never knowing exactly the extent of their property or when the lease will expire. Like unskilled cartographers, drawing and redrawing erroneous maps of an exotic continent. Eventually, for such a person, everything is bound to run dow. The walls sag. Empty spaces bulge between objects. The surfaces of objects sweat, thin out, buckle. The hysterical fluids of fear deposited at the core of objects ooze out along the seams. Deploying things and navigating through space becomes laborious. Too much effort to amble from kitchen to living room, serving drinks, turning on the hi-fi, pretending to be cheerful . . . Everything running down: suffusing the whole of Diddy's well-tended life. Like a house powered by one large generator in the basement. Diddy has an almost palpable sense of the decline of the generator's energy. Or, of the monstrous malfunctioning of that generator, gone amok. Sending forth a torrent of refuse that climbs up into Diddy's life, cluttering all his floor space and overwhelming his pleasant furnishings, so that he's forced to take refuge. Huddle in a narrow corner. But however small the space Diddy means to keep free for himself, it won't remain safe. If solid material can't invade it, then the offensive discharge of the failing or rebellious generator will liquefy; so that it can travel everywhere, spread like a skin. The generator will spew forth a stream of crude oil, grimy and malodorous, that coats all things and persons and objects, the vulgar as well as the precious, the ugly as well as what little still remains beautiful. Befouling Diddy's world and rendering it unusable. Uninhabitable. This deliquescent running-down of everything becomes coexistent with Diddy's entire span of consciousness, undermines his most minimal acts. Getting out of bed is an agony unpromising as the struggles of a fish cast up on the beach, trying to extract life from the meaningless air. Persons who merely have a life customarily move in a dense fluid. That's how they're able to conduct their lives at all. Their living depends on not seeing. But when this fluid evaporates, an uncensored, fetid, appalling underlife is disclosed. Lost continents are brought to view, bearing the ruins of doomed cities, the sparsely fleshed skeletons of ancient creatures immobilized in their death throes, a landscape of unparalleled savagery.
Susan Sontag (Death Kit)
Their Graces bought me, you know. They’d acquired my brother Devlin the year before, and my mother, inspired by this development, threatened to publish all manner of lurid memoirs regarding His Grace.” Acquired her brother? As if he were a promising yearling colt or an attractive patch of ground? “You are going to burden me with the details of your family past, I take it?” “You are the man who glories in details.” Without the least rude inflection, she made it sound like a failing. “My point is that my mother sold me. She could just as easily have sold me to a brothel. It’s done all the time. Unlike your sisters, Mr. Hazlit, I do not take for granted the propriety with which I was raised. You may ignore it if you please; I will not.” She had such a lovely voice. Light, soft, lilting with a hint of something Gaelic or Celtic… exotic. The sound of her voice was so pretty, it almost disguised the ugliness of her words. “How old were you?” “Five, possibly six. It depends on whether I am truly Moreland’s by-blow or just a result of my mother’s schemes in his direction.” Six years old and sold to a brothel? The food he’d eaten threatened to rebel. “I’m… sorry.” For calling her a dollymop, for making her repeat this miserable tale, for what he was about to suggest. She turned her head to regard him, the slight sheen in her eyes making him sorrier still. Sorrier than he could recall being about anything in a long, long time. Not just guilty and ashamed, but full of regret—for her. The way he’d been full of regret for his sisters and powerless to do anything but support them in their solitary struggles. He shoved that thought aside, along with the odd notion that he should take Magdalene Windham’s hand in some laughable gesture of comfort. He passed her his handkerchief instead. “This makes the stated purpose of my call somewhat awkward.” “It makes just about everything somewhat awkward,” she said quietly. “Try a few years at finishing school when you’re the daughter of not just a courtesan—there are some of those, after all—but a courtesan who sells her offspring. I realized fairly early that my mother’s great failing was not a lack of virtue, but rather that she was greedy in her fall from grace.” “She exploited a child,” Hazlit said. “That is an order of magnitude different from parlaying with an adult male in a transaction of mutual benefit.” “Do you think so?” She laid his handkerchief out in her lap, her fingers running over his monogrammed initials. “Some might say she was protecting me, providing for me and holding the duke accountable for his youthful indiscretions.” Despite her mild tone, Hazlit didn’t think Miss Windham would reach those conclusions. She might long to, but she wouldn’t. By the age of six a child usually had the measure of her caretakers. And to think of Maggie Windham at six… big innocent green eyes, masses of red hair, perfect skin… in a brothel. “I
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Her enormous eyes were staring straight into his silver ones. He couldn’t look away, couldn’t let go of her hand. He couldn’t have moved if his life depended on it. He was lost in those blue-violet eyes, somewhere in their mysterious, haunting, sexy depths. What was it he had decided? Decreed? He was not going to allow her anywhere near Peter’s funeral. Why was his resolve fading away to nothing? He had reasons, good reasons. He was certain of it. Yet now, drowning in her huge eyes, his thoughts on the length of her lashes, the curve of her cheek, the feel of her skin, he couldn’t think of denying her. After all, she hadn’t tried to defy him; she didn’t know he had made the decision to keep her away from Peter’s funeral. She was including him in the plans, as if they were a unit, a team. She was asking his advice. Would it be so terrible to please her over this? It was important to her. He blinked to keep from falling into her gaze and found himself staring at the perfection of her mouth. The way her lips parted so expectantly. The way the tip of her tongue darted out to moisten her full lower lip. Almost a caress. He groaned. An invitation. He braced himself to keep from leaning over and tracing the exact path with his own tongue. He was being tortured. Tormented. Her perfect lips formed a slight frown. He wanted to kiss it right off her mouth. “What is it, Gregori?” She reached up to touch his lips with her fingertip. His heart nearly jumped out of his chest. He caught her wrist and clamped it against his pumping heart. “Savannah,” he whispered. An ache. It came out that way. An ache. He knew it. She knew it. God, he wanted her with every cell in his body. Untamed. Wild. Crazy. He wanted to bury himself so deep inside her that she would never get him out. Her hand trembled in answer, a slight movement rather like the flutter of butterfly wings. He felt it all the way through his body. “It is all right, mon amour,” he said softly. “I am not asking for anything.” “I know you’re not. I’m not denying you anything. I know we need to have time to become friends, but I’m not going to deny what I feel already. When you’re close to me, my body temperature jumps about a thousand degrees.” Her blue eyes were dark and beckoning, steady on his. He touched her mind very gently, almost tenderly, slipped past her guard and knew what courage it took for her to make the admission. She was nervous, even afraid, but willing to meet him halfway. The realization nearly brought him to his knees. A muscle jumped in his jaw, and the silver eyes heated to molten mercury, but his face was as impassive as ever. “I think you are a witch, Savannah, casting a spell over me.” His hand cupped her face, his thumb sliding over her delicate cheekbone. She moved closer, and he felt her need for comfort, for reassurance. Her arms slid tentatively around his waist. Her head rested on his sternum. Gregori held her tightly, simply held her, waiting for her trembling to cease. Waiting for the warmth of his body to seep into hers. Gregori’s hand came up to stroke the thick length of silken, ebony hair, taking pleasure in the simple act. It brought a measure of peace to both of them. He would never have believed what a small thing like holding a woman could do to a man. She was turning his heart inside out; unfamiliar emotions surged wildly through him and wreaked havoc with his well-ordered life. In his arms, next to his hard strength, she felt fragile, delicate, like an exotic flower that could be easily broken. “Do not worry about Peter, ma petite,” he whispered into the silken strands of her hair. “We will see to his resting place tomorrow.” “Thank you, Gregori,” Savannah said. “It matters a lot to me.” He lifted her easily into his arms. “I know. It would be simpler if I did not. Come to my bed, chérie, where you belong.
Christine Feehan (Dark Magic (Dark, #4))
The guy was crazy handsome in an exotic way. His skin was a rich brown, neither dark nor light. In stark contrast, his eyes were the palest shade of blue I’d ever seen. They were two translucent aquamarine orbs that complemented a perfectly formed nose, well-defined eyebrows, and luscious lips. His dark hair was clipped tight, but would probably curl if allowed to grow. And then there were his arms. Every time he moved, his sleeves lifted past his bulging biceps and defined triceps.
Rachel Blaufeld (Vérité (Love at Center Court, #1))
I dropped my gaze, then peeked up to study him more. His skin was swarthy, and his black eyes had a fiery light. He wore a sapphire-blue waistcoat with exotic birds sewn all over it, and on his fingers, several jewelled rings.
Barbara Lynn-Davis (Casanova's Secret Wife)
The restaurant owner brought them wine, pale and golden and cool. There were just four oysters each, and when they were all gone they turned their attention to the cecinella. After the soft shapeless texture of the oysters these were almost the opposite: hard, crunchy skeletons whose flavor was all on the outside, a crisp bite of garlic and peperone that dissolved to nothing in your mouth. The ricci, or sea urchins, were another taste again, salty and exotic and rich. It was hard to believe that he had once thought they could be an austerity measure. After that they were brought without being asked a dish of baby octopus, cooked with tomatoes and wine mixed with the rich, gamey ink of a squid. For dessert the owner brought them two peaches. Their skins were wrinkled and almost bruised, but the flesh, when James cut into it with his knife, was unspoiled and perfectly ripe, so dark it was almost black. He was about to put a slice into his mouth when Livia stopped him. "Not like that. This is how we eat peaches here." She cut a chunk from the peach into her wine, then held the glass to his lips. He took it, tipping the wine and fruit together into his mouth. It was a delicious, sensual cascade of sensations, the sweet wine and the sweet peach rolling around his mouth before finally, he had to bite it, releasing the fruit's sugary juices. It was like the oyster all over again, a completely undreamt-of experience, and one that he found stirringly sexual, in some strange way that he couldn't have defined.
Anthony Capella (The Wedding Officer)
She watched as her sister appeared at the kitchen door and, as always, was struck by her beauty; while she was blonde and fair-skinned, Julia was dark and exotic. Her thick mane of mahogany hair framed her fine-featured face, the weight she had recently lost only serving to highlight her luminous, almond-shaped, amber eyes and high cheekbones.
Lucinda Riley (The Orchid House)
They don’t go in for the fancy or exotic, but stick to conventional food like flightless bird embryos, minced organs in intestine skins, slices of hog flesh and burnt ground grass seeds dipped in animal fats; or, as it is known in their patois, egg, soss and bacon and a fried slice.
Terry Pratchett (Mort (Discworld, #4))
Gerald and I saw the Azore Islands, Talcahuano, Tumbez, San Francisco, and Nome from afar while the captain and officers rowed to shore for fresh food and fresh whalers. Even at Nome, not two days ago, Gerald and I watched the Alaskan town from the ship. We saw Talcahuano at night, the town alive with lights and torches. We heard music across the water. People celebrated an event on shore. We thought it might be a wedding. We imagined walking the clay, brick roads, ordering crabs and clams near the sea, sampling the local exotic fruits and plants growing in their vibrant colors and prickly skins, and of course, seducing the dark- skinned indigenous women emanating macadamia oil, musk, and leafy air. Merihim laughed at our children’s eyes and said to act like men, not like guttersnipes at a bakery window.
Lily H. Tuzroyluke (Sivulliq: Ancestor)
My high-waisted peach pants were loose and billowing, gathered at the ankles with velvet cuffs of bright gold. The long sleeves of the matching top were made of gossamer, also gathered at the wrists, and the top itself hung just to my navel, revealing a sliver of skin as I walked. Comfortable, easy to move in- to run. Feminine. Exotic.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The idea of bringing someone to the ultimate euphoria made my skin tingle.
Shanel (Exotic Love: An Erotic Novella)
Kitty, I am sorry if I misled you but..." "Oh, shut up." She rolled her eyes and slid next to him placing her mouth on his ear. Evan groaned as he felt her fingers on the tent at his pants. The scent of her skin hit his nostrils like sweet, exotic perfume and right then he longed to bury his head in her shoulder, to eat her out and make her cum before he fucked her ass. "I know what you need and all those filthy things you crave to do with her. Punish her, claim her as really yours, fuck her till she screams, make her beg on her hands and knees.
Lilah E. Noir (Stroker Ace)
Thomas Bowman had a contentious relationship with both his daughters, alternately ignoring them and subjecting them to harsh criticisms. The older daughter Lillian responded to Bowman with surly impudence. But Daisy, the fifteen year-old, regarded her father in a speculative, rather cheerful way that seemed to annoy him beyond his ability to bear. She had made Matthew want to smile. With her luminous skin, her exotic cinnamon-colored eyes and quicksilver expressions, Daisy Bowman seemed to have come from an enchanted forest populated with mythical creatures. It had immediately become apparent to Matthew that any conversation Daisy took part in was apt to veer into unexpected and charming directions. He had been secretly amused when Thomas Bowman had chastised Daisy in front of everyone for her latest mischief. It seemed that the Bowman household had lately become overrun with mice because all the traps they set had failed. One of the servants had reported that Daisy had been sneaking around the house at night, deliberately tripping all the traps to keep the mice from being killed. “Is this true, daughter?” Thomas Bowman had rumbled, his gaze filled with ire as he stared at Daisy. “It could be,” she had allowed. “But there is another explanation.” “And what is that?” Bowman had asked sourly. Her tone turned congratulatory. “I think we are hosting the most intelligent mice in New York!” From that moment on Matthew had never refused an invitation to the Bowman mansion, not just because it pleased the old man but because it gave him the chance to see Daisy. He had collected as many stolen glances as possible, knowing it was all he would ever have of her. And the moments he had spent in her company, regardless of her cool politeness, had been the only times in his life he had come close to happiness.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
January 2013 Continuation of Andy’s Message (part two)   …It was great to skinny dip in such a beautiful environment. It was difficult not to fall prey to these two attractive, brown-skinned boys with their enticing brown eyes, exotic smiles and seductive charms. In turn, they found my masculinity irresistible. That evening we frolicked under the silvery moon.               Amidst the gentle rolling waves, we lay on the shoreline. I was in heaven when they enveloped me in a dizzying spell of unbridled resignation. Both of them took turns lapping at the fiber of my existence, teasing and caressing my engorgement with agile dexterity. I could no longer hold off my essence and sprayed on their faces. We shared my dripping rivulets in a passionate three-way kiss. When they continued suckling my penis, I was steered back to life. I had to possess their tenderness. I took turns pleasuring their puckering fissures as they begged for my stiffness with irrepressible gusto. Boy, did they love my proclivity! The louder their groans, the harder I pounded. When I withdrew from one, the other was poised for insertion. They couldn’t get enough of my onslaught. I was in ecstasy as I whisked back and forth between these two insatiable accomplices.               The more acute my plundering, the more uncontrollable their hardness throbbed. Anak, no longer able to withhold his enthusiasm, spewed into Taer’s throat while I plucked away at his friend’s rucking furrow. Taer’s twitching tightness had me deposit my fill into his receiving orifice. Anak wasted no time in devouring the oozing drippage around my pulsating phallus, still enshrouded within his buddy’s tunnel.               To pleasure himself, the unquenchable Taer wanted my bobbing organ down his throat. I obliged. In a trancelike delirium, the Filipino released jets of potent effusions onto his slender abdomen. Our tongues swirled in erotic kisses as we shared our libations in frantic elation.               Unwilling to relinquish this enchanted evening, we dove into the shimmering ocean, only to emerge rejuvenated, ready to resume the sequel of our sexcapade.
Young (Turpitude (A Harem Boy's Saga Book 4))
She raised the shovel, ready to plunge it into the soft soil. "I am not afraid. I am not." "You should be." A sinister, accented voice pierced her consciousness. The shovel fell from her nerveless fingers, thudding onto the cold ground. Cassandra knew that voice; it had the rich, dark cadence that had haunted her dreams since the night she'd first met him. She spun around, the hood of her cloak falling to her shoulders. Rafael Villar stepped out from behind a mausoleum. The shadows embraced his bronze skin, obscuring the scars on the left side of his face while moonlight highlighted his exotic Mediterranean features on the right.... "You! You've been the one disturbing my people?
Brooklyn Ann (Bite at First Sight (Scandals with Bite, #3))
She raised the shovel, ready to plunge it into the soft soil. “I am not afraid. I am not.” “You should be.” A sinister, accented voice pierced her consciousness. The shovel fell from her nerveless fingers, thudding onto the cold ground. Cassandra knew that voice; it had the rich, dark cadence that had haunted her dreams since the night she’d first met him. She spun around, the hood of her cloak falling to her shoulders. Rafael Villar stepped out from behind a mausoleum. The shadows embraced his bronze skin, obscuring the scars on the left side of his face while moonlight highlighted his exotic features on the right. Known
Brooklyn Ann (Bite at First Sight (Scandals with Bite, #3))
Slowly, as though touching it might destroy the image, he reached up and put trembling fingers to her forehead . . . her cheek . . . her nose . . . her lips.  The image did not go away.  It did not waver.  And as he stared in wonder and a sort of frozen disbelief, he saw the shyness and joy in the face that stared back at him. A face that he was, after two long months, seeing for the very first time. He saw a square jaw and high, prominent cheekbones that lent her a look of gauntness and strength; dark, velvety-brown eyes fringed by long black lashes; a shy and smiling mouth; full, dusky lips; and glossy hair the color of strong coffee, tightly braided and pinned in a coronet around her head.  She was beautiful, even if not in the conventional sense, striking, slightly exotic, with flawlessly smooth skin of a slightly bronzed tone, not unlike that of a sailor who's spent his life in the sun. It was a lovely color. A warm, toasted, caramel-color that made him want to put his lips to it and kiss her all over. "Amy," he repeated, in a disbelieving whisper.  "I can see you."  He swallowed hard, and traced the shape of her mouth with his fingers.  "I can see you." And he could also see something else.  Mist in those huge, soft eyes — and a sort of awkwardness, if not fear, about his first visual impression of her. "And just what is it you see, Charles?" "I see a beautiful young woman — " he grinned — "garbed in the most singularly hideous gown imaginable." "Oh, Charles," she cried, impulsively flinging her arms around him.  He embraced her in turn.  They remained like that, holding each other, both of them laughing and rejoicing and rocking back and forth in the straw. "It was that damned horse!" he managed, setting her back to gaze into her rapt, mobile face.  "The blow must've done something, must've jarred something loose inside my head.  Don't you think?" "Either that, or your sight was just plain destined to return anyhow.  Maybe God simply decided that the time had come for you to have it back again." "So that I could see you!" "So you could write your own letters!" "So I could find my way without a cane!" Laughing with joy, he hugged her once more, then set her back, trailing his finger down her cheek, the edge of her jaw.  Gently, he tipped her chin up so that her luminous gaze held his.  "And look into the eyes of the woman who has become my dearest and very best friend." And look he did; then, before he even knew what he was about, he closed his eyes and kissed her. Unlike
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
I’m furious with you,” he said almost idly. Curled in his arms, warm and safe with his heart beating steadily beneath her cheek, it was difficult to take his displeasure seriously. “Why?” “You left without saying goodbye this afternoon.” In the lightless, confined cabin, his Scottish accent seemed impossibly exotic, so much more noticeable than in the light of day. She buried her face in his brocade waistcoat and felt his hand rest on her coiled hair. If they weren’t careful, all Lise’s hard work would go for nothing and Campion would emerge from the carriage looking like she’d run through a hurricane. The spicy essence of lemon soap and Lachlan’s skin filled her senses. “I couldn’t bear to tell you that it was our last afternoon together.” He tensed against her and his heart kicked into a faster rhythm. “Last?” She raised her head. Her vision had adjusted enough for her to see the glitter of his eyes. “My aunt is sending me back to Sussex tomorrow.” “Damn it, Campion, you should have told me.” His embrace firmed as he pressed her closer. “I had things to say to you today. Important things.” Happiness had fluttered inside her like fledgling birds since she’d seen him. His somber tone pricked at her elation. “I suppose you want me to leave my aunt’s home and stay in London as your mistress,” she said flatly. He thrust her back against the seat so hard that she bounced. She flinched beneath his blistering anger as his hands tightened on her shoulders. “Of course I wasn’t going to say that, you lovely fool.” She hardly heard him. “I know I’m provincial and poor, but I’m proud of the Parnell name. My parents were fine people who loved me. I can’t bring shame upon their memory by accepting your carte blanche.” She blinked away the prickling rush of moisture. For a fleeting instant tonight, she’d imagined that she was done with tears, at least until Christmas Eve turned into Christmas Day. “Whatever else I might choose to do if there were no other considerations.” “So are you saying that you’d like to be my mistress?” he asked slowly, in a tone she couldn’t interpret. She shrugged unhappily and risked the truth. “I don’t want to leave you.” His sigh expressed temper. “Yet you did leave me.” “Lachlan, don’t be angry. Not tonight.” She framed his face with her hands, although it was too dark to see his expression. He’d recently shaved. His skin was smoother than it had been this afternoon. “I know I was a coward, but it seemed easier on both of us if I just disappeared.” “Did it indeed?” The muscles of his cheeks were taut under her palms, but his question sounded merely curious. “I thought that was the last time I’d ever see you.
Anna Campbell (A Grosvenor Square Christmas)
Gerry reached up to smooth a bit of that snowy mane. The strands slipped through his fingers like silk to reveal a witch's mark, a spiral of olive-green stones that seemed to be a part of Ghost’s very forehead, shining against the translucent skin. Gerry had seen such marks before, peculiar glyphs burned into a witch's skin in vibrant jewel-tone inks to offer protection or enhance their power, or so the witches claimed. This was the first time he had seen actual jewels used, though. He thought it was beautiful, exotic like all of Ghost, with that white hair and those ice blue eyes. Gerry returned to admiring the peaceful face resting on his shoulder.
Morwen Navarre (Ghost's Sight (Ghost's Sight #1))
He jumped lightly to the ground and turned to help Ada down. He lifted her, his hands around her waist. Mercy, but the woman felt good in his arms. Smelled good too, like warm skin and some kind of exotic flower.
Dorothy Love (Beyond All Measure (Hickory Ridge, #1))
The room was dim, the windows shuttered. Several candles illuminated Lord Golden standing with his back to me. He wore a sheet from his bed like a cape. He glanced at me over his shoulder and someone I had never met looked out of those golden eyes. When I was three steps into the room, he said quietly, “Stan there, please.” With one hand, he lifted his hair up and out of the way to bare the nape of his neck. The sheet fell away from his naked back, but his free hand continued to clutch it to his chest. I gasped and took an inadvertent step closer. He inched away but then stood his ground. In a small, shaken voice, he asked, “The Narcheska’s tattoos. Were they like this?” “May I come closer?” I managed to say. I didn’t really need to. If his tattoos were not identical to hers, then they were at the least extremely similar. He nodded jerkily, and I took another step into the room. He did not look at me but stared off into a dim corner. The room was not cold, but he was shivering. The exotic needling began at the nape of his neck and covered every part of his back before vanishing beneath the waistband of his leggings. The twining serpents and wingspread dragons sprawled in exquisite detail over his smooth back. The shining colors had a metallic gleam to them, as if gold and silver had been forced under his skin to illuminate them. Every claw and scale, every shining tooth and flashing eye, was perfect. “They are very alike,” I managed to say at last. “Save that yours lie flat to your skin. One of hers, the largest serpent, stood swollen from her back as if inflamed. And it seemed to cause her great pain.” He drew in a shuddering breath. His teeth were near to chattering as he observed bitterly, “Well. Just when I thought there was no way she could increase her cruelty, she finds one. That poor, poor child.” “Does yours hurt?” I asked cautiously. He shook his head, still without looking at me. Some of his hair fell free of his grasp to brush across his shoulders. “No. Not now. But the application of them was extremely painful. And of great duration. They held me very still, for hours at a time. They apologized and tried to comfort me as they did. That only made it worse, that people who otherwise treated me with love and regard could do that to me. They were meticulously careful to needle them in just as she instructed them. It is a horrible thing to do to a child. Hold him still and hurt him. Any child.
Robin Hobb (Golden Fool (Tawny Man, #2))
Matteo blinked at her as if he hadn't heard a word she'd said. Arthie scowled. "I don't take well to being stared at. I believe I'm called *exotic* in your tongue, if you didn't know." "My tongue is quite capable, darling," Matteo assured her. Something prickled in Arthie's chest. "And I'm more than happy to demonstrate." He leaned down, green eyes ablaze as they dropped to the exposed stretch of her collarbone. He worked his jaw, and she caught a peek of his tongue between his parted lips. "You are utterly dazzling, Arthie. Exquisite. A sight to behold because of that brilliant brain of yours." It was rare to hear praise for her intellect. It was only ever treated as something that was overgrown to the point of recklessness; she was always told she was too cunning, too corrupt. Never brilliant. He gave her one last look, adjusted the fold of the sari over her shoulder while searing her bare skin with liquid fire, and left.
Hafsah Faizal (A Tempest of Tea (Blood and Tea, #1))
We have increased our population to the level of 7 billion and beyond. We are well on our way toward 9 billion before our growth trend is likely to flatten. We live at high densities in many cities. We have penetrated, and we continue to penetrate, the last great forests and other wild ecosystems of the planet, disrupting the physical structures and the ecological communities of such places. We cut our way through the Congo. We cut our way through the Amazon. We cut our way through Borneo. We cut our way through Madagascar. We cut our way through New Guinea and northeastern Australia. We shake the trees, figuratively and literally, and things fall out. We kill and butcher and eat many of the wild animals found there. We settle in those places, creating villages, work camps, towns, extractive industries, new cities. We bring in our domesticated animals, replacing the wild herbivores with livestock. We multiply our livestock as we've multiplied ourselves, operating huge factory-scale operations involving thousands of cattle, pigs, chickens, ducks, sheep, and goats, not to mention hundreds of bamboo rats and palm civets, all confined en masse within pens and corrals, under conditions that allow those domestics and semidomestics to acquire infectious pathogens from external sources (such as bats roosting over the pig pens), to share those infections with one another, and to provide abundant opportunities for the pathogens to evolve new forms, some of which are capable of infecting a human as well as a cow or a duck. We treat many of those stock animals with prophylactic doses of antibiotics and other drugs, intended not to cure them but to foster their weight gain and maintain their health just sufficiently for profitable sale and slaughter, and in doing that we encourage the evolution of resistant bacteria. We export and import livestock across great distances and at high speeds. We export and import other live animals, especially primates, for medical research. We export and import wild animals as exotic pets. We export and import animal skins, contraband bushmeat, and plants, some of which carry secret microbial passengers. We travel, moving between cities and continents even more quickly than our transported livestock. We stay in hotels where strangers sneeze and vomit. We eat in restaurants where the cook may have butchered a porcupine before working on our scallops. We visit monkey temples in Asia, live markets in India, picturesque villages in South America, dusty archeological sites in New Mexico, dairy towns in the Netherlands, bat caves in East Africa, racetracks in Australia – breathing the air, feeding the animals, touching things, shaking hands with the friendly locals – and then we jump on our planes and fly home. We get bitten by mosquitoes and ticks. We alter the global climate with our carbon emissions, which may in turn alter the latitudinal ranges within which those mosquitoes and ticks live. We provide an irresistible opportunity for enterprising microbes by the ubiquity and abundance of our human bodies. Everything I’ve just mentioned is encompassed within this rubric: the ecology and evolutionary biology of zoonotic diseases. Ecological circumstance provides opportunity for spillover. Evolution seizes opportunity, explores possibilities, and helps convert spillovers to pandemics.
David Quammen (Spillover: Animal Infections and the Next Human Pandemic)
Again, I violated venture-capital rules, bringing in as new CEO a friend and former LEK consultant, Robin Field, who had no experience in Filofax’s industry (we look at LEK Consulting below). His mission, I said, was to make Filofax a star again and slash costs. Apart from that, I told him, I had no idea what to do. Robin found that the product line had expanded beyond all control. ‘The same basic binder,’ he said, ‘was available in a bewildering variety of sizes and huge assortment of - mainly exotic - skins. I don’t know what a karung is, but I inherited an awful lot of its skin in 1990. Similarly, name a subject - bridge, chess, photography, bird watching, windsurfing, whatever. Filofax had commissioned specialist inserts, had tens of thousands printed, and put them into the warehouse. The result, of course, was not only a huge overhang of worthless stock, not only an administrative burden of vast complexity, but also total confusion among our retailers.
Richard Koch (The Star Principle: How it can make you rich)
The people around us seem to be dressed in every kind of clothing from every nation and era in human history. I see people dressed in modern military uniforms, animal skins, togas, tribal regalia, European and Japanese armor, robes, breeches, long dresses, short dresses, and suits. Some people wear not much clothing at all. It's as though we're on the back lot of a movie studio and actors from a hundred different exotic movies mingle together. But these people are real, not costumed performers.
John C. Maxwell (Wisdom from Women in the Bible: Giants of the Faith Speak into Our Lives (Giants of the Bible))
Zoey hesitated then took pity on her. “Zoey.” She reached down to snag the frozen vegetables that had fallen off the girl’s leg and replaced the bag. “It’s a pretty name.” “It’s awful. I’m the last one called for everything,” Zoey replied. The young woman smiled faintly. “I’m Chrissy.” The woman was around Zoey’s age, tall, with cocoa skin and an exotic tilt to her eyes. She was pretty enough to be a Halfling or Succubus, without the glow of sex energy.
Lizzy Ford (Zoey Rogue (Incubatti Book 1))
The brutality of language conceals the banality of thought and, with certain major exceptions, is indistinguishable from a kind of conformism. Cities, once the initial euphoria of discovery had worn off, were beginning to provoke in her a kind of unease. in New York, there was nothing, deep down, that appealed to her in the mixture of puritanism and megalomania that typified this people without a civilization. What helps you live, in times of helplessness or horror? The necessity of earning or kneading, the bread that you eat, sleeping, loving, putting on clean clothes, rereading an old book, the smell of ripe cranberries and the memory of the Parthenon. All that was good during times of delight is exquisite in times of distress. The atomic bomb does not bring us anything new, for nothing is more ancient than death. It is atrocious that these cosmic forces, barely mastered, should immediately be used for murder, but the first man who took it into his head to roll a boulder for the purpose of crushing his enemy used gravity to kill someone. She was very courteous, but inflexible regarding her decisions. When she had finished with her classes, she wanted above all to devote herself to her personal work and her reading. She did not mix with her colleagues and held herself aloof from university life. No one really got to know her. Yourcenar was a singular an exotic personage. She dressed in an eccentric but very attractive way, always cloaked in capes, in shawls, wrapped up in her dresses. You saw very little of her skin or her body. She made you think of a monk. She liked browns, purple, black, she had a great sense of what colors went well together. There was something mysterious about her that made her exciting. She read very quickly and intensely, as do those who have refused to submit to the passivity and laziness of the image, for whom the only real means of communication is the written word. During the last catastrophe, WWII, the US enjoyed certain immunities: we were neither cold nor hungry; these are great gifts. On the other hand, certain pleasures of Mediterranean life, so familiar we are hardly aware of them - leisure time, strolling about, friendly conversation - do not exist. Hadrian. This Roman emperor of the second century, was a great individualist, who, for that very reason, was a great legist and a great reformer; a great sensualist and also a citizen, a lover obsessed by his memories, variously bound to several beings, but at the same time and up until the end, one of the most controlled minds that have been. Just when the gods had ceased to be, and the Christ had not yet come, there was a unique moment in history, between Cicero and Marcus Aurelius, when man stood alone. We know Yourcenar's strengths: a perfect style that is supple and mobile, in the service of an immense learnedness and a disabused, decorative philosophy. We also know her weakness: the absence of dramatic pitch, of a fictional progression, the absence of effects. Writers of books to which the work ( Memoirs of Hadrian ) or the author can be likened: Walter Pater, Ernest Renan. Composition: harmonious. Style: perfect. Literary value: certain. Degree of interest of the work: moderate. Public: a cultivated elite. Cannot be placed in everyone's hands. Commercial value: weak. People who, like her, have a prodigious capacity for intellectual work are always exasperated by those who can't keep us with them. Despite her acquired nationality, she would never be totally autonomous in the US because she feared being part of a community in which she risked losing her mastery of what was so essential to her work; the French language. Their modus vivendi could only be shaped around travel, accepted by Frick, required by Yourcenar.
Josyane Savigneau (Marguerite Yourcenar, l'invention d'une vie)
In the Ondariva gardens the branches spread out like the tentacles of extraordinary animals, and the plants on the ground opened up stars of fretted leaves like the green skins of reptiles, and waved feathery yellow bamboos with a rustle like paper. From the highest tree Cosimo, in his yearning to enjoy to the utmost the unusual greens of this exotic flora and its different lights and different silence, would let his head drop upside down, so that the garden became a forest, a forest not of this earth but a new world in itself.
Italo Calvino (The Baron in the Trees)
Who was that? Gorgeous red hair. There wasn’t a single lock of black in it. A slender build, so different from the curvaceous Alethi. A silken blue dress, simple yet elegant. Pale skin—it almost had a Shin look to it—matched by light blue eyes. A slight dusting of freckles under the eyes, giving her an exotic cast. The young woman seemed to glide through the room. Adolin twisted about, watching her pass. She was so different.
Brandon Sanderson (The Stormlight Archive, Books 1-3: The Way of Kings, Words of Radiance, Oathbringer)
First and foremost, I am experiencing much better sleep, and I am actually dreaming vividly almost every night now! This began happening during the FIRST WEEK of use! I used to have dreams like this when I was a kid, but before using this appliance, not in YEARS! I am sleeping all the way through the night as well. I am so much more awake and alert in the mornings, and all the way throughout the day, for that matter. As for the side effects, I am seeing my skin glowing, my eyes are brighter, and the bags under my eyes are gone! I feel like my circulation all around is much better, and I do not “gasp” for air anymore. Before, I would take [various brand-named allergy medications], nasal spray and gels, humidifiers, tea kettles, exotic muds and salves—you name it! Nothing would prevent me from going to bed fine and waking up stuffed up like hell and feeling like I was going to suffocate! Oh, and that is during NON-allergy season. During allergy season (or a bad allergy day), I would just be stuffed up constantly and medicate myself to the point of exhaustion. Now, I take nothing. I now sleep all the way through the night, and I wake up renewed and refreshed. I was skeptical trying this out. I had braces in the past and did not offer any resistance to the plan to remove two of my front teeth and “shrink” my upper jaw, effectively shrinking the “tiger’s cage” too small to allow normal growth or function. When seeing Dr. Liao, he saw this right away and recommended strongly that I be tested for a narrowed airway. I did not come for this: I came to have mercury amalgam fillings removed, so I was unsure. Dr. Liao took the time to explain to me that, despite my legitimate concern about the fillings, my priority should be to open the airway that had become so narrow that it, unbeknownst to me, affected almost every area of my life. … I opted to have both upper and lower appliances made to increase the size of my jaws, and braces and two false teeth installed later on to hold the shape of my new bite pattern. This was to take place over the course of two to three years’ time, and was to cost a significant amount of money. The appliance(s) began to work immediately, and since they are to be adjusted weekly (easily by us right at home with a small tool provided), they continue to open the airway more and more every day, allowing me to experience these results to an even greater degree as I go. I even had a flight recently to California (from Virginia), and I had NO ear pain or discomfort! I used to have to take a bunch of pills and wear [earplugs for airplane travel], and it would STILL kill my ears to fly, but not now. I never knew that I was being deprived of the oxygen I needed to thrive, but now that I am experiencing it for the first time in my adult life, I regret not looking into having this done YEARS ago! I highly recommend this to anyone who feels stuffed up in the morning, tired and groggy all day, or any of the plethora of other symptoms associated with a narrowed airway. Thank you, Dr. Liao!
Felix Liao (Six-Foot Tiger, Three-Foot Cage: Take Charge of Your Health by Taking Charge of Your Mouth)
I busied myself with the seaweed, while Stephen pulled out flexible opaque salmon bones. After skinning the fish, he sliced it down the center seam, creating two pieces, which he cut into quarter-inch-thick slices. Then, like magic, he transformed a knob of ginger into a miniature golden haystack. I handed him the slippery piece of kelp, which he squared off and placed on a bamboo sushi roller. Next, he laid several slices of salmon across the shiny middle, sprinkled it with a few threads of ginger, and rolled it up like a nori roll. After sealing the cylinder in plastic wraps, he handed it to me. "Cut this into bite-size pieces." The sweet and tangy kelp yielded like a cooked lasagna noodle under the sharp knife, creating exotic coral-and-sienna pinwheels. Next, we made delicate egg crepes to wrap around thick oily slices of mackerel that we soaked in a bracing mix of dashi, sugar, and soy. This was followed by a small "salad" of lightly salted white fish "noodles" tossed with salmon roe and lemony yuzu.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
Only Asha’s closest friends know she is adopted; she lets everyone else make their own assumptions. It’s easy enough to believe she could be the natural product of her Indian dad and American mom, and this has spared her many explanations. She doesn’t want to share her whole personal history with the perfect mirror girls. She wonders if they would envy the black hair that sprouts every day on her legs, or her dark skin that tans after just ten minutes in the sun, even when slathered with sunscreen. “Oh, Asha, you’re so exotic.” She hears someone behind her, in a low teasing voice. She turns around to see Manisha, rolling her eyes with a smile. “Come on, you want to get some frozen yogurt?” Manisha motions toward the locker room door. “Sure,” Asha says. “I hate that ‘exotic’ thing we always get from people,” Manisha says once they’re outside. “I mean, come out to Fremont and you’ll see it’s not that exotic. Indians everywhere.
Shilpi Somaya Gowda (Secret Daughter)
The air smelled exotically of old incense and Shan’s skin prickled as if emanations from past conjourings still crackled in the folds of the universe.
Storm Constantine (The Crown of Silence (The Chronicles of Magravandias, #2))
As Lara stared in the square Queen Anne mirror poised on the chest of drawers in her room, it seemed that the atmosphere changed, the air suddenly heavy and pressing. It was so quiet in the cottage that she could hear her own mad heartbeat. She caught sight of something in the mirror, a deliberate movement that paralyzed her. Someone had entered the cottage. Skin prickling, Lara stood in frozen silence and stared into the mirror as another reflection joined her own. A man's bronzed face... short, sun-streaked brown hair... dark brown eyes... the hard, wide mouth she remembered so well. Tall... massive chest and shoulders... a physical power and assurance that made the room seem to shrink around him. Lara's breath stopped. She wanted to run, to cry out, faint, but it seemed that she had been turned to stone. He stood just behind her, his head and shoulders looming far above hers. His gaze held hers in the mirror... The eyes were the same color, yet... he had never looked at her like this, with an intensity that made every inch of her skin burn. His was the hard gaze of a predator. She shook in fright as his hands moved gently to her hair. One by one he slipped the confining pins from the shining sable mass, and set them on the dresser before her. Lara watched him, quivering with each light tug on her hair. "It's not true," she whispered. He spoke in Hunter's voice, deep and slightly raspy. "I'm not a ghost, Lara." She tore her gaze from the mirror and stumbled around to face him. He was so much thinner, his body lean, almost rawboned, his heavy muscles thrown into stark prominence. His skin was tanned to a copper blaze that was far too exotic for an Englishman. And his hair had lightened to the mixed gold and brown of a griffin's feathers.
Lisa Kleypas (Stranger in My Arms)
My husband is dead," she said tightly. A small muscle twitched high in his lean cheek. "I'll make you believe me." He reached for her swiftly, both hands wrapping around the back of her skull, gently gripping as he brought his mouth to hers. Ignoring her cry of alarm, he kissed her as she had never been kissed before. Her hands came up to his muscle-roped wrists, trying in vain to pry herself free. The sensation of his mouth, incendiary, delicious, stunned her. He used his teeth and lips and tongue, seducing her in a blaze of sensuality. She floundered for purchase until he let go of her head and gathered her against the hard surface of his body. She was held tight and secure in his embrace, thoroughly possessed... utterly desired. Her nostrils were filled with the scent of him: earth and air and the mild, pleasant bite of sandalwood. His lips slid downward, finding the sensitive place on the side of her neck. He took a deep, luxurious breath and fanned it over her skin, and pressed his face close until she felt the sweep of his lashes against her cheek. She had never been held like this, touched and tasted as if she were some exotic spice to be savored.
Lisa Kleypas (Stranger in My Arms)
Rohan stopped and turned to face her. They were standing close enough for Amelia to detect the scents of male exertion and warm skin. His unfastened waistcoat, made of luxurious gray brocade, hung open at the sides to reveal a thin white linen shirt beneath. As Rohan moved to button the waistcoat, Amelia saw a quantity of gold rings on his fingers. A ripple of nervousness went through her, leaving an unfamiliar heat in its wake. Her corset felt too tight, her high-necked collar constricting. Flushing, she brought herself to stare at him directly. He was a young man, not yet thirty, with the countenance of an exotic angel. This face had definitely been created for sin … the brooding mouth, the angular jaw, the golden-hazel eyes shaded by long straight lashes. His hair needed cutting, the heavy black locks curling slightly over the back of his collar. Amelia’s throat cinched around a quick breath as she saw the glitter of a diamond in his ear.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
No one who came to this exotic part of London could fail to be impressed by the fact that this squalid, wicked and poverty-stricken square mile yet ‘contains one of the main supplies of London’s wealth and commerce, as well as one of its most curious sights, the London Docks. The extensive basins, in which may be seen the largest ships in the world; the immense warehouses which contain the treasures of every quarter of the globe – wool, cotton, tea, coffee, tobacco, skins, ivory; the miles of vaults filled with wines and spirits; the thousands of persons employed – clerks, customs officers, artisans, labourers, lightermen, and sailors – make the Docks a world of itself, as well as a cosmopolitan rendezvous and emporium.’4
A.N. Wilson (The Victorians)
Self-Portrait as Mango She says, Your English is great! How long have you been in our country? I say, Suck on a mango, bitch, since that’s all you think I eat anyway. Mangoes are what margins like me know everything about, right? Doesn’t a mango just win spelling bees and kiss white boys? Isn’t a mango a placeholder in a poem folded with burkas? But this one, the one I’m going to slice and serve down her throat, is a mango that remembers jungles jagged with insects, the river’s darker thirst. This mango was cut down by a scythe that beheads soldiers, mango that taunts and suns itself into a hard-palmed fist only a few months per year, fattens while blood stains green ponds. Why use a mango to beat her perplexed? Why not a coconut? Because this “exotic” fruit won’t be cracked open to reveal whiteness to you. This mango isn’t alien just because of its gold-green bloodline. I know I’m worth waiting for. I want to be kneaded for ripeness. Mango: my own sunset-skinned heart waiting to be held and peeled, mango I suck open with teeth. Tappai! This is the only way to eat a mango.
Tarfia Faizullah
There are some paintings in this room. Come see." The hallway was a mirror image of the one upstairs, following the length of the E, but this floor was more luxurious, with more golden wood on the walls. "Here," he said and pushed open a creaky door to reveal a room as lush and surprising in all the rot as a blooming bougainvillea in a desert. Time and ruin showed here, too, but even so, the colors were visible- patterns and embroidery and exuberant fabrics. Paintings of a dozen sizes crowded together on the walls, the frames thick with dust and strings of cobwebs, paintings of peacocks and tropical landscapes and portraits of exotic people- a sultan in a harem, a tall dark-skinned woman with dark eyes as mysterious as a deep lake, a tiger lolling on a carpet amid a crowd of beautiful women.
Barbara O'Neal (The Art of Inheriting Secrets)
see why. She was far too thin for his taste, but her light brown skin and wild curly hair gave her an exotic look. Best of all, she was something of a ballbuster. It was always a joy to watch her handle his brother. Nick held up his hands.
M. Malone (Christmas with the Alexanders (The Alexanders, #3.5))