Exotic Car Quotes

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Case shuffled into the nearest door and watched the other passengers as he rode. A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car’s floor. Before they could stampede, take flight from the missionaries, the train reached Case’s station.
William Gibson (Neuromancer (Sprawl, #1))
When we pick up the newspaper at breakfast, we expect - we even demand - that it brings us momentous events since the night before...We expect our two-week vacations to be romantic, exotic, cheap, and effortless..We expect anything and everything. We expect the contradictory and the impossible. We expect compact cars which are spacious; luxurious cars which are economical. We expect to be rich and charitable, powerful and merciful, active and reflective, kind and competitive. We expect to be inspired by mediocre appeals for excellence, to be made literate by illiterate appeals for literacy...to go to 'a church of our choice' and yet feel its guiding power over us, to revere God and to be God. Never have people been more the masters of their environment. Yet never has a people felt more deceived and disappointed. For never has a people expected so much more than the world could offer.
Daniel J. Boorstin
All billionaire kids have bodyguards--at least that's what Max's dad had told him. But none were more qualified than Logan, who was a martial arts expert (with more black belts than one could count on tne fingers), a stunyt man (who had credits in no less than a dozen blockbuster action movies), a champion race-car driver (with a choice collection of exotic sports cars), and who could make a seriously mean peanut butter and jelly sandwich.
Derek Benz
We have long understood that it is not income that matters but consumption. Stripped to its essentials, the argument is that if somehow the consumption of middle-class householders keeps up, if they can afford a new car every few years and the occasional exotic holiday, perhaps they will pay less attention to their stagnant monthly paychecks.
Raghuram G. Rajan (Fault Lines: How Hidden Fractures Still Threaten The World Economy)
I grew up back and forth between the British Isles: England, Ireland, Scotland, Wales. I spent short periods of time in France, Italy, and South Africa. This is my first time in the States. I was disappointed by Atlanta at first — I'd wanted to live in New York-but it's grown on me.” Everything about Kaidan was exciting and exotic. This was my first time traveling away from home, and he'd already seen so much. I ate my apple, glad it was crisp and not soft. “Which was your favorite place?” I asked. “I've never been terribly attached to any place. I guess it would have to be...here.” I stopped midchew and examined his face. He wouldn't look at me. He was clenching his jaw, tense. Was he serious or was he teasing me? I swallowed my bite. “The Texas panhandle?” I asked. “No.” He seemed to choose each word with deliberate care. “I mean here in this car. With you.” Covered in goose bumps, I looked away from him and stared straight ahead at the road, letting my hand with the apple fall to my lap. He cleared his throat and tried to explain. “I've not talked like this with anyone, not since I started working, not even to the only four people in the world who I call friends. You have Patti, and even that boyfriend of yours. So this has been a relief of sort. Kind of...nice.” He cleared his throat again. Oh, my gosh. Did we just have a moment? I proceeded with caution, hoping not to ruin it. “It's been nice for me, too,” I said. “I've never told Jay anything. He has no idea. You're the only one I've talked to about it all, except Patti, but it's not the same. She learned the basics from the nun at the convent where I was born.” “You were born in a convent,” he stated. “Yes.” “Naturally.
Wendy Higgins (Sweet Evil (Sweet, #1))
Pain is what matters. Not fast cars or big words or fabulous stories in exotic settings. And certainly not some French-toasted-sunrise-sensei-servant-motherfucker. I
David Arnold (Mosquitoland)
Children lose contact with their parents, and vice versa, when there is no present living moment in the family. You change careers, go traveling, play extreme sports, get plastic surgery, drive fast cars, take exotic holidays, or redecorate the house, constantly seeking presence. These strategies might work for an hour, a day, or a year, but they will not solve your inner deadness.
Patsy Rodenburg (The Second Circle: How to Use Positive Energy for Success in Every Situation)
Unlike exotic fruit or fancy cars, democracy is best if it is grown locally. It may take root in the common desire of the people who choose to adopt it, but it cannot be imposed from the outside.
Anna Porter (The Ghosts of Europe: Central Europe's Past and Uncertain Future)
I sometimes rented a car and drove from event to event in Europe; a road trip was a great escape from the day-to-day anxieties of playing, and it kept me from getting too lost in the tournament fun house with its courtesy cars, caterers, locker room attendants, and such — all amenities that create a firewall between players and what you might call the 'real' world — you know, where you may have to read a map, ask a question in a foreign tongue, find a restaurant and read the menu posted in the window to make sure you're not about to walk into a joint that serves only exotic reptile meat.
Patrick McEnroe (Hardcourt Confidential: Tales from Twenty Years in the Pro Tennis Trenches)
I don't define success by how much money someone makes. I don't define success by how many trophies or plaques or awards someone has. I don't define it by membership in exclusive clubs or the ability to name-drop about someone's famous friends. I don't define it by how many luxury cars or opulent homes someone might own or how many sumptuous vacations they might taken in exotic locales all over the globe. I don't define success...oh, hell, I'm just kidding. Actually, all that stuff is fantastic!
Celia Rivenbark (You Don't Sweat Much for a Fat Girl: Observations on Life from the Shallow End of the Pool)
THE DATE WAS APRIL 14, 1912, a sinister day in maritime history, but of course the man in suite 63–65, shelter deck C, did not yet know it. What he did know was that his foot hurt badly, more than he had expected. He was sixty-five years old and had become a large man. His hair had turned gray, his mustache nearly white, but his eyes were as blue as ever, bluer at this instant by proximity to the sea. His foot had forced him to delay the voyage, and now it kept him anchored in his suite while the other first-class passengers, his wife among them, did what he would have loved to do, which was to explore the ship’s more exotic precincts. The man loved the opulence of the ship, just as he loved Pullman Palace cars and giant fireplaces, but his foot problem tempered his enjoyment.
Erik Larson (The Devil in the White City)
The Dilemma of Human Suffering Nothing external ensures freedom from suffering. Even when we human beings possess all the things we typically use to gauge external success—great looks, loving parents, terrific children, financial security, a caring spouse—it may not be enough. Humans can be warm, well fed, dry, physically well—and still be miserable. Humans can enjoy forms of excitement and entertainment unknown in the nonhuman world and out of reach for all but a fraction of the population—high-definition TVs, sports cars, exotic trips to the Caribbean—and still be in excruciating psychological pain.
Steven C. Hayes (Acceptance and Commitment Therapy: The Process and Practice of Mindful Change)
As the train rolled through the countryside, so lush and green, and into the sprawling suburbs of south London, I stared around at all the strangeness: the narrow little “terraced” houses all in rows of brick and chimneypots, the tiny back gardens with clotheslines and garden sheds, the little cars all on the wrong side of the road — it was all so delightfully foreign, and exotic. My first lesson that the rest of the world really was more different than I knew or imagined.
Neil Peart (Traveling Music: The Soundtrack to My Life and Times)
A century ago, Albert Einstein revolutionised our understanding of space, time, energy and matter. We are still finding awesome confirmations of his predictions, like the gravitational waves observed in 2016 by the LIGO experiment. When I think about ingenuity, Einstein springs to mind. Where did his ingenious ideas come from? A blend of qualities, perhaps: intuition, originality, brilliance. Einstein had the ability to look beyond the surface to reveal the underlying structure. He was undaunted by common sense, the idea that things must be the way they seemed. He had the courage to pursue ideas that seemed absurd to others. And this set him free to be ingenious, a genius of his time and every other. A key element for Einstein was imagination. Many of his discoveries came from his ability to reimagine the universe through thought experiments. At the age of sixteen, when he visualised riding on a beam of light, he realised that from this vantage light would appear as a frozen wave. That image ultimately led to the theory of special relativity. One hundred years later, physicists know far more about the universe than Einstein did. Now we have greater tools for discovery, such as particle accelerators, supercomputers, space telescopes and experiments such as the LIGO lab’s work on gravitational waves. Yet imagination remains our most powerful attribute. With it, we can roam anywhere in space and time. We can witness nature’s most exotic phenomena while driving in a car, snoozing in bed or pretending to listen to someone boring at a party.
Stephen Hawking (Brief Answers to the Big Questions)
He struck a dramatic pose, hands on hips.  “Et tu, Judas?” Unfazed by the theatrics, Ayden said, “I don’t know what you’re talking about.” Blake pointed an accusing finger. “I know you melted the wires in my engine. Think you’re so smart. But you’re not the only one with mechanical ability.” “You called Logan, didn’t you.” “Of course I called Logan. He’s my mechanical ability. But that’s not the point. The point is I got it fixed and I’m here in time to pick her up. So despite your backstabbing sabotage, I’m ready to take her to school. Aurora, please get out of the,” he eyed Ayden’s car, “super exotic sports car and into my…practical hybrid.” His face fell into misery. “Come on, dude, A & E Kirk (2012-01-07). Demons at Deadnight (Divinicus Nex Chronicles series Book 1) (pp. 209-210). A&E Kirk. Kindle Edition.
A. Kirk
Almost immediately after jazz musicians arrived in Paris, they began to gather in two of the city’s most important creative neighborhoods: Montmartre and Montparnasse, respectively the Right and Left Bank haunts of artists, intellectuals, poets, and musicians since the late nineteenth century. Performing in these high-profile and popular entertainment districts could give an advantage to jazz musicians because Parisians and tourists already knew to go there when they wanted to spend a night out on the town. As hubs of artistic imagination and experimentation, Montmartre and Montparnasse therefore attracted the kinds of audiences that might appreciate the new and thrilling sounds of jazz. For many listeners, these locations leant the music something of their own exciting aura, and the early success of jazz in Paris probably had at least as much to do with musicians playing there as did other factors. In spite of their similarities, however, by the 1920s these neighborhoods were on two very different paths, each representing competing visions of what France could become after the war. And the reactions to jazz in each place became important markers of the difference between the two areas and visions. Montmartre was legendary as the late-nineteenth-century capital of “bohemian Paris,” where French artists had gathered and cabaret songs had filled the air. In its heyday, Montmartre was one of the centers of popular entertainment, and its artists prided themselves on flying in the face of respectable middle-class values. But by the 1920s, Montmartre represented an established artistic tradition, not the challenge to bourgeois life that it had been at the fin de siècle. Entertainment culture was rapidly changing both in substance and style in the postwar era, and a desire for new sounds, including foreign music and exotic art, was quickly replacing the love for the cabarets’ French chansons. Jazz was not entirely to blame for such changes, of course. Commercial pressures, especially the rapidly growing tourist trade, eroded the popularity of old Montmartre cabarets, which were not always able to compete with the newer music halls and dance halls. Yet jazz bore much of the criticism from those who saw the changes in Montmartre as the death of French popular entertainment. Montparnasse, on the other hand, was the face of a modern Paris. It was the international crossroads where an ever changing mixture of people celebrated, rather than lamented, cosmopolitanism and exoticism in all its forms, especially in jazz bands. These different attitudes within the entertainment districts and their institutions reflected the impact of the broader trends at work in Paris—the influx of foreign populations, for example, or the advent of cars and electricity on city streets as indicators of modern technology—and the possible consequences for French culture. Jazz was at the confluence of these trends, and it became a convenient symbol for the struggle they represented.
Jeffrey H. Jackson (Making Jazz French: Music and Modern Life in Interwar Paris (American Encounters/Global Interactions))
RECRUITMENT Ripley Residence 2107 Mockingbird Road Vienna, Virginia January 16 1530 hours “Hello, Ben,” said the man in my living room. “My name is Alexander Hale. I work for the CIA.” And just like that, my life became interesting. It hadn’t been, up till then. Not by a long shot. That day had been a prime example: day 4,583, seven months into the twelfth year of my mundane existence. I had dragged myself out of bed, eaten breakfast, gone to middle school, been bored in class, stared at girls I was too embarrassed to approach, had lunch, slogged through gym, fallen asleep in math, been harassed by Dirk the Jerk, taken the bus home . . . And found a man in a tuxedo sitting on the couch. I didn’t doubt he was a spy for a second. Alexander Hale looked exactly like I’d always imagined a spy would. A tiny bit older, perhaps—he seemed about fifty—but still suave and debonair. He had a small scar on his chin—from a bullet, I guessed, or maybe something more exotic, like a crossbow. There was something very James Bond about him; I could imagine he’d been in a car chase on the way over and taken out the bad guys without breaking a sweat. My parents weren’t home. They never were when I got back from school. Alexander had obviously “let himself in.” The photo album from our family vacation to Virginia Beach sat open on the
Stuart Gibbs (Spy School)
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I must have fallen asleep on a rock. It’s digging into my shoulder blade. I scrunch up and start to roll over, but then freeze. It’s not just a single rock. It’s a giant one. Like concrete. I go numb as I realize what this means. It can’t be…I ease open my eye, and then in an instant I’m sitting upright and looking around. And all I see are cars. And people in blue jeans. And street signs. And I smell smog and I hear radios crackling in the passing cabs. I close my eyes for at least ten seconds and then open them again, but it’s all still there. The twenty-first century. I can’t stop my face from falling. I’m back. Just when I’d realized I don’t want this at all, I’m back. My shopping bags are strewn around me. I’m wearing jeans. A T-shirt. My heels. I glance back to realize the Prada shop is still a few yards behind me, just where I’d left it. I’m sitting in the exact spot I’d fallen down. I never left at all. I stay put for a few moments as a pounding headache fades. Alex. Emily. Even Victoria. They were all make-believe. Some figment of my banged-up brain. That means the kiss…God, I made it all up! Every single thing! I want to lie back down, close my eyes, and go back. I want horrible soup and stiff corsets and lump mattresses. I’ll trade it all to see Alex again. To go to Emily’s wedding. A man trips on my foot and then has the nerve to glare at me, even though he basically kicked me in the shin. Yes, I’m definitely in the twenty-first century. I scramble to my feet and wipe the dirt off my jeans and lean over to pick up my bags. And then I notice them. My heels. My beautiful, damaged heels. I glance over my shoulder. Yes, the Prada shop is definitely still behind me. I’ve gone maybe four steps from the door. Nowhere near enough to ruin the heels like this. They’re scuffed, dented, and scratched. I gather up the rest of my bags, my grin in full-force. It wasn’t fake. It wasn’t make-believe or a dream or anything. It happened. As sure as the mud on the heels, it happened. There’s even a dent where the front door of Harksbury bounced off the toe. I don’t know how or why or anything, but somehow, I was there. I danced with Alex and helped Emily. I played a piano for a duke and a countess, and I ate more exotic animals than I ever wanted to. But it happened. I don’t understand it; I only know that the last month was real, and it was the best of my life. I sling the bags over my shoulder and practically skip down the block. No matter what happens next, no matter what happens for the rest of my life, I have something no one else will ever have. An adventure to rival Indiana Jones. A crazy month that can never be replicated.
Mandy Hubbard (Prada & Prejudice)
What Josie had found amusing, exciting and exotic as a girl, she now recognized as nothing more than the underpinnings of Linda's selfishness, arrogance and greed. Linda had burst into Josie's life again, and pulled her into this rollercoaster of a ride. She had been stronger than Josie that night. Now Josie had stepped out of the car and onto the platform. She could see the trajectory of that rollercoaster and knew where it had to stop.
Rebecca Forster (Hostile Witness (Witness Series, #1))
MY LORD, when you ask me to tell the court in my own words, this is what I shall say. I am kept locked up here like some exotic animal, last survivor of a species they had thought extinct. They should let in people to view me, the girl-eater, svelte and dangerous, padding to and fro in my cage, my terrible green glance flickering past the bars, give them something to dream about, tucked up cosy in their beds of a night. After my capture they clawed at each other to get a look at me. They would have paid money for the privilege, I believe. They shouted abuse, and shook their fists at me, showing their teeth. It was unreal, somehow, frightening yet comic, the sight of them there, milling on the pavement like film extras, young men in cheap raincoats, and women with shopping bags, and one or two silent, grizzled characters who just stood, fixed on me hungrily, haggard with envy. Then a guard threw a blanket over my head and bundled me into a squad car. I laughed. There was something irresistibly funny in the way reality, banal as ever, was fulfilling my worst fantasies.
John Banville (The Book of Evidence (Vintage International))
It’s possible to have emptied your savings account and be living in your friend’s basement riding your bike everywhere because you can’t afford a car and yet feel like you’re bursting with vitality. It’s also possible to have lots of money in the bank, living in the house you had custom built, going on expensive vacations to exotic places, and yet you’re miserable.
Rob Bell (How to Be Here: A Guide to Creating a Life Worth Living)
From the earliest I remember, I was car obsessed. I ate, slept, and drank cars. Naturally, I was desperate to learn and passed my driving test at seventeen. Two weeks after, I passed my race license. I loved it; in the first twelve months of driving, I covered 25,000 miles for no reason other than I enjoyed it. After passing my race test, I got my instructor’s card and became a self-employed racing driver at the age of eighteen. I worked for two local companies that did driving experiences with customers. I was paid to drive Ferraris and Lamborghinis on a racetrack. Yes, I was paid to drive exotic cars most people dream of sitting in, let alone owning. And I was paid well for it. In the first three years of being licensed, I owned fourteen different cars, sometimes three cars at the same time. All of my earnings went to my cars, and I loved life. I could work at whatever racetrack I wanted. Sounding more like a success story, right? I worked in that industry for four years, and by the time it was over, I HATED driving. The one thing that defined me—my love of cars—was absolutely killed by that job. Everyone who got in a car with me said I had the best job in the world, and for a while, I agreed with them. But after 30,000 laps on the same track, I can tell you I want nothing more to do with them. I did that job because I loved driving cars. I didn’t do it because I loved hospitality or the thrill customers received. I did it because I drove cars I couldn’t afford. I was in it for the wrong reasons. Don’t “do what you love,” because even if you are lucky to make a living doing it, you won’t love it for very long. You should love the value you create. The process is hard, but it’s justified by your love of the value that is created through it.
M.J. DeMarco (UNSCRIPTED: Life, Liberty, and the Pursuit of Entrepreneurship)
All the things that seemed so exotic and exciting – cars, television, the fashions, the music, the buildings – were just surface. Under it all, people were still just people. Angry, decent, captious, stupid, sometimes magnificent.
Dave Hutchinson (Europe at Midnight (The Fractured Europe Sequence Book 2))
Naturally, such an implementation is not limited to exotic cars. In practice, it might include luxury goods (the tracking of blood diamonds is a commonly cited example) or the import and export of goods across international borders. Realistically, any item that changes custody at least once would be a candidate to benefit from this transparent surveillance and scrutiny.
Jonathan Morley (That Book on Blockchain: A One-Hour Intro)
Don't waste your wish on cars, Space trip to Mars Exotic pets, private jets Pleasures, treasures Wish to be well A worthy story to tell Wellness prioritised... get #Mickeymized!
Dr Mickey Mehta
Even though this waitress likely lived in Silver Lake, drove a shit car, and roomed with busboys, she was gorgeous. More exotic, shorter, and sloppier than a model. Gorgeous, medium rare.
Lisa Taddeo (Ghost Lover)
The following year, Low had arranged for $170 million from the Goldman-prepared power-plant bonds to fill Najib’s account. To avoid questions, Cheah and Low had seen to it the account was marked as one used for internal bank transfers, meaning it would not be visible to compliance staff. The Australian and New Zealand Banking Group, known as ANZ, owned a minority stake in AmBank, giving it the right to appoint executives and board members. But ANZ’s management had no idea about this secret account’s existence. Joanna Yu, a middle-level AmBank executive, was tasked with taking instructions from Low about incoming wires and outgoing checks. Najib had used most of the initial infusion to pay off crony politicians, as well as on jewelry and a $56,000 expense at Signature Exotic Cars, a high-end car dealership in Kuala Lumpur. Now, with the elections approaching, the account was about to become a lot more active.
Bradley Hope (Billion Dollar Whale: The Man Who Fooled Wall Street, Hollywood, and the World)
What Is a Household? Perhaps you are unsure of what model has been missing, and so I must first help to explain what a household is.1 It is not merely two married people and any children they may have living under one roof. A household is a micro-nation. A household, like individual men and individual women, has a distinct telos. It exists for a purpose, to pursue a particular goal. Unlike the nuclear-family arrangement of the postwar era, it does not exist merely to perpetuate existence. Producing and raising up future generations is one function of the household, but it is not the only function of it. Our first parents were told to fill the earth and subdue it. The household is the basic unit of conquest. But of those today who actually do get married, the purpose of their union rarely is so purposeful. It is often an instrument of greater consumption for consumption’s sake. Even children are treated as consumer goods, a mere lifestyle choice, rather than the very purpose that God created marriage for. Within such an arrangement, you do not have husbands and wives nor fathers and mothers; you have instead income earner one and income earner two. The purpose is to pool two incomes together to have access to greater and nicer products to consume. A palatial house. A sexier car. Exotic vacations. More stuff for the 1.72 cute, little human pets you have chosen to keep. These are not households in the sense that anyone who has ever lived until the twentieth century would understand them. They are not households. They are economic co-prosperity zones.
Andrew Isker (The Boniface Option: A Strategy For Christian Counteroffensive in a Post-Christian Nation)
A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car’s floor.
William Gibson (Neuromancer (Sprawl, #1))
She had to have the best cars and closets filled with designer clothes and expensive jewelry and exotic trips with her friends. She spent money as fast as I could make it, and that was fine with me because all that kept her entertained so I didn’t have to bother. I just wanted to hole up in my study with my computer and a bottle of Jack Daniels and the voices in my head.
Tia Siren (Big Bad Daddy)
Yogurt is good for you. And it’s just one spoon,” Sharpcot had replied, but this stack summoned a billion voices, all of them saying in a chorus, “Just one spoon.” From kids’ lunches and store shelves and desk drawers and airline meal packs, in every country of the world: Canada and the United States and Nicaragua and Uruguay and Argentina and Ireland and Burkina Faso and Russia and Papua New Guinea and New Zealand and very probably the Antarctic. Where wasn’t there disposable cutlery? Plastic spoons in endless demand, in endless supply, from factory floors where they are manufactured and packaged in boxes of 10 or 20 or 100 or 1000 or individually in clear wrap, boxed on skids and trucked to trains freighting them to port cities and onto giant container ships plying the seas to international ports to intercity transport trucks to retail delivery docks for grocery stores and retail chains, supplying restaurants and homes, consumers moving them from shelf to cart to bag to car to house, where they are stuck in the lunches of the children of polluting parents, or used once each at a birthday party to serve ice cream to four-year-olds where only some are used but who knows which? So used and unused go together in the trash, or every day one crammed into a hipster’s backpack to eat instant pudding at his software job in an open-concept walkup in a gentrified neighbourhood, or handed out from food trucks by the harbour, or set in a paper cup at a Costco table for customers to sample just one bite of this exotic new flavour, and so they go into trash bins and dumpsters and garbage trucks and finally vast landfill sites or maybe just tossed from the window of a moving car or thrown over the rail of a cruise ship to sink in the ocean deep.
B.H. Panhuyzen (A Tidy Armageddon)
--Birthday Star Atlas-- "Wildest dream, Miss Emily, Then the coldly dawning suspicion— Always at the loss—come day Large black birds overtaking men who sleep in ditches. A whiff of winter in the air. Sovereign blue, Blue that stands for intellectual clarity Over a street deserted except for a far off dog, A police car, a light at the vanishing point For the children to solve on the blackboard today— Blind children at the school you and I know about. Their gray nightgowns creased by the north wind; Their fingernails bitten from time immemorial. We're in a long line outside a dead letter office. We're dustmice under a conjugal bed carved with exotic fishes and monkeys. We're in a slow drifting coalbarge huddled around the television set Which has a wire coat-hanger for an antenna. A quick view (by satellite) of the polar regions Maternally tucked in for the long night. Then some sort of interference—parallel lines Like the ivory-boned needles of your grandmother knitting our fates together. All things ambigious and lovely in their ambiguity, Like the nebulae in my new star atlas— Pale ovals where the ancestral portraits have been taken down. The gods with their goatees and their faint smiles In company of their bombshell spouses, Naked and statuesque as if entering a death camp. They smile, too, stroke the Triton wrapped around the mantle clock When they are not showing the whites of their eyes in theatrical ecstasy. Nostalgias for the theological vaudeville. A false springtime cleverly painted on cardboard For the couple in the last row to sigh over While holding hands which unknown to them Flutter like bird-shaped scissors . . . Emily, the birthday atlas! I kept turning its pages awed And delighted by the size of the unimaginable; The great nowhere, the everlasting nothing— Pure and serene doggedness For the hell of it—and love, Our nightly stroll the color of silence and time.
Charles Simic (Unending Blues)
Doral used to be swampland, but now Carnival Cruise Lines and one of the major Miami papers makes it their home. Everyone who knows Florida well enough calls it Doralzula because so many Venezuelans live there. Rich Venezuelans, the beneficiaries of the old “re-distribute the wealth” scam of socialism, which fails repeatedly and consistently — though this fact is rarely ever mentioned in the media — around the globe. Once they had theirs, of course, they were off to the land of plenty, leaving the masses to wallow in poverty, under corrupt iron rule, while they golfed and ate at fine restaurants and bought exotic cars and slept with beautiful women who could be bought with luxury. Perhaps there was love sometimes, too, but I was always skeptical of any woman under forty wearing designer clothes. The far left loves countries like Cuba, and Venezuela, never taking note of the conditions, the poverty, or the people trying to get out and have a better life; most of whom will never make it to those golden shores of Florida. They are the first to cry over the oppressed, the victimized, the impoverished, as though they are their champion. Unless, of course, those unfortunate folks live in a country in line with their hard-left-leaning ideology, then they are willing to ignore their plight completely. There is no hypocrisy so bald as that of the liberal do-gooder. Talk to a real Venezuelan, or better yet, a Cuban refugee who’d made it to Miami, and ask them how it is there. After you do you will roll your eyes at the next liberal trying to convince you the time has come to embrace these countries.
Bobby Underwood (Eight Blonde Dolls (Seth Halliday #3))
Sadie hopped in the car, twisting the key in the ignition and checking her makeup in the visor's mirror at the same time. Not enough eye shadow, she mused. Or maybe just a brighter shade... She'd pick up a festive color when she had a chance. “What do you think, Coco?” Sadie reached into the tote bag and pulled out the squirming ball of fluff, holding Coco up against her face so they could look in the mirror together. “C’mon, now, one yip for an exotic color around the eyes, two yips for brighter lipstick.” Instead of yipping an answer, the Yorkie gave Sadie’s cheek a canine kiss. Sadie reciprocated with a pat on the head. “I know, Coco, you love me just as I am. I feel the same way. Besides, I don’t think you’d care for lipstick unless it tasted like peanut butter.” Sadie adjusted the velvet pillow in the tote bag, placed the dog back inside and adjusted the seatbelt harness that held the bag in place. “Let’s go check out this inn of Tina’s. What do you say to that?” She smiled at the immediate yip of approval. It was rare she didn’t gain Coco’s enthusiasm when the word “go” turned up anywhere in a sentence.
Deborah Garner (A Flair for Chardonnay (Sadie Kramer Flair, #1))
One day you will realise that life is not about wearing designer clothes and attending lavish parties. One day you will realise that life is not about traveling to exotic locations and staying in swanky hotels. One day you will realise that life is not about having more money and driving bigger cars. One day you will realise that life is not about going on dinner dates and partying with friends. One day you will realise that life is not about having an important title or a higher position in your job. One day you will realise that life is not about making new friends and connections but about staying loyal to the old ones. One day you will realise that life is not about how many followers you have or how many copies your book sold. One day you will realise that the truly rich people are not the ones with bigger houses but the ones with bigger hearts. And then maybe you will understand what it is that I have always believed in and what it is that I have always wanted you to know.
Avijeet Das
But over time, all new toys—big, small, expensive, or cheap—get old. They get boring. The body ignores them as the eye no longer sees it, or generates a thrill as it once did for the owner. It’s the reason why wives keep getting younger, yachts keep getting bigger, planes keep getting fancier, and why one exotic car never, ever seems to be enough.
Mylo Carbia (Violets are Red)
If you are happy, you may not be tempted to buy anything except the real necessities of life. Businesses, therefore, exaggerate negativities in the world to sell their products and services. They try to convince you that if you wish to be happy, you must buy their car, home or clothes or visit the exotic locations managed by them.
Awdhesh Singh (31 Ways to Happiness)
Which brings me to a question I ask myself every day: What kind of a father have I been? Have I been good? Have I helped more than I have hurt? Have I given as much as I have taken? In truth, my children have, at times, had trouble. With depression, with drugs, with all those exotic things that befall kids nowadays. Though I do not like all the things they have done, I am here for them when they are in jeopardy and I do whatever I can when they need help. I sometimes wonder if the root of the problem is in our very circumstances, if the life we have given our children—the money and the cars and the vacations and the private planes—has spoiled the everyday world for them. Can the child of a rich man have the same ambition as a kid from the Bronx? One evening, one of my daughters, having just flown on a commercial plane for the first time in her life, called me in a panic. “My God,” she said, “the way they jam you in, and make you sit there, in one seat, it’s like a prison!” In the end, though, I think your outlook has less to do with money than with the values your parents exhibit and your own nature. In this, I’ve been neither perfect nor blameless. I love my children and I think I have been a good father, but there were times when I chose my career over the life of the house. Was I there for every recital, or play, or concert? No, I was working. It’s nearly impossible to succeed in the world and also succeed in the house, which means, at some level, even if you do not realize it, you make a choice. This is a regret. I wish I had been there more, had done better, had given my children as much as my parents gave me. I did not. I was always divided, being pulled away, on the phone, and so forth. But maybe you do best by
Jerry Weintraub (When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man)