Exorcist Quotes

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Writers are the exorcists of their own demons.
Mario Vargas Llosa
Winston Gallagher!" I said, recognizing the first ghost I'de met. Then my eyes narrowed & I covered my hand in front of my crotch as I saw Winstons gaze fasten there next. "Don't even think about poltergeisting my panties again". "This is the sod? Come here you scurvy little--" "Bones don't!" I interrupted. He stopped, giving a last glare to him while mouthing YOU. ME. EXORCIST. before returning to my side.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
God never talks. But the devil keeps advertising, Father. The devil does a lot of commercials.
William Peter Blatty (The Exorcist (The Exorcist, #1))
I'm not a human or a demon anymore. In which case.. I'll have to be an Exorcist!
Kazue Kato (Blue Exorcist, Vol. 1)
You. Me. Exorcist. -Bones
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Perhaps evil is the crucible of goodness... and perhaps even Satan - Satan, in spite of himself - somehow serves to work out the will of God.
William Peter Blatty (The Exorcist (The Exorcist, #1))
You don't blame us for being here, do you? After all, we have no place to go. No home... Incidentally, what an excellent day for an exorcism...
William Peter Blatty (The Exorcist (The Exorcist, #1))
I'll always be here. You can't make me leave if you got the priest from the exorcist to come remove me. Cause I'm on step above demon... I'm Preppy.
T.M. Frazier (Tyrant (King, #2))
The demon is a liar. He will lie to confuse us; but he will also mix lies with the truth to attack us. His attack is psychological, Damien. And powerful.
William Peter Blatty (The Exorcist (The Exorcist, #1))
We mourn the blossoms of May because they are to whither; but we know that May is one day to have its revenge upon November, by the revolution of that solemn circle which never stops---which teaches us in our height of hope, ever to be sober, and in our depth of desolation, never to despair.
William Peter Blatty (The Exorcist (The Exorcist, #1))
What looked like morning was the beginning of endless night
William Peter Blatty (The Exorcist (The Exorcist, #1))
Corn dogs," the exorcist said, "are all the proof I need that there is a God.
Grady Hendrix (My Best Friend's Exorcism)
From.. from now on.. I will protect my brother in father's stead.
Kazue Kato (Blue Exorcist, Vol. 1)
As far as God goes, I _am_ a nonbeliever. Still am. But when it comes to a devil---well, that's something else.
William Peter Blatty (The Exorcist (The Exorcist, #1))
Yet I think the demon's target is not the possessed; it is us . . . the observers . . . every person in this house. And I think---I think the point is to make us despair; to reject our own humanity, Damien: to see ourselves as ultimately bestial; as ultimately vile and putrescent; without dignity; ugly; unworthy.
William Peter Blatty (The Exorcist (The Exorcist, #1))
Yukio!! I swear to God I'll surpass you!! Just you watch!
Kazue Kato (Blue Exorcist, Vol. 1)
WHAT WE GIVE TO THE POOR IS WHAT WE TAKE WITH US WHEN WE DIE.
William Peter Blatty (The Exorcist)
For I think belief in God is not a matter of reason at all; I think it finally is a matter of love.
William Peter Blatty (The Exorcist (The Exorcist, #1))
This century hasn't got the lock on insanity.
William Peter Blatty (The Exorcist (The Exorcist, #1))
There was something deranged and distinctly midwestern about a station that programmed "The Exorcist" three days prior to Christmas.
Scott Heim (Mysterious Skin)
How many husbands and wives must believe they have fallen out of love because their hearts no longer race at the sight of their beloveds!
William Peter Blatty (The Exorcist (The Exorcist, #1))
We use concepts like "consciousness"---"mind"---"personality," but we don't really know yet what these things are.' He was shaking his head. 'Not really. Not at all.
William Peter Blatty (The Exorcist (The Exorcist, #1))
I wonder which you are. A human...or a demon? One day you will have to decide.
Kazue Kato (Blue Exorcist, Vol. 9)
The demon's target is not the possessed; it is us the observers..everyone in this house. I think the point is to make us despair..to reject our humanity: to see ourselves as ultimately bestial, vile and putrescent; without dignity; ugly; unworthy.
William Peter Blatty (The Exorcist (The Exorcist, #1))
One death is the parent of a thousand lives
William Peter Blatty (The Exorcist (The Exorcist, #1))
He's so stupid he'd forget to die even if he got killed.
Kazue_Katō
I'm not some character from a boys' manga." ~Yukio
Kazue Kato (Blue Exorcist, Vol. 9)
Don't you even think of poltergeisting my panties again," I warned him, adding in a louder voice. "That goes for everyone else here, too." "This is the sod?" Bones started down the porch stairs even as Winston began to edge away. "Come back here, you scurvy little--" "Bones, don't!" I interrupted, not wanting him to start using slurs that might offend the other living-inpaireds gathered here. He stopped, giving a last glare to Winston while mouthing, You. Me. Exorcist, before returning to my side.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
The sun sinks to rise again; the day is swallowed up in the gloom of night, to be born out of it, as fresh as if it had never been quenched.
William Peter Blatty (The Exorcist)
Like the brief doomed flare of exploding suns that registers dimly on blind men's eyes, the beginning of the horror passed almost unnoticed; in the shriek of what followed, in fact, was forgotten and perhaps not connected to the horror at all.
William Peter Blatty (The Exorcist (The Exorcist, #1))
the love had grown cold, and in the night he heard it whistling through the chambers of his heart like a lost and gently crying wind.
William Peter Blatty (The Exorcist)
But a myth, to speak plainly, to me is like a menu in a fancy French restaurant: glamorous, complicated camouflage for a fact you wouldn't otherwise swallow, like maybe lima beans.
William Peter Blatty (The Exorcist (The Exorcist, #1))
The child was slender as fleeting hope.
William Peter Blatty (The Exorcist (The Exorcist, #1))
Dear five-year-old, What the fuck is wrong with you? Normal children don’t have dead imaginary friends. Normal children don’t pick open every single one of their chicken pox scabs and then stand naked and bleeding in the darkened doorway to their bedroom until someone walks past and asks what they are doing. Furthermore, normal children don’t respond by saying, “I wanted to know what all my blood would look like.” Normal children also don’t watch their parents sleep from the corner of the room. Mom was really scarred by The Exorcist when she was younger, and she doesn’t know how to cope with your increasingly creepy behavior. Please stop. Please, please stop.
Allie Brosh (Hyperbole and a Half)
In forgetting, they were trying to remember
William Peter Blatty (The Exorcist (The Exorcist, #1))
Opinions constantly shifted and evolved, were fluid the same way thoughts were. Ten minutes into The Exorcist you might say, “This is boring.” An hour later you could decide that it was the best thing you’d ever seen, and it was no different with people. The villain at three in the afternoon might be the hero by sunset. It was all just storytelling.
David Sedaris (Calypso)
You better peel your eyes out so you don't miss a thing, alright!
Kazue Kato (Blue Exorcist, Vol. 1)
There it lies, I think, Damien … possession; not in wars, as some tend to believe; not so much; and very rarely in extraordinary interventions such as here … this girl … this poor child. No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves … for ourselves.
William Peter Blatty (The Exorcist)
Ah. Well... I attended Juilliard... I'm a graduate of the Harvard business school. I travel quite extensively. I lived through the Black Plague and had a pretty good time during that. I've seen the EXORCIST ABOUT A HUNDRED AND SIXTY-SEVEN TIMES, AND IT KEEPS GETTING FUNNIER EVERY SINGLE TIME I SEE IT... NOT TO MENTION THE FACT THAT YOU'RE TALKING TO A DEAD GUY... NOW WHAT DO YOU THINK? You think I'm qualified?
Betelgeuse
The burnished rays of the setting sun flamed glory on the clouds of the western sky before shattering in gold and vermilion dapples on the darkening waters of the river. Once Karras met God in this sight. Long ago. Like a lover forsaken, he still kept the rendezvous.
William Peter Blatty (The Exorcist (The Exorcist, #1))
Her shoes were comfortable. They reflected her hope for the evening.
William Peter Blatty (The Exorcist (The Exorcist, #1))
You don’t need a reason for hating someone!
Kazue Kato (青の祓魔師 10 [Ao no Exorcist 10])
All I know is that things seem to happen. And, my dear, there are lunatic asylums all over the world filled with people who dabbled in the occult.
William Peter Blatty (The Exorcist)
In our sleep, pain, which cannot forget, falls drop by drop upon the heart until, in our own despair, against our will, comes wisdom through the awful grace of God. —Aeschylus
William Peter Blatty (The Exorcist)
I dunno." She sat on the bench and hugged the robe like a pillow. "I still think that Brett guy is cute." "Good luck getting him away from Bekka." Cleo gathered her silky black hair into a high pony and pink-dabbed Smith's Rosebud Salve on her lips. "She's got more grip than Crazy Glue." "More cling than Saran Wrap," Lala added. "More hold than Final Net." Cleo giggled. "More possession than The Exorcist," Lala managed. "More clench than butt cheeks," Blue chimed in. "More competition than American Idol," Frankie stuck out her chest and showed them her diva booty roll. The girls burst out laughing. "Nice!" Blue lifted her purple gloved hand. Frankie slapped it without a single spark. "I hate to be a downer..." Claudine shuffled back into the conversation wearing her slippers and robe. "But that girl will destroy you if she catches you with Brett." "I'm not worried," Frankie tossed her hair back. "I've seen all the teen movies, and the nice girl gets the boy in the end.
Lisi Harrison (Monster High (Monster High, #1))
The exorcist had a slightly Australian tinge to his voice, and the laid-back, whatever-comes-next attitude of a man who had suddenly realised two degrees short of a sunstroke that exorcism was the perfect career choice he'd never been offered in school.
Kate Griffin (A Madness of Angels (Matthew Swift, #1))
-Hey. Do you know anything about exorcists?" Brian's eyebrows shot up. "I think if you want to break up with Greyson, you could find a less dramatic way to do it, don't you?
Stacia Kane (Demon Possessed (Megan Chase, #3))
No, the best thing to do was to get the heck out of the bathroom and find a teacher, or a cop, or an exorcist. I’d take anyone at this point.
Rachel Hawkins (Rebel Belle (Rebel Belle, #1))
Tiffany’s pale faced turned to green and I involuntarily took a step back, half expecting an Exorcist-style stream of vomit to shoot out of her gaping mouth.
Kim Harrington (Clarity (Clarity, #1))
It's not the type of work you can put on a business card. I sometimes play the game with myself, though. What would I put on a business card? Jill Kismet, Exorcist. Maybe on a nice heavy cream-colored card stock, with a good font. Not pretentious, just something tasteful. Garamond, maybe, or Book Antiqua. In bold. Or one of those old-fashioned fonts, but no frilly Edwardian script. Of course, there's slogans to be taken into account. Jill Kismet, Dealer in Dark Things. Spiritual Exterminator. Slayer of Hell's Minions.
Lilith Saintcrow (Hunter's Prayer (Jill Kismet, #2))
So, you got shit-faced, spray-painted a barn with a lovely shade of Exorcist-green puke, fucked a donkey while you were there, and started a fist fight with a recovering, meth-addicted nun and her lovechild who were reenacting the nativity scene?
Kendall Grey (Nocturnes (Hard Rock Harlots, #3))
From the cab stepped a tall old man. Black raincoat and hat and a battered valise. He paid the driver, then turned and stood motionless, staring at the house. The cab pulled away and rounded the corner of Thirty-sixty Street. Kinderman quickly pulled out to follow. As he turned the corner, he noticed that the tall old man hadn't moved but was standing under the streetlight glow, in mist, like a melancholy traveler frozen in time.
William Peter Blatty (The Exorcist (The Exorcist, #1))
Do you know what she did? Your cunting daughter?
William Peter Blatty (The Exorcist (The Exorcist, #1))
But if all of the evil in the world makes you think that there might be a devil, Chris, how do you account for all the good?
William Peter Blatty (The Exorcist (The Exorcist, #1))
There is never a moment where I find Trump persuasive. When I look at him I see a man without any inner life. I see the most superficial person on Earth. This is a guy who has been totally hollowed out by greed and self regard and delusion. If I caught some sort of brain virus and I started talking about myself the way Trump talks about himself, I would throw myself out a fucking window. That barely overstates it. Do you remember that scene at the end of The Exorcist where the priest is driving out the devil from Linda Blair and the devil comes into him and he just hurls himself out the window to end all the madness? Well, it would be like that.
Sam Harris
she advised me to keep my fingers away from her goddamned cunt.
William Peter Blatty (The Exorcist (The Exorcist, #1))
The Kurd stood waiting like an ancient debt.
William Peter Blatty (The Exorcist)
I don’t know whether to call a medical doctor or psychiatrist,” she said to Bailey, “but I refuse to call an exorcist.
Dean Koontz (77 Shadow Street (Pendleton, #1))
Peace I leave you. My peace I give you.
William Peter Blatty (The Exorcist)
At the edge of his dreams, there was often a sound like the faint, distant cry of someone in distress, and for minutes after waking, he would feel the anxiety of some duty unfulfilled.
William Peter Blatty (The Exorcist)
14. Hateful Things: Someone has suddenly fallen ill and one summons the exorcist. Since he is not home, one has to send messages to look for him. After one has had a long fretful wait, the exorcist finally arrives, and with a sigh of relief one asks him to start his incantations. But perhaps he has been exorcising too many evil spirits recently; for hardly has he installed himself and begun praying when his voice becomes drowsy. Oh, how hateful!
Sei Shōnagon (The Pillow Book)
...the exorcist should not believe too readily that a person is possessed by an evil spirit; but he aught to ascertain by the signs by which a person possessed can be distinguished from one who is suffering from some illness; especially one of a psychological nature. Signs of possession may be the following: ability to speak with some facility in a strange language or to understand it when spoken by another; the facility of divulging future and hidden events; display of powers which are beyond the subject's age and natural condition; and various other conditions which, when taken together as a whole, build up the evidence.
William Peter Blatty (The Exorcist (The Exorcist, #1))
Sorry I got possessed by a demon.
Kazue Kato (青の祓魔師 16 [Ao no Exorcist 16] (Blue Exorcist, #16))
What book had this girl read that had enabled her unconscious mind to simulate
William Peter Blatty (The Exorcist)
In our sleep, pain, which cannot forget, falls drop by drop upon the heart until, in our own despair, against our will, comes wisdom
William Peter Blatty (The Exorcist)
eternity, where time does not exist and so the future and the past are both the present.
William Peter Blatty (The Exorcist)
You are never quite at home in this human world ever again after an exorcism,” he said slowly. He sat down again and explained. After an exorcism the exorcist hears and sees and thinks and talks as he always did. But now he perceives on two planes. Spirit is everywhere. Flesh and matter is only “our picture” of what’s there. And it’s not all good. There’s evil and good hidden in that “picture.” After an exorcism you always know, if you didn’t know it before. You are now walking with double vision, a second sight, as the old people used to say.
Malachi Martin (Hostage to the Devil: The Possession and Exorcism of Five Contemporary Americans)
More rooted in logic was the silence of God. In the world there was evil and much of it resulted from doubt, from an honest confusion among men of good will. Would a reasonable God refuse to end it? Not finally reveal Himself? Not speak? “Lord, give us a sign…” The raising of Lazarus was dim in the distant past. No one now living had heard his laughter. And so why not a sign?
William Peter Blatty (The Exorcist)
And I think—I think the point is to make us despair; to reject our own humanity, Damien: to see ourselves as ultimately bestial, vile and putrescent; without dignity; ugly; unworthy. And there lies the heart of it, perhaps: in unworthiness. For I think belief in God is not a matter of reason at all; I think it finally is a matter of love: of accepting the possibility that God could ever love us.
William Peter Blatty (The Exorcist)
I think the demon’s target is not the possessed; it is us … the observers … every person in this house. And I think—I think the point is to make us despair; to reject our own humanity, Damien: to see ourselves as ultimately bestial, vile and putrescent; without dignity; ugly; unworthy. And there lies the heart of it, perhaps: in unworthiness. For I think belief in God is not a matter of reason at all; I think it finally is a matter of love: of accepting the possibility that God could ever love us.
William Peter Blatty (The Exorcist)
at last I realized that God would never ask of me that which I know to be psychologically impossible; that the love which He asked was in my will and not meant to be felt as emotion. No. Not at all. He was asking that I act with love; that I do unto others; and that I should do it unto those who repelled me, I believe, was a greater act of love than any other.
William Peter Blatty (The Exorcist)
This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”. And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.
Jess Walter (Beautiful Ruins)
And there lies the heart of it, perhaps: in unworthiness. For I think belief in God is not a matter of reason at all; I think it finally is a matter of love: of accepting the possibility that God could ever love us.
William Peter Blatty (The Exorcist (The Exorcist, #1))
How many husbands and wives,” Merrin uttered sadly, “must believe they have fallen out of love because their hearts no longer race at the sight of their beloveds. Ah, dear God!” He shook his head. And then he nodded. “There it lies, I think, Damien … possession; not in wars, as some tend to believe; not so much; and very rarely in extraordinary interventions such as here … this girl … this poor child. No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves … for ourselves.
William Peter Blatty (The Exorcist)
The terror drifted over georgetown like the sun over a blind mans eyes
William Peter Blatty (The Exorcist (The Exorcist, #1))
The most frequent weak points in man are, from time to time, always the same: pride, money, and lust.
Gabriele Amorth (An Exorcist Explains the Demonic: The Antics of Satan and His Army of Fallen Angels)
The greatest challenge is normalizing the abnormal and making the extraordinary ordinary.
Gabriele Amorth (An Exorcist Explains the Demonic: The Antics of Satan and His Army of Fallen Angels)
Jesus asked the man his name, and he answered, “Legion, for we are many.” Mark 5:9
William Peter Blatty (Legion (The Exorcist, #2))
There, you see? I didn’t curse. Don’t you agree that I handled the situation demurely?
William Peter Blatty (The Exorcist)
We have every indication that he died of fright.
William Peter Blatty (Legion (The Exorcist, #2))
They said, “What sign can you give us to see, so that we may believe.” —John 6:30–31 “You do not believe although you have seen.” —John 6:36–37
William Peter Blatty (The Exorcist)
Never was he conscious that his thoughts were prayers; only that the prayers were never answered.
William Peter Blatty (The Exorcist (The Exorcist, #1))
Keep away. The sow is mine.
William Peter Blatty (The Exorcist (The Exorcist, #1))
Your mother's in here, Karras. Would you like to leave a message? I'll see that she gets it.
William Peter Blatty (The Exorcist & Legion: Two Screenplays)
Eat, sleep, work, make friends, start a family, raise kids, get old and fear death. You just have to do that until you die.
Kazue Kato (青の祓魔師 17 [Ao no Exorcist 17] (Blue Exorcist, #17))
Good luck with the world.
William Peter Blatty (The Exorcist)
He thought of death in its infinite groanings, of Aztecs ripping out living hearts and of cancer and three-year-olds buried alive and he wondered whether God was alien and cruel, but then remembered Beethoven and the dappling of things and “Hurrah for Karamazov” and kindness. He
William Peter Blatty (Legion (The Exorcist, #2))
More rooted in logic was the silence of God. In the world there was evil and much of it resulted from doubt, from an honest confusion among men of good will. Would a reasonable God refuse to end it? Not finally reveal Himself? Not speak?
William Peter Blatty (The Exorcist)
If you think about it, the public perception of funky brain chemistry has been as varied and weird as the symptoms, historically speaking. If I had been born a Native American in another time, I might have been lauded as a medicine man. My voices would have been seen as the voices of ancestors imparting wisdom. I would have been treated with great mystical regard. If I had lived in biblical times, I might have been seen as a prophet, because, let’s face it, there are really only two possibilities: either prophets were actually hearing God speaking to them, or they were mentally ill. I’m sure if an actual prophet surfaced today, he or she would receive plenty of Haldol injections, until the sky opened up and the doctors were slapped silly by the Hand of God. In the Dark Ages my parents would have sent for an exorcist, because I was clearly possessed by evil spirits, or maybe even the Devil himself. And if I lived in Dickensian England, I would have been thrown into Bedlam, which is more than just a description of madness. It was an actual place—a “madhouse” where the insane were imprisoned in unthinkable conditions. Living in the twenty-first century gives a person a much better prognosis for treatment, but sometimes I wish I’d lived in an age before technology. I would much rather everyone think I was a prophet than some poor sick kid.
Neal Shusterman (Challenger Deep)
How do we exorcise one of the Jinn?" He shrugged. "You got Yellow Pages?" "Seriously?" Jai snorted. "Yes, Ari. There are Aissawa Exorcists in the Yellow Pages." Huffing, Ari walked away from him. "You really need to work on intonation when you use sarcasm. That way people will know when you're being an asshole." "And you need to work on your gullibility." "Well, I was under the impression you have no sense of humour so forgive me for believing everything you say." "Well that should be fun." "See!" she threw over her shoulder. "No intonation.
Samantha Young (Smokeless Fire (Fire Spirits, #1))
Ah, well … at last I realized that God would never ask of me that which I know to be psychologically impossible; that the love which He asked was in my will and not meant to be felt as emotion. No. Not at all. He was asking that I act with love; that I do unto others; and that I should do it unto those who repelled me, I believe, was a greater act of love than any other.
William Peter Blatty (The Exorcist)
Gliding spiderlike, rapidly, close behind Sharon, her body arched backward in a bow with her head almost touching her feet, was Regan, her tongue flicking quickly in and out of her mouth while she hissed sibilantly like a serpent. Sharon stopped then screamed as she felt Regan's tongue snaking out at her ankle.
William Peter Blatty (The Exorcist (The Exorcist, #1))
Brother Lemon and Abby looked at each other, eyes gleaming in the shadows, and then he stood up. Rummaging in one of his duffle bags, he pulled out an athletic cup and slid it down the front of his pants. He caught Abby staring. "First place they go for," he explained. He adjusted himself and picked up a well worn bible.
Grady Hendrix (My Best Friend's Exorcism)
But I'll tell you something, Father; you give me Regan's identical twin: same face, same voice, same smell, same everything down to the way she dots her i's, and still I'd know in a second that it wasn't really her! I'd know it! I'd know it in my gut and I'm telling you I know that thing upstairs is not my daughter! I know it! I know!
William Peter Blatty (The Exorcist (The Exorcist, #1))
No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves.
William Peter Blatty (The Exorcist (The Exorcist, #1))
We have familiar experience of the order, the constancy, the perpetual renovation of the material world which surrounds us. Frail and transitory as is every part of it, restless and migratory as are its elements, still it abides. It is bound together by a law of permanence, and though it is ever dying, it is ever coming to life again. Dissolution does but give birth to fresh modes of organization, and one death is the parent of a thousand lives. Each hour, as it comes, is but a testimony how fleeting, yet how secure, how certain, is the great whole. It is like an image on the waters, which is ever the same, though the waters ever flow. The sun sinks to rise again; the day is swallowed up in the gloom of night, to be born out of it, as fresh as if it had never been quenched. Spring passes into summer, and through summer and autumn into winter, only the more surely, by its own ultimate return, to triumph over that grave towards which it resolutely hastened from its first hour. We mourn the blossoms of May because they are to wither; but we know that May is one day to have its revenge upon November, by the revolution of that solemn circle which never stops—which teaches us in our height of hope, ever to be sober, and in our depth of desolation, never to despair.
William Peter Blatty (The Exorcist)
Regan had the physical syndrome of possession. That much he knew. Of that he had no doubt. For in case after case, irrespective of geography or period of history, the symptoms of possession were substantially constant. Some Regan had not evidenced as yet: stigmata; the desire for repugnant foods; the insensitivity to pain; the frequent loud and irrepressible hiccuping. But the others she had manifest clearly: the involuntary motor excitement; foul breath; furred tongue; the wasting away of the frame; the distended stomach; the irritations of the skin and mucous membrane. And most significantly present were the basic symptoms of the hard core of cases which Oesterreich had characterized as genuine possession: the striking change in the voice and the features, plus the manifestation of a new personality.
William Peter Blatty (The Exorcist (The Exorcist, #1))
This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke love Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the Mafioso loves, too—eating and money and Paulie and omerta` --the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
Jess Walter (Beautiful Ruins)
Then, suddenly, a shadowy flash came to me. Tiffany, taking an order, arguing with a girl. Shockingly, not me. Another flash, of Detective Toscano walking into Yummy’s minutes ago. Tiffany nervously kneading a coaster between her fingers. The coaster I held in my hands right now. Tiffany was scared. Why was she scared of the cop? “Hey! Space shot! You want your Coke or not?” I tried to ignore Tiffany’s screeching and hold on to the vision, but it blurred and disappeared. I grabbed my new glass from her outstretched hand. “I heard you got into an argument last night,” I said. Tiffany paled, which I never thought possible since her skin was so fake-and-bake tan. She nervously twirled a lock of her bleach blond hair around her finger. “Where did you hear that?” “Doesn’t matter where I heard it.” I took a chance and added, “But it was pretty juicy gossip, considering who she was.” Tiffany’s pale face turned to green and I involuntarily took a step back ,half expecting an Exorcist-style stream of vomit to shoot out of her gaping mouth. Instead, she narrowed her eyes and leaned closer. “Get away from me,” she growled. And then it became clear. My flash of her argument. Her fear of the detective. She’d argued with the girl who was murdered last night. And she did not want Detective Toscano to find out about it. I stepped away from the bar, giddy with my new knowledge. I had the upper hand on Tiffany Desposito. I could torture her with this. Drag it out. Hold it over her head for days, even weeks. “It’s too bad you’re not with Justin anymore,” she said to my back. “He’s a cutie. And such a good kisser.” And that was my limit. I spun around and dumped my brand-new Coke over her head. She shrieked and flailed her hands as the liquid streamed over her face and down between her giant boobs. She peeled her sticky hair off her eyes and snarled, “I’ll get you for this.” I merely smiled, then sauntered over to the two Toscanos, who had apparently been watching this whole display with entertained grins on their faces. “You’re the new detective?” I asked the elder Toscano. He nodded. Either his mouth was too full with French fries or he was too scared of me to speak at the moment. “Tiffany Desposito, the wet and sticky waitress over there? She had a fight with the girl who was murdered. Last night, at this restaurant. You should question her right away. I wouldn’t even give her a chance to go home and shower first. I think she’s a flight risk.” I strolled back to my booth, sat down, and tore into my pancakes, happy as a kid on Christmas. Nate and Perry stared at me in silence for a few moments. Then Perry said, “Maybe you should have let me go over.” Nate shook his head. “Nah. She did just fine.
Kim Harrington (Clarity (Clarity, #1))
What’s the point?” “Who can know?” answered Merrin. “Who can really hope to know? And yet I think the demon’s target is not the possessed; it is us … the observers … every person in this house. And I think—I think the point is to make us despair; to reject our own humanity, Damien: to see ourselves as ultimately bestial, vile and putrescent; without dignity; ugly; unworthy. And there lies the heart of it, perhaps: in unworthiness. For I think belief in God is not a matter of reason at all; I think it finally is a matter of love: of accepting the possibility that God could ever love us.” Merrin paused, then continued more slowly and with an air of introspection: “Again, who really knows. But it is clear—at least to me—that the demon knows where to strike. Oh, yes, he knows. Long ago I despaired of ever loving my neighbor. Certain people … repelled me. And so how could I love them? I thought. It tormented me, Damien; it led me to despair of myself and from that, very soon, to despair of my God. My faith was shattered.” Surprised, Karras turned and looked at Merrin with interest. “And what happened?” he asked. “Ah, well … at last I realized that God would never ask of me that which I know to be psychologically impossible; that the love which He asked was in my will and not meant to be felt as emotion. No. Not at all. He was asking that I act with love; that I do unto others; and that I should do it unto those who repelled me, I believe, was a greater act of love than any other.” Merrin lowered his head and spoke even more softly. “I know that all of this must seem very obvious to you, Damien. I know. But at the time I could not see it. Strange blindness. How many husbands and wives,” Merrin uttered sadly, “must believe they have fallen out of love because their hearts no longer race at the sight of their beloveds. Ah, dear God!” He shook his head. And then he nodded. “There it lies, I think, Damien … possession; not in wars, as some tend to believe; not so much; and very rarely in extraordinary interventions such as here … this girl … this poor child. No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves … for ourselves.
William Peter Blatty (The Exorcist)