Exotic Animal Quotes

Last year I built a Courage Machine, but I thought it might be noisy and was too afraid to turn it on. So I coated it with glue, covered it with cat hair, mounted it on my wall, and started claiming it was an exotic animal I killed on a Safari in Africa. I'd like to believe people believe me, on account of it being so strange that it has to be true.

To me, these people were as exotic as animals in a zoo. I'd never seen anything like them. I wasn't sure whether I wanted to be one of them or simply live among them taking notes and photographs.

what sets wilderness apart in the modern day is not that it's dangerous (it's almost certainly safer than any town or road) or that it's solitary (you can, so they say, be alone in a crowded room) or full of exotic animals (there are more at the zoo). it's that five miles out in the woods you can't buy anything.

They don't go in for the fancy or exotic, but stick to conventional food like flightless bird embryos, minced organs in intestine skins, slices of hog flesh and burnt ground grass seeds dipped in animal fats; or, as it is known in their patois, egg, sausage, bacon and a fried slice of toast.

Isabelle had been trained to wake up early every morning, rain or shine, and a slight hangover did nothing to prevent it from happening again. She sat up slowly and blinked down at Simon. She'd never spent and entire night in a bed with anyone else, unless you counted crawling into her parents bed when she was four and afraid of thunderstorms. She couldn't help staring at Simon as if he were some exotic species of animal. He lay on his back, his mouth slightly open, his hair in his eyes. Ordinary brown hair, ordinary brown eyes. His t-shirt was pulled up slightly. He wasn't muscular like a shadowhunter. He had a smooth flat stomach but no six-pack, and there was still a hint of softness to his face. What was it about him that fascinated her? He was plenty cute, but she had dated gorgeous faerie knights, sexy shadowhunters... "Isabelle," Simon said without opening his eyes. "Quit staring at me.

But Doty felt white men treated her as something less than a full woman, a type of exotic object to display in their homes like a dead animal.

This is Poyo. Poyo was exposed to a near-lethal amount of radiation as an egg, during the first stages of a government experiment to create mutant super soldiers--trained in exotic martial arts technique by Tibetan Kung Fu fightin' monks--and given strange bio-enhancements during a rash of farm animal abductions by extra-terrestrials. Nah, just kidding. None of that shit is true. Poyo is just really, really bad ass.

Case shuffled into the nearest door and watched the other passengers as he rode. A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car’s floor. Before they could stampede, take flight from the missionaries, the train reached Case’s station.

This book first arose out of a passage in [Jorge Luis] Borges, out of the laughter that shattered, as I read the passage, all the familiar landmarks of my thought—our thought that bears the stamp of our age and our geography—breaking up all the ordered surfaces and all the planes with which we are accustomed to tame the wild profusion of existing things, and continuing long afterwards to disturb and threaten with collapse our age-old distinction between the Same and the Other. This passage quotes a ‘certain Chinese encyclopaedia’ in which it is written that ‘animals are divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) suckling pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies’. In the wonderment of this taxonomy, the thing we apprehend in one great leap, the thing that, by means of the fable, is demonstrated as the exotic charm of another system of thought, is the limitation of our own, the stark impossibility of thinking that.

I wasn’t a person after all. I was simply this exotic thing for people to observe and investigate, an alien in any environment I was in.

Besides the bore condescending, who, whether good-natured or ill-natured, is a most provoking animal—there is the bore facetious, an insufferable creature, always laughing, but with whom you can never laugh. And there is another exotic variety—the vive la bagatelle bore of the ape kind—who imitate men of genius. Having early been taught that there is nothing more delightful than the unbending of a great mind, they set about continually to unbend the bow in company.

She had lived in that house fourteen years, and every year she had demanded of John that she be given a pet of some strange exotic breed. Not that she did not have enough animals. She had collected several wild and broken animals that, in a way, had become exotic by their breaking. Their roof would have collapsed from the number of birds who might have lived there if the desert hadn't killed three- quarters of those that tried to cross it. Still every animal that came within a certain radius of that house was given a welcome--the tame, the half born, the wild, the wounded.

I felt confident that his inherited knowledge and instincts would soon assert themselves, given the chance, and in spite of his [lion] breeding. I must admit that I did not feel the same confidence about his two owners, when I heard they would accompany Christian [lion] and stay a few weeks at my camp. I was lead to believe they were very 'mod' with long hair and exotic clothing.

Back at home, sometimes people say I look exotic or foreign. Sometimes they even mean it as a compliment. I guess they don't hear how that makes it sound like I'm some animal on display at the zoo.

This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”. And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.

Nevertheless, the potential and actual importance of fantastic literature lies in such psychic links: what appears to be the result of an overweening imagination, boldly and arbitrarily defying the laws of time, space and ordered causality, is closely connected with, and structured by, the categories of the subconscious, the inner impulses of man's nature. At first glance the scope of fantastic literature, free as it is from the restrictions of natural law, appears to be unlimited. A closer look, however, will show that a few dominant themes and motifs constantly recur: deals with the Devil; returns from the grave for revenge or atonement; invisible creatures; vampires; werewolves; golems; animated puppets or automatons; witchcraft and sorcery; human organs operating as separate entities, and so on. Fantastic literature is a kind of fiction that always leads us back to ourselves, however exotic the presentation; and the objects and events, however bizarre they seem, are simply externalizations of inner psychic states. This may often be mere mummery, but on occasion it seems to touch the heart in its inmost depths and become great literature.

Perhaps they'd been conditioned by all the quarantines and blackouts, all the invisible boundaries CSIRA erected on a moment's notice. The rules changed from one second to the next, the rug could get pulled out just because the wind blew some exotic weed outside its acceptable home range. You couldn't fight something like that, you couldn't fight the wind. All you could do was adapt. People were evolving into herd animals. Or maybe just accepting that that's what they'd always been.

Riding an elephant isn't as exotic or special as it looks on websites about jungles.

Contemporary writers use animal-transformation themes to explore issues of gender, sexuality, race, culture, and the process of transformation...just as storytellers have done, all over the world, for many centuries past. One distinct change marks modern retellings, however, reflecting our changed relationship to animals and nature. In a society in which most of us will never encounter true danger in the woods, the big white bear who comes knocking at the door [in fairy tales] is not such a frightening prospective husband now; instead, he's exotic, almost appealing. Whereas once wilderness was threatening to civilization, now it's been tamed and cultivated; the dangers of the animal world have a nostalgic quality, removed as they are from our daily existence. This removal gives "the wild" a different kind of power; it's something we long for rather than fear. The shape-shifter, the were-creature, the stag-headed god from the heart of the woods--they come from a place we'd almost forgotten: the untracked forests of the past; the primeval forests of the mythic imagination; the forests of our childhood fantasies: untouched, unspoiled, limitless. Likewise, tales of Animal Brides and Bridegrooms are steeped in an ancient magic and yet powerfully relevant to our lives today. They remind us of the wild within us...and also within our lovers and spouses, the part of them we can never quite know. They represent the Others who live beside us--cat and mouse and coyote and owl--and the Others who live only in the dreams and nightmares of our imaginations. For thousands of years, their tales have emerged from the place where we draw the boundary lines between animals and human beings, the natural world and civilization, women and men, magic and illusion, fiction and the lives we live.

Within a few months Mitch Bush, head veterinarian at the National Zoo, and David Wildt, a young reproductive physiologist working as a postdoctoral fellow in my laboratory at the National Cancer Institute, were on a plane bound for South Africa. Bush is a towering, bearded, giant of a man with a strong interest and acumen in exotic animal veterinary medicine, particularly the rapidly improving field of anesthetic pharmacology. Wildt is a slight and modest Midwestern farm boy, schooled in the reproductive physiology of barnyard animals. His boyish charm and polite shy demeanor mask a piercing curiosity and deep knowledge of all things reproductive. Bush and Wildt's expedition to the DeWildt cheetah breeding center outside Pretoria would ultimately change the way the conservation community viewed cheetahs forever.

dashed across streets without looking, they got horsing around in the lake and suddenly realized they had floated far past their depth on their rubber rafts and had to paddle back, they fell off monkey-bars on their asses and out of trees on their heads. Now, standing here in the fading drizzle in front of a Trustworthy Hardware Store that had been a pawnshop in 1958 (Frati Brothers, Ben recalled, the double windows always full of pistols and rifles and straight-razors and guitars hung up by their necks like exotic animals), it occurred to him that kids were better at almost dying, and they were also better at incorporating the inexplicable into their lives. They believed implicitly in the invisible world. Miracles both bright and dark were to be taken into consideration, oh yes, most certainly, but they by no means stopped the world. A sudden upheaval of beauty or terror at ten did not preclude an extra cheesedog or two for lunch at noon.

Horses aren’t native to Australia. They are exotic, first brought there by European settlers barely more than two centuries ago. Hendra is probably an old virus, according to the runic evidence of its genome, as read by molecular evolutionists.

This book first arose out of a passage in Borges, out of the laughter that shattered, as I read the passage, all the familiar landmarks of my thought—our thought that bears the stamp of our age and our geography—breaking up all the ordered surfaces and all the planes with which we are accustomed to tame the wild profusion of existing things, and continuing long afterwards to disturb and threaten with collapse our age-old distinction between the Same and the Other. This passage quotes a ‘certain Chinese encyclopaedia’ in which it is written that ‘animals are divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) suckling pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies’. In the wonderment of this taxonomy, the thing we apprehend in one great leap, the thing that, by means of the fable, is demonstrated as the exotic charm of another system of thought, is the limitation of our own, the stark impossibility of thinking that.

The father and daughter made their way north, through unknown sylvan paradises where only the owls and skunks know their way around. The hard work of paddling non-stop for many hours had long since stopped being difficult for Saweyimew. In spite of her beauty and grace, her back had grown strong and sinewy from years of canoe trips. She reveled in the exhilaration it always brought her, after the first few hours left her body insensible to pain or discomfort. Warm and tingly, lulled into peaceful contemplation by hours of the rhythmic paddling, the smell of the water, exotic blooms, animal musk. It all combined as one to make her feel so alive. Especially when it rained, and her body steamed against the cool drops, feeling invincible against the elements. The mountain of her father's back was like a rock against anything nature could throw against them. The stream of fragrant pipe-smoke still flowing from his lips, regardless of any obstacle. She felt at that moment, nothing would ever stop her father's pipe from smoking. Nothing, not death, not any force of the living or spirit world, would ever still her father's heart. Rain cleansing her to the core, she was a spring of raw power and self-reliance, paddling against all adversity--their master completely. Her father's daughter. At times like that, when it rained, she entirely understood and shared her father's outlook on life.

There’s no shortage of problems with the human race, yet vegans decide to prioritize animals over humanity. Others prioritize exotic minorities over everything else. People need to get their priorities straight. Focus on what’s important, not on what you are personally, subjectively into. You can’t turn humanity’s future into your love of pets, or your gender confusion, or whatever. It’s not about you. It’s about humanity.

It is only our limited time frame that creates the whole "natives versus exotics" controversy. Wind animals, sea currents, and continental drift have always dispersed species into new environments... The planet has been awash in surging , swarming species movement since life began. The fact that it is not one great homogeneous tangled weed lot is persuasive testimony to the fact that intact ecosystems are very difficult to invade.

Dana daydreamed of one day being able to set her agenda at B.Altman with the same courage and tenacity as the woman who was now driving the VW while speaking animatedly about her travel plans for the near future. She would be journeying to India in search of exotic merchandise for the store’s Indian extravaganza, a lavish event planned by Ira Neimark and Dawn Mello to compete with Bloomingdale’s Retailing as Theater movement. The movement was the brainchild of Bloomingdale’s Marvin Traub, who staged elaborate presentations such as China: Heralding the Dawn of a New Era. Typical extravaganzas featured fashion, clothing, food, and art from various regions of the world. “I’ll bring back enough items to make Bloomingdale’s blush!” Nina said confidently. “And I’m not just talking sweaters, hats, and walking sticks. I’ll stop first in the Himalayas and prowl the Landour Bazaar.” Lynn Steward ~ A Very Good Life

There were glamorous young men with dyed hair who rustled like old cellophane. Older men had airs of sophistication and cold grace, giving the impression that if they were not so terribly tired they would go to places (known only to a select few) where the conversation was more scintillating and the congregation more interesting. There were young women who had the exotic sheen of recently fed forest animals. Although they moved their fine heads languorously this way and that, nothing in the room excited their appetites. Unfashionable red lips cut across their white faces, and the crimson fingernails, as pointed as surgical instruments, heightened the predatory effect. Older, sadder women were more interesting to me. Voluminous skirts and imported shawls did not hide their heavy bodies, nor was their unattractiveness shielded by the clanks of chains and ribbons of beads, or by pale pink lips and heavily drawn doe eyes. Their presence among the pretty people enchanted me. It was like seeing frogs buzzed by iridescent dragonflies.

Only the past week, Father had orchestrated a discussion between Thomas and me on the topic of exotic fossilized creatures. Thomas argued that if these strange animals were truly extinct, it implied poor planning on God's part, threatening the ideal of God's perfection, therefore, such creatures must still be alive in remote places on Earth. I argued that even God should be allowed to change his mind. "Why should God's perfection be based on having and unchanging nature?" I asked. "Isn't flexibility more perfect than stasis?

This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke love Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the Mafioso loves, too—eating and money and Paulie and omerta` --the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.

Because the scientific understanding of manic-depressive illness is so ultimately beholden to the field of molecular biology, it is a world in which I have spent an increasing amount of time. It is an exotic world, one developed around an odd assortment of plants and animals—maize, fruit flies, yeast, worms, mice, humans, puffer fish—and it contains a somewhat strange, rapidly evolving, and occasionally quite poetic language system filled with marvelous terms like “orphan clones,” “plasmids,” and “high-density cosmids”; “triple helices,” “untethered DNA,” and “kamikaze reagents”; “chromosome walking,” “gene hunters,” and “gene mappers.” It is a field clearly in pursuit of the most fundamental of understandings, a search for the biological equivalent of quarks and leptons.

Decorated in exotic tones of saffron, gold, ruby, and cinnamon with accent walls representing the natural movement of wind and fire, and a cascading waterfall layered with beautiful landscaped artificial rocks and tiny plastic animals, the restaurant was the embodiment of her late brother's dream to re-create "India" in the heart of San Francisco. The familiar scents- cinnamon, pungent turmeric, and smoky cumin- brought back memories of evenings spent stirring dal, chopping onions, and rolling roti in the bustling kitchen of her parents' first restaurant in Sunnyvale under the watchful army of chefs who followed the recipes developed by her parents. What had seemed fun as a child, and an imposition as a teenager, now filled her with a warm sense of nostalgia, although she would have liked just one moment of her mother's time.

Chapter 28 Genghis Cat Gracing Whatever Shithole This Is, Washington, USA You can all relax now, because I am here. What did you think? I’d run for safety at the whim of a fucking parrot with under-eye bags like pinched scrotums? Did you suspect I—a ninja with feather-wand fastness and laser-pointer focus—had the spine of a banana slug? Then you are a shit-toned oink with the senses of a sniveling salamander. Then you don’t know Genghis Cat. I look around and can see that we are surrounded by The Bird Beasts, those crepe-faced, hair ball–brained fuck goblins. I intensely dislike these lumpy whatthefuckareyous who straddle between the Mediocre Servant and animal worlds, trying to be one thing and really not being, like imitation crabmeat in a sushi log that is really just fucking whitefish and WE ALL KNOW IT. “Would you like a little of the crabmeat, Genghis?” my Mediocre Servants seemed to ask with their blobfish lips and stupid faces. “THAT’S FUCKING WHITEFISH, YOU REGURGITATED MOLES!” I’d yowl, and then I’d steal the sushi log and run off and growl very much so they couldn’t have it back, and later I would pee on their night pillows for good measure. I cannot imagine their lives before me. We mustn’t think of those bleak dark ages. But the Beasts are dangerous. I have watched them morph and chew into a house. I have seen them with spider legs and second stomachs and camouflage skins. I have seen them tear the legs off a horse and steal flight from those with feathers. Orange and I have lost family to their fuckish appetites. But they are still fakish faking beasts and I’m fucking Genghis Cat. They are imitation crab and Genghis is filet mignon Fancy Feast, bitch. Probably I should come clean here and tell you that I’m immortal. I always suspected it but can confirm it now that I have surpassed the allocated nine lives. I’m somewhere around life 884, give or take seventy-eight. Some mousers have called me a god, but I insist on modesty. I also don’t deny it. I might be a god. It seems to fit. It feels right. A stealthy, striped god with an exotically spotted tummy—it seems certain, doesn’t it to you? I’m 186 percent sure at this point. Orange insists we stay away from the Beasts all the time, but I only let Orange think he’s in charge. Orange is incredibly sensitive, despite being the size of a Winnebago. He hand-raised each of my kittens and has terrible nightmares, and I have to knead my paws on him to calm him down. Orange and I have a deal. I will kill anything that comes to harm Orange and Orange will continue to be the reason I purr.

This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk, just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ’roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke loves Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the mafioso loves, too—eating and money and Paulie and omertà—the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.

FICTION is a series of unintended coincidence,confabulation,and quasi-lucid lying made plausible enough for an author and a reader to cohabitate for a secret, brief and sinful affair. Nothing is real.Except imagination~with a pinch of perception, and a dash of collusion used as the Clabber. Be So Advised.

My final two cents worth of advice is to develop an all-consuming curiosity for things both exotic and ordinary. Read, observe, analyze, and become involved with a variety of interests. Study, practice, delve, probe, investigate, and above all, be flexible. Keep an open mind. The world is changing fast. Don't get caught in the corner of the ring. - Ward Kimball

To those who serve to protect the exotic animals in the rainforest. Thanks for making it possible for so many of them to remain in their natural habitat and for stopping those who are destroying the animals or transporting them from their homes in the wild.

In 132 Hadrian, now in his late fifties, decided to leave Greece, the country he had placed at the centre of his empire, and turn for home. He had accomplished all that he had ever planned on the greatest stage set the world had ever seen. The council of the Panhellion had been inaugurated with games and religious ceremonies. Athens, basking in the generosity of an emperor who loved her, had never looked more splendid. Alabaster, gilding, bronzes and hundreds of marble columns and statues decorated the restored city, and festivals had been arranged in perpetuity. Great games – more to the Roman taste, of a kind rare in Greece – had been held, where 1,000 exotic animals from all over the empire were slaughtered. The celebrations went on for weeks on end. The cult of Antinous had been established in all the major centres of Greece and Asia minor. The dream of a Roman empire united by Hellenic nostalgia had reached its zenith.

the Mediterranean region’s climate started to warm and become wetter starting 18,000 years ago, archaeological sites become more numerous and widespread, creeping into areas now occupied by the desert. The culmination of this population boom was a period called the Natufian, dated to between 14,700 and 11,600 years ago.7 The early Natufian was a sort of golden era of hunting and gathering. Thanks to a benevolent climate and many natural resources, the Natufians were fabulously wealthy by the standards of most hunter-gatherers. They lived by harvesting the abundant wild cereals that naturally grow in this region, and they also hunted animals, especially gazelle. The Natufians evidently had so much to eat that they were able to settle permanently in large villages, with as many as 100 to 150 people, building small houses with stone foundations. They also made beautiful art objects, such as bead necklaces and bracelets and carved figurines, they exchanged with distant groups for exotic shells, and they buried their dead in elaborate graves. If there ever was a Garden of Eden for hunter-gatherers, this must have been it. But then crisis struck 12,800 years ago. All of a sudden, the world’s climate deteriorated abruptly, perhaps because an enormous glacial lake in North America emptied suddenly into the Atlantic, temporarily disrupting the Gulf Stream and wreaking havoc with global weather patterns.8 This event, called the Younger Dryas,9 effectively plunged the world back into Ice Age conditions for hundreds of years. Imagine

I must have fallen asleep on a rock. It’s digging into my shoulder blade. I scrunch up and start to roll over, but then freeze. It’s not just a single rock. It’s a giant one. Like concrete. I go numb as I realize what this means. It can’t be…I ease open my eye, and then in an instant I’m sitting upright and looking around. And all I see are cars. And people in blue jeans. And street signs. And I smell smog and I hear radios crackling in the passing cabs. I close my eyes for at least ten seconds and then open them again, but it’s all still there. The twenty-first century. I can’t stop my face from falling. I’m back. Just when I’d realized I don’t want this at all, I’m back. My shopping bags are strewn around me. I’m wearing jeans. A T-shirt. My heels. I glance back to realize the Prada shop is still a few yards behind me, just where I’d left it. I’m sitting in the exact spot I’d fallen down. I never left at all. I stay put for a few moments as a pounding headache fades. Alex. Emily. Even Victoria. They were all make-believe. Some figment of my banged-up brain. That means the kiss…God, I made it all up! Every single thing! I want to lie back down, close my eyes, and go back. I want horrible soup and stiff corsets and lump mattresses. I’ll trade it all to see Alex again. To go to Emily’s wedding. A man trips on my foot and then has the nerve to glare at me, even though he basically kicked me in the shin. Yes, I’m definitely in the twenty-first century. I scramble to my feet and wipe the dirt off my jeans and lean over to pick up my bags. And then I notice them. My heels. My beautiful, damaged heels. I glance over my shoulder. Yes, the Prada shop is definitely still behind me. I’ve gone maybe four steps from the door. Nowhere near enough to ruin the heels like this. They’re scuffed, dented, and scratched. I gather up the rest of my bags, my grin in full-force. It wasn’t fake. It wasn’t make-believe or a dream or anything. It happened. As sure as the mud on the heels, it happened. There’s even a dent where the front door of Harksbury bounced off the toe. I don’t know how or why or anything, but somehow, I was there. I danced with Alex and helped Emily. I played a piano for a duke and a countess, and I ate more exotic animals than I ever wanted to. But it happened. I don’t understand it; I only know that the last month was real, and it was the best of my life. I sling the bags over my shoulder and practically skip down the block. No matter what happens next, no matter what happens for the rest of my life, I have something no one else will ever have. An adventure to rival Indiana Jones. A crazy month that can never be replicated.

Lilenta…” Baird reached for her but she shied away. “No, don’t touch me! In fact, I don’t think we should touch anymore at all.” Baird frowned. “What are you talking about?” Liv shook her head, her pulse pounding as all her old fears of being pinned down and helpless under the big alien male came back in a rush. “There’s something about you. I can’t…can’t seem to control myself when you get too close. When you touch me. And don’t tell me it’s my body reacting to yours because we ‘need’ each other again either,” she snapped, when he opened his mouth as if to reply. “I don’t care what causes it, I don’t like being out of control. Don’t like it that I can’t seem to stop myself from…from acting like some kind of animal in heat.” “I told you this would happen.” Baird shifted on the bed toward her but Liv pulled away again. He sighed and sat back. “Your body is in heat, Lilenta—to a certain extent anyway. And as long as we’re together you’ll get hotter and hotter. Having me inside you is the only thing that will ease you.” “Well then I guess I’ll just have to manage on my own because there is no way I’m letting you try to get your whole entire uh…self inside me.” Liv’s heart was still racing. “In fact, I don’t think I want you touching me at all anymore. It’s too dangerous.” Baird’s face was like a thundercloud. “You signed a contract, Olivia. This is our bathing week—you can’t deny me the right to wash you.” “Exactly—wash me. And that’s it.” Liv lifted her chin defiantly. “I’m pretty sure if I went over that contract with a fine tooth comb there wouldn’t be anything about you being able to rub me with fifty types of oil and lay on top of me and practically hump me through the mattress.” “I was scent marking you,” he protested. “Gotta do that in order to let other males know you’re mine.” “I’m not yours,” she flared at him angrily. “And I never will be! So you can wash me—fine, I can’t stop you. But nothing outside the bathing pool. That means no more naked massages with exotic oils. And absolutely no more marking, or whatever you call it.” “Fine.” Baird was so angry now his eyes were practically glowing. “But if I can’t mark you, then we’re not leaving the suite. Not with you smellin’ so hot and not having any of my scent on you.” Liv threw up her hands. “Great. Put me under house arrest—I don’t care. Just stay away from me.” “If that’s how you feel,” he said, his jaw clenched. “I told you once I wasn’t interested in taking what you didn’t want to give.” “That’s exactly how I feel,” Liv assured him. “And I’m not giving another inch.” “Fine.” He was still glaring at her but the pain was back in his eyes now—back to stay and Liv knew she was the cause of it. Suddenly she felt horrible. “Try to understand, Baird,” she pleaded softly. “I never asked for this—for our minds to align or for you to claim me. I never wanted any of it. I just…I just want to go home.” Baird closed his eyes briefly. “I wish I could let you. But I can’t, Olivia. I need you too damn much. I’m sorry.

At the corner of the bar, a conversation rose in decibel, becoming animated. “Yo, Frank, take a look at what just walked in! Is it Christmas already? ‘Cause that sure is a pretty package.” “You got that right. . . . Wouldn’t mind unwrapping her bows.” Instinctively, Sean cast a glance over his shoulder and groaned in despair. The scene from Casablanca played in his mind. . .Of all the gin joints in all the towns in all the world, she had to walk into mine. This could not be happening. This was his turf, his town, his bar. She had no right to trespass. Okay, so this wasn’t Casablanca. This wasn’t Rick’s Café. Sam’s fingers weren’t summoning the haunting melody, “As Time Goes By,” from the ivories of an old upright piano. There weren’t any ceiling fans with long propeller-like blades slicing through thick clouds of cigarette smoke, nor were the voices that could be heard an exotic mélange of foreign languages and accents. But those differences were superficial, of no consequence. The only thing that really mattered was that Sean understood exactly how Bogie felt when his eyes lit on Ingrid Bergman. That terrible mix of bitterness, longing, and fury eating away at him. He groaned again. At the sound, the two men sitting at the corner of the bar broke off their conversation, eyeing Sean curiously. Just as quickly, they dismissed him and returned to their avid inspection. “Must be lost or confused. Palm Beach is twenty-five miles north.” “Let’s be friendly and give her directions. How ‘bout that, Ray?” “You frigging nuts? The only directions I’m giving her are to the slip where my houseboat’s moored.

You are not in the slightest bit afraid of me, are you?” he interrupted, staring at her as if she were an exotic animal. She regarded him with a measure of surprise, realizing that she was not. “Should I be?” she reasoned aloud. “You are not the soulless creature the myths portray.” “What

MY LORD, when you ask me to tell the court in my own words, this is what I shall say. I am kept locked up here like some exotic animal, last survivor of a species they had thought extinct. They should let in people to view me, the girl-eater, svelte and dangerous, padding to and fro in my cage, my terrible green glance flickering past the bars, give them something to dream about, tucked up cosy in their beds of a night. After my capture they clawed at each other to get a look at me. They would have paid money for the privilege, I believe. They shouted abuse, and shook their fists at me, showing their teeth. It was unreal, somehow, frightening yet comic, the sight of them there, milling on the pavement like film extras, young men in cheap raincoats, and women with shopping bags, and one or two silent, grizzled characters who just stood, fixed on me hungrily, haggard with envy. Then a guard threw a blanket over my head and bundled me into a squad car. I laughed. There was something irresistibly funny in the way reality, banal as ever, was fulfilling my worst fantasies.

The law gave me an entirely new vocabulary, a language that non-lawyers derisively referred to as "legalese." Unlike the basic building blocks- the day-to-day words- that got me from the subway to the office and back, the words of my legal vocabulary, more often than not, triggered flavors that I had experienced after leaving Boiling Springs, flavors that I had chosen for myself, derived from foods that were never contained within the boxes and the cans of DeAnne's kitchen. Subpoenakiwifruit. InjunctionCamembert. Infringementlobster. Jurisdictionfreshgreenbeans. Appellantsourdoughbread. ArbitrationGuinness. Unconstitutionalasparagus. ExculpatoryNutella. I could go on and on, and I did. Every day I was paid an astonishing amount of money to shuffle these words around on paper and, better yet, to say them aloud. At my yearly reviews, the partners I worked for commented that they had never seen a young lawyer so visibly invigorated by her work. One of the many reasons I was on track to make partner, I thought. There were, of course, the rare and disconnecting exceptions. Some legal words reached back to the Dark Ages of my childhood and to the stunted diet that informed my earlier words. "Mitigating," for example, brought with it the unmistakable taste of elementary school cafeteria pizzas: rectangles of frozen dough topped with a ketchup-like sauce, the hard crumbled meat of some unidentifiable animal, and grated "cheese" that didn't melt when heated but instead retained the pattern of a badly crocheted coverlet. I had actually looked forward to the days when these rectangles were on the lunch menu, slapped onto my tray by the lunch ladies in hairnets and comfortable shoes. Those pizzas (even the word itself was pure exuberance with the two z's and the sound of satisfaction at the end... ah!) were evocative of some greater, more interesting locale, though how and where none of us at Boiling Springs Elementary circa 1975 were quite sure. We all knew what hamburgers and hot dogs were supposed to look and taste like, and we knew that the school cafeteria served us a second-rate version of these foods. Few of us students knew what a pizza was supposed to be. Kelly claimed that it was usually very big and round in shape, but both of these characteristics seemed highly improbable to me. By the time we were in middle school, a Pizza Inn had opened up along the feeder road to I-85. The Pizza Inn may or may not have been the first national chain of pizzerias to offer a weekly all-you-can-eat buffet. To the folks of the greater Boiling Springs-Shelby area, this was an idea that would expand their waistlines, if not their horizons. A Sizzler would later open next to the Pizza Inn (feeder road took on a new connotation), and it would offer the Holy Grail of all-you-can-eat buffets: steaks, baked potatoes, and, for the ladies, a salad bar complete with exotic fixings such as canned chickpeas and a tangle of slightly bruised alfalfa sprouts. Along with "mitigating," these were some of the other legal words that also transported me back in time: Egressredvelvetcake. PerpetuityFrenchsaladdressing. Compensatoryboiledpeanuts. ProbateReese'speanutbuttercup. FiduciaryCheerwine. AmortizationOreocookie.

fiat that

My sisters...I am breaking free, because I'm a fucking bird! (I've also claimed to be a lion, lioness, cat, kitty, snake, wolf, a beautiful free running horse, and many other random exotic animals).

It was a lavishly decorated medieval manuscript or something that looked like one. The first letters caught the light from the hallway and sparkled in gold. Strange birds and exotic animals hidden in a tangle of foliage and fairy-tale landscapes lined the borders.

Our first project, LIFE BEHIND BARS VOL. I is the most comprehensive photographic study to date of exotic and endangered animals and the necessity of their being kept in captivity for their own protection, and that of their species” declares Julian Starks.

They see me as an exotic animal, a rebellious phase. I’m not a pony they can ride in turns,

with cool coats. Let’s pounce into the world of this exotic wild creature and see what we can learn!

Over here you’ll see San Fran is also host to a wide variety of exotic animals. Many find our streets to be like a modern rain forest,” she says, indicating a flock of flea-ridden pigeons pecking leftovers off a bum sleeping on the curb.

Albert, friend to royalty,” Beatrix said later at the Rutledge Hotel, laughing as she sat on the floor of their suite and examined the new collar. “I hope you don’t get above yourself, and put on airs.” “Not around your family, he won’t,” Christopher said, stripping off his coat and waistcoat, and removing his cravat. He lowered himself to the settee, relishing the coolness of the room. Albert went to drink from his bowl of water, lapping noisily. Beatrix went to Christopher, stretched full length atop him, and braced her arms on his chest. “I was so proud of you today,” she said, smiling down at him. “And perhaps a tiny bit smug that with all the women swooning and sighing over you, I’m the one you went home with.” Arching a brow, Christopher asked, “Only a tiny bit smug?” “Oh, very well. Enormously smug.” She began to play with his hair. “Now that all this medal business is done with, I have something to discuss with you.” Closing his eyes, Christopher enjoyed the sensation of her fingers stroking his scalp. “What is it?” “What would you say to adding a new member to the family?” This was not an unusual question. Since they had established a household at Riverton, Beatrix had increased the size of her menagerie, and was constantly occupied with animal-related charities and concerns. She had also compiled a report for the newly established natural history society in London. For some reason it had not been at all difficult to convince the group of elderly entomologists, ornithologists, and other naturalists to include a pretty young woman in their midst. Especially when it became clear that Beatrix could talk for hours about migration patterns, plant cycles, and other matters relating to animal habitats and behavior. There was even discussion of Beatrix’s joining a board to form a new natural history museum, to provide a lady’s perspective on various aspects of the project. Keeping his eyes closed, Christopher smiled lazily. “Fur, feathers, or scales?” he asked in response to her earlier question. “None of those.” “God. Something exotic. Very well, where will this creature come from? Will we have to go to Australia to collect it? Iceland? Brazil?” A tremor of laughter went through her. “It’s already here, actually. But you won’t be able to view it for, say…eight more months.” Christopher’s eyes flew open. Beatrix was smiling down at him, looking shy and eager and more than a little pleased with herself. “Beatrix.” He turned carefully so that she was underneath him. His hand came to cradle the side of her face. “You’re sure?” She nodded. Overwhelmed, Christopher covered her mouth with his, kissing her fiercely. “My love…precious girl…” “It’s what you wanted, then?” she asked between kisses, already knowing the answer. Christopher looked down at her through a bright sheen of joy that made everything blurred and radiant. “More than I ever dreamed. And certainly more than I deserve.” Beatrix’s arms slid around his neck. “I’ll show you what you deserve,” she informed him, and pulled his head down to hers again.

Much of what animated me in those days I now recognize as the romantic yearnings of an idealistic, alienated, and aimless young man. I endowed these strange, exotic people, about whom I knew little, with all the virtues that my own culture seemed to lack.

He was an exotic animal I wanted to pet but feared it might bite me, hard. I

They don’t go in for the fancy or exotic, but stick to conventional food like flightless bird embryos, minced organs in intestine skins, slices of hog flesh and burnt ground grass seeds dipped in animal fats; or, as it is known in their patois, egg, soss and bacon and a fried slice.

We have increased our population to the level of 7 billion and beyond. We are well on our way toward 9 billion before our growth trend is likely to flatten. We live at high densities in many cities. We have penetrated, and we continue to penetrate, the last great forests and other wild ecosystems of the planet, disrupting the physical structures and the ecological communities of such places. We cut our way through the Congo. We cut our way through the Amazon. We cut our way through Borneo. We cut our way through Madagascar. We cut our way through New Guinea and northeastern Australia. We shake the trees, figuratively and literally, and things fall out. We kill and butcher and eat many of the wild animals found there. We settle in those places, creating villages, work camps, towns, extractive industries, new cities. We bring in our domesticated animals, replacing the wild herbivores with livestock. We multiply our livestock as we've multiplied ourselves, operating huge factory-scale operations involving thousands of cattle, pigs, chickens, ducks, sheep, and goats, not to mention hundreds of bamboo rats and palm civets, all confined en masse within pens and corrals, under conditions that allow those domestics and semidomestics to acquire infectious pathogens from external sources (such as bats roosting over the pig pens), to share those infections with one another, and to provide abundant opportunities for the pathogens to evolve new forms, some of which are capable of infecting a human as well as a cow or a duck. We treat many of those stock animals with prophylactic doses of antibiotics and other drugs, intended not to cure them but to foster their weight gain and maintain their health just sufficiently for profitable sale and slaughter, and in doing that we encourage the evolution of resistant bacteria. We export and import livestock across great distances and at high speeds. We export and import other live animals, especially primates, for medical research. We export and import wild animals as exotic pets. We export and import animal skins, contraband bushmeat, and plants, some of which carry secret microbial passengers. We travel, moving between cities and continents even more quickly than our transported livestock. We stay in hotels where strangers sneeze and vomit. We eat in restaurants where the cook may have butchered a porcupine before working on our scallops. We visit monkey temples in Asia, live markets in India, picturesque villages in South America, dusty archeological sites in New Mexico, dairy towns in the Netherlands, bat caves in East Africa, racetracks in Australia – breathing the air, feeding the animals, touching things, shaking hands with the friendly locals – and then we jump on our planes and fly home. We get bitten by mosquitoes and ticks. We alter the global climate with our carbon emissions, which may in turn alter the latitudinal ranges within which those mosquitoes and ticks live. We provide an irresistible opportunity for enterprising microbes by the ubiquity and abundance of our human bodies. Everything I’ve just mentioned is encompassed within this rubric: the ecology and evolutionary biology of zoonotic diseases. Ecological circumstance provides opportunity for spillover. Evolution seizes opportunity, explores possibilities, and helps convert spillovers to pandemics.

The people around us seem to be dressed in every kind of clothing from every nation and era in human history. I see people dressed in modern military uniforms, animal skins, togas, tribal regalia, European and Japanese armor, robes, breeches, long dresses, short dresses, and suits. Some people wear not much clothing at all. It's as though we're on the back lot of a movie studio and actors from a hundred different exotic movies mingle together. But these people are real, not costumed performers.

On the contrary, respecting the autonomy of individual animals instead of focusing on the purity of their 'wild' pedigree suggests that any positive relationship between us and them must be by mutual consent.

Kip Lewis recently relocated to New Mexico to continue his work as an animal trainer in a new environment. Kip Lewis and his wife both work with animal actors and have decades of combined hands-on experience working with all kinds of domestic and exotic animals. They provide animal actors for screen and print.

He is so beautiful—in the way the exotic, dangerous animals are. The closer I get, the more likely I’ll be eaten alive.

Sunlit bazaars in exotic cities thronged with faces that were transparent masks for insectoid countenances; moonlit streets in antique towns harbored a strange-eyed slithering within their very stones; dim galleries of empty museums sprouted a ghostly mold that mirrored the sullen hues of old paintings; the land at the edge of oceans gave birth to a new evolution transcending biology and remote islands offered themselves as a haven for forms having no analogy outside of dreams; jungles teemed with beast-like shapes that moved beside the sticky luxuriance as well as through the depths of its pulpy warmth; deserts were alive with an uncanny flux of sounds which might enter and animate the world of substance; and subterranean landscapes heaved with cadaverous generations that had sunken and merged into sculptures of human coral, bodies heaped and unwhole, limbs projecting without order, eyes scattered and searching the darkness.

Yoga: once an exotic rite for mystics, now a suburban hobby in church halls and gymnasiums. Stretches, belly breaths and chants. Ancient (and awkward) poses with odd animal names, enjoyed by Lycra-clad mothers and post-matcha tea hipsters alike.

In the Ondariva gardens the branches spread out like the tentacles of extraordinary animals, and the plants on the ground opened up stars of fretted leaves like the green skins of reptiles, and waved feathery yellow bamboos with a rustle like paper. From the highest tree Cosimo, in his yearning to enjoy to the utmost the unusual greens of this exotic flora and its different lights and different silence, would let his head drop upside down, so that the garden became a forest, a forest not of this earth but a new world in itself.

In the 1980s reindeer meat still made a substantial profit. Every other activity, even when the real cost of anything at all was masked by the Soviet tangle of cross-subsidies and phantom accounting, ran at a severe loss. Though this was to change beyond all recognition in the 1990s, reindeer herders in the 1980s were fairly well paid and well provisioned, and their exotic holidays were provided free.

She took down the framed manuscript from the kitchen wall. It was Kendra's prized possession, and part of her felt guilty for what she planned, but it had to be done. She carefully removed the parchment from its frame, then searched through the piles of translations and notes on the kitchen table. Finally she found the Secret Scroll on the chair where Kendra had been the night before. She carried both manuscripts upstairs and set them on her desk. Next she gathered paints and brushes and sat down. She studied the artwork on the Secret Scroll, then slowly began copying its rich patterns of gold, red, and blue onto Kendra's old manuscript. It was late afternoon when she finished. She studied her work. She had managed to copy the exotic birds and animals hidden in the foliage on the borders, and even the detailed picture of the goddess locking the jaws of hell. Her work was rough, but at a distance it would fool Toby or any of the Regulators, especially since they were afraid to touch it. Satisfied, she went to her closet. She searched through her clothes until she found the strapless top with the slit in the front. She slipped it over her head, then grabbed a silky black skirt and stepped into it. She carried her stiletto boots to the bed and tugged them on. At last she drew black liquid eyeliner over her top lid, added green glitter shadow, rolled thick mascara on her lashes, and brushed her hair. She added gloss to her lips and rubbed sparkle lotion over her arms and chest. Then she remembered the dragon stencils. Soon, she had a sinuous dragon adorning her thigh between the bottom of her skirt and the top of her boots. She liked the look. She turned in front of the full-length mirror behind the bathroom door. "Dynamite," she whispered. Her reflection thrilled her. She looked vamped-out and mystical. At once, she sensed the fierce power of the dragon rising in her. She felt like an invincible goddess-warrior.

With the amount of time I spent volunteering in the clinic, one might think I aspired to a career in veterinary medicine. Animals were one of the few things that brought me extreme happiness, especially those in need of my attention. The other volunteers might have assumed the animals provided a respite from the loneliness and isolation that surrounded me during my college years, but few would understand that I simply preferred the company of animals over most humans. The soulful look in their eyes as they learned to trust me sustained me more than any social situation ever would. If there was one thing I loved almost as much as animals, it was books. Reading transported me to exotic locales, fascinating periods in history, and worlds that were vastly different from my own.

International trade in primates flourishes because we exploit primates for science.

A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car’s floor.

In 1973, the Kenyan government banned elephant hunting and the club fell on hard times. Holden brought in two minority partners, Don Hunt and Julian McKeand. Together they created the Mount Kenya Game Ranch with captive breeding programs for thirty-seven African species, and an orphanage for rescued animals. There were fifty types of exotic birds, including sacred ibises, marabou storks, peacocks and Egyptian geese. One of the rarest species at the game ranch was the East African Bongo – a critically endangered red and white-striped antelope, which became the ranch’s mascot. Holden showed Powers the club’s first-class amenities. They visited the Arabian horse stables, and walked down a garden path to the guest cottages, dubbed Millionaire’s Row.

Sometimes she felt much like a natural philosopher watching exotic animals in their native habitat. What she had always suspected was confirmed by life aboard the Fancy--men were simple creatures with uncomplicated brains. They wanted food, and drink, and fighting, and sexual congress. They were impressed with their own body's ability to make noise and odor. Their idea of humor was at best crude, at worst painful, yet even after some of the bizarre practical jokes that brought men to her sick bay they were still laughing and bragging about whatever insane thing they'd done that got them in that condition.

The government offers a really useful website...mypyramidtrackerDOTgov...after you enter your daily food intake and physical activity, it generates wonderfully detailed charts... The site has its peculiarities. The fitness tracker, which wants you to account for all 24 hours of your day, has no entry for writing a movie review, had entries for "orange grove worker" and "steel mill: removing slag" and one category that integrates "forklift operator" with "yoga instruction." Not since Jennifer Beals in "Flashdance"--welder by day, exotic dancer by night--has there been such an intriguing job combo. Under "hone activities," the limited choices include "butchering animals" and "cooking Indian bread on an outside stove"; I'm happy to try just as soon as I remove some slag and get my degree in forklift/yoga." page. 221-222

Not nuclear or chemical. Biological,” Banks replied. “The colonel says that the word is it’s more in the line of a rich man’s zoo—exotic animals and such. Some Russian oilman’s plaything is what I was told. Why it warrants a UN inspection is above our pay grade. The job’s as simple as fuck.

The second main argument to support the idea that simple living enhances our capacity for pleasure is that it encourages us to attend to and appreciate the inexhaustible wealth of interesting, beautiful, marvelous, and thought-provoking phenomena continually presented to us by the everyday world that is close at hand. As Emerson says: “Things near are not less beautiful and wondrous than things remote. . . . This perception of the worth of the vulgar is fruitful in discoveries.”47 Here, as elsewhere, Emerson elegantly articulates the theory, but it is his friend Thoreau who really puts it into practice. Walden is, among other things, a celebration of the unexotic and a demonstration that the overlooked wonders of the commonplace can be a source of profound pleasure readily available to all. This idea is hardly unique to Emerson and Thoreau, of course, and, like most of the ideas we are considering, it goes back to ancient times. Marcus Aurelius reflects that “anyone with a feeling for nature—a deeper sensitivity—will find it all gives pleasure,” from the jaws of animals to the “distinct beauty of old age in men and women.”48 “Even Nature’s inadvertence has its own charms, its own attractiveness,” he observes, citing as an example the way loaves split open on top when baking.49 With respect to the natural world, celebrating the ordinary has been a staple of literature and art at least since the advent of Romanticism in the late eighteenth century. Wordsworth wrote three separate poems in praise of the lesser celandine, a common wildflower; painters like van Gogh discover whole worlds of beauty and significance in a pair of peasant boots; many of the finest poems crafted by poets like Thomas Hardy, Robert Frost, Elizabeth Bishop, William Carlos Williams, and Seamus Heaney take as their subject the most mundane objects, activities, or events and find in these something worth lingering over and commemorating in verse: a singing thrush, a snowy woods, a fish, some chilled plums, a patch of mint. Of course, artists have also celebrated the extraordinary, the exotic, and the magnificent. Homer gushes over the splendors of Menelaus’s palace; Gauguin left his home country to seek inspiration in the more exotic environment of Tahiti; Handel composed pieces to accompany momentous ceremonial occasions. Yet it is striking that a humble activity like picking blackberries—the subject of well-known poems by, among others, Sylvia Plath, Seamus Heaney, and Richard Wilbur—appears to be more inspirational to modern poets, more charged with interest and significance, than, say, the construction of the world’s tallest building, the Oscar ceremonies, the space program, or the discovery of DNA’s molecular structure. One might even say that it has now become an established function of art to help us discover the remarkable in the commonplace

Whether you're looking for a new companion or a pet for the kids, we are sure to have the ideal choice amongst our range of friendly exotic creatures. We have everything from birds to reptiles, along with all the food and accessories you need to look after them. We have over 30 years' experience of caring for animals of all shapes and sizes, so we will be able to advise you on your perfect pet, and give you all the information you could ever need to make sure they stay happy and healthy.

Tyree was a dreamer who painted idealized women in idyllic South Pacific landscapes, the faces of wizened island men and later exotic animals. His portraiture, whether of humans or animals, captured their quiet, gentle spirit.

Koch emphasized rugged pursuits, taking his sons big-game hunting in Africa and filling the basement billiard room with what one cousin remembered as a frightening collection of exotic stuffed animal heads, including lions and bears and others with horns and tusks, glinting glassy-eyed from the walls.