Exit West Nadia Quotes

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The fury of those nativists advocating wholesale slaughter was what struck Nadia most, and it struck her because it seemed so familiar, so much like the fury of the militants in her own city. She wondered whether she and Saeed had done anything by moving, whether the faces and buildings had changed but the basic reality of their predicament had not.
Mohsin Hamid (Exit West)
Saeed wanted to feel for Nadia what he had always felt for Nadia, and the potential loss of this feeling left him unmoored, adrift in a world where one could go anywhere but still find nothing.
Mohsin Hamid (Exit West)
Saeed and Nadia knew what the buildup to conflict felt like, and so the feeling that hung over London was not new to them, and they faced it not with bravery, exactly, and not with panic either, not mostly, but instead with a resignation shot through with moments of tension, with tension ebbing and flowing, and when the tension receded there was calm, the calm that is called the calm before the storm, but is in reality the foundation of a human life, waiting there for us between the steps of our march to our mortality, when we are compelled to pause and not act but be.
Mohsin Hamid (Exit West)
He was drawn to people from their country, both in the labor camp and online. It seemed to Nadia that the farther they moved from the city of their birth, through space and through time, the more he sought to strengthen his connection to it, tying ropes to the air of an era that for her was unambiguously gone.
Mohsin Hamid (Exit West)
……., and in any case Nadia had taken one look at Saeed’s father and felt him like a father, for he was so gentle, and evoked in her a protective caring, as if for one’s own child, or for a puppy, or for a beautiful memory one knows has already commenced to fade.
Mohsin Hamid (Exit West)
Saeed was certain he was in love. Nadia was not certain what exactly she was feeling, but she was certain it had force. Dramatic circumstances, such as those in which they and other new lovers in the city now found themselves, have a habit of creating dramatic emotions, and furthermore the curfew served to conjure up an effect similar to that of a long-distance relationship, and long-distance relationships are well known for their potential to heighten passion, at least for a while, just as fasting is well known to heighten one’s appreciation for food.
Mohsin Hamid (Exit West)
The effect doors had on people altered as well. Rumors had begun to circulate of doors that could take you elsewhere, often to places far away, well removed from this death trap of a country. Some people claimed to know people who knew people who had been through such doors. A normal door, they said, could become a special door, and it could happen without warning, to any door at all. Most people thought these rumors to be nonsense, the superstitions of the feeble-minded. But most people began to gaze at their own doors a little differently nonetheless. Nadia
Mohsin Hamid (Exit West)
Once as Nadia sat on the steps of a building reading the news on her phone across the street from a detachment of troops and a tank, she thought she saw online a photograph of herself sitting on the steps of a building reading the news on her phone across the street from a detachment of troops and a tank, and she was startled and wondered how this could be. How she could both read this news and be this news. And how the newspaper could have published this instantaneously, and she looked about for a photographer, and she had the bizarre feeling of time bending all around her, as though she were from the past reading about the future, or from the future reading about the past.
Mohsin Hamid (Exit West)
They finished their coffees. Nadia asked if Saeed had been to the deserts of Chile an seen the stars an was it all he had imagined it would be. He nodded and said if she had an evening free he would take her, it was a sight worth seeing in this lie, and she shut her eyes and said she would like that very much, and they rose and embraced and parted and did not know, then, if that evening would ever come.
Mohsin Hamid (Exit West)
Saeed for his part wished he could do something for Nadia, could protect her from what would come, even if he understood, at some level, that to love is to enter into the inevitability of one day not being able to protect what is most valuable to you. He thought she deserved better than this, but he could see no way out, for they had decided not to run, not to play roulette with yet another departure. To flee forever is beyond the capacity of most: at some point even a hunted animal will stop, exhausted, and await its fate, if only for a while.
Mohsin Hamid (Exit West)
Saeed and Nadia knew what the buildup to conflict felt like, and so the feeling that hung over London in those days was not new to them, and they faced it not with bravery, exactly, and not with panic either, not mostly, but instead with a resignation shot through with moments of tension, with tension ebbing and flowing, and when the tension receded there was calm, the calm that is called the calm before the storm, but is in reality the foundation of a human life, waiting there for us between the steps of our march to our mortality, when we are compelled to pause and not act but be.
Mohsin Hamid (Exit West)
When he prayed he touched his parents, who could not otherwise be touched, and he touched a feeling that we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another, and out of this Saeed felt it might be possible, in the face of death, to believe in humanity’s potential for building a better world, and so he prayed as a lament, as a consolation, and as a hope, but he felt that he could not express this to Nadia,
Mohsin Hamid (Exit West)
Saeed’s father encountered each day objects that had belonged to his wife and so would sweep his consciousness out of the current others referred to as the present, a photograph or an earring or a particular shawl worn on a particular occasion, and Nadia encountered each day objects that took her into Saeed’s past, a book or a music collection or a sticker on the inside of a drawer, and evoked emotions from her own childhood, and jagged musings on the fate of her parents and her sister, and Saeed, for his part, was inhabiting a chamber that had been his only briefly, years ago, when relatives from afar or abroad used to come to visit, and being billeted here again conjured up for him echoes of a better era, and so in these several ways these three people sharing this one apartment splashed and intersected with each other across varied and multiple streams of time.
Mohsin Hamid (Exit West)
Now, though, in Marin, Saeed prayed even more, several times a day, and he prayed fundamentally as a gesture of love for what had gone and would go and could be loved in no other way. When he prayed he touched his parents, who could not otherwise be touched, and he touched a feeling that we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another, and out of this Saeed felt it might be possible, in the face of death, to believe in humanity’s potential for building a better world, and so he prayed as a lament, as a consolation, and as a hope, but he felt that he could not express this to Nadia, that he did not know how to express this to Nadia, this mystery that prayer linked him to, and it was so important to express it,
Mohsin Hamid (Exit West)
……., and in any case Nadia had taken one look at Saeed’s father and felt him like a father, for he was so gentle, and evoked in her a protective caring, as if for one’s own child, or for a puppy, or for a beautiful memory one know has already commenced to fade.
Mohsin Hamid (Exit West)
Nadia's experiences during her first months as a single woman living on her own did, in some moments, equal or even surpass the loathsomeness and dangerousness that her family had warned her about. But she had a job at an insurance company, and she was determined to survive, and so she did.
Mohsin Hamid (Exit West)
Da parte sua, Saeed avrebbe voluto poter fare qualcosa per Nadia, poterla proteggere da quel che li aspettava, per quanto, a un certo livello, capisse che amare significa accettare che inevitabilmente un giorno non riuscirai a proteggere quel che hai di più prezioso.
Mohsin Hamid (Exit West)
To Nadia, Saeed was if anything more handsome than he had been before, his hard work and gauntness suiting him, giving him a contemplative air, making out of his boyishness a man of substance.
Mohsin Hamid (Exit West)
He was drawn to people from their country, both in the labour camp and online. It seemed to Nadia that the further they moved from the city of their birth, through space and through time, the more he sought to strengthen his connection to it, tying ropes to the air of an era that for her was unambiguously gone.
Mohsin Hamid (Exit West)
this phone stripped of so much of its potential, allowed him to access Nadia’s separate existence, at first hesitantly, and then more frequently, at any time of day or night, allowed him to start to enter into her thoughts, as she toweled herself after a shower, as she ate a light dinner alone, as she sat at her desk hard at work, as she reclined on her toilet after emptying her bladder. He made her laugh, once, then again, and again, he made her skin burn and her breath shorten with the surprised beginnings of arousal, he became present without presence, and she did much the same to him.
Mohsin Hamid (Exit West)
Saeed for his part wished he could do something for Nadia, could protect her from what would come, even if he understood, at some level, that to love is to enter into the inevitability of one day not being able to protect what is most valuable to you.
Mohsin Hamid (Exit West)
There was no physical violence in Nadia’s home, and much giving to charity, but when after finishing university Nadia announced, to her family’s utter horror, and to her own surprise for she had not planned to say it, that she was moving out on her own, an unmarried woman, the break involved hard words on all sides, from her father, from her mother, even more so from her sister, and perhaps most of all from Nadia herself, such that Nadia and her family both considered her thereafter to be without a family, something all of them, all four, for the rest of their lives, regretted, but which none of them would ever act to repair, partly out of stubbornness, partly out of bafflement at how to go about doing so, and partly because the impending descent of their city into the abyss would come before they realized that they had lost the chance.
Mohsin Hamid (Exit West)
Saeed for his part wished he could do something for Nadia, could protect her from what would come, even if he understood, at some level, that to love is to enter into the inevitability of one day not being able to protect what is most valuable to you. He thought she deserved better than this, but he could see no way out, for they had decided not to run, not to play roulette with yet another departure. To flee forever is beyond the capacity of most: at some point even a hunted animal will stop, exhausted, and await its fate, if only for a while. “What do you think happens when you die?” Nadia asked him. “You mean the afterlife?” “No, not after. When. In the moment. Do things just go black, like a phone screen turning off? Or do you slip into something strange in the middle, like when you’re falling asleep, and you’re both here and there?” Saeed thought that it depended on how you died. But he saw Nadia seeing him, so intent on his answer, and he said, “I think it would be like falling asleep. You’d dream before you were gone.
Mohsin Hamid (Exit West)
third layer of nativeness was composed of those who others thought directly descended, even in the tiniest fraction of their genes, from the human beings who had been brought from Africa to this continent centuries ago as slaves. While this layer of nativeness was not vast in proportion to the rest, it had vast importance, for society had been shaped in reaction to it, and unspeakable violence had occurred in relation to it, and yet it endured, fertile, a stratum of soil that perhaps made possible all future transplanted soils, and to which Saeed in particular was attracted, since at a place of worship where he had gone one Friday the communal prayer was led by a man who came from this tradition and spoke of this tradition, and Saeed had found, in the weeks he and Nadia had been in Marin, this man’s words to be full of soul-soothing wisdom.
Mohsin Hamid (Exit West)
LATER THAT DAY, in the evening, Nadia’s time, the sun having slipped below her horizon, it was morning in the San Diego, California, locality of La Jolla, where an old man lived by the sea, or rather on a bluff overlooking the Pacific Ocean.
Mohsin Hamid (Exit West)
and inside it were Nadia and Saeed, who had run from war already, and did not know where next to run, and so were waiting, waiting, like so many others.
Mohsin Hamid (Exit West)
Every time a couple moves they begin, if their attention is still drawn to one another, to see each other differently, for personalities are not a single immutable color, like white or blue, but rather illuminated screens, and the shades we reflect depend much on what is around us. So it was with Saeed and Nadia, who found themselves changed in each other’s eyes in this new place.
Mohsin Hamid (Exit West)
The housekeeper screamed as she unlocked the front door, and the police arrived quickly after, two men in old-fashioned black hats, but they only looked in from outside, and did not enter. Soon there was a vanload more of them, in full riot gear, and then a car with two more who wore white shirts and black vests and were armed with what appeared to be submachine guns, and on their black vests was the word POLICE in white letters but these two looked to Saeed and Nadia like soldiers.
Mohsin Hamid (Exit West)
and it was an easy promise to make because she had at that time no thoughts of leaving Saeed, but it was also a difficult one because in making it she felt she was abandoning the old man, and even if he did have his siblings and his cousins, and might now go live with them or have them come live with him, they could not protect him as Saeed and Nadia could, and so by making the promise he demanded she make she was in a sense killing him, but that is the way of things, for when we migrate, we murder from our lives those we leave behind.
Mohsin Hamid (Exit West)
There was also closeness, for the end of a couple is like a death, and the notion of death, of temporariness, can remind us of the value of things, which it did for Saeed and Nadia, and so even though they spoke less and did less together, they saw each other more, although not more often.
Mohsin Hamid (Exit West)